#ki ha myeong

[giveamadeuschohisownmovie]

Imagine: K-Drama remake of “The Walking Dead”

1) The show would be 20 episodes long and would cover the first two seasons of the original series.

2) Storyline is mostly the same, with changes being to fit the different setting/culture. Also, the teases to season 3 are removed just in case the drama doesn’t get renewed. So, no Michonne or the shot of the prison in the distance.

3) Lee Jung-Jae (Seong Gi-hun from Squid Game, Sol from The Acolyte) as the equivalent to Rick Grimes. In this version, he is a police officer from Yangpyeong County. I chose that county since if Seoul becomes the equivalent of Atlanta, he has to be from an area not too far from the city.

4) Han Hyun Min (So Not Worth It) as the equivalent to Glenn Rhee. Since you obviously can’t do the scene where Glenn has to correct Daryl Dixon by saying that he’s Korean, Glenn in this version is played by a Korean-Nigerian actor. So Daryl’s ignorance in this version would probably be something along the lines of him saying that Glenn is Ethiopian or a black American.

5) The Rick-Lori-Shane love triangle gets more of a kdrama vibe, so maybe we might actually get to see how Rick fell in love with Lori and how Shane began to lust after her.

6) Ryoo Seung-bum (Frank from Moving) as the equivalent to Daryl Dixon.

7) Ju Ji-hoon (Lee Chang from Kingdom) as the equivalent to Shane Walsh.

8) Song Hye-kyo (Moon Dong-eun from The Glory) as the equivalent to Lori Grimes.

9) Steven Yeun (original Glenn Rhee) makes a cameo appearance as the army zombie inside the tank. The one who Rick gets the grenade from.

10) Park Ji-hu (Nam On-jo from All of Us Are Dead) as the equivalent to Maggie Greene

11) Park Sung-Woong (Kim Myeong-gil from Bloodhounds) as the equivalent to Merle Dixon

12) Song Kang-ho (Kim Ki-taek from Parasite) as the equivalent to Hershel Greene

13) Han Hyo-joo (Lee Mi-hyun from Moving) as the equivalent to Andrea

14) Chun Ho-jin (Seo Tae-su from My Golden Life) as the equivalent to Dale Horvath

15) Kim Joo-ryoung (Han Mi-nyeo from Squid Game) as the equivalent to Carol Peletier

16) As stated above, Atlanta is changed to Seoul

[siimpinews]

NALINA Stuns and Scandalizes Netisims With First Comeback Stage Outfit

(tw: misogyny and sl*t-shaming)

March 5th, 2015 by Sarah Smith

While her music video for her first comeback single "Love Myself" was very dazzling and glamorous, NALINA gave a more chic feel in her comeback stage. Donning a @serenity-cc black off the shoulder sweater & matching black boots, but the more contentious detail is her @aharris00britney jean mini skirt.

Many thought the skirt was an inappropriate length and lamented over a perceived "lost innocence" of the 2nd Gen Sims-Pop idol. Being the maknae of legendary group Ki-Ti, she was always seen as a cute, pure idol. Her solo debut enforced this vibe with a wistful sound, short bob, and doll-esque styling.

(NALINA circa 2014 performing So-So)

From people simply being at the concept change to people theorizing at some sort of dark transformation, there is no shortage of disappointment.

However, "Love Myself" is still doing very well, outperforming her debut's initial reception in sales and initial chart performance. The song even performed a PAK like her debut and like her group is famous for doing 9 times in a row. So far, it seems like online discourse has also been dominated by overwhelming support. The criticism, while apparent, is not the majority opinion.

Netisims believe that the change in concept is exciting and enjoy the sassy, quirk-filled elements of this comeback. If you recall, the concept of the music video also garnered mixed reactions. However, people are referring to the contentious elements as eccentric and iconic.

Here's what Netisims had to say exactly:

I knew she wouldn't let us down. This is Lee Nayoung we're talking about. [5129, 472]

Is it weird to say this feels like a classic? [5001, 450]

Nation's It Girl for ya! [4720, 403]

She feels even more deserving of the "Nation's It Girl" title now. [5034, 723]

Ki-Ti strikes again! I can't wait for Im Yebin's movie this year! [4037, 37]

The outfit is STUNNING. I've never thought of buying clothes because of an idol but maybe this time. [5536, 834]

That skirt is kind of iconic. The whole thing actually. [5938, 1100]

*sigh*... another good girl gone bad. [2384, 1340]

That skirt is a little too extreme. [2143, 1422]

This looks like something Myeong Gaeun or Im Yebin would wear for a solo. This doesn't fit our baby hamster at all! [1732, 1420]

Times are really changing for the worst. She used to be someone I'd want my daughters to look up to, now she's influencing kids to dress like that. (edit: why are you downvoting me?? one of the top comments are proving me right!) [1420, 1204]

All female idols have to do is dress like wh*res and they'll be successful. Shameful. [923, 1239]

[cosmosbeelover]

The History of Korean Male Soloists from the 20th Century: Episode 3.5/?

This section explores the ongoing journey of Kim Saeng-ryeo, focusing on the orchestras he established and participated in throughout his career. In the first part, I discussed his life and professional achievements.

Kyungsung Welfare Chamber Orchestra

Gyeongseong, which can also be spelled as Kyungsung, refers to the same Welfare Chamber Orchestra.

The Kyungsung Welfare Chamber Orchestra (경성후생실내악단; 京城厚生室內樂團), originally established as the National Music Popularization Corps (국민총력조선연맹; 國民音樂普及挺身隊), aimed to disseminate quality music and its artistic values to the public. This pro-Japanese ensemble was created to support the welfare initiatives of the Government-General of Korea (朝鮮總督府), performing in diverse settings such as educational institutions and various production areas, including agriculture, industry, and fishing, to provide uplifting music to the community.

Members of the Gyeongseong Chamber Orchestra in the 1930s.

This chamber orchestra, established in 1942, comprised musicians who had previously performed with the New Beijing Symphony Orchestra, which originated in Manchuria. At its inception, the orchestra was conducted by Kim Saeng-ryeo, with notable members including Kim Seong-tae, Kim Cheon-ae, Lee In-beom, Kim Tae-yeon (김태연), Lee Yu-seong (이유성), Lee In-hyeong, Park Pyeong-su (박평수), Lee Yong-cheol, Ahn Seong-gyo, and Lee Kang-ryeol (이강렬). Following its reorganization in 1944, Hyeon Je-myeong took on the role of chairman, while Kim Won-bok, Yun Ki-seon, Lee Heung-ryeol (이흥렬), Jeong Hee-seok (정희석), Lee Gyu-yong (이규영), Na Un-yeong (나운영), Jeong Yeong-jae (정영재), Kim Yeong-ae (김영애), and Lee Jong-tae (이종태) continued to contribute as active members.

He performed at the Music Patriotic Concert organized by the Joseon Music Association under the Japanese Government-General. In 1944, he travelled to Manchuria to help integrate the Welfare Chamber Orchestra into the New Symphony Orchestra. As a result, he was listed in the music section of the Dictionary of Pro-Japanese Figures compiled by the Institute for Research in Collaborationist Activities in 2008.

In February 1943, the orchestra, backed by the National Mobilization Association of Korea, organized a national music concert at Bumin Hall (부민관). During its inaugural year, the orchestra conducted a total of 152 performances over eight months, which included 36 general concerts, 46 school concerts, 19 consolation concerts for industrial soldiers, 44 consolation concerts for the military, and 7 additional concerts. In acknowledgment of its contributions, the Gyeongseong Welfare Chamber Orchestra was awarded the 5th Joseon Arts Award (朝鮮藝術賞) by Shin Taiyosha (新太陽社) in Japan in May 1945.

Lee In-beom, Kim Seong-tae, Kim Cheon-ae, and Lee In-hyeong appearing in the advertisement for the Gyeongseong Welfare Chamber Orchestra. 경성후생실내악단의 광고에 나오는 이���범·김성태·김천애·이인형

Activities

The Kyungsung Welfare Chamber Orchestra has a rich history of performances, beginning with its inaugural concert on June 11, 1942, followed by a second concert on December 24 of the same year. The orchestra continued to showcase its talent with a third concert and a Japanese National Music Concert on February 24, 1943, and a solo performance by Kim Cheon-ae in April 1943. Notable events included a patriotic chamber symphony night dedicated to a battleship on June 29-30, 1943, and participation in the Song of the Peninsula Liberation Day Concert on August 3, 1943. The ensemble also organized an open-air music and film night to commemorate the conscription system on the same day. In 1944, the orchestra toured mines and factories in North Hamgyong Province at the invitation of Cheongjin University, followed by concerts aimed at uplifting fishing villages and mining communities in Gangwon-do from August 12 to August 19. The Jeollabuk-do Industrial War Memorial Concert took place from August 22 to August 29, 1944, and the orchestra held its 11th concert from October 2 to 4, 1944. The year concluded with a Grand Concert from January 20 to 22, 1945, and a Hope Concert from March 23 to 25, 1945. The orchestra was honoured with the Joseon Art Award on May 8, 1945, and performed in China from May 5 to May 7, 1945, culminating in an evening of literature and music on August 1, 1945.

The National Music Popularization Corps/ Total Mobilization Federation

A pro-Japanese organization identified "When We Go to the Sea," "Battleship March," "The Power of Asia," and "National March Song" as key selections for the National Song Collection, promoting their performance across various regions. They established a singing guidance team known as the National Song Singing Movement Volunteer Corps, which was mandated to tour and perform these songs. The National Mobilization League, influenced by Western-oriented figures such as Hyun Je-myeong, Kim Seong-tae, Go Jong-ik (고종익), and Lee Heung-ryeol, played a significant role in advancing the Japanese name change policy implemented by the Government-General of Korea. This pro-Japanese entity was ultimately dissolved in July 1945, merging into the Korean National Volunteer Corps.

1977 Broadcast 50th Anniversary Commemorative Performance. In 1927, Gyeongseong Broadcasting Station was established and began radio broadcasting. This is generally considered to be the origin of broadcasting in Korea. This is a photo of the 50th anniversary commemorative performance in 1977.

Chosun Symphony Orchestra (조선교향악단; 朝鮮交響樂團)

The orchestra was established in 1940 through the reorganization of members from the Gyeongseong Orchestra and the Gyeongseong Broadcasting Orchestra. Directed by Park Gyeong-ho (박경호), it held its first concert in 1940 at Bumin Hall, featuring works such as Schubert's "Unfinished Symphony" and Beethoven's "Egmont Overture." Additionally, it premiered the dance drama "Heungbu and Nolbu," composed and conducted by Kim Seong-tae, which marked a significant development in dramatic music inspired by folklore. Shortly thereafter, the orchestra presented Kim Seong-tae's original work "Heungbu and Nolbu" under his direction, engaging in ambitious performances. However, the onset of the Pacific War ultimately led to the disbandment of the Joseon Symphony Orchestra.

People who led the Western music of Gyeongseong Broadcasting Station

In the photo is says Hong Jae-yu (Left) and Park Kyung-ho (Right). Below it says Gyeongseong Broadcasting Station (In Red) and Central Musicians Association 1927 (In Blue).

Kim Saeng-ryeo (김생려), along with Hong Nan-pa (홍난파) and Park Gyeong-ho (박경호), played a pivotal role in introducing Western music to Korea during the Japanese occupation and in the subsequent periods, including the Korean War. These three individuals endured one of the most challenging eras in Korean history, and despite facing censorship, destruction, and loss of their works, their legacy endures. Kim Saeng-ryeo was the last to continue his musical career until his death in 1995. Although their contributions are not widely recognized, many Koreans today continue to honour their achievements, particularly through performances of orchestral works created by them, highlighting the significant impact these artists had on the cultural landscape during a tumultuous time.

The inaugural broadcasting station in Korea commenced operations on February 16, 1927, following preliminary test broadcasts initiated in December 1924 by the Governor-General and the Chosun Ilbo. These early broadcasts included a test by Yangak, although detailed records of the Governor-General's broadcasts on the 9th and 10th remain scarce. Notably, Hong Nan-pa participated in the Chosun Ilbo's test broadcasts on the 17th and 18th, with documented evidence and photographs showcasing his violin performance.

The photo says ‘Special broadcast of the launch of the second broadcasting station with the Gyeongseong Broadcasting Station Orchestra and Isu’.

The introduction of Western music to Korea can be traced back to the 1910s, particularly through the efforts of Hong Nan-pa, aligning with a broader cultural exchange during that era. This music, referred to as Gukak or Changga, distinguished itself from children's songs, pop songs, and folk songs, appealing not only to Koreans but also resonating with Japanese audiences, indicating a successful integration of Western musical influences. In 1919, the Gyeongseong Music Friends Association was established, marking the inception of an orchestra. By 1926, prior to the country's opening, the Central Music Association was formed, which performed a celebratory piece for the inauguration of the Gyeongseong Broadcasting Station. During this period, Hong Nan-pa was studying in Japan, while key figures such as Park Kyung-ho and Mrs. Boots from Ewha Woman’s University (이화여자대학교; 梨花女子大學校) played significant roles. The Central Music Association was comprised of approximately 15 members, including notable musicians like Kim Hyeong-jun and Choi Ho-young, who contributed to its leadership. Mrs. Booth, a graduate of the Pittsburgh Conservatory of Music, was proficient in multiple instruments and significantly advanced the local music scene.

The trombone on the left was Park Geon-won (박건원), and the trombone on the right was Baek Byeong-gon (백병곤). The photo above is a performance scene taken when the group was first formed and broadcast.

The JODK orchestra made its debut on April 13, 1928, initiating a new era of music broadcasting. This ensemble, which began as an amateur group, was notable for being the first professional orchestra in the region to compensate its members. Among those involved were Park Kyung-ho and Hong Nan-pa, with around 18 musicians participating in performances two to three times monthly. In 1929, after returning from his studies in Japan, Hong Nan-pa witnessed a flourishing Western music environment. He dedicated himself to education at the Central Day-care Centre and revitalized the jazz band, which subsequently engaged in active broadcasting efforts.

The initial volume of Hong Nan-pa's extensive collection of 100 children's songs from the Joseon era was published, coinciding with a surge in music broadcasting activities at Gyeongseong Broadcasting Station. In 1931, Hong Nan-pa travelled to the United States for further studies, yet the foundation of his work remained intact, allowing him to return in 1933. During this period, a second Korean language broadcasting station was established, contributing to a more vibrant musical landscape.

From right to left of name shown in the photo -> Baek Myeong-gon (백명곤), Lee Jil (이질), Lee Byeong-sam (이병삼), Kim Won-tae (김원태), Hong Sae-yu, Hong Nan-pa, Choi Ho-young (최호영), Kim Seong-sun (김성선) and Park Won (박원). Below it says -> ‘1929 Summer JODK Broadcast – Jazz broadcast in Seoul for the first time’ - From Mr. Nayoung Yoon's home page.

A trio of violinists, including Hong Seong-yu (홍성유) and Lee Young-se (이영세), emerged during this era, alongside notable musicians such as violinist Jeon Su-rin and clarinetist Kim Kyo-seong. These artists, along with drummers and other instrumentalists, were not only prominent composers but also integral members of broadcast orchestras and jazz ensembles. The distinction between classical music, popular music, and children's songs was increasingly blurred, reflecting a unique cultural moment where the categorization of music was less significant than the enjoyment it provided.

It is often believed that Hong Nan-pa exclusively performed children's songs and classical music; however, he also released popular songs under various stage names. Actively involved in both broadcasting and academia, he played a significant role in the establishment of the JODK Orchestra at the Gyeongseong Central Broadcasting Station, which was formed on April 13, 1935. This orchestra marked the beginning of extensive musical activities, enhancing the breadth and depth of the station's musical offerings. Notably, in 1985, the Korean music history published by the Korea National University of Arts acknowledged Hong Nan-pa's contributions alongside those of Chae Dong-seon (채동선) and others, highlighting their performances of orchestral works by Im Dong-hyeok and the emergence of creative music in Korea. His composition "The Heart of a Traveler" was particularly significant, as it was made possible through the efforts of this orchestra.

From left to right - > Hong Seong-yu, Lee Young-se and Hong Nan-pa Gyeongseong Broadcasting Station’s 1st performance – August 1933

A photograph capturing contemporary musicians, including Hong Nan-pa, Hong Seong-yu, Kim Won-bok, Hong Jae-yu, Hong Eun-yu, and Park Gyeong-ho, showcases their collaboration with Hyun Jae-myeong and Dokgo Seon at the broadcasting station. Hong Seong-yu and Kim Won-bok, a couple united by their passion for the violin and piano, gained fame as a duo through numerous concerts and activities. After studying in the United States, they adopted their current name in 1929. Hong Nan-pa also served as the first chairman of the Joseon Music Association, established in 1930 while he was a professor at Yeonhui University, and he earned a doctorate in vocal music in 1937.

From top left to bottom right -> Dong Ko-seon (독고선), Hyeon Je-yeong (현제명), Park Kyung-ho (박경호), Hong Eun-yu (홍은유), Hong Jae-yu (홍재유), Kim Won-bok (김원복), Hong Seong-yu (홍성유) and Hong Nan-pa (홍난파). Musicians who attended the Yunim Budda Concert – Na Woon-young’s Hall (홍성유님 부처 연주회에 참석한 온악인 나운영 선생님 홈에서). There is also another translation of this –> ‘At the home of Na Woon-young, a musician who attended Hong Seong-yu's Buddha concert ‘

Although Hong Nan-pa passed away prematurely, his legacy continued to flourish after Korea's liberation. He was instrumental in the founding of the Seoul National University College of Music and remained an influential figure in the music industry until his death in 1970. His connections in broadcasting extended to notable figures such as Chae Seon-yeop, Lee Heung-ryeol, Park Tae-hyun, and Hong Jong-in, further solidifying his role as a pivotal figure in the development of Korean music.

Gyeongseong Broadcasting Station Orchestra and Wang Su-bok (경성방송국 관현악단과 왕수복)

The musical endeavours of Gyeongseong Broadcasting Station were significantly impacted by the outbreak of World War II, coinciding with the death of Hong Nan-pa. Following his passing, Kim Saeng-ryeo, who had been assisting Hong as a conductor, assumed leadership of the Broadcasting Orchestra and appointed Gye Kye-sik as a temporary conductor. However, the arrival of Japanese conductor Eiji Nakagawa led to complications in the conducting process, reflecting the broader turmoil of the war, which rendered the activities of Gyeongseong Broadcasting Station increasingly futile during this tumultuous period.

The legacy of Hong Nan-pa looms large, overshadowing many contemporaries whose contributions remain less recognized, yet numerous individuals forged connections with Gyeongseong Broadcasting Station. Notably, figures such as Park Kyung-ho and Kim Saeng-ryeo played pivotal roles in this narrative. Park Kyung-ho was particularly influential in the station's musical landscape, especially during Hong Nan-pa's absence abroad, and he was instrumental in significant events such as the station's inauguration in 1927 and the celebratory concert for the second broadcast in April 1933, highlighting his central role in the station's history.

From left to right -> No Jeong-pal (노정팔), Park Kyung-ho (박경호), Ahn Ik-tae (안익태), hwa Jae-gyeong (활재경), Choi Chang-bong (최창봉). Park Kyung-ho's VOA days - 1957 – (박경호님 VOA시절 -1957년-)

Following the liberation in 1946, KBS assumed its current programming responsibilities, with Kim Saeng-ryeo serving as the planning manager. In June 1949, he made history as the first individual in broadcasting to undertake a six-month training trip to the United States, subsequently working with the Voice of America during the 1950s. Born in 1912, Kim was a student at Yeonhui College in 1939 under the direction of conductor Hong Nan-pa. After Hong's death in 1941, Kim took over the leadership of the Broadcasting Symphony Orchestra at Gyeongseong Broadcasting Station and continued to oversee the KBS Orchestra until after the liberation.

From left to right -> Lee Gye-won (이계원) and Park Kyung-ho (박경호). Park Kyung-ho's VOA days - 1957 – (박경호님 VOA시절 -1957년-)

Kim Saeng-ryeo's Memoir (from the 1977 edition of Korean Broadcasting System)

In the spring of 1939, during the JODK period, he assumed the position of conductor for the broadcasting orchestra, which initially comprised around ten members. Hong Nan-pa, previously known for his accompaniment work, was appointed as the music director of JODK. Following his appointment, he initiated an expansion of the orchestra by acquiring instruments from Japan, which led to an increase in membership to twenty-five. This development culminated in the live broadcast of the Haydn Mozart Symphony, marking a significant milestone as it was also transmitted to Korea.

The formal establishment of the professional orchestra is recognized as occurring on May 16, 1940, under the direction of Hong Nan-pa. The orchestra's repertoire included notable works such as "Spanish Night" by Bizet, "Humoresque" by Dvorak, "Golden Wedding Anniversary" by Marie, "Little Toy Soldier" by Rosey, "Dancing Doll" by Poldini, and "Objects of the Desert" by Zamenik.

Kim Saeng-ryeo (김생려)

Shortly thereafter, Mr. Hong Nan-pa fell ill, prompting my engagement as a contractor in 1944. I assumed Mr. Nan-pa's responsibilities and transitioned into a permanent role. Following his passing, I was appointed as a temporary conductor and subsequently became a full-time member of the broadcasting station. Additionally, we expanded our team by recruiting approximately 20 new members and sought opportunities for external performances, culminating in a 40-member orchestra supported by a budget for 25 full-time positions, which proved advantageous for JODK.

At that time, Onoda, a Japanese individual leading the business department, had studied conducting in Vienna under Eiji Nakagawa and was invited to serve as the chief conductor around 1942. Although we held high hopes for his leadership, our initial rehearsal left us disheartened. Nevertheless, around 40 musicians rallied behind Mr. Gye Jeong-sik, who endeavored to facilitate international performances. However, Onoda's nationalistic tendencies hindered these efforts, as he was reluctant to engage in public appearances, possibly due to personal sentiments.

Negotiations with Onoda occurred multiple times, with around 20 unpaid members participating in broadcasts under Eiji Nakagawa's direction. Despite his willingness to continue, he insisted that external performances be managed by an accountant, a request that was consistently denied. This marked the initial attempt to cultivate the Korean orchestra movement, which was initiated by a Japanese individual named Han, yet it faced inevitable challenges due to prevailing prejudices.

Double Broadcast Commemorative Performance - Sogong-dong Gyeongseong Public Hall - (2중방송 기념 공연 - 소공동 경성공회당-)

Ultimately, with the exception of approximately ten exclusive members, all individuals departed from JODK, leading to his resignation and withdrawal from the organization. The former members who left attempted to unite and establish a new orchestra; however, their efforts were unsuccessful. Consequently, the JODK Orchestra reverted to a ten-member ensemble, transforming into an accompaniment orchestra before ceasing to exist after August 15th, maintaining its current form since 1949.

The Seoul Symphony Orchestra, which served as the precursor to the city orchestra, was situated at the Jeongdong Broadcasting Station during this period. Under the guidance of American advisor Rolf Jacobi, a genuine broadcasting initiative commenced, marking the beginning of the symphonic movement.

The War of National Foundation (Movie)

This section discusses President Syngman Rhee, featured in a 2024 Korean independent film directed by Kim Deok-young. The documentary explores the historical significance of Rhee, the first to third President of the Republic of Korea, highlighting his efforts to rescue classical musicians from abduction by founding the 'Naval Military Music Band.'

Following Korea's liberation from Japanese rule in 1945, the peninsula was divided by the United States and the Soviet Union at the 38th parallel, leading to divergent ideological paths for the North and South. North Korea, influenced by Soviet communism, evolved into a repressive dictatorship that violated human rights and stifled freedom. In contrast, South Korea embraced liberal democracy under American influence. This film examines how two nations, sharing a common language, history, and culture, became polarized into vastly different states, emphasizing Rhee's pivotal role in shaping the Republic of Korea over the past seven decades.

1st Trailer

2nd Trailer

Evaluation

The film occupies a unique space between a biographical portrayal and a documentary focused on a historical event, presenting a nuanced interplay of broader societal changes and individual experiences. It diverges from the typical binary of good versus evil often found in Korean political narratives. Given its exploration of political figures and events, it inevitably elicits varied interpretations influenced by viewers' political affiliations, irrespective of the film's artistic merit.

Syngman Rhee, a figure marked by both significant achievements and controversies, has sparked polarized assessments; some argue the film prompts a reassessment of his legacy, while others contend it distorts historical facts. Critics have labelled the film as one that undermines Rhee's contributions, alleging it misrepresents the spirit of the March 1st movement and unduly glorifies pro-Japanese elements associated with the New Right, despite Rhee's clear anti-Japanese stance.

The discourse surrounding the film reveals a spectrum of opinions, from those who find merit in its message to others who deem it overly simplistic and biased, resulting in a stark division in public reception, as evidenced by emotional responses from viewers.

Establishing the 'Naval Military Music Band'

The film 'The War of National Foundation' is said to have exceeded 820,000 viewers by the 22nd, merely three weeks after its February 1, 2024 release. While it is customary to pay tribute to the founding president, discussions regarding President Syngman Rhee among Koreans are just beginning to emerge. However, an important narrative remains untold in the film; few are aware that President Rhee played a significant role in the advancement of high-level classical music, which is now celebrated by Koreans as a 'K-classic'.

This is a photo taken by the Jeonghun Music Band, which was founded during the war, during its Jinhae tour in December 1950. All members are wearing navy uniforms as naval personnel, which is unusual. Courtesy of Jeong Seong-yeop, Executive Director of the Republic of Korea Military Song Commemoration Association.

The outbreak of the Korean War in 1950 led to the fall of Seoul, forcing musicians to flee amidst the turmoil. In this chaotic environment, there was little support for these artists, compelling them to navigate their own paths. Conversely, Kim Il-sung recognized the strategic value of music for propaganda and invited Jeong Yul-seong, a member of the Chinese Communist Party, to North Korea, granting him the rank of Major in the North Korean Army. Jeong Yul-seong subsequently recruited and forcibly abducted musicians who remained in Seoul, resulting in the capture of many, including baritone Professor Kim Hyung-ro, who was married to Professor Kim Soon-ae, the composer of the Korea Military Academy's school song and known for "Because of You."

In response to these developments, conductor Kim Saeng-ryeo of the Seoul Symphony Orchestra and the era's leading soprano, Kim Cheon-ae, proposed the establishment of a military music corps to President Syngman Rhee. Despite resistance from various military branches due to operational priorities, Chief of Naval Operations Son Won-il, who understood the significance of music as his wife was an Ewha Womans University music graduate, successfully advocated for the initiative, leading to the formation of the 'Naval Military Music Corps' on October 1, 1950.

President Syngman Rhee meets with the Children's Press Corps in 1957. Courtesy of the Ministry of Patriots and Veterans Affairs.

A total of 130 musicians, both male and female, resided in the 'Bupyeong Inn', a distinctive three-story building shaped like the letter 'ㅁ' in Bupyeong-dong, Busan. This group was responsible for operating a symphony orchestra, a choir, and a creative department. Notable figures among them included composers such as Kim Dong-jin, Kim Seong-tae, Na Woon-young, and Yoon Yong-ha, along with conductors Kim Saeng-ryeo and Lim Won-sik. The ensemble also featured prominent musicians like violinist Ahn Byeong-so, cellist Jeon Bong-cho, pianist Baek Nak-ho, and vocalists Kim Cheon-ae, Lee In-beom, Kim Hye-ran, Hwang Byeong-deok, Oh Hyeon-myeong, and Ahn Hyeong-il. Their performances provided comfort and morale-boosting support to both troops and civilians.

Many of the musicians rescued from potential abduction by North Korean forces under President Rhee Syng-man have become foundational figures in the classical music scene of Korea, contributing to its rich heritage. This location was also the birthplace of Korea's first mixed professional choir. In 1957, the 'Navy Symphony Orchestra' rebranded itself as the Seoul City Symphony Orchestra, continuing its tradition as a leading musical institution. Additionally, it launched 'Jeonghun Music', Korea's inaugural music magazine. Following the recapture of Seoul on November 11, 1950, the 'Jeonghun Music Band' commemorated the Navy's fifth anniversary with a series of six concerts over three days at the 'Sigongwan' in Myeongdong, aimed at uplifting the spirits of UN forces and local citizens affected by the war.

The upcoming year will mark the 80th anniversary of the Republic of Korea Navy, established on November 11, 1945. This milestone raises the question of whether there will be a celebratory performance to honour the Navy's role in founding the Seoul City Symphony Orchestra. The unprecedented policy of safeguarding musicians during wartime is a significant aspect of history, and it serves as a reminder of President Rhee Syng-man's contributions to the arts and culture during a tumultuous period.

[lenteur]

random thoughts about run on, episode fourteen

(please do note that this post contains spoilers so read at your own risk.)

so i was right when i said that mi joo treated su bin the way she wanted to be treated when she was younger.

this quote is heartbreaking “it’d be nice to have that type of friend but that means i’m lacking something. i think i was looking back on my childhood years hoping i also had someone who would stand up for me like i did for su bin” and with that mi joo’s entire upbringing is summarized. on top of being lonely because she didn’t have parents like most of the children around her, she was ostracized by others and nobody else stood up for her when she needed it the most

and being lonely from such a young age does have a lot of impact on someone

which brings us to something i relate to so much “i want to get along with myself” all those years hating yourself, feeling hurt and lonely messes someone up. but now that she somehow has her life together, she wants to heal her heart and focus on herself because she’s the person she’ll have to live with for the longest time 

on a more funny note, i like how mi joo basically asked seon gyeom to netflix and chill only for it to be cutely awkward right after lol

the kiss felt so intimate. i felt like i was interrupting something hehe

we’re now at 2/3 people telling ki jeong do that he needs to step back step back silly boy

when yook ji woo told him “my life isn’t yours. i’m the star of my life” i was doing a little victory dance because that feels so nice whenever someone just stops that old man in his tracks

when both dan ah and mi joo came to see yeong hwa, i thought it was funny how both women were dressed as if they were secret agents or something. and then there’s yeong hwa in his beekeeper outfit (idk what it’s called)

talking about dan ah, myeong min came to see his father at the hospital shedding crocodile tears “worrying” about him. but it was such a meaningful moment to see seo tae woong interrupt that moment by showing that he truly cares about his father

dan ah knows she’s being followed and that’s why she asked mi joo to come with her meet yeong hwa. and she was right. myeong min is keeping tracks on her whereabouts. it seems he wants to catch her doing something immoral/scandalous just so he can take her spot, even though he’s an illegitimate child...

right after this touching scene at the hospital, rumors start spreading around that seo tae woong is a b*st*rd and i can’t help but think myeong min is behind that. i’m saying that because he’s the one who told him to think about who his (tae woong) shares belong to. myeong min threatened tae woong to let the cat out of the bag if things didn’t go his (myeong min) way

but the rumors are extending to someone else. maybe myeong min? and, as expected, dan ah will be the one dealing with the scandal and rebuilding the company’s image if the general public knows that her dad had affairs

seo dan ah isn’t paid enough for this sh*t

now going back on dan ah’s little trip to yeong hwa’s town. it was nice to see her be vulnerable and comfortable enough to sleep in yeong hwa’s arms. it’s like the first time she allowed herself to rest and just relax

and finally going to the part that made my blood boil. ki jeong do finally agrees to meet seon gyeom after several attempts from the latter’s part. the first thing the father does is bring kim woo sik’s incident and blaming it all on seon gyeom’s change in behavior... typical ki jeong do behavior. blaming everything on other people instead of taking accountability

however, he offers his son to take both him and woo sik in his track and field team. under the condition of seon gyeom marrying dan ah. once again, saving face and caring about his reputation only

seo dan ah’s father acknowledging his daughter’s hard work as seomyung’s ceo but then wanting seon gyeom to take over once they get married. sigh dan ah has to put up with so much... 💔

seon gyeom is now faced with a harsh decision: will he throw everything away for love? i mean the romantic answer would be yes but he has to take into consideration woo sik’s career. i don’t know how that mess will be resolved but i sure hope it does

when mi joo was on the verge of giving up, seon gyeom’s words motivated her and she kept on seeing images of her life. seeing how much she struggled as a young girl and in need of a friend. that friend ended up being seon gyeom. whereas seon gyeom just wished he was with mi joo from the start. it was such a beautiful moment to see both younger mi joo and seon gyeom meet each other at the end of that scene 💞

seon gyeom being the only one waiting for her at the finish line. so romantic and intimate. i feel like all their moments together in this episode were all so intimate. it felt kind of rude to see them with my eyes. i shouldn’t have been there to witness this kind of vibes

the codename candy scenes were all nice! especially anthony’s outfit

[ulkaralakbarova]

After a deadly earthquake turns Seoul into a lawless badland, a fearless huntsman springs into action to rescue a teenager abducted by a mad doctor. Credits: TheMovieDb. Film Cast: Nam-san: Ma Dong-seok Yang Gi-su: Lee Hee-jun Choi Ji-wan: Lee Jun-young Han Su-na: Roh Jeong-eui Lee Eun-ho: Ahn Ji-hye Kwon Sang-sa: Park Ji-hoon Teacher: Jang Young-nam Tiger: Park Hyo-joon Yeon-su: Seong Byeong-suk Madame: Jung Young-ju Ju-ye: Lee Han-joo Director Choi: Park Sang-hoon Director Oh: Ahn Seong-bong Ju-ye’s Father: Jeong Gi-seop Ju-ye’s Mother: Kim Young-sun Western Grandfather: Sin Sin-beom Western’s Mother: Hong Yi-joo Film Crew: Production Design: Jo Hwa-seong Sound Supervisor: Kim Suk-won Editor: Nam Na-young Special Effects Supervisor: Jung Do-ahn Adaptation: Ma Dong-seok Lighting Director: Song Hyun-suk Director of Photography: Byun Bong-sun Production Sound Mixer: Jung Gun Producer: Choi Won-ki Makeup & Hair: Nam Ji-soo Special Effects Makeup Artist: Pi Dae-seong Digital Intermediate: Lee Hye-min Production Design: Park Gyu-bin Original Music Composer: Kim Dong-wook Editor: Ha Mi-ra Martial Arts Choreographer: Heo Myeong-haeng Writer: Kim Bo-tong Executive Producer: Byun Seung-min Martial Arts Choreographer: Yoon Seong-min Original Story: Kim Dong-gyun Adaptation: Kim Chang-hoon Writer: Kwak Jae-min Executive Producer: Choi Byeong-hwan Special Effects Makeup Artist: Seol Ha-un Props: Kang Shin-hong Key Grip: Lee Hyun-gyu Special Effects Supervisor: Im Jong-hyeok Line Producer: Choi Su-im Visual Effects: Yuk Gwan-woo Movie Reviews: Chris Sawin: The film features some hard-hitting and explosive action sequences that will rightfully cater to fans of the genre. The battle in the basement of the apartment building, where we see Nam-san use a shotgun to blast his way through some of the doctor’s ‘enhanced’ individuals, is a total exhilarating blast. Ma Dong-seok has been a powerhouse for most of his career post Train to Busan, but he sends people flying whenever he throws his fist or pulls the trigger. _Badland Hunters_ also has to break a record for most decapitations in a film. **Full review:** https://bit.ly/bdlndhntr MovieGuys: Badland Hunters does something things well, others just passably. Action is wall to wall and well choreographed.Special effects are excellent. Characterisations are solid if predictable and the acting is not to be sniffed at. However, the story is unremarkable, with a climax that feels, well, anti climatic. In summary, an okay but hardly exceptional watch, that would have benefited from more creativity on the storytelling front. Ritesh Mohapatra: “Badland Hunters: A Visually Striking Action Spectacle with Narrative Shortcomings” In this post-apocalyptic action thriller, Badland Hunters, while suffering from a repetitive and clichéd plot and uninteresting characters, excels in stunning hand-to-hand choreography and scintillating action set pieces. The film benefits greatly from the expertise of its veteran stunt coordinator turned director, known for his work on Train to Busan. Commendable world-building, visionary concepts, and excellent VFX are hindered by conventional writing. The short, crisply edited runtime avoids unnecessary elements. Don Lee’s exceptional portrayal of Nam-san, with exhilarating action sequences, overshadows the film’s narrative weaknesses, making it a guiltily satisfying popcorn-worthy entertainer, particularly for adrenaline enthusiasts. Instagram & X @streamgenx.

[tomorrowedblog]

Friday Releases for May 3

Friday is the busiest day of the week for new releases, so we've decided to collect them all in one place. Friday Releases for May 3 include The Fall Guy, I Saw The TV Glow, The Roundup: Punishment, and more.

The Fall Guy

The Fall Guy, the new movie from David Leitch, is out today.

He’s a stuntman, and like everyone in the stunt community, he gets blown up, shot, crashed, thrown through windows and dropped from the highest of heights, all for our entertainment. And now, fresh off an almost career-ending accident, this working-class hero has to track down a missing movie star, solve a conspiracy and try to win back the love of his life while still doing his day job. What could possibly go right?

I Saw The TV Glow

I Saw The TV Glow, the new movie from Jane Schoenbrun, is out today.

Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.

The Roundup: Punishment

The Roundup: Punishment, the new movie from Heo Myeong Haeng, is out today.

Detective Ma Seok-do joins the Cyber Investigation Team to nab Baek Chang-ki, a former mercenary and the head of an online gambling organization.

Evil Does Not Exist

Evil Does Not Exist, the new movie from Ryûsuke Hamaguchi, is out today.

In the rural alpine hamlet of Mizubiki, not far from Tokyo, Takumi and his daughter, Hana, lead a modest life gathering water, wood, and wild wasabi for the local udon restaurant. Increasingly, the townsfolk become aware of a talent agency’s plan to build an opulent glamping site nearby, offering city residents a comfortable “escape” to the snowy wilderness. When two company representatives arrive and ask for local guidance, Takumi becomes conflicted in his involvement, as it becomes clear that the project will have a pernicious impact on the community.

Lost Soulz

Lost Soulz, the new movie from Katherine Propper, is out today.

When aspiring rapper Sol is discovered by a group of Gen-Z musicians after performing at a house party, he joins their tour through the heart of Texas and embarks on a once-in-a-lifetime road trip. Sol and his new collaborators bond over their shared pains and longings from the lives they left behind. Bold and brash, yet surprisingly sensitive and vulnerable, these young artists pour their souls into the music they create together. The novelty of Sol’s newfound family fades as the demons Sol left behind come back to haunt him, including his guilt over abandoning his ailing friend. His sense of self is put to the ultimate test as he seeks refuge from the rootlessness and loss that has defined his existence.

Slow

Slow, the new movie from Marija Kavtaradze, is out today.

Dancer Elena and sign language interpreter Dovydas meet and form a beautiful bond. As they dive into their new relationship, the dynamic changes when Dovydas reveals that he is asexual. Slow is the story of two people exploring how to build their own kind of intimacy.

Tarot

Tarot, the new movie from Spenser Cohen and Anna Halberg, is out today.

When a group of friends recklessly violates the sacred rule of Tarot readings – never use someone else’s deck – they unknowingly unleash an unspeakable evil trapped within the cursed cards. One by one, they come face to face with fate and end up in a race against death to escape the future foretold in their readings.

Wildcat

Wildcat, the new movie from Ethan Hawke, is out today.

Directed and co-written by four-time Academy Award nominee Ethan Hawke, WILDCAT invites the audience to weave in and out of celebrated Southern Gothic writer Flannery O’Connor’s mind as she ponders the great questions of her writing: Can scandalous art still serve God? Does suffering precede all greatness? Can illness be a blessing? In 1950, Flannery (Maya Hawke) visits her mother Regina (Laura Linney) in Georgia when she is diagnosed with lupus at twenty-four years old. Struggling with the same disease that took her father’s life when she was a child and desperate to make her mark as a great writer, this crisis pitches her imagination into a feverish exploration of belief. As she dives deeper into her craft, the lines between reality, imagination, and faith begin to blur, allowing Flannery to ultimately come to peace with her situation and heal a strained relationship with her mother.

Unfrosted

Unfrosted, the new movie from Jerry Seinfeld, is out today.

Michigan, 1963. Kellogg’s and Post, sworn cereal rivals, race to create a pastry that will change the face of breakfast. A tale of ambition, betrayal, sugar, and menacing milkmen, Unfrosted stars Jerry Seinfeld in his directorial debut.

Mars Express

Mars Express, the new movie from Jérémie Périn, is out today.

In 2200, private detective Aline Ruby and her android partner Carlos Rivera are hired by a wealthy businessman to track down a notorious hacker.

On Mars, they descend deep into the underbelly of the planet’s capital city where they uncover a darker story of brain farms, corruption, and a missing girl who holds a secret about the robots that threatens to change the face of the universe.

Fearless Movement

Fearless Movement, the new album from Kamasi Washington, is out today.

[korelist]

EXRAORDINARY ATTORNEY WOO   //  KDRAMA DİZİ YORUMU

UYARI : Yazılar genel olarak spoiler içerebilir. İçermeyedebilir.

İmdb puanı : 9,1 Benim puanım: 9

Drama: Extraordinary Attorney Woo (English title) / Strange Lawyer Woo Young-Woo (literal title)

Hangul: 이상한 변호사 우영우

Director: Yu In-Sik

Writer: Moon Ji-Won

Date: 2022

Language: Korean

Country: South Korea

Cast: Park Eun-Bin, Kang Tae-Oh, Kang Ki-Young, Baek Ji-Won, Ha Yoon-Kyung, Joo Jong-Hyuk, Jin Kyung, Jeon Bae-Su, Joo Hyun-Young, Im Sung-Jae

 İzlediğimiz ağır dizilere inat, kaliteli ama soft bir diziydi. Konusu nedeni ile çok tereddütlerim vardı. Gereksiz duyar kasan, kasvetli ve duygu sömürüsü dolu bir dizi bekliyordum. Neyse ki çok yanlış bir yanılgıya düşmüşüm. Avukatlık bürosunda geçmesine rağmen son derece gündelik, gerçekçi konular ele alınıyordu.

Woo Young-Woo (Park Eun-Bin) babası tarafından büyütülen tuhaf bir çocuktur. İlk okul çağında rahatsızlığını fark eden babası onun üzerine titrer. En iyi şekilde yetiştirmeye çalışır. Babası Woo Gwang-Ho rolünde, dizilerde baba rolünde görmeyi sevdiğimiz bir oyuncu olan Jeon Bae-Su oynuyor. Anlayışlı, elinden geldiğince yetmeye çalışan bir baba olarak karşımızda. Kendi döneminin iyi avukatlarından biri olmasına rağmen, Woo için mesleğini bırakmış küçük bir lokanta açmıştır. Woo ise küçük yaşta babasının kitaplarıyla ilgilenmeye başladığı için kariyerini oraya doğru çizmiştir. Asperger Sendromlu olmasına rağmen üniversiteyi birincilikle bitirip Hanbada hukuk bürosunda işe girer.

Eğlenceli ve zeki kişiliği ile dikkatleri üzerine çeken Woo, aynı zamanda özel durumu nedeni ile ön yargılara da maruz kalır. Büro, ilk etapta onun altından kalkamayacağını düşündüğü için çaktırmadan basit davaları verir. Ancak Woo, yasal boşluklar ve ayrıntılar ile kimsenin göremediği detayları görebildiği için pratikte de insanların dikkatini çekmeyi başarır.

Aslında dizi otizme dikkat çekmeye çalışmak yerine, otizmli birinin hayatına kısa bir bakış atıyor. Günlük hayatı, insan ilişkileri, yaşadığı zor durumlar, rutinleri gibi kimsenin gözüne batmayan minik detayları anlatıyor. Dizideki karakterde yüksek sesten rahatsız olan biri, kendi düşüncelerini duyamadığı için etrafındaki seslerin çok olması ona rahatsızlık veriyor. Bu nedenle kalabalık yerlerde kulaklık takıyor. Küçüklüğünden beri balinalara takıntılı olan Woo, çoğunlukla kulaklıkla onların seslerini dinliyor. Bir odaya girerken parmakları ile beşe kadar sayıyor. İçinde ne olduğunu görmediği şeyler yemekten hoşlanmıyor. Bunun gibi ufak ufak bir sürü detay ile diziyi renklendirmişlerdi. Her bölüm ayrıca bakılan davalarla farklı sosyal mesajlarda veriliyordu. Ama bu benim en başta korktuğum gibi duyar kasma gibi değil de daha ziyada tatlı bir dille aktarılıyordu.

Mary Temple Grandin adlı gerçek bir kişiden esinlenilerek yazılan Woo karakteri, tam anlamı ile kurudan oluşmuyor. Gerçekten var olan bir insandan referans alınmış. Karakterin yanı sıra konu olan davalarda gerçek avukatların hikayeleri ile şekillenip, yaşanmış olayları baz almışlar. Park Eun-Bin bu rolü 3 kere geri çevirdikten sonra kabul etmek zorunda kalmış. Yazar Moon Ji-Won ve yönetmen Yu In-Sik dizi çekimlerini 1-2 sene erteleme pahasına inatla oyuncuyu istedikleri için kabul etmekten başka çaresi kalmamış. Onlar bu rolü oynayabilecek çok oyuncu olmadığını söylerken, oyuncu ise rolün yüklendiği misyon nedeni ile kimseyi kırıp incitmek istememiş. Anlayacağınız aralarında tatlı tatlı cilveleşmişler.

Başarılı oyuncu Park Eun-Bin’e, Lee Jun-Ho rolü ile Kang Tae-Oh eşlik ediyor. İkilinin uyumu inanılmazdı. Son derece sempatik bir çift olmuşlardı. Küçük bir kadro ile çekilen dizinin bütün yan rolleri ayrıca başarılıydı. Büroda kıdemli avukat olarak hepsinin yönetici olan Jung Myeong-Seok rolündeki Kang Ki-Young ekstra enfesti. Daha önce de dediğim gibi bütün yan rolleri ona verseler ben razıyım. Sempatik, karizmatik, doğal ve başarılı. Ofiste Woo karakterine eşlik eden diğer bayan oyuncu ise Ha Yoon-Kyung idi. İkilinin arasında geçen diyaloglar pamuk şeker tadındaydı.

Günün sonunda kaliteli bir iş ortaya çıkartılmış. Arka planda devam eden karakter hikayeleri 2.sezon anlaşması nedeni ile yarıda kalsa da keyifli zaman geçirtiyor. Kang Tae-Oh’nun askere gitmesi nedeni ile 2.sezonun gelmesi uzunca bir zaman alacak gibi görünüyor. Yine de zaman ayırmaya değer bir dizi olmuş.

 OST:

Sun Woo Junga - Beyond My Dreams

Raven Melus

BAŞKA NELER VAR ?

FOTOĞRAFLAR

[dramaworlduk]

This is just an appreciation post for Lee Jong-Suk’s eye freckle, thanks for always being there bc it’s rlly cute

[abstractoldsoul]

"Before my feelings grew, when I could have turned things around, I should have left."

-- Choi Dal Po/Ki Ha Myeong from Pinocchio

[aylinaliens]

no thoughts head empty just this specific part of ep 12 where suyeon, youngwoo, and attorney jung having their life flash before their eyes during that fast & furious car chase

[pahintulot]

Atty. Jung Myeong Seok is a real mentor.

I could never thank him enough for being such a reliable sunbae for all the rookie attorneys. I love how he handled this situation. He is warm hearted and a very competent professional.

I am really looking forward how the rookie attorneys would learn from him and how he, would also learn from them in return. Because I guess that's what a real mentor is--someone who is not afraid to learn from others despite the experienced they already have within them. Someone who is always still willing to be taught.

Fighting Atty. Jung!

[choidaehoon]

Extraordinary Attorney Woo S01E06: If I Were A Whale

[siimpinews]

Reveal Of LL E&M Trainees Sends Shockwaves Through The Internet- Who's The Prettiest?

(cw: insulting people's appearance, slight racism (calling a Japanese woman an "anime girl"), misogyny bc it's always the scene of the crime)

April 4th, 2015 by Seth Choi

It is very common for companies to reveal and even promote their trainees. When it is done, the trainees rarely ever cause a stir like LL E&M's "LLRookies" did. The biggest reason? Two of them are very familiar.

The first familiar face most Netisims immediately recognized was Myeong Gaeun of Ki-Ti's sister, Myeong Jieun. The people disappointed that she wasn't apart of PZSN's final lineup were quickly assured by her inclusion in LLRookies. Netisims excitedly pointed out the trait she and her sister have in common- beauty. They more excitedly pointed out the more innocent edge to Jieun.

It took the internet a while, but they finally deduced why the trainee named "Hwang Dayeon" looked so familiar. In a shocking turn of events, two of the former A.B.D members have reemerged around the same time. Commonly known as "D" and the maknae of A.B.D, Dayeon hasn't changed much. Other than the fact that according to Netisims, her beauty has grown immensely as she blossomed into a young woman (julie note: I hated writing that).

Many comments were made regarding the other less familiar trainees, but one stood out. Hayashi Ami shocked Netisims with her porcelain white skin, tiny nose, and charismatic eyes. Her strikingly small frame and attractive figure was brought up as well.

Surprisingly, the debate for "prettiest LLRookie" became very heated and ended up derailing the discussion. Most Netisims boiled it down to different tastes, but others simple couldn't let it go.

Myeong Jieun is like the smaller, cuter, and more innocent Myeong Gaeun [1443, 12]

Both Hayashi Ami and Jin Jiyoung have amazing figures. Such tiny waists! [1320, 4]

I used to insist B was the prettiest in A.B.D.... if only younger me would've known how pretty Dayeon would become. Dare I say older Dayeon is prettier than older Bohyun? [1530, 108]

Ami omg... how can someone be so white? Is that even possible? [1234, 5]

Myeong Jieun is like a baby doll, Hayashi Ami is like an anime girl, Hwang Dayeon has the perfect idol look [1007, 8]

It's up to your personal taste, Hwang Dayeon immediately caught my eye. [900, 102]

If we're talking head to toe best looking? It has to be Hayashi Ami. If we're talking strictly facial beauty? Myeong Jieun. She's cute or whatever but Hwang Dayeon's not even in the discussion. [1143, 129]

Hayashi looks like a lizard, Hwang clearly relies on makeup enhancement. Myeong Jieun not only has the purest and softest look but her features are all perfect. Oval face, petite but attractive nose, plump lips, and gorgeous big eyes. [1399, 410]

Other than the fighting over the prettiest trainee, there has also been an outcry that this discussion is happening at all. People asking to just compliment the girls and leave it at that or why people care so much about looks.

After a lot of judgement cast toward people engaging in the discussion, the debate slowly died out. What is your take on the situation?

[raingalaxy]

If we really get another season for extraordinary attorney woo, Minwoo better be well-developed, or I'll start a riot, no one is buying the sudden change, and I really don't want our spring sunshine to be trapped in the" I fixed the bad boy with my love" trope, I can accept a character change of heart, but you need to show me the damn growth. 

Also, he getting development doesn't mean that we need excuse his bullshit, change, grow as a person doesn't mean automatic forgiveness.

[heroichi-san]

NO! JUST NO!

I would like to refuse the recent development on the status of Atty. Jung Myeong-seok's health. JKASAFLDSCJSBVKSBLJGA You can't do this to meeeeeee! Call me overly passionate but I love him and you can't kill him. You can't look at him and tell me he deserves to die.

Your Honour, I'm inlove and I can't go back.

[thecountesstribe]

I'm just gonna say it.... if they push this love story line between that asshat Kwon Min Woo and our 🌻 spring sunshine Choi Su Yeon🌻 they're absolutely gonna ruin a good show for me. I hate him too much. Maybe if he had a redemption arc in the beginning and was genuinely a good person I would've understood but he's scum! Our girl deserves nothing but the best!!!

Anybody saw what's happening to attorney Jung?!!! He's sick!!! Episode 13/14 better not be his send off episodes. I'm in shambles... he's apart of the sunshine protection squad, please don't let anything happen to him. I refuse to accept him as a loss!

Side note: I'm obsessively gonna go look for those hats Junho and Young Woo were wearing during their protest and buy em. My love for the ocean and marine life (especially whales) are living for this show😭