#kind of an interesting premise but I know I'll never have time to write it

[smytherines]

Someone made a "what if they both fell" post the other day, and I can't stop thinking about it but also I don't want to swarm someone's post with my own unhinged ranting. So here's my little idk wish fulfillment fantasy--

Owen falls, and Curt catches him. But he isn't anchored to anything, and the force of the fall drags him along as well. They both fall onto the partially-closed safety barricade

Owen lands in a much worse position, he's bleeding and unconscious and has several severe injuries. Curt somehow lands a little bit better, he has a broken leg and a broken arm, but he's still conscious. He drags himself over to Owen, not sure if he's even still alive, desperately feeling for a pulse and trying to get a response out of him. Owen opens his eyes and reaches out for Curt, and they have a brief moment together. They're facing certain death, and with that knowledge of their impending doom they tell each other the things they always meant to say

Curt holds onto Owen as the lab explodes beneath them, and they both lose consciousness

Curt wakes up in a Russian cell, badly injured and unable to walk but alive. In some distant part of the building he can hear someone screaming in agony, and he knows in his heart that it's Owen. But naturally, their captors aren't going to allow the two spies who just blew up their weapons facility to have any contact with each other. They're too valuable as prisoners

Curt thrashes and threatens, and tries and tries and tries to get to Owen. But he can't. His injuries and the guards on his door won't allow it. But he knows Owen is in that building, somewhere, alive

Eventually, the US makes a trade-- Curt for a Russian spy they've been holding. Curt is heavily sedated because he keeps trying to escape and worsening his injuries. He wakes up in a military hospital, with Cynthia standing over him. He asks about Owen, and she changes the subject. But he keeps asking, keeps telling Cynthia that Owen is alive and they have to get him out of there. Eventually, Cynthia tells him-- in the kindest way she can manage-- that according to MI6 Owen died from his injuries

But Curt refuses to believe it. He knows that Owen is alive, and nobody can convince him otherwise. Cynthia tries to reason with him, tells him they aren't going to put any resources towards rescuing a corpse. So Curt quits. And he heals up enough to be able to walk. And then he sets out on his own mission to find his partner

Curt busts down the door of every Russian facility he can find, but there is no trace of Owen. Barb is trying to help him on the side, not because she believes him but because she cares enough about him to not let him take on a suicide mission on his own. She gently tries to convince him that Owen is gone

And Curt starts to think maybe he really is losing his mind. That maybe Owen died months ago, and he just can't accept it because he feels responsible for it. He convinces Barb to support him in one more mission, one more facility, and if he doesn't find a lead on Owen then he will come home

There's nothing. No sign of him.

Curt starts to break down, smashing up the random Russian office he's in, sobbing on the floor, confronted with the reality that maybe Owen really is dead. That this feeling he's been carrying in his gut ever since he was freed was wrong

And then, at his absolute lowest, when he finally has to accept that the man he loves is gone, he sees a piece of paper in that wrecked office with a familiar name on it-- Carvour, O

And another name he doesn't recognize-- Chimera

[russellsppttemplates]

I'll never give up on you (Franco Colapinto)

You think your age is an obstacle, but Franco is set on proving you otherwise

Note: english is not my first language. It's the big doe eyes, the curly hair and the fact that he's very funny, isn't it? It's a very crappy situation for everyone how they got here, everyone recognises that. This is also the first time I'm writing for him 🤍 I always feel and know I have to put this - for those who are here and have stayed, thank you for being so patient and for staying - I hope this is good enough ✨️

Thank you so much to everyone who likes and reblogs, your feedback is appreciated 🤍 and I'm not taking requests right now, so if you have any ideas or concepts you want to share, feel free to send them in but know that I don't know when I'll be able to get to them!

my masterlist

Cw: reader is slightly older than Franco (three years), alludes to previous bad relationships, alcohol consumption, relationship insecurity, reader gets accidentally hurt

Tag list: @myloverjk-blog @hiireadstuff @c-losur3 @sltwins

"You look gorgeous, Y/N! I love love love this!", Olivia squealed, clapping her hands when she got to your bedroom.

"It's nothing special", you blushed at her compliments.

"It will catch some eyes, you will catch some eyes!", she smiled, "can you help me with my dress, please?", she turned around so you could zip her up.

You and your bestfriend Olivia shared an apartment in university, and once you entered into the job market, you quickly realised that it would be best to keep the same living situation, knowing you'd save some money in a beginner salary and you both felt comfortable about eachother. Her boyfriend Mark had just got a work promotion and he wanted to celebrate it with his friends, so you had been invited.

"Who else is going to be there?", you mused as you packed the essentials on your small purse.

"Some guys from the new department he's in now, Luke - the one we met a couple of weeks ago at the shops -", she began listing the names she recalled, "Amber, and Franco, I think - he doesn't have a race this week", Olivia said.

"Oh, okay", you smiled.

Franco Colapinto knew Mark from one of the teams he had driven for, and despite his career, he was an incredibly down to earth guy. You had met him in a few other occasions and he was funny, kind, always up for a challenge and not easy to persuade out of things. "Things" including flirting with you. At first, you thought it was just his nature and posture towards new people, but after realising he only acted like that towards you, and the fact that he kept making advances and going as far as talking to Olivia about it, you knew it was something else.

"You still haven't changed your mind about him? He's such a good match for you, Y/N/N", Olivia pouted.

The premise was simple - Franco was younger than you, and as much as he seemed interested, it would never lead to anything good. He was young, aspiring an amazing career you were sure he would achieve, and frankly, you couldn't see you in there. He would like to party all out, not have responsibilities and certainly not have to date someone older than him. And this was just at the top of your head - if you let your insecurities really work you up, there were many other reasons.

"We are not! If we did date, it wouldn't last long and I'm not up for that - I've learned my lesson", you tsked.

"You know he's very into you, I'm not sure you can get him to back down", Olivia advised, "I get that you have your walls, but maybe you could give him a chance?".

"He'll probably find someone else, if he hasn't already - now let's go!", you pulled her with you, not wanting to arrive late.

Once you were inside, you quickly spotted the group, greeting everyone and ordering some drinks.

"You're sure you don't want anything else?", Mark wondered.

"I don't feel like drinking anything strong today, but I'll toast to your promotion - congratulations again!", you hugged him.

"Careful, everyone!", you heard the argentinian accent call out, getting you to make room on the table so the bartender could set the tray with all the drinks, "Hello, Y/N, how are you?".

Turning to face Franco, you were instantly met with his bright smile, shiny eyes and wavy hair perfectly tousled, "Hi, I've been good, and you?".

"Even better now that you're here", he winked, "you look amazing by the way, that colour looks beautiful on you", he complimented.

Hoping the dim lighting hid your blushing cheeks you nodded, taking the coaster to our your drink on before looking at him, "thanks, it's not new or anything", you brushed him off.

The night was on a good roll until you came back from freshening up in the bathroom - just as you were about to sit on the high stool, a guy pushed his friend in a playful manner, only for him to accidentally hit you and making you hit your knee on the piece of furniture.

"Fuck", you mumbled, bracing yourself against the table as the sharp pain climbed up your leg no matter how much your hand tried to soothe it.

Before you could process the whole thing, a large hand was placed low on your back, "are you okay, Y/N? What happened?".

"It was us, I'm so sorry", one of the guys apologised as he carried his friend to their table, "do you want me to get something? Again, I'm so sorry".

"It's fine, I've got her", Franco dismissed them before looking at you again, "are you okay?", he asked worriedly.

"Of course", you attempted to speak firmly even though you were sure your face said it all. Your mother always told you you weren't a great liar.

Franco didn't seem to be convinced either, and ignoring your words, he bent down to check your knee, "you should sit so it doesn't swell up, and ice it too", he stated, tapping his shoulders for you to support your weight in them and help hoist you up on the stool.

"I'll go get some ice", Olivia offered.

As she excused herself, Franco gingerly touched your knee, fearing that he would hurt you even more, "is this fine?".

"It's not terrible, but it's hurting, like, it's a pulsation", you winced as he squeezed.

"I'm sorry, Y/N", Franco apologised, "just needed to check that it's not broken".

"You don't need to stay here, Olivia is coming back already", you added, watching the rest of the guys back on the pool table after you assured you were fine all things considered.

"You're the only one I care about, the rest can wait", Franco spoke.

"Look at that group over there", you pointed with your eyes, "wouldn't you prefer to hang out with them?".

The balloons let you know it was one of the girl's 20th birthday, and judging by the way they were looking in your direction, they noticed you too. Or Franco, you assumed.

"I've told you, I don't care about them, now where is the ice?", he muttered, looking around in hopes of spotting your friend in the darkened room.

"She's coming back", you pointed out.

The ice pack seemed to help relieve the pain and perhaps help with the bruising you were sure was going to take over your knee, "Franco, you can go be with the guys, I'll be fine", you reassured him again, "or be with the girls over there, they're very keen on you", you nudged.

Franco looked up at you, his gaze intense and serious, "those girls don't interest me", he replied, "you're the only one I care about".

There it was again.

"Don't say that", you tried to push it away before it dwelled on, "they're all very pretty, your age I'm sure".

Franco smiled softly as his eyes remained fixated on you, "who I pay attention to is you, you're the one I've always paid attention to", he spoke, not caring about the fact that Olivia was right there as she seemed distracted, "I don't care about their age or what they do. They're not you, and I want to be with you, so I'll stay here with you", he stated.

You heart took a lep, and even though you wished you could say something rational, something that made sense, the way he was looking into your eyes didn't let you. There was honesty and sincerity that never seemed to fail and that you could never ignore.

"Let me help you", Franco spoke softly, "right now, you're the only thing worrying me".

Hesitating, you allowed him to adjust the ice pack and keep talking to you about random stuff to take your mind away from the state of your knee, and for the first time in a while, it felt good to let someone else take care of you.

.

"Do you really think that we won't workout because of our age difference?", Franco spoke.

Mark and Olivia went to get coffee for all of you and left you and Franco on the picnic blanket to save the spot and keep your belongings safe. The plan for the afternoon was to enjoy the sun outside and while you were sure your bestfriend had something to do with this whole arrangement, you decided to let it slip and focus on relaxing for the afternoon.

"What?", you mused.

"You always point out that you're older than me, and whenever I make any advances, which I assume you're not too blind about, you never say yes, but don't say no either", he offered, "is it an obstacle?".

"We're good, aren't we?", you spoke.

"We could be better", Franco spoke and he supported his torso on his hands on his sides, "do you know how much I care about you?".

"We're friends", you replied.

"And you're telling me we couldn't be more?", Franco wondered.

"You have so many things to do still, I can't imagine you'd want to be tied to a 24 year old with a job and mundane responsibilities", you chuckled.

"Is that what it is? Do you really think our age difference is an obstacle?", he spoke softly.

"I can't say with such certainty", you mumbled.

"Can I keep on showing you that it isn't?", Franco spoke.

"I'm very stubborn", you recalled, "and I don't want you to waste your time".

"I'm not going to pressure you, but I'm not going to stop trying to show you how much you mean to me - you're very important in my life, Y/N".

.

"Did you salt the water already?", Franco asked as he grabbed the pasta from the cupboard.

"I did", you told him as you chopped the peppers and onions to add to the sizzling pan.

Franco happened to be around the area for lunch, and after he saw your story about being on your own, playfully claiming that Olivia had abandoned you, he offered to keep you company. Taking Olivia's advice that you should give him a chance and explore what you felt for eachother, you invited him over for lunch.

"Can I ask you something?", Franco asked as he dried his hands on the kitchen towell, throwing it to you so you could do the same.

"Now I'm worried...", you joked, "but sure, go ahead".

The smell of garlic browning in the pan filled the kitchen as you added the rest of the veggies, and you could feel the driver's eyes watching you. Up until now, the atmosphere was light, but there was an unspoken tension at the prospect of the question.

Franco couldn’t take it anymore. He was spending time with you whenever he could, getting closer little by little, but he felt there was a wall. A wall that you held strong, despite your shared glances and conversations that often stretched into the night.

“Why…”, he paused for a second, as if he was choosing his words carefully, “why do you keep pushing me away?”.

You stopped stirring the pan, slowly setting down the spoon aside and turned to face him.

“What are you talking about?”, you asked even though you knew exactly what he meant.

Franco turned fully to face you, his eyes fixed on yours, “You know what I’m talking about,” he said, his voice low, almost a whisper, "I’ve been trying to… get closer to you. You know how I feel about you, but every time I take a step toward you, you back away. There’s something you’re not saying, and I want to understand why, and if it's the age thing...", Franco let it out.

You sighed, fiddling with your hands as you gathered your thoughts.

“It’s not simple", you murmured, looking down at your feet.

"Then explain it to me", Franco's voice was calm, but insistent, "because from my side, it seems very simple. I like you. You like me, or at the very least you don't seem to hate me and…”, he hesitated, leaning a little closer, "whatever is stopping you… I can deal with it, we can talk about it".

Your heart raced as you looked up at him, "the age difference", you began hesitantly, “we’re from different worlds, different lives. You have so many options, people around you who… who are more in your vibe and in the line of life you can have. I’ve been through things you haven’t even begun to experience. What makes you think this… us, would be a good idea?", you mused.

Franco took a deep breath, taking a step closer until he was almost touching you, “What makes me think this would be a good idea? That we may have something to explore here? Have a shot at something good together?”, he repeated, looking directly into your eyes, "because every time I’m with you, I feel like I’m in the right place. Because no matter how much you think age is relevant, for me, what matters is how you make me feel. I’m not interested in anyone else, because you’re the one I want to explore these feelings with".

You fell silent, feeling his words invade her defenses. No one ever stood up for you like this.

“Age?”, he continued, "That doesn’t scare me. What scares me is losing you for a reason that, in the end, has no bearing on how I feel about you. You're so amazing and I don't want to lose that".

You bit your lip, feeling yourself wavering between the logic you had always used as a shield and what Franco was doing to your heart at that moment.

He took another step forward and gently placed his hand over yours, “I just need you to tell me… is it really age, or is it something more? Because if it’s just that… then we have a lot more to gain than we have to lose.”

You looked at his hand on hers and, for the first time, let yourself relax a little, allowing your brain to consider the possibility.

“What if it doesn’t go well?”, you whispered, voice hesitant and full of vulnerability, "I don't want to make a promise I can't keep, and I haven't let myself explore these feelings yet and... I don't want to hurt you, Franco".

"Y/N", he sighed softly with unexpected tenderness, “What if it does?", he smiled, "I'm not going to pressure you, and from the moment you tell me that there's no interest, I'll stop and we can remain friends. What I'm asking you is that you consider it first... take your time, I'll wait".

In a moment of confidence, Franco cupped your cheek and kissed your forehead, and for that moment you allowed your wall to lower a little more.

.

The good thing about the hot temperatures outside was that most people had taken their Saturday plans to the beach or the pool, so there was less traffic on your way home. You parked your car in the building's underground garage and went up the stairs to the floor where the apartment you share with Olivia is. Judging by how late you left work, your best friend must be home given that she has the free afternoon on Saturdays.

Turning the key in the lock and opening the door, you find a completely dark apartment, which is strange considering you left the blinds half open this morning to let in sunlight. As soon as you step inside, closing the front door behind you, you're surprised by lights that suddenly turn on and a chorus of voices singing the Happy Birthday song.

You hadn't felt in the right mood to celebrate your birthday this year, given and the changes from studying and the stress of your new job, so to say you were caught off guard by this surprise was an understatement. You had told Olivia that you could have something special for dinner to celebrate the day, and while she insisted a little more, she ended up dropping the subject. And you thought that meant the had agreed to your simple plans - that morning, she caught you when you were having your breakfast, wished you happy birthday and gave your her gift, a very simple necklace with a medal with your initial in it, and didn't make any more fuss.

You definitely didn't expect her to be preparing a surprise like this for you.

Besides Olivia and Mark, Franco is the first person you see in the living room of your apartment - which makes you feel a little bad about yourself considering you hadn't even told him that today was your birthday. Besides the three of them, Maria and Julia, your two closest friends from school, were also present, as well as Pedro, one of your best friends from high school that moved to another city, and as it turns out, came all the way to your party.

When the chanting ends, Olivia approaches you with the cake so that you can blow out the candles, everyone's attention still on you. You know you should say something, but right now, you were completely surprised, and talking under pressure was never your strongest suit.

"Thank you everyone!", is all you can say at first, earning laughs from your friends.

You rolled up the blinds, as they had been down so the surprise had full effect and opened the windows, allowing the air to circulate as everyone gathered in the living room, picking at the foods and drinking on the table you were sure were Olivia's doing for the small celebration.

She is the first one you turn to, tapping her shoulder softly.

"I know... I know you said you weren't in the mood to celebrate, but I thought that this is actually what you need - being with the people that adore you and care about you", Olivia goes first before you can utter out a word, "so, please, just enjoy this, okay?".

"Thank you, Liv", you smiled as you pulled her into a hug, "I can't believe that you went through all this trouble".

"It wasn't too much trouble, and Franco helped a lot", she answered, "the guy didn't even know what day your birthday was, Y/N... That's cruel!", she jokes, to which you roll your eyes.

"I probably forgot about that detail", you answer with a giggle, "thanks again".

"Stop being annoying and enjoy it", your best friend says, joining her boyfriend Mark's and Pedro's conversation.

You take the opportunity to greet Mark and then Pedro, who you haven't seen in person for a long time, "I can't believe you came all this way for this!", you exclaim.

"Of course I came! Olivia told me all the news and not only could I not miss your birthday, but I couldn't not come at a time like this", Pedro explains, "besides, how long has it been since we've been together in person?".

"Too long", you reply with a smile on your lips.

"Exactly! We need to catch up!", your friend exclaims, earning your agreement, "but go greet the rest of your guests first and we'll talk more later", he squeezed your shoulder.

You approach Maria and Julia, hugging them both tight. Although you finished your master's degree as they finished their undergraduate just over a year ago, you hadn't seen each other very often since then as work kept you all busy.

"I'm so happy you're here!", you smile, feeling genuinely happy at having all your people together in one room.

"We couldn't miss it. Besides, we've been missing you so much - you were truly a mother to us and I miss being coddled by you -, and we've already noticed that there's news you haven't been telling us...", Julia comments, wiggling her eyebrows and sharing a suggestive smile with Maria.

"What are you talking about?", you wondered with a quirked brow.

"You don't know? I'll tell you then! About Franco Colapinto!", she snickered, "you didn't tell us you were that close", Maria says.

You're quick to roll your eyes - a common response at her usual antics over the years -, "I told you we were friends", you recall.

"Yes, but we didn't know you were that close!", Julia insists.

"I see your annoying curiosity hasn't ceased", you joked, rolling your eyes again, "Anyway, thanks for being here, I really appreciate it", you joined your hands over your heart before excusing yourself.

Your eyes are quick to search for Franco, but you can't find him in the room. A few seconds later, you spot him returning from the hallway, assuming he had gone to the bathroom or had to take a phone call.

"I should be mad at you for conveniently forgetting to tell me when it was your birthday...", Franco starts, to which you shrug your houlders, trying to put on your best angelic and innocent face.

"I know, I'm sorry... with everything going on, I barely had time to think what month we were on and I wasn't exactly enthusiastic about it to be honest", you explained, "but I must confess I'm happy Olivia arranged this, and I know you helped a lot, so thank you so much, Franco".

"I get, I was just messing with you", he smiles, "and you don't have to thank me for it, you know I'll always do anything to see you happy".

"I know, and that's why I am so grateful", you smiled back.

"Might as well give you the present I got you now", Franco points out, "give me two seconds so I can get it from where Mark told me to put it so it wouldn't be in the way of Olivia's plans and before she started staring at me with her 'I'm going to chop your head off' eyes", he chuckled.

You nodded and waited long enough for Franco to pick up a bag and give it to you, " I racked my brain to decide what I should gift you, because nothing seemed good enough, but I hope you like this".

Undoing the bow keeping the paper bag together, you found a copy of your favourite book with a collectable cover. The intricate detailing of the golden foil complimented the colours beautifully and there was a bookmark inside it, the little tassel falling to the side. Taking it to inspect it closely, you read the delicate lettering Don't lose the sparkle that makes you.. you.

"Wow, Franco", you gasped, completely enamoured by the beauty of it all, "this is spot on, I love it!", you exclaimed, hugging him.

"I'm glad", Franco smiles, jokingly wiping sweat off his forehead and making you laugh.

"Have you met my friends?", you wondered.

"Yes, Olivia did all the introductions", the driver answers.

"Good, let's find out what they're going on about", you suggested, setting the present back in a safe place and pulling Franco with you to join the rest of the group.

You spend the rest of the afternoon and early evening chatting, while you eat and drink the things that Franco and Olivia kindly prepared, and playing some board games. At the end of it, you end up having a really good time, in a way that you haven't in a while, feeling really grateful that Olivia had prepared this surprise. Without knowing it, this was exactly what you needed: your friends and some good moments of relaxation.

"Are you leaving already?", you ask Pedro when the young engineer announces his departure.

"I still have to drive back, Y/N, remember?", he reminds you, earning a nod, "but don't worry your heart too much, I'll keep bothering you with messages and calls and stuff... You won't get rid of me that easily".

"Fine by me!", you smiled at him, "thanks for coming, truly!".

"You have nothing to thank me for. I'll be here any time if you need me - I'm a phone call away", he reminds you, "Are you okay?".

"Of course", you smiled, "let me know when you get home, okay?".

"I will. I had a great time meeting you guys today", Pedro waves at everyone, "until next time!", before leaving the apartment.

At around 10pm, Maria and Julia also announce that they need to leave since they would have an early morning. You bid them goodbye to your friends with the promise of a lunch whenever you could find the time to catch up.

"Don't tell me you're chickening out now and going home too?", a slightly tipsy Olivia teases Franco as he got up from the his spot in the sofa.

"I've already told you that I have the day off tomorrow, my friend", Franco teased her back, getting you and Mark to laugh.

"Let's play another round then", Mark suggested, "since there's only four of us now, we can split into two teams and play Party & Co.".

"This is a recipe for disaster if I have ever seen one", you muttered, "Olivia is a terrible loser and you are a racing driver".

"That's why you should want to have me on your team, I'm used to competing", Franco argued in his favor.

"Strong point, argument accepted. Let's do it!", you declared.

During the game, Olivia ends up making up consequences for those who make mistakes, making everyone drink a few sips of their drinks and even Franco joins in with these punishments, arguing that today is an exceptional day to his usual regime.

By the end of the first game, it's clear that you're all drunk, so you make the responsible and sensible decision not to play anymore. Mark and Olivia end up retiring to the room, leaving you with Franco in the living room.

"I hope they don't make too much noise", you point out as you adjust your position on the sofa so that you're facing Franco, making him burst out laughing at your words, "What?! I'm not telling any lies! Have you imagined how uncomfortable it would be for us to be here and hear them having a baby making practice session?".

"You're right, you're right. I hope they don't make much noise", Franco repeats your words and, this time, you both laugh, "So... did you and Pedro date in high school?".

"Did he tell you that?", you ask, unable to contain your giggles.

"Yes, why? Is it a lie?", Franco asks.

"Half, half", you answered with a gesture.

"How is something half half a lie? It's either the truth or a lie", Franco states.

"I had a crush on Pedro, I tried my luck, but nothing ever happened between us", you admitted, deliberately pausing briefly before continuing, "Because Pedro is gay, Franco, and he was clearly making fun of you", you finally let out a laugh that's been bubbling up since he first asked you.

"Are you serious?", Franco mused.

"Yes. Apparently, he found a weak spot in you and decided to exploit it", you answered amused by the situation that must've enrolled when you weren't home yet.

"A weak spot? Nah... We were talking and he just dropped it, I have no idea why", Franco said, shrugging his shoulders.

"What were you talking about?", you wondered.

"Considering we were at your birthday party... We were talking about you", the brown-haired man answers.

"Please continue", you encouraged.

"Curiosity killed the cat, Y/N Y/L/N", Franco declared, but your glare was enough for him to keep going, "He asked me how we met and I told him. And then he told me about you. And he clearly told me a lie".

"Does it make you feel relieved that it's a lie?", you spoke before thinking properly about it. The sudden courage is unusual for you, but you're playing with all your cards on the table.

"I don't know what you're getting at, Y/N", the driver changes the subject, which makes you roll your eyes.

"I know you undertand it, stop acting like you don't. It's a yes or no question - are you relieved or not?!", you insist.

"Honestly? It doesn't do much. If it were true, it would be something from your past, not your present. We both have a past", Franco responds in a somewhat evasive manner.

"But it could be my present again, especially since he was here today", you decided to insist, wanting to understand how far you could push him.

You weren't sure about the game you were playing, and you couldn't quite say that you were thinking clearly, but this feeling of dominance and being in control was enjoyable. Understanding that this was making Franco uncomfortable also made you realize that he wasn't so sure about talking about what he felt for you. The part of you that wants to understand what he really feels for you is ignited, and you can't tame it down.

After the conversation you had, Franco didn't make any advances and never showed that he wanted more than a friendship, which, in a way, left you at ease, but also perhaps a little disappointed. Had he realised that you weren't worth it?

"Honestly, I don't know what you're getting at...", Franco pretends not to understand again, which makes you sigh loudly, "What's wrong?".

"What I'm trying to understand is if what he said to you bothered you or not. And if so, why. But clearly you are not ready to admit it", you state.

"You're playing a dangerous game, Y/N... You're trying to cross a very complicated line", he warns.

"Why?", you keep going.

"Because you asked for time and space and I gave it to you. And now you're trying to cross a line that I've been trying not to cross, because I'm trying to respect your wishes", Franco answers, this time sincerely.

"That's true, I asked you for time and space and you gave it to me. And I appreciate it", you begin, "but... I know I'm getting closer to that line, maybe I'm even playing a dangerous game too, but I'm doing it consciously".

"What if you're not ready for my honest answers?", Franco argues.

"Well, that's a me problem, isn't it?", you shrugged your shoulders, "can I ask my questions and get back honest answers?", and Franco's answer comes out in form of an unhappy sigh followed by a nod of agreement, "did what Pedro told you bother you? Did it bother you to think that we had dated and that he was back here?".

"Like I told you, we both have a past", Franco avoids the question. Tries to, anyway.

"Honest answers, Franco!", you exclaimed, pleading in exasperation, "of course we have a past, but I'm not going to give the past a shot and I think you won't do again what you did before! With Pedro, it would be different, because if we had dated and he was here, that would mean we had a good relationship. So, I'm going to repeat the question again, and I want you to give me an honest answer - did it bother you or not?".

"It bothered me!", Franco suddenly exclaim, "do you want honest? Here it goes! Yes, it bothered me exactly because of what you just said. Even if, by some act of the devil, your other boyfriend came back into your life, I know for a fact that he would never have another chance with you. However, if you had dated Pedro and if he was here today, it meant that he had a chance with you. And if he had a chance with you, then he was someone I would have to look at as competition".

"And now that you know that there never was and there never could be anything between me and Pedro?", you ask him.

"It makes me feel a little less worried. It means that I still have time to try to continue to mend the damage that others have caused, it means that I can still work to show you how much you mean to me and how high I hold you in my life", Franco replies in a calm and honest tone, which surprises you.

Faced with his words, this time, you are the one who doesn't know what to say. You did ask for honesty and there it was.

"You wanted honest answers...", Franco argues, as if he could guess what was on your mind. Lately, it seemed like he could do it effortlessly.

"I know, I'm not complaining", you admitted, "Does that mean that what you feel for me goes beyond friendship?", you ask directly. You needed to hear it from his mouth.

"What can my answer change in our relationship?", Franco asks, not answering your question.

"Nothing. I won't walk away from you this time, I promise. I just need to know", you clarified.

"Do you really want me to be one hundred percent honest with you?", Franco asks.

"Yes, please", you ask.

"Yes, what I feel for you goes beyond friendship. I tried not to let it be like that, I tried to pretend that I wasn't falling in love with you, but there's no way to control what we feel", he declares honestly without ever stopping to fix his gaze on yours, "Every time I look at you, I see someone with whom I can imagine a future... And I know how hasty this may seem, and I know your reservations about us, but it's simply how I feel. You asked me to be honest and I'm being as honest as I can... But I don't want to lose you, Y/N. In fact, I can't lose you, because, the moment that happens, I think I'll end up losing myself too", Franco stated.

His words leave you completely disarmed, not knowing what to say. Looking at it, you don't think anyone has ever said something like that to you. The words overwhelm you and there doesn't seem to be a right thing to tell him back.

"Can we just forget I said all this?", Franco says, "I don't want things to get awkward between us".

"But I don't want to forget it", you answer quickly, "It was the most beautiful thing anyone has ever said to me".

Judging it by Franco's expression, he was also caught off guard by your words, probably because he thought this would change your relationship again and brung unwanted distance between you.

Truth was, you weren't going to run away anymore. You didn't want to, and you couldn't do it.

Yes, you were scared, but you knew you need to move on. The comfort zone can be very good, but no boat was made to stay at the dock and you needed to drop the anchor and launch yourself into the unknown. Besides, you know that, in a few years time, you won't like to look back and regret what you didn't do.

"Can I ask you the question back, then?", Franco tries and you nod, "Is what you feel for me just friendship? Or something more?".

"I don't have an answer as assertive and confident as yours, but I know that I look at you and I don't see you just as a friend. You are very special to me, Franco. You are the person I want to talk to about everything, the good and the bad. You are the person who I know will never judge me, who will always try to understand me and help me. After all, you were the first person I was able to trust one hundred percent", you admit, "and I'm still figuring out how I'm supposed to allow myself to believe in love again after everything that happened, but I really wish you were by my side on this journey... That you would make me believe in love again", you offered.

"I don't like to make promises, Y/N/N, but there's one thing I'm absolutely sure of - I'll do everything in my power to make you believe in love again", Franco says, pulling you into his lap and embracing you in a hug that makes you feel safer than ever.

.

When Franco called you and asked if you could join him in the park, you were quick to let him know you were leaving work and heading to meet him. The past two weeks had been crazy with him travelling to races and you visiting your family, so texting had become the way you found to maintain contact.

As soon as you spot him by the trees, you walk a little faster, hugging him as soon as you are able to, "can I say that I've missed you?", you joked.

"I missed you loads, so I think it's only fair you tell me", he smiled, "Hi, how was your day?", he asked as he squeezed you against him.

"I missed you", you spoke, "and it was good, better now that I'm here".

Lately, your walls had lowered progressively - Franco's reassurance and a constant defiance of your thoughts had helped you break down the worries you had. Olivia pointed it out, everyone noticed how much happier you were, and even Franco could sense you were feeling more comfortable.

You end up sitting so close to each other that your knees touch and you rest your arm on Franco's and let your head fall on his shoulder, closing your eyes for a few seconds and just inhaling his scent.

"I...", Franco begins but soon stops before saying anything else.

"What is it?", you ask, raising your head to look at him.

"Nothing, nevermind", he shrugs.

"I don't like it when people say that to me. If you were going to say something, don't tell me to forget about it", you state firmly, "Whatever you were going to say, you can say it. Always. I will never judge anything you tell me. I know you, okay, Franco?".

"Yes, but...", he sighs, "I think I'm missing the courage".

"Please, just say it!", you exclaim, starting to get anxious and worried about his hesitation, "Is it something serious? Is there a problem?".

"No, nothing like that!", he clarified.

"Okay, then...", you encouraged.

"It's about a conversation I had with my mother", he says and, although you don't say a word, your expression lets him know he can continue, "about you".

"About me?", you ask curiously.

"She doesn't know it's you, but... It was about us and about what I feel for you", he offers.

At these words, your heart suddenly accelerates, "she told me that life is supposed to be lived and that..", he gulps.

You remain silent, because you don't know if ot what your supposed to answer. There's nervousness and anxiety as you're not sure exactly where this conversation is going to end up at.

"We can't predict the future, we don't know how much time we have", Franco spoke, "what I mean by this is that I've been thinking that, many times, we waste time on things that, perhaps, don't make that much sense. And I think I've been wasting some time in the sense that I've wanted to do things calmly, I've wanted to respect your time and I think I'm the one who's been afraid of taking the next step. I'm too afraid of losing you, but I'm wasting time and we never know when it is too late".

Part of you knows where Franco is going with this, but the other one doesn't fully understand what he's trying to say.

You're nervous, your heart feels like it's beating out of control and there's a lump in your throat. Despite not crying often, you feel the tears right at the back of your eyes, ready to fall at any moment.

"I'm not particularly good with words, Y/N, but what I'm trying to tell you is that I'm madly in love with you. Damn, I'm trying to tell you that I love you. And I know you're scared and I'm scared, because there have been bad experiences, and because what we have is very special and neither of us wants to ruin it. But I think we're wasting time apart when we could make the most of this time together", Franco continues, "I believe we were very lucky to have found each other when we did. I think we had the perfect timing. And every time I look at you, all I can think about is how lucky I am to have found you. I love you, Y/N, and I want to be with you one hundred percent", the brown-haired man stops his speech as if to catch his breath, and then concludes, "That is if you want to be with me, obviously".

What can you say to someone who declares themselves to you in this way? What do you say to someone who has told you everything? How can you say something that comes even close to what you just heard?

"Did I misunderstand everything and after all you don't like me the same way, is that it?", Franco asks, "it's just, your texts and the way you talk, feels like you do".

The insecurity in his voice is the trigger you need for the words to simply come out of your mouth without having to think much about them, "No, it's nothing like that!", you exclaim, "It's just that it's hard for me to say anything after everything you said. I don't want you to doubt for even a second what I feel for you, Franco. I know I haven't been the best person to express my feelings, because when we say things out loud, they become real. And I was so afraid to admit the truth, so much so that I preferred not to say it. But you're right. Life changes in the blink of an eye and it doesn't make sense to keep leaving things unsaid or undone and wasting time. I'm in love with you, Franco. A part of me has wished, since the moment you made an effort for me, that I could have someone like that by my side, willing to protect me, take care of me and be there for me. I have no doubt that my life has changed for the better because you came into it. And I should have told you all this sooner, because you deserve to hear all this and much more. You are an extraordinary person and you deserve to be happy. And I want to be able to make you happy", you stop for a few seconds, taking a deep breath and gathering all the courage in the world to say the dreaded words out loud, "I love you and there is nothing I want more in this world than to be with you and be your girlfriend".

Despite all the nervousness you felt when expressing your feelings, the relief that follows leaves you feeling like a weight was lifted off your shoulder. Suddenly, you understand that fear paralyzes people and prevents them from moving forward.

The fear of not being enough for Franco, that he couldn't possibly have a girlfriend older than him and the fear that he would suffer from that was what was holding you back, stopping you from being happy. Now that you got that off your chest, that you said what you feel out loud, you realise you're ready to be happy again with someone else.

The smile that appears on Franco's lips makes your day. He wraps his arm around your waist and pulls you towards him, pressing your lips together.

You close your eyes and savour every second of the moment: from the way his hand is resting on your waist, while the other caresses your cheek, to the way his lips slide over your and your tongues touch.

When you break the kiss, needing to breathe, you keep your eyes closed for a fraction of a second, enjoying the sensation his lips left on yours.

"I have something to ask of you", you say, opening your eyes.

Franco's arm continues wrapped around you and you remain very close to him without moving, appreciating the closeness.

"Whatever you want", Franco says.

"Don't give up on me. Whenever I try to push you away, pull me to you. Whenever I yell at you because I'm angry, hug me. If I don't answer your texts or calls, look for me. When I feel too insecure, remind me that I'm the only one and how lucky I am to have you. If I'm giving up on us, kiss me and remind me why I shouldn't give up. And I know this is asking too much, but I know you love me enough to do this, to stay with me. I promise to do the same with you, to never give up", you declare.

"I promise, mi amor. I'll never give up on you, not even if you ask me to", Franco smiles as you cup his cheek, bringing your faces closer once again to kiss him.

[xoxo-ren-xoxo]

Hermitcraft / Life Series Fic Recs

Because I love so many of them...

I'll split the fics into completed and updating fics, and try to only recommend currently updating fics (i.e., not abandoned). I'm going to write a little about why I like each fic and what the general vibes are - so this is also a kind of review I guess?

I've tried to @ the authors if they have a public tumblr. Sorry to anyone who didn't want to be tagged, I can remove any @ if you ask (or if I have embarrassingly tagged the wrong person). Anyway, enjoy, and I appreciate reblogs because I want as many people to see these fics as possible!!

This ended up being incredibly long so I'm putting a divider here. Click to keep reading!!! Also, fair warning: shipping ahead! Some fics will have mild sexual content, please read the tags if you are unsure <3

Updating Fics

I have already recommended Help Me To Breathe, lost in the dark (he's got a heavy heart), and There Are Monsters Nearby in this post, so I won't explain why I like them a second time, but definitely check them out!!

Death's A Good Gig by @mawofthemagnetar is probably going to be finished by the time this post gets to you, reader, but I'm putting it here anyway. It's short and sweet, one of my favourite representations of Zedaph (or, Zedeath) I've read, and just a joy to experience. If you like grim reapers and discussions of unions, this one is for you. Also I need more Zedaph in my life.

Look, I'm Sorry, Please Stop Scaring Everyone by @cat-in-the-desert reminds me a lot of a particular TV drama I liked when I was younger, which followed a similar premise. This fic follows Mumbo (vampire) and Grian (ghost) as they get up to various housemate shenanigans and meet their local magic-expert and salesman Scar. This fic is fun, but still includes a nice amount of Feelings and hinted-at Angst which I really love. It's lighthearted, but never boring.

It Hurts To Hope by Inquillitory is my favourite of the "Grian crash lands into Hermitcraft and causes problems for everyone" genre. Seeing how many fics there are with that premise, I think that says a lot. It handles Grian's weird Watcher stuff really well. Honestly, I just want to know what happens next!

killing the boy in the tv by @raspberrystruck is like a sickfic on steroids. If you want Grian with so much past trauma he forgets how to function in society, this is basically the fic for you. I really love how hybrid traits affect the characters' interactions in this fic, and how everyone is kind of messed up because of the imbalance Grian brings. It is wonderfully descriptive in all the right places!

Love Me Like I'm Dead by @daniofcrows is such a gem. You know how hard it is to find good Xisuma whump? It's impossible. I absolutely love how Xisuma and Evil X are characterised in this, and I am obsessed with the unique take on hanahaki disease which I have never seen handled in this way before. The balance between flashbacks and present day is maintained wonderfully and I cannot wait to continue reading this one. Wow.

Oh, you wanted me to do a verse? by @bugbbear is... kind of indescribable. It's horror. It's comedy. It's the apocalypse. It's boatem. Scar eats someone. One of the most interesting and unique apocalypse stories I have read. Slowly updating but worth the wait, in my opinion. This one NEEDS more attention.

So Much For Stardust by @a-plethora-of-peters is basically one of my all-time favourites. Which is a damn good achievement seeing as I don't usually read ZITS fics. Like, ever. In this fic, Skizz is a human abducted and hurt badly by aliens, now recovering in the care of good aliens who don't know how 'sentient' he is. Every update of this one makes me smile, it is wonderful. I love how the characters are written and how the different perspectives are shown. It is just great.

Solar Waltz by @raspberrystruck and aroundtheclock is a brilliant and very very sad regression fic. I love fluffy regression fics as much as the next guy, but this one just... hits different. The hurt/comfort levels are off the charts. Grian is so damn cute the whole time, while also being harrowingly complicated and sad. I am so ready for whatever comes next.

Tango's Castle of Cards by @evilrat-sabre is the one where Tango is a BUG. He's just a little guy (horror). This one is so beautifully written, with poetry-type interludes and perspective changes that really make everything feel so much more impactful. Finding out your buddy is a murder bug isn't the easiest thing in the world. I love this so much.

Traveling Thieves {Dark Fantasy AU} (series) by @amethystfairy1 is basically one of the series of all time. I know I keep saying that but it really really is. I love a good fantasy au, and I love an au with hybrids even more. In this world, hybrids are treated like slaves, but it isn't all doom and gloom for the main characters of each installment. There is a lot of hurt/comfort and the different stories feed into each other in really interesting ways. I try to read as much as I can, though I've missed a few because my emails are buggy. Definitely worth reading these fics, especially since now they're all starting to come together!

Completed Fics

Solving Counting Sheep by @theminecraftbee might have rearranged my brain chemistry a little. Another strong contender for 'fics that inspire me to kill Grian', this time with a more concrete notion of "replacement". Three is my favourite fucked up living weapon. It's so rare to find Evo fics in this day and age, too. This fic had me immediately clicking on every update as soon as I got the emails.

Rescue Fire by @imaginethat0327 is one of the most unique takes on a fictionalised life series game that I have ever read. The whole concept is explained in a realistic and easy-to-follow way, as we learn what's happening with the characters. There are several brilliant storylines happening in this one, but my particular favourites are Jimmy & Tango, Joel, and of course Scar & Grian. This fic is full of whump and, well, read the tags, it isn't always pleasant, but those are my favourite things ever. Definitely worth checking out this fic and its currently updating sequel.

don't you know about me? by takenbadgering is a wonderful comedy of errors with just the right amount of angst for a realistic setting type of fic. If you enjoy polyamory miscommunications, rave aesthetics, kandi, school teacher dynamics, and a lovely blend between grumbo, cubscar, and mumscar, this is the one.

Eventually the Birds Must Land by @milo-hypno follows a polyam ship I would have never thought of, and I cannot believe how much I loved it. This married-as-friends fic premise is wonderful, and captures the main trio (Grian, Mumbo, Impulse)'s personalities so well, while balancing them with the incredibly terrifying descriptions of the Watchers and their power. There's a lot of angst here, but it is ultimately hurt/comfort to the maximum degree. I loved reading it as it updated. Yay for gay marriage!

From The Archives (series) by @sixteenth-days was the absolute inspiration for my own Comms AU, and I will never forget its influence on me. As someone basically unfamiliar with TMA, I thought this series might be hard to follow, but it was not! I read all 57 parts in the span of two days, and I think it altered my brain chemistry. Please read it, even if (especially if) you don't know anything about TMA. The Cleo and Grian storyline lives in my head rent free. I mean it. This is horror at its finest. Also there's an audio series of this fic being released rn, which is very cool.

SUPERCRITICAL by @masque-of-plague hits different. It is such a wonderful take on the superhero/HotGuy trope, and it gets so super dark at some points! This one really takes swings at it's fictional government, which of course I love, while at the same time building this brilliantly emotional relationship between Scar and Grian. I do enjoy a bit of enemies to lovers, but the actual plot mixed into the story makes this one extra special. It is thrilling, with action that I don't get to see too often! Great work.

I am weary with contending! is one of the mumscarian fics of all time. From 'this house has people in it'-type horror, to magic gone wrong, to childhood trauma, to attempted assassination, to gender fuckery, this fic has it all. Usually I don't go for convex siblings, but this one is good enough to get a pass from me. Amazingly detailed worldbuilding alongside a brilliantly creative story.

It Spreads by @foxxology may not count as a fic, actually. It's a comic. But it's posted on ao3 so it counts. I was obsessed with this one as it was updating, honestly. It rocked me to my core. The art is phenomenal. The writing is brilliant. I love sculk.

Luck of the sea by Sleepy_Duck is a lovely take on mermaid and human interactions, with Grian as a marine life conservator and Scar as a very neglected mer. This one takes us emotionally in all sorts of directions, and offers lots of hope for the future of the characters. I heavily enjoyed this fic - if you like mermaids and marine biology, check it out.

there are many downsides to being a marine biologist by donnerstag is another mermaid fic but with a pretty different vibe. First of all, it follows what I would consider a rarepair Doc/Martyn. Second of all, reading this as it updated was a thrilling experience that nearly made me cry at certain points. I love how the relationship builds in this fic. It is honestly amazing. The whole idea of experimenting on a sentient sea creature, learning that he can communicate, then losing funding and having to save him from being dissected?!?! It's crazy. I love it.

Thus concludes my fic recommendations. I hope you enjoy at least some of these, and consider reblogging to spread these wonderful fics around <3

[hellspawnmotel]

well you guys really called my bluff on this one, haha. I have a lot to say on the topic so this will probably turn into a long post but the answer really depends on this: what interests you about astro boy, pluto, and the franchise/tezuka's body of work as a whole? what do you want out of this experience?

if you're just looking for places to read/watch these things and that's it, I'll put some links here at the top so you don't have to dig through this whole mess.

you can read astro boy (original manga) here (there are occasionally missing pages on this website, if/when you run into those you can switch to this one which is harder to navigate but complete)

you can watch/download the 2003 anime (english sub) here

you can read naoki urasawa's pluto here

so you're interested in astro boy but aren't sure where to start: my opinion as someone whose point of view you respect for some reason

it didn't occur to me until recently that for a lot of people who follow me, your cultural touchstone for the concept of astro boy is most likely to be the 2009 american movie. I didn't watch that as a kid, I was 14 when it came out and fully into my "anime is superior to western animation" phase, but I've watched it now and well.... if you like it that's great! I did not. I'm not going to dwell on that, but I think it's worth noting that whatever your opinion on it as a movie is I don't really think it's a good representation of astro boy and its themes. moving on.

the manga

if you want the pure, unfiltered astro boy experience, this is as close as you're gonna get. it's gonna be a little haphazard though because the dark horse publication, which is probably the only way you're gonna find to read it in english, does not order the stories chronologically. I don't think that really matters because there's not a lot of continuity so as long as you understand the basic premise you can read in whatever order you want, and this puts a lot of really good stories first anyway so it's nice too. personally as far as all versions of astro boy proper go, the manga is my favorite. it's not always an easy read, for reasons I'll get into in a moment, and it's not always good either. some stories are phenomenal, some are just plain silly, and some are downright terrible. but given how long it ran for and how consistently and without breaks tezuka worked on not just it but all his other manga too I think that's too be expected. but even the bad ones I think are worth a look! this is the history of manga as a medium right here! and I love the manga, it's fun, funny, wonderfully drawn, compelling, shockingly dark at times, and just a fascinating read for those with an interest in classic comics.

all that said, I think it would be irresponsible of me to recommend it without also including a big fat disclaimer, which dark horse was kind enough to put at the front of the book.

if you have an interest or familiarity with classic/vintage manga, anime, comics, and cartoons, you probably saw this coming, but some of this shit gets REAL racist, most often in terms of how people are drawn. some of tezuka's biggest inspirations were the rubberhose american cartoons of the 20s and 30s, and all that implies. for whatever the opinion of a white american is worth, based on his writing I really do believe he had good intentions- he consistently speaks out against racism and bigotry in general, in astro boy especially. you can tell he was very passionate about it. but I'm not gonna defend the guy either, you can't be drawing people like that, even if it was the 40s-80s. a lot of the experience of getting into tezuka is reading a story where the moral is "racism is evil! end discrimination!" accompanied by straight up racial caricatures in the art. it's baffling and infuriating. if I could I would travel back in time and hire the man a sensitivity reader, but I can't, and he's been dead for 35 years so we'll never know what he would've done about it today. all we can do is take it as an opportunity to learn and do better. but, if all that puts you off getting into the manga or the series at large, I don't blame you!

with that out of the way, the size of the manga might intimidate you. there's a lot of it. lucky for you you don't have to read all of it if you don't want to! I've read the entire thing because I'm a completionist at heart, but I've had several friends come to me for a smaller and more manageable reading list, which is as follows:

(stars for my personal favorites, grimaces for "I did enjoy this one and I think it's worth reading but I don't feel good about recommending it". I also think "the artificial sun" and "atlas" are important reads if you're interested in the history of the franchise because they get referenced a lot, but they are VERY racist and I don't think theyre good enough overall to make them worth putting on the list despite that.)

that was long. next up:

the 2003 anime

I am not quite done watching this one but I'm pretty close so I feel confident in saying: on the whole, it's great! it looks absolutely fantastic for a tv anime from that era, the character and world design is top-notch, and overall it does a really good job adapting the best and most important parts of the manga into a continuous story, although it softens the blow of the darker moments quite a bit (which might be a good thing for you, depending on your tastes). it's pretty beloved by western fans, and for good reason.

I do have my issues with it, for one this might not be a popular opinion but I think they majorly screwed up on adapting the "greatest robot on earth" arc (my favorite arc btw, yes I might be salty), for another they really sand the edges off of uran's character compared to the manga and make her a lot more meek and girly. but that's just my opinion and if this show is the only one you've watched you wouldnt know that anyway. so don't let that deter you if you're interested, you'll be missing out on a pretty fantastic kids show.

so, if you're looking to really dive chest-first into astro boy as a franchise and understand all there is to know: maybe don't start with this one. it changes a lot from the source material and kind of does its own thing. but if you're just looking for a good story thats fun to watch and total eye candy, go nuts!

pluto

pluto by naoki urasawa is an adaptation/reimagining of astro boy's most famous and beloved arc, "the greatest robot on earth". it's also what got me into the franchise and one of my favorite manga ever! pluto reinvents the story as a detective thriller set in the aftermath of what is effectively, and obviously, the iraq war. it's brutal and harrowing, and beautiful and cathartic and hopeful. to me it is the gold standard for "dark and gritty reboot of a children's story" because urasawa adores tezuka and respects the original version, which was always a dark tragedy anyway, just presented differently. you might have seen pluto got an anime adaptation last year as well. I've watched it, it's pretty good! it doesn't change all that much (I don't like the few things they DID change but whatever) but I just think urasawa's artwork, paneling, and pacing are completely unmatched so I'd recommend the manga first. I'm not gonna be that asshole who insists you gotta read the manga over the anime though, if anime is easier for you you're better off having experienced pluto that way than not at all.

(if you ARE interested in both astro boy and pluto and are considering which to get into first, it's important to know that reading the arc pluto is based on will spoil a loooooot of things about the story. so weigh the pros and cons of that before making a decision!)

so, that's basically what I have to say. I haven't watched the 60s or 80s anime adaptations so I can't give insight on those, and I'm by no means an expert on any of this. I only started reading the original manga like three months ago and before that my memories of the other stuff was pretty faded, before I revisited it. if you're interested though I hope this helps, and I hope you enjoy yourself if you decide to take the leap! it's kind of a rabbit hole. I did not know what I was getting into when I decided to reread pluto, but I'm sure glad I did.

if you have any other questions about my personal opinions, feel free to shoot me an ask as well!

[foxglovegames]

Trouble Comes Twice - the Postmortem

We celebrated Trouble Comes Twice's anniversary around a month ago! We'd hoped to post this postmortem back then as well, but it's taken us a moment to find the right words haha.

Anyway, we hope that this postmortem can give our players and other visual novel devs some insight into what the development process looked like for us. It's also a great way for us to look back at what went well and what went less well.

We'll be taking about the ideation phase, our (lack of) marketing for the Kickstarter, and also sharing (what we can) on our earnings from the game!

Coming up with Trouble Comes Twice

The original tone of Trouble Comes Twice was a lot more comedic and packed to the brim with anime tropes we enjoy. Most didn't make it into the final game, but some stayed and evolved e.g. all of the love interests are based on popular visual novel archetypes - the childhood friend, the tomboy, the shy girl, and the bad boy. 

Some, like Cameron and Zoe, changed a lot from their concept while Adrian and Stephanie stayed quite loyal to our original ideas of them. Cameron's character actually underwent the most changes after the initial reception to the demo, where a lot of people felt like he was too much of an ass haha. (Fortunately, he became a fan favorite when we dropped the new demo!)

The premise with the bet was something we invented to create some drama and establish a common plot thread throughout each route. Honestly, looking back, we would probably have approached the bet differently if we wrote it today and a lot of our pre-planning was... clumsy, at best. Still, it was a labor of love and I'll never forget the fun and excitement we had everyday balling ideas for the characters and coming up with their designs.

As Melli and I are just writers with limited coding experience, we worked with a past game jam friend to code the GUI and set up the base for the game (though the actual scripting was done by us and Melli put everything together in the end). Our biggest expenses pre- and post-demo was the character art and CGs, meanwhile we relied on free music and BG packs to save money.

Why a bisexual romcom?

So, this was sort of a no-brainer to us. We had decided right from the start that both twins could date both the male and female love interests, and (at the time) we feel that a lot of similar games had playersexual MCs rather than established bisexual/pansexual MCs. While playersexual charas are also awesome, we wanted to write a romcom where the main cast are always queer regardless of who you end up romancing. 

At the same time, bi/pan people don't all approach romantic relationships the same way e.g. Cameron is confident and has experience dating people of all genders, while Adrian's demi and Jace still struggles a bit with his attraction towards men. We know that some of our players felt like that made certain routes less romantic than others and we hear you on that feedback and have 100% taken it into consideration for our future romance games. But anyway, that was our thought process behind Trouble Comes Twice's romance dynamics!

Preparing for Kickstarter & the actual Campaign

Our Kickstarter launched at the start of August and let me tell you, we were nowhere near as prepared as we should have been. 😭 We hadn't set up a Steam page yet, we were trailer-less, and we only had a couple of hundred followers across our socials at best. I feel that there's a lot more successful Kickstarter projects to refer to and even a lot of marketing guides and advice now, but mostly it's on us for not researching more. 

The Kickstarter campaign did surprisingly well despite the lack of promotion and only having a rough alpha demo - we were even able to double our goal! - but we  wouldn't recommend what we did for other devs.

You should invest time into making a good demo, spend time building an interested audience before launching your campaign, and research so you've got some kind of marketing plan. We were lucky with word-of-mouth and that other visual novel devs with larger followings helped share our game, but we should have made more effort reaching out to bloggers, streamers, and game sites. Some crowdfunding successes may seem like they came out of nowhere and were just pure luck, but there's usually a lot of grinding behind-the-scenes that you don't notice.

The post-Kickstarter era, at least for us, was the harder bit. We now had 353 loyal backers who had expectations based on promises we had made and we had to make sure we met those expectations while also staying true to our wants as the devs. It was a learning process for sure, but we're fairly proud that we always did our best to keep our backers in the loop. It's frustrating to write an update explaining that the game has been delayed again, but backers are more open to being understanding than you think as long as you communicate!

A tip we'd give to new devs considering Kickstarter: Don't overestimate what you can do, but overestimate what you need. There's always hidden costs, unexpected taxes/fees, and other unknown obstacles that might eat up your budget. In our case, we made enough to make the game as planned, but had to change CG artists around halfway through development which meant our original budget didn't cut it anymore. Fortunately, we had earned a decent amount from our Patreon and pre-orders that we were able to use to complete the CGs, but that isn't always going to be an option for everyone and that also meant we were unable to use that money ourselves. (We didn't take any money from the original Kickstarter campaign, so whatever was earned through patreon and pre-sales was our only "salary" at the time.) 

Writing the game

Writing is, for obvious reasons, one of the most important parts of a visual novel. Melli wrote Jace's routes and I wrote Hazel's routes, which removed some pressure off our shoulders compared to trying to write over 300,000 words all on our own. 

It's fun working with another writer, but there are also some unique issues and considerations that come up when you're writing a game with two protagonists split between two writers. Especially because at the time, there weren't many visual novels with a similar set up to refer to.

The main things we learned, were:

Consistency. We wanted each couple to have their own dynamic, but the characterization needs to remain consistent between routes. You don't want Adrian in Jace's route to feel like a totally different character in Hazel's route. Additionally, we had to be careful that the tone and writing style of the protagonists' POVs still felt like you were playing the same game. Some routes can be more comedic than others, but we've got a problem if Hazel's routes are all (unintentionally) more serious/angsty in tone than Jace's or vice versa.

Watch out for your word count! Longer does not always equal better and writing eight routes, we had to put some restrictions in place. Even when writing on your own, it can be tough to guess how long your story should be, and it was important to us that the routes were roughly the same length so that none felt more "canon" than the other. However, with two writers who have different writing styles and ways of planning, it was tricky to compare our outlines and we struggled at times when it came to matching each other's word counts. Moving forward, we're probably going to be more lenient when it comes to word counts - some routes have to be longer than others, it doesn't mean that route is automatically more "important". We're also doing more regular meetings and frequent check-ins to make sure we're on the same page. In the future, we hope that should save us a lot of trouble when it comes to pacing! 🙈

Balancing your own wants with the wants of your players. In theory, these overlap most of the time. But making a commercial game (that people had already "bought" through the Kickstarter), there is some pressure when it comes to meeting certain expectations. We can't always just write what we want and assume everyone else is going to love it, but we also don't want to neglect what we personally like. We had a survey for the beta where we were able to get regular feedback and a lot of helpful advice. We definitely want to continue with surveys in the future - they are a great way to gather opinions from different players and figure out what works versus what doesn't! 

We took on too many tasks outside writing that distracted us. This bit is sort of inevitable for indie devs like us. 😅 Working with a limited budget and limited resources, you just end up having to wear a lot of hats! We think we did quite well sharing these duties though, and moving forward (thanks to you guys) we can afford more hands on deck to help us out. 

Marketing

The bane of every indie game dev's existence... although secretly, I kind of enjoy marketing but don't tell anyone that!

Having learned a thing or two from promoting the Kickstarter, we spent more time researching games marketing but in the end, trial and error was the best teacher.

As we got closer to the release date, we were posting almost daily on social media and grew our Twitter to over eight thousand followers. We didn't have any viral posts, but we saw a consistent growing interest in our game and it was such a motivation boost to see comments from potential players being excited for the game. We know a lot of devs have said that Twitter didn't help their game much but according to our stats, a decent number of our players found us through the platform. 

We saw less success here on Tumblr. Perhaps we haven't cracked the code here yet or maybe we're just comparing our numbers from Twitter unfairly! We're not hung up about it though, we love it here because it feels easier to connect with our followers and other devs there, and it's nice because we're able to write longer posts like this one! 💓

Aside from posting on social media, we reached out to several streamers and some bloggers prior to release to send them free game keys. 

We also commissioned some art from other artists to share, as we obviously couldn't reveal ALL our CGs before the release lol and visual posts tend to do a lot better in our experience. It was so much fun to see the characters in other art styles and we hope we can afford to commission guest art pieces a lot more frequently in the future!

In hindsight, we definitely regret not releasing a trailer sooner! We underestimated how much interest a good trailer could garner and delayed setting up our Steam page because of it. Steam was the platform where we sold the most copies and most of our buyers found the game through Steam itself.

Also, posting your trailer on youtube adds another site where you're promoting your game so there's really no reason not to get that trailer done as soon as you can. 

Final Notes

After the initial stress, we were pretty happy with our release! Although there were some things we would go back and change if we could,  that's just the nature of these kind of things. For the most part, we're proud of what we achieved and happy that we have learnt so much from Trouble Comes Twice that we can take into consideration for future projects.

We can't share exact numbers, but we wanted to open up a bit about our earnings for the game to help other aspiring devs: As of writing this, Trouble Comes Twice has earned close to 85,000 euros. This counts our profits from 2020 to now (the Kickstarter, Patreon, pre-sales, and actual sales). Removing fees, taxes, the salaries of our talented artists and other freelancers, as well as the money invested into our next game, our personal pockets did not see anything close to those numbers. But we're super proud of how much our little game has made and so grateful that it's allowed us more creative freedom with our next title! 

So, what's next?

You might have heard but for the past year, we've slowly been working on the demo and upcoming announcement for our next visual novel:

A 17+ supernatural neon-noir romance game about monsters, love, and other horrors. 

Play as vampire detective Circe (female protagonist) or hellhound cop Dante (male protagonist) and delve into the mysteries of North Haven, where demons, vampires, and supernaturals hide in plain sight among humans.

The game features six routes, with three romance options available to each protagonist. Dante only has male romances and Circe has both male and female romances. 

The game tackles a darker, more angsty tone compared to Trouble Comes Twice. Still, we hope that those who decide to check it out will enjoy it! We plan to announce the game this coming Autumn. Follow our Twitter (we're still not calling it X sorry) or Tumblr to stay up to date.

[raven-at-the-writing-desk]

Because it looks like you’re already losing it do you have any extra thoughts on his voice lines? Mystery Shop Translations has them!

[Referencing this post!]

Yes, I know Mystery Shop TLs has the deets 👀 I'm the one that requested Rollo's voice lines dhabydsbiosaivfbifsan

To avoid spoiling anyone that hasn't had the chance to read his voice lines yet, I'll place my thoughts on them below the cut.

First thing's first! It seems like Rollo will be staying at NRC for a short amount of time. It’s disrupting the daily routine he usually has, so I wonder how he’ll adapt…? Apparently, this is because he has come to study at NRC for a brief period. So maybe there's some kind of student exchange program meaning we may get other "special" students in the future...

Rollo sounds SO unhappy (but in an emotionally-repressed way) when he says he would prefer not to step foot onto NRC campus. TOO LATE BUDDY YOU'RE STUCK WITH US WHETHER YOU LIKE IT OR NOT 🤡

QDBIUBSOYFVQE8FO8EQEFANOQEUTQEP OKAY, HE STARTS OFF STRONG... Just another monologue about he's going to be the one to create a just world and punish evildoers, how NRC is a place where evildoers dwell and how he has to observe them carefully... The usual Rollo talking points 😭 His Groovy line references the Just Judge and really shows how big of an ego Rollo has???? Like he's going to impart upon you "proper virtuous behavior"... BRO, I DON'T WANNA HEAR THAT FROM SOMEONE WHO WAS PLANNING TO ENGULF THE WORLD IN FLOWERS THAT SUCK OUT ALL THE MAGIC

On the topic of "proper virtuous behavior", I like that we get subtle hints of Rollo actually pushing for this in his lines. It shows us that he actually does think he knows what's best for others and has very particular expectations for what is "good and just" behavior (even thinking that he leads by example). For example, Rollo advises that Yuu "fulfill their duty to their utmost", something which he also prides himself on. Additionally, he commands Grim in their Duo Magic to do as he says, to which of course Grim protests, saying that he doesn't want to be ordered around. Rollo also frowns on Idia's use of an electronic tablet as a substitute for attending classes in person, calling it "laziness beyond reproach".

I find it hilarious that Rollo is SO angry at Malleus that he describes even the general area that Malleus resides in and the mirror that leads there as "absolutely repulsive". HIS HATE BONER FOR MALLEUS WILL NEVER DIE... Even funnier when you realize Rollo is (relatively) neutral toward Azul and only slightly negative about Idia (the other two SSR boys responsible for his downfall). Rollo even expresses curiosity about the Mostro Lounge (and I fully intend to write a fic with this premise in mind, it's just TOO good to pass up)! Both Idia and Azul are referred to as “[first name]-kun” whereas Malleus is referred to vaguely (“that man”) or just has his full name shouted 😭

It's... surprisingly cute??? That he compliments the quality of Trein's lessons. I wish we had more of Rollo's thoughts in this regard, because I feel like he's keeping a lot of his more detailed thoughts locked away. (Notice also that he calls Trein by first-name basis, “Mozus-sensei”.)

Noble Bell College doesn't have dormitories, which makes sense. It is stated in canon to be a much smaller school than NRC, so I'd imagine the student population is also smaller and thus having multiple dormitories to accommodate them all wouldn't be necessary. Laughing at the fact that Rollo just casually dunks on Ramshackle's name though 😭 I MEAN, HE AIN'T WRONG... The place was a bit of a dump before the renovations...

It's really interesting that Rollo continues to express a preference for "relaxing" places; he comments that he loves the Mirror Chamber because it's quiet and he finds it charming. There's also the previously mentioned interest in Azul's cafe, as well as a remark about the knowledge that NRC's library has. It makes me think he can be quite contemplative, although perhaps he doesn't direct his energy toward the most positive emotions at times.

In spite of all of this, the voice lines also maintain a sort of "distance" to them, which I love. This is most obviously seen in the voice line where Rollo asks Yuu if they need something since they were acting overly familiar with him. Rollo indicates that he believes Yuu mistook him for someone else. He doesn't seem to have friends, nor desire them, even if they're of a non-mage persuasion like Yuu. There continues to be this lingering sense of uneasiness and distrust between him and his peers, even when others like Yuu, the gargoyles, his aide and vice president, make an effort to reach out to him. HE JUST WANTS TO EXPLODE PEOPLE WITH HIS MIND, THIS ICY NeUTRALiTY IS tHE NICEST THIS MAn CaN MUSTER/j It really suits Rollo's character to refuse to properly "integrate" with NRC. He's also very actively avoiding making certain decisions which would prompt him to return to the campus, like not checking out any library books even though he's truly entranced by the information the NRC Archives hold. It implies that Rollo is, to some extent, being held back from his full potential because of how he walls himself off from others. He thinks of his own NBC classmates as noisy and stupid, wishes to remove the gargoyles, actively tries to spend time alone as often as possible, and hates on the community goats (bro was about to send one FLYING but decided against it only because there were too many potential witnesses). He doesn’t open up to his own parents about his feelings ever since the fire and claims that others cannot understand how he feels. Rollo has isolated himself 💀

Even his level-up line (not in Mystery Shop TL's post, but I still want to bring it up) is not friendly at all. In fact, Rollo acts suspicious of Yuu's friendship and demands that they come clean about their "true intentions". He then says that if You is actually being genuine, that's actually more bothersome than if they had been deceptive to him all along. He pities them for their circumstances, yes (being a non-mage constantly having to deal with the shenanigans of the wicked mages around them), but that doesn't equate to friendship or feeling "close" with Yuu. Rollo does not allow others to get close, he does not know what friendship is and nor does he seemingly want it or care for it.

Rollo draws a very strong divide between himself and those he labels as "villains" , as well as literally everyone else he encounters. That is, ironically, muddying his relationships and potential for self-actualization when he sees himself as a “savior” of sorts for people.

Overall, I really enjoyed this set of voice lines! It gives us more of what we really love about Rollo's personality without spoiling the events of Glorious Masquerade for those who haven't read it yet. My only complaint would be that I'm getting greedy and want even more Rollo content now, just these voice lines alone isn't enough to sate me anymore/j 😂

[edgeray]

Arlecchino Oneshot Poll

Wassup gaymers Some of the concepts in the poll I already have something in mind (explanations will be down below.) If you have other ideas feel free to ask, dm, or reply to me!! I'm free to all ideas (but only if they're AUs. I don't know genshin lore, sorry). I'm looking at what people may want the most though order will vary *not* on the popularity. If an idea interests me especially, I'll write it regardless of the poll results. Currently I have 1 wip arlecchino oneshot, and hopefully it should be done and posted this Wednesday. Again, the winning concept may not necessarily be written first so select which one sounds the most interesting to you!!

Alright, explanation time. This is gonna be really long, some concepts are fully fleshed out, plot and all, and some only have the barest idea I'll accept NSFW ideas too, but they won't be written for a while if they are explicit smut. I can write suggestive. Mafia AU:

Mafia! Arlecchino x Exotic Dancer! Reader - A Part 2 to my published Arlecchino Oneshot "Late Night Devil, Put Your Hands on Me." Link is here if you want to read it.

Either a separate Mafia AU! oneshot. I don't have any ideas, but I'm honestly open with any ideas. Rival mafia leaders Arlecchino and Reader? I'm looking for more ideas of this potential AU.

Demon AU/ Angel AU:

Demon! Arlecchino / Demon! Reader - This idea is heavily based off of the plot of the manga Black Butler. In summary, a human summons a demon to help them achieve their goal in exchange for selling their soul for the demon to eat after their goal is accomplished. In the case for Black Butler, the main character of the series summons a demon for revenge, and the demon has to serve as his butler, following all of his orders like what a butler does. This oneshot idea would follow the same premise of the demon being a butler(buttress) to the human that summons them, and the demon would do whatever it is that the human wants. I can see either character for this role, hence why either Arlecchino or Reader could be the demon. (So either you boss around Arlecchino or Arlecchino bosses you around 🤭).

Demon! Arlecchino x Angel! Reader - Demon! Arlecchino becomes obsessed with Angel! Reader during a war between the two races. Centuries after the war's conclusion, she researches and learns how humans are able to fall in love and form a bond. Wanting to replicate this with you (to make you hers) despite how forbidden and impossible it is. Demons and angels can't feel love (romantic, familial, or platonic) nor feel human empathy. She lures you in to a trap to force a bond, and the bond is successful, making the two of you the first of either species to fall in love. You're not so happy about this as Arlecchino is.

Fallen Angel! Arlecchino x Human! Reader - Arlecchino becomes the first angel to fall from grace and lose one of her wings, and unfortunately (or fortunately) for you, you're the first human she comes across. You introduce her to the human realm, all while running from power hungry demons that want a taste of Arlecchino's powers and revenge thirsty angels who wants to make her pay for her treason.

Succubus! Arlecchino x Human! Reader - A succubus is basically a sex demon. Take that as you will.

Vampire AU:

Vampire! Arlecchino - You literally can never go wrong with Vampire! Arlecchino. She's perfect for this, and there's so many ways it can go. Either you're her mortal lover, or you're her newest victim, or she's your vampiric partner in crime when it comes to terrorizing humans. Need I say more? There's just too many good ideas for this.

Vampire Hunter! Arlecchino x Vampire! Reader - Hear me out. (While I won't describe it here, there's probably going to be some Dead Dove: Do Not Eat vibes in here.) I have like an entire plot for this. You can ask @servalisms to confirm (ty for letting me rant to you about this, sev, love you 😊). This idea could be a fucking book. Moving onto the actual explanation, you're a young and inexperienced vampire that's caught the eye of vampire hunter! Arlecchino. Never having seen a more beautiful human, you become obsessed in the moment you spot her, wanting nothing more but to experience the taste of her. When she has you pinned down and incapacitated effortlessly, she notices how... compliant you are. Finding some amusement and some potential benefits from this, she spares you. From this point on, you become a pet of Arlecchino: her obedient lap dog and her protective guard dog. You are her weapon as much as you are her toy (but never a lover, unless...?) and even though you're a vampire, you've dedicated your being to her. I'm really excited about this one as it's been cooking for a while.

Modern AU:

This isn't one that I've planned out as much as the other ones, but there's a lot of different ideas that I can just spitfire into a bullet-point list:

CEO! Arlecchino x Employee! Reader (I recommend not hooking up with your boss irl)

Professor! Arlecchino x College Student! Reader (Guys, please don't hook up with your professors irl, that is a bad idea)

Police Officer!/ Dectective! Arlecchino x Criminal! Reader(I don't know, this was just random lmfao) -

Barista! Arlecchino (Also random) -

Domestic! Arlecchino - just some domestic fluff with Arlecchino :)

Highschool / College AU? - self-explanatory

Gentleman Thief! Arlecchino x Detective! Reader - Wouldn't consider this apart of a Modern AU, but I didn't know where else to put it. The only reasoning I have for this is because I want Arlecchino to leave roses at each crime scene for you to find and flirt shamelessly with you.

Soul Mate AU - Because when has a Soul Mate AU ever gone wrong. (This might be angsty :))

(Please give me ideas for Modern AU! because I'm seriously lacking some ideas for it!)

Hybrid AU:

Quite literally if I stuck animal/creatures features onto either you or Arlecchino. Honestly, let your ideas go free with that-- there's just a lot I could write about. Reader could be a million different animals. However, for Arlecchino, here's the ideas I have. I also haven't thought much of these beyond wanting to pet Arlecchino's fluffy ears or see her have cute animalistic quirks/behaviors.

Snow Leopard! Arlecchino / White Panther! Arlecchino / White Tiger! Arlecchino / Artic Fox! Arlecchino (this idea was courtesy of @megistusdiary, hope you don't mind the tag?) who would have the softest ears and the cutest purrs! I'd imagine she can also transform into different forms of her animal as well, so imagine just snuggling up with Arlecchino as a baby kit! Dragon! Arlecchino x Human! Reader - I found this idea from pigeonpeach's blog (don't wanna tag). Instead of restating what's already said, I'll just link to one of her posts here. If I were to write this, it'll probably be based off of this. Dragon Rider! Arlecchino x Dragon Transformer! Reader - Look. I want Arlecchino to ride me in more ways than 1, but I'll settle for this way.

Anyways, that should be all of it. Phew, that was a lot. Are you still even here? Reminder that none of these will have explicit smut if it's going to be posted soon! I do plan on posting NSFW oneshots in the future, but not now! So again, if you do have NSFW ideas, feel free to send :).

[bookshelf-in-progress]

For the ask game: Director's commentary on "Good Rich Earth"? I loved that take on retelling Secret Garden, and would love to hear anything you have to say about it!

Since I've already commented on the story itself, I'll comment on ideas about/barriers to expanding it.

I've gotten some lovely feedback on this one, and several people who are invested in The Secret Garden as a story who would probably be interested in seeing more.

I doubt I'd be interested in writing a full retelling. My imagination doesn't tend toward writing retellings of classic novels. I like retelling fairy tales because you can flesh out the world and the characters of a very basic plot outline, but a novel already has those things fleshed out, so it's harder to tell where the line is between "this is thoughtfully exploring a different take on the novel" and "this is a completely different story".

Like, with this, I've set up the premise of The Secret Garden in a sci-fi world, and you can assume that Mary's arc follows the same beats as the original novel, just with extra sci-fi, so I feel like a full retelling would be kind of redundant.

Except for the fact that there are a lot of characters who don't show up in that initial one-shot, and it could be interesting to see how they translate to a sci-fi world.

I was so close to writing a piece from Colin's point-of-view--his mother died giving birth to him, and he would have died, too, except he was kept alive with cyborg technology, but because of this, he feels that he's not a real person, just a body kept unnaturally alive by a machine. But then my writing time that weekend vanished and I lost the details that I wanted to include, and I'm not sure I can recapture what I wanted the story to be.

I have no idea what to to with Dickon. He's pure Nature Boy, and I don't know how to alter that to/fit that into a science fiction world. Can he just be Friend To All Animals and never touch technology? Does he know a lot about how things were before the apocalypse, maybe know some of the science behind Mrs. Craven's work, and can thus guide Mary in her efforts to restore the garden?

Similarly with Mrs. Sowerby--she's there to be a good mother, which looks pretty much the same whether you're in a Victorian or a science fiction landscape, and I'm not sure how I'd fit her into this new setting in a way that feels similar to the original without being the same.

Also, Mr. Craven. He keeps getting pushed to the edges of this idea. No idea how he'd fit in.

So anyway, there's potential to explore further, and the world needs more cozy science fiction, so I'd love to do a couple more pieces set in this world, but I doubt I could turn it into a full retelling.

[zeldaelmo]

Of course I zeroed in on the oot one so... Oot masquerade party?

Thank you for the ask, Lou, it's one of the fics I'm most excited about!

The premise of this story is that Zelda begs her father to arrange a betrothal between her and Link before he leaves for Termina. It’s a child’s castle in the air, but her father loves her very much so he agrees. Under one condition: Link must come back and ask for her hand until her 21st birthday or the betrothal will be resolved.

Nobody is sure how it happened, but years later, everyone knows this story or some variation of it. Since Link never came back, suitors start approaching Zelda and she and her father face the reality that she has to settle for a candidate eventually.

By now, Zelda’s 21st birthday is approaching rapidly. Someone suggests a festival of three days of masquerade balls. The idea is that Zelda either accepts the hand of another man that she has met on the balls or that Link might come back to fulfill the betrothal.

Of course, the people are thrilled about this. Bets begin to make the rounds if Link will show up (it’s not looking good for him). A month before the festival, Castle Town fills up with country knights, noblemen, and other important people who want to join the fun. Zelda’s ladies-in-waiting are especially excited about a handsome young nobleman who ignores all their approaches because he’s certain he can win Zelda’s favor. Zelda rolls her eyes at them. Someone who’s so overconfident is surely not her type.

The festival approaches and the Sheikah provide their magic of light and shadow to give Zelda the chance of getting to know her suitors without worrying about decorum. Their magic lets the mask become one with the wearer so that only they can see the true face of the visitors. It’s truly anonymous!

Zelda is indeed enchanted by one of the guests; it happens to be the nobleman who was so sure he had a chance. His masks are many and enchanting, but as a nobleman, he surely has ways to purchase only the best.

Zelda uses her own magic to become Sheik for one of the evenings but unfortunately, the Sheikah magic doesn’t work for her, so she still can’t tell who he is.

And what about Link? Will he really wait until the very last second to surprise her like the rumors say? It’s just gossip. It must be! He has never been seen again since that fateful day ten years ago… How are the odds he’ll show up? And… Does Zelda even want him to come now that the young, charming nobleman will surely ask for her hand?

I had plans to write this story for Zelink week but I didn't have the time to do so.

I'm now debating if it could work as an Advent calendar, too. Originally, I had a post TP story planned for this year, but I'm not sure if the remaining time until Dec 1st is enough to tackle that. It's a relatively big, serious idea and I want to do it justice.

I could probably switch to this more lighthearted, feel-good idea and do 24 relatively short chapters. I had the idea to add some kind of tournament (because everyone loves a good tournament where the love interests compete, right?), that way I should have enough plot for 24 chapters.

I'll finish my current wip and then I'll take a long bubble bath to decide what I'm going with!

[saintsenara]

Another eager follower of your blog here - checking it is always a highlight of my day! I can't think of any ships atm, so instead, thoughts on a trope?? In my youth, I read a lot of FF net era fics where Hermione Isn't Really Muggleborn - usually her parents are Bellatrix and Voldemort (and she ends up becoming the next dark lady), although I've also seen various other purebloods, like Regulus, suggested (1/2)

thank you very much for the ask, anon - this is extremely kind! and i'm delighted to expand from unhinged ships to unhinged tropes!

although i'll be honest that this specific trope has never hit for me.

i understand the appeal - we all love a bit of the princess diaries-style "ordinary person doesn't realise they're actually important" glamour - but i just really don't enjoy anything which implies that the blood-supremacist viewpoint which voldemort espouses is the correct one.

it always seems to me that the main thesis underpinning the "hermione isn't really muggleborn" trope is that she couldn't be as good at magic as she canonically is without wizarding blood. obviously, this undermines the entire central point of the harry potter series, which i don't think is great even in fanfiction - but the more important point is that it's not even an interesting way of undermining the series' central premise.

there is a lot which can be done in a "voldemort wins" scenario with the fact that - right on the canon page - the order of the phoenix is a profoundly unradical group committed to defending a vision of wizarding society which is just the status quo with a couple of minor adjustments. it's incredibly striking in canon that the non-human communities of magical britain - goblins, werewolves etc. - overwhelmingly support voldemort, as do the sort of working-class wizards who sign up for the snatchers, and his coup in deathly hallows [and his politics during the first war] can be written surprisingly easily as populist ones. i think you could hook hermione into his messaging, for example, by making him someone who appears - when he's around her, at least - to care about house elves...

equally, voldemort's commitment to pragmatism - which many people might also describe as a commitment to hypocrisy - can be used to write him as willing to make an exception for a muggleborn hermione, who is by far the member of the trio who would make the best death eater. something very interesting can be done with the fact that she would, i think, be possible to corrupt into a "dark lady" - especially one who held the viewpoint, as dumbledore did, that muggles should be subjected to wizarding control for their own good...

and i also think - as someone regrettably invested in the concept of a bellamort baby - that the "this kid was born hermione riddle" [except they'd have chosen a worse name] concept could be interesting in the right hands. we know from voldemort's own experience - as well as harry's - that magical children who are orphaned and/or adopted into muggle homes and institutions have a pretty grim time of things, and the journey of figuring out their life-story which all adoptees go on has an extra tangle of threads caused by the division between the two worlds. that hermione's relationship with the drs granger is canonically quite distant is always worth thinking about - and examining that relationship through the lens of them being adoptive parents could be a fun way of doing it.

but i will never be convinced that the alternative - "hermione is a secret pureblood and that explains why she's so clever and hot" - is interesting in the slightest.

great crackfic potential though.

[9leaguesofmirrors]

My Favourite Reece Shearsmith Characters

So it's Reece Shearsmith's birthday today, so I decided to celebrate this by sharing some of my favourite characters played by this fantastically talented actor

These are in no particular order

Gregory Brewster - Him Indoors

Him Indoors is a short film about a serial killer with agoraphobia. Not only is the premise very interesting, Reece delivers a chilling yet very entertaining performance as the main character. It's on YouTube if you want to watch it, which I highly reccomend you do!

Tommy - Bernie Clifton's Dressing Room

This HAD to be on the list! Reece's performance as Tommy is heartbreaking, we watch a man seems to put-together and serious slowly fall apart and lose control of his calm façade - impeccable work

Sean Stone - Chasing Shadows

Admittedly, I don't know where the watch the full show, but I have seen clips and I knew I had to put it on this list because of Reece's portrayal of an autistic person. You can tell he put a lot of thought and research into it in order to give a realistic performance, which is a testament to his dedication and how much he truly cares about the roles he plays and who he's representing

Tyler - Riddle Of The Sphinx SPOILERS BELOW

If there's one thing Reece is good at, it's how to play a chilling villain. Everything about Tyler is unnerving and he manages to be terrifying without being loud or angry all the time. It's measured and the emotion builds and builds - fantastic work!

Joseph Lisgoe - The League Of Gentlemen

I've mentioned before that the debt collectors were underused, and I simply had to talk about how extraordinary Reece's performance as Lisgoe was. He completely dives into the roles he plays and this one was no exception, not even a light smashing on his closest friend stops him from carrying on a scene (just check out the outtakes!), he simply embodies the part and delivers a performance that terrifies the cast, crew and the audience

Laurence - Merrily Merrily SPOILERS BELOW

Merrily Merrily is an Inside No. 9 episode that I can never rewatched because of how empty it made me feel - and I mean that in the best way possible! Laurence is wracked with pain over the loss of his late partner, and Reece delivers such a subtle yet haunting performance that I don't think I'll ever stop thinking about it

Ross Gaines - The League of Gentlemen

Ross is such a fun character because of how manipulative, calculating and cold he is. Not only does it set him apart from the other inhabitants of Royston Vasey, it makes his scenes with Pauline all the more tense and entertaining - and Reece really does deliver in the role. I'm glad they decided to go with this casting choice

Aiden - Thinking Out Loud

Like with Laurence, Reece delivers a hauntingly stellar performance. What makes this one really special is that it's a monologue. There's nobody for him to bounce off of or react to, he has to reach those emotions himself. And, as always, he nails it

Ollie Plimsolls - The League Of Gentlemen

I've said before that I think Ollie is one of the most cleverly written League characters and I stand by that. As a representation of the Saviour Complex and self-righteousness of people in theatre, Ollie is a character that should be easy to hate... but because of Reece's expert comedic timing and delivery, he ends up being so funny that you can't help but laugh every time he's onscreen

SPECIAL MENTION: Gilbert - Betty Blue Eyes

Reece Shearsmith said in an interview that he wasn't a great singer. Reece Shearsmith is a liar. Don't believe me? Listen to The Kind Of Man I Am from Betty Blue Eyes and thank me later

Also, if you can find it, there's a short bootleg of him in The Producers which is good too!

Of course, this are just a few of his performances and he's never delivered a bad one - whether he's playing a comedic character like Archie in The Bill or a more serious one like in Borley Rectory. And we haven't even touched on his writing skills, I can't wait to see what he does next!

[artist-issues]

Raya and the Last Dragon popped into my head today and I kept thinking about how the incredibly unsubtle and poorly executed message of trusting others felt like a first draft.

What do you think about it? Would a revised script with the same story premise fix that film? Or was it doomed from the get go in what it was trying to say?

Good question! I go back and forth. I think the movie's biggest weak point was its writing, so I guess I'd say, "a revised script with the same story premise would fix it!"

There's nothing wrong at all with a message like "Without trust, we can't stand together." Because it's very true. Everyone has priorities, and there's always a chance they'll choose themselves over you, or over the "greater good." But if you keep trying to take control of the situation by believing the worst about them before it happens, you'll be exhausted & jaded, they'll be exhausted & jaded, and all your time and energy will be spent on competing with each other for the grand prize of "who can look out for their own interests better."

I think Raya and the Last Dragon's premise works for a truth like that. It makes total sense to have a girl who's competitive become jaded and control-freaky when her father, the symbol of the virtue of trust & good faith, is murdered by betrayal. And not just any betrayal, but betrayal from someone she directly tried to befriend and trust as a sort of "first experience" with that good faith her dad was always talking about. Makes total sense. And it's impactful; something that traumatic and personal would cause a relatable character flaw that the heroine needs drastic measures to overcome.

I actually love the concept of Sisu too. I like the idea that she's this pure, selfless soul who's got childlike faith—but, all the jaded people in a post-apocalyptic world respect and consider her worldview because she's a revered dragon. So she really does change minds just by being around them, just by coming back and existing in the first place. I mean, if she had been just a sheltered girl from, say, a different country, who came into the broken Kumandra with stars in her eyes, the bad guys wouldn't have thought twice about whatever she exemplified. But she's a dragon.

And step back and think about it: having a group of characters from every walk of life come together as a mini-experiment in trust and unity during the course of the adventure is a great idea. It's not flashy or original, but it's classic and true. Avatar the Last Airbender has a crew of characters from each tribe combining to defeat evil. When Kenai has a prejudice against bears in Brother Bear, how is that character flaw solved? Not just by him turning into one, but by him having to travel with and get to know one.

What they get to know is that they all have something in common: they've all lost people to the great evil in the world. And, they all want the same things, despite cultural differences. They all want their families back, they all want safety and success.

So yeah, the pieces are all there. The problem is, the writing was just super clunky. Theres a lot of telling, when it comes to the story, instead of showing. There's not no showing. There's just not enough.

I know this is already a long post, but I'll just point out: Aladdin's message had a lot to do with trust, too. But no character ever said out loud, "you have trust issues and you need to work through them." Certainly not more than once. The closest you get is Genie telling Aladdin to be himself.

Instead, you're just shown that Jasmine is the type of girl to give an apple to a hungry kid without even thinking about whether or not the shopkeeper wouldn't want her to do it. She's the type of girl who plays along with a scrubby boy from the marketplace trying to help her. She's the kind of girl who goes out with a Prince even though she has reason to believe he's already lying to her. She just does those things, and never says, "hey, why did you lie to me--you have trust issues!"

Meanwhile Aladdin's whole story is him bending over backwards to control what everyone thinks of him, because he can't trust them to accept him as he is. But he never says, "Trust gets me hurt." He just says, "if Jasmine knew I was really some crummy street-rat, she'd laugh at me."

Those sentences that the characters say are well-written because they are realistic. Only in our modern psycho-babble Instagram-influencer culture, where everyone thinks they're an expert on the human psyche, are teenagers starting to say things like "My trauma causes me to struggle with trust."

What Aladdin says is much more immediate, much more down-to-earth than that. It shows where his brain is in that moment. He's not thinking about the general philosophy of truth and trust. He's just thinking about what he should or shouldn't say on his date, and how scary the idea of getting laughed at is. We, the audience, are smart enough to infer that it's all rooted in trust issues. We don't need Genie to deliver a speech six times to make it abundantly clear.

I'm capable of identifying that as the problem, but I'm not great at doing it, myself. I know the language, I'm not great at speaking it. But actually I'm going to punt this part of the question over to @doverstar , who is very skilled at "show, don't tell," especially in dialogue. How would you re-write that scene where Sisu is trying to convince Raya of the importance of trust?

One final thing that I think handicaps Raya and the Last Dragon is that, because of the way they're written, the characters lose likability. Theres a way to have a traumatized, defensive girl who thinks she knows everything still be likable. Just like there was a way to have a selfish, insecure liar be likable in Aladdin.

I think there are other issues—I'd have completely written out the baby and the monkeys, and I'd have cut the fight sequences between two teenage girls way shorter because nobody cares about them. But that can be for another post.

[isleofair]

For the writing ask game :)

40. Do you tend to reread fics or are you a one-and-done kind of person

37. Promote one of your own “deep cut” fics (an underrated one, or one that never got as much traction as you think it deserves!). What do you like about it?

23. What’s a trope, AU, or concept you’ve never written, but would like to?

12. Are there any tropes you used to dislike but have grown on you?

I really like what I have read of your work and look forward to your answers! No pressure though :)

Oh my god, thank you so much for the ask! 😍😍😍🙏🙏🙏🩷🩷🩷 I thought my reblog had been completely lost in The Second Boopening. 😅

And thank you for your kind words, as well! You're always a treasure. 🥹💖💖💖

Let's see...

40. Do you tend to reread fics or are you a one-and-done kind of person

I reread ALL THE TIME. Especially my own fics, lately (what can I say, I'm the target audience, after all) but there are some stories I just keep going back to over the years, in several different fandoms. They're beautiful and they've become comfort objects of mine. 🩷

37. Promote one of your own “deep cut” fics (an underrated one, or one that never got as much traction as you think it deserves!). What do you like about it?

OH GOSH. I'll be honest: I think my two stories that have the least kudos are actually among my best.

One is Intertidal: it has a classic superhero trope, a secluded tropical beach vacation, and symbolism spread over everything like a thick layer of Nutella... (And I even wrote a 10K chapter of sex! Me! I still don't know how I did that. 🫣) The way the plot metaphorically ties in with the relationship development is, IMHO, so delicious. I just love this story so dang much. 🩷

The other is Three-Step Turn, which was me mashing together all of my Secret Santa prompts but came out, I think, like a surprisingly balanced dessert. Starts with another classic trope, but then delves into how things are not always just that easy and obvious, actually, and ends with a sweet, calmly joyful Christmas night. It also has one of my favorite lines I've ever written.

23. What’s a trope, AU, or concept you’ve never written, but would like to?

I... may or may not have an entire list of these in the notes app on my phone. 😅 At the top of it is what I hope to turn into my second really big project: a Medieval Fantasy AU.

12. Are there any tropes you used to dislike but have grown on you?

Mmmh. One thing I can think of is that I never much liked the idea of animal traits on characters, but then @nicoroni wrote this and kind of blew me away and made me realize it could have some really cool hidden depths.

I also never really vibed with the whole "one half of the pairing meets someone interesting and somehow this results in the pairing getting together in the end", but... I am currently kinda writing a version of it? Sort of? And I'm also planning to write another fic that kind of relies on a similar premise? So I guess I must have gotten over that. 😅

(The ask game is here, if anyone wants to play!)

[bestangelofall]

I am ALSO interested in brujay, only the super fucked up kind that you’ve written before. If whatever brujay you have cooking has a happy Jason then Godspeed, I will reread your post Gotham war fic for the one millionth time. The brujay of all time. People write post-brujay recovery and don’t tag it brujay and I’m like come ooonnn lemme find it I need to read brujay fucked up version or I’ll die

Hi anon, thanks for the ask :)

I don't think I've ever written a fic where Jason is happy lol. What is happy Jason? Does that exist?

Specifically regarding Brujay, I think I can only write them in fucked up scenarios. Like, I haven't written a lot of it, but the healthiest they ever are in any of my fics still merits the "unhealthy relationships" tag xD.

cw below: non-con

Honestly, the Gotham War Thing ™️ gave so much stuff to write the most fucked up Brujay (coupled with Jason whump), and if anything, I have to say I like that arc just for that xD. You can have it all, really: subtle manipulation leading to dub-con/non-con (the following arc, Dark Prisons, with Jason offering to die and then not being mentioned in 149 in the little family reunion); violent non-con taking into consideration the effects of what Bruce did to Jason (i.e. the adrenaline thing and fear spiking during sex, I read a fic with that premise which was excellent!); and you can also have the "Bruce finally coming to his senses but not really" variety which is just a little less toxic than subtle (conscious) manipulation.

Specifically regarding Batman 149 and the happy family reunion ™️, I have this idea of Dick (who was oh so revolted in 138 for what Bruce did, but then promptly forgot Jason when "everything got solved") finding out that not only Jason isn't cured of what Bruce did, but ALSO Bruce has been taking advantage of that now (maybe subtly telling Jason that he'll undo what he did if Jason sleeps with him? Maybe something else?). I guess Dick would beat Bruce again, but would that really solve anything? idk. And that wouldn't be the point of this fic anyway.

Sorry anon, you didn't ask about this, but I got carried away xD.

Also I'm so happy you love that fic ❤️ because I think (well, I'm the author, so I *know*) it was written too hurriedly, but I also needed to get it out of my drafts or else it would never see the light of day. The initial plan was to make it all slower, chapters upon chapters of Bruce slowly manipulating Jason and then pouncing, but it ended up a one-shot because it wouldn't go anywhere otherwise. Maybe I'll even come back to it, because I love the Gotham War possibilities for fic!

[thana-topsy]

Hey, I wanted to ask you.

I do not follow everything you do but I know I appreciate the way you write and think those writings, so I wondered...

Why Neloth ?

Ow of course I have my ideas but I'd like to know what makes you tick on this character, what you like to explore about him and such. I'm a curious lil scrib, tell me everything.

Oh boy oh boy... special interest request unlocked. I've been in such a Neloth mood recently, too. This comes at a great time.

I'll probably put most of this under a cut, because I have no idea how long I might ramble about this. Could be just a couple of paragraphs... could be more. Who knows. But just suffice to say, I have a lot of feelings. And it all began as a "joke" and then, of course, inevitably got to the point of "haha I don't think this is a joke anymore..."

So it all started when someone dared me to write Neloth smut (cough, Wolf I'm looking at you). I won't link to the first story, but the premise was basically "Neloth Sex Pollen Trope Go". And so I did. And it was light-hearted and not super serious, but it gave me a taste for the character and a sort of... longing to do something with a little more depth. I'm a huge fan of "crack treated seriously". So I added a second chapter to that first fic, and it dug a little deeper into Neloth's psychology. And then I was fully invested because this man was REPRESSED. And I love nothing more than a repressed character having their walls knocked down.

So then I move onto my flagship fic, "Breathing Water", which wasn't meant to be shippy when I started writing it. I mostly just wanted to put Neloth and Teldryn in a room together and see what they'd do. And they didn't disappoint -- just absolutely some of the most fun banter and snark to write. But, then, Teldryn (especially as the Nerevarine) allowed me to peel back even more layers to Neloth, because I got to see how he treats someone who's actually earns his respect.

Then it just kind of spiraled from there. Working with a character who has such low empathy but also a latent and repressed desire to connect with people--to experience love and to be loved in return--but just was never really taught how or shown what it looks like. I find him fascinating and a little heartbreaking and very worthy of my time and energy. I want to see him grow into something that is approximate to a good person, in his own strange way. He'll never be a do-good hero. But he can learn what caring for others looks like, and I think that's my goal with him. And why I love him so much. I'm just rooting for him, endlessly.

[jinxquickfoot]

20 Questions for Writers

I was tagged by @16woodsequ. Thank you!

1. How many works do you have on AO3?

82!! And that's counting the one-shot collections as 1 fic.

2. What's your total AO3 word count?

1,572,787

3. What fandoms do you write for?

Still in Marvel, although I've had a few ideas around Hazbin Hotel/Helluva Boss that I probably would written if my MCU WIP list wasn't so impossibly long.

4. What are your top five fics by kudos?

The One Where Peter is Bucky's Weakness

Let's Whump the Spider-Kid and Friends!

The One Where Peter is Tony's Weakness

You're Always Spider-Man

The One Where Clint is Tony's Weakness

You guys really like it when I kidnap Peter Parker.

5. Do you respond to comments?

Of course!

6. What is the fic you wrote with the angstiest ending?

The Worst Thing, it's the only ending I wouldn't call 'happy'. I labelled it 'bittersweet' instead, which I think is fitting. Actually Dollhouse also is a strong contender.

7. What's the fic you wrote with the happiest ending?

Let's Whump the Spider-Kid and Friends! teeters on the edge of soppy. Everyone is alive post-Endgame, Peter gets a prom with all the Avengers and his high school friends, and the Spider-Kid in question gets a whole month of rest.

In hindsight, I wrote that fic during pretty extreme burnout (that I am now thankfully over), and I can see my need for rest and care just bleeding through Peter in those final chapters. I'm so grateful we both got what we needed.

8. Do you get hate on fics?

Not for a long time, since the debates over Civil War have... if not settled, maybe don't hold as much interest as they used to.

9. Do you write smut? If so, what kind?

Not yet, but I think I might be brave and include some Winterhawk smut in the Heart of Stone series.

10. Do you write crossovers?

Nope.

11. Have you ever had a fic stolen?

Not that I know of. I've come across one or two with eerily similar premises and wondered, but I've never followed up. Tropes are tropes for a reason.

12. Have you ever had a fic translated?

Not a translation but Hair is Everything has a podfic!

13. Have you ever co-written a fic before?

Many! And tried to many at the same time which was a mistake, but I'm so glad I've gotten to work with so many incredible authors:

The One Where Clint is Steve's Weakness with @16woodsequ

The One Where T'Challa is Shuri's Weakness with @fluencca

The One Where Bruce is Thor's Weakness with @onwardmeteors

The One Where Peter is Peter's Weakness with @spagbol99

The One Where Bucky is Steve's Weakness with @usaonetwothree

14. What's your all-time favorite ship?

Winterhawk aka Clint/Bucky has my heart forever and ever, but I have a soft spot for Clint/Matt and Wanda/Vision as well. Outside of Marvel, I love reading for Stede/Ed, Husk/Angel, Caleb/Essek and Buck/Eddie.

15. What's a WIP you want to finish, but doubt you will?

If I've posted it, I'll finish it (I swear, I know I haven't touched the Whumptoberverse in three years). I do have an outline for something called the Amendment trilogy which I thought had some promise, but I've done so many Civil War Fix-Its now I doubt it has anything original to say these days.

16. What are your writing strengths?

I don't think my plot twists are too shabby, and I like to think that I find new things to say about well-worn characters and tropes. I'm also pretty damn good at structure, but that's because I studied and practised the hell out of it. Oh and occasionally I like to think I'm funny, especially when writing for Tony.

17. What are your writing weaknesses?

Sometimes I focus too much on getting a fic done than letting it breathe. I've been told several times the ending to The One Where Peter is Bucky's Weakness is disappointing, and I agree. I was ready to get out of there so I Game of Throned it instead of spending a good 5-10 chapters wrapping that fic up properly.

18. Thoughts on writing dialogue in another language in fic?

Short bits are fine if you pop the translation in the end notes. If not, I like to just say something like, "He switched to Russian [continues dialogue in English]."

19. First fandom you wrote for?

MCU and we're still going, baby.

20. Favorite fic you've written?

AH okay I want to include all those I co-wrote but that feels like cheating, because what I like about those fics is often what other people brought to them.

I used to say Budapest and that's still a strong contender. But I actually love The One Where Clint is Sam's Weakness, specifically the final chapter. The idea of mistakes and regrets and choices not making you who you are is a very personal thing for me. Clint saying "You’re my hero, Kate." might be my favorite line I've ever written in a fic. Sometimes the simplest ones are the best.

Low pressure tag: @fluencca @usaonetwothree @queenofalotofdifferentworlds @spagbol99 @teeelsie-posts