#kind of. mentioned

[mxlfoydraco]

PLEASE I want to hear your thoughts about Draco's repressed sexuality (if you feel like it and if you haven't already dived deep into it that is!) !! I really love your metas and views of the characters, especially when it comes to the malfoy family, so i'm very curious on what you have to say on the matter of draco's sexuality!

You know I will take any opportunity to talk about Draco!

Okay, so, of course it starts with Lucius again. As I’ve said, I think Lucius loves Draco but he’s abysmal at showing it. He materially spoils Draco because their “culture” see/ verbalizing their feelings and showing physical affection as undecorous.

This is really confusing for a child who idolizes his father. Draco has to constantly try to read Lucius and how he’s seen by him. He obviously has a low distress tolerance too, so the safest option to ensure Lucius’ regard is to emulate him as much as he can.

Well, his father is a straight man who prizes power and preserving purebloodlines. I have this headcanon that Lucius and Narcissa had fertility issues and Draco was kind of a miracle baby. Imagine how this is presented to Draco and the pressure it puts on him to continue the Malfoy name.

But… Draco isn’t attracted to women. Like, each to their own but he has never shown any interest in girls. He loves the affection Pansy shows him and she can be his date when he needs one (e.g., yule ball) but he doesn’t have to do anything more. I think she was also more into the status of being with Draco so she doesn’t push him. It’s convenient, by using her as a front he can stall Lucius and avoid facing why he doesn’t feel anything toward girls.

Any feeling he has about boys would be so distressing to him too. Diverging from the path set for him brings the threat of rejection (again, blood traitors get disowned). That fuels his self-loathing, which he projects outward as aggression. It’s a physical release too. As fucked up as it is, there’s something exhilirating about brawling with Harry you know? He doesn’t need to think about why he likes it.

That’s the cycle then, his sexuality is intrinsically tangled with shame, violence and self-hatred. On top of that, he’s physically marked by Voldemort at what should be the peak of his sexual maturation. The mark increasingly feels like a violation too. All I can see is Draco being disconnected from his body and sexuality, even when he’s on his own.

I can maybe see him and Theo getting close because their situation with their fathers is quite similar so both of them knows that the other will never tell a soul, ask for more, or question anything. Even that would be quick, restrained and as impersonal as they can make it imo.

His exploration of his sexuality could go either way, indulgent or tentative, but it’s only after the war that he can actually consider it at all imo.

[mutimatuti]

[vmkhoneyy]

“People are inherently terrible” no!!! Have you ever seen a child wait for their friend while they tie their shoelaces? Have you ever known someone who would bring hurt squirrels and rabbits and mice to the nearest vet just so it doesn’t suffer? Have you seen someone grieve? Have you ever read something that hit your heart like a freight train? Have you looked at the stars and felt an unexplainable joy? Have you ever baked bread? Have you shared a meal with a friend? Have you not seen it? All the love? All the good? I know it’s hard to see sometimes, I know there’s pain everywhere. But look, there’s a child helping another up after a hard fall. Look, there’s someone giving their umbrella to a stranger. Look, there’s someone admiring the spring flowers. Look, there’s good, there’s good, there’s good. Look!!!!

[asthedeathoflight]

Still thinking about none houses left grief, and while I understand where people are coming from, "it took me out of the world" is just... Really not a relevant criticism here. Like, that line is SUPPOSED to be jarring. It is supposed to be kind of darkly funny, but the point isnt for you to laugh. Its not trying to be a punchline. The point of that line IS to "take you out of the world" because the point is that *this world isn't what you thought it was.*

[lopsaii]

Ongoing stepladder debate

[demigods-posts]

headcanon that percy and annabeth have a relationship contract they made after they got together once the war came to pass. they outlined it on paper in percy's bedroom. typed up a final draft using sally's laptop. and printed out and laminated it at the local library on their two month anniversary. and they abide by it like it's the law.

[chloesimaginationthings]

Vanessa TOTALLY got those Tapes for the FNAF lore..

[egophiliac]

queen of diamonds, upright + reversed 💎

I've redone this like eighty times, I have to just be done with it now and stop staring at all my mistakes oh no 🫠

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[aromanticduck]

Sorry if you're already over 50, I ran out of room (you're welcome to leave your thoughts in the tags or replies!)

If you're younger than 10, get the fuck off Tumblr. People are saying swears on here!

[EDIT: It's OK to vent a bit about negative feelings in the comments/tags, but if you're gonna talk about killing yourself, do me a favour and fucking don't]

[regonold]

Danny has recently joined the young justice team after they discovered amity and how they were under media black out and a group of people were pretending to be government agents were attacking using a law that was never actually passed as an excuse for it

Anyway whilst meeting the justice league he notices how one of the members has a ring on and trying to make small talk starts talk about it and how he has his own ring trinkets just like it

He doesn't get why everyone got so silent after he mentioned how he collects the different colours as a hobby they're practically a dime a donzen in the realms

Not to mention all rhe times clockwork has sent him to some different planet in the past and rings have quite literally floated to him before dropping after getting too close

Or

Sometimes when rings are off looking for someone to weild them they will sense a great emotion and accidentally fly through a natural portal and then being suddenly just absolutely covered in emotions they end up shorting out and just floating through the realms

And danny has found so many of they he just considers them trinkets or clockwork has sent danny to a different time period on difficult planets and a ring has sensed the great emotion and tried to choose him but then it's covered in emotions and blacks out and Danny's just swiped it not think much

-------------

Ama be honest i just love the idea of dannys core going it smells of space and i want it

To be clear due to the fact of the infinite realms being infinite sometimes a portal will open near enough to a lantern ring for it to head to wards it thinking it's just someone with great levels of insert required emotion

Like if a portal opened near fright knight and a yellow lantern ring happened to he close by it would go on that guy just radiates fear i want him

But after entering the portal it's no longer in any dimension and it's swamped in emotions of all kinds simply due to the nature of the realms

[determinate-negation]

"even the nazis didnt..." - guy who doesnt know that much about the nazis

[sang-i-fetge]

Something that really amuses me is that who want GoodDad!Bruce reconciling with jason really just want arkham batman.

Who, upon discovering the identity of the guy that orchestrated a violent takeover of (a mostly empty) Gotham, goes "Jason...🥺 I thought u were dead...🥺 we can fix this...together...🥺"

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[bluegiragi]

What are some of your favorite fan fiction writers for Call of Duty?

in no particular ranking/order (and letting you know A LOT OF these authors write extremely explicit p0rn. read the tags):

queeniegalore (literally noone writes ghostsoap like queenie man, her fic called The Spaces Between The Light is my forever comfort read)

MildLimerence (literally the GOAT of this fandom, i swear she's written a solid 30% of everything i've ever read in cod, and i've read her entire catalog maybe 3 times over at this point)

noxmajor (their Seven-Year Itch fic broke my heart and put it back together again)

ANTchan (*coughs* iykyk)

applepieces (*coughs harder but in bottom!ghost*)

surveycorpsjean (writes for a ton of fandoms and is generally just an incredible witer, but their cod fic Poison Apple i think has the most kudoses in the entire tag and it's for good reason)

prettyunhinged (bestie)

congee4lunch (wrote solemn prayer, poppy in my hair which is so painfully domestic and lovely. they've moved on from cod and write for rw&rb now, so don't bother them and ask them for more)

thirteenbullets (writes a lot of ghostsoap hurt/comfort, my favourite is side by side)

kaijusalad (fell in love with i like you alive, continue to fall in love with every additional fic they write about these freaks)

highlonesome (for all your catholic soap and asshole ghost needs. the pain kink is strong with these two.)

[i-demand-a-good-username]

Uh, anyway, Shane is actually besties with Sam (he'd rather die than admit it though) and they constantly do things to spite Joja and Sam can actually get a good reaction from Shane with some of his jokes. Sam and him were kind of awkward at first, but after a while Sam saw him at the saloon one day and went "HEY!! MY BUDDY SHANE!! COME PLAY POOL WITH US!!" so loudly across the building that everyone turned to stare and Shane almost sped-walked out of the place out of embarrassment (he def stayed and played pool but kept his head down to avoid stares).

Sam constantly talks about funny things Shane does and Abigail and Sebastian are like, "??? The quiet, grumpy town drunk??" But after Sam dragged Shane into so many pool games, Shane loosened up and started a tournament with the old arcade games between the four of them (he kicks everyone's asses at it) and now Seb and Abbi are starting to get it.

There's a competition between him and Sam on who can steal the largest item at Joja without getting caught (Shane has the lead with the pizza he gave farmer)

After Shane stops drinking, Sam is adamant on getting Shane to like joja-cola with him (he's not winning, unfortunately)

One time, Sam bet Shane that he could drink a 12-pack of Joja-cola during one break at work and threw up everywhere from the crazy amount of carbination it has (Even though Shane cried actual tears from laughter, Sam still owed him a pizza because Morris made Shane clean it 😭)

Shane will leave Sam maple bars in his work locker when Sam is having a hard time with his family and denies that it was him (Sam knows) His excuse when caught is that he and Jaz prefer the other donuts in the pack

Shane SUCKS at comforting others, but Sam appreciates the awkward conversation because it just means his buddy is trying to be a good friend.

They both run a secret page that basically makes fun of Morris by posting bad photos or just making a meme out of him

Uh, yeah, anyway. Sam and Shane are besties