#kindle publishing income

[gilsonlawfirm]

Unlocking the Secrets of Kindle Publishing Income

Introduction

Are you searching for a way to turn your passion for writing into how to unlock your financial success? Kindle publishing income through affiliate marketing might be the perfect solution for you. This innovative approach allows writers and content creators to monetize their work while promoting products and services they genuinely believe in.

In this article, we will delve deep into the world of Kindle publishing income through affiliate marketing. We will provide you with valuable insights, practical tips, and effective strategies to succeed in this dynamic field. Whether you are a seasoned writer or just starting, this guide will equip you with the tools you need to thrive.

What is Kindle Publishing Income?

Kindle publishing income offer comprehensive truth behind the revenue generated by self-publishing eBooks on Amazon's Kindle Direct Publishing platform. As an author, you can earn royalties from the sales of your eBooks to readers worldwide. Kindles massive user base and global reach offer unparalleled opportunities for aspiring writers.

What is Affiliate Marketing?

Affiliate marketing is a performance-based marketing strategy where individuals or businesses promote products or services and earn a commission for every sale or action made through their unique affiliate link. It is a win-win scenario, benefiting both the affiliate marketer and the product/service provider.

Understanding the Synergy: Kindle Publishing and Affiliate Marketing

Now, let's explore how Kindle publishing income review and affiliate marketing come together to create a powerful revenue-generating model.

Leveraging Your eBooks for Affiliate Marketing

When you self-publish eBooks on Kindle, you establish yourself as an authority in your niche. This credibility can be leveraged to promote products or services related to your eBook's subject matter. By strategically placing affiliate links within your eBooks, you can drive traffic and potential buyers to your affiliate partner's website.

Selecting the Right Affiliate Programs

To maximize your earnings, it's crucial to choose affiliate programs that align with your eBook's theme and resonate with your target audience. Research and select reputable affiliate programs that offer high-quality products or services and attractive commission rates.

Building a Targeted Audience

Success in Kindle publishing income - affiliate marketing heavily relies on building a loyal and targeted audience. Utilize social media, email marketing, and content marketing to reach your potential readers and convert them into affiliate customers.

The Step-by-Step Guide to Kindle Publishing Income - Affiliate Marketing

In this section, we will provide a comprehensive step-by-step guide to help you kick start your journey in Kindle publishing income through affiliate marketing.

Step 1: Identify Your Niche and Passion

Before you embark on your publishing journey, identify a niche that aligns with your passion and expertise. Writing about a subject you genuinely care about will reflect in your work and resonate with your readers.

Step 2: Conduct Market Research

Thorough market research is essential to understand your target audience, analyze competitors, and identify potential affiliate partnerships. Use tools like Google Keyword Planner and Amazon Best Sellers Rank to uncover lucrative opportunities.

Step 3: Create Engaging and Valuable Content

Craft compelling eBooks that offer value to your readers. Focus on solving problems, providing insights, and delivering unique perspectives that set your work apart from others.

Step 4: Optimize Your eBooks for Kindle

Ensure your eBooks are professionally formatted and visually appealing. Pay attention to book covers, formatting, and typography to make your eBooks stand out and attract more readers.

Step 5: Publish and Promote Your eBooks

Publish your eBooks on Kindle Direct Publishing and promote them through various channels, such as social media, author websites, and book promotion websites. Use platforms like Good reads and Book Bub to reach a broader audience.

Step 6: Select and Join Affiliate Programs

Research and join reputable affiliate programs that align with your eBook's content. Choose programs that offer products or services relevant to your readers and complement your writing.

Step 7: Integrate Affiliate Links Strategically

Carefully place affiliate links within your eBooks and promotional content. Avoid being overly promotional; instead, focus on providing value and genuinely recommending products or services.

Step 8: Monitor Performance and Optimize

Regularly monitor the performance of your eBooks and affiliate marketing efforts. Analyze data to identify what works best and optimize your strategies accordingly.

Conclusion

Kindle publishing income through affiliate marketing is a rewarding endeavor for aspiring writers looking to monetize their passion. By combining self-publishing with affiliate marketing, you can establish a profitable and sustainable source of passive income.

FAQs

Can I participate in multiple affiliate programs simultaneously?

Yes, you can join and promote multiple affiliate programs simultaneously, but ensure they are relevant to your eBook's theme and don't overwhelm your readers with excessive promotions.

How much commission can I earn from affiliate marketing?

Affiliate commission rates vary depending on the product or service. Commissions can range from a few percent to upwards of 50% or more.

Do I need a blog or website for affiliate marketing?

While having a blog or website can enhance your affiliate marketing efforts, it's not mandatory. You can also use social media platforms, email marketing, and other channels to promote your eBooks and affiliate links.

Is Kindle Direct Publishing free to use?

Yes, Kindle Direct Publishing is a free platform to publish and distribute eBooks. You only pay when readers purchase your eBooks.

Can I promote physical products as an affiliate marketer?

Absolutely! Many affiliate programs offer physical products, and promoting them can be just as lucrative as promoting digital products.

[editcrafttech]

Kindle Publishing Income: The Path to Financial Freedom

Introduction

Do you dream of becoming a successful author and earning a substantial income from your writing? The world of publishing has undergone a significant transformation with the advent of digital platforms, providing aspiring writers with new opportunities to generate income. In this comprehensive guide, we will delve into the realm of Kindle publishing income review and explore the potential it holds for authors looking to make a mark in the literary world. Whether you're a seasoned writer or just starting on your writing journey, this article will equip you with the knowledge and strategies needed to maximize your earnings through Kindle publishing.

What is Kindle Publishing Income?

At its core, Kindle publishing income refers to the revenue generated by authors through self-publishing their works on Amazon's Kindle Direct Publishing (KDP) platform. With the rise in popularity of e-books and the widespread use of e-readers, authors now have the ability to publish their books directly to a global audience without the need for traditional publishing contracts. By tapping into the immense potential of Kindle publishing, authors can not only gain creative control over their works but also enjoy the financial rewards that come with it.

The Advantages of Kindle Publishing Income

Before we delve further into the intricacies of KPI, let's take a closer look at the advantages that make it an attractive option for aspiring authors:

Greater Royalties: Unlike traditional publishing contracts that often offer authors a modest percentage of the book's sales, KPI allows authors to earn royalties of up to 70% on every sale. This significantly increases the earning potential and incentivizes authors to pursue self-publishing.

Global Reach: Amazon's Kindle publishing detail review has a vast international presence, enabling authors to reach readers from all corners of the globe. With a few clicks, authors can make their books available to millions of readers worldwide, thereby expanding their potential customer base.

Control over Content: Self-publishing empowers authors to retain complete control over their creative works. From cover design to pricing and marketing strategies, authors have the freedom to make important decisions and shape their book according to their vision.

Quick Publishing Process: Unlike the lengthy process involved in traditional publishing, Kindle publishing offers a streamlined and efficient publishing process. Authors can upload their manuscripts, set up their book details, and publish their work in a matter of hours.

Low Barriers to Entry: Kindle publishing eliminates many of the barriers that authors traditionally faced when trying to get their books published. With minimal upfront costs and no requirement for literary agents or publishers, authors can now easily enter the publishing world and showcase their talent to a global audience.

Flexible Pricing: Kindle Direct Publishing allows authors to experiment with pricing strategies, offering them the ability to adjust their book prices at any time. This flexibility enables authors to optimize their earnings by testing different price points and promotional offers.

Now that we have explored the advantages for your business, let's delve into the strategies and steps authors can take to maximize their earnings on this platform.

Strategies to Maximize Kindle Publishing Income

Choose the Right Genre: Selecting the right genre for your book plays a crucial role in determining its success. Research popular genres on the Kindle platform and identify the ones that align with your writing style and interests. By understanding the market demand, you can position your book for maximum visibility and sales potential.

Craft an Engaging Book Cover: They say, "Don't judge a book by its cover," but in the world of publishing, first impressions matter. Invest in a professionally designed book cover that captures the essence of your story and appeals to your target audience. A visually striking cover can entice potential readers and increase the likelihood of sales.

Polish Your Manuscript: Quality writing is the backbone of any successful book. Before publishing, ensure that your manuscript is professionally edited and proofread. Typos, grammatical errors, and poor writing can significantly impact reader satisfaction and hinder the success of your book. Consider hiring a professional editor or utilizing editing tools to refine your work.

Implement Effective Marketing Strategies: Writing a great book is only half the battle; promoting it effectively is equally important. digital marketing tactics to increase the visibility of your book, such as running targeted advertisements, utilizing social media platforms, engaging with book bloggers and influencers, and leveraging your existing network of readers and friends.

Optimize Book Metadata: When uploading your book to Kindle Direct Publishing, pay close attention to the metadata, including the book title, subtitle, keywords, and book description. These elements influence your book's discoverability and search engine rankings. Conduct keyword research to identify relevant terms and incorporate them strategically into your metadata.

Leverage Kindle Select Program: Consider enrolling your book in the Kindle Select program, which provides exclusive benefits such as access to Kindle Unlimited and Kindle Owners' Lending Library. This program allows readers to borrow your book for free, increasing exposure and potential royalties through page reads.

Seek Reviews and Testimonials: Positive reviews and testimonials can go a long way in building business. Encourage your readers to leave reviews on your book's Amazon page and seek testimonials from influential figures in your niche. These endorsements can help establish your reputation as an author and entice potential readers to give your book a chance.

Engage with Your Readers: Building a loyal readership is crucial for long-term success as an author. Engage with your readers by responding to their comments and messages, offering exclusive content or bonuses, and nurturing a sense of community through newsletters or social media groups. By fostering a connection with your readers, you can cultivate a fan base that eagerly anticipates your future releases.

Experiment with Pricing and Promotions: Kindle Direct Publishing allows authors to run price promotions and discount campaigns to attract new readers. Experiment with different pricing strategies, such as temporarily reducing the price of your book or offering it for free, to stimulate sales and gain visibility. Monitor the impact of these promotions on your book's sales service and adjust your strategy accordingly.

Harness the Power of Keywords: Keywords play a vital role in helping readers discover your book. Conduct thorough keyword research to identify relevant terms that align with your book's content and genre. Incorporate these keywords organically throughout your book's description, title, and subtitle to improve its visibility in Amazon's search results.

With these strategies in place, you can optimize your KPI and create a solid foundation for your writing career. Kindle Direct Publishing offers an abundance of opportunities for authors willing to put in the effort and explore creative marketing approaches.

Conclusion

Kindle publishing income has revolutionized the way authors bring their works to the world. With its global reach, attractive royalties, and creative control, self-publishing through Kindle Direct Publishing offers a lucrative opportunity for aspiring authors to showcase their talent and generate substantial income. By implementing effective marketing strategies, leveraging the power of keywords, and engaging with readers, authors can maximize their earnings and establish a successful writing career. Embrace the digital age of publishing, tap into the potential of Kindle publishing, and embark on a journey of literary success.

FAQs

Yes, Kindle Direct Publishing allows authors to publish both new and existing books. If you hold the rights to your previously published works, you can re-publish them on the Kindle platform and reach a broader audience.

No, there are no upfront costs to publish your book on Kindle Direct Publishing. Amazon operates on a revenue-sharing model, deducting a percentage of royalties based on the sale of each book.

Yes, Kindle Direct Publishing supports books in multiple languages. You can publish your book in various languages to cater to a global audience and expand your readership.

[victortechology]

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[scottrandygerber]

THE KDP EFFECT, Your Blueprint to Self-Publishing Success book is currently available on Amazon by Author Scott Randy Gerber.

It has been a busy year with all the projects and completing the two books. The latest book is all about self-publishing and is called THE KDP EFFECT and is available on Amazon as of a few days ago. The book covers everything you need to know to be successful using KDP for self publishing.

Are you ready to take your writing career into your own hands and unlock the full potential of Amazon Kindle Direct Publishing (KDP)? Whether you're a first-time author or a seasoned writer, this step-by-step guide will teach you how to self-publish like a pro and turn your book into a global bestseller. Inside The KDP Effect, you’ll learn:

How to effortlessly navigate the Amazon KDP platform.Discover the Secrets to Self-Publishing Success with The KDP Effect!

Proven strategies for writing, formatting, and publishing a professional-quality book.

Expert tips on creating a stunning book cover that grabs readers’ attention.

Advanced marketing techniques to boost your book’s visibility and sales.

How to establish your author brand and build a loyal reader base.

Strategies for earning passive income through your books.

From crafting your manuscript to seeing your book rank in Amazon’s bestseller lists, this guide is your blueprint to self-publishing success. With real-world examples, actionable insights, and tools tailored for today’s digital author, The KDP Effect will empower you to bring your story to life. Take the first step toward becoming a self-published author today. Your audience is waiting!

[timothy-kang]

Road to Rich— Keys for Passive Income from Mike

1. Selling e-books is like real estate investments. 2. Leverage the exited business. 3. Use a ChatGPT for making a book. 4. Create ebook by Kindle Direct Publishing. 5. Start a ClickBank and earn money via commission. 6. Find trendy products on Etsy. 7. Visit the site, “printful.com” to find the customized goods.

[thebibliosphere]

I love how transparent you are about what its like to be a self published author in this day and age, and i was just wondering if there was a difference on your side between amazon ebook/paperback and audible - and also if Scribd is any better, because i use it as an alternative to amazon whenever possible (and whenever the library doesnt own a copy of whatever im looking for) is it functionally all the same? What is best for you?

Thank you!

I actually did a huge long post a while back when I got the audiobooks produced and uploaded to various platforms. I included Scribd in the breakdown after people falsely claim that Scrib is better for authors than Amazon/Libraries.

A lot of people were not happy when I burst that particular bubble by showing that Scribd paid me 97 cents out of the 19.99 price tag. Which is less than what Audible paid me.

Now, obviously, Scribd is different because it's a subscription service, and you’re paying for access to multiple things with that subscription. But saying it is better than libraries is just false because I also showed the numbers for that, and my income from libraries was several times higher than both Scribd and Amazon combined (for audio), which is why authors are always begging people to request their work in libraries.

Libraries pay us better and are usually free. Not always. I know it depends heavily on the country, but for most of my English-speaking audience, that is the case.

Now, this is not to say people shouldn’t use services like Scribd. If Scribd is what you can afford and it gives you access to things your library can’t fantastic. Please continue to access our work through that legal option. I would much rather earn 97 cents than zero.

But uh, yeah, Amazon pays me more than Scrib for digital stuff and I really don’t like when people who aren’t on the author side spread misinformation and frame it as some more “gotcha.”

The sad truth is Most retailers pay us the same or within the same royalty range. The difference I earn between Kobo vs Kindle is literal pennies with Amazon coming out on top. I make my work available on multiple platforms to give people options, but unless you’re buying directly from my personal storefront, it's all roughly the same.

I do actually earn more from Amazon paperbacks than I do any other retailers (for self-pub, paperbacks are a flat rate regardless of how much a retailer is charging), but the difference is about ten cents, so I always tell people to buy from wherever is best for them.

I like bookshop.org because they give some of the profit on their end to indie bookstores. Same with libro.fm for audio.

Audiobooks are just a whole fucking nightmare. Audible sets your price point for you and takes 80% of your royalties. And because Audible does that, I have to then use that price tag on all other platforms or risk being fucked by the algorithm gods. Other audio retailers take about 60-70% in royalties, most of them veering toward 70%.

As we say in radical acceptance therapy, it is what it is—fucking end-stage monopoly driven capitalism.

Now, speaking personally, when it comes to digital media, I earn the most royalties from my Payhip store where I keep 90% of my income.

That's the best place for me.

It's also why it's worth looking up an author you like to see if they have their own storefront. It doesn't help our sales rankings or put us on any bestseller lists, but frankly after launch week, who cares. I’ll take being able to feed me and my dog.

I hope that helps!

[traegorn]

So when I do finish this book I am writing (speaking it into existence bc adhd is a BITCH) Like what's your experience with publishing? How much does it usually cost? What kinda income does one get? I don't really care about making money but it would be super neat to make something since I cannot work. How do taxes work on that also? Google is confusing me

So far i have an idea and half a first chapter with thrilling notes such as " add a cat" and "insert spell here"

So I self publish, so that's the world I know. If you want to find a traditional publisher, you'll need to query agents and do a bunch of other stuff. My only advice for traditional publishing is that when going that route, money should always flow towards the author. If they're asking you to pay for something, they aren't a traditional publisher and there's a good chance it's a grift.

So let's talk about what I do know.

(And this turned out to be long as hell, so I'm putting in a "keep reading")

When you self publish, you are effectively acting as the publisher. If you want someone to do edits? You'll have to hire an editor. If you want someone to do the book layouts? You'll have to hire someone to do it if you can't do it yourself. You need a cover? You get the idea.

Now I don't pay an editor, so I can't really give you a price range on how much they cost off the top of my head. I do know they can get expensive though.

I also do all my own interiors, but I have a graphic design background and have been doing print layouts for decades. If you want to hire someone to do the interiors, that can run you $100-500, so I recommend just... learning to do it yourself.

Frankly, it's not terribly hard. I do mine in Apple Pages on my Mac for my paperbacks and Amazon has a free program for formatting eBooks (which you can export both as the Kindle format OR the more universal ePub format). With your print version, you just want to make sure you get your margins right, along with using a standard font like Times New Roman.

Like, literally just pick up a book and study the layout. Look at the front matter (copyright page, title page, etc) of a handful of books and mimic what you find there. I don't know why so many self published authors get that bit wrong. It's a book. Format it like a book.

Now the cover... this is where you'll probably end up spending something. I do my own covers for my comics, but hire out for my novels because I can't do the kind of covers expected of my genre. And you do want to match your genre, because you want a potential reader to know what they're getting into. I've seen so many self published books with terrible covers and it drives me nuts.

Cover design can run you anywhere from $35-$400 depending on who you choose to contract, and this is where I recommend you spend your money. On the cheap end you have companies like GetCovers. Now they primarily do covers made from edited stock photos, and I've honestly been pretty satisfied with their work... but you have to hold their hand and be very clear with what you want.

GetCovers is a part of Mibl Group, and it's pretty much all of their most inexperienced employees. The whole point of it is to get them the experience to work on bigger projects down the road. They have cheaper packages, but for their best work you'll probably only spend like $35-$45. If you're working in a genre that mainly uses stock images, that's who you want.

I often end up retouching the covers they do though, because I'm impatient. Like there are edits to The Witch and the Rose and Shadowcasting I made after they handed me the completed files. You're going to have to be very specific with what you want. The first version of the Bloody Damn Rite cover they did... was awful. But they did the revisions I asked for, and the version they delivered in the end was great.

Now if you want, like, original art or just more complicated, custom stuff? You're looking at at least $250 on the cheap end, but sometimes you end up in the ballpark of $700-$1000. Like on their regular site (just to use the same company as GetCovers for comparison), the Mibl group charges like $300 for a more complicated stock photo based cover (that requires more complicated edits) and at least $700 for covers that require digital painting, 3d modeling, etc.

There are a wide range of prices depending on what you're asking for. But, y'know, you're paying that once for a commercial piece of graphic design.

I'm cheap and can do some of the work myself, so I go for the $35 cover. I also figure out what fonts they used for the covers, so I can go buy my own commercial license for them and replicate a similar logo on my title page. You don't need to do that bit, I'm just finicky.

Actually publishing the book is easy. You'll want to use a self publishing platform like Kindle Direct Publishing or IngramSpark (or, if you're like me, both). I sell KDP books on Amazon, but all other distribution is through IngramSpark. You make more money on Amazon by using KDP, but even though they offer distribution, no book store will ever order through them. So I turn that option off, and then I take the same book and I make it available through IngramSpark.

On amazon I make a little more than $2 on a $3 ebook, and about $4.00 on a $12.99 paperback. When a bookstore buys an IngramSpark version, I make about $2.50 on a $14.99 book (if you wondered by my books cost more when not buying it through Amazon... that's why). Now if you buy yourself author copies, they cost way less -- in the end I think I can get them for like $5 a book? So when I sell them in person, my margins are much higher.

But, y'know, you have to actually sell them.

Because that's the hard part. When self publishing, you only have you to market it. I don't know how many books I'd be selling if I didn't have a pre-existing audience -- and even then it's not a huge amount. I've sold about 200 books this year? Which isn't nothing, and I appreciate every single person who's purchased one of my titles, but it's obviously not enough to quit my day job for, y'know?

That said, I've known people who do sell enough to make a steady living. So it's possible for sure.

But it's not going to happen overnight, and it won't be easy.

As for taxes, you'll need a 1099 and do stuff with the Schedule C. I always forget exactly what until I'm actually doing them, but it's not super hard, just annoying.

[writingquestionsanswered]

I apologize if this has already been asked, but how does someone go about getting their novel published? Let’s say you’re got your story wrapped up in a nice pretty bow. But you don’t know the first steps to take in order to get it out into the world.

Publishing: Story's Done... Now What?

First, congratulations on finishing your novel! That, in and of itself, is a huge accomplishment!

If you want to get your book out into the world, the next step is to decide which publishing route you want to follow. There are three potential options, each with their own benefits, drawbacks, and pitfalls:

Online Publishing: Sites like Wattpad and Inkitt are online publishing platforms that allow writers to upload their novel and book cover so that it's available for readers to read online or via an app. Depending on what you write, this can be a great way to find readers and start building an audience. Both Wattpad and Inkitt offer the ability for the author to get paid.

Self-Publishing: Many writers choose to self-publish their books as e-books (and sometimes print books) using platforms like Kindle Direct Publishing, Draft2Digital, Barnes and Noble Press, Kobo Writing Life, Smashwords, and others. The benefit to self-publishing is that you maintain 100% control of everything, from rights to design to publishing timeline. You also get to keep a higher percentage of royalties and can get books out faster than you can with traditional publishing. The drawback to self-publishing is getting out a quality, polished book can take a lot of time and effort, and to do it really well you should hire a professional editor and cover designer.

Traditional Publishing: This is the route most people think of when they think of being a published author. Via this route, authors first query their manuscript to literary agents open to submissions. If in agent offers to represent you, they will find a publisher who is a good fit for your book. The interested publisher will offer you a book deal, and the agent helps with the whole process. Less often, writers query publishers directly, though few legitimate publishers accept manuscripts that aren't represented by an agent.

The main benefit of traditional publishing is there is no out-of-pocket cost to the writer, Everyone gets paid out of your book's sales. There's also a fairly good chance you'll receive an advance on royalties, meaning you'll get paid a small sum of money upfront, before your book is even published. You also have a whole team dedicated to helping you make your book the best it can be, and you're much more likely to see your book on bookstore shelves.

The drawbacks of pursuing traditional publishing are numerous. For one thing, it's a time consuming and often frustrating process. Most writers spend anywhere from a few months to a year "in the query trenches" before they find representation, if they ever do at all. The general estimate is that 1% to 2% of writers who pursue traditional publishing will end up with a book deal. Even if you do get a book deal, that doesn't mean your book will definitely be on bookstore shelves or that it will sell really well. There's a lot of competition for shelf space in bookstores, so many traditionally published books never see the inside of a bookstore. Regardless of whether or not a book is on bookstore shelves, only about 25% of traditionally published books sell well enough to earn out their advance, which means the advance is the only profit the author receives from the book. You will also still be responsible for doing the majority of your own marketing and promotion, so just as with self-publishing, how well your book sells can depend partly on how well you market it.

One thing that's true across the board... regardless of whether you choose online publishing, self-publishing, or traditional publishing, is that it's very unlikely to make you a living income. Most writers, whether they're self-published or traditionally published, have a "day job," a writing-related "side hustle" (like book editing, ghost writing, or hosting craft workshops), or they have an independent income such as being retired or having a spouse who supports them. So, don't choose a route because you think it's a fast-path to income or a surefire route to one.

How do you choose between the three? Before you choose a path, it's worth sitting down to take stock of what you want to get out of your publishing career. If you want full control over rights, content, cover design, and publishing timeline, self-publishing may be the best route for you. If you would prefer not to do anything other than write and revise, query, and some marketing, traditional publishing might be a good path. If you want full control over everything but don't want to do much other than write and revise, online publishing may be a good choice. Either way, there's tons of information out there about each option, so make sure to do more research into whichever paths interest you.

Older posts with added info:

Guide: A Quick Rundown on Publishing To Self-Publish or Traditionally Publish? 12 Sites for Sharing Original Fiction

Best wishes on whichever path you choose!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[concerningwolves]

love opening youtube and getting blasted by an advert for kindle publishing income dot com in which a woman enthusiastically tells us how to publish thousands of books a month without writing a word or, like, even thinking. she's going on about the steps she takes to create "really high quality" books within hours and these steps are "use program to generate idea then hire ghost writer (for about $1000)", and then rake in a six-figure income and I'm just like.

um.

fuck off, maybe?

[ex-foster]

I want former foster kids to know how easy it is to publish a book.

I was following a podcast about side hustles and one of their episodes focused on a children's book author. He wrote the story and he paid someone to illustrate it. He allowed the book to be available for amazon kindle subscribers for free for a limited time which gained him some 5 star reviews which bumped him in the algorithm and resulted in sales. Now he makes passive income from it.

So many former foster kids have stories and perspectives that they want to share and I think books are a great way to do it plus it's a passive income stream and that's pretty fabulous.

I know society has normalized sharing our deepest traumas and vulnerablities online but honestly it is not a safe thing to do. People will target you for harassment and use your traumas against you. I'm not saying that publishing a book will eliminate nasty comments, but at least when you put out a book it is a paywall so only invested readers are going to read it not some random anon troll with no stakes in the situation. Books also allow you to get your message out without being interpreted. Being a former foster kid (especially those who age out of care) means you are a really tiny minority. People don't understand your perspective and voicing your opinions online is so unproductive because you just get dog piled by people. Completely outnumbered by people who refuse to see your perspective because they haven't walked in your shoes. Being able to actually write what you need to say uninterrupted is so important.

And despite what some people say, people DO care about former foster youth voices. I'm a former foster kid and I read FFY memoirs. I find it relatable. It's nice to know I'm not alone. It's refreshing to have someone put words to feelings I couldn't articulate before.

Then there's that whole problem with the orphan horror trope. It would be really nice if there were more depictions of foster kids like Lilo from Lilo & Stitch. A quirky little girl that audiences adore. Not a psychopath villain that is revealed to have a tragic history in foster care which explains his murderous rampage. Sometimes people will completely ghost you after knowing you are from foster care so it would be nice if there were some narratives that didn't add to the stigma of foster kids.

[lyonnerileyauthor]

I saw your poll abut kindle unlimited and was wondering if this was you testing out to see if you should put books on amazon into KU.

I can say as an author who had some books in KU for a long while and recently took them out of KU because I didn't like the exclusivity deal, it was not worth it. My books are in an adjacent niche to yours and I saw a small drop in income upon removing the books from KU for about a month, and then I actually started earning slightly more after that.

Since KU has the exclusivity deal in place, that also means no more than 10% of your story can appear anywhere else on the internet, and if amazon detects that it is out there (such as someone pirating the book and posting it elsewhere on the internet), they will treat it as if you intentionally went against the exclusivity contract and ban you.

Might be my general dislike of amazon and KU speaking, but I feel like KU is basically never worth the hassle and stress unless you write cishet m/f mainstream romance with regular humans.

it's a little bit of this, a little bit of that. there's a discussion happening right now around readers boycotting KU/Audible, while some authors argue that it will disproportionately hurt indies. (I have no opinion on that.)

but yesterday I posted this very simple statement on Threads:

friendly reminder to new authors that you don't have to be in KU to succeed in indie publishing.

I say this as someone who has been wide since the beginning ("wide" means not in KU/exclusive to Amazon). I got a surprising amount of pushback and rudeness in return, specifically citing the "accessibility" of KU. that's why I wanted to ask folks over here about it, because I don't agree with that argument at all. my books are available to everyone, in any country—you can even get them in libraries and on hoopla. that, to me, is true "accessibility." I think a lot of regular people don't have KU and don't even know what it is.

fwiw, my one KU book has performed very poorly compared to the rest of my wide catalog (in terms of dollars earned), so my experience aligns pretty well with yours.

I have one specific book that I plan to release to KU for a limited time next year, but I might change my mind before then. we'll see.

[letsdrawvideogames]

I thought I'd briefly pull the proverbial dusty tarp off this defunct tumblr briefly to address some of the incoming traffic that I expect to see this week now that NCHProductions has publicly credited me for my artwork that their video is based on. I'd like to preface this by saying that we reached an agreement in private and I have accepted NCHProductions' apology, and that I do not condone or tolerate any harassment of NCHProductions on my behalf. This post is not meant to relitigate things or stir up drama. But with what happened, I thought this would be a good opportunity to open the floor to discussion on how the internet treats ownership of fanart and derivative work. I'm just one artist and my opinions are my own, but I've been at it a long time and it's not the first time someone else has used my fanart as a basis for something else. Here are three examples:

In 2018, Jonathan Nesbitt made a coding project as an entry for an informal contest run by the website Standard Code. His entry (properly viewable here) was based on a Metroid piece I had made in 2014 and he credited me in his entry. Although he never reached out to me to my knowledge, I thought this was fine given the time contraints and the fact that no money changed hands (the grand prize was an Amazon Echo someone had lying around). I think Jonathan's piece is very cute and I'm happy to have inspired someone this way. I might not have considered the artistic value of a simple HTML page otherwise.

In 2016, tumblr user @cyriusli messaged me about getting a Bulbasaur I drew in 2015 as a tattoo. He reached out to me directly and asked for permission before doing so and credited me as the artist when he shared a photo of the finished tattoo. Even though an artist in another medium was paid money to recreate my work in this case, I considered this to be entirely above board, and I'm sure the artist who actually inked it was happy to know that their client had explicit permission to use my piece. Knowing that someone has to look at my Bulbasaur every day until they die might be the height of flattery for me. This isn't the only tattoo of my work that's been done, and I'm always happy to see it so long as you ask permission.

Lastly, just a few weeks ago, I had to submit a takedown request on Displate against graphic designer SS Art, who was selling a poster that used a slightly edited version of a Shadow of the Colossus piece I drew in 2013. This is probably the most offended I've ever been as an artist. I doubt this seller made much money off of it and to their credit, Displate took it down very quickly, but it bothers me that it was allowed to go up in the first place. The ease with which merchandising platforms allow their users to publish anything without verifying its origin has made it ironically difficult to support the artists that I love: I've been looking for a new case for my Kindle on Etsy lately and found it extremely difficult to verify whether a seller's art was original or stolen. In one case, I found a seller selling a case with a Keith Haring print on it. I consider Haring's Unfinished Painting to be one of the most moving artworks of the last century, and here was his work being sold by some random Etsy store as "abstract cartoon funny dance pattern." I find this a deeply saddening, troubling phenomenon.

As the internet continues to shrink down to a handful of social platforms, it's been fascinating to see how the concept of fandom has shaped and been shaped by those same platforms. Fanart, memes, remixes, mashups, and other new forms of art that make copyright lawyers heads' ache have emerged as we all pile onto each other online. Overall I don't think this is necessarily a bad thing. When I was first online twenty years ago, it's likely that I never would have seen art from many overseas artists on the English-speaking web, but it's been very heartening to see how the explosion of fanart surrounding interpretations like ErinArtista's distinctly Brazilian take on Hatsune Miku or Ayyk92's Bowsette character can bring an audience to artists that many of us wouldn't have known about otherwise. I think there is room for such a thing as fanart of fanart, I just urge artists of all stripes to think critically about how we use other people's ideas. I am not a lawyer, and I cannot tell you where the line is or isn't drawn in regards to work based on copyrighted material, or what your rights as an artist are if you make fanart and aren't the copyright holder. I've definitely made some decisions in the past that I now regret about monetizing derivative work, but I wouldn't feel right about enforcing any standards I might adopt onto others. The internet has, in a way, become one giant game of telephone, and I don't like how difficult it can be to be certain of the origin of something. For now, going forward, I think it would be nice to see more normalization of hunting down sources to the best of a person's ability coupled with acting in good faith when new information comes to light. This tumblr is dead, and I likely won't be responding to any comments directly, but I'm very interested in hearing what you all have to say.

And just for absolute transparency, I ran this by my friend Ixo and borrowed some of his phrasing in the conclusion. He can be found at https://ixo.neocities.org/

[mitigatedchaos]

"Writing? In 2024?"

Monday, April 29, 2024

(~2,400 words, 12 minutes)

@northshorewave Re: this publishing post:

I've read through the post that was linked, and an earlier related post by the same author that preceded it.

Her position is that the traditional publishing industry is essentially buying books as lottery tickets, paying for most of them using the few big winners they can't predict.

NorthShoreWave - The personal qualities of NSW specifically.

LLMs - Is AI a threat right now? Mostly as spam.

How Many Readers? - One famous book had 3,000 readers on an email list before its Amazon e-book debut, and went on to traditional publishing.

Funding Options - Many authors and artists are currently using subscription services. Some reasoning and numbers are provided.

Illustrations - Should you use illustrations? This lengthy section does a bit of fundamentals analysis of posting to suggest that maybe, you should.

Interaction - Reader replies are one method by which a post will spread.

Search - The people who want to read your story can't read it if they don't know about it. Writing a good book is essential, but only half the battle.

Some thoughts for you:

1 - NorthShoreWave

You implicitly asked if we had discussed your story in detail before, but the answer is that we hadn't. I have a sense of what you're trying to accomplish based on what I've observed of your character. While you think of yourself as seething, I think you're actually wise, compassionate, self-aware, and able to view things from multiple perspectives. A significant number of people are much worse at practicing at least one of these virtues. On its own, that's not enough to write a best-seller, but I think it does provide you with an advantage.

2 - LLMs

Based on my experiments (see @mitigatedai for some logs), I wouldn't worry about competition from AI. For you, the chief issue caused by AI will be spam. AI moves sideways (different text) and downwards (less meaning). I may tell LLMs to "combine Inspector Gadget and Death Note," but...

Do I actually use the information provided? No.

3 - How many readers do you need?

From one of those publishing posts, to get a sense of the number of readers you need...

Andy Weir first published The Martian as a serial for his own blog, then as a self-published novel on Amazon, then as a traditionally published novel with Random House. “I had an email list with about 3,000 people on it, so, initially, the audience was roughly that much,” he tells me. “When I first posted it to Amazon, I didn’t do anything to market or publicize it. All I did was tell my readers it was available there.” The book was on Amazon for five months, at a price point of 99 cents, and he sold 35,000 copies before Random House bought the rights in February of 2014.

Note that being a provocative firebrand doesn't necessarily mean you'll sell copies. Some politicians with tremendous name recognition failed to move copies of their books.

4 - Funding Options

I don't recommend using a Kickstarter to publish your book at this time or in the near future. You just don't have the name recognition, but also, Slashdotter Caimlas (who I don't know, so I don't know how trustworthy he is) wrote:

I'm personal friends with a number of authors who publish books in one of several subgenres. Mostly, they rely on Amazon's Kindle Unlimited: some of them are prolific enough that their book sales account for most of their income, simply based on peoples' reading of their works. Mostly, unless people want a piece of history or something they can reference, folks seem to hate having clutter. Fiction that sells isn't usually, primarily sold as a hardcopy book anymore, I don't believe - short of the kinds of books that end up at the end of the grocery store isle or in an airport novelty store.

A lot of publishing is done online these days, often through subscription services such as Substack (for essays) or Patreon. (Kindle Unlimited is also a subscription service, costing $12/mo.) As an example, the webcomic Spinnerette has a Patreon (bringing down $3.3k/mo), and then runs Kickstarter campaigns for print runs (volume 8 raised $27k).

To give you an estimate, Spinnerette's Patreon has only 536 subscribers, and pulls down $3.3k/mo, but you probably haven't heard of it. El Goonish Shive, which I'm confident you have heard of, brings in $3.6k/mo on 2.4k subscribers. The famous Kill Six Billion Demons has ~5.4k subscribers, bringing down ~$8.4k.

In Patreon terms, a good foothold to try for might be 100 subscribers at $3/mo each, with an initial focus on getting to 50.

5 - Illustrations

You've posted some drawings. They have some character, showing that you have the basic aptitude to develop the skill if you applied yourself to regular practice. However, the proportions are too far off to attract much attention (except as a stylistic choice, which, I can tell, it is not).

This blog tends to break things down into their abstract fundamentals for analysis. I promised myself I wasn't going to do that here, but eh, we'll do just a bit.

To quote one of the publishing articles...

“People tend to buy the books that are already really popular,” Deahl says. “They look at the bestseller list to see what they want to buy and that reinforces this tiny amount of books at the top. It’s a very top-heavy system. The tricky thing in publishing is success begets success. But it’s really hard to create that spark.”

Let's stop to think about this.

a. Banter - Fame

There is one layer to this that you can't do much of anything about, which is that people will watch the same shows their friends watch in order to have something to talk about with their friends.

b. Investment - Background

However, there is another layer over which you have more influence. It's very easy to make a quick judgment of a movie based on its visuals, or a short trailer. It's also relatively easy to judge short songs, since they're only a few minutes long (but I don't find myself doing this often).

In order to judge a book, you have to read the text and process it. You can't make a snap judgment off a single picture, because you have to read the text first to produce the mental picture.

This website does have viral text posts, but they're like...

You seem to have fundamentally misunderstood me, Anon.  Go read all 5,640 posts again.

Some of these posts can get a bit long, but it's usually a back-and-forth where each individual post is short. Often, they'll mix in images, or memes.

People supposedly read at 200 words per minute. Based on that estimate, this blog's most viral post of all time can be read in 5 seconds. That's about the same amount of time someone would spend looking at a jpeg.

That doesn't mean people don't enjoy effortposts. They will follow a blog upon encountering a good effortpost! They just don't like or reblog them.

I think you already know this part, but for "acceptable" length for reblogging, it's usually best to keep it under one "Tumblr page," meaning around one screen length on desktop, or around 200-300 words. I've talked about this part before, but if the reader can see the end of the post, it feels like less of an investment to read the post, and reblogging it won't fill up a friend's Tumblr dash.

Obviously that's tough for long-form fiction, because it has to load more context about the characters in order to establish the stakes. (Unless it's fan fiction, where the audience already knows the characters.)

c. Investment - Strategy

As you know, this blog will sometimes post political cartoons and other illustrations as part of its general stream of content.

The obvious strategy is just to have some nice-looking character images or images of scenes from the story. It can be "read" faster, so it's more shareable.

I think that strategy suffers from a weakness in that it's easy to just look at the image and disregard the text. This would reduce your fiction blog to an art blog - and it is not an art blog.

Therefore, I would like to gently suggest - and keep in mind, I do not have any published novels - a different potential approach. This proposal is speculative, and this technique is not widely used.

Do you know that famous Rockwell painting, Breaking Home Ties? Rockwell is a master of telling a story with just a single still-frame painting.

Rockwell has to tell the whole story in one picture, because that's the medium he's got to work with. This limits how much story he can tell. As an author, you don't have to limit yourself to what can be told in just one image, because you have the text.

This strategy would involve a two-step maneuver.

First, the image at the top of the post communicates the essentials that the reader needs to know about the characters through the composition of the scene (so that they don't need to read background material), as well as various subtle details, while raising questions, also through the use of details/etc, to increase the viewer's curiosity.

Fortunately for the viewer, second, the questions raised by the image are answered in the text right below it.

The post would form an entry point into a network of related posts; tags for particular characters could be linked at the bottom, or links to other posts in the sequence.

Secondary characters would be ideal for this, because you can manipulate their scenarios/context/character to fit the short format, while your overall project will focus on the main characters and thus have a greater, long-term narrative investment for appropriately larger payoff.

As I wrote in my post on 'text wall memes,' people will read text in an image, and they'll even reblog it, but it's contextual. So again, this is speculative, but it should be feasible. It's a matter of creating the appropriate context.

d. Investment - AI Art

I don't think you should use AI-generated art. Yes, people will be able to tell, but the even bigger problem...

Compare this AI knockoff to Norman Rockwell's original Girl with Black Eye.

The expression is wrong. The pose is different. This is a completely different story from the one Rockwell was telling! The prompteur 'borrows' the right 25% of the image from Norman's original because he can't reproduce it. And what is that random white cloth on the left side of the image?

There is a significant reduction in the amount of intention in the image. Putting it back in involves working over the image, repeatedly, usually with inpainting, and often working against what's in the AI's training data, forcing it to pull from more and more improbable parts of the distribution (until eventually, there's no matching data in the training at all; you have to get out and draw it yourself).

I'm going to borrow a post of my own here from 2019.

This isn't oriented towards the strategy I've described, and it only got 21 notes, but note the teacup with steam and tea bag tag, the obscured flag in the background, and the Youtube-style video tracker on the bottom. The combination of the special effect, text that looks like a subtitle, and video tracker imply that the image is a screenshot from a streaming anime.

The character is casually (as indicated by the cup of tea) sitting at a computer desk (as indicated by the faintly sketched keyboard and hand position for a mouse). What's that flag in the background? It certainly doesn't belong to any extant country. (In fact, as the artist, I'll tell you - it's based on an O'Neill Cylinder.)

Obviously this art is very much just a sketch in quality terms. An AI rendering usually looks much fancier. However, an AI would not put that detail in.

e. Investment - Technical Skills

However, I will suggest the use of software if you go this route. (Or the hiring of an artist, but that could get expensive.)

Your issue is with proportions. Lots of people have trouble with proportions. (You also have trouble with hands. Lots of people have trouble with hands.)

One way to deal with this is to just train. You'd be surprised at how fast you improve if you draw from realistic sources such as photographs an hour a day for a year, even if it's just a quick sketch. You probably aren't willing to do so. You have other things to worry about, including writing.

However, you could use posing software. You could save the proportions of several characters and position them throughout the scene, as well as having a grid for the ground and potentially other props to help with positioning of items like lamp posts or the edges of buildings. (I've experimented with posing software a bit myself.)

Dan Shive (of El Goonish Shive) does not use posing software as far as I know, but he has used 3D software. Although his style is cartoonish, one thing people like about him is that he does put effort in at improvement, and the quality of his work has improved substantially. (That was actually the inspiration for the second part of the "in 2028, Hollywood runs out of ideas and adapts El Goonish Shive" post.)

6 - Interaction

Though shorter posts tend to go more viral, I find that posts which someone can reblog and share their opinion tend to show up a lot in my top posts (as long as they're only about one tumblr page long). The MOON PRISON poll is a good example of something that's approachable and neutral, but fits heavily with the themes of my blog, but other posts may take a political position that invites disagreement, resulting in discourse, and get reblogged that way. (You may also remember the silly Swift Pill poll.)

I don't recommend courting disagreement on purpose. Not only is this bad for the social environment, but it tends to make people go crazy.

7 - Search

I think you've probably noticed some of this already and are working with it (posting short excerpts, initial art). Most of this is, again, speculative. This is all just information for your consideration.

Writing a good book is the first problem. Getting the readers who would enjoy the book to find it in such a noisy environment is the second problem. I think you can do it, but if your trajectory isn't currently looking as good as you want (e.g. # followers on your story's sideblog), I would recommend expanding your strategy so that you're in a good position when the book itself is ready to launch.

[vibeventurehub]

25 Passive Income Ideas to Build Wealth in 2025

Passive income is a game-changer for anyone looking to build wealth while freeing up their time. In 2025, technology and evolving market trends have opened up exciting opportunities to earn money with minimal ongoing effort. Here are 25 passive income ideas to help you grow your wealth:

1. Dividend Stocks

Invest in reliable dividend-paying companies to earn consistent income. Reinvest dividends to compound your returns over time.

2. Real Estate Crowdfunding

Join platforms like Fundrise or CrowdStreet to invest in real estate projects without the hassle of property management.

3. High-Yield Savings Accounts

Park your money in high-yield savings accounts or certificates of deposit (CDs) to earn guaranteed interest.

4. Rental Properties

Purchase rental properties and outsource property management to enjoy a steady cash flow.

5. Short-Term Rentals

Leverage platforms like Airbnb or Vrbo to rent out spare rooms or properties for extra income.

6. Peer-to-Peer Lending

Lend money through platforms like LendingClub and Prosper to earn interest on your investment.

7. Create an Online Course

Turn your expertise into an online course and sell it on platforms like Udemy or Teachable for recurring revenue.

8. Write an eBook

Publish an eBook on Amazon Kindle or similar platforms to earn royalties.

9. Affiliate Marketing

Promote products or services through a blog, YouTube channel, or social media and earn commissions for every sale.

10. Digital Products

Design and sell digital products such as templates, printables, or stock photos on Etsy or your website.

11. Print-on-Demand

Use platforms like Redbubble or Printful to sell custom-designed merchandise without inventory.

12. Mobile App Development

Create a useful app and monetize it through ads or subscription models.

13. Royalties from Creative Work

Earn royalties from music, photography, or artwork licensed for commercial use.

14. Dropshipping

Set up an eCommerce store and partner with suppliers to fulfill orders directly to customers.

15. Blogging

Start a niche blog, grow your audience, and monetize through ads, sponsorships, or affiliate links.

16. YouTube Channel

Create a YouTube channel around a specific niche and earn through ads, sponsorships, and memberships.

17. Automated Businesses

Use tools to automate online businesses, such as email marketing or subscription box services.

18. REITs (Real Estate Investment Trusts)

Invest in REITs to earn dividends from real estate holdings without owning property.

19. Invest in Index Funds

Index funds provide a simple way to earn passive income by mirroring the performance of stock market indexes.

20. License Software

Develop and license software or plugins that businesses and individuals can use.

21. Crypto Staking

Participate in crypto staking to earn rewards for holding and validating transactions on a blockchain network.

22. Automated Stock Trading

Leverage robo-advisors or algorithmic trading platforms to generate passive income from the stock market.

23. Create a Membership Site

Offer exclusive content or resources on a membership site for a recurring subscription fee.

24. Domain Flipping

Buy and sell domain names for a profit by identifying valuable online real estate.

25. Invest in AI Tools

Invest in AI-driven platforms or create AI-based products that solve real-world problems.

Getting Started

The key to success with passive income is to start with one or two ideas that align with your skills, interests, and resources. With dedication and consistency, you can build a diversified portfolio of passive income streams to secure your financial future.

[untilyouremember]

Where can I read and request manga?

My mission with my tumblr is to help you find official resources to consume manga; doing it these ways will help the mangaka who work to bring you content and it encourages English publishers to bring over more series.

Check under the cut for legal websites, apps and retailers with detailed information. At the bottom you'll find surveys and ways to contact publishers with requests.

You can use regular retailers to buy digital and print: Amazon/Kindle, Kobo, Barnes and Noble, Bookwalker, Google Play, Apple Books, Nook

There are apps available for buying volumes, chapters, using ticket systems to access free content, or with subscriptions.

Mangamo - $4.99/mo for 200+ titles; titles available for purchases with in-app library

Viz manga - $1.99/mo; titles available to purchase with in-app library (carries titles from Viz, but not their SJ series)

Shonen Jump - $2.99/mo; titles available to purchase with in-app library (carries specifically SJ titles, which are often popular shounen)

Comikey - uses a key system; ability to read for free with ads and patience

Kmanga - app maintained by Kodansha; chapters are often available to read for free through a ticket system and able to purchase

Kodansha - a website where you can create a free reading account. They offer 3 free chapters on all their manga, occasionally feature several free volumes, and run sales on their content somewhat regularly.

MangaPlus - $1.99 or $4.99 for a subscription; will allow a free read of their simulpub series.

MangaPlaza - 7 day free trial; $6.99/mo; [info incoming, seems to have more mature licenses]

INKR - 3 ways to access content; free, coins & 'Extra Membership'. Extra can cost $4.99/mo or $44.99/year and gives you access to content, extra savings and "free ink" that can be traded for their coin system. (Used to be Manga Rock and that was a fun read from them)

MangaPlanet - $1.99/week -> $47.99/year depending on which tier you pay for.

MangaUP - 1 month free trial, $4.99/mo; you can browse their 'vault' to see if things you like are included

Irodori Comics - hosts 18+, specializes in doujinshi, more info incoming

Renta! - point system; 1 point = 1 cent; regular bonus points for higher purchases

ComiXology - $4.99/month; a service through amazon that allows you access to comics, manga and graphic novels. Specifically boasts {2400} manga titles.

Animeplanet - has a library of completely free comics and anime through partnerships; seems to host less manga styled comics but free is free.

Manta, Comicle, Webtoon, Tappytoon, Tapas, WebComics, Bilibili will be looked into but they host mostly webtoon style comics

Seven seas has a (mostly) monthly survey that is linked on their homepage at all times. {They will pull from any publisher, including digital only simulpubs}

If you have a bookwalker account, I found a Google doc that you fill out requests and they send them to publishers.

To send suggestions to Viz, use this survey that is listed through their Contact Us page (you select the "Series Suggestion" and will be redirected) {they mostly pull from shogakukan and shueisha titles}

To send suggestions to Kodansha, go to their contact us page and there are 2 useful drop downs; suggest reprints and suggest series, suggest series is also useful to request a print of anything they've licensed digital only. {They pull almost exclusively from Kodansha Japan}

TokyoPop has a discord server where they look at your suggestions in the channel #licensesuggestion

If you are able, in any way, support official English releases. It shows it is a lucrative business decision to continue the manga. Nothing is worse than starting something and being unable to finish it because it stopped getting translated and published.

I will update this post as needed, enjoy your manga! ♡