#kind of but I worry

[hasarjunadoneanythingwrong]

Hakunon explicitly calls nero and tamamo her wives and Hakuno doesn't...

I'd like to say that's a wlw win but I suspect it's probably more like 'male gatcha players players don't take female romantic interest in other female characters as a threat the same way they do with a male character expressing romantic interest in a female character' combined with the tendency to treat homosexual female relationships as something you 'grow out of' and not serious in Japan.

[teaboot]

A while ago I was talking to my therapist and I told her I was worried that I was creepy and invasive with relationships. She asked me what I meant.

I told her, "Well, when I'm interested in someone, I try and find out what they like, and if it's something I don't like, then I do a bunch of research and write notes and stuff and explore the topic until I find something I *do* like. And I'm worried that that's weird or stalker-y. But like... I've found a bunch of stuff I still enjoy after the interest in them has faded. So is that okay, or is it creepy?"

And she stared at me for a minute before saying, "That sounds very sweet of you, actually"

And so yeah

Self-perception and shit

[hinamie]

I'll give them shelter like you've done for me

[noodles-and-tea]

Twins in time au.... Would Fiddleford act as a sort of father figure to Stan? Since Filbrick obviously SUCKED to both Stan and Ford and Fidd is more than definitely missing HIS son, and of course Ford has grown to love him but they're still BROTHERS.. Maybe they could act as the father/son the other is missing?

ABSOLUTELY!!!!

[mumblesplash]

(teaching my art class)

me: and what’s the number one rule when designing characters with wings? …well?

a handful of students, sighing reluctantly: no good fa-

me (interrupting them): NO good-faith attempts at realism, EVER. you want all the bird dweebs and physicists jumping ship as EARLY AS POSSIBLE so they’re not around to cinemasins your ass when you get to the cool parts of your story, and…ugh, what now, gerald

gerald (my least favorite student): why not just do some minimal research instead of-

me: listen you little shit i can and will singlehandedly tank your 4.0 gpa

[watchingwisteria]

listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

[deep-dark-fears]

Out out, Mister Goofums. A fear submitted by Lauren to Deep Dark Fears - thanks!

You can find original artwork or commission portraits in my shop!

[alicenpai]

finally remembered to put these side by side!! my ptutu illusts so far 🩰 2024 & 2022 🦢 prints

[stuckinapril]

friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me

[gunstellations]

safety first! 🏍️🏍️

[an-internet-introvert]

Going to Phil's to do the Laundry

[heartorbit]

find another role, carry on the show

[myuminji]

Cuddlebug

[poorly-drawn-mdzs]

Who put these kids here?

[First] Prev <–-> Next

[dinoserious]

oh fuck a bug. somebody get that thing

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!