#kill la kill analysis

[cyphyree]

Kill La Kill - Fight Club episode is also about conditional love and it kills me, man

The first time i watched it, I thought that Ryuko was being selfish for wanting to step down. She puts Mako in the president position to begin with, and dissolving the club meant that the family goes back to poverty. Like, girl, you're fighting everyone to begin with, why stop now?

Later on tho, I realize that what was actually happening was that the family was exploiting her. Mako works hard as an exec of the club yes, but Ryuko's the one who's actually fighting and taking all the hard hits (literally) for them, so that they can live in overkill Top 1% luxury. She wasn't a family member anymore, but a tool to be used for the gain of others, and discarded when no longer useful. For Ryuko, love is conditional, and she just cannot meet those conditions.

Which is the struggle Ryuko is faced with her entire life, the entire show. Ryuko couldn't figure out why no one wanted her--she was carted off to boarding school by her dad and bullied by peers. She struggles with finding innate value in herself, yearning for family and friends who will accept her as she is. Even in the haha funny filler episode 4, Ryuko's would-be friend Maiko has only been using her to get to Senketsu.

The fact that Ryuko is half-Life Fiber is devastating because Life Fibers are either insentient tools or the enemy to cull. The entire show, she was treated as a tool or an enemy, and now there's indisputable, irreparable reason for her to be treated as such. There's no reason to love someone who's half-monster like her, and Ragyo exploits this by "fully embracing" Ryuko for "all" that she is. But in reality Ragyo seeks to effectively kill off the human side of Ryuko -- again, discarding what's useless.

Thus in the Wedding, Mako tells Ryuko to choose what she wants: to love and be herself, or to kill Ryuko off for good and assimilate into the Life Fibers. It's during the Wedding, that Ryuko realizes that, whatever she is, there is someone who unconditionally loves her -- not as a tool, but as herself.

Kill La Kill is about loving your body, but also loving yourself in your entirety. It's about breaking free of toxic expectations, and living a life of your choice, wearing the clothes (or not) that you want, you being you, and being loved for it all the same.

[kacievvbbbb]

At its core the most important relationship arc in Avatar the last air bender is the one between Zuko and Aang honestly if you can’t see that then I don’t think we watched the same show.

Aang and Zuko are the true Yin and Yang in the show the push and pull. Fire and Air right down to their personalities.

It is both of them that have to go on the journey of learning that fire is more than just destruction can be used for more than just to hurt.

And that right there is the point it doesn’t matter if Aang defeats Ozai and they bring the fire nation to heel. Without a character like Zuko the fire nation would be lost forever to distrust and unrest, balance would never be reached. Because despite everything they have done all the damage they have wreaked the world still needs the fire nation and to work with the fire nation they need to know that fire can do more than hurt. And who best to show them than a prince who’s been burned himself?

The war started with the fire nation attacking the air nomads in a bid for control and it will end with the fire lord embracing an air nomad and taking ownership of his nations actions. You must first close a book before you can start a new one.

Aang needed Zuko just as Zuko needed him because to get peace a true lasting peace you can’t just cut off the head of a snake you have to change its mind. The world already lost the air nomads the balance is already precarious, it cannot afford to lose the fire nation too.

Afterall Air can snuff out a flame and it can also fan them. But when the two elements are balanced one existing in peace with the other it can also make a warm hearth for the home.

[ladyofthebookcase]

i need to yap about cultural nudity in nine sols NOW. context for new followers is that i watched kill la kill this summer and really enjoyed it and the commentary it made on nudity and the desexualization of the naked body. not sure how i want to structure this so i'll just kind of block it out based on the three main characters that are relevant to this. also when i say "the text" i mean the game of nine sols as a piece of media, like how english majors would refer to the book or movie they're studying. im not an english major but i could be.

goumang: my initial reaction to seeing her was to be like "huh she's not wearing any pants that's weird", followed by "well that's probably normal for solarians, they're cat people after all so it's probably less of a big deal in their culture" and then i just didn't care about it for like the rest of the game until i replayed it and got to her again and went "oh that's right, no one else has their pussy out like that. i guess that's just a goumang thing?" and, while i think it IS probably just a goumang thing to some extent (see the post about her being pussy out because of furgonomics basically/it's comfortable for her bird legs), an interesting thing to note here is yi's complete lack of reaction to it. goumang doesn't interact with any other characters in this outfit (the jiangshi don't count cus they can say like 2 words ok), and it could be argued that yi simply has bigger priorities/is not into women, but i do think it's notable nonetheless that literally zero acknowledgement is made to the fact that goumang is just walking around pussy out. not even non-diagetic elements interact with that at all; she's never censored in her manga cutscenes or posed in a way that either hides or exposes her. what this means is that her nudity isn't really treated like nudity. the text completely ignores it! now, we also know from a dev comment that solarians are matriarchal, which i think definitely ties into the different treatment of goumang and jiequan in this regard (i.e. why he's censored and she's not, from an in-world perspective, probably is similar to the way "women's" chests are censored in our world, although non-diagetically we know why he's censored lmao.)

jiequan: ok hmm. i'm no jiegolar, so i'm open to input on this one, but the element here i find significant is that jiequan is seen interacting with another person (aside from yi) while being naked. the fact that ji is hidden behind a screen is most likely just to obscure their identity (specifically his tall form) from the viewer, since they don't seem to have a problem also going around essentially pussy out the entire game; this is to say, it's not because jiequan is naked. i will say that the jiequan naked scenes have quite a different Vibe than the goumang and lady e scenes (no seriouesly why is that one cutscene so sexually charged help) but i think it's reasonable to chalk that up to 1) jiequan is a freak and 2) he's obsessed with yi so that changes the overall vibe of their interactions as opposed to, say, goumang. yeah i don't really know what i'm saying on this topic i don't have enough jiequan brainrot experience for this really. it does kind of give the vibe of like an emperor chilling in the nude in his palace and he's allowed to do that because he's the emperor though.

hm. yeah let's move onto something i've thought a bit more about.

lady ethereal: now THIS is really interesting to me for a few reasons, the first of which being that yeah, she's hot, and the game treats her as such! and yet at the same time it doesn't oversexualise her, or portray her as attractive at the expense of her personality. in fact, once again yi makes zero acknowledgement of her nudity-- his focus is on her, and that something strange is happening to her. yi also shows no discomfort or shame about entering the hot spring-- there's no "wait, you want me to get naked?!?!?!" moment that some media might have had, and i think that's really good not only because im a sucker for different cultural and hypothetical-cultural interpretations of nonsexual nudity, but also because a moment like that would have been cheesy and annoying and made the scene less serious. the focus of that scene ISN'T that the hot lynx woman is hot, it's that there is something mentally wrong with the hot lynx woman. the fact that these scenes take place at a hot spring without the text ever interacting with the nudity of the characters is to me a really strong argument for the idea that nudity is fairly normal and definitely not inherently sexual for solarians. the idea that it is inherently sexual is a very historically recent and western thing anyway and maybe i just haven't consumed enough media where it's not portrayed that way but i found this portrayal really refreshing ESPECIALLY WHEN ITS WOMEN ok this isn't even in a gay way i literally don't care about bodies like that. i dont having sex. i just think it's really really refreshing and nice for women to be, like, able to have these kind of scenes and character moments without the text reducing the entire scene to "ohh look boobies lol". without them being censored or hypersexualised or made into a joke. rips off shirt to reveal a tattoo on my bare chest that says "I FEEL STRONGLY ABOUT AFAB BODIES BEING TREATED LIKE THEY'RE INHERENTLY SEXUAL AND THE STRONG EMOTION I FEEL ABOUT THIS IS THAT IT FUCKING SUCKS". thank you for reading my essay.

[oswinsdolma]

something about how merlin and arthur both died the moment they became a story. how in becoming a legend, they sacrificed the versions of themselves that were real for the infinite potentiality of the versions that could have been. "the story that we have been a part of will live long in the minds of men" but at the cost of the lovers who wrote it, fragmented across space and time by a thousand new imaginations that keep them alive in all that they never were. when we read their story, they are broken and reborn anew, so does that make us murderers or gods? or maybe the whole point is that there never really was much of a difference between the two.

[touchlikethesun]

okay so. don’t crucify me. but su she and jin guangyao do actually make some pretty compelling points.

[theriverbeyond]

it's always so interesting to watch the inspiratory work *after* watching the works it later inspired it feels like doing a (very passive, tbf) form of media archeology

[emberlynn-sapphire-anarchy-angel]

Nui Harime

She’s cute

Smart, cunning and a master of disguise.

BUT PURE EVIL!!!

And was willing to die, so her “mom” can take over Earth and make everybody her zombies…

[smuglysasha]

Not exactly what the point of this post was but I felt this way with Kill La Kill in a positive way? It’s hard to describe exactly but the way the anime presents itself is very interesting from a narrative and thematic perspective. The Kamui are at a surface glance these sort of overly horny anime design, and at first the show acknowledges this with its characters either shaming the main character over how revealing it is or using it as an opportunity to be creepy and weird about it.

In a sense, as silly as it may sound, Ryuko has to let go of the shame that she feels for wearing Senketsu to be able to use her powers and abilities to their fullest. It is from this point that we as the viewer and Ryuko as the main character see less of that typical anime bullshit behavior and the revealing taboo nature of the Kamui becomes normalized.

Slowly as the show progresses there is less and less attention brought to their scantily clad uniforms and at times, for me at least, I forgot that Ryuko and Satsuki were half naked some of the time. But the way the show transforms and shifts radically with how it’s story is told and progressed, the way the characters hold themselves changes with it.

Am I overthinking Kill La Kill? Maybe. Am I leaving out a lot of other stuff that adds to what I’m saying? Yes, I’m tired leave me alone. Do I regret what I said? Not even a little bit. In a sense this show is about freedom, freedom to express oneself in whatever way they desire. To cast off the shackles of societal taboo in regards to clothing, especially for women. Women who show a lot of skin in their fashion, the ones who wear clothing considered risqué? They are not ‘sluts’ or ‘whores’. They are strong, confident, and brave in their own way. And there is no shame in that, not one bit.

sometimes I see things that are so absurdly horny that it circles back around to being sexless you know what I mean

[daeluin]

y'all ever had one of those moments where something makes you acknowledge a fact you know but have spend a lot of time avoiding???

like one of my coworkers showed me the exchange rate of the dollar today and suddenly? i was crushed by the reality of, if i take the 1u$s = 945$ convention rate, suddenly my monthly salary is less than 325u$s and it means i make little more than 1u$s per hour????? and like i know im poor but jesus christ i hate to think how much

[smilesobrien]

nge 🤝 utena

everyone wants to use the aesthetics but nobody wanna engage with the themes

[cyphyree]

Ryuko's Anger

Been watching and reading different KLK analysis stuff, but haven't come across someone talking about Ryuko' anger yet.

It's volatile, it drives her recklessness, it makes her a delinquent. It's a trait that Satsuki and other characters frown on, and something that Ryuko struggles to control. When she fails to control it, it drives her berserk and makes her dangerous. Satsuki, Nui and Ragyo (even to some extent Mikisugi) all take advantage of her anger in order to make use of her in their plans. Anger by all means is one of Ryuko's worst traits and greatest weaknesses.

At the same time, though, I feel like the show makes a point in telling us that her anger is more nuanced than that. Her introduction shows us that she isn't angry about kids trying to mug her. She isn't angry at Mako for turning against her to protect her family's wealth. Her rage stems from being shunned by the only family she ever knew, and then being robbed of the chance of ever bonding with him. Underlying that anger is a lonely, grieving kid that nobody wanted, except as a tool.

Ryuko growing as a character didn't mean condemning her anger, but to put it towards something productive rather than destructive. And it was important that SHE was the one who controls it, otherwise others will use it to manipulate her.

For example, in The Wedding, Ryuko's anger was triggered at first because she wanted to defend the "happiness" Ragyo planted in her. But once she became conscious of

this was a lie

she had something better to protect (Mako, Senketsu, the people she have bonded with--her true family)

she was once again manipulated into becoming a tool for someone who didn't actually care for her

-- Ryuko was able to take back control of her life. And this manifested as RAGE great enough to override the lie's submissive bliss, and flay herself of her false skin. Because dammit she deserves better and how dare ANYONE force her to hurt the people she cares about!

Ryuko's anger was never a monster meant to be killed. It made her vulnerable when she couldn't control it -- but it's also the manifestation of her will, the drive to become better, the means to make her realize her own self-worth and to fight the forces that try to use and objectify her. She learns to OWN her rage, which goes hand-in-hand with learning to love and protect her true self, and those who love her back.

[gyuzgrl]

too sweet //lsm//

summary- when Jeonghan brings up BDSM at dinner, your boyfriend is keen on trying it out for himself. you laugh it off, telling him he doesn't have the stomach for it, and he decides to show you just how capable he is in bed.

Crystal-chandeliered ceilings, a live cello performance, a bottle of Domaine de la Romanee- 1945; you're in the lap of luxury. After a particularly long week, your boyfriend decided to organize a 'little' get-together to get your mind off work. Something small, he said. Just a little dinner with Jeonghan and Hoshi- nothing much.

That's how you find yourself here- seated in one of the best restaurants in Seoul, surrounded by friends, donned in a dress so stunning it would've killed a small Victorian child.

Earlier on in the relationship, you used to get awkward in places like this, wondering how much it cost, trying to order the cheapest thing on the menu, but now? Now you've grown accustomed to Dokyeom's treats. It's how he shows his love for you- among many other ways- so who are you to say no?

"and yeah- we fucked." Hoshi states, mouth full of food as Dokyeom's eyes widen to the size of saucers.

Jeonghan giggles, turning around to see if anyone heard, and shakes his head.

"and?"

"and-" Hoshi continues, prodding a bit of beef with his fork, "and it was like painfully vanilla,"

You watch as Jeonghan's face contorts into a disapproving frown, and sip at your wine, praying to whoever's listening that your sweet, baby boy doesn't open his mouth to ask any questions.

But of course, you've never had much luck with the universe, have you?

"like ice cream?"

Aghast, the older man turns to Dokyeom.

"dude..."

When the inquisitive, wide-eyed stare doesn't leave his face, you cut in, clearing your throat.

"c'mon don't be like that- you know how he is Han"

Your boyfriend shifts his gaze to you, now wondering how you of all people know what his hyungs are talking about.

A sheepish, watery smile paints your face as you reach for your glass, taking another sip.

The air stills for a minute, awkward pauses flooding the space while Hoshi and Jeonghan share knowing glances.

They turn to you, flashing you those up-to-no-good grins, before fixing their attention to your poor boyfriend.

"alright buddy," Jeonghan starts, reaching out to grasp Dokyeom's shoulder, "lemme teach you about sex."

Immediately, you see the tips of his ears burn red. Poor thing.

"why are we uh, why're we talking about sex?"

"cause you still think we're talkin' about ice cream" Hoshi sneers. You shoot him a glare, and his shrinks back.

Ever the explorer, Dokyeom chimes in again, turning to you this time.

"we're not talking about ice cream? what are we-"

"sex." Jeonghan whispers, voice taking on a mock-sultry tone. He turns to you,

"what's he like in bed?"

"hey!-"

"he seems vanilla now, so I'm guessing it's basic shit" he continues, eyes narrowing in on you.

Suddenly you feel conscious of your surroundings. A nice evening out has somehow turned into a free-for-all analysis of your sex life, and your most intimate moments with Dokyeom have come under the looking glass.

"y-yeah, we're vanilla"

"oh you poor thing," Hoshi fakes a sob, bringing his hand to his chest as if your house caught on fire.

"don't be like that- some people prefer vanilla y'know?"

Some people, sure.

Not you, though.

As much as you love how Dokyeom makes you feel, you have to admit, he's a little, well... basic. It's the same old scene, classic p-in-v sex, sometimes he goes down on you, sometimes you do him, nothing apart from that.

Not that it doesn't feel good- it feels amazing- but you've always wanted something more. Something you're sure he won't be able to pull off.

"uhuh, I'm sure they do," Jeonghan muses, seeing right through you.

"what are we even talking abou-"

"sex!" all three of you whisper-shout in unison, starling Dokyeom.

"but- vanilla?"

"it's classic, like your basic animal-planet kinda sex" Jeonghan's voice turns serious, brows set in a firm line. "there's more than that, though"

Hoshi watches intently, moving a bit of bread to his mouth in slow motion, as the scene unravels before him. You find yourself equally invested, eyes fixed on Dokyeom's wonderstruck expression.

"there's more?" he gasps.

"oh you bet- d'you know what BDSM is?"

Your mouth goes bone dry.

"I think so? it's the stuff with the knives and leather and like latex-"

Jeonghan shoots you a quick glance, mouthing 'you're welcome', before moving back to the man next to him.

"that's not- it's not all intense and gory... there's layers to it, kay?"

Dokyeom nods, eyes shimmering.

"BDSM as a concept is deeper than just leather and blood. B and D stands for bondage and discipline, D and S stands for dominance and submission, and S and M stands for sadism and masochism-"

"so that's what Rhianna was talking about-" he cuts in, jaw falling slack as he listens further.

"each of these can come out in different ways- bondage could include cuffs, rope, shibari, or y'know whatever material you have on hand. discipline is meant in its literal sense- you do things to teach your partner the quote-unquote rules of sex, which could include spanking, using gags for punishment or doing things they like for reward. Sadism and masochism basically play on pain. Sadists like to cause it, masochists like to feel it- again, many ways to do this."

Hoshi stares in awe as Jeonghan concludes, putting his fork down to clap.

"wait- what about dominance?"

A sly smile quirks up Jeonghan's lips.

"oh that."

You swallow at the lump settling at the back of your throat, unable to tear your gaze away from your boyfriend's face- so eager, so fascinated by what he's heard.

"it's the premise of what all this is; discipline, sadism, bondage, it's all built on power play. One of you is in control and the other follows, letting themselves be controlled, it-"

"what about consent?"

Oh sweet, sweet boy.

"that's where safe words come into play. I use the traffic light system, so if my partner says green it means they're feeling good, if they say yellow, they're still okay but I need to slow down, and if they say red, they want me to stop"

"huh."

Dokyeom sits still for a minute, eyes glued to the plate sitting in front of him, and you can practically hear his brain churning to process all that he's learnt.

As the night goes on, he seems quieter than usual, staring at you, absorbing information, listening to what's being spoken about around him. Every time you turn to the side you meet his gaze- intense, preoccupied.

Dinner comes to a close with him shoving his shiny black credit card into the waiter's hands before anyone else beat him to it, and soon, you find yourselves saying your goodbyes, heading to the car.

Dokyeom opens your door, making sure you're seated, and moves over to the driver's seat.

"you don't- do you like how things are now?" Out of nowhere, his voice sounds in your ears, catching you off guard.

You look at him, surprise etched in the rise of your brow, and shake your head furiously.

"of course I do! baby, I love how things are with us, I love you"

He sighs, turning on the ignition, and begins to drive.

"not like that, honey, I meant physically,"

The blank look on your face has his cheeks burning as he works up the courage to say it.

"sex, y/n" he says, a little louder than before, "do you like the way we do things now?"

Oh.

You hadn't expected the conversation from earlier to stick with him, but evidently, it has. A shiver runs through you when he says it- sex. He's never brought it up so unambiguously before. It feels dirty, somehow, even though you've laid with him multiple times.

"I-"

"be honest, honey, okay?"

The earnest, gentle tone of his voice has your heart softening. He really is too pure for this world.

"I mean, I love the way we are now," you mutter, eyes focused on your lap as you pick at your nails, "you make me feel good"

Technically you aren't lying to him- you're just choosing to keep some things hidden. Dokyeom doesn't need to know that you've spent your nights thinking about his fingers buried deep inside you, forcing you to cum again and again until you're sobbing and shaking. He doesn't need to know you've been fantasizing about his arms, wondering how they'd feel pushing you down, leaving you helpless, completely at his mercy.

He's a nice guy, after all. They don't usually like stuff like that. And even if they think they like stuff like that, they don't have the stomach for it.

One stray teardrop and Dokyeom will be on his knees, apologizing profusely, crying along with you as he chastises himself.

"I'm not convinced," he sighs, shoulders slouching against his leather seats. "if this is about protecting my feelings-"

"no! no- not at all baby,"

"so tell me- I know you, I know when you've got something hidden away in that pretty head of yours"

Caught between a rock and a hard place, you find yourself in a bit of a dilemma. Should you be honest with him and take your chances? Or should you pacify him and convince him that plain old vanilla lovin' is all you need?

"I-"

"baby," he soothes, voice gentle, "I just wanna make sure I'm doing the best I can for you,"

A car passes you by, blaring loud pop music, and he breaks into a sheepish smile.

"there's a lot I didn't know before today- stuff that you knew about... so I just- I'm checking. If there's something you'd like me to do, someone you'd like me to be, I wanna try"

"oh,"

You stay silent for a bit, thinking over what to say. Sure, telling him that you're actually a submissive and you hate taking charge is simple, but the execution part leaves you tongue-tied. Someone as sweet and innocent as Dokyeom wouldn't be able to handle taking control.

Nothing against him, it's just that he's so cute and naive- there's no way he'd be able to restrain you and make you cry.

"there's one thing..." you mutter, voice so meek you're barely audible.

His ears perk up.

"y'know the dom-sub thing Hannie spoke about?"

"uhuh, one of us is in control and the other one listens,"

"yeah, I kinda, uh- I tend to lean towards being controlled rather than being in control"

"oh, we can do that if you like, baby" he chirps, twisting the steering wheel as he pulls into your apartment, "we can try whatever you want,"

There's a smile on his face- that same shining, star-studded gaze, eyes crinkling, teeth on full display- and you feel your heart sink.

You'll just have to make do with vanilla for the rest of your days.

The lift ride up is tense. You chew on your lower lip, tapping your heel impatiently against the ground as you move higher and higher, finally reaching your house.

Dokyeom keys in the passcode, unlocking the door, and you stumble inside, rushing to the bathroom for a bit of space.

Locking the door behind you, you stare at yourself in the mirror, worry etched in the crease of your forehead. Your face is beet red, pupils blown wide, and your throat feels dry.

All that talk about the bedroom has you feeling a little jumpier than usual and you can't help the way your brain automatically shifts to its usual Dokyeom fantasy- tied up helplessly in bed as he eats you out over and over, saying the filthiest things known to man.

God, the things you'd let him do to you...

His nose is built just right, bumping into your clit perfectly as he eats you out, tongue lapping up your arousal from your past orgasms. Those long, slim fingers would be splayed across your thighs, forcing your legs open, even when your body spasms, begging for an intermission.

'snap out of it- Christ' you tell yourself, shooing away any wandering thoughts as you unlock the door and head into your bedroom.

"everything okay, honey?"

You curse the universe when your eyes are greeted by his broad frame, standing by your dresser as he clicks his watch open, shaking it off his wrist in a few crisp motions.

"y-yeah I'm-" you cut yourself off when he begins to fold his shirtsleeves up, dragging the white fabric up around his elbow, putting his forearms on display. The way his veins frame the shape of his arms so perfectly, peeking out just enough, has you growing restless with desire, and you feel your face grow hot.

"baby?"

When you stay silent, he eyes you through the mirror, making sure you're still listening, and continues-

"I was thinking about what you said in the car, and I think we should give it a try"

Before you can stop it from happening, your lips part, letting a taunting laugh slip past them. Dokyeom halts his actions.

"why's that funny?"

"it's not! I just uh-" you nibble at your lower lip, trying desperately to conceal the smile perking up the corners of your lips, "I appreciate you saying that, but we really don't have to do things you won't be comfortable with,"

"how d'you know I won't be comfortable?"

You sigh, walking over to him.

"Kyeommie, you're a really great guy- you're sweet, you're kind, you're funny- and I love those things about you,"

"uhuh"

"it's just that you're too sweet, y'know? You won't be able to handle the stuff I'm into, baby"

His brows furrow, and he opens his mouth to speak, but you cut in, sugarcoating your words as much as you can.

"being nice isn't a bad thing at all, okay- don't get me wrong. I love you exactly as you are, so there's no need to make yourself uncomforta-"

"you think I can't do it, don't you?"

His voice is low, dripping with a kind of venom you've never heard from him before. You reach out, moving your hand to soothe over his shoulder, but he catches your wrist, pulling you into him.

"Dok-"

"I may be slow, I may not understand the things you do as easily" he sneers, his grip tightening, "but I know my way around your body-"

"I know I can make you feel good."

He inches closer, nose bumping against yours, and you let out a shaky sigh. Your heart thuds rapidly against your chest, banging against the confines of your ribs so noisily you're sure Dokyeom can hear it.

You've never heard him speak like this before, never seen his eyes flood with such darkness. The once glittering light in his pupils has now dimmed to a darker, lust-filled ocean, void of mercy.

The expanse of his broad shoulders shield you from the front, and a hand slides down your arm, resting at the curve of your back, trapping you in his hold.

"what is it that you want from me, hm?" he mumbles, angling your chin up towards his face, "want me to take control- be a little aggressive?"

Your breath catches, and you stare up at him, eyes wide. Never in your wildest dreams did you think you'd hear him talk this way, with his voice all low and mean. The way he holds you too, it's different from before. There's no gentle embrace, no tentative grip- no, he's sure right now. There's a certainty with which he holds you, a forcefulness he would've once been afraid of.

"tell me," he whispers as he walks you backward, heading for the bed, "tell me what you want and I'll make you feel good,"

With each step forward he takes in your direction, you take one back, staring up at him with wide, unbelieving eyes. Is this really the same guy from two hours ago?

His gaze pierces through you, challenging you as if to say- 'try me, I dare you.' It's simultaneously intimidating, yet somehow exciting, and you feel a familiar heat spread in your lower belly.

Like some sort of predator, dead set on catching its prey, Dokyeom stalks toward you, moving further and further, until your calves make contact with the bed.

He smirks.

You've been caught.

"what's wrong, honey?" a faux pout graces his lips, "you were saying so much a minute ago-"

You gasp as he closes in, leaving no room for anything but your body and his. The hand on your face leaves your chin, and he traces a finger down your throat, stopping just below the divot of your collarbones, lingering over the hem of your dress.

There's an evil glint in his eye and you watch, waiting patiently to see what he does next.

"strip."

Certain you heard him wrong, you stay still, staring up at him dumbly.

"oh, we don't feel like listening today?" he quirks a brow at you, loosening his grip on your waist as he lets his hand travel up your back, "either you do it- or I'll do my fucking self."

On beat, he thumbs the zipper of your dress and tugs it down in one sharp motion, leaving you stunned. The fabric falls slack against your body, loosening at your neckline just enough to give Dokyeom a peek of what lies underneath.

He trails his finger down your clavicle, pushing your dress down to reveal the lacey surface of your bra- the fabric flimsy and transparent, letting your nipples poke through.

"someone's excited," he bites his lips, smirking down at your hardened nipples. "you wanna take this off for me, baby?"

His voice is raspy, taunting almost, and your body obeys, arms hastily undoing your bra as you shimmy out of your dress. You should feel embarrassed, getting naked so desperately like some sex-hungry nympho, but you don't.

The arousal pooling in between your legs is far too distracting to leave any room for humility or shame.

Dressed pooled at your ankles, bra tossed aside, you stand bare before him.

Teasingly, Dokyeom lets the pad of his extended finger trace down your chest as he leans in, lips ghosting over yours. Your eyes flutter closed and your lips part- ever so slightly- bracing for impact. You feel his breath fanning across your face as his presence nears, skin almost touching yours, before he sends a sharp tweak to your nipple, pulling away with a devilish grin.

Jolting at the sudden stimulation, you gasp, eyes opening wide. There's a current running down your body, stemming from the spot he abused seconds ago, and you feel it land in your clit.

You want to argue, to call him an idiot and tell him to kiss you proper- to quit teasing- but you know you like this. The way he's got you all figured out, the way he so effortlessly gets you to bend to his will, god this is what you've been waiting for.

"get on the bed."

The firmness of his voice tells you to bite your tongue and acquiesce, but there's something deep inside of you that wants to see how far you can push him.

"don't wanna"

He pauses for a second, looking into your eyes-

"do you actually want to stop or are you just being difficult?"

"the latter," you singsong, staring up at him with a challenge dancing behind your eyes.

There's a moment of silence as he prods his cheek with the tip of his tongue, taking in what you've just said. His blood boils at the mockery in your voice, eyes hardening to a cold brown.

"brat." he spits, clenching his jaw.

In one forceful motion, Dokyeom yanks you towards himself, lifting you up by the thighs before tossing you onto the mattress behind.

"baby-!" You can't help but squeal as he manhandles you effortlessly, showing you just how strong he really is. Your body lands with a dull thump on the bed, sinking deep into your duvet as he stares daggers into your sprawled out frame.

"sit still."

Dokyeom steps back, standing before you at the foot of the bed, and keeps his eyes on yours. A sly hand creeps up his neck, fingers weaving into the intricate knot of his tie, and he pulls it loose, tossing the silk fabric near your feet.

Undoing the top buttons of his shirt, his hand travels down to his belt, clicking the buckle open with ease. The metal comes apart in his hand, loosening with a single flick of his wrist, and you feel your mouth begin to water.

He looked sinful. With his sleeves rolled up- biceps straining through the fabric, the way his chest peeked out tauntingly through his shirt, how his eyes bore into yours, not breaking contact for an instant- it made you want to scream.

The sound of metal clanking pulls you from your thoughts, and you realise that he's shucked off his trousers, leaving himself in his CK black boxers and a partially unbuttoned shirt.

"Kyeommie," you pout, reaching an arm out towards him, "c'mere"

It takes every bit of his strength to keep himself from crumbling instantly, but he manages it with a firm shake of his head.

"thought I told you to stay still, hm?"

You frown, your pout still evident, and turn away with a huff.

"I'm taking this off, y'know," he teases, plucking open the buttons of his shirt, and you feel your attitude fade to dust as you turn back to him in an instant.

Who wouldn't? After all, he does have the body of a God.

As he undoes his last button, you're greeted by his sculpted torso, tanned to perfection.

Dokyeom smirks, ego inflating at your star-struck reaction as if you haven't seen him like before.

"every single time," he mutters, shaking his head in amusement.

Before long, the shirt is discarded to some remote corner of the room, and he stands before you, nearly bare.

"where were we..."

Grabbing your ankles, he tugs you down till your hips reach the foot of the bed. A startled gasp escapes you at his actions and he can't help but smirk.

"if tossing you around was all it took, you should've just asked, sweetheart"

Your cheeks burn red. Never once has he spoken to you like this- so direct, without scaffolding.

"makes me wonder what else you might like,"

Dokyeom brushes his fingertips up your legs, kneeling down to face your clothed cunt.

"I learned a lot today," he bites his lip, eyes fixed on the damp spot growing under your panties. "will you tell me which of all those you like or should I find out for myself?"

His gaze shifts to you, eyeing the flush on your cheeks, the scandalized widening of your eyes.

"I- I want-" you trail off, voice so small it makes him melt.

"I'm listening, honey, tell me what you want,"

That soft, silverish quality of his voice resurfaces, and you feel your body relax. He rubs slow circles into your thighs, trying his best to coax the words out of you, but you remain hesitant.

Embarrassed, rather.

You've never told anyone what you want from them so plainly, with nowhere to hide. You feel exposed in front of him for the first time in a while and the feeling excites you.

"don't stop." you murmur, unable to meet his gaze. "don't stop after just one... y'know-"

His eyes darken.

"oh I'm going to like this"

Deft fingers slide up your inner thighs, hooking under the last of your lingerie and pulling it apart, tearing the lace off of your body to reveal what Dokyeom wants most.

The most intimate part of you lies spread out all for him, glistening with arousal, and he has to suck in a breath to calm himself.

"don't- don't do that,"

"do what?" he asks, backing away slightly just in case you've changed your mind.

"try to control yourself like that- just don't hold back"

You breathe shakily before continuing- "I want to see how far you go-"

Something snaps within him, that final band of restraint finally tears apart, and he yanks you down onto his tongue, licking fervently at your cunt like this is the last time he gets to taste you.

Your lips part, letting breathy, helpless cries slip past, and Dokyeom knows he's doing well.

Despite the gusto with which he devours you, his movements are precise, practiced. It's exactly as he said earlier- he knows how to make you feel good. He knows your body.

He works his tongue against you, lapping at your clit without any care of hypersensitivity or overstimulation, pressing harder and harder into you as your legs spasm around him.

"wai- oh my god-" you moan, back arching up, hips lifting off the bed for a second, before Dokyeom pushes you back down firmly with his hand splayed across your lower belly.

Squirming helplessly under the force of his arm, your body tries to move away, to get just a little respite, but all in vain. He doesn't let you. The weight of one hand holds you secure, while the other cups the underside of your thighs- pushing your leg up as far as it can go.

With your legs spread out further, his assault on your clit feels even more direct, with each firm motion of his tongue sending shockwaves across your body, and you feel your muscles tighten, building up for release.

Dokyeom seems to have noticed too, and his lips curl up at the corners into a deeply satisfied smirk. You feel it against your skin.

"already?" he abashes, eyeing your tensed frame, "after all you said?"

"m'sorry- please, please can I-"

"can you?" he echoes.

"can I cum ple-please"

You've done this before- asked for permission before- but not with him. Never with him. Dokyeom's smirk only widens when he realises the power he now holds over you. To be able to deny one their right to pleasure is... exciting, to say the least. He certainly seems to enjoy it, considering the bulge growing in his boxers.

"mm, I didn't quite hear that honey, come again?" His voice is patronizing, mocking.

"please Kyeommie please let me cum"

Dokyeom's never thought of himself as a man who likes to abuse his power, but right now with the way you're begging? He wants to see just how much you can take before the seams begin to rip.

"no."

Your eyes fly open, jaw agape as your clit throbs under his tongue.

"w-what"

"you asked, I said no."

Now he knows he isn't being fair, he knows. But the tears welling up in your eyes have him entranced. There's this urge he has deep inside to see them all spill out and stain those pretty cheeks of yours.

"but-"

"are you gonna act up? 'cause that's not how you're getting what you want sweetheart"

Dokyeom's voice sends a chill down your spine. With the way his tongue abuses your clit, you're certain you won't be able to hold yourself back, not when your high is almost near.

You want to be good for him, you really do- but is this even fair? As he laps into you, nudging your sensitive nerves just right, your head tips back into the pillows and you moan out a string of profanities, getting completely lost in the pleasure he gives you.

He isn't happy.

"if you wanna cum that bad- I should give you more, hm? who am I to deny?"

You know very well from the tone of his voice what he's got planned.

Grabbing the tie- now dangling precariously off the bed- Dokyeom crawls over your spent frame, balancing his weight on his knees.

"gimme your hands."

Tentatively, you hold out your arms, pushing your wrists together.

"what are you do-"

"you know what I'm doing, sweetheart"

You do.

He pulls the fabric of his tie taut, looping it at your wrists before tying a firm knot to keep you from moving. The black silk, although soft to the touch, presses into your skin, and you hiss when he gives the fabric a sharp tug.

Dokyeom's eyes draw back to yours, and he grabs your wrists, pushing them up above your head.

"keep these here," he murmurs, gulping slightly when he notices how close your faces are.

Your eyes burn holes into each other's, and he sees something in your gaze that he hasn't before-

Hunger.

"Dokyeom," you breathe, chest rising shakily,

"kiss me"

Waiting no longer, he pushes his lips to yours, capturing the plush crimson in a slow, hard kiss. The way your lips mold so perfectly together, fitting into each other like pieces of a puzzle, makes this moment that much more meaningful.

When he touches you, when he kisses you, you know deep inside that this man is your forever. No one has or ever will make you feel so alive.

Dokyeom swallows your whimpers, your cries, as he slips his tongue into your mouth. It's sloppy and messy and desperate- but you love the way it feels, the way he feels.

Leaving your wrist, his hand comes down to cup your jaw, tilting your head back so he can kiss you harder, deeper.

"wa-wait-" you pant, feeling your lungs burn.

As you try to pull away, a deep growl emanates from within his throat, and he tugs you closer, unwilling to let go.

A surprised 'mm!' escapes your occupied lips, muffled by his own, and your body lights up- embers of red-hot desire scattering across your skin.

Dokyeom's own lungs beg him to move away, to breathe, but he holds still, stubborn as ever. You feel far too good. If this is how he dies, he'll go gladly.

The airy whimpers and gasps from you, however, finally get him to let go.

Your chest heaves as you gulp in precious breaths to soothe your lungs, as does his own. Staring up at him in shock, you manage to stutter out-

"where has that been all this time-"

He lets out an airy laugh, pressing a tender kiss to your jaw, trailing down your torso until he reaches your gushing sex.

"the hands stay up there- got that?"

You nod eagerly, holding your wrists up to show him, but you're quickly cut off by his tongue, pressing back into your clit.

"oh-"

Tracing slow figure eights into you, Dokyeom works his tongue deftly while his fingers prod at your entrance. With ease, he slips two long digits inside, pushing deep till your arousal trickles down his knuckles.

"Dok- oh fuck oh my god"

Each knuckle of his fingers adds further stimulation as he begins to pump in and out of you. Every time he draws back, you stretch to accommodate the balls of his joints and it feels divine.

You've always loved his hands. Those slender, long fingers were perfect for you, and the fact that his knuckles jut out at each joint only makes it all better.

The kinks in his fingers have your legs quivering, and his tongue- god his tongue- nudges your clit with the perfect amount of pressure.

Feeling your orgasm build at record speed, you moan, completely defenseless as Dokyeom slurps noisily at your sex while his fingers push up against that one particularly soft spot inside you.

"Kyeo-Kyeommie m'gonna-"

"that's it, sweetheart- just let go for Kyeommie"

With a sob, you feel your orgasm burn through you, twice as intense as the previous one, and your thighs quiver.

You're spent. You're spent and he's only made you cum twice.

Watching the way your muscles twitch from the weight of your orgasm, Dokyeom grins, feeling particularly proud.

Now usually, this is where it ends. His arms would slip out from under your thighs, and he'd kiss you sweetly, telling you how amazing you are. He'd check to see if you wanted him to make love to you, and if you agreed, he'd do exactly that.

Tonight, however, he stays firm in place, his mouth still connected to your cunt. Limbs still quivering, your eyes widen when he begins to move against you, barely giving you a second to catch your breath and recover.

Your body goes limp when he pokes his tongue against your over-sensitive clit, licking gentle yet firm stripes with precision. Each oscillation elicits the most delightful sound, just as a clock chimes with the motions of its gong.

All you can do is clutch the fabric of his tie, nails digging into your palms as your skin burns under his touch. Your nerves throb, pulsing in time with your heart, in time with his tongue.

"so good for me, honey," he mumbles into you, sliding his fingers back inside you in one fluid motion. Your back arches comically off the bed, mouth hanging open in a mix of shock and pleasure.

Once more, you find your belly rudely forced back down. Dokyeom narrows his eyes at you, irritation flashing behind his deep brown pupils, and keeps his hand there- splayed over your lower belly, pushing down with just enough pressure for his fingers to prod out from under your skin.

You gasp, feeling fuller somehow with the added force, feeling his fingers drag deeper against your walls. Within moments, your cunt clenches down around his digits, and he laughs in disbelief.

"again? baby c'mon you have a point to prove, don't you?"

Under any other circumstance, you would've bitten back, calling him some name, yelling some profanity- but now? Now you need him. You're so close, right on the edge of the water, ready to fall in, and only he can give you that last push. You know better than to open that smart mouth of yours right now.

"is this all it takes? y'know if you're gonna start off by being a brat- you gotta keep up with the act at least-"

"m'so-m'sorry-" you gasp, tugging against your restraints as you feel your high mere seconds away, "m'sorry please can I cum please I've been so good for you-"

Dokyeom nods, scissoring his fingers in and out of you more rapidly than before, and you cum with a scream, straining against the cloth binding your wrists as your orgasm rips through you like a whirlwind.

"that's my girl-" he sighs, placing a kiss to your inner thigh, while his fingers continue their movement inside you.

"Kyeom- oh- t-too much,"

Your cries fall on deaf ears, and he shoots you a sly grin.

It has been over an hour now, you're certain. Dokyeom's held you still and pulled orgasm after orgasm from you with his tongue, his fingers, both.

"p-please-" you whimper, tears streaming down your face as those long fingers slide into you once more.

"just one more, honey,"

Dokyeom presses tender kisses to your inner thighs- now wet with your slick- and pushes further into you.

"just one more for me, hm? you can do that for me, can't you baby?"

You nod, small sobs wracking your body. Of course you'll do this for him. You'll do anything for him. Plus, you can't say you aren't enjoying this-

"that's my girl."

[emberlynn-sapphire-anarchy-angel]

Sociopath Profile: Nui Harime

From the anime series Kill la Kill (2013-2014) Voiced by Yukari Tamura (JP) and Stephanie Sheh (EN)

Don’t be fooled by the cute exterior. On the inside is a cruel and sadistic monster. Nui Harime lives for making others angry and loves to cause misery.

[SPOILERS BELOW]

Keep reading

[xuterboo]

Good day! Or night? It doesn’t matter, today we will have residents of Hades for analysis

Recently I found a person who posted all the (at that time) characters in full size. Why did I find this so late 🥲

However, let's get started

Some of the kings dress differently from their subordinates, but Levi decided to insert his own dress code. In Hades, strict clothing is accepted. With permission for some accessories, similar to the type of chains the King himself had. On the hand of the King of Envy you can see three sixes located in a circle. Honestly, at first I didn’t understand that this was the number of the devil. I thought it was some kind of symbol with deep meaning. But everything turned out to be simpler

Foraz and Valefor share the same clothing style. Apparently they occupy approximately or the same positions at work. The details that are interesting to me are several things: a noose on the neck, which speaks of devotion (applies to all the demons of Hades), different left boots, differing only in color and material (?) And of course capes with ropes on the sides. I don't think I particularly like Hades as a country, but the fashion there is great 😍

Foraz has distinctive details in his image: a chain on his horns and a tattoo on his cheek. What's also interesting is that he doesn't wear the chain because he's imitating Leviathan. More precisely, not only for this reason. According to Foraz, he just likes the look of the chain. And also his tattoo is his own artifact.

Barbados has a fur belt with his signature rose flower. The same pose is on his earring, and the artifact of this character is also a rose. Oh yes. And attacks too. He really loves roses. He even smells like roses. It seems he even eats them sometimes hahaha

Glasyalabolas, (Damn, I hope I didn't summon some creature while I was writing this) altogether a unique case. Judging by the medals and banners, he is a general, or any military figure. This can be judged by the carriages, a special braided rope with peculiar tassels, black and white ribbon and, in principle, more luxurious clothing. Fighters get paid a lot, especially in high positions.

I want to say that his artifact, the raccoon, does not suit him at all. He's a menacing killing machine. What, the hell, a stuffed raccoon??

The name Glasyalabolas is made into 2 words and one French article "La". As we know, people took many things from hell, and France is the embodiment of Abbados, the land of lust (We can judge this by the names of the demons from there). In that case, my question is, what did you forget in Hades? The vibe from this character suits the place though.

By the way, Hades itself represents the architecture of England, somewhere in the Victorian era. Absolute monarchy and complete submission are very similar to this country

[chefwhatnot]

A Too-Close Analysis of the Double Exposure Treatments from Duskmourn (1/2)

Happy Prerelease Weekend everyone! During the announcement stream for Duskmourn, Art Director Ovidio Cartagena said that one of the goals of the "Double Exposure" Alt-art treatments was to capture the inner psyches of Legendary Characters. And that immediately tickled my neurons, so I decided to write a bunch about the different Double Exposures and what exactly they suggest about the different characters! This post will feature all the characters from Duskmourn who appear in the Main Story articles, with the rest coming sometime tomorrow probably.

(EDIT: Part 2 is out now! You can find it here)

The Wandering Rescuer-

In profile over the Wanderer is one of Duskmourn’s demons, seeming to show similarities to the demon depicted on the card “Vile Mutilator”. This demon in particular, and presumably other Duskmourn demons, possess the ability to kill survivors’ glimmers. The Wanderer is the only character we see in the story who has a glimmer, potentially because her will and connection to her home plane are strong enough to manifest one before any other members of the party can. So, having that connection to her home, to the place she has sought after for so many years and finally had the chance to return to post-March of the Machines, taken away by a monster… yeah, I can see how the Wanderer might be afraid of that.

Valgavoth, Terror Eater-

Unlike the other double exposure treatments, Valgavoth is the upper layer of this double exposure: he is the nightmare. He blends seamlessly into the door behind him, which is carved with a simulacrum of his core form. He is the House, and the House is Valgavoth. There is no escape from his grasp, etc.

Tyvar, the Pummeler-

Tyvar looks forward, fists raised in a fighting pose. His position suggests fearlessness, but a Cellarspawn still taunts him over his shoulder. “Oh why’d he be afraid of some random Cellarspawn” well he’s not, he’s afraid of what it represents. I posit that this Cellarspawn is the one Tyvar copies when he puts himself and Zimone into House camouflage in the main story. That action, while clever, nearly led to both of them being subsumed into the essence of the House if not for Zimone’s fateshifter. It represents bad change, the possibility that Tyvar isn’t infallible, and the way his transmutation abilities feel uncomfortably similar to that of Phyrexian compleation. But still, Tyvar stands proud and stares forward, ready to courageously curtail whatever may come. Also, only noticed this a bit after originally writing this section, but compare Tyvar’s Double Exposure card to Kona’s. Notice anything? The colors are inverted. Tyvar, the subject of the card, is rendered in magenta, perhaps showing how he is to be feared.

Kaito, Bane of Nightmares-

Kaito is surrounded by gaseous Cellarspawn who shy away from him, flinching back as though in pain. This, combined with his title as "Bane of Nightmares" suggests that there is something about Kaito that the House instinctively cowers from. Which, upon thinking things over, makes sense. He is a planeswalker: he has the ultimate trump card to ignore and escape the horrors of Duskmourn at any time. Plus, he is the only person we’ve seen who was actually able to pose a significant threat to Valgavoth, stabbing him through the chest at the climax of Episode 6. The ghastly cellarspawn are Valgavoth’s creations, and Kaito may be the only one they fear. (Kinda expect Kaito and Valgavoth to have an Ajani/Bolas or Elspeth/Norn relationship maybe.)

Niko, Light of Hope-

Niko is both layers of their double exposure, one calm and confident, the other in pain. Niko’s fears are all internal: fear of not measuring up to their ideals, fear of being forced to go along with whatever plans the powers that be have in store for them. Just as their magic creates reflections, the hand that skillfully balances five of their magic shards is reflected in agony on the "internal" layer. Yet, simultaneously, them being both layers of the double exposure seems to break the rules shown by the other cards. Extremely fitting for a master of their own destiny, wouldn’t you say?

EDIT: @greatdinn pointed out that, in the “internal” art, Niko’s eyes appear to be missing. It could be read as them squinting, but if that is the case it could suggest that Niko’s biggest fear is going blind and losing their skillful accuracy.

Marina Vendrell-

Kinda similar to Victor’s Double Exposure treatment, the wings of a moth is overlaid on top of the subject’s face. However, Victor’s moth is covered in eye patterns, while Marina’s has the shape of a skull on its wings. Victor sees Valgavoth as a source of knowledge or power, Marina knows he brings only death. Notice, too, the way that Victor stares forward, making himself a part of the moth, while Marina glances to the side, attempting to reject its existence. Marina’s only safety now is that of denial: accepting how her actions doomed the plane to an eternity of nightmares would undo her.

Nashi, Searcher in the Dark-

Hey remember that time Nashi was trapped in a cage by a group of wickerfolk who slowly picked off the other Nezumi he cane to Duskmourn with and turned them into wickerfolk? Remember how a similar thing happened when Nashi ran into Tezzeret during that one side story and Tezzeret killed a bunch of Nashi’s friends? Remember how Tezzeret ALSO killed Nashi’s birth parents and everyone else in his village? Remember how everyone who gets close to him meets a horrible fate, to the point that eventually Nashi must find it easier to push other people away, to remain isolated because the only reasonable explanation is that he must be somehow cursed to bring ruin to the people he loves? Yeah.

Winter, Misanthropic Guide-

Winter pinches his forehead, deep in thought. Layered over him is a dagger with a strange handle that morphs into the hand of a corpse. This blade is a reminder of how he betrayed and sacrificed his friend in the house in order to escape Duskmourn. The blade faces the same direction as him, as though primed to stab into someone’s back. The hand is either the hand of his friend, desiccated and decaying, and/or represents the agency he had in the betrayal. Despite his claims that anyone would do the same, it is ultimately a decision he made, a path he followed, and consequences that he is responsible for.

Zimone, All-Questioning-

Over Zimone's face is a book, cover detailed with gnashing teeth and pages flipping ominously in the wind. But, as the story points out, how can there be wind inside the house? Zimone does not know, but she wants to. She wants to know everything, regardless of how outwardly intimidating the container of that source of knowledge may be. The spine of the book makes it look like her eye is closed, which combined with the reflective lens gives her an appearance of sleeping reverie. Her desire for knowledge blinds her to other potential threats, which the House knows and uses to sow the lures of her destruction.

That's it for now! Stay tuned for when I release the rest :)

[cyphyree]

That's honestly a very interesting thought, like Junketsu was always an object, sentient only by way of how compatible it can be with its host (which boils down to purely scientific reasons anyway). Ngl early on my first watch I thought they were gonna develop Junketsu into a character too. Plus Nui being fully sentient gave rise to the possibility of coexistence too. It's like what I wish we got in Promare where (spoilers) I wanted the promare to stay and be buddies with humans :/

I feel like tho, it does KLK well for Life Fibers to not coexist peacefully with humans in the end. They represent assimilation and control, and the annihilation of free thought and will-- they themselves as a species seem to lack free thought and will other than the autonomous drive to consume. It's less of a matter of "two entities capable of forming a truce" and moreso "a virus will kill your body if you don't kill it first" -- or rather "facism will crush you if you don't crush it".

Also, thematically KLK is partly about growing up in a system that fostered you, but ultimately needing to break out from it.

Ragyo's wealth and power gave Satsuki all of her privileges, but Satsuki uses these resources to stop Ragyo's oppression. It's similar to how Life Fibers fostered humankind, but ultimately humans must use what they can to free themselves of Life Fibers, otherwise Planet Earth Go Boom. Both Ragyo and Life Fibers formed systems that only ever meant to incubate "livestock" until they're ripe for slaughter, and neither Satsuki nor humankind owe them thanks for it

Senketsu and Ryuko's relationship tosses a wrench into this idea because yeah, they ARE BESTIES and Ep 5 did set up an expectation for coexistence, only to crush those expectations. Even weirder is the revelation that Senketsu and Ryuko were essentially engineered to be compatible, which could be read as an imposed relationship.

Which....... yeah, it kinda was. They were basically boxed into a system of their own, and add it turns out, they both managed to make-do and thrived and grow within it and developed a genuine friendship. The fact that Life Fibers and humans could never coexist made their relationship all the more special and complex.

At the end of the day though, just like Satsuki and humanity, Ryuko must grow up and break away from the system that her father made, even though that relationship/ system gave her what she needed to develop. To grow out of her sailor uniform and graduate, so to speak.

TLDR to me Life Fibers and humans not coexisting is less about "the solution is to destroy our enemies rather than making peace with them" and more about "people gaining independence from the imposed system in which they grew up to become their own person."

(Sorry if I went wayyyyy off tangent, it's migraine season, and what little of my brain that is functional is marinated in KLK thoughts. I'll have to read your links when I have the capacity to though, would love to see what could have been and compare it to what we got, who knows maybe coexistence could've worked better afterall)

On a KLK forum, some folks have talk about how the show could've benefit with cohabitation between mankind and the Life Fibers, with each specie benefiting from the other in an harmonious balance. It would make sense when you consider life fibers involvement humanity evolution ago, their traits of a simple organism, Kinue die trying to do and Ryuko & Senkentsu relationship and they said about human & clothing in the end. Kinue and Ryuko understood all the strength and potential of it

On the same forum, they talk about how in KLK the humans didn't win with their strength but with the Cooperation from the enemy they were fighting against. It's an understandable argument with ryuko & senkentus being life-fiber hybrids & the scissor blade & uniforms being made of life fibers. The show basically concedes that without the help of rebellious and/or repurposed life fibers then humans would be fucked in a fight against life fibers since they were inferior to them.

I think the show argues that it is in fact human strength and intelligence that overpowers the Life Fibers in the end. As Satsuki proclaims in Episode 21, the fact that humans could make the Life Fibers work for them instead of against them is "a stroke of human genius":

Satsuki: You should call it [that Kamui cover so little of the wearer's skin, thus preventing the wearer from being overtaken by the Life Fibers] a stroke of human genius.

But that said, personally speaking, I'm not particularly fond of how Kill la Kill handles the Life Fibers because I find the messaging to be confusing, contradictory, and disappointing.

As noted, Episode 5, my all-time favorite in the show, emphasizes the idea that humans and Life Fibers do not have to be enemies. They can work together and achieve great things. The end of Episode 15 extends this notion, with Ryuko proudly declaring that she and Senketsu are "two in one" to Satsuki, who staunchly believes that a friendship with Life Fibers is nothing more than a fairytale.

And the thing is: Satsuki's right. Any camaraderie with pure Life Fibers is impossible. The series paints the Twizzlers aliens as nothing more than villainous monsters, and the only reason Senketsu and Ryuko are different is because they're also human. The actual message of Episode 5 comes off less as a push for friendship between the two species but, well... maybe a lesson about how someone with "evil" in them can still be good, I guess?

Which is too bad! I think a more fleshed-out examination of Life Fibers, where they're not just mindless, vicious beasts, would have provided a much more compelling plot—especially with writer Kazuki Nakashima consistently stressing that Kill la Kill is ultimately a story about "a lonely young woman meeting and losing an irreplaceable partner" and his attempt to "make a form of intimacy that transcends love and species"!

I adore Ryuko and Senketsu, don't get me wrong, but I feel that their love and friendship would have been even more powerful had it actually represented a real coming together of humans and Life Fibers. As it turns out, an older draft of the series does go further with the concept, and while I can understand it getting scrapped for being "too much," I'm still attached to the possibilities and wish the final product had gone more in that direction.