#killing eve retcon

[cowboyabunga]

hate being obsessed w something to the point of playing all the games and researching things and learning and discussing lore all for some dude who proudly says they've only interacted with one (1) portion of it trying to act like they know what they're talking about. i go full gamer bro gatekeeper. wdym you've only ever played fallout 4 and are now trying to talk about how the new show affects New Vegas lore like you're an authority. i'm killing you with hammers

[iysure]

Which colors correspond to which emotion? For the Moon!Cass rock theory.

hmm, actually, as i far as i can remember from my thought process when i drew it, the concept of 'colours = emotions' was pretty divorced from the drawing itself; i was a lot more interested in drawing different kinds of rocks and cass's expressions were more secondary

that's why the pale purple is hard to place and the red doesn't look like fear: i just wanted to draw cool rocks

[auroral-melody]

Some small corrections/suggestions/additions:

The Lucifer comic shown in panel 6 on the left is actually from the 2016 series, not the 2000 one. There are 3 Lucifer comic series -- 2000, 2016, and 2018! If you'd like a suggested reading order, here's a (self-plug) post for you.

Note that the Lucifer TV show is not at all like the comics, and "inspired by" is doing a lot of heavy lifting. They're very different characters / plots / themes / settings -- the comics have nothing to do with the LAPD. Expect content that's a lot more like The Sandman.

Additionally, note that

The Dreaming (2019) is a spinoff of a 60-issue series from 1996 of the same name.

Hellblazer is really a whole universe that deserves its own post

I also recommend Death: The Deluxe Edition, which collects some of the stories that OP mentioned. Vertigo: Winter's Edge #2 lives rent-free in my head

ALSO Death: At Death's Door by Jill Thompson is a Season of Mists rewrite but from Death's perspective and IT"S A MANGA AND YOU SHOULD ALL READ IT

My biggest hot take is that enjoying a comic doesn't have to be the same as considering it "canon"! Comic universes are awash with contradictions, and I think you should pick and choose what makes you happy.

I highly enjoy and recommend a ton of these comics for various reasons, but I only take very few to be "canon" events -- the ones that I like.

For those interested in the Sandman series (or getting others to try and read/watch it)

[Image 1 ID: A black and white power point presentation with the text “so you wanna read some “the sandman” (but you have no idea where to start and comic orders can be confusing)”. “A handy flowchart/ power point disaster for the curious, peer pressured and suffering waiting for the August 5th TV release date, from someone who cares a fuck-ton about this series and needs to yogurt starter about it. This is just a fan PowerPoint I spent way too much time on”. There are two green circular characters with smiling faces and limbs. One has a bowtie and a pointer for instruction./.End ID]

[Image 2 ID: A flowchart that asks the reader if they are familiar with the story. There is the James Franco “first time?” image meme where there is a noose around his neck. A green path answering “yes” suggests “take a moment to reread anyways! (seriously it’s so good)”. A blue path answering “I am Jared, 19 (Don’t read) suggests “check out the Audiobooks (1&2). They cover volumes 1-6.” A circular green character with an open mouth says “James McAvoy voices the lead, what better reason is there?”. An Orange path answering “no” suggests “start with the original 10 volumes” and proceeds to the next page/.End ID]

[Image 3 ID: A power point slide of the original ten sandman volumes with pictures of each cover and the reading order. The top of the page lists volumes 1-5; (1) Preludes and Nocturnes, (2) The Dolls House, (3) Dream Country, (4) Season of Mists, (5) A Game of You. The bottom of the page lists volumes 6-10; (6) Fables and Reflections, (7) Brief Lives, (8) Worlds End, (9) The Kindly Ones, (10) The Wake. To the left there are bullet points with the following information: “They cover the original run of 75 issues since the 80’s. Read in order there is an A plot and a B to Z plot they’re all relevant. If it’s a genre of story it is in this series”. An orange circular cartoon with a smiling face, a bowtie and a pointer says “Now that we’re familiar with the dreaming, let’s look at the bonus content where order doesn’t matter (too much)”. An orange arrow continues to the next slide. /.End ID]

[Image 4 ID: A power point slide titled “additional stories and content”. A Flowchart prompt asks the reader “what’s your poison?”. A white arrow answers the prompt “give me more(pheus)”. The original poster suggests reading Sandman: Dream hunters, Sandman: Book of Dreams, Sandman: Midnight Theatre and Sandman: Overture. The original poster includes photos of the volume covers and two notes for Sandman: Overture. The cover of Sandman Overture is Morpheus standing in a flower field with his helm of power on. The first note says “WARNING: OVERTURE IS A PREQUEL FOR THE ORIGINAL SERIES” The second note says “THE ART IS ALSO INCREDIBLE LIKE IT’S NUTS Y’ALL they sell a gallery version I’d kill for”. A second white arrow answers “I want meta info on the development”. The original poster recommends the Sandman Companion and includes a picture of the cover which is yellow with a golden mask on the front. The original poster clarifies it was published in 2000, and says “this is a book and it is amazing (art, interviews, breakdowns)”. A third arrow answers the prompt, stating “I want more cosmic sibling drama and/or goth girls only please”. The original poster recommends Sandman: Endless Nights, Death: The High Cost of Living and Death: The Time of Your Life. The original poster provides images of each cover. Sandman Endless nights has two masks on the front cover one grey, one multicolored patchwork. Both Death comics have the image of a pale skinned, dark-haired woman on the front with a grainy picture overlay. An orange circular cartoon character with a smiling face says “wait that’s it right, I read everything now?” an orange arrow continues to the next page.  /.End ID]

[Image 5 ID: This slide is titled “Oops Even More Content, Welcome to the New Age of The Sandman Universe”. The elmo on fire meme is visible on the right side of the slide. There is an orange smiling character with a bowtie and a pointer saying “Start with the Dreaming #1, It’s like a teaser chapter for a choose your own adventure in picking a story you want to read. This all happens after the original ten volumes (ish) YOU ARE WARNED”. The orange figure is pointing to the first edition cover where Dream and six individuals stand on the cover. An orange arrow points to the next flowchart prompt asking the reader “What did you enjoy most in the original series?” An authors note in the corner states “There is also a little crossover between characters in stories within the Sandman universe”. A Pink arrow continues to the next slide /.End ID]

[Image 6 ID: This slide has predetermined answers to the question of “What did you enjoy most in the original series?”. The first directional arrow answers with “LUCIFER!” The original poster recommends Lucifer (2000) that is 75 issues in one volume and Lucifer (2019) in four volumes. Both images of the covers are included with lucifer on the front bent over and then holding a sign. A purple circular character with their mouth open says “Yes this series inspired the Netflix tv show”. A blue arrow answers with “That one John Constantine Cameo”. The cover is included with John Constantine smoking on the front. The original poster recommends John Constantine: Hellblazer (2019) in two volumes. A Red arrow answers “Actually you know what? Give me a better Harry Potter that’s not written by a TERF”. A red circular cartoon character with a bowtie and a pointer recommends Books of Magic (2019). The lead protagonist, Timothy Hunter is on the cover holding a large open tome. The red character says “Based on the 1990 miniseries written by Gaiman of the same name.” A Green arrow and a purple arrow with the options “Gods and Mythos” and “The Dreaming Inhabitants” are included and continue on the next slide /.End ID]

[Image 7 ID: This is a PowerPoint slide that continues to answer the flowchart question of “What did you enjoy most in the original series?”. A Green arrow answers “Gods and Mythos”. The original poster recommends House of Whispers (2019) in three volumes. The cover of the first issue is included where a beautiful black woman stands in and holds up a mirror with a man inside it an a house in the background. The original poster provides a note saying “This one has divine feminine ™, family drama and some great queer representation. If you liked the Gaiman book Anansi boys, you’ll like this story”. A Purple arrow answers the question with “The dreaming inhabitants” which branches into three white arrows. The first arrow leads to the original poster recommending the Dreaming (2019) in three volumes. An image of the cover is visible with Dream and many inhabitants of the dreaming on the front cover spread around him. The author leaves a note saying this series includes “dream hopping. Giant moth baby. Absolute chaos”. A second white arrow leads to the recommendation of The Dreaming: Waking Hours (2021) with one volume. The cover is included and has Dream in the background with Lucien and Merv, and William Shakespeare in the foreground performing on a stage. The original poster leave a note saying that the story includes “Shakespeare, Shakespeare and Shakespeare walk into a bard… grad student pain. mages, nightmare and macbeth.” A third white arrow leads to the recommendation of Nightmare Country (2022) an ongoing series with four issues as of July 2022. The cover is included and shows the Corinthian in an American flag colored mask with his glasses partially removed. The author includes a note saying “The Corinthian gets a spin-off. So do other nightmares. Ongoing.” There is a purple circular character with a smiling face pointing at the Waking Hours cover, and a green circular character standing next to the House of Whispers cover. /.End ID]

[Image 8 ID: The slide is entitled “Congrats! You now have a good idea about where to start and what to read”. Next to this title is a teal circular cartoon that is smiling. The original poster includes a note that says “I could go into so much depth about why you should read it and why its great but its either do that or work on my master’s thesis and only one pays bills and its already 3 a.m. (frowny face).” A white arrow leads to a note that says “TLDR: THE ART IS GOOD, THE CHARCATERS ARE COMPLEX AND VOLUME TEN MADE ME OPENLY WEEP BECAUSE OF HOW GOOD IT WAS. IMACULATE ANTHOLOGY-esque STORY TELLING” a sub footnote says “I like this series so much I paid a guy for an advertisement of a sandman themed chess set that I have framed on my wall cause theres like no merch”. A green circular character that is smiling with a bowtie and pointer is standing next to the “preludes and nocturnes”, and “the dolls house” covers saying “season 1 of the tv show will be covering volumes 1-2 ish”. A picture of Morpheus in a panel with his hand outstretched from the comics is on the slide next to the “graphic design is my passion meme”. A large yellow crying emoji is on the slide with its hands in the air /.End ID]

[cerastes]

If Kroos and Mr. Nothing spotted you from across the room and liked your vibes, would you?

Okay, hypothetical.

Let's say that I, drunk with wanderlust, went exploring the Yanese mountainside. In my trip, I end up finding a house in the middle of my wilderness wandering, and looking to perhaps have a roof over my head this wintry eve, I knock on it, only to get launched headfirst into a mysterious town that gets attacked by ink-like monsters every night, only to return to normal every morning, as if nothing had happened.

Now, let's say I refuse to learn a damn thing from my experiences, because famously, I don't know a fucking thing, and thus engage in sundry timeloop shenanigans. It can be assumed I'll spend quite a while there.

After what feels like a couple of years in which I've come be known as the town freak, but only to the individuals that can actually remember or discern what's going on (a very intrigued Saga, a very confused Dawn, and a very irritated Dusk), I see two new faces and I assume, oh! There's still more to learn about this place! Cool! So I rain check that day's activity (construct large hadron collider from teaware and Bitey organs) in order to acquaint myself with these new faces.

THAT's when Kroos and Mr. Everything use their Scouter to check my vibes, and they find them of a most agreeable disposition and panache. The eyebrow rises, the lips smack, and the invitation is loose like the Nue-slaying arrow.

Quoth the anon, "would you?"

Well, see, Kroos is Kroos, she's pretty much a flawless creature so of course I'm fine there. About Mr. Nothing, well, I'm straight, but also, he looks like that, and it's not gay if it gets retconned, I rationalize, so let's have an unforgettable night that never will have been, come morning. I already did the teahouse story teller and most every farmer, coolie, and shopkeeper, might as well.

Then I wake up and I realize I've been made a member of the Midnight Crew, where's the RETCON. The story teller doesn't look at me in the eye. The bedsheets are less like sheets and more like paleolithic era cave art. Nothing's kung fu cumshot made a hole in the wall and killed a stray Bitey. Kroos pulled out toys in shapes and colors we have no names for but with functions and features I am now intimately acquainted with. The memory of being the patty in a bunny and bird sandwich is seared into my mind's retina. Restraint and protection were helpful suggestions kindly ignored. A pop-up in the corner of my vision reads "Several cutscenes will play in sequence". I have a LOT of unusued skill points and I have no idea where they came from. What was formerly a rustic Yan-style bedroom now looks like the toku quarry.

And that's when I realize: Right.

An executive decision has been taken and I'm about to have lore.

So, "would you?"

Would. But watch out.

[gartenofbanny]

So the first two mins of Hazbin Hotel have been released, and it's pretty mediocre to me. Lucifer is a misunderstood Angel who was banished because uh...he gave the Fruit of Knowledge to Eve, and the fruit was somehow cursed, causing evil to corrupt Earth. As a result, Lilith and Lucifer were banished to Hell. For some reason, Adam is a controlling male, which doesn't make any sense to me, but okay, and while Lucifer didn't like Hell, Lilith actually thrived in it. As a result, Heaven became afraid of how rapidly Hell was growing, and to prevent this, they started killing Sinners yearly.

So there are a couple of problems with this, the main one to me being the first two minutes of the first fucking episode already retconned a major piece of info from the pilot. That being the Exterminations started because Hell was overpopulated.

So now the writers changed it because Heaven is now afraid of Hell's power, and I'm wondering why they're afraid in the first place. They were capable of casting out Lucifer, who is the strongest being in Hell. Why are they afraid of Hell becoming more powerful as time goes on?

And this also raises the question of the Seven Princes of Hell. Where are they??

They were Angels who fought alongside Lucifer, resulting in them all becoming Fallen Angels, but for some reason, they're just not mentioned at all in this backstory. I get that Helluva and Hazbin are different shows, but they're not even hinted at.

This entire video also kinda leads to the idea that Lilith is a true baddie of the show because while Lucifer was wallowing in his self pity, Lilith was actually thriving in Hell and for some reason became a popstar. It's extremely sus that she's actually thriving in Hell while Lucifer isn't.

And my final issue with these first two minutes is Lucifer himself. He's characterized as this outcast who is creative and stuff instead of a prideful Angel who never bowed down to humans.

They removed the Prideful aspect from the Sin of Pride.

So yeah this show is..already a mess and it's already two minutes into the first episode.

[zahri-melitor]

I hate to be that person however:

"Why are Dick and Babs together in comics? They're being forced together!"

Dick Grayson and Barbara Gordon?

Yeah. A mystery.

But I guess, it might have a little something to do with the fact that back in 1995 both Dick and Barbara had returned to be firmly under control of the Bat office.

And in 1996 Chuck Dixon started writing them flirting with each other in Nightwing. And Devin Grayson wrote them having rooftop reminiscences on New Year's Eve where they told each other the same stories every year in DC Holiday Bash II. Which carried through to them flirting in Birds of Prey in 1999, and to having their first proper date on panel in Birds of Prey #8. And then shortly afterwards having them be very cosy in a dating way as Barbara patched Dick up in No Man's Land after he broke out of Blackgate.

And in 2000 we had the Hunt for Oracle crossover where Dick and Dinah had to work together to protect Barbara from Blockbuster's men coming to kill her.

And in 2001 Dick was sleeping over at Barbara's house and Barbara and Dinah had to rescue him when he was kidnapped by Shrike, and Babs was tucking little love notes in his gauntlet. And they had a favourite place to go for drives for a date and eat crab cakes in Joker: Last Laugh.

And in 2002 their contribution to Our Worlds at War involved Barbara and Dick travelling to another world and staking out a situation where they ended up making out by a fire. A lot.

And in 2003 we got Batgirl Year One which firmly retconned Dick and Babs into having dated in their teens.

And they KEPT dating until they officially paused their relationship in early 2004 while Dick's life was burning down around him, but they were STILL looking out for each other and when they officially bilaterally decided to break up with the other in Nightwing #100 and Birds of Prey #76 they left each other practically identical voicemails explaining how they loved the other one too much and their heads weren't in the right place and that it wasn't fair to be dating right now but they were still incredibly important to each other. As is obvious, in Birds of Prey #86 where Dick comes to Babs' house party in Metropolis and apologises and the two just hang out, sitting side by side.

And then in 2006 right as everyone expected Dick to be about to die in Infinite Crisis, Dick proposed to Babs and she accepted, because as I repeat this was written expecting Dick to DIE and even then the last thing they wanted to give him was to make sure that they were together.

And even when the engagement was broken off in 52 due to the rebellion saving Dick and Conner dying instead, Dick and Babs were still ready to drop anything for the other if one of them called, as seen by Dick coming at Babs' call when she faced off against Katrina Armstrong, or Dick taking Babs skydiving for her birthday in Origins and Omens in Nightwing #153. (I repeat, Origins and Omens, a series of shorts that were supposed to be Portending Doom moments or restating a character's background. Dick took Babs on a date)

And then during Reborn even while Dick and Babs were fighting with each other over the best direction for Gotham (and how hopeless the other's protege was) they still found time to get closer again, as seen in The Black Mirror and Birds of Prey #10.

And then it was the New 52 and while Barbara and Dick spent all 5 years of this Officially Not Dating, it was not because they didn't LOVE each other. Oh, no. In between having fond reminiscences of when they dated as teenagers while Robin and Batgirl, they were always checking in on each other, and the other's first phonecall. Babs bitterly mourned Dick's death and their lost future in Batgirl #30. Every time one of them gets out of a relationship they turn around and see the other, only to find THEM in a new relationship. But they're backing each other up and hanging out together and the UST just keeps building.

And then we get Convergence: Nightwing and Oracle in 2015 in a specific continuation of preboot, where Dick and Babs are together again (and basically getting to rerun No Man's Land) and in the face of alien nightmares and the end of the world, again, Dick proposes again and Barbara, after contemplation, accepts and they get married.

And then it's Rebirth and 2016 and Dick and Barbara are still circling around each other and turning up in the other's books for team ups and deep and meaningful conversations, and flashing back to their teens together (Batgirl #14-17 2016), and Dick has to talk seriously with Babs about What They Have Between Them before he has his relationship and pregnancy scare with Shawn Tsang and if either of them were simultaneously single it is obvious that it would very shortly be BACK ON.

(And then I am currently up to mid 2018 on my read and Dick is very shortly about to get head-injuried into being Ric for a while)

However I am aware that in Dark Nights: Death Metal Dick and Barbara get unofficially married again because it's the end of the world and they'd rather be married than not (are you sensing a theme here?).

And in Li'l Gotham, which is largely an adaption-continuation of preboot with some quirks of its own, Dick and Babs are very seriously dating and possibly may be married.

And in Juni Ba's The Boy Wonder Dick and Babs are so together they're discussing the shopping list while crime fighting.

Like, the answer to "why are Dick and Babs dating in Nightwing" is basically "have you read any of the last 28 years of Bat comics?" Because I dunno, but I have read almost every joint appearance of Dick and Babs between 1995 and 2018 so far and let me tell you they are either dating, lusting after each other with a lot of UST, or determinedly explaining to the other why they can't be together at this exact second because [obstacle].

It's not exactly hard up for precedent, folks.

[doccywhomst]

okay so i understand that daleks are one of the main brand icons of doctor who, and that they represent a certain breed of fascist thought that can never be fully stamped out, but. :/

i think im ready for the daleks to die.

daleks have been central to doctor who from the very beginning (the second ever episode, the daleks, and season 2’s the dalek invasion of earth), embodying fear, hate, imperialism, and the darker sides of our own nature - but it seems that, for a while now, their continued existence has been maintained solely by the doctor’s mercy and/or ineptitude ??? which sucks as a theme imo

a great example is remembrance of the daleks, a seventh doctor story from 1988 - yes, the one where the doctor blows up skaro. or, davros fires a device the doctor boobytrapped at skaro’s sun, which goes supernova and destroys every dalek in that region of space. it’s pretty baller. anyway! davros and a few daleks hop in an escape pod and fuck off, and the doctor just lets them. k.

(skaro’s destruction was later ‘corrected’ by widely-detested EDA author john peel in war of the daleks, which is unhyperbolically the worst book i’ve ever read, and thus disregarded! but this heretical text explains that the planet was a decoy named antalin. it’s awful yeah. i tried to warn you)

exhibit b: evolution of the daleks (2007). ten confronts dalek caan, the sole survivor of the cult of skaro, at the top of the empire state building. the daleks have just created and annihilated a slave race of pig people, and it’s horrible to watch. you get the feeling that they’ve done this millions of times all across the universe, because they canonically have. they are inherently imperialist, racist, and genocidal. the doctor knows this.

and the doctor’s response is basically “killing you would mean that I commit genocide, so let’s just hang out and have a conversation.”

dalek caan gets away.

and you’ll never guess where he goes. that’s right! he hops the time lock and grabs davros, who escaped in remembrance of the daleks!!! and they make a bunch of new dalek babies together, out of davros’ gross old flesh. it’s a tentacle fest.

so he was right. killing dalek caan would’ve been a genocide- but because he didn’t, now there are ten thousand genocides. a clear improvement!

exhibit d: victory of the daleks (2010).

after a couple of false starts, the daleks manage to make more daleks after tricking the doctor into confirming their species to open their own device (??? okay sure)- but then they trick him again with a robot scientist bomb that he failed to detect even after talking to the guy, and it’s just like…. fool the doctor once, shame on you, fool them twice? damn, you must be on the merch.

exhibit e: the witch’s familiar (2015).

the iconic ‘only other chair on skaro’ scene where twelve and davros chat on the rebuilt dalek home world - super fun, so fun i forgot how the doctor folded like a house of cards. davros, the genocidal maniac, wants to live another day to see a pretty sunrise, so the doctor *checks notes* gives him some artron energy? that can’t be right, wh- oh- oh, but it’s fine because it affects all daleks, and through some contrived science magic, they all ‘learn the concept of mercy.’ on accident.

and it changed nothing. later stories retcon this. i’m too tired to even think about resolution, revolution, or eve of the daleks right now, but those episodes only further cemented my malaise regarding the doctor’s apparent complacency.

again and again, the daleks depend on the doctor’s mercy, and they get it, and they WIN- and it feels like the moral is that they should be eliminated like an unthinking, unfeeling virus, but the doctor is just too compassionate or inept for the job. certainly not the first doctor to lose to a virus, but perhaps the first to do so willingly.

beyond a loss in revenue, i can’t imagine why the doctor couldn’t destroy the daleks, or why they wouldn’t want to - there was a point when, allegedly, “the time lord’s continuity could not survive without the daleks” (“neverland” audio), but i think the weight and relevance of that harry potter type threat has long since passed.

so… it might be time to put the daleks away, for now. sure, they can come back as a concession to the persistence of fascist ideology, but watching the doctor lose or win to fascism for seemingly arbitrary (always sentimental) reasons isn’t really satisfying. the show addresses that daleks cause untold suffering, but again and again the only obstacle to no suffering is the doctor, who can’t get their shit together! it’s killing me.

[powerpuffobsession]

It's been a while since that interview where Vivziepop said some vague things about killing off characters and wishing she spend more time with Adam. Instead of saying directly - "Adam will come back", or "Adam won't come back". There is no knowing what to make of it until we see the actual future seasons. Vivzie sounds like she's avoiding spoilers

And I'm kinda tired of people already jumping to negative conclusions and shoving them down the throats of anyone who hopes for Adam returning, all the while calling Adam irredeemable and saying he has no purpose in the plot anymore

Here are my thoughts about those points:

The fact that the fandom still goes on with "Adam is an irredeemable monster because he genocided defenseless sinners and enjoyed it", shows how much hazbin howl sucks at not sugarcoating it's setting and Charlie's radical ideas of forcing criminals into heaven

Like... boo hooo, poor little defenseless rapists, pedos, murderers, nazis, bullies, drug dealers, violent drug addicts, scammers, and other people anyone would normally be happy to see get hurt or die because they have hurt other people? Let me play the wold's smallest violin in their honor

Adam did the right thing and he had the right to enjpy murdering sinners, fight me about it

His actual sin is that he wasn't picky enough about who he was going after and that he attacked Charlie who is innocent

But you know what? We are literally being shown that decent people in hell are VERY few and rare. The majority is just a crowd of psychopaths who actively tell Charlie to f off with redemption

And if you spend your afterlife living in heaven, of course you are going to think that all of hell's population is dangerous

However, Adam has a potential to get redeemed if he interacts with Charlie in a more grounded way and learns that she's not dangerous, despite being a daughter of two people who stabbed him in the back. Sins of parents are not a child's sins, and Charlie's life has a big worth. As well as lifes of more decent sinners who make an effort, like Angel, Vaggie, Husk and sir Pentious

Through Adam other characters can be developed. There are a lot of them who have connections to Adam - Charlie, Lucifer, Lilith, Eve, Emily, Sera, etc... Showing flashbacks just won't be the same as having Adam himself in the plot

And do not get me started on how bringing Adam back is not logical and ruins the cartoon's quality. I've got a lot of not pretty things to say about hazbin hotel's "logic"... There are already a bunch of plot holes and lazily slapped on character changes. Finding a way for Adam to return won't be hard

Have you seen the way Stolitz and Sir Pentious, for example, ended up, compared to what they were claimed to be at the start of the series? Or the way fan theory about Vaggie being an exterminator suddenly got added into canon last minute after she had been a moth sinner for so many years and lot of people got used to it? I won't be surprised if Vivziepop will actually retcon the lore or come up with something to resurrect Adam

Maybe, "if a soul of a redeemed sinner gets into heaven, which is a rare occasion and didn't happen before the events of hazbin hotel, - the dividing system finds a sinful angel soul to take their place in hell". There you go. The lore about angelic blade murdering for good still stands, but now there is a loophole for Adam specifically to be lucky enough to survive

[flower-boi16]

vox is gonna be a major antagonist? Really the fucking Vees? Not the vengeful angel that has motivation to destroy the hotel and kill everyone and has a fucking army of powerful exterminators and Lilith/eve, but the stupid annoying tv head that motivated by beating his dumb rivals and being number 1? Along the ride he was a boring British woman who doesn’t do shit and a rapist pimp? The main cast is comprised of two of the most powerful being in hell the king and princess, an ex-exterminator who was the top best killer, and they have connections to other powerful overlords like Carmella and Rosie. I cant wait for retcons and asspulls from the writers to justify why vox is a threat and why Angel is still working for Valentino? There’s literally no reason why Angel has to work for him other than more rape fetish mv

I have no idea why Viv thought that making the Vees antagonists was a good idea. From a narrative perspective it makes a lot more sense to have Lute be the main antagonist, not Vox, the stakes are just going backwards at this point.

I really don't even know what the story season 2 is going to be...?

There could actually be a decent direction to take which is Lute deciding to overthrow Sera and take over Heaven, leading a full war onto all of hell killing everyone there and Charlie has to help dethrone Lute from the throne and help Sera and Emily reclaim Heaven...which would be a very badass idea for a finale that I would absolutely watch.

That being said, I don't think that's the direction Season 2 is gonna go in since Vox is the main antagonist here, and with Vox in as an antagonist there isn't really any room for much of a plot this season without it just meandering around until the finale.

My point is; Season 2 is most likely just not going to have a plot. It's going to be a bunch of side stories with no real narrative attatched to it, that is what my expectation is because there isn't much potiential to make Vox as the main antagonist. Mind you, I think Vox is a good character but he just doesn't feel like the natural next step the show should take.

Lute should be the main antagonist for Season 2, she works a lot better as the antagonist compared to Vox no matter how one-dimensional she is. Maybe their trying to make Season 2 as a sort of break season where there isn't much of a major conflict and is mostly focused on character driven episodes, which would be fine if that wasn't litteraly what the first season was trying to be and should have been.

This structering is just bad, the vees should have been the antagonists for Season 1, Adam for Season 2, and Lute for Season 3 and whatever other villian they have planned for Season 4 and beyond. Adam could work as a Season 1 villian but you really shoulden't follow him up with Vox as the next antagonist. While I'm fine Adam as Season 1's villian, I do agree that with the strict episode limit they have the vees would have worked better as antagonists for Season 1, and then they move onto Adam in Season 2, if Viv really wanted them to be major antagonists rather than minor recurring villians.

Hazbin's stuctering is just very questionable at many points and I really think Season 2 is just going to be meandering a lot of the time with no real plot.

I could be wrong, but we'll see.

[justaravingwritingdesk]

Is it just me, or is 2024 is turning out to be a really crazy year for fandoms? Because there's so many new reveals and retcons in the manga and anime I'm watching...

Here's my top 3, from last to first:

My Hero Academia: The longstanding fanon background that All For One forced Decay on Shigaraki Tomura (aka Shimura Tenko) and set him up to kill his family is now canon. What's next, Dad for One? (Eh, probably not. Should we jinx it?) Evillious Chronicles: Apparently, Michaela was the one who led Eve to kidnapping of Hansel and Gretel and potentially the murder of Meta. So now Ney can say her killing Michaela was karma and revenge. Detective Conan/Magic Kaito: Kudou Yusaku and Kuroba Toichi are brothers. That means Kudou Shinichi and Kuroba Kaito are cousins. It's official: KaiShin is now incest. Fandom riot ensues.

2023 Bonus:

Owari no Seraph: Yuuichiro is Mikaela, and Mikaela is Yu. Identity crisis, anyone? These two are just rolling with it, tho.

[got-into-worm-by-mistake]

The first idea for a Worm fanfic that I had, before I even started reading Worm (remember, my entry into Worm was reading about Worm and the controversy about Amy in Ward and yada yada), but while I was reading Worm Fanfic, was an Amy Dallon Peggy Sue fic, but one a bit different from the small handful that I'd found and that hadn't lasted long.

Namely, I wanted one where after the end of Worm (i.e. after restoring Vicky's body and mind, or at least as much as she could, unwretching her, etc) Amy actually does leave Vicky alone, apart from a handful of times where they might accidentally end up in the same space during hero crises in the years after Gold Morning, etc. Eventually Amy moves extra far away from Vicky to reduce those chances.

The actual story opens with Amy on the eve of her 30th birthday. She's had a metric ton of Therapy, though she's hardly some perfectly functional person. She heals for a living, but to satisfy Shaper she has a whole greenhouse of modified plants and she only heals like 2-3 hours a day, barring emergencies. (Also, it's easier to do a task you hate - like healing - if you're getting paid a substantive wage for it, lbr). Anyway, Amy knows Vicky has ever right to not forgive her, given the mind influence and the rape (remember, hadn't read Worm at this point when the idea formed in my mind) and the wretching and stuff, but she can't help but want for her and Vicky to be able to be sisters again. She just doesn't act on that.

And then like, she opens an envelope as she walks into her home and it's an old picture from an old newspaper of Vicky and Amy as Glory Girl and Panacea from some publicity thing and she expresses some wish about if she could do it all again...

And then the next day, wakes up in her younger body, in her room at the Dallon house, back in 2011... the day after the Bank (i.e. the day the Undersiders face Bakuda at the storage place). Obviously at first it's a dream or a nightmare to her, etc etc, she's conflicted when she realizes it's real because now she can be sisters with Vicky again and make sure she never hurts her like she did but she still carries around all the guilt about what she did and feels like she believes she doesn't deserve to have that relationship with past Vicky (I have this whole vision of an early scene from Vicky's POV where she hears Amy going 'no, no, no, no' in her room - which is Amy realizing this isn't a dream and she's freaking out - and then Vicky, worried for Amy bursts in, breaking the door, Aura going wild and Amy feels fear (because the few times she and Vicky interacted after she dewretched her had Amy feeling fear from Vicky's aura) and Vicky realizes Amy is afraid of her, which of course makes Vicky wonder wtf is going on.

Anyway, cue Amy having to try and help save the world and prevent some of the shit that happens to Brockton Bay while only knowing some of what happened, so her ability to make things go better is limited. And wanting to maybe not have as many people die when they beat Scion this time and also maybe Taylor doesn't die, etc. Of course once she starts changing stuff unintended consequences, etc, etc.

And like, key to this fic would be all the guilt Amy carries around about raping Vicky.

And while I knew that the 'Amy raped Vicky' reading of the story was controversial and seen as a retcon by some, I wanted to work with it for this specific fic because it seemed like it would allow some really cool pathos and angst and dramatic reveals and stuff.

But having read 15.x now, I sit here and like - I cannot for the life of me see how to construct a chronicle of events using what we know of what happened where Amy's rape of Vicky actually works and makes sense and feels like something the character actually does.

15.x just... no. There's nothing there to work with.

Which kind of kills the entire idea as I conceived of it, since a key scene I had in mind did involve Amy trying to explain what happened to past Vicky - not giving excuses at all, just laying out what happened to get from point A (OG Amy as of the start of Worm) to point B (The girl who raped her sister)

(I have this vision in mind where Vicky is interrogating Amy trying to figure out what is going on with her [including an accusation of Amy being a stranger], eventually Amy mentions the 'I'm from the future' but Vicky's like 'why are you afraid of me and won't let me hug you and stuff' and Amy's like 'future you hates me for good reason' Vicky demands to know why, Amy, in a fit of high emotion and guilt and so forth screams 'I RAPED YOU!' and after bluescreening for a moment Vicky goes 'wait, so future me hates you because some sick, twisted Master controlled you and forced you to-' because of course Vicky of that point in time can't conceive of Amy ever doing that to her of her own free will and Amy is like 'No, no, you don't get to do that, I did that to myself too much in the past, but it's not true, as much as I might wish it was' or something)

But like, having read 15.x I try to imagine that scene now, Amy explaining the train of events from Bonesaw to Wretching and... I just can't quite figure out how it works.

I mean, if I ever write this and get that far, I can probably try to construct something (if I do write this, it won't be the first Wormfic I write) but like, when the idea first came to me, I knew that there was enough ambiguity in the text that large swaths of the readership genuinely didn't walk away from Worm thinking an actual physical sexual rape happened, but I figured there was something to work with, and there just really isn't.

[doctoratecuddles]

I *will* say the Sly being Okay with it was part of lore for a Long While with what I’ve seen in the discord but I think Evelyn could like. Settle down with it. Like. Out of 10 on the sliding scale of shitty she’s somewhere from 5 to 8. She could deal with being a 3, a 2, a 1, maybe a 0. or something. Idk. Idk

So why was important, retconning character information locked behind a free Discord server?? I get it if it was like a Patreon Discord but it wasn't?? KC make sense challenge. Eve is lowkey such a brat. easily an 8 on the out of 10 shitty list, she only doesn't get a ten because:

- She didn't kill anyone - She didn't cause too serious bodily harm And yet we're supposed to baby her, mind you.

[mk-wizard]

Top 15 Games that SHOULD get a 100% Reboot/Restart

Hi. I felt like doing something positive especially after my last post, so as a follow up, here is a list of games that I think should get the reboot treatment. And when I say reboot, I don’t just mean remake with fancier graphics and bonus features. I mean restart altogether with fresh new storylines that go their own way though in some specific cases, all they need is a new look. Note that this is my subjective opinion and nobody here has to agree with it. It’s just a fun suggestion.

1- Metal Gear - I don’t mean Metal Gear Solid, I mean Metal Gear in general. In fact, I think the “Solid” should be retconned entirely because it not only stopped being about Solid Snake who is the hero, he was done dirty with a pathetic ending and the only sequels we get now are prequels. Not to mention the constant drama and tragedy became nauseating. My advice is to restart from the beginning by rebooting the games that date back to the NES as are with better writing and then after that, only do a half-reboot of Metal Gear Solid and then go its own way while respecting Snake as a main character. Solid Snake is a staple in war themed games and set the standard of how we create them. He should REMAIN the main character and have his endings always remain open with him still standing with dignity.

2- Dino Crisis - I don’t think I need to say much here. Everyone is dying to see this game get remade and it’s not hard to see why. With the exception of the third game and the spin off, Dino Crisis 1 and 2 are amazing. They are dinosaur themed games that actually feel like survivor horror games and not like shooter games with the dinosaur gimmick. This series deserved a reboot and a third game that gives it proper closure.

3- Parasite Eve - Like Metal Gear, this series did dirty to its main character (Aya Brea) in such a way that they wrote themselves into a corner. Only the first game feels unique and special while the second and third instalments have an identity crisis, a confusing weapons and spell system, and a tank control that never belonged. Only the first game should stay as is with a simple remake and then, its sequels should actually be true sequels that keep the battle, spell and control system as are. Let’s just forget that PE2 and The Third Birthday ever happened.

4- Silent Hill - Let’s be honest. Harry Mason is the most underrated male protagonist in survivor horror because unlike all the others, he is not a man of action, not a badass and very relatable for it. He is a widower, a writer, a pacifist and one heck of a dad who literally jumped into the underworld to save his daughter. Now, while I like a lot of the sequels, this series lost its way. With the exception of Silent Hill 2, I think Harry and his daughter should have remained the main protagonists of the series. Harry is proof that real men come in all flavors and having one like him is different while still showing the best attributes of masculinity.

PS: I know Silent Hill 1 got a reboot, but it was bad. Period.

5- Turok - Before there was Dino Crisis (and I’m not discrediting it), there was Turok. The titular hero who might I also add is aboriginal which is a very underrepresented group in fiction period who literally kills dinosaurs with his bare hands. He is a badass and he while he has gotten reboots before, none of them hit the mark yet, but creators should not give up on him. He is worth the effort and if they keep trying, they will strike gold.

6- Castlevania - This series is ICONIC and nobody ever gets tired of it. It should make a comeback and it is one of the few series where being 3D would make it better. And considering that medieval settings in video games is all the rage now, it would be great to see Simon Belmont back in action. Heck, I would even be open to seeing a Belmont fighting evil in our modern times in 3D.

7- The Legend of Zelda: The Ocarina of Time - Now, I stand by that this series doesn’t need a reboot, I think this game specifically should get a remake because it is a great game that reshaped the series into how we know and love it now, but it was very buggy and the graphics were not that great even for their time. Everything else about it is great, but it does need a facelift.

8- Prototype - A forgotten gem if there ever was one. This series is unique in that it is the one game where you play as the monster who is also an anti-hero. Yet again, its series did its main character (Alex Mercer) dirty though on top of that, left too many questions unanswered. This series needs a reboot with a much better storyline. If you haven’t seen it, play the first game and you’ll see my point.

9- Tomb Raider - Now, we can all agree that this series has lost its way. While I am all for origin stories and I admit it makes sense for Lara Croft to not be hardened or toughened up from the start. Keeping her as a weak frightened girl doesn’t make her realistic nor does it make her a likeable heroine. And I am woman enough to admit that being athletic, confident, daring and badass is a part of Lara Croft’s character. I don’t want her to be realistic. I want her to be cool and fun to play. This series needs to go back to its roots when it was fun and Lara was allowed to shamelessly be herself.

10- Dead Rising - Another case of a game losing its way and its main protagonist becomes someone they’re not. The second instalment was the only game that felt true to what the series is supposed to be and even then, it felt like a spinoff not a part of the main story because Dead Rising is Frank West’s story. Another thing that also stood out about this game is that unlike most zombie themed games, the main character is not only not a fighter, he’s a total lover in all the great ways. Frank is (or rather, was) compassionate, honest and it isn’t for nothing that you only got the best ending when you would save everyone. Heck, he would save people who tried to kill him. This series should get a total reboot and a total rewrite after game 1. And can we please not give Frank a heart of stone? Him being loving is what made him great.

11- ObsCure - Another lost gem with a unique premise and group of protagonists. This game plays up our childhood fear of the dark because the monsters in this game literally are allergic to the light and the setting is in a highschool. It feels like Scream meets the Blair Witch Project making it a lot of fun, and the monsters are so delightfully creepy. Plus, the story was compelling. Sadly this series only got one sequel which was actually great, but never got that third instalment that would wrap everything up. I say we give this series a reboot, so it can finally finish what it started.

12- Resident Evil Outbreak - I know this is a spinoff series, but it’s one of the best in the series. It fills in a lot of gaps in the main storyline and any game that allows you to have your own tyrant fighting alongside you is awesome. It also has a multiple ending system which was well done and very rewarding when you get the best ending. I think this should get the reboot treatment and even have a third game that expands the aftermath further.

13- Resident Evil Dead Aim - Another one of the best spinoffs in the RE series because it expands the story specifically in how tyrants are made and how the variants work. And to be honest, I even liked the characters. I would love see new life breathed into this compelling game even if it just remains the only one of its kind.

14- Days Gone - I don’t care what anyone says. Any game that allows to play a biker with the spirit of an honourable warrior is badass. Also, can we talk about how this is one of the few games where the main protagonist is married and remains loyal to his wife even long after?! He may be white, male, straight and Christian, but he is still pretty progressive and embodies the BEST part of masculinity. The parts that drive a man to be romantic, noble and heroic. This game with extremely misjudged to the point of bigotry and it deserves a proper reintroduction because it was going places.

15- Half-Life - This series helped Valve get its jump start and it had the most unique and most iffy type of protagonist in an action/sci-fi game possible yet worked: a scientist. After all, who expect the skinny nerd with the big thick glasses to save the day? Yet, it worked and this game has tons of monsters that became iconic in video game lore. What’s really sad is that a third game was in works, but never saw the light of day. I say we reboot this series and give it the chance to honour its promise to give that third game at long last.

Bonus - Other honourable mentions here are Left 4 Dead because Back 4 Blood stinks, Alone in the Dark though I hear a reboot is in the works, Doom, Devil May Cry and the right way please, Bloody Roar, The Suffering, Fatal Frame, The Evil Within and any other fantastic game series that either went bad due to bad sequels or never got the chance to keep going.

[woltourney]

ROUND 3 / SIDE A / POLL 1

Kasha Sho (@r04ch-ships) v. Posey (@motley-ember) v. Eleutherios (@trans-estinien)

Kasha Sho:

q. What is your WoL name and pronouns? a. Kasha Sho, They/She (trans queen)

q. What is your WoL's species? a. Au’Ra Raen

q. What is your WoL's class? Or classes? a. Gunbreaker + Monk

q. What data centre/server are you on, if you want people to find you? a. Crystal Malboro <3

q. Tell us a bit about your WoL! a. I want to preface this by saying I made Kasha’s lore before I knew about the Yda/Lyse thing. Im not retconning because Kasha is better than her anyways 🙄 /hj Kasha was raised in Doma on a small farm! She had a younger brother and an older sister, her older sisters name was Kasha and she was killed by an unknown group. My wol then took their sisters name and fled to Eorzea on a refugee boat. She landed in Ul’dah and started from there! Kasha is VERY aggressive, mean, and insulting. She does not know basic manners and will speak her mind freely. Eats with their hands and also eats ANYTHING… Kasha doesnt like being the WoL, but continues this role because if she wont then who will? They’re very loud and boisterous and confident. Will fight anyone and everyone. She has 97 mental illnesses and is banned from most countries. She doesnt know how to read and is an overall idiot but shes doing her best leave that little guy alone Shes also 6ft tall and buff as SHIT

q. Why should YOU win? (Answer IC!) a. I WILL WIN because Im the best fighter out here and I will CRUSH THE BONES OF MY- this isn’t an actual fight? … Um 😶 I would TOTALLY win a real fight. Just so you know.

Posey:

q. What is your WoL name and pronouns? a. Posey, he/him!

q. What is your WoL's species? a. Hrothgar

q. What is your WoL's class? Or classes? a. Paladin! (Additional note from submitter: Culinarian)

q. What data centre/server are you on, if you want people to find you? a. Phoenix

q. Tell us a bit about your WoL! a. Posey is a big softie and massive himbo who loves cooking, but loves his friends even more. He was trained by his grandmother in the art of the blade, and enjoys using all of his skills for the good of the world! The food that he makes is said to be better than what is served to the Sultana in the royal palace.

q. Why should YOU win? (Answer IC!) a. I don't really care if I win, but I thought this was a good way to make new friends! My Baba said that I should put myself out there more!

q. Anything else you wanna add? a. He's gay and he has a pet teacup pig. He WILL try and become friends with anyone and everyone.

Eleutherios:

q. What is your WoL name and pronouns? a. Eleutherios, He/Him

q. What is your WoL's species? a. Unsundered Ancient

q. What is your WoL's class? Or classes? a. Currently (as of 5.3 onwards) Eleutherios' main job is Dark Knight

q. What data centre/server are you on, if you want people to find you? a. Eleutherios Azem on Sargatanas, Aether!

q. Tell us a bit about your WoL! a. Have you ever thought "Huh, I wonder how the story of Final Fantasy XIV would change if Azem was never sundered?" WELL DO I HAVE THE WARRIOR OF LIGHT FOR YOU! Introducing Eleutherios! The lovable Azem who spent his days travelling Etheirys, caring for its people, and annoying the Convocation. Until everything fell apart, of course. On the eve of the Sundering, he denounced both the Convocation and Venat, choosing to find his own path to end the Final Days. Paths that didn't involve summoning gods or killing half of the star's population and then some. But Venat and the others had chosen their courses, and fate had been set. Now, Eleutherios should have died when Hydaelyn broke the world. But he did not. Why? Well, because of the timeline splitting in two. When? When a traveller from the future arrived in Elpis to learn the truth of the Final Days, of course. This traveller? Eleutherios himself. Hydaelyn had spared him from Her spell, making him Her chosen, in the same vein as the Unsundered Ascians being chosen to carry out Zodiark's will. Eleutherios believed the Ascians' plan to restore the world to what it once was foolish. Their people were dead. Nothing can fix that. They just have to push forward and make the best of the future they've been given. But his fellow Unsundered couldn't see this, trapped in their ideals of what the star should be. They needed to see it for what it is. But how could he expect the Convocation to do that, when the only one of them who ever seemed to care about the individual lives of the people was him? So someone has to fight for the new life springing up across the star. And thus began his great work. He's risen up to be the Warrior of Light countless times, over and over, for eons. With each Rejoining marking another failure. Time and time again he had to watch as everything he fought for was reduced to ash. Once, twice, seventh. It seemingly never ended. But what choice did he have? If he didn't fight against the Ascians, he was practically working for them by letting them get away with these atrocities. And so he carries onward as he's always done. But unbeknownst to him, this time was different. This time he meets the Scions of the Seventh Dawn. This time he travels to another Shard and manages to prevent a Rejoining. This time he isn't alone to face the second Final Days. This time, everything will finally be ok.

q. Why should YOU win? (Answer IC!) a. "Well, I'll be honest with you, I don't mind if I win or not. I just like participating and getting to know everyone! Oh, and I'll promise I'll hold back, for their sake. Though if they're Warriors of Light I'm sure they'll all hold up just fine! But if you want a serious answer about why I specifically should win, then…" [Eleutherios takes a moment to think.] "I should win based off of the fact that I have eons more experience in this whole 'Warrior of Light' business than the rest of them do. I've been at it since the Sundering! Not to say that my many, many years of experience is needed to be a Warrior of Light, or that I'm better than the rest, which couldn't be further from the truth. I think we all stand equal, sundered or not."

q. Anything else you wanna add? a. I have so much more lore for Eleutherios and I had to cut down this introductory essay by a LOT. I'm currently working on an extended version which covers ALL of his lore. If you want more Eleutherios content just send me an ask on tumblr, or scroll through the [#eleutherios (azem)] and [#unsundered azem au] tags! I'm always happy to talk about him!!

[yuikomorii]

Greetings, I come with late night ramblings abt diabolik lovers. Big fan of your blog, I really like the side of the fandom which discusses the characters

Sometimes i wonder what it was like for the mukami bros to turn into vampires. Since vampires look so similar to humans the fact that they are a different species really slips my mind sometimes.....

So sometimes I find myself wondering what that psychological shift was like. The mukami bros were all pretty young and had grudges against humans in some way when they were turned, so parting with their humanity wasn't on their minds I think lol.

But despite spending lot of their childhood/puberty around vampires they still do act a lot more human like than the sakamakis. Granted, the sakamakis def have a lot trauma that compromises their ability to have any type of healthy relationship. But characters like ayato suggest that vampires aren't inherently incapable of the more "human" emotions (don't rlly know a good word for it mb).

I do remember ruki saying somewhere that because he is weak he stays with his family (not the only reason ofc, but having to band together/find strength in numbers to survive is a very human-like thing), yet he and his bros abandoned being human/ hold some level of resentment for humanity.

Anyways all that to say the mukami bros have an interesting relationship with their "humanity" and I'm overanalyzing characters in an otome game of which the lore is constantly retconned. Complicating this is the fact that we don't have a "average" or "normal" vampire to compare with

Also reject totally missed an opportunity to make a character that didn't want to be turned into a vampire, and had to struggle with the changes.

// Hello, thank you for enjoying my blog!<3

Hmm… If the person who becomes a vampire is kind-hearted and mentally stable enough to avoid wishing revenge upon someone or using their newfound vampire status as an excuse to treat people badly, I sincerely doubt that the psychological transition from human to vampire would hit that hard. Trauma caused the Mukami brothers to develop such a vicious nature, exactly like Yui in HDB did at one point when, as a result of being mentally broken, she started killing people in an After story. While pure-blood vampires do have their own set of morals and they obviously need blood to survive, I wouldn’t say they are inherently evil, taking into account that in LP and VC, some vampires were nice to Yui and the Diaboys. They are indeed predators, that’s something they can’t control no matter how much they try, but not all of them are malicious.

The Mukamis got rid of their humanity but they still kept acting like humans around one another because, after all, that’s how they were initially accustomed to. As for the Sakamakis… due to trauma as well, they were pretty twisted since childhood. I mean, most of them were the main cause something bad happened to any of their brothers in the past, therefore it’s to be expected that their relationship is not a healthy one. However, vampires are actually capable of experiencing human emotions, and Ayato is the living example of this given that he is confirmed as being the most human-like out of all due to the fact that he was already capable of displaying these emotions prior to meeting Yui (for example: wanting to sacrifice himself for his brothers, ruining Karl’s blue rose so as Cordelia wouldn’t get sad, crying when Cordelia died and, most importantly, valuing his life). Additionally, a vampire will begin to experience human emotions the more Eve's blood he consumes, so... that's basically part of the plan, according to what Karl said in Ayato’s DF route.

I wouldn't say the Mukamis hate humans; they held a grudge against aristocrats, but not humans in general, because they only see them as an inferior species. As for Ruki, the reason he would feel weak without his family isn’t only due to banding together or finding strength in number but rather it’s about them as his emotional support. Kou, Yuma, Azusa respect, praise and accept Ruki with all his qualities and flaws, therefore feeling needed and appreciated is actually what makes Ruki strong.

[princesssarisa]

Billy Butcherson for the character ask

Favorite thing about them: That despite being a creepy-looking zombie, he turns out to be a good guy who helps the kids instead of the witches.

Least favorite thing about them: That he allegedly cheated on Winifred when he was alive. It didn't justify her killing him, but it was still a bad thing to do. I think I like the sequel's retcon that they were never really in a relationship, they just shared one kiss as children that led to a one-sided obsession on her part, so his fling with Sarah wasn't really "cheating" at all.

Three things I have in common with them:

*I have dark hair.

*I sometimes do impulsive things I shouldn't (as he did when he gave in to Sarah's charms despite Winifred's jealousy).

*I tend to be active on Halloween.

Three things I don't have in common with them:

*I've never been romantically involved with witches.

*I've never had my mouth sewn shut.

*I'm not undead.

Favorite line: His string of insults to Winifred after his mouth is freed:

"Wench! Trollop! You buck-toothed, mop-riding firefly from hell!... I've waited centuries to say that."

(Apparently, the original script just had him call her "Bitch!" but Doug Jones didn't want to swear onscreen because of his religious beliefs, so he improvised the above, which is much funnier.)

brOTP: None in particular; he just wants to go back to the grave.

OTP: None

nOTP: Winifred.

Random headcanon: If Winifred hadn't resurrected him as a zombie, he would have come back as a ghost (since on All Hallows' Eve the dead can do that) and helped the kids anyway.

Unpopular opinion: I don't think I have one.

Song I associate with them: None in particular; the Sandersons are the musical characters in this movie.

Favorite picture of them: