#kid version is the one that mostly shows up and sticks around
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xavistarlight · 2 days ago
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Thinking about dad Caleb letting his insecurities get the best of him.
Caleb x fem!reader
So we all know Caleb has his insecurities over his looks maybe looking too average compared to others, his hair color, freckles etc.
Caleb always hoped his daughter would come out a little version of you mostly because he couldn’t wait to care for a mini version of you , but deep inside his heart slightly because he didn’t want his daughter to suffer with the insecurities that he does.
So safe to say when you gave birth and your daughter came out a spitting image of Caleb.
( his stubborn genes to be blamed ) he was worried , he wasn’t disappointed not even in the slightest he’d gotten the daughter he had always dreamed of and loved her to bits he just didn’t want her to suffer at the hands of him.
Caleb was usually the one to do your daughter’s hair , not because you couldn’t but because it was something he enjoyed, when you were younger he had always done your hair for school, little twists and bows and cute rubber band filled hairstyles and it was sweet to see him replicate the styles on your daughter.
“ Anddd all done ! “ he exclaims as he ties the last rubber band into the little girls hair.
Today was Valentine’s Day and the preschool your daughter is in , is doing a special party to celebrate so obviously Caleb took it upon himself to make sure his baby girl was the best dressed there ( she was already the cutest either way)
“ look mama papa put a heart in my hair , look look !!!” Your daughter excitedly runs over to you in the kitchen to show you her Valentine’s Day hair style and outfit.
She had her long ash brown hair half up half down, with two braids conjoining together to make a heart , completed with a red ribbon to match her red dress. She does a spin just as clumsy as you she’s unsteady on her feet slightly to happy to notice.
“ careful love bug “ Caleb walks behind her letting out a chuckle.
“ I’m okay daddy! “ she sticks a thumb up and smiles with a toothy grin , reminding you exactly of Caleb when he was around her age. She had the spunk of you , and the goofy nature of Caleb.
She was perfect.
Caleb taps his foot excitedly, holding your hand in his.
This is his favorite part of the day , school pick up time. Getting his girl back getting to hear all of her child like rambles about all the things she did today , the things she learned and he specifically enjoyed how she was always the first one to dart out to be engulfed in a hug by her mama and papa.
But .. something was off she wasn’t excitedly running out today , and her usually sparkly lavender eyes full of excitement looked like they held pure sadness.
Confused as ever u and Caleb give each other a glance.
Once she gets to the car she’s silent
“ baby girl please talk to us we’re worried” you state as she looks at you through her eyelashes tears forming on her waterline and welling up in her eyes.
The.. kids at school … said im ugly she sniffles between every sentence.
Calebs biggest fear personified
You look over at him an almost unreadable expression on his face, unreadable if you didn’t know him like the back of your hand, he’s fighting with his inner thoughts.
“ baby you know that’s not true daddy tells you every day how beautiful of a girl you are and not only that how beautiful of a heart you have “
Caleb is brought back to the delivery room when he scanned his daughters face , sparkly lavender eyes looking up at him the color all him but the shape all you , the cutest button nose that reminded him of the one he had kissed countless times. And faint freckles already slightly visible that would darken with age. The same freckles you would count before you went to sleep.
That’s when he realized there was no need to be insecure, love had brought you her a beautiful daughter made up of the features both of you adored about each other. A daughter made up of the sheer adoration you two have for each other.
“ my angel , don’t ever let someone else’s mindset of what’s beautiful cloud your judgment. You’re a careful blend of two people who absolutely adore each other me and your mama, two people who find each other even more beautiful with each passing day. You’re a part of us a fragment of our love and that’s beautiful all in its own way isn’t it hm”
He gently caressed the side of her chubby cheek.
You watched the whole conversation and interaction, it was almost as if while he was teaching her he had also come to the realization himself and there was just something so beautiful about that.
While your daughter was still little she most likely didn’t understand every exact meaning of what he said she was still emotionally in-tune finally breaking and letting out sobs.
You and Caleb both give each other knowing smiling hugging her. Giving her the affection you two never had as children. Somehow healing inner wounds by parenting your own child.
Later that night
“ goodnight my tiny pipsqueak “ he kisses the grown of her head
Closing the door quietly behind himself he meets you by the door
“ you know Caleb, your an amazing dad and I’m so lucky she has you.. we’re both lucky to have you”
“ I think I’m the lucky one here “ he giggles your awkward Caleb never being able to take a compliment.
He’s taken aback as you reach up too leave scattered kiss all over his face
“ tickles.. whatcha doin pips “
“ kissing every single one of my prettiest boys freckles, i think he deserved to hear what you told our baby girl tonight. all those years ago “
He breaks down slightly in your arms, more vulnerable reminding u he’s the same boy he’s always been. Your pretty boy , your Caleb.
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solargeist · 5 months ago
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Saint Xelqua is a miserable little guy bc he’s got no family and no friends and rly no world to even return to so sometimes he just sits in Grian’s house and stares at him and Grian has to be like .Would a vegetable help .
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miraculouslbcnreactions · 2 months ago
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What do you think of the show's seeming obsession with everyone (the leads especially) being the best and the top? Like, Marinette's parents don't just run a good bakery, they run the Best Bakery in all of Paris! Kitty Section gets a record deal with the city's top producer! Marinette is the personal designer of Jagged Stone! Alya runs a super popular video blog! Max isn't just the resident smart kid, he can make AI with real feelings!
Oh, but actually, Marinette and Adrien are also top of the class (the webisodes straight-up state Adrien is best in class, surpassing Max and Sabrina, and Marinette gets top grades in Chameleon despite all the workload), because how dare our leads be not good at something?
And that's not getting into "Marinette and Adrien are the best LB and CN ever" stuff. That part is best chalked up to Tikki and Plagg being encouraging, because otherwise the show dunks on all the historical figures they made holders, all at once.
Anyway, with everyone in class being a) hyper talented and famous or b) related to some big nabob, it's not surprising that fans thought it was some elite private school. But no, it's apparently a regular state school (holy smokes, why would Andre and Gabriel send their children to a regular state school??)
That would work in a story where comical exaggeration was the absolute norm, but seems like Miraculous tries to be grotesque and realistic at the same time and fails at both.
Oh look, it's time to talk about Kim Possible again! Phineas and Ferb, too. I'll even use My Little Pony: Friendship is Magic to really drive this one home.
It's incredibly normal for episodic kids shows to have the cast be ridiculously talented and connected. They do this for a couple of reasons.
The first reason is that the characters are meant to be stagnant. Every episode stands alone so there's no time for true character growth. That means that the characters need to be their best selves right from day one. Kim Possible doesn't have time to let Kim learn to fight and be awesome. That's just her default state.
Small life lessons may be taught as we see in both Kim Possible and My Little Pony, but you can miss an episode and still understand the characters because those life lessons didn't really matter to the characters. They weren't there as part of some major character journey. They were there for the kids at home.
The second reason is that kids shows star kids and teens. You don't want adults to be too involved, but sometimes you want "adult" powers and so the kid and teen characters get ridiculous upgrades. A great example is Wade from Kim Possible. Wade is Kim's tech guy. He's also 10-years-old. Absurd? Yes, but they wanted Kim to have cool teach while also keeping the reoccurring hero cast mostly teens and kids and so we get Wade. Phineas and Ferb is another example of this. The titular characters are shown doing things like welding even though they're around 10. This happens because they need to have ridiculous skills for the show to work.
The third reason is that the more connected the characters are, the more stories you can tell. If Marinette's parents don't have a successful and popular bakery, then they can't be hired to cater major events like a movie premier. If Kitty Section isn't wildly successful, then they won't get invited to appear on TV.
This is why Kim Possible made Kim's dad a rocket scientist. It let the show use rockets and advanced tech in several episode. There's at least one where they go to space! The main character of My Little Pony is the student of the kingdom's ruler, allowing the show to include princesses and have plot lines around things ranging from royal balls to diplomatic missions. Things they couldn't do if it was just about some random ponies with no connections.
Some kids shows keep the characters more normal and stick to more realistic hijinks, but when your show is about magic and superheroes, it makes sense to go big.
The reason Miraculous' version of these things doesn't work for some people is probably because of our ever present issue: Miraculous feels too serialized. There's too much connective tissue for the characters to get away with being stagnant. The lessons they "learn" are too big to just go away never to be touched on again. They are not their best selves from day one. They actually do need to grow! This makes the things they're good at feel hollow to some because the show didn't set Marinette and Adrien up the way Kim Possible set up Kim and Ron or the way Phineas and Ferb set up its leads. The character's adult skills don't fit their very real flaws.
Similarly, the show has added all these celebrity connections and then done stuff that makes it feel like those connections should matter to the plot when that's not the way this is usually played. My Little Pony kept Princess Celestia well removed from the things Twilight and her friends were getting up to. It never felt like she should step in. She had a kingdom to run! The show also never treated Twilight's connection as a big deal. Celestia might be the country's ruler, but she's very down to earth. She doesn't feel all that special.
Meanwhile, in Miraculous, the celebrities are treated like celebrities, they often have close ties to the cast, and they are actively around, making it feel like they should play a part in the story at times. The big example is, as always, Lila's lies. Many of them should fall apart because of who the cast knows or, conversely, the cast shouldn't care about Lila's celebrity friends because they have those friends, too. Princess Fragrance was a season one episode and gave Rose a close friendship with Prince Ali that is confirmed to be ongoing in season four's Guiltrip, making it deeply confusing when Rose never catches on to Lila's bullshit. You're really telling me that Rose never once talked to her good friend Ali about her good friend Lila? Really? Rose? Little miss loves-to-talk-about-her-friends-and-how-much-she-love-them? Sure, writers. Sure.
In summary, the problem isn't that the characters are too cool, connected, and talented, it's how those ideas were executed. There are versions of the show where the characters are fine being the best things ever and versions of the show where those elements should have been toned back. I can't really say which canon should have done because canon is a mess of episodic stories and serialized elements that has no idea what it's trying to be.
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berryispunk · 15 days ago
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Meet The Characters
*drumroll* Now that Rain Down on Me has wrapped, it’s time for a new challenge—and a new pairing. Starting in May, I’ll be joining @thedrabblecollective’s drabble challenge (again). But instead of keeping it simple with a cohesive story, I went full chaos and built an entirely new AU to set these in.
Today, you’ll meet the female OC and the AU version of Frankie. Tomorrow—before the challenge officially kicks off—I’ll post the intro story for the Like A Song Stuck In My Head universe.
Drabbles start after that, and then we’ll keep their story going. I’m so excited. Join me?
Okay... let's start
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Firefly (Elena Quinn, 27)
Elena grew up in a small town on the East Coast. Her mother worked two jobs, her father wasn’t around, and she was raised in the back corners of bookstores and the cramped quiet of the public library. She fell in love with words before she ever believed in people. She got a scholarship—barely—made it out and into a university. Studied literature like it could save her. It almost did. But when her mom got sick, everything changed. Bills, part-time jobs, a sudden drop in grades. She left school, just for a semester. The semester became a year. Then forever. She drifted for a while. Waitressing, bartending, couch surfing. Ended up in a city she never meant to stay in, thinking it’d be a stopover. It wasn’t. She found The Shack by accident—needed a job, and they needed someone who could throw a bottle at a drunk without flinching. She stayed. Against all odds, she found something like home in the noise and neon. She’s sharp-edged and world-weary, but loyal as hell. Still reads poetry on her breaks. Keeps a notebook under the bar, filled with half-finished stories and old quotes that remind her who she used to be. She has poetry tattoos, too—like “no rain, no flowers” inked gently along her collarbone. Her hair’s been dyed red for years, and despite the sticky Florida heat, her favorite weather is rain. Autumn is her season. Always has been. She’s a hopeless romantic who pretends not to be. Keeps everyone at arm’s length—everyone except Donna, the owner of The Shack, who stepped in like a second mom when her own passed. She’s a free spirit through and through, with a soft spot for strays—people, pets, all of them. That’s why she volunteers at the local shelter, no questions asked. She doesn’t tell many people her real name. Most just call her Firefly. Maybe because she glows a little, even when she doesn’t mean to.
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Francisco Morales "Fish" (36) and Thorns of August
Band Members
Francisco "Fish" Morales – lead guitarist
Santiago “Pope” Garcia – vocals / rhythm guitar
Benny Miller – drums
Will “Ironhead” Miller – bass
They didn’t start as a band. They started as soldiers. Brothers. The kind who bled for each other—and for things they still don’t speak about. Frankie had always had music. His dad taught him guitar when he was a kid, and it followed him—into war, into addiction, into every broken piece of his life. After getting kicked out of the army for coke and smashing his last guitar in a rage, he thought it was over. Until the mission with Santi went south. The drugs stopped working. The music came back. Pope gave him a guitar, and they started jamming in his garage. No plan. Just grief, noise, and the hope something might stick. They named themselves Thorns of August, after Tom—their brother, their glue. His death haunted everything. So they played. The Shack was the first real stage. The crowd was small, but it felt like something. That’s where Frankie saw her—Firefly. All red hair and poetry tattoos, sharp tongue and soft eyes. She didn’t care about the music or the band or his damage. She cared about who he was when the noise stopped. And that terrified him. He was high most nights, drowning in the abundance of nothing fame offered. But he still showed up—for her, mostly. Until he didn’t. One fight, one broken night, and they were banned from The Shack. He lost her and never said what he meant to. Now their songs climb charts. They’re on movie soundtracks. But Frankie still mourns the girl behind the bar—and every song he writes is about her, even if no one knows.
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main masterlist
tags: @speaktothehandpeasants @kakiki3 @la-vie-est-une-fleur29 @capuccinodoll @almostfoxglove @jolapeno @whirlwindrider29 @sheepdogchick3 @mysterious-moonstruck-musings @brittmb115 @greenwitchfromthewoods @diabaroxa @glycerinrivers @biapascal @copperhalfcent @beaniebailey @thepilatesprincess @axshadows @kirsteng42 @joelsgoodgirl @ellenmunn @matchalov3 @canadianfangirl-95 @picketniffler @hotforpedro @tuquoquebrute @noovaarq @warmdragonfly @theanothersherlockian @littleluc @76bookworm76 @inept-the-magnificent @confusedpuffin @wheatmaze @rav3n-pascal22 @picketniffler @lostinmyownmaze
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pumpkinheadspacestation · 1 year ago
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Agere Age Guide
2 years version
Hello, pumpkins! This is the second post in a thread of posts I'm making! You can find the first post here, I accidentally posted it to my alt account but the rest of the posts will be posted on this page. I also want to preface this by saying that not everything I'm saying here is going to apply to everyone and each and every person who regresses or dreams will follow these traits and stuff!
Okay, now to the post!
Traits and Behaviors!
☠︎︎This is about the time that babies start to get up and play around, small jumps, walking, bouncing and maybe even some small sprints
☠︎︎Babies this age are starting to like playing with other babies and parallel play could be really fun at this age, they may have trouble sharing though so make sure to have enough eye grabbing toys for all the babies
☠︎︎This is also the age where babies may start to throw more tantrums and have bigger feeling, they naturally want to test the boundaries at this age and they don't like being told no. They're also going to be a bit more bossy and want their way.
☠︎︎Since this is the time they're starting to have bigger mood swings and test the boundaries, that may result in having big reactions which may be aggressive, they may hit, yell, throw tantrums or even hurt themselves to try and cope with their big emotions
☠︎︎They may mostly use hand gestures but they're starting to babble a lot more and mimic language
Activities to do With Your Baby
☠︎︎This is a great age to play a lot of simple puzzle games and games to practice motor skills, patty cake is a great game to play with your baby and so is playing with toys like stacking blocks and ring-stack toys
☠︎︎Pretend play, these babies are growing up fast! They want to be just like cg. Playing dolls and stuffed animals, putting them to bed and feeding them is a great way to spend time with your baby
☠︎︎This is a great time for parallel play, though babies won't always feel interested or know how to play together, they still love to interact with each other and play together to some degree and parallel play is a great fun for babies this age
☠︎︎New textures and sounds are extremely interesting to babies in their two's! Playing with new textures like sand, slime, dirt and more can be super fun for these babies!
Foods and Recipes
These tinies are starting their food journey, they're starting to upgrade from baby foods and apple sauce to solid fruits and hard cereals!
This is one of those things that's very individualized to each regressor! I can tell you what this age range usually likes to snack on but you should ask your tiny what they like either way.
☠︎︎String cheese and yogurts
☠︎︎Cut up fresh fruits
☠︎︎Dry cereals like honey nut Cheerios and fruit loops
☠︎︎Oatmeal
☠︎︎Eggs and tasty proteins
Babies in their two's are starting their palate expanding journey, usually it's best to stay away from super strong flavors and stick to mild and bland flavors. Younger taste buds are much stronger than adult taste buds so when your regressor was a bio baby, they most-likely had blander foods so giving them some mild and bland snacks can be a comforting factor t their baby space
Shows and Movies
Again, this is one of those things that are super individualized to each and every baby! So still be sure to ask your baby what they like to watch either way! Some shows and movies two-year-olds like to watch are
☠︎︎Doc Mc Stuffins
☠︎︎Bluey
☠︎︎Storybots
☠︎︎Bubble Guppies
☠︎︎Octonauts
☠︎︎Peppa pig
☠︎︎Pete the cat
☠︎︎Mickey mouse
☠︎︎Disney movies are super great for babies this age two, the vibrant colors and animated voices are sure to keep their attention. Though with some discourse involving Disney has come up, I know a lot of people have stopped using Disney plus. You can still find some amazing shows and mov.ies on places like Netflix, Pbs kids, nickelodeon, and more!
Potty Time for the Terrible Twos
Generally, kiddos are using the potty on their own anywhere from 1.5 - 3 years old but that doesn't mean that kiddos older or younger may deviate from that. There's good info Here about how to properly diaper someone and what products to use
This is also a great video on how to diaper yourself if you're a baby who does their own diapy changes.
Know Your Baby
You're going to want to know and talk to your regressor before they regress with you! The only way you'll be happy with each other is talking about boundaries and the best way to cat or to each other's needs beforehand. Having the awkward conversations are hard but necessary
I hope this helped! Like I said before, not all these things will apply to all regressors in the 2 year range. If you have any questions, go ahead and feel free to drop a comment or shoot me a message
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otomes-and-tears · 6 months ago
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it’s meeeeeeeee i’m shiloh enjoyer #3!!!! revolving him around in my brain every day like it’s a microwave 😭😭 i know you’re busy with a lot of other asks at the moment but i’m eagerly awaiting the lizzie post!! and all of your other writing ofc <33 you brighten my day :D
HELLO TO THE MYSTERIOUS SHILOH ENJOYER #3! I think we're all here now haha I'm glad you enjoy my analysis posts! NOW BUCKLE UP, BUCKAROOS! THIS ONE IS GOING TO BE LOWKEY SAD: Elizabeth is perhaps the most complex and defining relationship in Shiloh's life.
First of all, it's one of the few we see glimpses of throughout several steps in his life-- we see how he idolises her as a child, how he acts towards her when they reconnect in his teenage years and glimpses of how the different versions of him act with her in adulthood. It's likely the oldest relationship he maintains that isn't familial, and I think that's incredibly significant when we take into consideration what I believe to be one of the paradoxical cores of Shiloh's character: Connections and relationships are disposable to him, but Shiloh is only Shiloh as long as there’s someone there. He still feels lonely.
I talked a little before about Shiloh's childhood. How the social dynamics he established as a kid ended up influencing his behaviour as a teenager: He sees Lizzie as the obvious leader, since she's older and more assertive than him and MC, and follows her around and obeys her every whim because of it. Whether he genuinely likes her or not is up for debate, but I don’t think it matters to Shiloh. What she means to him is something that can far supersede any simple likes or dislikes that he might feel at that age:
She provides stability and purpose. She’s his anchor against the mean kids, the teasing, the isolation. All he has to do is stay in her favour. Lizzie is his first encounter with a power dynamic he can rely on and emulate as he grows, and therefore she becomes someone he idolises.
Shiloh doesn’t need to be honest, or even be himself, as long as he’s useful and needed. He understands social hierarchies all too well, knowing what happens to people at the bottom. It’s why he insists he isn’t “different” and loses it when Cove calls him “weird.”
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He was probably one of the kids who got picked on, so he’s always scrambling to stay just above water and not sink to the bottom with the rest of the “outcasts.” MC doesn’t mean much to him, but in Lizzie’s absence, he sticks to them just as obediently, as they’re the next best thing. Cove, on the other hand, is mostly just a mild annoyance but does give Shiloh a bit of relief because, for once, he’s not the one at the bottom. And it’s not like Cove was ever going to be Lizzie’s favourite anyway.
Whenever Shiloh gets ignored, he panics and tries to wedge himself back into the conversation however he can. And as soon as Lizzie shows up again, he immediately runs back to the safety of their old dynamic.
I think that while most of him admires her at that age, there's a little part of him that resents not being like her. Not being able to be a leader and being relegated to a follower, feeling aimless when she isn't around. As a kid, he's more prone to lashing out when angered, unlike older Shiloh who acts with fake cheeriness and this strange, eery coldness when annoyed. And that's why he pulls her down with him into the water in Step 1.
If he isn't willing to voice these things because he doesn't want to rock the boat and cause issues, he expresses it more subtly.
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Shiloh’s just scared—a scared little kid who figured out a way to fit in. And because that method kept working for him, through moving out of state and getting through life without Lizzie, he never really had a reason to change, even if it did a number on his very sense of self.
He got better at these tactics over time, making sure he’d always have a way to fit in, but it cost him a real personality and genuine social skills beyond the manipulation tactics he fine-tuned throughout the years. Eventually, he started taking control in small but crucial ways: He’s the one who walks away from relationships, now. Removing himself from them becomes a choice. It’s not only about leaving when people cease being useful to him but about imposing a sense of control that he felt like he lacked in childhood since he moved schools and states a few times and was likely used to being the “new kid” in different places.
He learned to hide his feelings better, so he wouldn’t blow up the way he did when he was seven. That’s why his relationship with Elizabeth—and the times he had to start fresh somewhere new—were so essential to shaping who he is: Lizzie set the standard for the kinds of relationships he’d chase, and moving around gave him fresh slates and new people to practice on.
That brings us to the serendipity moment in Our life and what we know from him in Xoxo droplets. Now, I know a lot of people haven’t actually played XOD and only have a cursory knowledge of it and the fact that a few characters from it cameo in the Our Life series! But did you know that Liz is mentioned by name in Shiloh’s route?!?
Yes! Back in 2017 we actually had Shiloh mention the events of Serendipity, which I think is a crucial scene to understand Shiloh’s character.
But before we talk about that, Let's talk Serendipity!
After Jeremy brings up “Shiloh’s famous memory” and Liz realizes he lied about not remembering her in the Step 3 prologue, Shiloh actually goes ahead and explains why he is the way he is. His explanation lines up with what we know about him from XOXO Droplets and how he acts in Step 1.
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I don’t think he’s lying. Not about all of it, at least. Some of the only concrete information we have on Shiloh’s character and how he functions comes from his childhood, and I think that what he’s saying is a natural progression of that information. He only does things for his own benefit, he’s afraid of being left out and he asserts his sense of control through his relationships with others. But it’s really important to remember that Shiloh doesn’t do things without it benefiting him. While I believe in the core of what he’s saying, the fact that he’s divulging this information at all (how he’s going about it, by putting Liz and her feelings on the matter first, and framing his choices as being mistakes he made out of care for an old friend and by reiterating that they’re too good and putting himself down for pity points) instead of trying to dodge the conversation again, he’s employing a few of his known manipulation tactics: the real me strategy.
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Shiloh knows that this new information is hurtful to Liz, and like in Step 1, her opinion is really the one that matters to him. He knows that there’s a limit to how much he can play dumb before they snap, and by Jeremy revealing part of his MO, there isn’t a lot he can do to smooth things over, so the least destructive path is to do exactly what Shiloh does to JB during his route in Xoxo droplets: He feeds Liz little bits of truth because he knows he’ll damage their relationship if he doesn’t. He gives her enough so she feels like she knows him better, like she’s got some new, special insight into the “real” Shiloh that nobody else has, which keeps her around. He pretends to drop his manipulative schtick because by telling her this, she has “figured him out” and there isn’t a point in trying anymore. That itself is a manipulation tactic.
But why bother? He’d be gone again by the end of the afternoon regardless of her forgiveness or not.
It comes back to what I mentioned earlier: Shiloh is the one who exerts control over his relationships. He is the one who decides when they start, and when they end, and by Liz being upset and deciding she doesn’t want to be around him, not only does he lose the control he craves, but Shiloh loses it with the person he based all of his subsequent relationships on.
In the few hours that he spent in Sunset Bird, they all fell back into their old dynamics even though it had been so long since Shiloh stepped foot in that town. He still remembers that she prefers popsicles over ice-cream sandwiches, and even though he’s better at including MC and Cove, Shiloh in a lot of ways fell back into their old routine, looking back to Liz as his leader and following into step as her sidekick. It doesn’t matter if Liz isn’t an active part of his life any longer, what would it mean to him to have those memories tainted? For that perfect template to be ruined?
But Liz stays. 
And because of that choice, we get to see the ultimate consequences of it. Shiloh isn’t a good person. As pitiful and as tragic as he might be, he simply isn’t one. And I think that can be encapsulated perfectly in how he frames his interaction with Liz to his girlfriend in Xoxo Droplets.
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He glosses over what he did wrong, he casually exploits that event to garner points with his girlfriend. He ultimately doesn’t care if she takes his and Liz’s relationship the wrong way and frames it as being romantic, even if that’s far from the truth. Even with Elizabeth being miles away and already hurt by him, he still finds ways to use people and spin narratives to his advantage. 
I do believe he holds Liz in higher esteem than most (and arguments can be made that JB, the main character in XOXO droplets and his love interest, and Elizabeth share similarities in both appearance and their strong-willed, confident personalities), since she was his “idol” by his own admittance, but this is a tiny way in which he asserts his control over the situation. It doesn’t matter if Liz believes she holds the reins. If she’s older, admirable and if he still follows her around like an obedient puppy when she’s around.
By choosing to stay, she tipped the scales in his favour. He is the one in control once again, and he's able to continue his interminable cycle of holding people at arm's length while playing the part of a devoted companion.
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landofanimes · 4 months ago
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My 2024 Anime Watchlist
Anime (and related media) I watched last year
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Sailor Moon Cosmos (2023)
After 10 years Crystal finally comes to an end! The 2-part movie is cool, it gives us an epic streak of final battles in the second part, things feel very grand and it brings emotion. The ending is oh so lovely. Also I was happy to see some things animated for the first time! That said…Most of it goes by too fast, specially in the first movie. Too many beloved characters have limited screentime, which really brings the arc down. I know these are problems from the manga too, but damn…This solidified to me that in the manga/crystal version of events, Dream Arc is more enjoyable. That’s not the case in the 90s anime, which butchered a good chunk of the Dream Arc but has the characters around much longer in Stars (yes I know screentime in a movie is obviously shorter, but still). I think in the end the musicals brings us a good balance of Stars. If only they had included the Sailor Quartet in those myus, they would feel complete. But anyway… this was it. Could Crystal have been better? Yes. Should it have been longer? Yep. But overall? I really enjoyed the whole thing through and I’m happy it was made! Just really wish the last two arcs were seasons instead of movies, but oh well...What a decade!
I watched subbed and dubbed. Brazilian dubs are usually great but a couple choices sadly kinda killed this one, just like in Eternal (somehow I thought this time it was worse but I think it's just that in Eternal I was happy to see it dubbed, since Crystal wasn't). Unless they redub it, I'll stick to the subs.
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Kaleido Star (2003-04)
Sora is a Japanese girl who finally gets to live her dream of working as a trapeze artist on Kaleido Stage, a famous american circus. Every spectacle means new challenges and lots of hard work. But some people want to see her (and even the whole circus) failing...
I used to watch this as a kid! Finally sat down to watch the whole thing, and it’s a great show. It has cool characters and it’s very entertaining to see them training and performing new shows at the circus. True, season 2 has some annoying characters, so season 1 is better...Except for the final arc, cause personally I found the end of season 2 much stronger than season 1 - it was a great way to end the show (I could see people prefering the s1 ending, it just didn't hit me as hard). There are also a couple of OVAs that take place after the ending. The first one is so-so, but the second is pretty cool and it works nice as a second ending/epilogue.
Watched it dubbed (except for the 2nd OVA since there is no dub)
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Yu Yu Hakusho Stage Plays (2019, 2020)
Picking up from last year's Yu Yu marathon, I've watched the stage plays! First one is really just the beginning: Yusuke dies, comes back as a spiritual detective, and we get the Three Youkai mini arc. We also see Kurama and Hiei's first meeting, like in Two Shots. The second play covers both the 4 Beasts castle and Yukina's rescue (they basically skip the training). Since Kurama and Hiei are not much in the second half, their actors get to play a side character each.
Sadly I don’t think these were very good. Sure, visuals are cool, the characters are well done, and they have their moments, but overall these plays were not it, imo. The bit where they play the opening song with a fighting montage is great though, very entertaining.
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Rurouni Kenshin (1996-98)
Another from my childhood I hadn't seen in full! First two arcs are good, specially the second one (plus you can notice there’s some filler in the first, but it’s ok). Third part diverges from the manga and is mostly anime original stuff - and noticeably much weaker. If I ever rewatch it I'll stick to the first 2.
Watched it dubbed.
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The Apothecary Diaries (2023-)
I had been hearing about it and decided to catch up in January. What a Good series! I was impressed. Maomao is a great character, the court intrigue is a thrill and I’m looking forward for a better understanding between her and Jinshi, and yes, rooting for actual romance. The series got drama, mystery and comedy, it’s great. Happy for the upcoming second season!
Subs cause the dub only came later.
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7th Time Loop Season 1 (2024)
Rishe is stuck in a 5 year time loop that starts at the annulment of her engagement with the prince. No matter what profession and life she lives, it always ends during a war. 5 years into her 6th life she swordfights Emperor Arnold, from the neighbouring country, who is responsible for the war - and is killed by him. In her 7th loop, she soon meets Prince Arnold (not yet emperor) and he unexpectedely is smitten with her and proposes. After working hard in her previous lives, she is determined to finally relax and hopefully find out more about how the war starts, so she accepts. As his fiancée she soon notices Arnold is not completly cold as she expected, wondering what makes him go down that path.
I believe I saw some posts here and then I saw a clip of Rishe dealing with poison and so I decided to watch. I loved it! It was not quite what I was expecting, but rather better. Rishe is a delight and the whole mystery surrounding Arnold’s past and future, which lead them to the war seen in the previous loops, is very intriguing. I’m also captured by Rishe’s past jobs (merchant, harbalist, knight, etc), they’ve made her very resourceful. I really like the court day to day stuff and the drama, and the way she navigates all that. The dynamic of her knowing certain people from past loops but them not knowing her is always intriguing – and we get to know a little more about her this way too. And of course, I love her growing romance with Arnold!
I watched a bunch of dubbed episodes but then I caught up and the subs come faster, so.
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Frieren: Beyond Journey’s End (2023-)
This one seemed to be a fan favorite of the season and well, I can see why…While 7TL and tAD are more my vibe, I can’t overlook Frieren. The way it presents grief, time, connection, and the mortality of people through the eyes of this seemly apathic elf is very touching. It made me cry a few times! It also has cool action. And of course, I can’t resist a good medieval fantasy setting. I’m not versed in rpg but even I can recognize some basic elements, it’s pretty cool.
Watched it dubbed!
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From Studio Ghibli
Only Yesterday (1991) - This one is pretty slow, contemplative. It’s also a little boring imo... I can see its value, but it’s not really for me. Subs cause there is no dub.
The Cat Returns (2002) - I didn’t intend to watch this one but changed my mind at some point. It’s pretty fun! Not sure what I expected but it wasn’t this haha I quite liked it!! Subs cause there is no dub.
The Tale of the Princess Kaguya (2013) - This is a pretty long one, and the different artstyle threw me off at first, I thought I might not like it... I finally got  to watch it though, and not only it is not boring, but it is visually very pretty. It could have ranked high but I didn’t vibe with the ending, so. I could see it being other people’s favorite though. Watched it dubbed.
Earwig and the Witch (2020) - This one’s got a bad reputation but I thought it was fine! Like sure, this 3D animation did not capture that Ghibli charm, but the character design does seem on point and I thought it  had an interesting setting. Overall I liked it, even though the ending is rather anticlimactic. Things shift abruptly and are over soon after, leaving some stuff unresolved too (I imagine there would be a sequel). It was still entertaining though. Watched it dubbed.
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The Boy and the Heron (2023)
I think this was the first time I watched a Ghibli movie in cinemas! It’s a good film. Not among my Ghibli favorites, but it would rank in the upper half. I'm sure it's other people’s favorite. I think the relationship with the stepmom could have been better developed, but it's still cool. The crazy, whimsical world kinda reminded me of Spirited Away at times. It's got that Miyazaki balance of weird and wonder, with a rather unique mythology and intriguing characters.
I wanted to watch it dub but there were limited screenings and the day I went had only subs.
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Buddy Daddies (2023)
A duo of assassins with very different backgrounds and personalities are sent to kill a criminal. The mission is accomplished, they just didn't expect him to have a little daughter. Now they have to figure out how to take care of a child.
I heard good things about this one - and I loved it! I wish it had been longer, I believe it could easily fill 20 something episodes, but oh well… The trio is very endearing, their dynamics are great.
Subs cause no dub.
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Yona of the Dawn Season 1 (2014-15)
Princess Yona has to flee her castle with her chidlhood friend/bodyguard Hak after her beloved cousin Soo-Won murders her father, the king. While searching for the four legendary dragon warriors to help them reclaim the kingdom, Yona finds out her people have been suffering for years, and feels it is her duty to help them.
I was honestly surprised to see this series is already TEN years old. I remember people talking about it but I didn't remember it had been this long? Maybe I heard of it afterwards? Maybe not…Anyway. This series is great. I didn’t expect it to be so good. It’s an epic (east asian) medieval fantasy! It’s got drama, adventure, action, and I’m looking forward to the romantic plot development with Hak. It’s cool to see Yona growing from sheltered princess to a warrior. I’m honestly shocked they never made a second season, like, wtf. Fortunately they’ve started selling the manga in here, and I’ve been following it! Good stuff. I wish I could watch the plays, but specially the musical. Oh, I'm saving the OVAs for when I reach the respective manga chapters.
Subs cause no dub
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Snow White with the Red Hair Seasons 1-2 (2015-16)
This one is also medieval fantasy, has plenty of drama, and while it does have action and adventure, it’s not so much in the epic side - it’s more…mundane? I mean sure, it’s got court intrigues, swordfights, and there’s a kidnapping at one point and whatnot… But the vibes are more on the quieter, lovelier side? I mean, there isn't an epic quest. But it’s cool to see Shirayuki’s journey in becoming a great herbalist while Zen trains in his princely duties and how they both fight to be together despite the obstacle of their different status (something which worries Zen's older brother and other influential people). Their friends also form a cool cast. Wish there were more seasons, but the ones we got are good. I’m not even mad at the misleading title cause the only reason I remembered its existence and watched it was because years ago I saw there was a Snow White anime. Alas, this has basically nothing to do with Snow White, but it’s so good I don’t even care. 
Subs cause no dub
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Spy x Family - Code: White (2023)
Yes it’s filler but it’s fun! Plus it's not like Spy x Family plot moves fast anyway... So here we got a little winter family trip in search of a recipe (for the Mission!!!) turned into a crazy kidnapping and rescue as Loid and Yor separately go after Anya…it’s action-packed, whacky and fun! It’s Spy x Family!!! There are also a couple of cute Twiyor/family moments, which I love, of course. It’s a good pastime. Bring me season 3!
Watched it dubbed at the cinema!
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A Sign of Affection Season 1 (2024)
A lovely show! It’s about the daily life of a deaf college-age girl, and her new romance with a guy who loves to travel, and how her world expands when meeting him and other people in college. I think most school settings stories I see are in high school or middle school so this is a nice change.
Watched it dubbed
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Mobile Suit Gundam: The Witch from Mercury (2022-23)
People talked so much about this one I had to give it a go. The only Gundam series I had contact with before was Gundam Wing (watched some assorted episodes as a kid), so I thought that would be the first one I watched in full, but I still haven't done it, oops. And now I’ve seen Gundam Witch! Intriguing developments and characters! Deals with some serious issues, which apparently is an usual Gundam thing. It has some cool dynamics and the queer romance is cute, it has a good arc. The show is not quite my jam, so not a favorite, but it’s a good show, felt solid.
Watched it dubbed
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My Happy Marriage (2023-)
Miyo lives in a Cinderella situation until she is engaged to Kyoka, a rich guy with a bad reputation… In a society where powerful families have superpowers, she’s got none, so her family wants to get rid of her…The poor thing lives with no affection and the guy is desensitized to previous fiancées chasing his status, but then he sees that’s not the case and is decided to treat her well AND to stand up to her family. Oh, and it’s got an historical setting. Also Kyoka is part of the special forces which fight evil spirits or something. He controls elements. I gotta say I was not expecting that kind of action in a Cinderella-esque story, ha! It was a good addition.
It's kinda tough to see Miyo so meek, but it's key to see she is not magically cured after the engagement, she still struggles from the abuse of her family, but with help, little by little she gains more confidence, which is lovely to see. She also finds her own way of helping Kyoka herself, the end of the season really makes it stronger. I don't think it's gonna be a favorite of mine, but it IS good. Season 2 incoming!
Watched it dubbed
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My Happy Marriage Movie aka As Long as We Both Shall Live (2023)
The movie is basically a compressed version of what we see in season 1. As such, it is definitely inferior to the animated version, but it’s okay... Like, it has its moments but overall it really doesn't hit the same, specially the ending. I would say it has all the important bits of the first half of the season, but a lot of the second half is lost (Hazuki, you were missed, girl!).
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Shaman King: Flowers Season 1 (2024)
I was entertained, I wanted to see more of the kids and their dynamics (and more of their parents), and I wish they would continue it…But I don't know, it's got some odd choices. Granted, it's a short season, if it had been longer it might have been more charming/intriguing. For example, Ren's son is the last to join so we don't see a lot of him, which is a shame. I also thought it was going to be a complete story but turns out the Flowers manga was continued in Super Star, and the season we got was really just Flowers…Also I still think it would have been a better investment to use the money to improve on the Shaman King remake, but anyway. I wonder if they will ever continue it.
Watched it dubbed
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Saint Seiya: Knights of the Zodiac Season 3 (2024)
This was about the same level as season 2 I guess. Though back then they let the fights begin in one episode and end on the next, while here they kinda kept it in the same episode, which made them feel shorter :/ Like, it was cool but still not even close to the original series. It has its moments, but parts of it are too quick, there’s a lack of stronger soundtracks to enhance the scenes, etc. The original content was interesting enough, but we had so little time it would have been better to use it on canon events... or at least parts of it.
I would watch more if they made it but it seems they’re going to stop this version in this arc – and I get it, like I said, its really not as good as it should/could be. I’m glad they finished it though, it would have been a bummer to see the arc only halfway done. I hope we don’t have to wait too many years until a new saint seiya anime…also I wonder what it will be.
Watched it dubbed
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Delicious in Dungeon (2024-)
Everybody couldn’t shut up about it so I had to watch it XD yes, yes, it’s good! Well made rpg-esque medieval fantasy setting. It’s got plenty of comedy, and the story is pretty different from the usual stuff… It wasn’t until things started to get serious that it really got me though, like halfway through the season. From what I’ve heard, it should be done by season 2. I'll be there to watch it!
Watched it dubbed
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Sailor Moon: Musical Festival Chronicle (2022)
Finally could watch this one, yay!!! Story-wise it's not really impressive, but then again this one is more of a celebration of myu history than anything else. Cool to see the old numbers back, lovely to see Satomi’s guest appearance and, of course, the BANDAI MYU team, hooray!!!! Oh and we could see more of Riona’s Mamoru too! Since The Super Live full recording was never released, we don’t have much of that, so this is nice.
I honestly thought this would be the end of the myu/moon renaissance, but after the announcement of the long run of the new Super Live in London, I'm not so sure! But alright, let's not get ahead of ourselves...
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Ranma ½ (2024-)
Ranma’s return!!!! Its been rather fun to follow Ranma and Akane’s shenanigans again. I’m glad I watched the full og anime a few years ago!!! I hope they get to adapt the manga until the end this time (I’ve never read it myself). Waiting for season 2!!!
Watched it dub (I’m so happy Netflix got the cast back!!!)
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ohnoitstbskyen · 2 years ago
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The Heartsteel splash art is very bad, and here's why
I am not a fan of the collective Heartsteel splash art, and in fact, I think it's kinda s***ty. Not on a technical level, mind you, it is every bit as well rendered and nicely drawn as most other Riot art is, but as a way to introduce these characters? As a pitch to get us excited about them? This is genuinely kind of f***ing terrible. First of all, it's copying the original K/DA splash arts, which also had each band member copy pasted in different positions in each splash, with a different character in the spotlight. And that's not a great place to start from, because it feels like a total lack of confidence in the product, like some suit-wearing executive saying "just copy whatever worked the first time!" The splash art should be an opportunity to introduce what's new and unique about the band, and copying K/DA like this completely fumbles that opportunity and invites really unflattering comparisons. Second, the copy pasting is a problem. For two reasons: First, it looks cheap. It just does. There is no way to put out six splash arts with the exact same pixels copy-pasted into different positions that doesn't, on an instinctual level, feel cheap. All that says is "we didn't want to pay for more than one splash art." It looks like corner cutting. Second, it forces every character in the art to be completely separate from one another. A big part of the band's charm in their excellent music video is the interaction and camaraderie between the boys as they get into frat boy shenanigans shooting their music video, but since every character has to be able to be copy-pasted and moved independently in the splash, they can't interact or pose together in any way, making them seem completely disconnected from one another. One of the simplest ways to add a bunch of character and charm to these splash arts would be to have one character up front doing their cool pose, and then the other five boys dicking around in the background, armwrestling or hugging or, I dunno, giving each other piggyback rides. Instead, we just get sterile clip-art of each of them that don't even seem to be aware that the other guys are there. And when they are up front, the poses they do are also… mostly kinda lame? Sett is supposed to be this tough-guy with a heart of gold rapper with a big attitude and he's just, like, vaguely flexing, kinda. K'sante is supposed to be this imposing, powerful vocalist and he's just… standing there. Yone looks bored, Aphelios looks like an emo kid who's being forced to be in a family photo by his mom, and Kayn, who's supposed to be this rowdy chaotic bad boy, is just… doing a peace sign and sticking his tongue out? He gets completely overshadowed by himself: his Shadow Assassin and Rhaast forms in the background, which DO get to interact, which DO get to play with each other, and who are more charming than everything else these splash arts do. It genuinely baffles me that Riot couldn't be bothered to spend the money to get each of them unique splash arts, give these characters an opportunity to show off their costumes and their personality, or at least spend the money to have them drawn a little bit different in each of the six versions of this thing that they put out. This splash art, to me, feels like an active discouragement from investing in Heartsteel, because looking at this, looking at all the corners that are being cut, even Riot doesn't feel committed to them as a project. And like yeah, the music video is great and it's doing a lot of heavy lifting for them, but this splash art is an actual liability, it makes the whole project look worse.
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Curious about your EPIC rework because I was also disappointed by it
like i mentioned in my other post here (before i gave up), this definitely isn't the only possibility; you could focus the musical around something else. for my version, though...
as i said, i would build the musical around the idea of duty vs desire, and tie that into mercy vs ruthlessness. i think it would focus less on odysseus's guilt overall, which seems to be the real focus of the musical, and focus it more in this direction. still plenty of angst, but a little more pointed.
a lot of my changes probably take the musical further away from the odyssey. i'm actually not too concerned about trying to faithfully follow the source material; i think it's more important to actually tell a coherent story, and when you're abridging the material, you need to cut stuff. just be clear that's what you're doing.
(also i'm not going to cover everything i think needs to be fixed. mostly just elements to support my theme.)
i think it's a given that the saga format doesn't work for the final draft of a musical. no shade, it was a really smart way to gradually release the musical. ultimately though, it limits the story because then they were blocked into sticking with a theme, and you end up with too many epic finale songs... but i'll stick with it to help organize here. i'm just not sticking with a "theme". mostly because i'm getting rid of the wisdom saga to better distribute its songs.
unsurprisingly, i've written far too much and it's poorly organized, so this is just act one. i'll reblog with act two.
act one
overall, i would say act one is by far the stronger of the two. i'm probably going to cut at least 30% of the current act two, but act one mostly just needs editing. some songs might need more work, but mostly they still get to stay in the same place. add some spoken dialogue and you've got a pretty decent start.
the troy saga:
most of the troy stuff is fine. i think it helps to set up this idea of ruthlessness, and shows the peacekeeping side of odysseus. could it be stronger? yeah. but i like it setting this whole thing up. i have 2 main changes here.
1) every time odysseus mentions penelope and telemacus, he needs to mention anticlea. the musical has a bad habit of not introducing characters/elements until they're relevant, and i think it suffers for that. including odysseus's mother in the list of people he wants to get home to makes her death more impactful. i was so confused when she showed up the first time; she needs to be in here from the start.
2) to go with my theme, i would do this: the reason odysseus needs to kill the baby is because the baby would grow up to kill him; however, that doesn't necessarily mean ithaca would suffer. zeus can word it really carefully - i don't think that distinction needs to be immediately clear to the audience, but after you know how the story ends you can go back and realize that when you re-listen to it. this doesn't require much tweaking, but it helps to really set up the idea of making decisions for the greater good vs for selfish reasons (maybe he could have raised the kid? and only he would have died in the end? i want the audience to question this!)
moving into the second half of the saga, i think we need to introduce odysseus's men earlier. maybe a scene of him commanding them in troy? since i'm talking about a full musical instead of the current format, this might just be dialogue, not a song. but i think we definitely need a little more of polites before he dies. i don't really like having odysseus start out untrusting and jumpy, which is how he comes across to me in open arms. it doesn't make sense for this to be a lesson he needs to learn now, after being king of ithaca for well over a decade. originally i was just going to cut him, but my fiance persuaded me to let him stay. plus his death to polyphemus is a very brutal turning point.
instead, i would have a song/scene where we set up eurylochus and polites as odysseus's two advisors, two different sides of his leadership. you could rewrite open arms to fit here. polites argues for presuming peace, and eurylochus views things with suspicion and wants to attack first to keep the men safe. this really helps set up mercy vs ruthlessness. it shows odysseus is already a leader who balances peace and action, and it makes polites's death all the more tragic, because he represents the death of odysseus's inclination towards peace.
finally, i find athena's introduction and focus on being ruthless in this and the next saga confusing. she's mad at him for not being less emotional and more ruthless, but i don't see what that has to do with him being a "warrior of the mind". instead, i would make it clear that she thinks he isn't being cautious enough. she's mad because she thinks he isn't being shrewd, not because he's being nice.
athena and eurylochus should be coming from the same place: we need to be overly cautious and strike first, because that's how you stay safe. and rather than having a jumpy odysseus being taught to trust people by his soft bestie, i think he should be a general, exhausted from fighting for 10 years, jumping on the idea of relying on trust so he can relax and not feel so jumpy. his duty is to balance these two ideas, mercy vs ruthlessness, but because he chooses only mercy without remaining vigilant, polites dies and now he only has eurylochus to give him advice, meaning no one else is trying to suggest mercy. (i don't think eurylochus is bad - actually, he clearly prioritizes the crew and is always suggesting whatever is best for them. but often what is best for you isn't the best for those you come across, which is why it's the leader's job to balance those two things - again, the theme i'm going with in this version.)
anyways, athena needs to focus on pushing odysseus to be more suspicious and calculating, not more ruthless. she scolds him at all the same points, but now it actually makes sense. i don't love their flashback, but i don't have suggestions to fix it, so we'll leave it alone for now.
the cyclops saga
not too many notes here. getting to see the crew more gives it a little more weight (the stage production needs a tiny dialogue scene where you get quips and comments from nobodies so they're a little more recognizable when they die! make people even sadder!), but this is a really chilling series. the exposition bits need rewording (and again, a stage production has the benefit of 1) spoken word, and 2) stage directions so you can just show things happening).
odysseus's convo with athena needs work. as is, this doesn't seem like a good place for "what good would killing do when mercy is a skill more of this world could learn to use." this is supposed to be the stance athena takes at the end of the musical, but this particular act of mercy seems to lead to the death of most of his men in the very next act - which really makes it weird that athena apparently agrees with that sentiment.
i don't hate everything about this line, especially if we actually see athena ruminating over the line over the next 10 years. but it needs to be clear that it is not mercy but pride that leads to the death of his men. or, if we want to make it about mercy instead of pride, it shouldn't be as the sort of threatening brag that it currently is; instead, frame it as "even now, when we've beaten you, we're still choosing to let you live. because i, odysseus, king of ithaca, have chosen to show you mercy." obviously yes it's still his pride, but then when everyone blames his "mercy" for getting his men killed it makes more sense.
(coming back to really hone in on the idea that mercy isn't the problem here - maybe eurylochus notices something is off before polyphemus starts singing, tries to point it out, and gets brushed off as being too suspicious and bloodthirsty? yet again, i find the musical's stance on mercy confusing. is it good? they seem to want it to be - that's definitely what open arms implies, especially since it gets repeated so often. except the musical stresses that mercy is *why* everything went south here, and it rarely actually shows mercy working. it's confusing. i think this whole thing should feel more like odysseus was reckless, the only thing athena calls him that actually makes sense, and that's why this didn't work. the characters don't need to say it directly, but the musical needs to better frame it that way.)
(an aside, but they still grab sheep on their way out? obviously they're still starving but like. i'm side-eyeing the way everyone (in the musical) acts like he was so "merciful" for leaving polyphemus alive, but even after he learns the sheep are polyphemus's friends and their deaths are what drive him to violence, he still makes a point of stealing and killing them... this isn't a serious criticism i'm just poking fun at it. but hypocritical much?)
athena's anger in my goodbye makes no sense to me - not that she's not justified, but that her reasons make no sense. she calls him "sentimental" and "soft", but that's absolutely not the problem here. she should yell at him for being prideful and cocky. accuse him of sparing polyphemus just to feed his own ego, or of being short-sighted - she mentioned the danger of leaving him alive in the last song, why not bring that up again? why doesn't she scold him for foolishly giving up his name? it's really weird that she keeps harping on the idea that he's "emotional".
odysseus's retort is good, but also a bunch of people just died so it's weird that he's so confident about how right he is. "my friend is dead, our foe is blind. the blood we shed, it never dries" from the last song, and "unlike you, every time someone dies I'm left to deal with the strain" in my goodbye are really good lines. more of his position needs to come from his exhaustion, because odysseus is smart. he's a brilliant general. this does a better job of explaining why he's making so many mistakes early on, and why he's pushing back against athena so hard despite the fact that he just fucked up real bad. he was wrong. he should have acted faster like she warned him to. but making him a man, exhausted from a decade of fighting, desperately trying to grant mercy where he can? his pushback makes more sense.
also, him jabbing at her for wanting "to be known" and being alone? really weird. the musical frames athena as this loser whose only friend was odysseus. i don't get it. especially when you're calling her a goddess who doesn't understand feelings right before that? which is she, a powerful goddess or a lonely girl? stick with him accusing her of not understanding human emotions and interactions. it still gives her a reason to stick around - she can be offended by the insinuation that there's something she doesn't understand, and it gives her a reason to dwell on his comments and eventually change.
the ocean saga
eurylochus needs to call odysseus out; if he'd listened to him, if they'd acted faster against polyphemus, they might not have lost those men, including polites. obviously that might not be true, but it feels like that's what his position should be. it's really weird that they're nervous about the wind god because "your luck might run out" rather than "you did just make a bad call that got people killed". especially when odysseus says "i took 600 men to war and not one of them died there." sure, not there, but you just lost a couple to a cyclops. this more deliberate questioning makes the sidebar with "i can't have you planting seeds of doubt" a little more serious. it's not just "what if you're not lucky," but also "what if you're not as sharp? what if you're making mistakes and bad calls?" the luck thing works for the rest of the crew, but eurylochus's role in this musical is to question odysseus and challenge him as a leader, to make sure odysseus is doing what will keep the men safe.
eurylochus questioning odysseus more pointedly makes the betrayal in the next song make more sense. we should already have the sense that he's starting to doubt odysseus's judgement. his "luck running out" doesn't really explain why you're doubting him with the wind bag; but if you think he's hiding things or making bad decisions, suddenly it makes a lot more sense. i think the implication in the show is that it's just curiosity, and we don't even hear eurylochus asking about it. now, if we have already established eurylochus is already questioning odysseus's judgement, it's a little less weird when we learn he's the one who opened it.
again, we need a mention of anticlea, and she should sing with penelope and telemacus.
honestly? basic take here but i like ruthlessness. i'm fine with not changing my theme to use a better word because this one is a banger. and the one animatic with him as a creepy horse? more horse poseidon imagery, please.
i think poseidon needs to call out specifically how hypocritical odysseus is more. lean into that "false righteousness". the problem is that he isn't being "nice" or "merciful", at least not in those moments, not in how he's currently behaving. most of this interpretation is already there; honestly, just changing the delivery of some of the lines would go a long way. "you are far too nice" needs to have the last word almost spat out - poseidon doesn't actually think odysseus is nice; nice is just a word odysseus is hiding behind to justify his actions. i'm sure it could use more work, but at a glance i really like this one.
it goes without saying that the ending sucks ass though.
i can't imagine anyone thinks that was a good ending. idk how to fix it because the current one is so bad it's hard to think of any way to have something good there. you just can't have the jaunty "open this bag" music in there at all. i know they like to mix in motifs and call back to other songs, but it fucking kills all the momentum in what is otherwise a very dramatic song - and we need to be able to take this song seriously, because it's what the entire rest of the musical is based on. i'm open to a completely different ending, but if you want it to stay relatively close to the current staging: poseidon and odysseus stare each other down. poseidon asks "any last words?" and you think odysseus is about to say something dramatic and instead... he yells "eurylochus!" poseidon is confused, but eurylochus responds with "captain!" and, understanding what he's asking for, throws odysseus the wind bag (he helped odysseus close it, so maybe he got it then, or at some other point, idk). and then odysseus opens the bag in poseidon's face. then everything poseidon does is the same, the effect is the same, you just don't get the musical equivalent of a wet pool noodle slapped across your face.
the circe saga
first! an addition! the musical wants athena to be a foil to odysseus, but they do such a poor job of exploring her character or logic at all, it just doesn't work. her character revolves way too much around odysseus. she says goodbye, and then we see her 4 sagas later (half the musical) where, apparently, she's decided odysseus was right because... maybe if she'd agreed with him they would still be friends. and then she defends everything he's done... look, i'm getting rid of god games, so i won't go into that now. yeah, odysseus is still what prompts her to change her mind in my version, but he's just the start of that journey. she's going to have other reasons. i want to add in a couple songs throughout the musical, just to show the transition a bit. additionally, they can help show time passing in odysseus's story by breaking it up a bit.
this first song is a small one. it's just telling us what athena is thinking and what she's going to do. it's basically her mopey and angry that odysseus insulted her. but she's a goddess of wisdom and intellect, so she's kind of intrigued - maybe there is something to learn about leading with kindness. i haven't decided how she ends up back in ithaca, but she's decided to investigate this. i know the popular (not academic, more fandom-related) interpretation of greek gods is that they're all stubborn and that's the whole point, but for the sake of this story and the theme (and also the character), i think athena should take the stand that if there is wisdom to be gained, it is her duty to learn it. again, this one is pretty short - a verse of angry, and then she talks herself down, and then she's setting out to investigate - a little bit to learn something new, maybe a little bit to prove odysseus wrong.
the athena song can also go at the end of the circe arc. i was going to put another one in there, but the pacing and time line don't match well, and monster is definitely the finale to act one. i wanted to fit something along the lines of the start of the wisdom saga in here, but i think i'm going to put it at the beginning of act two, so. only one extra song for now.
onto the actual saga: i think it's done pretty well. some of the phrasing is awkwardly fit into songs, but that might just be me, and it's overall not egregious. i will confess that "she had us in just two words" "come inside" "damn" does make me giggle every time like a 12-year-old boy. i didn't mention it in my post on the musical's women because i don't think the text directly addresses it, but there's a definite implication that circe is as harsh as she is to protect her nymphs from sexual assault, which they might have faced before. removing the undertones of that from her relationship with odysseus was the right call - i don't think that's a conversation this musical actually wants to have, and it muddles her justification for how she handles the men.
circe is also gives us someone to compare odysseus's leadership to; she's basically the only other leader of a cohesive group that we see. her harsh policy stands in direct contrast to odysseus's earlier choice to start with unchecked "mercy". in turn, her nymphs are safe. we see her later learn that there are times where you can extend mercy and trust, so she even has character growth. (you could make a very interesting comparison between circe & her nymphs and the sirens, but that's a discussion for outside of the musical, so i'll leave it for now.) i wouldn't be surprised if other people have criticisms, i just haven't been able to find basically any critical discussion of the musical, so.
you could mostly leave this saga alone, but i'm inclined to take my red pen and make some bigger changes. i'm just not sure how to. i really don't like hermes and the flower being inserted here - again, i think there's too much bloat in the musical of "oh here's a thing that's in this specific bit, clearly just because that's what happens in the odyssey, and then we won't talk about it again." hermes does appear in two songs, but actually, does he need to? i'm of the opinion that the musical needs fewer characters so that it can better focus on developing the ones that actually need to be in here. the only problem is that odysseus needs the flower from hermes to explain why he has magic in the next song. okay, so what if no magic is used, and he just uses his wit to convince her? except that's basically what the plot of the next song is. so at this point i've basically gotten rid of two songs and completely changed the third, and that doesn't really work. or need to happen.
i stand by wanting to remove hermes. i think you can just give odysseus some line to eurylochus about having heard about a plant on these islands that makes one immune to being transformed by magic for a time. i don't think it's important - it's literally a small, one-time detail just to explain why circe doesn't immediately turn him into a pig. he doesn't need magic in done for - he can just fight with a sword while circe is slinging spells at him. and then you can still go into there are other ways.
the one change that i think does need to be made is that odysseus needs to spend a year on the island. he needs to be stuck here. it does mean you have to basically cut the song in half, but that just means the second part, where circe decides to help odysseus, needs to be a reprise. i think you have circe trying to seduce odysseus, and then she's shocked when he rejects her. the difference is that he doesn't fully win her over; instead, she decides to give him and the rest of his crew one year. for one year, his remaining crew recovers on the island and rebuild the ship, helping the nymphs with whatever tasks they ask and basically proving "not all men" are terrible. finally, odysseus shows that there's payoff to being a merciful leader! he saves all of his men! as they're finally preparing to leave, penelope shows up, we get the reprise, and she sends them to the underworld. all is well!
the underworld saga
or, all is not well.
this is where i spell out my theme: while a good leader is merciful, mercy takes time. and that extra time can be detrimental to personal goals.
this is why it's important to mention anticlea earlier, and why the crew spends an extra year on circe's island trying to save the rest of the men. taking a year to save his men makes odysseus a good leader, yes, but it might have cost him a chance to see his mother before she died. it doesn't matter when she actually died in the odyssey - what matters is that this is really what makes odysseus question the cost of mercy. this is where he starts to put his own desires over the safety of the crew, because the cost of taking too long is suddenly real - as is the cost of taking time to be merciful.
i actually don't have too much to add. some edits might need to be made to fit with other changes, but overall it's fine.
okay, there's act one! this is definitely long enough, so i'll reblog with act two. suggestions and conversation are welcome; again, my fiance already changed my mind on one part. i haven't actually see any discussion on changes yet, so i'm happy to consider other changes, or for mine to be challenged (by something other than "actually this is perfect").
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yourfavoritewitchbitch · 1 year ago
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Evermore - Steve's Ending
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Series Summary: It's been 7 years since the love of your life left you behind for his career. When he decides to come back, is it too late to start anew? Will you decide to start over or realize what's been right in front of you this whole time?
Just a small note: Thank you all for sticking around with me on this small journey! Enjoy!
Masterlist found here!
18+ Only! MDNI!
Warnings: Reader is referred to as "Peach". AFAB reader. Tad bit if angst at the beginning, mostly fluff. SMUT. Unprotected P in V. Creampie.
Word Count: 6k
You turned the car around to head over to a house you knew fairly well. You’d been here a couple of times since he had moved Wayne out of Forest Hills.
The black sedan he’d rented sat in the drive as you pulled in behind it, shutting the ignition off and taking a deep breath. You sat there a few moments trying to gather yourself.
You slowly moved from the driver’s seat, as your feet that currently felt like chunks of lead, carried you up the drive. You took the steps one by one until you were face to face with the door.
You hesitantly lifted your fist, knocking three quick times, holding your breath in the process.
Muffled voices came through, he was standing before you as the door swung open. Bright eyes, but a little surprised to see you.
“Peach.” He breathed out.
“Hi Eddie.” You smiled, genuinely. Deep down he knew why you were here. “Can I come in?”
“Sure, sure.” He nodded, moving out of the way for you to enter.
You followed him into the kitchen. “Want something to drink?”
“No, I’m good. Come, sit with me.” He took the chair across from you, bracing for the worst.
“Eddie, I just came to tell you that our kiss wasn’t a mistake, but it made me realize that I should have closed that chapter of my life when you left me. I need to move forward, so should you.” You watched his whole demeanor deflate.
“You shattered my heart, and I was waiting for a different version of you to come back home. We're in such different places in our lives now. I… I’m sorry.”
“Yeah, yeah. I get it. It’s not like I wasn’t expecting it, Peach. But uh… You’ll be seeing me around. I’m not leaving Hawkins. I’m staying with Wayne for a while. Taking some steps to stay sober.”
“Eddie, that’s great. I’m so proud of you!” beaming at him. God he was going to miss that.
“Yeah, already smoothed it over with the boys.”
You both grew silent. Unsure of what to say next.
“Peach, it's ok. I shouldn't have been expecting you to drop everything and pick up where we left off like everything was fine. I can't tell we’ve both changed.” His eyes told a different story, but you didn't say as much.
“So, I guess I'll be seeing you around Hawkins. Come by the Hideout sometime. Maybe you can show these kids you can still rock.” You grinned as he laughed.
“Sure! I'll do that.” His smile grew, but you were unsure if he'd actually take you up on the offer.
“Well, I've got to get going.”
“I'll, uh… walk you out.”
You both stood, him leading the way opening the door as you began to descend the stairs.
“Hey Peach, maybe when you are ready to love someone again, don’t look so far, huh?”
You looked at him, brows pinched in confusion.
“What are you talking about Eddie?”
“You’ve always been oblivious when it comes to him.” Letting out a hearty chuckle. “Bye Peach. I’ll see ya’ around.”
You’ve always been oblivious when it comes to him.
Those words tumbled around in your head as you drove back home.
You didn't want to accept the fact that Eddie saw something you hadn't yet admitted to yourself.
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A few days have passed since your conversation with Eddie. You felt you were in a better place, feeling lighter and finally allowing yourself to move on gaining the closure you finally needed.
Steve and Robin weren't entirely convinced. You outwardly seemed fine, but they hovered and watched to make sure you didn't shrink inside yourself.
It was Robin who suggested it.
“Why don't we have a sleepover? Just the three of us like old times?” She blurted out as you all met for lunch one afternoon.
“Who'd watch Maddie?” Steve asked. He didn't want to impose on anyone knowing she usually stayed with either of you if he was busy.
“I'm sure Vickie won't mind. Maddie loves her. Peach, you in?” Looking toward you, wide eyes seemingly begging.
“Why not?” You shrugged.
She couldn't contain the grin that spread across her face as she reached over and hugged you.
“Yes! I'll bring a couple of movies and we can make some popcorn. Could even bring my old sleeping bag. Camp out in the living room all night…”
“I'm stopping you right there Rob.” Steve cut her off before her rambling really picked up. “I’m not 18 anymore. My back and body aren't going to lay on the floor all night.”
You laughed out as she threw a fry at him.
“Party pooper.”
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“Daddy, I wan see Peach! I wan go with you and Bobby!” Maddie was protesting from the back seat as he drove over to drop her off with Vickie for the night.
“It's for adults only tonight. You stay at Peach's all the time it's daddy and Bobby's turn. Right? It's not fair you get to have all the fun.” He watched through the rearview as her scrunched brows softened as she thought over his words.
“Just for one night Daddy!” She finally settled down.
“Right, baby. One night.” He let out a small laugh, smiling to himself knowing how much she loves you as she finally busied herself with looking out the window.
He pulled into Robin's, helping Maddie from her seat as she made a beeline for the door. Knocking excitedly, not giving Steve a second glance when Robin opened it.
“Hey bug! Vickie's in the kitchen getting some yummy snacks together.” She said, bending down to greet her.
She stood, meeting Steve carrying all of Maddie's overnight gear.
“Hey Dingus!” She said, taking her small Baby Bop backpack from him.
“Ready to go?” He placed the rest of her stuff on the couch.
“Uh… about that.” He snapped his head toward her. “Don't get mad, but I'm not going.” She anxiously smiled, trying to deflect, holding up her hands.
“This was your idea, Robin! What do you mean you aren't going?” He huffed, placing his hands on his hips.
“And this was also my idea. You can go have a nice night. Look,” she produced a couple of rentals. “You can watch a couple of movies and talk about your feelings. Perfect! And you'll have all night to do…things. Whatever you get up to.”
She grinned wide, proud of herself and her foolproof plan as she looked back at his very unamused frown.
“Steve, just listen to me. She turned Eddie down and it's so painfully obvious to everyone but you two. You're both idiots. Just talk to her! Tell her how you feel! I'm tired of seeing you mope around.”
“I do not mope, and I just don't think I should bring it up right now.” He sighed, already exasperated.
“When's the right time, Steve? You've had 7 years to make a move. You know where she stands with Eddie. It's now or never!”
She grabbed his hand, pulling him toward and out the door.
“Now go!” Shoving the VHS tapes into his chest.
“Have fun!” Slamming the door in his face, not letting him argue or protest.
“Shit.” He breathed out, knowing she was right.
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You'd gotten the house ready. Grabbing extra blankets for the living room, in case Robin held you to actually staying in there all night.
It would be good for you to spend time with them.
You totally hadn't been ignoring Steve because you were trying to hide from him and your rather obvious feelings, right?
After Eddie's comment it had you questioning everything. You and Steve were best friends, he wasn't in love with you. Was he?
Your inner crisis had to wait as you heard the front door open.
The hugs that lasted a little longer, the soft touches and sweet looks… fuck.
“Peach?” Steve called out.
“In the kitchen! I'm making your favorite by the way.” You called back, as he came into view.
“Hi.” He grinned, waving as he entered, sitting his overnight bag down on the counter.
“Hi. Where's Rob?” You looked past him, expecting her to follow in behind.
“Uh, she's not feeling well.” He placed his hands into his pockets, shrugging. “Guess it's just us tonight.”
“And that's a bad thing? You look like someone kicked your puppy.” You eyed him warily.
“No, I just didn't want you to be disappointed. S’all.” Shrugging again as he took a seat at the bar, noticing the way his cheeks blushed slightly. Steve was so painfully pretty. The way his shirt was tight over his chest and biceps when he leaned his arms on the counter, had you staring just a little too long.
“Why would I be disappointed? You're my best friend Steve. I love spending time with you.” You smiled, and turned back to the stove, trying to hide the way that your own cheeks heated at your thoughts.
“Steve, are you okay?” Knocking him from his current train of thought.
Best friend. Best friend. Best friend. He didn't need any reminders. His head and heart were both at odds with themselves already. And you were standing there looking absolutely beautiful in just a hoodie and some old shorts, his hoodie. Fuck.
“Hmmm, yeah. I'm fine. Need some help?” He smiled, trying to hide any hint of discomfort.
You put him to work chopping some veggies for a salad. It was easy with him. The way you both moved so fluid around the kitchen. Easing around each other because you've done it a million times before.
Steve was relaxing a little more as you chatted and got the rest of the food prepared but you could tell something was still bothering him.
“Hey Stevie,” catching his attention with a cupcake you pulled from a covered dish on the counter. “Want to ruin our appetites with dessert first?”
“Yes, please. God, I love your cupcakes.” He went to take it, but you pulled it back just out of reach, making him frown with his perfect pouty lips on display. Perfectly pouty and kissable lips.
You slowly peeled the liner from the spongy cake, as he watched you intently.
“You can have one, once you tell me what's bugging you.” You took a bite, with an over exaggerated hum of satisfaction. “Mmmm, so good.”
Frosting was left behind on your lip, that you quickly licked away, he couldn't help but watch the way your mouth moved. It was so unfair the way you were torturing him without even knowing it.
You, on the other hand, were completely aware of the way he was currently licking his own lips watching you.
“Here, have a bite you pouty baby.” Relenting and pushing the cake up toward him.
Instead of letting him take a bite, you shoved it a little upward. Frosting now dotting the end of his nose and top lip, he put his hands on his hips as you flew into a fit of giggles.
“Oh, yeah okay. Laugh it up.” Tongue in his cheek, trying not to give himself away. It was good to hear your laughter. Opposed to the tears you'd been shedding the last couple of times he's seen you.
He turned, dragging his finger through the frosting of another cake and holding it up.
“Paybacks a bitch, Peach.” Wiggling it toward you.
“No, Steve. No.” You started to back up but were caught in the corner of the counter. Nowhere to run as he advanced toward you.
He quickly grabbed the wrist that was still holding onto the chocolatey cake so you couldn't use it against him, as you tried to push him away, but his arms were longer than yours, hand pressed to his chest, still protesting. Easily maneuvering, he plopped the frosting at the end of your nose.
“There now we're even.” His laughter rang out, but he didn't make an attempt to pull away just yet wondering if you were going to try to keep this little game going.
You smiled, watching the way his eyes crinkled with his big, bright grin but then it suddenly felt too hot in the small space. His chest expands with each breath, warm beneath your fingers. All too aware when his laughter faded, and you were left staring at each other.
“Steve?” You asked, almost breathless.
“Yeah?” He searched your eyes for an answer. Anything to give him the go ahead.
“You can let go of my wrist now.”
“Right, sorry.” He let go, but you still felt his lingering warmth. He'd touched you countless times before but this felt different.
You reached for the napkins beside you, wiping the frosting from your nose. He stood there watching you until you pressed the napkin to his face, wiping the remnants from him as well. He exhaled a little loudly, as if he had been holding his breath.
He backed up, but you grabbed his forearm, holding his gaze, his caramel, mossy lined eyes staring back at you curiously.
You didn't realize the moment you inched forward, but your feet and body seemed to be moving on their own accord.
“Steve?” Inching forward still.
“Yeah?” He swallowed, eyes darting down to your lips and back up.
“Do… you want to kiss me?” Coming out a little raspy.
“Do you want me to kiss you?” He asked, hesitantly reaching his hands up to rest on your hips.
Your hand travels to his cheek, stubble prominent from the day scratching at your palm as your thumb barely traces his bottom lip. Hearing his breath hitch sends you into overdrive.
His fingertips find the exposed skin at your side as your (his) hoodie rides up, gripping just a little harder onto your plush, warm skin.
You're telling yourself to stop, but the back of your mind is telling you to dive, to fall headfirst because he'll be there to catch you, no matter what happens.
Your nose finally grazes his, chests pressing together. You close your eyes, lips grazing his as you speak.
“Is this what you want?”
His only answer is closing the small distance between you.
The moment your lips meet it feels like they tell you how it's supposed to feel in all those fairytales and movies. All those stories could never prepare you for the reality of it. Like it was always meant to be.
It was warm sunshine on your skin after winter’s long embrace. Heating you from the inside out.
His lips are softer than you expected, faintly tasting of the cherry Chapstick he always keeps in the car, as your lips mold perfectly to his.
He gently tilts his head, nose pushed into your cheek. He’s pulling your hips into his, tongue grazing your bottom lip, a silent plea as you grant him the access he so desperately craves.
He's dreamt of this very moment more times than he would like to admit.
He's hoping, praying it isn't a dream he's going to wake up from at any moment. He's barely had a taste and can't get enough. He'll never have enough of you.
His mind's racing, your lips, tongue, the way you taste. It's all he can think about.
Your tongues glide along one another, as your hand reaches the nape of his neck, trying to pull him closer as he backs you up into the counter.
Your kiss gets a little more needy, pulling at each other.
Pushing his hips into yours, his hard length presses into your lower stomach as he swallows another wanton moan drawn from you.
He surprises you when his hands suddenly wander to your ass kneading a moment before hauling you up quickly to sit on the counter making you break away from him with a loud squeak, hanging onto his neck.
He easily slots himself between your parted thighs bringing his forehead to yours, gently squeezing the plush of your hips, then moving to rest his hands on each of your thighs. Thumbs rubbing softly across your bare skin, just skimming under the fabric of your thin shorts.
His eyes were blown wide, as he stared down at you. The caramel mossy irises now just a small ring, rimmed around the almost black pools full of lust mixed with adoration.
“Is… is this, okay?” He asks, giving you an out.
“Yeah, Stevie. It's better than okay.” You rake your fingers through his hair, pushing it back from his face.
“I.." "we" you both began.
Laughing at the absurdity of it all. This was Steve, your best friend for the better part of your lives but it was suddenly a little stifling.
You felt bashful under his gaze. Cheeks heating at the possibilities of what might come next.
You wanted him. All of him. Knowing right then and there that one night would never be enough with him.
Grabbing the front of his shirt, you pulled him forward with ease as your lips meet once more. The timidness long gone; you were both greedy. In dire need of more.
Your hands grasp the fabric in your hold, as his begin to roam. Up past your thighs, landing on your hips once more. Trailing up a little further under the hoodie, his fingers found your exposed waist. The soft touch sending goosebumps across your flesh and a little spark to your core making you release a breathy moan that made him grin into your kiss, knowing just his touch could pull those sweet little sounds from you.
His thumb grazed the underside of your breast, making you keen into his touch, craving more, rolling your hips forward looking for a little friction.
Realizing you weren't wearing a bra underneath, he groans, pulling away slightly as if asking for permission, searching your face for any hesitation. You nod quickly, unable to hide your desperation.
His lips found your jaw as his large hand engulfed you fully under your shirt, kneading you softly before his thumb grazes over your nipple causing it to peak stiffly under his touch.
“Fuck, Steve.” You whine out, pushing your chest further into his palm, your head falling back, exposing more of your throat to him.
His lips find a sweet spot right below your jaw, sucking lightly before soothing it with his hot tongue.
You slowly move your hand down his chest and abdomen, hesitating just a moment before you find the outline of his stiff cock beneath his jeans. He hisses lowly as you palm him, breath hitching, hips bucking on their own, as he stops his current ministrations.
“Peach, I… fuck…” his forehead meets yours, arm curling around your waist, pulling you toward him as your core finally meets him.
You roll your hips into his, clit catching on the denim through the fabric that separates you so cruelly, wrapping your legs around his lithe waist holding him there as you moan in unison.
You look up at him through your lashes, he looks as wrecked as you feel, and he hasn't even touched you where you need him the most.
His eyes are closed tightly, brow pinched, and lips parted, releasing a shaky exhale.
“Steve?” You ask.
“Hmmm? Yeah?” Finally looking at you.
“Bedroom?” You smile, tucking your bottom lip between your teeth.
“Yes. Fuck, please.” He nodded, helping you down from the counter. Your body pressed tightly to his as you slid down.
He grinned that soft, lopsided smile as you took his hand in yours pulling him out of the kitchen. He held onto you tightly as you raced up the stairs, giggling like a couple of horny teens.
Pushing your bedroom door open, you swallowed the lump that seemed to be stuck in your throat, as he hesitated at the threshold. An invitation to your bedroom meant more than just sleeping over as friends.
There was a line drawn that you were about to cross. It would mean something more, be something more.
Kissing him had been toeing the line, this would be jumping headfirst.
"Are you sure this is what you want?" He asked whether for you or him you weren't sure.
"I'm sure. I want you, Steve. I… I need you.”
He crossed the threshold, kicking the door shut behind as he entered. Closing the small distance between you in just a few short strides.
One arm snaked around your back, the other palm to your cheek, fingers extending into your hair.
He pulled your face close, nose gliding down the slope of yours as your forehead met his. You moved your hands, one to his bicep and the other on top of the hand that held your cheek.
"Say it again, please." His lips grazed your top lip as he spoke. Wanting to take your mouth fully but he needed to hear those words once more. Making sure it's what you want. Confirming you want this just as badly as he does.
"Steve, I want you. I want all of you.”
That was all it took. His lips met yours once more. A searing kiss but had you begging for more. It was sloppy, teeth and tongues clashing.
He moved forward into your space, your hips meeting his. Taking the hint, you started to walk backwards toward the bed all the while, your lips massaged across his.
When you reach the edge of the bed, he guides you back to lay down. Caging you in. Slotting himself between your thighs as he pressed his clothed length where you need it the most, rolling his hips slightly.
He suddenly stops, body a little rigid and huffs out a small laugh fanning out across your face.
“What? What is it?” Searching his features, a little dopey smile as he pinched his nose.
"Fuck. I uh…," he giggled then. "I don't have a condom; not like I've had any action in… oh I don't know. How old is Maddie, again?"
You lightly smacked his arm and laughed out as well.
It was so sweet, watching him struggle with the words but you weren't any better off.
You looked at him, all innocent eyes when you spoke.
“Thank God for birth control, right? I'm on the pill Steve. You can even cum in me, if you want.”
His dick throbbed with your words, as he buried his head into your neck and groaned.
“You can't say shit like that. I'm already so fucking hard.”
“I know, I can tell. Now take your clothes off.” Nipping lightly at his jaw.
In one swift motion, he sits back on his heels, pulling his shirt over his head. You can't help but admire his bronzed body, still kissed by the summer sun. You've seen him shirtless plenty of times, but it was like seeing him for the first time in a new light.
Your eyes follow the hair from his chest down to the top of his jeans.
“Your turn.” He smirks, as he helps you sit up, taking it upon himself to find the hem of his hoodie and pull it up slowly over your body.
The moment you can't see, hoodie up over your eyes, your chest is exposed. You hear his breath hitch just a moment before you feel his lips latch to your pert nipple. So caught off guard, you barely wrenched the fabric off of your head letting out an obscenely loud moan as he lays you back on the mattress.
“Fuck, Steve.” Your hands find his hair and tugs as he moves to the other, swirling his tongue over you. His hand glides down your soft stomach slipping past the top of your shorts.
You suck in a breath, as his fingers brush past your clit, delving between your already soaked folds making your back arch off the bed with a whine.
His mouth leaves you with a pop.
“You're soaked, honey.” He grins, pulling his hand away, placing his lips back across your chest.
“Tease,” you cry out as he smiles against your skin.
He pulls back once more, hooking his fingers into your shorts, pulling them down and tossing them somewhere across the room. He takes a moment to appreciate you. Eyes not sure where to land.
“You're so beautiful, Peach.” He hums, getting up to pull his own pants off. He unbuttons them, locking eyes with yours, pushing them and his boxers down in one swift motion.
You knew he was big, but all those rumors from high school were true, he was huge. Your mouth hung open just a little, as you watched him spit into his palm bringing it back down to tug on his stiff cock. He was long and thick, curving slightly upward. His ruddy tip leaking a pearly bead of precum, as his thumb glides over the top smearing it back down his length.
“Fuck, Steve.” The sight has your cunt clenching around nothing, aching to be filled.
He crawls back over you, pushing your thighs apart, so he can see your pussy on full display for him. Your folds glisten with your slick, making his cock kick up at the sight before him.
“All that for me? Fuck… Peach, I'm going to be honest with you. I need to feel you, I need to be inside of you but I'm probably not going to last.”
You giggle at his confession, endearing as it was.
“It's okay, I need you too. Please, just fuck me, Steve.”
Your words, your body, everything has such an effect on him. He's afraid as soon as he gets in he's going to blow his load right then and there.
He leaned in to kiss you once more. Less feverish, less needy. Languidly his lips move against yours. Tongues intertwined, tasting and taking from each other all you were willing to give.
He was leaned up on one arm by your head, reaching between you both, fingers dancing across your slit before pushing through your folds, easing into your entrance.
Your head flew back at the sudden intrusion, mouth going slack, as he began to circle your clit with his thumb pumping his fingers slightly.
“So fucking tight, I… fuck. I need you.”
He pulled his fingers away, taking hold of himself and slid it in between your folds. Bumping your clit, once, twice, three times, moaning out his name. He could die a happy man hearing you so breathless for him just for him.
He lined himself up with your entrance. The tip slightly breaching, already feeling like he's going to split you open.
He pressed in, inch by inch, already keening into him from the feeling of his girth breaching your walls, filling you completely. You moaned into each other's mouths. No longer kissing, exchanging short, labored breaths.
Your eyes were closed, relishing in the stretch, the slight burn trying to accommodate him as he bottomed out.
"Steve," you breathed out.
"Mmmm, yeah?" Almost too gone in the feeling of you.
"You can move." You giggled, as he groaned again.
"Yeah, just… I need just a minute." He breathed out, a little ragged. Trying to compose himself.
You let out a small giggle as you nodded.
"Don't, I can feel you moving when you laugh. You're clenching me.”
"Sorry, Stevie." You kissed his forehead, at the same time he moved his hips, withdrawing almost all the way before sheathing himself back in, burying himself completely.
Whatever you were about to say, died on your lips as you gasped, the feeling knocking the breath from you.
He set a pace that had you both moaning. You gripped his shoulders to ground yourself in the feeling of him.
"Oh God, Steve. Y'… You feel so good." He wasn't rushing, his pace near languid. You could feel every ridge and vein moving within your walls.
He hummed in response.
"You feel so much better than I could have imagined. So fucking tight, so fucking warm."
"You thought about this alot, hmm?" You quipped.
"Yeah, yeah. I have." He kissed your lips once more. A peck before slightly picking up the pace.
In and out. In and out. The heat in your belly started to pool. He was stimulating that spot within you with each pass, as your cunt fluttered around him.
“Fuck, are… are you close?” He hissed out, hips starting to lose their rhythm.
“Yeah, but I know you are too. Cum in me Steve.”
Your words hurdled him over the edge. His lower stomach tightened as he began to spill within you. Thick ropes of his cum painted your walls. A few more languid thrusts, he stilled. Falling forward, chests pressed impossibly close. He let his head fall in the juncture of your neck.
You reached up, fingers playing with his hair lightly at the nape of his neck.
“I'm so sorry. You… I thought you might be closer. It's just been so long, and you felt so fucking good.” Coming out a little muffled, lips pressed to your skin.
“Steve,” you pressed on his chest, “it's okay.”
“No, no. It's not. Can I taste you? I just want you to feel good too.” Sitting up, his face lit up at the prospect.
“Yeah, but you just came…”
“It's ok baby, just lay back. I'll take care of you.” His lips curled into a devilish smirk, as he finally pulled out his softening cock. His spend leaking slowly out of you, onto the sheets below.
“God, you're a mess baby.”
He pulled your legs apart, pushing himself onto the mattress, face so close to where you wanted him. His broad palm held one thigh, as he began trailing light kisses to the other.
“Please, don't tease me.” You whined, as his tongue licked a broad strip up your folds, the tip circling your clit, effectively cutting you off.
“Oh fuck, Steveeeee.” You whined out, hips bucking up, as he pushed you back down, pinning you in place.
His lips sucked your clit harshly, tongue swirling over the bundle of nerves setting you a blaze, humming as you tugged his tousled locks.
His finger circled your entrance, a mixture of his cum and your arousal making it easy to slip his finger in, pulling it back and quickly adding another.
He began pumping, then curling upward to reach that spot that would have you seeing stars in no time.
“Oh, Steve.” Breathless, as you brought your hands up to your breasts pinching your nipples. It didn't go unnoticed, as he groaned watching you.
“Fuck, your perfect,” he murmured into your pussy. Quickly pressing his tongue back to you moving rapidly, fingers continuing their assault against your frontal wall.
“Right… right there. Don't stop!” He kept the pace, lifting his eyes to watch you come undone.
Your eyes fluttered closed, brows pinched tight with concentration. You were so close now.
A few more licks and fingertips brushing that perfect spot, you gasped out. It felt like you were on fire from the inside out. It was pure bliss as those fireworks flew behind your eyes.
“That's it, baby. Come on my fingers. Come f’me.”
He worked you through it, until you had to push his mouth away.
He slowly crawled up to lay beside you as you tried to slow your heavy breathing, opening your eyes to him grinning wide, a sheen of arousal still coated his chin before he wiped it away with the back of his hand.
“Hi,” turning onto your side to face him as he does the same.
“Hi. Was… was that, ok?” He asked a little sheepishly.
“That was amazing, Stevie.” You giggled. “You might have to work on your stamina a little.”
He grabbed a pillow and threw it at you, laughing out, hauling you into his chest. The laughter subsided as you stared up at him, hand splayed over his heart.
“Peach, I hope this isn't a one-time thing… Fuck.” He rolled over on his back, covering his face with his hands, as he groaned. You could tell he was at odds with himself.
Reaching up, you tugged his wrist lightly.
“Hey, look at me. I'm not going anywhere. I'm right here. With you. You… don't regret it, do you?” Sinking into yourself at the thought.
“God no. I… I just… I'm in love with you. I think I've always been in love with you. I don't think I can go back to the way things were… if this… if you…” He closed his eyes, letting out a heavy sigh, ready for a letdown.
“I know, Stevie. I want this. I want us. You, me and Maddie. I can't imagine my life without you. I love you, Steve Harrington. I'm sorry it took me this long to realize it.”
His raised up, eyes softening at your admission. Hand coming to cradle your head, “Yeah?”
“Yeah.” Nodding, as your lips meet.
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After what felt like hours of talking, he slowly fucked you into the mattress. The urgency was no longer there, and you were free to explore each other slowly.
Whispering “I love yous”, kissing, touching. Seemingly making up for lost time.
He watched you fall apart beneath him as his cock split you open, spilling inside of you once more soon after.
As you laid beside each other, coming down from your highs, he whispered in the dark.
“Can I keep you?”
Your answer came with a kiss, wanting nothing more than to always be his.
You finally pulled yourselves away from bed, thoroughly spent. Showering together and then making it back down to the kitchen for cold spaghetti, long forgotten between confessions and a love drunk haze. You made sure he got a cupcake this time.
With full bellies and full hearts, you snuggled in close to him. Pressed into his side with your head on his chest.
You were happy, with a man that you were undoubtedly in love with, jumping in headfirst.
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The sun brought soft kisses in between the sheets, reluctantly untangling yourselves knowing that Robin would be dropping Maddie by soon.
You sipped coffee together and cuddled close on the couch before making breakfast. It all came so naturally for the both of you.
He couldn't keep his hands off of you. Soft touches to your lower back as he passed by. Squeezing softly at your hips as he came up behind you, pressing his lips to your temple and you couldn't get enough.
The door opened just as you were about to sit down for your meal, tiny feet running quickly through the house.
“Peachhhhh! Daddyyyy!” Maddie yelled, bounding into the kitchen. Bright eyes and chubby cheeks, as she ran straight over to you.
“Hey baby!” Hugging her tightly to your chest as you picked her up. “Did you have a good time with Bobby?”
“Yeah, she let me stay up til’ late an… an then we eat popcorn, but I missed you.” She threw her small arms around your neck.
“Hey!” Robin walked in, throwing Steve a sideways glance.
He just grinned and took a sip of coffee, looking down at his cup as his cheeks heated, turning the slightest shade of pink.
“Well?” She asked, already knowing the answer with his flustered appearance.
“Uh, yeah, Rob. We uh… finally had that talk.” He said, leaning back on the counter, smirking toward you.
“Well, we are going to talk all about this. Not right now of course. Oh my God. I can't believe you finally did it! Steve, you look really happy, and I can tell by that grin you got la…” Slapping a hand over her mouth, realizing what she almost said in front of tiny ears.
“I mean you got… lasagna… Yeah.”
“Nice save, Rob.” You snorted, sitting Maddie down as she ran over to Steve. “He did get spaghetti though.”
“Is that… is that supposed to be code for something?” She looked confused between the two of you. “You know what, never mind. I'm leaving. I'll call later. Bye Maddie!” She called over her shoulder.
You turned, grabbing your coffee and looked over to Steve and Maddie chatting away in the corner. She was telling him all about her night, with big enthusiastic giggles.
Her big hazel eyes and fluffy morning hair, mirroring his perfectly.
He was so focused on her, face lit up with every little detail he didn't notice the way you were staring at them.
A little teary eyed, you were so full of happiness as you watched them. Ready to start a new journey with these people you loved.
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myl0v3l1f3 · 3 days ago
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MY SILLY CO09 PARENT AU
Okay theres like...5? main couples Jecka/Nicole Emily/Ari Kelly/Megan Kylar/Crispin Hunter/Kyle
They're all grown up in this Au, (all in their 20's). Ngl most r teenage pregnancies but only cus i refuse to think of them being crusty 40 yr olds. They also live in England cus i said so and i have no clue what america is like 😋 The timeline and ages will make no sense <3
Jeckole
<3 - They have a eight year old daughter called Nadia <3 - She was born when Jecka and Nicole (mtf) were 18. <3 - Neither of their parents were excepting so they were kinda homeless for a few months. Emily let them crash at her boyfriends place until they had enough money to rent this minging 2 bedroom flat in the grimiest part of the town </3 they couldn't afford anything else though so it had to do. <3 - Nadia looks mostly like Nicole. "glow in the dark" pale, brown hair, stick thin. Her hair was thick like Jecka's and she had the same amber eyes as her. She's a very clumsy child, and sensitive. She's pretty quiet, but comes out with the occasional quick witted answer. She's quite forgetful, and often struggles with things like keeping a routine, but besides that she's super lovely <3 - She has suspected ASD, and dyscalcula <3 - Jecka has had fights with teachers multiple times, banning her from any parents evening ever and so Nicole has to put up with teachers, <3 - They're lowkey poor as shit </3. Jecka has to do careful shops for food, and has to make do with my beloved primark for clothes ❤ <3 - The arguments over the phone with the council for a better flat is mad <3 - Nadia has obsession with the colour purple. Her birthday is 12th of Decemeber. Her favourite show is CloudBabies, Waybaloo, the little princess, in the night garden, and Charlie and Lola. She's able to fall asleep standing up. Her best friend is Sapphire. <3 - Jecka works at tesco, and Nicole works as a bar tender in some pub she and Jecka frequently hook up at. <3 - They're both covered in tattoos and piercings <3 - B&Q, home bargins, poundland, m&s, ikea - they're all over it. <3 - Jecka had heavy PPD
Emiari
<3 - They have an seven year old called Sapphire <3 - She was born when Emily (mtf) and Ari were 19 <3 - They knew their parents would flip so they ran away and crashed on Jecka and Nicole's couch for a year. They ended up buying the flat a few away from Jecka and Nicole, so they still kept close. <3 - Sapphire looks like a mini version of Emily. She has shaggy blonde hair, twig like and boney, with fair skin. She has the same lavander eyes as Ari, with her freckles. and height. She's quite short for her age. She's injury prone, energetic and a very loud kid. She's the type of kid to come home with dirt and ants inher pockets and a rock in her shoe without her parents knowing. <3 - She has diagnosed ADHD and CAPD. <3 - Emily has a restraining order against one of the teachers. <3 - They're always asking Jecka and NIcole for help because they dont know what to do <3 - Emily actually started taking her meds, so she wouldn't start tweaking on her kid. <3 - Sapphire's faourite colour is sky blue. Her birthday is 24th of July. She likes to watch Chuggington, TTTE, Sonic, horrid henry, and Tree fu tom. She hates wearing clothes with a burning passion - the most she'll wear at home is her underwear and a vest top. Her best friend is Nadia. <3 - Ari works at Aldi, and Emily cant hold a job to save her life. She does sell weed sometimes if they're really struggling. <3 - Emily is covered in piercings and tattoo's <3 - Ari's favourite shop is M&S
Megkelly
<3 - They have an adopted daughter called Kayla, who is turning 10 <3 - Kelly and Megan adopted her when she was a baby, around nearly a year old, and when they were 20. <3 - Kayla has long brown hair and freckled skin. She has blue eyes, and is a little chubby. She favours in wearing pink clothes, because it's her favourite colour. She's Vietnamese, and gets picked on sometimes by Eli for not looking like Kelly or Megan. <3 - They still live in Kelly's parents house, who spoil the shit out of Kayla. Neither of them have to work, and they're kind of set for life so they're pretty relaxed most of the time. <3 - Megan decided to send Kayla to private school, where she got picked on more, so they schooled her for a while, before eventually sending her to the school at the end of the road. <3 - Megan is a bit of a helicopter parent, which irks Kelly a bit so she has to remind her to chill out. <3 - They got her christianed, but Kelly and Kayla dont really do anything religious unless Megan begs. <3 - Megan is banned from parents evening. <3 - Kayla's favourite colour is pink. Her birthday is 17th of June. She likes watching peppa pig, mr bean, clangers, Bing, and wooly and tig. She likes to paint Kellys nails. <3 - Kelly is incharge of bedtime, and Megan does morning time. <3 - She has diagnosed seperation anxiety.
Kyspin
<3 - They have a 9 turning 10 year old boy called Eli. <3 - Kylar and Crispin (ftm) had him when they were 18 <3 - They lived at Crispins parents house because his parents died a few months before they made Eli. Its alright, and close to most shops. <3 - Eli is Kylar but with Crispins hair style. He's angry, loud and opinionated. Kylar and Crispin are always being called to the school about fights and misbehaviour. <3 - Kylar actually calms down now he's an adult. He's less sexist, homophobic and misognist but hes still racist </3 <3 - Eli has EMD. <3 - Crispin has cut down heavily on the weed. <3 - They shop at tesco for EVERYTHING <3 - Eli doesn't get in trouble if he wins the fight <3 - Kylar has been to prison (Eli was 3, until he was 4) <3 Eli's favourite colour is orange. HIs birthday is Feburary 21st. He likes to watch ra ra the noisy lion, postman pat, fireman sam, timmy time (when he was little) and now horrid henry, shaun the sheep, wallace and gromit, and TAWOG <3 - Kylar is secretly super cuddly at night when sleeping <3 - Crispin always annoys Kylar to the limit <3 - Kylar speaks WAY too fast <3 - Eli has the DIRTIEST finger nails.. <3 - He also has eczma.
Kyle and hunter dont have kids. They live happily in rochester somewhere
Nadia, Sapphire, Kayla and Eli are their own little friendgroup since their parents spend way too much time together. Nadia and Sapphire are their own little pair, always falling asleep on eahcover, sharing food, drinks, clothes, and parents. Eli hates them all because they're girls, and Kayla feels left out because she lwk has no friends </3 Nicole and Jecka still smoke, drink and drugs but its when the kids asleep, not there or not around them. Emily quit mostly, but still does it sometimes. Ari is lowkey a wine mom </3 Kylar is a recovering alcoholic, and cirspin eases up on the weed Thats all for now <3 @silverwasafukintrainwreck @st4rlight-kayz
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cosmicredcadet · 2 years ago
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So uhh.... I really dislike the Traffic light trio kid designs in the show because to me they look like the old art that just made babies look like shrunken adult men because literally nothing changes about the characters besides the height. Which lead me to decide I wanted to show how I would design the traffic light kids.
For Mei, Because her family seems rather strict i decided to make her look a bit more cleaned up. She explained in "Coming home" how she wasn't very proper when she played, which her parents looked down upon. So I imagine they would've liked for her to usually be more refined in how she looked - which means when things get out of place or messed up from her playing it's seen as a bigger deal. I also gave her some scales by her eyes because mei having dragon features gives me life and i think they look cute.
For MK i just made his hair shorter but also it's not exactly sticking up because he doesn't have his headband yet. He's got pretty simple clothes for the most part, with the coolest thing being that he has light up shoes (i like to think that's what drew Mei to him when they first met. she's not allowed to have light up shoes haha). He still is predominantly orange in color palette and I gave him some shorts because he's a pretty active kid so he likes to move around a lot. (Also headcanon that he didn't like pants all that much as a kid because they felt bad)
And then finally we have Red Boy. Which ohh boy i did the most research on this kid haha. I looked at other iterations of Red boy in different jttw media and kinda took inspiration from those! I took the most inspiration from his outfit in the 1986 series iirc (I cannot find my references I had collected...) I also got rid of his glasses because YES it might be petty but glasses hadn't exactly been invented yet in the era that jttw takes place in (Yes i researched glasses for this. Yes it was all done through spite). Anyways I decided to keep his hair long and I decided to put it up into two small buns - mostly becuz to me it would be cute to have them burst into little balls of flames hehe. I also gave him little bull horn ornaments to tie back to his family and also gave him back his spear. There's a version of him with and without a cape because some iterations have him with one and i thought it was cute :)
Annnnd thats all i have to say really.
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jackyandjackster · 1 year ago
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Child au ideas
ut multiverse ideas ❤️
Wild Imagination
What if the multiverse is one big lie and was just a made up story by a bunch of childrens? Seems like a stretch but think about it, children have such wild Imagination and most of their stories come up of ethereal beings, magics, god just fantasy on an another level. This multiverse is specifically just a story made up by childrens, well child version's of the Main characters of course, the side characters are mostly just distant relatives, friends or just made up character that doesn't show up often. Character relationship & age Nightmare (Looks like passive) (Acts as corrupted Nightmare, King of negativity/and drama) age:8 *Dream's twin brother *Loves drama, very dramatic so he chose to be a villain *Loves fantasy story books * 'Big' brother Dream (Acts as the positive guardian) Age:8 *Night's twin brother *Loves hero stories *Loves cartoons *Often quarrels with twin brother but just light hearted and normal children quarrels. * 'younger' brother *Chose nightmare to be the 'big' brother Blueberry (Acts as Swap) Age:6 *Very honest and obedient *Lives Mexican food because he grew up in a Mexican family. *Has a brother named Honeycomb/Honey. (his papyrus's name) *Loves anime (influenced by Cross) *Loves cooking and play cook *Wants to be a Royal guard some day *Loves Knight in shining armor stories (same with Cross) *Besties with Ink, Dream, Cross and Rosie (Lust's name) *Cross's cousin Ink (Acts as protector of worlds) Age:7 *Loves drawing/painting but isn't allowed to paint because he's very messy *Loves Error (platonic) *Loves making friends *Loves kid's younger than him because he's an only child and wants a younger sibling. *Wants to play with Error a lot, often seen with him. *He's a cry baby when it comes to his stuff breaking or going wrong.reason why he quarrels with Error so much because Error is very clumsy and is a child and breaks Ink's stuff. Error (Acts as destroyer) Age:5 *Child *Does child stuff *Very clumsy and often breaks toys or paper *Slow learner *Probably autistic(?) *his brother's are Geno and Fresh *The only toys that survived his destructive baby hands are stuff toys. Geno (acts whatever he needs to be) Age:10 *Loves his brother's *Quite sickly but nothing deadly, like getting hospitalized 2-3 times a year and prone to fever. *Takes great care of his brother's *Has a crush on reaper (optional) *Very protective and caring Fresh (acts as the 'Parasite') Age:8 *Likes annoying Error *Loves his brother's *Very annoying *Tends to prank the kid's (reason why he's the parasite in the story) Killer (Acts as Nightmare's right hand man) Age:7 *Likes messing around and annoying people *Adhd kid *Very loud and confusing *Nightmare's best friend Horror: (acts as Nightmare's gang member) age:9 *Very sensitive to sound *Loves eating and sweets *probably broke a tooth because of it *Got into an accident when he was 6 and broke a part of his skull (not very big but big enough damage that it couldn't be healed) *Has SPD and Autism *Dust's big brother *Probably wearing a headset Dust (acts as a member of Nightmare's gang) Age:8 *Very silent *always sticks to Horror *Actually responsible *Very protective of his big brother *Loves playing with his friends Cross (Acts as someone who can't decide which side he's on) Age:7 *Always changing side because he can't decide and Dream and Nightmare doesn't care about it. *Loves chocolate, actually lost a tooth because of it (sneaking some sweets into bed and not brushing his teeth) *has a Brother named Apryx (his papyrus's name, age:11) *Loves knight stuff, swords or something similar to a soldier. Knight in shining armor type of fan. *Loves anime! (Influenced by his brother) *Swap's Cousin (add whatever ┐⁠(⁠´⁠ー⁠`⁠)⁠┌ )
Child of chaos
Error sans as a kid! Ink was excited, after decades of boredom the destroyer was fated to be created soon and he knows it! finally an enemy and entertainment! but when Ink realized that his enemy was a kid he wasn't sure anymore. The child destroyer was probably from one of those child ver. of aftertale that had played around with dt and no clip through reality and get thrown in the anti void, just like any other Error. Ink decided to just adopt him, it's kinda unfair to be fighting with a kid y'know? (Similar to G!Ink and G!Error story)
Surprise you're adopted!
Ink was supposed to be soulless but what if Ink, the creator was born a god with no world? he has a soul, he has feelings, he only needs his paints to strengthen himself when he's low on magic or for emergencies. at first he created so many worlds, so many possibilities but as decades came by he soon grew bored. When the multiverse reached their limit and the god of destruction came to destroy a couple of worlds he didn't bother saving any of it. He knows it's the other god's job and didn't wanna make the other's life hell. He doesn't play hero, he doesn't show up either, only core knows he exist and promised not to tell anybody. he doesn't even show up to the infamous destroyer. when dreamtale came that's when he intervened, maybe it's because unlike him and Error, they were just guardians and kids, they have a childhood, they could have a proper childhood. so what did he do? nothing, because he can't, Dreamtale isn't his, he can do nothing about it, but he can intervene once it's script was all finished, when Nightmare finally got corrupted and Dream became stone he took the stone child to his doodle sphere and set to capture the corrupted monster child while the kid is still in stone. It took decades but when Nightmare stopped being an insane idiot running around ruining timelines he was surprised adopted by Ink, Dream came out of stone yadda yadda yadda it's all good, they slowly became brother's again, btw Error's an uncle now and somehow the supposed gang became baby sitters.
(I need more Ink parent au's)
Too relatable (Not a Child au but an alternate version of Surprise you're adopted)
An alternate version of 'Surprise you're adopted'. Ink born god of creation was a cheerful and energetic creator decades ago, creating different worlds, the destroyer came when the multiverse reached it's limit due to an accident of creative spree, Ink didn't intervene and decided to befriend the destroyer, it was rough at first and rather violent but slowly but surely they became best friends (Error would never admit it).
Prince of darkness
After the corruption in which Nightmare regains sanity he wanders in the multiverse, he's as tall as a regular sans and grumpy most of the time, he's more like a teenager trying to act cool and scary. he finds his 'gang' along the way in which they know he's the youngest out of all of them and decided to spoil the crap out of him.
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allwormdiet · 8 months ago
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Interlude 2
Ahh, it's time for Brockton Bay's healthiest family to debut
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Flight is so cool. Flight without having to get cold or wet or getting pelted by bugs is outright unfair.
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Me, utterly charmed: oh my god she's a fucking NERD
And she's a nerd who's scaring the piss out of Nazis, who would hate this girl?
Which, oh yeah, the Nazis run around in Brockton Bay, bet those guys will never sour my mood
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Glory Girl's got a whole bunch of powers, huh. Can't wait to get into the exact circumstances of how she got really cool abilities as an inadequate consolation prize for whatever hell she had to endure
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I'm gonna be real, the description of this throw made me flinch a little bit. Like he's a Nazi so fuck him, but I hope it doesn't turn out that Victoria is this blase about all her targets
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...So if the only spines she ever breaks are Nazi spines, then I'll give Glory Girl every pass she ever asks for, but if she ever wraps a weed dealer's skeleton around a lamppost I'm going to feel a liiiiiittle more concerned.
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Everything else aside, this is fucking hilarious
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So these two are at the epicenter of, as far as I can tell, one of the most divisive subjects in this fandom? With the others mostly seeming to be variations on "did such-and-such character have full moral justification to do actual for-real crimes against humanity." Let's see where this takes us
I feel a little bad immediately for the contrasts between Vicky and Amy. Five bucks says it's gonna turn out Amy is like the only brunette in the whole family, and while everyone else gets to show off a little she's dressed in a sackcloth. It's very white mage, but I don't know if she even knows what a white mage is.
Also it's a minor detail in the grand scheme of things but I fear for her hair's health if it's actively being described as frizzy
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So apparently between ragdolling a Nazi like it's Garrys Mod and this passage, people have chosen to interpret Victoria Dallon as a monster. I can see how they'd be mistaken on this because technically speaking they're close: she's a teenager. For a lot of people the worst version of ourselves is one that exists somewhere between the ages of twelve and twenty, don't ask me how I know that one. The guilt trip here is definitely manipulative, but so is every kid who's trying to play whatever card they have to dodge repercussions for their fuckups. This is a kid, not a master manipulator who twists hearts around in her fingers like rings. This is normal behavior within an abnormal context.
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According to Wikipedia, "foreshadowing is a narrative device in which a storyteller gives an advance hint of what is to come later in the story. Foreshadowing often appears at the beginning of a story, and it helps develop or subvert the audience's expectations about upcoming events."
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Fuck Nazis, and I'm gonna get in a preemptive "fuck Coil" while I'm at it
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Hmm. So here we get the Docks from a third perspective (albeit a Nazi's, so let's take it with a grain of salt), and this time it's presented as something of material value. I wonder how much of that is due to the neighborhood being low-priority for the police and Protectorate, if they decided it's not worth policing if it's not going to recover any time soon.
It's also interesting seeing which names are being thrown around with the possibility of fighting over the territory. I know Squealer ends up part of the Merchants and they end up being a decent power in their own right, but I don't know if any of the others would have shown an interest in fighting for territory. I got the impression that Uber and Leet are more like unfunny and violent pranksters than anything, Circus apparently operates on their own which doesn't seem like how you'd make dreams of conquest come true, the Undersiders are sticking with the theft shtick at this point, and I don't know shit about Trainwreck or Stain. Wonder how much of this is legit speculation, how much of it is the E88 leadership blowing smoke for their followers, and how much of it is this specific guy blowing smoke.
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Yeah, see, they're good kids. For now.
Current Thoughts
To pull back on the frame a little, I think this interlude was written with two goals: first and most obvious is to get us in the head of another young cape, a for-real hero this time, who will be featuring in future events to some extend, but then beyond that it's reflecting the rippling consequences of Taylor's actions. Taking down Lung was a good deed, it saved lives and weakened a major gang within the city, but now others are rushing in to take advantage of this and it could cause more harm than was prevented in Arc 1. Taylor couldn't have known these repercussions were coming, she's a high school sophomore who'd only engaged with the cape community in any way after she'd already knocked the bastard over, and she probably still would have made the play to take Lung down and save the Undersiders even knowing that there might be increased gang violence. She's big on action and she's big on pushing through to solve the problem, repercussions dealt with later, but I suspect that everything is going to ripple out in this same way until the whole city starts shaking with it.
Anyway, more to the first point, I like Victoria, she took very little time to endear herself to me and I'm not going to feel so awful about her bone-breaking habits as long as she keeps it to the Nazis
I haven't seen enough of Amy to have a full read on her yet, and I haven't gotten into her head to know how she thinks or feels, but for now I'm pretty solidly on sympathy/pity for her. I'd say something like "we'll see where she takes it from here" but I kinda already know that one
Hoo, boy. Arc 2 done with. 18 chapters in four days? That's not bad. I'm gonna stretch my legs and think for a bit and then I'll give my two cents on the whole of Insinuation.
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cyanvalour · 7 months ago
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Update (1/12/24): updated mostly the hollows with a more accurate version of the au rn, will come back in the future to update the AvM sticks
Hi folks I'm back with another weird au, because I have no self control. What au is it this time?
A "swap" au.
It's really weird because half of them came from me rolling a d20 and praying i can make them make sense so please bare with me.
With that, let's start with -
torment (Originally The Chosen One):
- This version is basically fanon Dark who ate a Victim and Mango sundae. Trust me it'll make sense
- torment was made first, and was tormented (hah) for a long time by Alan.
- Alan made another stickman (FREEDOM MENTION) as his friend. They became close (almost canon Chodark/p close) before Alan deleted Freedom since he was trying to help torment escape.
- this was the last straw for them as torment proceeded to trick Alan into unlocking his chains and then broke the computer, allowing him to escape.
-he was still pissed and kinda depressed over Freedom's death so he continued his rampage across the web, slowly trying to find a way to take revenge against all cursors permanently
- At some point he meets this version of Dark, adopts him and set off to become the greatest terrorists the outernet has ever seen
- HE NEARLY ACCOMPLISH HIS GOAL TOO, DESPITE FIGHTING ALAN, TSF, CG+TPC+TCA. THIS CRAZY MAN-
Some fun facts about torment!:
- after everything is said and done, he decides to go by another nick of mento. SF thinks it's cute
- at some point he manages to find a way to go into Minecraft and he uses it as a stress reliever. What kind is up to you :3
- he's so chaotic I wasn't even kidding about the fanon Dark comparison. He will see a happy family chilling and will just divebomb on them
- he's well aware of the fact that Alan messed up his name when creating him, he was supposed to have an "-ed" at the end but Alan pressed enter too early
- a couple pre-escape things I mentioned in my fic but yea torment didn't think of himself as a stick for a while and stole Freedom's pronouns when he died. He also has a bad ankle for being dragged around so much.
- He's mentally ill 20 but physically 18. Freedom was like physically 1 years old before dying but he was mentally around the same age as torment back then (so like, 12?)
I haven't fully figured out how torment plans to carry out their plan but there will be a "King sees Purple as his son" moment for them, except this time it's Dark. Speaking of Dark-
The Second Fool (Originally The Dark Lord):
- TSF "swapped" with Purple but borrows a couple of traits from Victim (I'm sobbing why did the dice and I decide this)
- Alan made him next, meaning to replace torment with a more cunning but weaker version of him (so no powers rip)
- He gave TSF a mission code (still deciding on the exact one) which basically gaslights him into thinking his only purpose in life is to fight Alan
- So when Alan deletes the poor dude, he feels unworthy and shit like that
- he kinda stays in there for a good year, just floating around
- At some point, he manages to escape the Void and ends up in the outer net, where torment finds him and picks him up
- torment convinced TSF to join him, and TSF, thinking this would show Alan that he would be worthy enough again, agrees
- during their terrorism arc, TSF slowly realises that terrorising people probably isn't the right thing to do and that this wouldn't get Alan's attention back to him so he tries to stop torment. tor, the revengeful dumbass, doesn't listen.
- at some point during this au's version of showdown, TSF tried stopping tor themself, but got punted away before eventually getting blasted by tor's fire (I'm still figuring out the exact details bare with me)
- He got saved by one of the TSCs after torment found his unconscious body
Now some fun facts! Not a lot since I'm waiting till I write more of them but for now:
- being in the void really fucks you up, and SF isn't any different. He doesn't really know how to interact with people, often coming off a tinge insane and scary sometimes
- they're really blunt too. Which makes interactions with Arrival and Current kinda awkward.
- he's a sweetheart under... everything. Yea, he's really nice, especially to Arrival! Wonder if there's any reason for that?
- doesn't know what to think of torment after everything. They still believe 'ment thinks of them as a servant, and he doesn't feel like breaking his heart again
- can see the code of everyone around them, which makes bringing someone to the Void awfully easy since he still has some of his own code edited from the Void. Pretty easy to adjust someone else's to match theirs.
Now onto the 2 TSCs (why do I do this to myself), starting with-
Meet, The Chosen Arrival! (Originally The Second Coming):
- simultaneously Second, Dark and Freedom/Chosen. I'm sorry myself
- an accident (IM SO SORRY I DID NOT KNOW HOW ELSE TO PHRASE IT)
- it kinda follows canon, Alan doodled this little guy, left them alone for a while and when he came back Arrival n co. was messing around on Facebook.
- however, this time, when Alan deletes CG and then Arrival, Arrival went fucking ballistic and unleashed his powers on the pc, nearly destroying it in the process
- in a panic, Alan drew his last stick on accident again, this time being:
The Peaceful Current!! (Originally victim):
- Current is swapped with Second!!
- Current has this really calming effect to them for some reason. To this day no one can figure out how she manages to calm Arrival down.
- when they were created, the tab she was in had the wall between it and Arrival's broken down, and Arrival crashed in, planning to destroy everything in the computer.
- but when they saw Current, they kinda just froze. Like they were buffering. Current, for whatever reason, decided to hug Arrival. Arrival then crashed, breaking out into sobs as the two kinda just stood there.
- Alan tried deleting Arrival at that moment of vulnerability, but Current, seeing his cursor move, started speaking and pleading for Alan to hear them out. Alan, shocked to find out that the sticks were actually sentient and not just little desktop creatures he could fight against, heard them out.
- from here it continues from canon, Alan letting the gang chill on his pc, Current found out that she was a great artist, and Arrival decided to start learning how to make tools and stuff for CG to defend themselves.
Some fun facts about these two:
- Arrival fucking hates torment lmao, it's actually really funny how hard they hate him. Current on the other hand doesn't mind torment, as she can see him trying to change
- Arrival does not like going by Chosen, so they prefer to be called by their last name. Peaceful doesn't mind being called either of them, but they're mostly referred to as Current because she likes to copy her brother
- both of them actually have powers, the problem is that Current doesn't know about them, while Arrival refuses to use them. This makes Ava S3 very fun for me :3
Now you might be wondering, who could be the victim in this story. Now bare with me,
Purple.
- little shit got orphaned so hard she became spiteful and decided to start a company just to prove her dad wrong.
- company got way too successful and she let the power go to her head.
- one day she saw a video of Chosen and decided she needed him to be in her team. So she decided to kidnap Dark.
(Idk what else to add I'm still figuring stuff out)
Alright, you might reply, but if purple is busy being victim, then who's taking their place in AvM?
You see, this is where the "swap" part of this au kinda starts veering away. Because, haha,
It's Gold.
- Basically what happened was when Gold got stuck in Minecraft, he kinda became a Minecraft entity like Herobrine. So he just wandered around the world aimlessly before coming across a village.
- AvM 9&10 happened and Purple betrayal happens but this time it's Gold and he didn't go for the egg because he wanted to prove it to his dad, but because he heard rumours around the egg and wanted to test it out.
Now you're thinking, alright, if Gold's purple, then King has to be someone else, right?
To that I show you an image of President Haltmann and Susie from Planet Robobot. Iykyk. (Yes King is still King, he just has amnesia and tbh Gold doesn't really look the same after the fair.)
I'm still deciding on whether I want to swap CG and Mercs personalities but that's all I got for now!!
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twistedtummies2 · 1 year ago
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Top 15 Portrayals of Peter Pan
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A while back, in 2021 - in celebration of the 110th anniversary of “Peter Pan” - I posted a list of my favorite portrayals of the villain of the story, Captain Hook. Earlier this year, I updated that same list. I said then that, even as a kid, I always liked Hook more than his nemesis, the titular Peter. While this is true, I do think it’s important to state that, as much as I may love the dastardly pirate Pan battles constantly…this does not mean Peter is a bad character. I think that Peter Pan gets a bad rap a lot nowadays, mostly because, if you read the original book…Peter is kind of a little psychopath. He’s sort of a little tyrant, threatening to kill or banish anybody who doesn’t do what he wants, and refusing to listen to reason when people try to help him or keep him under control. And that’s the entire point: Barrie’s story originally didn’t HAVE Hook. The original idea behind what would become “Peter and Wendy” was that Pan was a representation of both everything good AND everything bad about childhood: he is not necessarily EVIL, but he is stuck perpetually in a state of infantile, underdeveloped youth. He’s brash, cocky, and has a LOT of power that I don’t think even he is fully aware of. There’s a lot of mystery surrounding Peter, which actually makes him more fascinating to adults than I think many might realize. Peter’s arc in the story is one of coming to grips with emotions he’s never experienced before, and taking up a kind of responsibility he’s always tried to deny in the past. He’s much more dynamic and more interesting than many people give him credit. I’ve been in a Peter Pan mood lately, so I decided…what the heck? I might as well give a bit of a spotlight to some of my favorite portrayals of the Boy Who Never Grows Up that have come around over the years. (On that note, there has long been a tradition, particularly in stage shows, of women playing Peter, so there will be some ladies included here. Don’t you dare whine about it, they’re absolutely awesome.) Some of these versions stick to the ambiguity of Barrie’s original, while others make Pan either more heroic or more villainous depending on interpretation. There’s a lot of ways you can go with the idea of an eternal child, both idealistic and cynical. So, think Happy Thoughts, everyone, and don’t forget the pixie dust! Here are My Top 15 Favorite Portrayals of Peter Pan!
15. Sandy Duncan, from the Styne-Charlap Musical. (The most famous stage musical version of the story; Duncan first played Peter in a 1979 Revival of the show on Broadway.)
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14. Greg Tannahill, from Peter Pan Goes Wrong.
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13. Petermon, from Digimon: Ghost Game. (Yeah. Peter Pan as a Digimon. That weirdness speaks for itself.)
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12. Mia Farrow, from the 1976 TV Musical.
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11. The Version from “Peter and the Starcatchers.” (I’m referring specifically to the books; there is a stage version based on the first book, but I haven’t seen it for various reasons. I love the original books, though. This is probably one of the “nicest” versions of Peter on the list, for lack of a better description.)
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10. Robin Williams, from Hook. (Come now, you all knew he had to be here somewhere.)
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9. The Version from “Alias, Hook.” (Without going into detail, this really shows how scary a Barrie-accurate Peter can be without much real change.)
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8. Charlie Rowe, from SyFy’s Neverland.
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7. Betty Bronson, from the 1924 Film.
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6. Robbie Kay, from Once Upon a Time. (By far the most evil version of Peter Pan ever made, at least that I've discovered.)
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5. Mary Martin, from the Styne-Charlap Musical. (She originated the part on Broadway, starting in 1954.)
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4. Cathy Rigby, ALSO from the Styne-Charlap Musical. (She’s been playing the role off and on since the 1970s - no joke, look it up - with her most recent stint being in 2015. She was in her sixties then! Talk about Never Growing Up!)
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3. Jason Marsden, from Peter Pan and the Pirates.
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2. Jeremy Sumpter, from the 2003 Film.
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1. The Disney Version. (Originally played by Bobby Driscoll; this one wins out mostly just because this is the first version I think of when I think of Peter as a character, and because I think the various spin-offs and such have really helped to make him a more likable protagonist over time, while still keeping him true to his established persona.)
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