#kind of like the my time at series where you have to solve the problems of a given town while also doing your own thing

[stars-and-branches]

Hhhh I wish we had more games set in the warcraft universe. Like. I think a warcraft farming sim where you travel to different regions in Azeroth learning from different farmers would fuck severely actually.

[mama-qwerty]

Let's talk about this little scene.

(gif by @iwasbored777)

They're looking for Shadow, and Knuckles notices that the GUN truck is falling toward them. He shoves his brothers out of the way, and catches the truck, neat as you please.

He could have grabbed them and pulled them away, making sure they were safe when the truck landed. He could have punched the falling vehicle, shattering it to bits and causing all sorts of rubble and debris.

But he didn't. He pushed his brothers behind him, and caught the truck.

He showed off his strength, following it up with hefting it on one hand, and boasting once again about being "one million percent muscle".

Knuckles may have settled into family life, may have found a new tribe, but he's still a warrior, and is proud of his strength. He's proud of the abilities he has, and I think sometimes feels like they're not appreciated enough, as they're for fighting and after the last movie, he and the other boys have seemingly settled into a nice, quiet, non-violent family life.

Tails likely has been instrumental in fixing or improving various things about the house or town, and Sonic is the first child so he's already found his comfy spot in the family and community.

But what about Knuckles? His strength likely isn't as big a benefit in daily life. May be a bit of a hinderance, if he doesn't pay attention and control it properly. So he may have been hearing "Watch your strength, Knux," or "Not all conflicts require violence to solve, Knux," which is so different from what he's used to.

While he doesn't always immediately jump to violence to solve all his problems, that's his strength, no pun intended. In his journeys through the galaxy, he had to fight to survive. Fight to keep himself safe. And even in circumstances where he didn't want to fight, he was usually forced into it. So this is his norm.

So I feel like he caught that falling truck not only to save his brothers, but to remind them what he's capable of. It was kind of a "Look, I am your brother, I am happy in my new tribe, but I am still someone to be respected because of my abilities."

It could have also been a lowkey show of how he would protect them. Anyone could pull someone to safety, but only he could catch a falling multi-ton vehicle as though it were nothing more than a tossed baseball.

But now it's discouraged. Maybe he feels he's getting weak. Getting soft because he's not being forced to fight on a regular basis. Which is I think why he so willingly rushed to fight Shadow when it seemed like talking wasn't working.

In the novelization of the movie, after Shadow kicks his butt, when the others ask if he's okay he tells them that he "might be a bit rusty". His pride is what took the real beating, and may have added to this feeling of his strength being dismissed. Of him losing what made him special.

This is further enforced by being essentially benched during the raid on the GUN HQ. His greatest asset is his strength, but it's not being utilized except "in case of emergency". Which, based on how the others behaved, they didn't think it would be necessary. So they essentially told him he was the failsafe, the backup, even though they--and likely HE--did not expect to need him.

His constant boasts about how easily he could break the glass may have been as much for his own morale as convincing the others he would be there if necessary. He is a formidable warrior, he has bested many a foe in his years. He is still a force to be reckoned with, even if he hadn't been challenged much in the months since the last battle with Robotnik.

He needs to feel useful. To feel important to the rest of his tribe. And maybe he's felt that the others kind of forgot just how impressive he is in his own right.

His adventures during the series showed him how it was okay to let his guard down and not be so serious all the time. And we see that in the film. We see him content with simply being a member of the family, we see him goofing off with his brothers. Even while they went over the plan, he sat with his little hat and munched on some bread.

(The grumpy face is undone by the beanie, sweetheart.)

Knuckles does best when facing threats head on. He prefers to run in and deal with the problem up front, and get on with his life. Stealth and plans and even working with other people is new to him. But he trusts his brother, he trusts his tribe, and he will stay off to the side until he's needed. (Maybe even moreso now that he saw that rushing in to fight Shadow didn't get him anywhere.)

But when he's needed, he will show them that his strength is just as much an asset as Tails' brains and Sonic's speed. Even if it had unexpected consequences.

Knuckles has a much bigger adjustment to Earth and family life than either of the other two boys. Because his life up to that point was fighting, keeping on the move and ahead of bounty hunters, and searching for the one thing that meant more to his people than any other. He had a huge weight on his shoulders, one that neither Sonic nor Tails could understand. Even the humans in his life couldn't possibly comprehend just how important it was for him to find the Master Emerald and allow his entire species to rest in peace once more.

But now that his quest was done, and he doesn't have to look over his shoulder as much as he used to, he likely struggles with how he fits in with the world. For the longest time he was The Most Dangerous Warrior in the Galaxy, and the Last of the Echidna. Now he's simply Knuckles. And he may be having a hard time finding what that actually means, to him and to those he loves.

~~~

Check out my other Sonic 3 analysis posts

[alexanderwales]

Someone on my discord said that it didn't seem like it would take all that much work to worldbuild a plausible Age of Piracy that lasted for a thousand years. I somewhat disagree, but I think it's an interesting challenge.

To start with, some boundaries:

Piracy is the act of a sailing ship attacking another sailing ship carrying goods for the purposes of ransom, robbery, and taking on new crew from their number. I will also allow some coastal raiding, even if that's not technically piracy.

Any system/culture of piracy is going to have to consider at least two things: supply of ships and supply of pirates.

Any system/culture of piracy is going to have to have some kind of prey. The snake cannot eat its own tail.

The pirates cannot be primarily state-sponsored, though the ecosystem can have privateers in it, and there can be other tacit approval of piracy from higher powers one way or another (especially e.g. bribes).

The age of piracy needs to be relatively geographically contained and relatively continuous, rather than moving from hotspot to hotspot.

So where does this leave us? What are the big problems to solve?

We need a continuous source of trade for pirates to plunder from. This has to be a trade route, or set of trade routes, that's incredibly stable, surviving political and economic disruptions, and has a high enough value that it persists in the face of piracy.

Sort of inevitably, the people trying to move goods from one place to another do not want them stolen. We probably have to model this thousand years as a series of changes in pirate tactics and trade tactics, but also as something that moves slower than in the real world.

As above, you need a source of ships. You can potentially get these from "pirate havens", but that gets dangerously close to being state-sanctioned if this is in fact the source of ships and pirates. So I actually think you're mostly fine if no one is building ships exclusively for piracy (or only doing that rarely), and instead most of the ships come from the major powers building ships. This is historically accurate, with capture and mutiny being the main source of pirate ships.

As above, you need a source of sailors. Being trained as a sailor took some time, and there's not that much room for on-the-job training for a pirate crew, though there is some. So the source needs to be navies or merchant fleets, and they need to be pretty terrible such that piracy offers the better option. And in the real world, there were lots of indentured servants, slaves, etc. who could get a better life by taking to the seas, though they wouldn't start with skill as sailors.

So we are, I think, starting to sketch out some features of the Thousand Years of Piracy just by implication.

We have a few major continents that are separated from each other by major oceans, maybe with some smaller islands between them to serve as pirate havens, secure harbors, etc. These continents have huge amounts of trade with each other that lasts for a millennium in spite of pressure for them to go local, which means they probably can't. They have incompatible climates leading to incompatible crops, they have different mineral wealth, etc. This trade is super profitable, enough that piracy only puts a dent in profits, and is "cost of doing business".

Macro technology is stagnant for whatever reason. The Scientific Revolution was not inevitable, I think all you need are pretty regular wars on the main continents that rip through institutions of learning, or purges of philosophers for ideological reasons, or just political fragmentation that means there's not quite enough stability to get thinkers together. (Yes, we're using instability to create the stability of stagnation.)

Micro technology is ... probably fine? At some point in the 1,000 years, there are changes to the sails, copper sheathing on the hulls, different shape to the bow, all probably fine. Cannons can get better, rifles and pistols can get better, any of this still falls within "1,000 years of piracy". Certain things are there to stay. Other things fall out of fashion.

What is a problem are changes in tactics. There needs to be no particular thing that can cost-effectively be done about piracy for a thousand years, or at least not in all cases. It's easy to imagine pirates as being a part of the risk-reward calculation for merchants, for pirates to be hunted by navies interested in securing trade ... but if they're to stay pirates for a thousand years, then there needs to be no way for them to get into a stable non-pirate situation. It has to devolve into pirates, even if there are points in this thousand year history where pirates get stomped in every now and then.

One of the big risks is cooption or institutionalization of deviance. What prevents the pirates from all taking deals to become privateers, getting letters of marquee from the major powers and agreeing only to attack one side or another? We want a thousand years of piracy, not a thousand years of privateers. What's stopping the formation of a pirate kingdom, or a pirate monopoly, one that stops any upstarts and forces everyone under the same banner?

And all this I'm much less sure about. I think it's plausible, I guess, but if I had to go fill in an actual worldbuilding document where I mark down all the twists and turns, if I had to think through all thousand years of people trying to stamp out the very practice of piracy, all the things they tried and the ways they failed, that's where I think some cracks might start to show.

[krakenartificer]

Who wants a really sad Leverage headcanon?

Was re-watching the Gimme a K Street Job -- Season 5 Episode 5 -- and a couple of things stood out to me.

1) Nate says "Let's go steal some congresspeople", and then sends everyone on the team (except Parker, who's being a cheer coach) out to con one of their targets. But it feels like there's a profound mismatch in who gets which mark.

For the "not like other girls" feminist congresswoman who's inclined to dismiss cheer as worthless and demeaning, you need Eliot to come in looking like a man who very much knows what does and does not count as a sport, and be his tiny angry respect-women-juice self about how regardless of what you think of their choice of clothing they are working as hard as any other athlete and they deserve safety as much as anyone else. But instead they sent Hardison.

For the "Yes I am very busy and important; admire me" chairman, you need Sophie, who is better than anyone else on the planet at making you feel admirable when you're doing what she wants, and scummy and low when you're not doing what she wants. But instead they sent Eliot.

For the "Look I am trying, but I need corn subsidies or I won't be able to do anything else" newbie congressman, Hardison could happily have gone on an infinitely recurring series of fetch quests until he sees the place where they loop around and bottom out and every problem solves every other problem. But instead they sent Sophie.

2) Eliot struggles the most, so Nate works with him the most, but he doesn't help him out hardly at all; he just keeps saying, "So what's your next play?" and then revealing that he's already anticipated Eliot's next play and has all the materials in place to enact it. And of course, they do eventually get the dude on board, and it all works out, but afterwards, Eliot tells Nate, "I trust that some time soon you'll tell me why you had me slogging through all that when you already knew how to hook him."

And of course, knowing what we now know about how season 5 ends, it makes sense that Nate is trying to train the OT3 to work without him, looking for his replacement.

Except.

If the plan is to fuck off into the sunset with Sophie, then why did he throw Sophie into this uncomfortable not-my-wheelhouse scenario?

No, Nate's preparing the entire team to carry on without him. He's forcing them to learn how to plan, learn different ways of approaching problems, to think about bigger pictures and approach them strategically.

...

I think Nate just got the first diagnosis of the disease that's finally going to kill him. And again, we -- the audience -- now know that he's going to live for many years after that initial diagnosis. But he doesn't know that, at this point. He knows he's tested positive, and he knows it's eventually going to kill him, and he has no idea how long he has.

And in some sense, it doesn't matter how long he has. Three months or thirty years, that kind of revelation makes it stunningly clear that taking care of the people you love means making sure that they can take care of themselves.

So that's what he does: he throws them into new, uncomfortable situations where they'll have to grow and support each other without him, so that no matter what happens, they'll be able to keep going. Because he's not a nice person, Jimmy Ford's son, but by God does he know the importance of protecting your family.

[wangxianficfinder]

In the mood for...

Dec 8th

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1. Hello!!! Thank you so much for what you do! You are amazing! I want to make a ITMF fic request: I am looking for fics where wen Qing and Wen Ning are better siblings to Wei Wuxian than JC and JYL. I love their dynamic and I always found Jiang Cheng lacking in the sibling department. I prefare no modern setting, but I am not very picky. Their siblinghood can be anything from just calling eachother didi/gege/jiejie after spending a lot of time togiether and bonding, to sworn brotherhood, to WWX being outright adopted by the wens. I just want WQ WN WWX best siblings. Lots of love!

Ps: ignore my username, i dont want to see any ships between WQ WN WWX lol @justhereforthefilthnnsfw

🧡🔒 Truth Will Out (when caught on video) - End_OTW_Racism! by KizuKatana (E, 178k, WangXian, WN & WWX & WQ, graphic depictions of violence, modern cultivation, canon divergence, YZY abuses WWX, caught on camera, partial core removal, WWX kicked out of Jiang sect, livestreamer WWX, meet ugly, dual cultivation, smut, no war) I just read it and I loved it. And the siblings dynamic of Wei Wuxian and Wen Ning and Wen Qing is beautiful. It is modern, but with sound worldbuilding on the cultivation side

❤️ The Third Young Master of the Qishan Wen by KouriArashi (T, 139k, WangXian, LXC/JGY, JC/WQ, WQ & WWX & WN, WWX & JGY, Canon Divergence, Alternate Canon, Romance, Angst, Hurt/Comfort, Politics, Revenge, Families of Choice, Sibling Bonding, Mutual Pining, Eventual Happy Ending, Everybody Lives)

Sunset, Sunrise by Ariana Deralte (ArianaDeralte) (T, 59k, WWX & WRH, WangXian, WIP, Time Travel Fix-It, Crack, Temporary Character Death, sorry I killed a-Yuan for a few paragraphs before the time travel, WWX is a Wen, Genius WWX, WRH gets to rewatch the series as a treat, Implied/Referenced Child Abuse, in this house we acknowledge that all the sects have flaws, Implied/Referenced Sexual Assault, WWX Has ADHD, Bad Parents JFM & YZY, Implied/Referenced Suicide, Autistic LWJ) link in #5

Green-gege Saves a lot of Lives by Eternal_writes (T, 11k, WangXian, WQ & WWX, WN & WWX, YLLZ WWX, Burial Mounds Settlement Days, Burial Mounds Ensemble as Family, Wen Remnants Live, Everyone Lives, Fix-It, Soft NMJ, POV NMJ, POV WWX, Supportive NMJ, Protective NMJ, NMJ solves all the problems unintentionally, NHS Knows Everything, NHS’s spies are talked about alot, NHS manipulates from the shadows like the best friend he fucking is, NHS & WWX Friendship, Sworn Brothers NHS& WWX & WN, BSSR makes a small appearance at the very end, Immortal BSSR is the best grandmother, Golden Core Reveal, JC & WWX Reconciliation, Good Sibling JC, Soft JC, WangXian Get a Happy Ending, WWX Lives, WWX Loves LWJ, WWX is not as oblivious as canon, WWX gets the help he deserves and his family back, Featuring WWX’s inventions)

Scars of Lightning by The_peregrine_falcon (T, 6k, YZY & WWX, WWX & WRH, WangXian, YZY’s A+ Parenting, Canon Divergence, Not Canon Compliant, Wen WWX, zidian, YZY is a bitch, Canon-Typical Violence, Blood and Injury, Major Character Injury, Heavy Angst, Lotus Pier, Nightless City, Young WWX, Muteness, Hurt kind of comfort)

A Star Fell by CordialCoroner (CordialCrow) (M, 76k, WIP, WangXian, Canon Divergence, No Golden Core Transfer, POV Multiple, Bad Parent YZY, Bad Parent JFM, Not JC Friendly, Somebody Lives/Not Everyone Dies, Slow Burn, Sunshot Campaign, WWX becomes a medic, Mutual Pining)

A Brother’s Choice by Admiranda (M, 8k, Time Travel, Yiling Bros, Animal Death, Minor Character Death, madam yu’s canonical cruelty, Post-Canon Setting)

💖 i’ll keep walking by justdoityoufucker (orphan_account) (T, 2k, WQ & WWX & WN, WangXian, Canon Divergence, Time Travel Fix-It, Not JC Friendly, Everyone Lives, Found Family, Canon Jiang Cheng Characteristics)

Grave dirt by esama (T, 92k, WangXian, canon divergence, yiling wei sect au, demonic cultivation, farming, found family, pre-slash, politics, fix-it of sorts)

~*~

2. Hello, how are you? I’d like to thank you for this blog; the fandom wouldn’t be the same without you!

I’d like to request a modern AU fanfic featuring university Wangxian, with both of them yearning for each other without realizing their feelings are mutual. Explicit or general rating is fine!

Thank you so much, and have a great week! 💞 @witchsik

The Simplest Way Forward by harriet_vane (E, 70k, WangXian, Modern AU, Accidental Baby Acquisition,Kid Fic, explicit in much much later chapters, green card marriage (but not really), pining for your own husband, endless pining, Slow Burn, Happy Ending, Nothing else bad or traumatic happens to the baby, [Podfic of] The Simplest Way Forward by knight_tracer)

Nothing But Trouble by brooklinegirl (E, 60k, WangXian, Fake/Pretend Relationship, Modern, JC mooning over WQ, getting wrecked sexually, WWX’s single brain cell, Practice Kissing)

🔒 so take my hand (take my whole life too) by cicer (E, 92k, wangxian, Modern, Accidental Baby Acquisition, oh my god they were roommates, Idiots in Love, Mutual Pining, Implied/Referenced Drug Addiction, Implied/Referenced Child Abuse, this fic is not about trauma, it’s about the yearning, slowburn, some characters have a pretty strong bias against folks with drug addiction, (this does not reflect the author’s opinion of people with addiction disorders!), none of the really grim abuse/drug use affects our main characters, and it takes place offscreen)

synesthesia by uchiuchi (T, 28k, WangXian, Modern, College/University, Strangers to Lovers, Friends to Lovers, Mutual Pining)

the earthquake in the room by phnelt (E, 39k, WangXian, College/University, Modern: No Powers, Canada, Getting Together, Mentions of lwj/others, background NieLan, background QingMian, inter-faculty romance, strangers to lovers to frenemies to lovers, mostly book characterisation, Background XuanLi)

~*~

3. Perhaps please send me the top 10 best WangXian fics of all time based on likes, comments, and saves? @ethrealily

Top by Kudos

Top by Comments

Top by Bookmarks Please note these all are filtered only by WangXian and English

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4. I kkow it's a weird ask but please help I'm looking for 90k+word long fics with a virgin WY fic where he is a bottom but i dont mind swutch either. it's really hard to find fics like that. Please help🙈🙈🙏🙏

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5. Hello!

For In The Mood For, what are the current good regularly updating WIPS?

Doesn't need to be frequent as long as they do update sometimes!

No A/B/O please @chalionkat

Sunset, Sunrise by Ariana Deralte (ArianaDeralte) (T, 59k, WWX & WRH, WangXian, WIP, Time Travel Fix-It, Crack, Temporary Character Death, sorry I killed a-Yuan for a few paragraphs before the time travel, WWX is a Wen, Genius WWX, WRH gets to rewatch the series as a treat, Implied/Referenced Child Abuse, in this house we acknowledge that all the sects have flaws, Implied/Referenced Sexual Assault, WWX Has ADHD, Bad Parents JFM & YZY, Implied/Referenced Suicide, Autistic LWJ)

The Threads of Fate by WaitForTheSnitch (E, 99k, WangXian, WIP, Time Travel Fix-It, Canon Divergence, Not Everyone Dies, Cloud Recesses Study Arc, Cloud Recesses Shenanigans, Good Uncle LQR, Protective LWJ, WangXian Get a Happy Ending, Pining LWJ, WWX in WWX’s Body, JC & WWX Reconciliation, is it reconciliation if WWX doesn’t know they were estranged?, Oblivious WWX, WWX Deserves Better, WWX Deserves Happiness, Siblings JC & WWX, Supportive JYL, Protective NHS, Emotional Hurt/Comfort, Comic Book Science)

🔒 in the half shade of my thorns by Reverie (cl410) (M, 70k, WangXian, WIP, Developing Relationship, Autistic LWJ, POV LWJ, Genius WWX, WWX Protection Squad, Gusu Lan Sect, Implied/Referenced Child Abuse, aka the Madam Yu warning, Light Angst And Hurt/Comfort, Politics, Canon Divergence, No Sunshot Campaign, Cultivation Sect Politics, Protective WWX)

🔒 The Second Hand Unwinds by trulywicked (E, 75k, WangXian, JYL/JZX, WIP, Time Travel Fix-It, Not JC Friendly, Not Yunmeng Jiang Sect Friendly, Not Jiāng Family Friendly, Not YZY Friendly, Time Travelling LWJ, Protective LWJ, Fluff, Minor Angst, Minor Character Death, JGS is his own warning, Wooing, LWJ is romantic af, Inventor WWX, Genius WWX, Cloud Recesses Study Arc, Implied/Referenced Child Abuse, Protective Gusu Lan Sect, Supportive LXC, Good Uncle LQR, WWX Protection Squad)

Lucky to have a sister by Beginner9to5 (T, 50k, WIP, WangXian, Fix-It, Time Travel Fix-It, No Golden Core Transfer, Burial Mounds Ensemble as Family, Cloud Recesses Study Arc, WWX Leaves the Yunmeng Jiang Sect, Canon Divergence, No resurrection, Failed soul summoning, Protective WQ, Good Sibling WQ, WQ is So Done, Adoptive Parent WWX, Protective NHS, Inventor WWX, Protective LWJ, Protective LXC, Jiang Family Bashing, JC Bashing, Hurt WWX, Scheming NHS, Bad Parents JFM and YZY, JC Has Issues, Homophobia, Morally Gray LWJ)

The Royal Mess by Writerqueensue (Not Rated, 21k, WIP, WangXian, Royalty, Arranged Marriage)

~*~

6. Hello! Thanks for your hard work! I'm I'm the mood for some stories where Lan Zhan says or does something that makes Wei Ying thinks Lan Zhan actually does hate him (which he doesn't) and so Wei Ying stops trying to be his friend and ignores him or gets real formal and distant and Lan Zhan fixes his mistake or Wei Ying even falls for someone else. Angst can be included. Thank you! @marietsy40-blog

🧡🔒Truth Will Out (when caught on video) - End_OTW_Racism! by KizuKatana (E, 178k, WangXian, WN & WWX & WQ, graphic depictions of violence, modern cultivation, canon divergence, YZY abuses WWX, caught on camera, partial core removal, WWX kicked out of Jiang sect, livestreamer WWX, meet ugly, dual cultivation, smut, no war) link in #1

~*~

7. itmf wangxian great british bake off fics? or anything adjacent to that!

thank you so much 🤗 @starlightrenmin

Battle Chefs series by sami (T, 28k, WangXian, Modern, Reality Show, cooking contests, Format - Recaps, Humour) This is Battle Chefs but may hit the same spot

Welcome to the Great Gusu Bake Off! series by BlackWiresOnHerHead (G, 59k, Modern, College/University AU, The Great British Bake Off AU, Humor)

🧡 don’t threaten me with a good time by livinginaworldofnoise (G, 60k, WangXian, Modern AU, Great British bake off AU, Script format, Fluff and Crack, Reality TV, Social media)

🔒 will the cultivators Nail It? by AmyNChan (G, 21k, minor WangXian, minor JYL/JZX, Nailed It AU, Modern AU, TV Show, Chaotic WWX, Awkward JZX, SS Being an Asshole, Judge LWJ, the Nailed It editors deserve a shoutout, Nichole and Jacques being best friends)

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8. Itmf first time parent Wei Ying is overwhelmed and crying himself because A-yuan (or any wangxian baby) is also crying a lot. @constellation-dks

my memory plays our tune, the same old song by Sweetlittlevampire (G, 15k, WangXian, Modern, Romance, Kid Fic, Neighbours, Bisexual WWX, LWJ Has Friends, Child trauma, Mentions of Death, Humour, Tooth-Rotting Fluff, Rabbits, Misunderstandings, But only little ones!)

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9. hi!! I'm looking for fics which have absolutely batshit crazy plot twists. Like, jaw on the floor and can't function for 10 minutes plot twists. No JC bashing please!

💖 Magical Marriage Ribbons Series by starandrea (Varies, 1m, WangXian, Canon Divergence, Accidental Marriage, Fluff, Happy Ending, Telepathic bond, Kink Negotiation, Family Drama, Magical Pregnancy, Dual Cultivation, Shapeshifters, Modern with Magic, Immortality, Yilling Wei Sect, [podfic] Magical Marriage Ribbons by dangercupcake) I would recommend the gratifyingly very long and creative Magical Marriage Ribbons series by Starandrea which has been recc’d here many times because it starts out canon(ish) and quickly goes into new territory/directions, increasingly more wild, but still with full flavor mdzs vibe

~*~

10. Hey there! I have another request. Are there any five where Wei Ying is resurrected, but for him its like he was just at the siege and he isn't so blasé about being dead. And he wants nothing to do with the cultivation world and just walks away. It can be anybody who resurrected him, the point is he just says no to whoever did it and their plan. Even if he dies from refusing to do what was asked of him. Thanks! @marietsy40-blog

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11. HII! This is for itmf! Any crime/mafia au's i read "You & Me Baby, We'll Eclipse The Sun" and need more mafia au's! Or any wangxian mpreg fics with wwx and abusive madam yu/ madam yu fics where her treatment of wwx harms someone else and she gets in trouble

Crime & Chaos by NebulusCharlie (Not Rated, 24k, WangXian, Crime AU, Modern AU)

For Safekeeping Purposes by ChilianXianzi (M, 3k, wangxian, Modern, Gangsters, Crime Boss LWJ, Sugar Daddy LWJ, WWX Has Self-Esteem Issues, And LWJ's going to take care of that, thoroughly, Domestic fluff but everyone's in a crime syndicate, Found Family, Age Difference, Implied/Referenced Abuse, Canon-typical Abusive Jiangs)

So Full Of Love (Wouldn’t Know Where to Start) by witchupbitch (M, 63k, WIP, WangXian, Best Friends, Friends to Lovers, Fluff, Eventual Romance, Eventual Sex, Possessive LWJ, Protective LWJ, Blood and Violence, Idiots in Love, Humor, Mafia AU, Modern AU, Flirting, shameless WWX, Confident WWX, Explicit Language, Mutual Sexual Tension, dark LWJ, Dark WWX, Exhibitionism Sex, Possessive Behavior, Unhealthy Relationships, Twisted and Fluffy Feelings)

See What I've Become by Vamillepudding (T, 24k, WangXian, Mob, YLLZ WWX, Hurt/Comfort, LWJ Needs a Hug, Sickfic, Protective WWX)

What Belongs to You by cinder1013 (E, 36k, WangXian, Stripper WWX, Crime Boss LWJ, Sex Positive, stds do not exist in this world, Polyamory, Public Sex, Blow Jobs, Anal Sex, Wall Sex, background 3zun, previous WWX/WLJ, but we don’t see any of it here, but she’s A-Yuan’s mother, Child Abandonment, Sex Work Is Work, gender non-conforming clothing, Good MY, Rimming, violence toward a child, violence in front of a child)

rather be the hunter than the prey by lokwacious, Regency_Bunny (E, 31k, WIP, WangXian, Modern AU, Mafia AU, FBI Agent WWX, Mafia LWJ, Bichen is a gun now, Some Crack, Dark lwj, Angst with a Happy Ending, Angst and Fluff and Smut, Gangsters)

You Only Die Twice by Mikkeneko (T, 11k, WangXian, Modern AU, Assassins/Spies, Assassins & Hitmen, Mafia AU, Action, Moderate Violence, a lot of people die but no named characters, not exactly lan sect friendly, not exactly lan sect critical either, Assassin LWJ, Kindergarten Teacher WWX, coffee shop meet cute, Let LWJ Say Fucks, lightly cracky, Non-Linear Narrative)

~*~

12. hi, ITMF fics where A-Yuan is traumatized by the Jin Sect and what happened in the camps? Like I've seen some fics where A-Yuan can't stand people wearing gold because he associates the color with bad people. This is a very specific fix I'm currently in need of but don't know what to search for haha. Thank you very much for all the hard work!

keeping score by hauntedotamatone (T, 6k, LSZ & WWX, Background WangXian, the opposite of reconciliation, Protective WWX, Duelling, Grief/Mourning, not for jc fans, Swordfighting, Resentment, LSZ centric, No JC & WWX Reconciliation)

🔒 the thread may stretch or tangle but it will never break by RoseThorne (E, 105k, WIP, WangXian, Canon Divergence, Soulmates, Self-Esteem Issues, Fix-It, Angst, Hurt/Comfort, Nightmares, PTSD, Handfasting, Panic Attacks, Getting Together, First Time, Aftercare, Implied/Referenced Alcohol Abuse/Alcoholism, /Referenced Torture, Scars, Chronic Pain, Golden Core Reveal, First Time, Switching, sex-related injury, LWJ Stays at the Burial Mounds, LSZ is a Wèi, Good Sibling JC, Dissociation, Burial Mounds Settlement Days, Disability, Scheming NHS, Disabled Character, Somnophilia)

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13. Hello! Good morning/afternoon/evening. Sending this for "In the Mood for" :D Fics of LWJ and NHS scheming together? They could scheme against anyone that wronged them or in LWJ case, who wronged WY.

Example of this is in the fic "A Matter of Time" by mrcformoso. (A favorite fic of mine uwu )

Thank you!!!

Not This Time by Marinelifeclub (M, 93k, WIP, WangXian, Canon Divergence, Time Travel, Angst, Dark LWJ, Protective LWJ, YLLZ WWX, Resentful WWX, Established Relationship, POV Alternating, Sunshot Campaign, Hurt/Comfort, Eventual Smut, Minor XuanLi, not for jc fans, eventual 3zun, Kid Fic)

🔒 Something is wrong with A-Zhan! by HeloSoph (M, 15k, WangXian, Canon Divergence, Time Travel Fix-It, Sort Of, Dark LWJ, Morally Gray WWX, Fluff and Hurt/Comfort, WWX Isn’t Adopted by the Jiangs, WWX is a Lan, WangXian Get a Happy Ending, JC Bashing, Smitten LWJ, Possessive LWJ, Engaged WangXian, Blood and Violence, a lot of people die, LQR Metaphorically Qi-Deviates, because of, Shameless LWJ, LQR Tries, to fit into the following tag, Good Uncle LQR, Semi-Public Sex, or at least wangxian’s version of it, Scheming NHS, POV NHS)

The Way It Wasn’t by KouriArashi (T, 72k, WangXian, XiYao, Canon Divergence, Angst with a Happy Ending, Fix-It, (eventually haha), Slow Build, Family Feels, Moral Ambiguity, Eventual Happy Ending)

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14. Hi y'all. In the mood for... Fics that vibe with 74243's tags about Nie Mingjue from Gimme shelter - "she's out there somewhere black motorcycle jacket / sleek moustache / bangin chicks" - à la plonk's good friends. NMJ preferred but any fic with the vibes welcome! Ty 🖤

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15. Hello! For itmf, do you know fics that are set after the cloud recesses study arc in a no war au or an au where the war takes longer to start, so lwj and wwx interacting after cloud recesses while a bit more grown up and without a war to deal with. Basically something like the beginning of dispersing clouds. Thanks!!

Orchids in Lotus Pier by Vamillepudding (G, 21k, wangxian, canon divergence, romantic comedy, pining, protective JC, friends to lovers, misunderstandings)

💖 sweet chaos by eachandeverydimension (G, 86k, WangXian, Arranged Marriage, Canon Divergence, Fluff, Romance, Light Angst, Falling In Love, Different First Meeting, Qīnghéng-jūn’s A+ Parenting, Night Hunts, Chinese Language, Good Sibling LXC, Good Sibling JYL, POV LWJ, Getting Together, Love Confessions, First Kiss, Chinese Culture, Slow Burn, No Homophobia AU)

Forgetting Envies and Fleeing Questions by marikazz (T, 7k, WangXian, Canon Divergence, No Sunshot Campaign, Repressed LWJ, Fluff, Swordfighting, the homoerotic kind, Love Confessions, Confessions, Flirting, Getting Together, Pining, Humor, POV LWJ)

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16. For itmf: a longer fic with a complex and poetic prose. I really like fancy words and purple prose. Or when the writer is doing something deliberately artistic with the language. Perhaps something weird and pretentious. Thanks for everything you do! @landofvinesandmonoliths

transmuter by WithLoweredVoices (Not rated, 113k, wangxian, Modern with Magic, Magical Realism, Angst and Fluff and Smut, Angst with a Happy Ending) I wouldn't call any of these pretentious but they all contain complex narrative and poetic language

Lovesong of the Square Root of Negative One by honeydrip (lmeden) (M, 55k, WangXian, JC & LWJ, JC & WWX, Modern, Blood and Gore, Elements of Horror, Elements of magical realism, Layered Narratives, A Story Within a Story, POV Multiple, Slow Burn, Not Everyone Dies)

💖 Regrets by antebunny (G, 37k, WangXian, Canon Divergence, Miscommunication, Misunderstandings, Time Travel, Fix-It, Temporary Character Death, Angst, Explicit Descriptions of Love, and other squishy feelings, Angst with a Happy Ending)

Gentle Exile by rynleaf (E, 9k, XiSong, Post-Canon, Canonical Character Death, Grief/Mourning, References to Depression, Emotional Hurt/Comfort, Angst, Character Study, Epistolary, Post-Canon, Exploration, [PODFIC] Gentle Exile by flamingwell, semperfiona_podfic (semperfiona)) this doesn't have purple prose, but I consider the use of language to be almost poetic (and there's even some poetry woven into the story), and the written structure is just as much part of the storytelling as the language (creative use of scene breaks, what is left- vs center-justified, etc)

~*~

17. Hi!! ITMF a fic where lsz is raised primarily by wwx but without lwj. whether or not the fic contains wangxian is fine with me!! But lwj cant participate is raising lsz they can meet later when lsz is already grown (or at least preteen?) Thank you! Sorry if this ask was a little messy ☹️ @draconislyra

hot for teacher by attackofthezee (noxlunate) (M, 8k, WangXian, Modern, Kid Fic, Getting Together, Mutual Pining, Teacher LWJ, Single Parent WWX, Fluff, vaguely set geographically in the us)

🔒 how to make your dad fall in love with your high school teacher in five steps; the complete and bulletproof guide by ravenditefairylights (T, 90k, wangxian, modern, coffee shop au, nonbinary LSZ, hurt/comfort, trauma, past abuse, past domestic violence, healing, hurt WWX, found family, hospitalization, therapy, single parent WWX, pining, teacher LWJ, unreliable narrator, chronic pain, queer platonic relationship, genderfluid WWX, autistic LWJ, fluff & angst)

Picture Perfect by manaika (M, 22k, WangXian, Modern AU, Past Relationship(s), Widower WWX, Grief/Mourning, Getting Together, Families of Choice, Family Feels, Stepfather WWX, LSZ is a Wèi, Single Parent WWX, Aromantic Relationship, Platonic Life Partners, it’s all in the past and only mentioned/discussed when relevant, Sex-Favorable Asexual WWX, RomanceHurt/Comfort, Past Character Death, Food Intake Related Medical Issue (not what you think) )

🔒 Song of Divination by LittleSummary (M, 28k, WangXian, LXC/NMJ, LSZ & LWJ, LWJ & MXY, LWJ & WQ, LWJ & WN, WWX & WQ, WWX & WN, JL & WWX, NHS & NMJ, NHS & WWX, WIP, Single Parent WWX, Modern with Magic, Demonic Cultivation, Amnesiac WWX, Curses, Past Abuse, Canon-Typical Violence, Canon-Typical Behavior, Bad Parent YZY, Bad Parent JFM, Canon JC, No JC & WWX Reconciliation, Angst and Hurt/Comfort, LSZ is a Wei, MXY is a Wei)

The Winner Takes It All by YilingSani (M, 46k, WangXian, Modern AU, Single Parent WWX, Old Friends, One Night Stands, No Smut, Angst with a Happy Ending, PTSD, Panic Attacks, Forgiveness, Second Chances, Inspired by Mamma Mia! (Movies) Teen Pregnancy, Mpreg, mention of miscarriage, Birth Trauma, amniotic fluid embolism)

~*~

If you didn’t get an answer to your ask here, don’t forget to make use of @mdzs-kinkmeme and MDZS KINK MEME on Dreamwidth. Authors actually do use them for ideas. You may get what you order!***Your prompt doesn’t have to be kink! Fluff, crack, whatever - it’s all good!***

[ohisms]

↪ ᵀᴴᴱ 𝑀𝐼𝐶𝐾 , ꮲꭲ 2 . (  a  series  of  sentence  starters  from  season  1  of fox's sitcom ,  “ the mick ” adjust phrasing as necessary . )

damn , [ name ] , how many cars can one person crash ?

i can't help it — when i'm behind the wheel , i'm a slave to the power of the machine .

other people worked very hard to buy those cars , and now they're mine .

why you gotta put me in a cage ?

i'm not a rat , okay ?

shut up , you don't know what you're talking about .

i am NOT joking , i don't wanna do this .

guys , we don't snitch . that's it , end of story .

will you listen to yourself ?? "jUsT tElL tHe tRuTh"

[ name ] , you snitch you die !

pretty sure that was already there when i walked up .

how is this good news ?

everyone's gonna call me a traitor , like you .

don't worry about it , it was worth it .

what are you doing tomorrow night ?

just say the words , and it can be yours .

oh , it's like that , huh ? fine .

what was that ? i can't hear you ... you can't breathe ?

you better figure something out , 'cause if you don't — i'll have to go public with this .

that's called extortion , stupid !

those guys are just covering their own asses , they don't even like you .

as easily as i can save you in this world , i can destroy you .

if anybody messes with you , let us know - okay ?

with a dong like that , you'd think he'd be happier .

do i look like i'm playing , [ last name ] ?

oh , your breath reeks of booze .

i hope you have a plan .

i was up all night watching prep school movies in preparation .

there are some real evil illuminati-type vibes in here , right ?

there was a time i could see , and i have seen .

oh , i'm just getting warmed up .

we are but food for worms , gentlemen .

whose burrito did i just step in ?

get out of here , the tv's mine .

what did you do to my shirt ??

how would you feel if i ran around stealing your clothes ?

we had to kill him cause he wasn't a team player .

no more special treatment for you .

i grew up in squalor , i am perfectly comfortable in it .

[ name ] , don't you dare !

didn't know you were gonna be so weird about it .

if you decide that you don't want me around , just tell me and i will go .

you're not the only game in town , buddy , okay ?

you don't know who i hang out with .

jealousy is the reason people hate us .

you don't have to worry about labels , just like who you like .

i hope this is some sort of emergency .

you kept me waiting , so i'm gonna get right to it .

don't make this your thing , this is [ name's ] thing .

suing is how rich white people solve their problems .

i wanted to sing and show you there's nothing to be afraid of .

i'm so nervous for you ... i want to throw up and run away .

you could have me escorted out , but you have no security .

ooh , dark scary room ! you know what they call that in prison ? they call that a blind spot . great place to catch a shiv .

what kind of operation are you running here ?

you didn't do anything wrong . i was the problem , not you .

where i'm from , the guest gets the good seat .

i drink , smoke , lie , steal ... i'm drunk right now .

i will ruin him . please don't let me do that .

i'm not the one doing whatever you guys are doing ... what are you doing ?

i'm not judging , at least he's a hot mess .

it's the wolf's job to eat the sheep , so y'know ... this was bound to happen .

i will RUIN you when we get home .

i'll give it back to you in a minute , you're gonna get it back .

the suit you destroyed cost a grand !

come on , [ name ] . i'll help you get settled .

he can't know it was my idea .

she made her mean bed and she can sleep in those scratchy sheets .

woah , tough day at the office ?

what the hell did you just say to me ?

you are right ... no matter what you say about anything .

we do this all the time , but usually there's some art to it .

this is not nearly as fun as i thought it was gonna be .

you're letting a bunch of nerds pick on you with their computers ?

why don't you just systematically destroy her ?

i can see where this is headed , so i'm just gonna hit the road .

she ripped me open , stuffed me full of devastation and then sewed me back up again .

leave me alone , this is all your fault .

why are they yelling ? are they angry cause they're bad musicians ?

i will never understand your generation .

let me have it . how bad is it ?

do you have any idea what i saw in there ?

you should come and check out what's going on outside , cause i think you'll be pleasantly surprised .

i just want us to be friends again .

it would be such a silly waste of time for someone like me to be mad at someone as insignificant as you .

the truth is , i pity you .

when the universe gives you a sign , it's not up to you to ignore it .

[ name ] gave it to me . it means i'm in charge .

i'm not comfortable with the whole arrangement . where's [ name ] ?

this is outrageous ! i'm getting passed over again ?

i don't have a problem , i'm just blowing off some steam .

you wanna get in on this ?

you deserve to take a time out as much as anybody else .

sorry , i didn't realize you were the fun police .

having money has reaaally changed you .

i've lost control ?! oh no , you dumb , dumb idiot . YOU'VE lost control .

that's a gross overreaction .

i will show myself the door in a ... graceful and classy manner .

thanks for sticking around .

look , i realize i did some questionable things in there .

i just felt like the universe was giving me a sign .

i'm the only one worthy of its power !

keep it in your pants and follow my lead .

it's no offense , i just don't know you very well .

let's go over this one more time , just so we're clear .

we've already been over the terms .

what's in it for you ?

i like the element of surprise .

wasn't expecting that . are you okay ?

i saw a burglar , i didn't know what to do ... so i SMOKED his ass !

you SHOT me ! what the hell's the matter with you ?

that gunpowder's like a hundred years old , it probably just broke the skin .

what about the police ? they're expecting a gunshot victim .

guys , we've gotta move this along , okay ?

you got it , i'll get you a pillow .

you're lucky no one was killed .

here's the thing about the bordeaux ... i drank it .

i'm so sorry that you had to keep our mansion warm .

how do you think the police found them ?

if you're done criticizing me , i think i'll head on up to bed .

you want me to do the jobs no one else wants ?

can we pick this up tomorrow ? i was shot , so ... i'm very tired .

it has nothing to do with that . okay ? now please leave .

i wanted to thank you for having my back earlier .

that had nothing to do with you . i was just trying to hurt them .

it's chloroform . i found a recipe online .

[ name ] , don't come at me with that .

i was gonna do whatever it takes . i'm not a quitter.

i wanna tell you , i really do . but first there's something i need .

oh my god , you're bailing again .

innocent people don't sneak in and out of their own home .

'cause i don't like you , that's why .

i'd rather get mowed down in a hellfire of bullets than listen to you screech .

you don't have to lie . i heard you guys .

how was i supposed to know you were gonna hug me ? i didn't even know you knew how to hug .

[senblades]

Hi :)

I love your art and your writing, and you have such a great grasp of these characters that I was wondering if you have any fic recs? Rating doesn't matter ;)

boy do I! (and ty for the compliment <3 <3 <3)

[cracks knuckles] alrighty:

The Dissapearence of Goro Akechi by Kupowonders - Probably my favourite fic ever, honestly- it's like. derailing the plot of persona 5 post-medjed thanks to the persona 4 accomplice ending years prior. (So, spoilers for p4 in that, too) it's. very good.

Marigolds by Colbub - Akechi gets ng+'ed to right when he started working for Shido, and has to take a good look at the future to come and be like "Aight how the fuck do I fix this". Fun times!

Daredevil, You've hit the wall by ez_cookie. Essentially, p5 Strikers but Sumire and Goro get to be in on the fun, too. And, there's a direct sequel currently being updated that's a similar premise for p5 Tactica. very very good stuff

A Tale of Two Tricksters by Zoe2k8 - Murder boyfriends! ...sort of? Angst! Angst and murder boyfriends! An oversimplification, obviously, but I'm not kidding when I say this fic is amazing and is also over a million words holy shit-

Throw away your mask by MollyPollyKinz - Another ng+ situation for Akechi, but this time the poor guy gets thrown all the way to 2009. You can imagine how well that goes (For the audience, less so for Akechi himself.)

The Crow Cries at Midnight by Dorked. hehe this one is very fun. Basically, a series of coincedencs causes Akechi to get thrown into the plot of persona 4. No time travel here! Just a grumpy 12/13 year-old Akechi trying to solve a murder mystery

The entire Tales of Chaos series by Eternalmomentss (The first one is called Like sand between your fingers) Very very good stuff! Something of a character study, I would say, of Ren and Goro. Plus, all the funky plot stuff that comes from trickster-typical bad luck and poor descision making. I really love this series hehe

uhh this post is getting very long I need to make this less wordy- lightning round?

Hunger for a life by Leonawriter - do you like vampires? I sure do! Mix that and the p5 plot and you get shenanigins. [evil laughter] a lot of shenanigins

Fishbowl by KivaEmber - Akechi has a terrible time in Maruki's reality. And I mean a terrible time

You have a beautiful smile underneath that mask by Saposaki - Akechi has a crush on Akira and Joker has a crush on Crow. No one is aware of the other's secret identity. Dramatic irony and hilarity ensues.

MASTERMiND by StumblingBlock - No Metaverse au where Akira really doesn't want to follow in the footsteps of his crime family, and fails miserably

Rose and Rot by SixteenJuniper - Read this!! I'm serious!! "A fun fantasy adventure" don't listen to Juniper. You'll be in tears by chapter two. (/pos, of course) (Seriously this fic is incredible)

Redressing the Balance by Convocated - ...almost a ng+? Ng+, in the sense that shuake are getting funky visions that are very quickly derailing the standard plot of p5r. This causes problems of the "Someone get the popcorn and maybe the tissues" variety

She's got a heartbeat full of lead (And she's aiming straight for the head) by Dots - This fic haunts me, often. In the best way possible, of course; but seriously, read it

Cracked into by SydneyHorses - Ren makes bad descisions and it becomes Akechi's problem. 2/2 timeloop, perhaps most notably featuring HaruGoro friendship! Love love love this fic

Okay that wasn't as "less wordy" as I intended but it'll do

Aaaand that's a wrap! Sorry for the long post.. and this is by no means all of the fics that I've ever loved (nor are the ones here in any particular order) but I swear we'll be here all week if I keep going HAHA

ty for the ask (and again for the kind words), anon! Hope this was helpful and to your tastes! (I... hope you like Shuake HAHA it's present in most of these- I assume you do, since you came to me (points at literally everything shuake I've made) of all people, but uh. Some of these fics are gen if it's not to your liking?)

[taffywabbit]

oops i accidentally wrote a review for zelda II: the adventure of link

(originally posted to Cohost on Feb 22, 2024. you can ignore this if you want, i just wanted it archived somewhere before that site disappears)

Finally beat Zelda II for the first time last night (I forced myself to finish it before starting Splatoon 3's Side Order DLC, because I knew if I didn't push through to the end of the Great Palace THIS time then it'd be years before I tried beating it again. This is probably my 4th or 5th attempt at this point). Not that this is a particularly hot take by most people's standards, but I don't think it's all that good, at least from a gameplay standpoint.

I don't regret playing it though, because I think I'm finally able to put my finger on the stuff I actually disliked about it vs the stuff that was honestly fine, or even (very rarely) actually good? I'm kinda fascinated by it, honestly. Sequels where they immediately screw around with the first game's formula (to mixed results) are neat! FE Gaiden is another example that comes to mind (hey they should give Zelda II the Shadows of Valentia treatment, that could be really cool actually).

Obviously Zelda II has a reputation for being kind of a rough experience. It's an NES game, and NES games are often susceptible to being frustrating, buggy, hard to control, or overly punishing. Sometimes, all of the above! And for what it's worth, the original Legend of Zelda was a tough and sometimes very cryptic experience as well. But I feel like the two games are challenging in drastically different ways, and I think TLoZ ended up being the formula that was retained in the long term primarily because its method of challenging the player overall did a better job of inspiring curiosity and exploration. Despite narratively being a direct sequel (with a really badass story premise that is unfortunately not really conveyed at all in-game) Zelda II took a different approach to nearly every element of the original's gameplay, which is a pretty bold move I suppose. Whether or not it succeeds at anything is fairly subjective, but it's undeniably had a lasting impact on the series, as well as the people who grew up with it (and then they went on to make some really excellent mid-2000's flash games inspired by it that I frankly enjoyed a lot more than this... and also a weirdly solid licensed Adventure Time game on the 3DS? I should go back and play that sometime, it's really fun).

Where to start with this...? Uhhh, the EXP-based leveling system where you choose what stats to put your points into is interesting! It creates a risk-and-reward system for fighting enemies instead of avoiding them, whereas in most other Zelda games besides BotW/TotK, the only reward for killing monsters is "they are no longer bothering you while you solve puzzles, and also sometimes they drop rupees/hearts/ammo". It also introduces a bit more player choice in what areas you'd like to get stronger in first, which is cool! I just wish it actually mattered in a way that let you feel powerful for even a moment. Instead, leveling Life (which is functionally just defense) is never enough to actually make you feel like you can afford to take a hit - the expectation seems to be that leveling Attack, Life, and Magic is something you do purely to keep up with how badly every single thing in this game wants to stomp you into the ground and soak up a million hits and waste all your magic. You CAN skip out on leveling one stat to prioritize another, or even try to evade tough combat situations entirely, but if you aren't leveled enough and in the exact things the game expects you to be WHEN it expects you to be, you'll immediately bump into some new asshole who jumps out of nowhere and can cut you down in 2-3 hits. Leveling doesn't make you tangibly stronger, it merely keeps the game barely playable.

This actually ends up being the core problem I have with Zelda II's design, far more than just the combat being clunky and overly punishing or the levels being visually samey and super hard to navigate. In most Zelda games (and also in a lot of other RPGs!), you get a better sword or a new power or item, and it opens up exciting new options for both exploration and combat. In Zelda II, you level up or earn a new item/spell, it's useful for maybe 20-30 minutes, and then it's immediately nullified. Wow, you got the Fire spell! Now you can finally deal with Tektites and Basilisks (which are immune to all other attacks) on the way to the next area! Well, I hope you had fun with that, because Fire doesn't work on most things you run into afterwards.

Easily the biggest game-changer is when you unlock the Downward Thrust sword technique, and finally have another option for combat besides just crouch-hopping and poking monsters with a dull butter knife. It's satisfying to use, it looks cool (by this game's standards), and it even has some utility for crossing hazards or defending yourself against swooping enemies! Cool! Unfortunately, they don't let you play around with that for long either, before nearly every enemy you see starts rolling up with helmets or shells that make them immune to attacks from above, and you never really get anything like that again (the Upward Thrust exists later, but it's far more situational and frankly not very fun or intuitive to use). Rather than feeling like you're being given tools to overcome challenges and stay above the difficulty curve, it feels like you're constantly just slightly underequipped for everything (even if you grind to earn extra stat levels) and any edge you're given is swiftly taken away from you. (Except the Reflect spell, which is ALWAYS a banger after you get it because it makes your shield Actually Do Its Damn Job after nearly every enemy starts shooting projectiles you can't block. Good work, Reflect spell.)

I feel like I grew up hearing plenty of people talk about the overall difficulty of Zelda II, though most of the complaints about its puzzles were surface-level jabs about the short cryptic NPC text, and none of that prepared me for just how ridiculously obtuse its mandatory puzzles/secrets can be. I genuinely have no idea how anyone would EVER find the Life spell - pretty much your ONLY source of healing outside of towns, since there are no hearts to pick up in this game - without some kind of guide. I was FURIOUS when I finally looked up where to find that lady's mirror and discovered that you have to walk into one of the houses, go over to the table that looks EXACTLY like every other table in every other house in the entirety of Hyrule, crouch, and press B, and you'll just pull the mirror out of nowhere. This type of interaction does not exist ANYWHERE else in the game and there's no in-game hint to indicate that you should try this. Absolutely maddening.

This and its predecessor are both games that seemingly expect you to have the physical manual on hand to help you find secrets, but at least in the first game, the way the game was designed was consistent enough that you COULD feasibly find your way to the end of it without a guide. Bombable walls in dungeons always being located in the center, things like that. It had rules and it could generally be trusted to follow them. Zelda II, in comparison, has a final level (the Great Palace) in which there are numerous rooms that look IDENTICAL and if you make one wrong turn you can go through the entire [very difficult and dangerous] dungeon on a path parallel to the one you need to be on, only to hit a dead end and be able to see the spot you're supposed to be reaching on the other side of a wall. Except you would also never KNOW you need to get there, because it looks like another dead end full of monsters but there's actually a completely invisible hole somewhere in the floor over there that drops you into the hallway leading towards the final boss. Also there is no map. TLoZ had a map. I don't know why this game doesn't have a map. Possibly because if you try to look up maps online, most of the dungeons feature non-Euclidean spaces? Idk, even a Super Metroid-style grid map would've done wonders here.

The combat is... fine? I truly don't understand how anyone thinks it's GREAT though. Zelda II is kind of like a version of Castlevania where you don't have a whip and instead have to stab everything at extremely short range, and also sometimes enemies have shields so you have to crouch sometimes to stop them from blocking you. It feels tense and high-stakes but only because, as I mentioned earlier, you really cannot afford to take stray hits in this game. Most enemies chew through your health at an alarming rate, even with the Shield spell active, and there's almost no way to replenish it unless you use a Life spell (which costs a huge chunk of your magic, possibly softlocking you if you end up in a place that requires other spells to progress). I got better at the combat over the course of my playthrough, but I never felt like I got good at it - most of my victories against strong enemies felt like pure luck and there were rarely consistent strategies for success. All of this combined with the fact that Zelda II has limited lives (and I mean LIMITED - there are only six 1-UPs in the entire game, which can each only be collected once) and getting a Game Over anywhere outside of the final palace will send you all the way back to the starting area, and it makes for an incredibly stressful experience. Even making use of savestates to lighten the fear of death can only do so much to improve it.

Overall, I think that Zelda II is a game that has a lot of really promising ideas, but then just absolutely flops when it comes to the execution. I didn't have a better way of organizing these but here are a few examples of elements I DID particularly like, even if they didn't always stick the landing:

I like the idea of the RPG leveling system in theory, but wish it was more empowering in practice and actually let the player make meaningful choices instead of just being required to survive. Choosing to hold off on a Life upgrade and instead save up just a little longer to boost your Attack feels awesome, until you time one of your inputs wrong and get destroyed. In a game with better-tuned difficulty and combat, this system would be great!

I REALLY like that Zelda II introduced a magic system to the series! I think it's cool as hell to have Link learning and casting spells to protect himself, solve puzzles, and exploit enemy weaknesses, instead of relying purely on items. (It's honestly weird to think that a system I associate so strongly with classic Zelda gameplay has only actually showed up in 4 of the games?? I guess you could consider the runes/hand abilities in BotW/TotK to be kind of like modern spells, or the slowly-refilling energy gauge in ALBW to be the most recent iteration of a Magic Meter, but both are highly debatable. Anyways I just think they should let Link shapeshift into a fairy again, that was cool.) But most of the spells in this are fairly situational and your access to magic refills is so limited that you rarely have the freedom to experiment with the spells' secondary functions (hey did you know the Spell spell turns most enemy types into slimes? that's wild. I wish I'd known that sooner).

The overworld functioning like a traditional JRPG, with top-down exploration broken up by semi-random enemy encounters, was something I honestly didn't hate. It's a little weird for Zelda, sure, but I could see it working well to support other systems in a more polished game. Overworld encounters that switch you into a type of gameplay other than turn-based JRPG combat are something I've always been fascinated by!

Anyways, weird game! I'm glad I finally got closure so I could figure out how I personally feel about it, independent of whatever the random youtubers I watched as a teenager thought. And now I never have to play it again :)

[dailycass-cain]

Batgirl #1 feels like a dream. A dream that I always wanted to see but never thought it was possible. This past Wednesday changed that and held a physical copy in my hands.

It's finally time for my thoughts on the issue.

I'll start with the book's only two critiques I have for it. For new fans, this comic is just a gorgeously drawn comic with layers that scratch the surface. You get that instantly on the very first page when Shiva and Cass meet.

You can understand the subtleness. But I can see a new reader going? "I need to know more of this context." That leads to the second critique of the comic: editor's notes.

They could've added much more to the words of the comic. Explain further some of the history.

I mean there is a PERFECTLY minded trade that solves this problem (out April 8th, 2025). But it would've been nice to direct readers to a specific issue of the past. To further enhance the reading experience.

That said...

This feels like a continuation of Batgirl Vol. 1, but with the knowledge that even after #73 Cass continues to be a bat. There are so many callbacks to Puckett and Gabrych (in a way) along with Tynion, Hill, and Conrad/Cloonan.

I'll give it to writer Tate Brombal he just skips RIGHT to the meat keeping the reader as clueless as Cass is into the story.

We're dragged into this mess like her not knowing the full story save what she sees and knows. Even if she knows Shiva is trying to be better.

Just that she doesn't want to be dragged into this mess. Not only that, Shiva unnerves Cass in a way given they are two sides of the same coin (both in blood and choices).

Not only that, but the moment Cass meets her mom, she murders someone (a guard who is violent and earned the violent end). It's probably right there Cass decided to check out afraid of this being a relapse of "old ways".

This, in a way, feels like Brombal addressing the circle the two characters have been in since 2020 at the start of this issue. There is just this uneasy tension, which ends when the series' antagonists show up.

You get that "the Unburied." Ninjas are cut from the cloth of Frank Miller and Peter Laird/Kevin Eastman. You get those Hand/Foot Clan vibes from them.

As for how they are so dangerous. Well, again the Laird/Eastman method of ninjas. They just keep coming. Waves and waves. They know their target. Eventually, no matter how skilled one is, one wave is going to get lucky and overwhelm the target.

What makes them deadly is that they keep coming until their targets are wiped out. Therein lies the reason Cass stays (both times): She knows her mom could be right.

They could target everyone she loves, and some of the family could be endangered due to that unknown factor.

That is the core of Cass, and we get our "character introduction" of who Cass is. She was raised to be a weapon but chose to be a hero. She was an orphan by choice (okay a nice nod to THAT codename). That her parent is Batman (but aw not Babs). Choosing to protect.

That's where the comic just goes to another level thanks to the art by Takeshi Miyazawa and colors by Mike Spicer. Where each impact and panel just POP. Not to mention the "mood" with the colors Spicer does here.

Interestingly, the only impact we get is via Shiva's reactions to Cass fighting. Punching her, but also them fighting together against the Unburied.

The things she's seen of her mom. The death duel. The death. The violence. Being evil. That's what Cass has known (and in a way the murder mom clichés). But we see throughout the shades of Shiva that are more than that.

I think the points where we get little callbacks to the Question yet Cass sasses her mom with "Lying." Again, Cass knows that Shiva loves fighting. Because deep down she too loves this. But also the "lying" Cass means to Shiva. And again we get her saying what she's seen in the past.

And I'm kind of surprised we see the Cult of Shiva again (along with the survivor who Steph fought in #26). Again someone we haven't seen in well SO LONG. And well, say goodbye to this issue (farewell to Shiva's #2 fan).

I'm really curious to where this goes. Obviously, we're going to get answers. But the questions raised this issue do intrigue me. Not to mention Cass/Shiva teaming up. And that alone is a highlight into itself.

I just wonder WHO is behind the Unburied? Because you know it's someone. Question is it someone with a connection to BOTH Cass and Shiva? Or is it truly sins of the Mother dropped on the daughter?

If they're targeting people associated with Shiva? Does it mean we're getting the first meeting between Richard Dragon and Cass? To showcase another layer of Shiva to Cass that's never been explored? Or Ben Turner aka Bronze Tiger? Curious questions indeed.

Regardless Brombal really has a DEEP understanding for both characters.

There's just so much dialogue and just reactions that FEELS just entrenched from Batgirl Vol. 1. That this feels like a writer going FULL ON with no restrictions with Cass.

Not only that but artist and colorist just deliver that same method. Keeping what was in Vol. 1 here present as well

I felt for them again for so many times in these many years- at home.

I felt for them again for so many times in these many years- at home. This comic really does feel like a celebration of the character. Something to honor the anniversary and everything that has come before it. Be it Batgirl Vol. 1 & 2, Tec, Batman & the Outsiders, Spirit World, and Batgirls.

That again why the emotions hit akin to Shadow of the Batgirl. Being a fan of the character so long. Being around for this ride. This hits on another level as well.

And after a week of darkness, this comic (along with another) brought some much-needed light to my world.

So to any Cass fan hesitant in the past due to well "DC being DC", let me just say that this is the one. The one fans have been dreaming of. Hoping. This #1 delivers SO much. Maybe, it shows to others why this character just resonates with so many.

[nhularin]

1 STEP FORWARD, 3 STEPS BACK

PAIRING bf! jay x reader GENRE toxic! relationship, angst no comfort WARNINGS insecurities,there might be some grammar mistakes WC 0.9k series masterlist

December 12, 2001

"so, how was your day?"

you looked at him, your voice soft as you asked. you and your boyfriend sat in his car, the air thick with tension. but jays response was anything but kind. his eyes narrowed as he looked straight ahead of the road, his voice filled with bitterness. "fine" he spit out and silence fell upon you once again

no, it's back and forth, did I say something wrong?

the tone of his voice made you recoil, your heart sinking. it was a typical thursday night and you haven't seen each other outside of school in what felt like forever. you had only wanted to check up on him, to show him that you cared about his well being. but his words sliced through you like a dagger, leaving you feeling small and insignificant.

"thats great!" you tried to sound cheerful, but your voice betrayed you when those words came out quieter and wobblier than expected. you looked outside of the passenger seat's window, attempting to ignore the unbearable silence in the car. you could hear the joy and euphoria from passing cars and you couldn't help but feel jealousy radiating through you

All I did was speak normally, somehow I still struck a nerve

"why are you always so sensitive?" jay continued, his voice dripping with disdain. "you make everything about yourself. cant you see that I have my own problems to deal with?"

jay could feel your discomfort, he had to. hell, the passing cars could probably feel it "dont be like this" he said, sighing heavily "why do you always ask me that? you saw me at school. did you see me crying? no. so dont ask obvious shit when you already know the answer."

your eyes welled up with tears, voice trembling. "I'm sorry, I didn't mean to upset you. I just-" you paused, feeling your throat close up "we haven't hung out in a while and i just wanted to make sure that you were fine"

jay scoffed, his anger intensifying. "you think you can solve all my problems with a simple question? youre so naive. you don't understand anything. fine, coach Madson was a fucking asshole today but i knew you wouldn't understand. isnt a simple 'fine' enough? all you know is how to break out in song and dance with your theater friends"

im the love of your life until I make you mad

your heart shattered as his words echoed in your mind. you had hoped for a moment of connection, a chance to offer support. but instead, you found yourself facing his anger, his frustration, and his complete lack of empathy.

you longed for affection, for those sweet words of love to fall from his lips. but instead, you were met with a wall of unpredictability. one moment, he would hold your hand and make you feel like the most special person in the world. the next, he would push you away, leaving you wondering where you went wrong.

every little thing you did seemed to set him off, like a ticking time bomb ready to explode. his anger was swift and cutting, leaving you feeling small and insignificant. it was a rollercoaster of emotions, and you couldn't help but question if he truly loved you.

jays grip on the wheel tightened even further as you reached a familiar intersection. the red light seemed to mock your mess of a relationship, the halted traffic mirroring your damaged connection.

as the light turned green, he pressed down on the gas pedal, your heart pounding heavily in your chest. the car lurched forward, the engine roaring, but the noise was nothing compared to the deafening silence between you two. the streets blurred as you sped through the night.

in that moment, you realized that jay wasn't capable of providing the love and understanding you have craved. he was a storm of emotions and absolutely unpredictable, lashing out at anyone who dared to get close.

on your late night drives, you would often find yourself bracing for impact. would jay walk you home, or would he send you home crying again? it was a cruel game of chance, and you were trapped in its endless cycle.

"look" he sighed "im sorry for lashing out, im just stressed with-" he paused longer than expected "practice, AP calc, everything, okay? its nothing personal"

his apology didnt change the storm of emotions forming inside you but you tried to tame it as best as possible, trying to look unbothered by his constant outbursts of hatred.

when did it all go wrong? you have known him since forever, his toothy grin and messed up bangs permanently engraved in your head. you managed to form an awkward smile "its okay" its always okay, as long as you were with him

do you love me, want me, hate me?

finally, you arrived at your house, and jay pulled over. the quiet and calm suburb contrasting the chaos in your head. the car idled, the engine still rumbling.

there was a moment of silence, a moment where the weight of your emotions hung in the air. and then, without another word, jay reached over and opened the car door. his gesture made you feel giddy and hope filled your heart. as you stepped out, you gave him your biggest smile

"ill see you tomorrow, text me, okay? i love you"

he didnt say it back nor did he message you that night

no, I don't understand

PERM TAGLIST @misokei @avocarua @sngvhs @essmarye @haechansbbg

SERIES' MASTERLIST @flwerfield @hyhees @mrchweeee @j1nniee @mikaluvsyouu @delulu4-life @mora134340 @beomsbeanie @leep0ems @cIphantom-hive @yla-aira @filmofhybe @nishik1

[anghraine]

I finished TOS today :'(

From J's loathing of the series finale, I thought it would be worse tbh. It is not good, to be clear! Obviously the whole conceit of the episode is intensely misogynistic (and transphobic, though I think that was less intentional) and Janice is so completely identified with Gender while also being so mediocre that her characterization is somewhere between insulting and comically stupid, but with a bit of generosity there are some things I can find intriguing about it.

For instance, Janice's rage over Kirk leaving her for his career only for Kirk to be like "actually I left you because your internalized misogyny was incredibly off-putting" is phrased in a deeply cringy 60s way. Yet, J and I have both found this to be basically true IRL. Self-hating misogynistic women do make for terrible relationships and Janice is at Lady Macbeth levels of it.

I also found it interesting that Janice (in the body of Kirk) is so sneeringly mocking of the idea that a woman could possibly have physically gotten the better of a man, when the reality is that a) she knows perfectly well (as does the audience) that this is exactly what happened, and b) this has happened to Kirk numerous times before (I think on at least four unrelated occasions in this season alone).

On just an acting level, I guiltily enjoyed Shatner's performance of Janice body snatching Kirk apart from a few specific scenery chewing moments. There's this blend of his usual Kirk performance with hints that something isn't right that get stronger and stronger until he's such an obvious monster that all the crew except security are refusing to follow blatantly unethical orders and actively trying to use Starfleet protocols that allow them to remove a superior officer (it's a surprisingly good episode for Sulu and Chekov because of this, as well as for the ever-reliable Spock).

The earlier phases of Shatner-as-Janice-imitating-Shatner-as-Kirk have this kind of almost-but-not-quite-right uncanny quality that I thought was actually pretty well done. It's rather better than the guest actor's performance of Kirk-stuck-in-Janice's-body until she really gets going.

So, like, there's this wild moment when Janice is sweet-talking the awful doctor into helping her commit murder, and it's clearly coded as, you know, the evil tempting ways of women as Janice leans in both kind of seductively and kind of menacingly. But Janice is performed by Shatner throughout the entire scene, so it's ... uhh. Well. A lot.

Meanwhile, Kirk-trapped-in-a-lady-body is trying to prove that he is Kirk to Spock, who is basically willing to entertain the possibility but not at all certain. I was half-jokingly telling J, "I feel like a mind meld could solve a lot of problems here" when Kirk did suggest a mind meld with Spock via the incredible line "You are closer to the captain than anyone in the universe. You know his thoughts" which UHHHHHH and then Spock does mind meld with Kirk and is immediately convinced that this really is Kirk, but Kirk is played by a woman the whole time, so. Hmm. Plausible deniability?

I'm honestly reminded a little of my Shakespeare class's discussion of how Twelfth Night would have registered to audiences at the time, when Viola would be played by a boy pretending to be a woman pretending to be a man. It's complicated. Obviously this bad episode is no Twelfth Night, but ... well.

I do also appreciate that the episode takes a very strong "just following orders is not an excuse" position, as does virtually everyone on the Enterprise except the security people. If the usual female cast members were more present, I think the gender stuff wouldn't feel as bad, tbh—I don't recall seeing Uhura at all, Chapel is hesitant but goes along with basically everything, the random woman on the bridge is just kind of scared where the men simply refuse to comply...

The conclusion is also just ambiguous enough to read the way I'm choosing to read it, which I feel is absolutely not what was intended, lol.

For context, a lot of Actual Janice's unhinged rage is driven by a mixture of what seems to be a very real glass ceiling in Starfleet + a distinctly authoritarian approach to power (J and I have long joked about half the cast of Mass Effect whining about "red tape" and we started going "RED TAPE!!!" as Janice transparently fumed about operating within an organization in which authority figures are actually answerable to other people and regulations exist around institutional power) + A Woman Scorn'd misogynistic tropes.

After Kirk and Janice are restored to their respective bodies and Janice is led away by the doctors, Kirk says, "I didn't want to destroy her."

Spock's last line in the show is his reply: "I'm sure we all understand that, captain."

Kirk responds, "Her life could have been as rich as any woman's, if only..."

And that's the end of the episode! And the show! And I was like "as any woman's, yeah, but she didn't want to only have the opportunities available to women, which is entirely fair even if she individually sucks." But since Kirk just trails off and wanders sadly away, there's no clarification of what "if only" refers to. I would guess that the writers intended something more like "if only she'd been happy with her place as a woman" or whatever, but I'm choosing to live in a world where it's more like this was a perfect storm of about five different factors and not specifying lets him wave vaguely at all of them rather than attributing her actions to any single cause.

Regardless, I'm sad to leave TOS behind. For all its warts (the godawful handling of nearly all female characters comes from barely ten years before Princess Leia blasted her way into cultural consciousness; the writing and direction is wildly erratic in quality; the characterization sometimes wobbles to serve the plots; etc), I've really loved it. I'm very fond of so many of the characters and feel I know them despite the wobbling. I love how the show uses color in such a vivid way (even accounting for tech changes that affect this, like the lighting making green command uniforms look gold), I love the willingness to try different things with angles, effects, light, stages, whatever. I love the worldbuilding-as-we-go that gradually coalesces into something familiar. I love the way it's episodic enough to watch in any order but kind of builds on itself nevertheless (it feels very right for "Amok Time" to long precede "Journey to Babel," for instance).

I even enjoy the glaring-to-a-modern-eye staginess. I'm so tired of glossy de-saturated sci-fi aesthetics that TOS being like "fuck it, let's try X" whether it succeeds or not is just very welcome. I've loved checking out different costumes, hairstyles, various little details that make it feel real in a larger (and brighter) than life way. RIP to TOS from the future: nobody's doing it like you.

[greenerteacups]

What are your thoughts on the magic system, both how JKR has created it in canon and also how you have tried to deepen or change it in Lionheart? In a lot of fanon/other series there’s more clear rules surrounding use of magic and magical strength or talent than it seems like JKR developed in canon.

Current fantasy publishing has trended hard towards hard magic systems, i.e. systems with clear rules, limits, and costs, because those systems make it really easy to establish stakes. Sanderson's books are a great example of hard magic used well, because his books are really interested in how societies built around magic would use them to solve problems.

Soft magic, in contrast, doesn't operate on clear limits. But that doesn't mean it's bad, it's just a different kind of worldbuilding. In his article, Sanderson points out that while hard magic systems thrive on getting the reader invested and scheming with the characters, it de-mystifies the "magic" of it all; it basically becomes technology. Meanwhile, soft magic systems are great at mustering awe and wonder. The risk of a hard magic system is you make your world feel mundane. The risk of a soft magic system is you make your stakes feel irrelevant. Neither of these are necessarily true, they're just risks you need to manage when you're writing. And good authors can manage them. For soft magic writers, you need to be really careful to show that your universe has problems that magic can't solve, even if you don't break down why it can't solve them. Martin and Tolkien are great examples of this. Why can't the eagles fly everyone to Mount Doom? I dunno, but I know they can't! And I trust that a world with his richness and verisimilitude, things happen for reasons, and those reasons, if explained to me, would be satisfying. When Tolkien tells me the eagles aren't a viable solution to the problem of the Ring, I just trust him. Because he's put in the work to make this world believable. Do I need him to invent some fictional rule about eagles being, like, physically unable to cross over that mountain range? What would that accomplish? The thing about magic being soft is you can just accept that sometimes It Doesn't Work, and you're fucked. So there's still a sense of tension and stakes for your characters, because they can't always depend on magic to get the job done. Another way around this problem is just to make the stakes of your series rest on something that magic can't solve, like emotional conflict, or a mystery. This is actually most of the Harry Potter books, in my opinion; they have pretty good stakes that almost always stem from human beings in conflict with each other, which isn't something that you can wave a wand and make go away.

Rowling's magic system is somewhere between hard and soft, whereas you can do X and reliably expect Y magical outcome, but also, it's pretty soft where the limit is. I don't mind this, because I'm pretty willing to handwave glitches in the magic system where it improves the story — so long as it's not a glitch that opens a plot hole, I'm fine not understanding How or Why Exactly a given piece of magic was executed. Dumbledore's escape from the aurors in fifth year, for instance. I don't know how he did that! Doesn't bother me. Because plot-wise, it doesn't make a difference. Because whether or not Dumbledore uses a mechanic I'm familiar with doesn't change the impact of the scene or my understanding of his abilities. The point is that he's super powerful and it would take way more than four aurors to nab him. Cool! Got it. No problem. But if Dumbledore was able to cast a spell that made Umbridge resign? I would be pissed. I don't want magic to fix that problem! I want the characters to develop and emotionally respond to challenges! Don't fuck with my stakes, man!

What also bothers me is when the books introduce technology that does work like straight-up hard magic, i.e., Time Turners. There is no reason a Time Turner should ever fail. It doesn't have a cost; it doesn't have a limit. This is insanely OP, and Rowling has admitted that it kind of fucked her worldbuilding. So I took it out in my fic, because I didn't want to be assed. I've peppered in a few limitations of my own on some things; I've hardcore nerfed Apparation, because I like travel sequences and I think teleportation is boring. The nature of the resurrection magic used by Voldemort seems big enough that there frankly should be a cost, so I'm thinking about that as I'm writing Book 6. Same with the horcruxes. In general, I think the nature of "dark magic" wants more explanation, so I'm trying to get into that more in the future. Plus also Lily's blood protection, and the horcrux/soul-splintering thing, and basically What All Went Down, Magically Speaking, With The Potters—? I'm interested in that. It implies the existence of much older and weirder magical mechanics than we've seen in the rest of the series. How can you do magic unintentionally? Was it unintentional? Much to figure out.

The spell system in general I don't mind, although I think Avada Kedavra is a terrible idea. you have this beautiful unbounded combat system that could be so creative and then you just. gave every wizard a gun. Sad! Also, I really like the idea in the last book of "you have to mean it," with respect to the Unforgivables, which ties in with how the Patronus requires an emotional component; it implies something about intention and willpower that seems like a potentially interesting mechanic.

[deathsweetblossoms]

The Prisoners Throne thoughts

Spoilers beneath cut! Heads up for a critical review but a positive Jurdan review 😂

Also did anyone catch the Roiben and Kaye mention? It was subtle but it was there..

I’m a little all over the place with my initial thoughts on the whole thing, but here are my main takeaways:

The pacing was weak, especially in the build up (or lack of build up) to Oak’s discovery of The Ghost being the main poisoner of his mother. In the span of two chapters, Oak goes from incandescent rage towards Ghost and his sisters/family, to then processing all of that because of the Ghost’s death?

My issue here is we never really saw Oak talking to his family despite his POV lamenting that they avoid uncomfortable topics. He’s right. They do. And so I would’ve liked for a genuine heart to heart.

On the topic of the Ghost’s death — what the fuck? Also incredibly weak. We didn’t spend enough time getting to know Garrett for that death to be impactful in any way (unless you are me and you’ve been crushing on the Ghost for years). The attitude around the entire thing was so blasé that I genuinely thought he was going to be brought back to life in a few pages.. I just don’t understand what Holly was trying to do here.

Overall this probably needed to be a trilogy so she could develop more of these ideas, because even the romance with Oak and Suren felt a little off kilter to me.

Otherwise, every Jurdan scene was incredible. Cardan, despite his few appearances, carried this whole book on his back for me. Don’t get me wrong, I LOVE OAK. The tragedy of his upbringing, the way he was supposed to have a happy childhood but was turned into a monster by Madoc is so bittersweet.

I think the abdication of being heir was solved a little too easily? But it did leave the door open for some speculation about a Jurdan baby 👀

I was right about the political problem being about the Undersea and I’m really wondering if she’s going to write that from Jurdan POV or from Nicasia.. so that’s exciting!

I wish we had more *Elfhame* in this book. Where was the magic of TCP? I just felt something was lacking and I can’t put my finger on what.

Suren having a rebirth moment like Cardan only adds to my criticism that Oak/Suren has too many similarities to Jurdan that I wish had been avoided — BUT. I love the imagery of it and I’m happy our monster girl got the happy ending she deserves.

A lot of these Cardan moments had me going absolutely insane — him protecting Jude? Him playing with Leander? Oak pointing out that Cardan is brave and picked up a sword to fight in the end as well? Omg!!

How do I feel? Weird. I’m NGL, I feel kind of strange about this book. Perhaps I need to reread the duology or the entire series.

Some other odd things I noticed:

Lady Asha is still alive and kicking it at court? Lol.

Oak thought Taryn was the kind hearted sister who wanted a gentler world

The amount of dead deer imagery (the deer heart in the Citadel, the dead deer on Madoc’s clothes) that made Oak feel ill at ease was equal parts cute and sad LOL. My sweet hoof boy 🥹

The removal of Valerian’s curse and the confirmation that there was, in fact, a curse. What does this mean for Jude going forward?

[edgebug]

Sooo talk to me about Doreen Green. I've never read the comics or seen the X-Men movies (fake fan, ik) but I love D&W and your fics! Yours are the only fics I've seen her show up in, to the point that I wondered if she was an OC before I saw that she had an AO3 tag. Where did you learn about her? I love her and Laura in Where Soul Meets Body (rereading them rn lol)

oh my god okay. listen. i learned about Squirrel Girl like 15 years ago and I fell in love with her. my dad told me about her, actually.

the version of Doreen Green in WSMBverse is, like... my interpretation of what an MCU/fox version of her would be like, since she's never showed up in a movie. WSMB!Doreen isn't directly based on any particular version, she's kind of an amalgam of things i like from multiple versions of her appearances, so i have a lot of leeway with her!

at her core, Doreen is a clever, sweet, funny, mischievous character and she likes to solve problems creatively and socially, rather than through violence! (though she is not opposed to violence when necessary. she can should must and will kick insane amounts of ass)

she is also canonically the most powerful character in the marvel universe. i am not joking. she has canonically beaten galactus, thanos, dr doom, wolverine, iron man, and MANY OTHERS. either in an outright fight, or through trickery, or through... just, like... the power of friendship.

you literally cannot beat her in a fight. it is impossible. and her main power is the fact that she can talk to squirrels.

she's technically not a mutant, but she has a "genetic anomaly" so imo she's. she's a mutant. idc what anyone says she's a mutant

she has a BIG fluffy squirrel tail, and she has no squirrel ears (but wears some on a headband. nerd)

wsmbverse doreen's healing factor is pretty good, but also pretty slow. so if she got injured badly enough that she straight up died before her healing factor could fix matters, well. that. that would not be good. good thing she's unbeatable!

oh also she HAS spent time canonically with Laura, so i mean. that ship isn't totally coming out of nowhere either heheehehooohooo

i love her SO dearly and it's been a total joy to develop a movieverse interpretation of her for this silly fic series :3 i know it's really mainly a poolverine fic series but i have SOOOOO so enjoyed developing Laura and Doreen's relationship

[handofmidas-writes]

I didn't hate season 4. Or the love triangle. Let me explain.

Okay. Listen. Listenlistenlisten.

I know everyone is pissed about season 4. I hear you. I get it. I don’t think anyone is thinking that this was a well-executed season. Not by any stretch of the imagination.

But hear me out.

The bones of the thing are good in principle. The arc makes sense at the heart of it. Again, hear me out.

MAJOR SPOILERS AHEAD. YOU HAVE BEEN WARNED.

The entire series is about saving the world by stopping the apocalypse. And as all the Fives in the deli have shown, the apocalypse is due to the Hargreeves siblings’ very existence. Reginald has fucked over every iteration of the kids to bring back his wife who died as a result of her own actions in creating marigold. He couldn’t give her up, and he was willing to rip universes apart to get her back. Five has tried time and time and time again to save his family, ad infinitum. He knows how to solve the problem, but he can’t bring himself to do it. Until this Five. They are, as we here on tumblr love to say, doomed by the narrative.

Five also says the universe loves balance. We saw this in season 3 with the kugelblitz. They were an impossibility in the universe and the kugelblitz formed to solve the problem by eliminating them. Impossibility for impossibility.

One of the Fives founded the Commission to solve the problem. It happens every time.

Abigail’s purpose through the whole season is to ensure the Cleanse, to reset the universe to the correct timeline. She shouldn’t be there. The kids shouldn’t be there. They are a direct result of Reginald releasing marigold into the world to enact his plan of resurrecting Abigail. The universe is trying to return to homeostasis, balance itself. And in every iteration, it needs to rid itself of the marigold, the substance that shouldn’t exist in the first place.

Ergo, the principle is sound, in my opinion.

The execution was shit, as I’m sure we all can agree.  I don’t like that they cease to exist, necessarily, and I think there were other avenues they could have taken to avoid that. But I can stomach it.

The shit storm is certainly in the characterizations. They did almost everyone dirty in some way or another. I think it could have been saved with a few more episodes, but we know that Netflix sucks like that and the season definitely suffered after the strike. I won’t be going into all of the characters just now since I’m apparently a loquacious bitch and don’t have the space. (And I know this is all being screamed into the void anyway. None of y’all will be reading any of this lol.)

Here’s where I’m going to ruffle feathers. I buy into the whole Diego/Lila/Five thing. And here’s why. (Cut here because this bitch got real long. Like 1.5k words long. Oops.)

The first episode is called “The Unbearable Tragedy of Getting What You Want.” Is it a slightly contrived Now That We’re Not Superheroes Our Normal Lives Kind Of Suck thing? Absolutely. Has it been overused in basically everything ever? You bet. Does it kind of work here? Yeah, actually.

These people legitimately don’t know what to do without powers. They’re coming fresh off the heels of trying and failing to save the world 3 different times. That takes adjustment. A lot of adjustment.

Lila and Diego fall into parenthood, which is a huge thing in and of itself. It’s not surprising that Diego turns into the stereotypical suburban dad, the breadwinner because that’s what he thinks his role should be. It doesn’t fully make sense that Lila turns into a housewife, but I can see her trying to throw Diego a bone and trying to make up for how she’s treated him in the past. Not to mention proving herself as a mother.

It makes sense for Lila to want to get out of the house and do her own thing, without her kids and her husband. It makes sense for Diego to resent his low level job when all he’s wanted to be is a badass and a hero.  Their frustration about their family life is understandable. Being a family is a lot of effort. There’s a loss of freedom when people become parents. And these are two headstrong people who have things to prove to themselves, to make sure they show up for their kids. Which leads to breakdowns in taking care of themselves and their relationship to each other.

Now, the sticky bit comes in with the whole love triangle. I know folks hate the subway subplot. Here’s the thing, despite how it was executed, it makes sense, too.

It’s an interesting way to portray the Many Worlds Theory and it’s plausible enough that Lila and Five connect in this way because of their shared knowledge of the Commission. It makes sense that they explore it together.

Which leads me to this: Five is incredibly lonely. He spent 40 years alone in an apocalypse and tried everything in his power to get back. He fell in love with a mannequin because she was the only thing keeping him tethered and sane-adjacent (sweet Dolores, we’ll never forget you, queen). He was desperate and alone and persisted because he had to.

He joined the Commission to try and stop said apocalypse and then inadvertently ended up in another. He’s tired of trying to save his family over and over and now he’s not sure there’s anything he can do to save them this time. And now here he is, stuck in the labyrinthine Subway of Fuckery with Lila and they can’t get out. Lila who has the same training as him, the same knowledge base, who went with him to the remnants of the Commission in season 3 and tried to save them all. Let’s call them frenemies, I guess.

And now here they are. Stuck together and feeling helpless. Enduring every fucking thing under the sun, watching each other’s backs, and they only have each other. And they’re tired. They’ve been searching for a way home for six fucking years. So, they decide to stop running and catch their breath. I won’t say it’s an inevitability, but Five is so lonely and scared. And Lila is lonely and scared and without her children. But they’re safe with each other, and they take comfort in each other, and it’s so easy to blur those lines.

So yeah, they end up together in the now infamous cottagecore greenhouse with the strawberries. And they try not to think about Diego. Is it right of them to do this? Well, no. But are people messy as hell? Yes. And are their actions understandable? Also yes.

So, to me, when Five finds the notebook and keeps it hidden from Lila, it tracks. Because he’s so fucking scared of what’s going to happen now. What if they still can’t make it back? What if they can’t save the world this time? What if it all comes down around his ears again? So he hides in easy domesticity and thinks about the solace they’ve found in each other.

And Lila, understandably, blows up when she realizes Five has hidden this from her. Because for her, this was a way to cope. To survive, as she says. She loves her children. And she loves Diego. She didn’t stop loving them. She couldn’t stop loving them. But she might just love Five, too. And isn’t that scary as hell?

People are many faceted, my friends. Does it make what she did morally right? Of course not. But does it make sense? I truly think it does.

The limited number of episodes is one of the largest contributors to the half-baked-ness of it all. There’s not enough time to flesh out a proper resolution to the whole thing. Which led to Diego’s hunch from episode 2 of Lila cheating with Greek guy/Five accidentally being correct foreshadowing. Which then resulted in a heavy confession from Lila in front of the entire family (which I was digging, just like the siblings, tbh). And then the boys started throwing punches and the whole love triangle thing went completely down the shitter (a dubious and debatable statement, I know).

So, that leaves us with Lila who is now in the middle of two brothers. Said brothers are now physically fighting out bad blood and pent up frustration. And only part of it is due to Lila.

Diego’s character is criminally underdeveloped. He was always halfway between the underdog and class clown and his characterization in this season falls spectacularly flat in all aspects. He’s a character who has fought to prove himself over and over again, and is still trying to do that here, but nothing really lands. Diego and Luther are comic relief mostly. And Diego’s role, unfortunately, ended up being a stick in the spokes of a sloppy love triangle and pretty much nothing else.

Five is obviously the favorite in Blackman’s eyes. Five is knowledgeable. Five always has an idea. Five is the one the family looks to for answers, more often than not. Five is the one who almost always opts to save his family in some way, shape, or form. And this has resulted in Five being sad and helpless, in a way. He has been building this emotional bomb for decades and across timelines without any real release or acknowledgement. So Blackman chose to have Five get his emotional release in the form of “a love story” with Lila. Doing it this way, with the limited number of episodes, left Diego’s part woefully inadequate.

No resolution really takes place here. Diego kind of “wins” insofar as he convinces Lila to take their family to the subway and she takes his hand first when they all say goodbye. Five gets the teary “I hate you for this,” after she ends up choosing self-sacrifice with the others, which we know means “I am so incredibly sad and I hate that you told us the truth because it means everything ends for real this time and I’ve had to let my family go.” Then she holds his hand, too, showing that all is forgiven, here at the end of all things.

There’s definitely not a resolution for Diego, and it can certainly be inferred that he still pretty much hates Five’s guts. I get the feeling that Five is just resigned to finally ending the cycle. He knows he’s hurt Diego badly and I think he does feel bad for it, but it’s not translated into the final scene, which leaves the whole situationship hollow and earned it the well deserved hate for hilariously poor execution.

So that’s it, friends. That’s my unpopular opinion and way too many words justifying it. I surprisingly have more I could blather on about, but I’ll spare y’all from including any more in this post. Thanks for coming to my Ted Talk.

And for a final palate cleanser for those of you who do not care about any of this: I think we deserve a side plot of Five and Derek the Twink from the CIA. The true OTP. (Also Brisket Five, who is the real MVP.)

[writingquestionsanswered]

Hi! Do you have any tips how to not lose interest in a story and be enough interested to start/do write if? Personally I just get hyperfixated on a story idea I have, do the brainstorming, even the planning, sometimes world building and if I get serious I make lists about almost everything but never end up writing even if I have interest still, but at most cases at the point I could start writing I just loose interest and get bored of a story when I'm done figuring out what it'll be about and maybe because I don't really like thinking about the climax or the end of the story...

Hyperfixation on Planning Story, But Can't Write It

I do have some tips on rekindling your interest in your story, which I'll link below, but first I think it's worth addressing the specific issues you mentioned: that you don't like to think about the climax or end of the story.

Have you thought at all about why you feel that way? There are a few potential reasons I can think of:

1 - Your story doesn't have a conflict, so your story doesn't have a natural climax or ending. Stories revolve around conflict, or in other words a problem that needs to be solved. This problem could be in the character's heart and mind (internal conflict), in the character's situation/life/world (external conflict), or you can have both at the same time. Many stories these days have a parallel internal and external conflict. Stories are ultimately about someone (or a bunch of someones) trying to solve a problem. In order to solve that problem, they need to reach a particular goal or accomplish a particular thing. The bulk of the story will be their struggle to reach this goal as they overcome the obstacles along the way. The climax of the story is where they face down the cause of the conflict once and for all, whether that's a villain (like an evil wizard or corrupt corporation) or a force (like illness or a natural disaster) and try to solve the problem once and for all. Everything after that is the aftermath... whether they succeeded or failed, patching up their "wounds" from the "battle" (again, it doesn't have to be actual wounds or an actual battle), and settling into the post-conflict life. That's your ending.

2 - You have a conflict, but haven't figured out how it would be resolved, so the climax and ending are fuzzy. If you have a conflict but aren't sure how it would be resolved, it might help to think of the conflict as a problem that needs to be solved. For example, in The Hunger Games, the conflict was the Hunger Games Event... the problem was that Katniss volunteered to compete which put her life at risk. So the solution to the problem was to survive the event.

3 - You know what the climax and ending are, but you are enjoying the characters and world and don't want the story to end. This is one I think many writers can relate to. It can be really hard to let go of a story when you've enjoyed writing it, have gotten attached to the characters, and feel comfortable/familiar with the world. It can also be a little scary to think about diving into a whole new story. But, we do have to learn to let go of stories when they're finished and let them come to their natural conclusion. You can always go back to the world and characters, even if just for yourself, later on. It wouldn't be weird to write "fan-fiction" of your own story, and many writers turn these kinds of stories into prequels, sequels, companion series, and companion short stories that their readers enjoy, too.

Here are some tips for getting excited about your story again if you just need your motivation rekindled:

Guide: How to Rekindle Your Motivation to Write 5 Reasons You Lost Interest in Your WIP, Plus Fixes! Getting Excited About Your Story Again Getting Unstuck: Motivation Beyond Mood Boards & Playlists Feeling Unmotivated with WIP

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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