#key west style decor

[habunshu]

Hello! Sorry to bother you.

I noticed you are in JTTW fandom and wanted to ask if you know where can I find more info on Sun Wukong's make up and stage performance? I tried to find stuff on my own but quickly realised that I'm just one small weak goblin. I saw some blogs about chinese opera behind the scenes with SW images and couple of videos but that's about it... and since you look like you are way more knowledgeable I came here to beg a favour.

Do you know any videos, documentaries or blogs on this topic?

Thank you for your time ♥♥♥

Hi!

TLDR: Bold text are writings/videos linked to Peking Opera Culture and specifics surrounding Monkey King performances. Post has a mid-length summary of key aspects of his Peking appearances and core thematics. This mainly goes along visual design analysis, as I don’t focus in performance art as much! Read more divide for courtesy

(Also taking a moment to highly praise @/bonesmarinated ‘s Peking opera Wukong pieces!)

The Monkey King/Sun Wukong is a very well covered and well performed character in Peking Opera, I’ll give a short(ish) summary of the key aspect of his design across various performances based on work I can recall from my Undergrad as well as my own experience- and i’ll link any documents/websites/images I have on hand

Wukong’s Lian Pu falls under what is known the Jing role (complex hero) with similar facial decoration also being delegated to the Chou roles in Opera as well.

The dominant school of art in depicting him either on live performers or maskwear, have a fairly universal foundation for his appearance.

The oldest forms of Peking opera stick to Wuseguan (Five Colour Theory) with his Lian Pu sticking to a core 3 of White (Cunning), Red (Bravery), and Black (Loyalty). Even with Modernisation of the Peking Opera and developments in the science behind art and makeup, Lianpu is specific in its purpose of portraying the nature of a character beyond body language and aiding in accessibility for people at the far end of the audience.

The Monkey King’s Lian Pu is reflective of his mischievous and bold nature, combining it with the shape of an Old World Monkey’s furless face shape so that even those “uneducated” in Peking Opera culture can at least see /what/ Wukong is before they see /who/ he is. The White and red placement are linked to yin-yang dynamics relating to the stone he was born from and the energy it cultivated) as well as general themes beyond the tale itself.

Zheng’s “Evolution, Symbolism, and Artistry: A Study on the Colors of Peking Opera Facial Makeup” Discusses this in more detail. ( DOI: 10.23977/artpl.2023.041207) (ISSN 2523-5877)

(General Mask colours in Peking Opera, separate from Lian Pu: The Cultural Connotation and Symbolic Meaning of Chinese Opera Mask Color - Hanbing Tu)

In more modern designs, the key foundation of Wukong’s face doesn’t change much, however some variations do add colour to Wukong’s eyelids- mainly pink or yellow/gold. Both of these relate physically to the ‘whites’ of Old World Monkey’s eyes, with the yellow face paint being representative of “barbarism” or “savagery”. Gold is used on the faces of various immortal creatures from all backgrounds as Silver is.

(Left: Chu Luhao as Monkey King, stedling divine peaches and wine in celestial realm, Kaohsiung ) (Right: Monkey King Wukong in Beijing Opera Journey to the West at Liyuan Theater)

As with Taiwans branch off in culture, This Lian Pu on the left shows the eyebrows as the top of the eyelid makeup, contrast to Chinese style and other Sino-influenced regions. This works in Chu Luhao’s production as it plays towards the character Wukong is before he’s sealed under the mountain and begun the journey- hence more “wide eyed”.

Mentioning Yellow within the Wuseguan, this is why most of his earlier outfits have such a heavy bias towards yellow cloth, barbarism being represented across his whole body (his form, as a monkey over his soul that achieves enlightenment) with costumes later down his hero’s journey adding more black, blue (simplicity).

(Left: Performer playing Monkey in Journey to the West, Chinese Opera performance in Singapore) (Middle: Chu Luhao’s production, Sun Wukong arrives at the Dragon Palace of the East Sea) (Right: CANTON, CHINA – CIRCA JULY 2019: Beijing Opera performance of “Monkey King Making Havoc in Heaven”)

Key Read -> The Artistic Symbolism of the Painted Faces in Chinese Opera: An Introduction, David Ming-Yüeh Liang. https://www.jstor.org/stable/43560653

Book -> Chinese opera: Images and stories, Peter Lovrick, Wang-Ngai Siu

Book -> Drama kings: Players and publics in the re-creation of Peking opera, 1870-1937, Joshua Goldstein. https://books.google.co.uk/books?hl=en&lr=&id=XT_1fZ9Jp18C&oi=fnd&pg=PP1&dq=info:49R3XREYwVoJ:scholar.google.com/&ots=3OF1F4SILK&sig=gQyW7bGJzgnxG62Y2TxU01ZPazQ&redir_esc=y#v=onepage&q&f=false

This analytical paper on Monkey King: Hero is Back showcases modern animated links to Peking Monkey King designs - https://fslmjournals.taylors.edu.my/wp-content/uploads/SEARCH/SEARCH-2024-16-1/SEARCH-2024-P5-16-1.pdf

A blog site I found interesting was an interview with Yao Yudong, the successor to colourful Peking Opera masks, where he discusses creating the mask designs (with a Wukong mask as a recorded example) and a more in-depth written post. He expresses the key two styles of Wukong’s red markings known as “Upside down Gourd” style, and the less complex “Upside down Peach” style attributed to a different art school. In which his mask is directly attributed to items that come into contact with his face.

Jiao Feng, Peking Opera Facial Makeup: The Art of Face Painting: http://www.chinatoday.com.cn/ctenglish/2018/ich/202001/t20200117_800190202.html

Connected is a video of an Opera performer who does his own Lian Pu, which depending on the time period could take up to two hours. Although this design is significantly more contemporary in the use of gold on white sections as markings like black paint. https://x.com/chinadaily/status/1365730927133958144?s=46&t=06bYiE12l6qVJUxPCBuvvQ

In regards to Wukong’s combat performances, he falls into the role of a Wusheng (武生), which is the strand of stage costume used in representation of his staple armour.

(Monkey King in Journey to the West Performance, Beijing Opera)

In this costume, Wukong’s Phoenix feather cap is mirrored by Lingzi (翎子) or Zhilling (雉翎), which likely play back and forth with influencing eachother as time progresses, due to Wukong’s theatrical personality being heightened by the Pheasant tails and their movements as actors play their roles. In his Wusheng roles, he is more likely to be adorned with gold eyelids to highlight his layered immortality and connect to the golden armour he wears. The trait of biting the pheasant tails as a theatrical act of frustration is seen across adaptations, most recently in Black Myth: Wukong’s Chapter 6 Animation.

This animation’s design seems to relay the Lingzi strongly due to the way the studio details the lowest connection points to the crown ornament.

As stated in Bond’s writings “BEIJING OPERA COSTUMES: THE VISUAL COMMUNICATION OF CHARACTER AND CULTURE”, Wukong’s in-game Suozi Set and various adaptations Dragon Palace armours split similarly to the Kao (Armour) on Peking stages, with the falling of the frantic drastically increasing the size of the actor and his silhouette.

Qing-era flags on the costumes of Wusheng were used to express social standing, gender, nature, and ranking. The image above showcasing them has them match the Kao pattern of the clothing, other flags often held zodiac patterns- with the monkey showcasing vain, egotistical, inventive and tricky individuals; and the peach included in a flag hinting towards immortality.

(Ching Dynasty Year of the Monkey Flag used in the Peking Opera) Zaricore Flag Collection: https://www.flagcollection.com/itemdetails.php?CollectionItem_ID=943

Due to the History of Lian Pu, and Wuseguan, despite modernisation of Opera arts vastly widening the colours and complexity of costumes; Wukong sticks to a key 5 colour scheme, with a emphasis on the original trio of red-white-black, and gold being reserved for Wusheng/Wuxiaosheng to showcase immortality and strength. The prevalence of Opera alongside fictional theatre means that the two constantly play off of eachother in mannerisms and influence, both at the time of JTTW’s writing to the 21st century. But as Opera is a physical performance, all aspects of Peking costume design is meant to make the emotional and psychological aspects of characters physical, to a large audience space needing to see facial expressions heightened and clarified by Lian Pu.

Read -> Cultural-based visual expression: emotional analysis of human face via Peking Opera Painted Faces (POPF)

[a-romantics-guide-to-life]

╰┈ 𝐭𝐡𝐞 𝐧𝐢𝐠𝐡𝐭 𝐰𝐞 𝐦𝐞𝐭 ┈➤

𝐬𝐮𝐦𝐦𝐚𝐫𝐲 : liam could’ve sworn this was the first time you’d met, so why does he feel like you know him better then he knew himself?

𝐭𝐫𝐢𝐠𝐠𝐞𝐫 𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬 : reincarnation modern!au, billy isn’t billy but rather liam, and he’s an actor, this part is pretty long

𝐚/𝐧 : inspired by my friends shenanigans and talks of reincarnation! hope you enjoy!!

𝐬𝐞𝐫𝐢𝐞𝐬 𝐩𝐥𝐚𝐲𝐥𝐢𝐬𝐭!

William loved Billy the Kid.

Your very own kid brother, WIlliam, had declared his own nickname to be Billy because of just how much he loved the famous western legend. Ever since you had told him of the old famed outlaw, he’s been obsessed. He changed his nickname, his clothing style, he even tried speaking in a drawled western accent like they did the old black and white cowboy shows, which Billy also loved.

He printed and weathered his very own copies of the Kid’s wanted posters, decorating our small ranch house with homemade wanted posters of me, himself, and our Pa. He printed vintage movie posters and the famous old photo of Billy the Kid to show off to anyone who'd visit your little gem in the middle of nowhere in Southern California. He even begged you and your father to teach him how to shoot just so he can connect with his hero. 

Billy had also coerced you into sewing him trousers and a blouse just like the Kid wore in his iconic wanted poster. He would steal your fathers hats and boots as well as your wine red cardigan, walk outside, toothpick in mouth, playing pretend.

Billy’d pretend that he was in the famed Lincoln County War, surrounded by Jesse Evans and his gang of misfits employed under Murphy and the House. He’d use his pretend gun and shoot all the bad guys down just as Billy the Kid had at the burning McSween house.

Of course, as Billy grew up, so did you. You had left your father’s ranch, your home, and moved to Los Angeles to finish high school and attend university. 

In university, you ended up studying history and visual communication. You loved history, tales of old, myths and legends, all of it. You were the one who taught your kid brother about the famed Billy the Kid on a road trip through the American South-West once after all.

It was your senior year of high school when you had finally found your calling. During that school year, you had found yourself signed up for a theater class. However, you were terrible at acting. You couldn’t memorize lines and your singing voice was locked up in your shower, the key thrown away and never to be found. 

Of course, your best friend, Lucy, had gotten the lead role of the play. She was born and raised in Hollywood, the land of movie magic. She was a natural, her improv and memorization skills making her one of the top people in that theater class. Her voice was akin to a sweet angel which is why the musical theater club always cast her as the lead, even in musicals such as Shrek where she played the big, burly green ogre to perfection. 

However, Lucy was very particular about her costumes. She loved you for that exact reason. You, ever since you were a child, had been talented at sewing and costume making. And on top of that, you loved historical processes and authenticity. So, of course in an attempt to include you in their play, Lucy sang praises about your skill as a designer and a historian to your teacher who had awarded you with the title “Art Director”, whatever that meant.

What did matter was that you had the time of your life. Being an expert on history, especially the Wild West which was where the play was set in, you were considered the saving grace of the play. You had led the costume department, aka you and one other classmate, in creating historical-ish costumes for each and every one of the 21 different characters. You had also led the stage crew in creating the backdrops and settings with props which all were weathered by you to look as if you had plucked them straight out of Gunsmoke or even Bonanza. 

You had discovered your love for design and history there, carrying that love with you as you went on to enhance your studies in college. As time passed on, you started to post your creations online, oftentimes getting commissioned to create costumes and even design pro global pieces based on time periods or films. Most of these posts of course were of Lucy in her costumes she asked you to make for her for her plays and musicals as she went on to professionally act and perform in live performances and movies. 

Naturally, as your account and following grew, so did your opportunities. Soon, you found yourself being contacted by actors and actresses alike, asking you to design their premiere looks. Even movie studios contracted you as a consultant to help with their movies. Of course, you accepted the position. Even your papa and Billy had been ecstatic to hear about your new passion, especially so when you told them about your new consultant gig.

After accepting the job as a historical design consultant for movie studios, you often found yourself working with costume departments, helping make sure the costumes seemed plausible for their time period. You were consulted with on set designs, making sure furniture and other items on set actually existed during that time period. Everyday, you were working on something new, using history and your knowledge to bring cinematic artworks to life, transporting actors and viewers to a time or place.

Needless to say, you loved your job.

Even more so, the perks of said job.

You were paid a handsome check every month for just doing what you loved. You were invited to gala’s and dinners alike to celebrate the movies and shows you worked on. And not only that, because you were a consultant, you worked primarily from home only and for the most part, on your own time. 

You were provided with the lush fabrics and delicate threads to create costumes and pieces. You were able to use a plethora of old sewing machines from one of the very first manual spinning ones to one of the most rare, a model from 1938 of which only 43 remain.

Your ‘office’ had to be your favorite perk of working in the movie industry though. It was located on the movie studios backlot in a building called ‘Creator’s Heaven’ because it was one of the largest creative spaces in all of Hollywood. It was an upscale warehouse with shelves towering with different fabrics, lace, and threads. It had rooms called “Makers Space” dedicated to sewing with TV’s and speakers fit for a movie theater to help with boredom when sewing by hand (although it does nothing for concentration especially when one’s favorite actor is on screen). 

You also were given permission to create your own private projects in the Maker Spaces, even if you had to lug all your own materials to the rooms yourself. You loved putting on your favorite movie or show while you created costumes as a private designer or even for yourself. Of course, that’s how you found yourself in one of the rooms one warm night in late July. 

You had promised your brother that you would make him a new costume for the Old Lincoln Days festival in New Mexico you went to every year. It was always one of the highlights of your lonely summers in LA. Your papa and lil Billy still lived on your darling little ranch which always made you homesick when your Pa would video call you and show you how much the cattle had grown or how full the fields were.

But every summer, you drove down south, picking up Billy, costumes in hand. You would then endure the incredibly dull landscape of the South-West for three days, stopping along other towns every now and then to rest, eat, and even stay the night. 

You spent the drive singing to the songs on the radio in your little SUV, AC on full blast, the cool air would sting your noses but keep you from roasting alive in the heat of the sun. You would talk with Billy about his schooling, how life was going for you too. But by far, your favorite part had to be about how Billy’s eyes lit up at every mention of the movies you helped make. Truth was, while Billy still loved Billy the Kid, he also has fallen in love with many many other movies. 

Sometimes, when your father would drive all the way to LA with Billy to visit you, you would also take Billy with you to work as an assistant of some sorts. Billy always was so energetic and buzzed with happiness whenever you did bring him along. 

You always enjoyed seeing your Papa and Billy, even if it was only ever on a video call. You loved getting to see your baby brother grow up into middle school then to high school. He had decided to stay with your Pa, helping out on the ranch and attending school in town. He had grown so much too. He nearly towered over you at the tender age of 15. His legs may have grown longer but his smile still stayed as boyish as it always was.

Which is why you loved your road trips to New Mexico. Even if it was only for a little under a week, you loved getting time to spend with your kid brother. Billy and you also loved getting to dress up like they did in the Wild Wild West too. You always made sure to update Billy’s costume because of how much he grew in a year. But you? You always always wore the same get up. Dark chestnut trousers that met your hips, straps pulled over your shoulders which lay on top of your deep red blouse. Even a gun belt, the leather hanging a little loose on your waist.

You never knew why you always wore the same old clothes but it always felt right to wear when you visited New Mexico. 

Liam loathed driving to New Mexico. 

He didn’t understand why but it always felt wrong. And yet here he was, Garett and Evan in tow, his best friends in the entire world. 

Growing up, Billy didn’t have much. His family moved from the big city to New Mexico in fact. His Ma worked night and day as part of the local Inn’s housekeeper. His Pa worked out on the ranches and farms, helping whoever would pay him while Liam stayed home in their small two bedroom cabin with his baby brother Jo. 

Naturally, as both Jo and Liam got older, they too started to work. Liam helped his Ma and Pa however he could. He learned to ride a horse to help herd the cattle, harvest wheat and grain, how to herd cattle, how to sew, clean, and cook. He worked hard at night, helping his Ma at the Inn while going to school in the morning with Jo.

And that’s exactly how Liam’s life went on for the next ten years. Slaving the day away at school, trying to get an education while working at night to try and help pay the bills. 

Yet it was in New Mexico that Liam had found his passion.

It was Liam’s 17th summer alive when his Pa had surprised him with a trip to Lincoln. The occasion? It had been a celebration of the official end of the Lincoln County war. The festival had been held for many years now, many tourists coming to visit the famous Old Lincoln Days festival where they celebrated Billy the Kid and his famous legend. 

Little did all those tourists know, drive a little more North and you’d find that the Lincoln days weren’t too far gone.

Of course, Liam’s Pa didn’t do anything without good reason. It had taken Liam a little over five years to convince his father that they needed a car, the reason his Pa finally cracked? Liam told him that it had an A/C. 

Turns out, the real reason that Liam’s Pa had taken him to Lincoln that fateful summer was all because he had signed up Liam for the lead role in the famous shooting reenactment. Every year, the first weekend of August, the festival would kick off with it’s old timey cantina’s and saloons. They even had elaborate Wild West costumes and ‘cowboys’ that would ride their steeds up and down the street, talking in drawled accents and jumbled up lingo that had to have been made up. They would take swigs from flasks and chew on long stems of wheat that rested in between their teeth.

Liam hated it. It sends shivers down his spine every time he even feels a whisper of a memory of that first time he played the Kid in the festival his father had volunteered him for.

Liam had only had three days to practice the scene, yet it was almost like muscle memory for him. They were reenacting the scene where Sheriff Pat Garrett shoots and kills the Kid. 

It truthfully felt as if he had been in that exact same position. Why or when? Liam could never figure it out, no matter how much he wracked around his jumble of memories.

It was as if he had actually been walking down the streets of Lincoln, after dinner presumably. It was as if he felt the malicious eyes of Garett staring him down as he asked 

“¿Quién es? ¿Quién es?“. 

It almost felt right to fall to the Sheriff’s gun, almost as if he truly was William H Bonney who had lost everyone he’s ever loved to death who also begged for the sweet relief that he would find in the afterlife.

It always irked Liam. Nevertheless, he was just grateful that he got paid. 

As the years passed, Liam started to fall in love with the role, volunteering every year up until he moved away for college. He wasn’t Billy every year, once he was actually Sheriff Garrett, but he always got to work with his best friends Evan and Garett, who he actually met at 17 while volunteering. In fact the three were so close that they all moved together to sunny California from arid New Mexico. 

And they have been together ever since. They all fell in love with theater and acting, especially during the re-enactments they all did in the festival back home. The trio attended community college together, renting a small two bedroom apartment together. They all worked their asses off to make rent each month while studying Trigonometry and American History.

As for how they survived in a two bedroom apartment? Well, thanks to their very special schedules with work and school, only two of them would ever be sleeping at one time. Evan couldn’t properly function until at least 2 PM which meant that he slept through the morning and was out late at night. Garrett also had a very unique schedule, rather than sleeping ten hours at once, he split it up. He’d wake up bright and early at 4 AM, leaving for his morning job down at the police station where he helped sort paperwork and whatever, come back to the apartment to nap from a little after lunch till 6 PM where he and Evan would usually go out for drinks before attending class together.

Liam never really understood how those two functioned drunk on beer, learning in the middle of the night, and working odd hours. Liam had prided himself on being the most responsible of course. He’d wake up early as well, attending classes in the morning until lunch rolled around where he’d go to his job at an old family-owned diner. 

He loved working at that little diner, it never failed to remind him of his Ma who also ran a diner and bakery back in New Mexico. She’d even open up a little pop up shop in Lincoln in time for the festival where she attracted tourists and locals alike with her delightful baked goods and savory dishes she spent hours on preparing.

It was moments like those that Liam thought of on the hard days. As the trio worked through community college, they also all started auditioning for other roles and jobs. Of course, being young and new to the whole acting scene, rarely did anyone choose the kids from the middle of nowhere New Mexico.

That is, until they held auditions for a rendition of the famous Billy the Kid story. Garett had been talking to an agent who had managed many many famous actors who were looking for new blood. It was through that agent that he had found the audition which he told the boys. Of course, Liam was ecstatic. At 20, Liam had been faced with countless empty email inboxes when it came to roles he auditioned for. Even Evan and Garett had consistently pulled Ad and modeling gigs. So, as one does when one is down on their luck, Liam remarked,

“Fuck it, what do I gotta lose?”

Liam regards that moment of uncertainty when he closed his eyes and clicked ‘Sign Up For Audition’ as the best thing he’s ever done. 

He had driven to the theater where they were holding auditions all by himself since neither of the other two were gonna audition for any of the roles since they had booked another Ad campaign the week before. 

In honesty, Liam was so nervous waiting in that line that slithered through the hallways filled with other boys and men around his age, height, and build. He could still feel the way that his hands nervously shook as he reread the script over and over and over again. He was usually good at memorizing things like math formulas and other lines of plays and musicals yet he just felt so jittery. Perhaps it was because he was playin’ Billy the Kid, a character he’s played before. Perhaps it was because he was from New Mexico and he had a hankering to do one of his states heroes good.

Regardless, Liam still walked straight ahead onto the stage, performing the lines as best as he could without choking on the words. Of course, Lady Luck refused to grace Liam at that moment where he had forgotten the line. He panicked and scrambled to recall all those years of playing Billy, speedily racking his brain for any form of assistance it could relay him with. 

Of course, his brain ran on empty, nothing came out of his mouth. Or well, nothing came out of his mouth but his hands moved on instinct. Liam had quickly raised his gun from the belt they had given him to use as a prop. He channeled each of those years of learning how to actually shoot a gun as well as how to quickly draw it to move his arm at lightning speed. 

And it must’ve worked because the casting directors yelled cut on the tape, urging Liam to come close to the table they sat at. They then truly surprised Liam by asking where he had learned to draw that fast. Liam explained that he had grown up in a small town just a bit away from Lincoln where he had learned almost everything he knew from his loving Pa.

He told them about his family, the farm he grew up on, and his experience on stage as Billy. They applauded him and snag praises of his ability as well as his knowledge on the outlaw. In truth, Liam was relieved that the casting directors had been impressed with his quick draw.

The pride Liam felt as the casting directors sent everyone else in line away as they started sharing the timeline and filming details. He felt his chest swell with happiness and giddiness as they began discussing the script and how the hours were gonna look while filming. 

That day has truly been one for the books, seeing as Liam did journal. 

He loved recounting and writing about his days and feelings. He always felt it was right from when he was younger till today, it just felt right. Yet, it was the one thing he couldn’t explain, it felt as if he had done it before. 

But when?

The streets of Lincoln were alive with the buzz of laughter, happiness, and the allure of the Wild Wild West. The streets were filled with people who had arrived early to celebrate the Old Lincoln Days. 

Of course, that group of people also included you and your brother.

You two would consistently try to get to the event early to enjoy all the festivities that were available. You would take your eager brother to the shooting range where you could shoot pellet shotguns at cans as they did in the old days to practice their aim. You would drag your poor brother to each of the shops to look at the lovely pieces of jewelry that artisans made.

Walking around the small town, you truly felt transported into the Old Lincoln days with people dressed up in all sorts of get ups from modern day cowboys, to old American debutantes. You loved the aura the town held as they celebrated their past. No matter how dark it was.

“Hey sis?” Billy's meek voice pulled your attention from the third jewelry store of the night. You loved looking at the dazzling gold and silver, you especially were fascinated by the deep dark blue sapphires that were lined up on the display.

“Yea Billy,” you turn to him, looking into his eyes that mirrored your fathers own. “Something wrong?”

“Nothing, just wonderin’ why you never buy anything from these jewelry stores that you visit every year.” You chuckled. Billy asked that every single year and every single year your answer was the same,

“Cause Billy, I got my trusty necklace. What else would I need? You know I just like browsing.” You smiled, slowly walking away from the stall. Your fingers instinctively found their way to your neck where lo and behold, your necklace was still hung loose from your neck.

Truth was you never could remember how you came into possession of the lovely chain. All you knew is that ever since you were young you remembered wearing the chain with a charm of a worn bullet swinging from the end of it. Even your father couldn’t recall when you had started wearing the necklace, it was as if it had been with you since the beginning of time.

“Well, can we start un-browsing and get some food at that one pub inside that old hotel?” He looked at you in his dapper new get up consisting of a simple dark striped blouse and trousers. However, the new gun belt around his waist was very much not simple. It had nearly taken you three hours alone to prep the tough leather you had used to create it. You could still feel the rough texture of the leather underneath your fingertips, the feeling of having to push and pull the thick needle up and down through the strong material. It had been a pain to make but seeing how happy your brother had looked when he wore it for the first time was worth it. 

“Sure, why don’t we even grab some of those pastries you love so much while we’re at it?” You sling an arm around Billy’s tall frame, walking towards the small pop-up bakery your brother adored.

“Yes!” He laughed, sprinting to the shop in three seconds flat thanks to his inherently long legs. He quickly picked up his favorite pastry, turning to you once he got to the young boy at the cash register who couldn’t have been more than three years older than your own brother.

You smiled as they started talking, looking at the other wonderfully tasty looking breads that were on display.

“See anything you like dear?” You looked up at the woman behind the counter, her dark hair and warm eyes inviting you into conversation.

“Well, everything looks very delicious ma’am. I’m guessing you’re the mastermind behind these amazing pastries?” You smiled warmly at the woman.

“Why yes I am, my lovely son Jo is manning the register this year too. He's grown up so well, just like his brother.” 

You turned to look at the two boys again, Billy showing Jo something on his phone.

“My own brother, Billy over there, absolutely loves your baked goods. Every year when we’re here, he has to come here to buy something at least once a day.” 

“What loyal customers you two are! Your brother there reminds me of my ow-”

“MA!” Jo’s voice carried from the register, “can I go with Billy here to the pub? Liam texted and told me to meet him there and Billy here said he and his sis are already gunna go.”

Jo’s Ma sighed and chuckled at her son, her head shaking as she smiled, “Yes of course you can go meet up with your brother at the pub.” She quickly folded a box up, filling it to the brim with pastries. Nimbly, she folded the lid before walking to her son, taking his un-tied apron from him. 

“Here, since you two have been coming here for years, why don’t you take this box of pastries, on the house.” Billy lit up, singing thanks ecstatically. He and Jo rushed out of the small shop, running towards the pub. You quietly thanked the lady for the pastries as you followed the two trouble makers out and back into the hustle and bustle of Lincoln.

You quickly catch up to the boys who have already pushed open the doors of the small but packed pub. There were tables crowded with people dressed as cowboys and sheriffs all toasting to the Regulators, people dressed as debutantes munching on tamales made by locals, and even people just in plain tees knocking down shots of tequila. 

It was a very familiar scene and most definitely a welcome sight.

Billy and Jo sat down at one of the tables, further away from the bar of course, eagerly discussing their clothes which Jo was wearing a very similar version of. You sat down next to Billy, looking around as they happily chatted their head off in the already loud space.

They placed their order, continuing to chatter off about Billy the Kid and the reenactment happening tomorrow. You looked around, observing the costumes people wore.

“Hey Jo, who’re these folks?”

Your head snapped up at the sound of a rich, deep voice. You raised your head to look at the man who had just strolled on over to your table.

Liam had walked into the pub expecting his younger brother to be seated at their usual booth. What Liam hadn't expected was for his lil’ brother to be accompanied by another boy around his age and a woman. Where had a boy as young as Jo even found a girl to pick up already? 

Liam walked on over only to be met with a view like no other. You were no girl, you were an angel. And when you looked up at Liam with those bright round eyes, Liam could have died a happy man. Everything caught his attention, your wavy hair in an updo, your soft lips which were begging to be kissed, and your necklace, a bullet hanging in between the valley of your chest. 

“Liam!” Jo jumped, startling you out of your trance. You had been shocked by Jo’s older brother, Liam. His hair was the loveliest chestnut waves that begged for fingers to run through. He wore a dark blue blouse and deep burgundy trousers. His eyes were what captivated you the most. His deep blue eyes reminded you of the beautifulest sapphires that even the color of the ocean and night sky couldn’t even hope to beat.

Jo stood up, sending his chair back as he hugged his brother’s torso. Liam chuckled, sending shivers down your spine, committing the sound to memory. You smiled at the interaction which reminded you so much of yourself and Billy. 

All four of you sat down again as the food arrived. You all shared the food, Jo and Billy continuing to chatter leaving you and Liam to your devices as you sat across from each other. You two averted your eyes from one another, heat rising to both your cheeks nervous to talk to the other. 

Liam tried not to stare, really, but you were mesmerizing. You shined brighter than any star could, and your smile? Liam only caught a glimpse of it and yet he knew that the warm feeling he felt in his chest was not heat exhaustion.

“Sooo,” you started, trying to get the man across from you talking again,” I’m Billy here’s older sister, by the way. I don’t know if you need to or even want to know but my name’s,” you drawled, your voice getting quieter and quieter until you uttered your name.

Liam perked up at that, meeting your eyes once more. Where had he heard that name before?

He whispered your name and you could have sworn that the room had gotten 100 degrees hotter from the way his deep voice drawled the syllables of your name. “ As in the famous Billy the Kid’s lover?”

You shook your head chuckling. In all the years you have been alive, there has never been a moment where the first connection someone made with your name was the ill fated lover of William H Bonney. 

“Yes, exactly that. How do you know that?”

“Well it ain’t that hard to connect darlin’, your kid brother’s the outlaw ‘n your his girl. Your parents must’ve loved the Kid.”

“Well actually, it was me who sparked Billy’s nickname, his real name’s William though so I guess he is the Kid. isn’t he?”

Liam laughed at that, small world isn’t it?

“Hey! What’s so funny over there mister?” You sternly gazed at the man. From afar, one could argue that Liam looked young and spry but once you take a closer look, he isn’t a boy at all. He's pure man, all six feet of him. Taut muscle toned his body which was broad and clean. 

“Nothin’ darlin’, just, it’sa small world ain’t it? My name’s William too.” He smiled and your heart skipped a beat. You felt your lips turn upwards at the man in front of you.

“Well then, Mr. William, what do you do for a living?”

You smile as Liam happily responds, continuing the conversation late into the night. Even Billy and Jo had left to go roam around the festival. You and Liam continued your happy chatter, a small tug pulling at your heartstrings.

You’ve met before right? That's impossible, you two clearly have never seen each other. Yet why was it like Liam knew you better than anyone? Why did it feel as if you had already shared these smiles and laughs?

Was this even the night you two had first met?

sorry that its so long and it TOOK FOREVER to post, just been real busy anyways, i hope you enjoyed!

[telomeke]

Current Tag Game

Tagged by @colourme-feral in this post – thanks dearie! 💖

Current time: 9:59am (when I started this! it's now much later but I'm not gonna re-write...).

Current activity: Had a work deadline last night so tidying up the aftermath (deleting unwanted files, etc.).

Currently thinking about: How the project submission for work went. Annoyed that I skipped gym this morning just in case there were last minute changes to the project submission and we'd have to re-submit today; but now that's not needed I'm missing legs day. Also thinking about munching on something extra because breakfast was too light (hardboiled eggs, grapes and blueberries – all originally meant as a post-swim snack, re-purposed to become breakfast since gym was canceled). Maybe fry up an omelet and sausages, or grill some salmon? 😋 Or shall I just munch on some creamy Whittaker's milk chocolate since lunch will be soon and anything heavier might spoil it? 🤔  

Current favorite song: I don't know if they qualify as favorites, but songs will enter my brainspace and then swirl around in there for a while, refusing to leave. So I'm constantly listening to them (on YouTube, not Spotify; don't have a smartphone) and/or singing along in an effort to exorcise the earworm. At the moment the playlist in my head is:

I Don't Think That I Like Her Anymore (Charlie Puth)  Charlie constantly amazes me with his superhuman ability to churn out catchy melodic turns and unusual aural takes on percussion sounds for his backing rhythms (e.g., the light switch in Light Switch). This song continues with his quirky stylings, and I'm loving the pounding bass coming in to frame the heavyweight sock-it-ta-ya message of the song's chorus after the light plaintive vocals of the introductory and intervening verses. The second (melodic) line of the chorus ("Cause they're all the same") is so simple and yet so perfectly fitting after the bold hook of the first line – I find myself asking each time I hear it how could anything else ever fit better? And then it builds and builds to a big finish, at the end of each chorus and also at the end of the song – that key change from B Major to C# Major is quite a genius step, retro yet so fresh. (But still... C sharp? 👀 OK if your electronic thingamajig can auto-transpose but hell on a trad keyboard.) I know this song is from a year ago but I'm not simply wallowing in nostalgia (oh all right, so yes I am a bit) – there is nonetheless a BL connection that first got me hooked on this. The cast of my current fave I Feel You Linger in the Air did their own take on the TikTok Kpop dance challenge of this song (linked here, with other TikToks here) and they're just so cute dancing along. Nonkul attempts a little elbow jab in homage to the original choreo, while Bright gives up after a couple of bars and just goes on doing alternating wrist twirls like those you sometimes see in Southeast Asian dance… 🤣 Alee and Tian seem like they're having fun, as does Attila, but who knew Khun Robert could actually look this good, all goofy and charming when he smiles doing a silly little jig?

‌

All I Want for Christmas is You (Mariah Carey)  Ever since Ms. Mariah broke her icy containment after Halloween (see this video here 😂) I've been singing along, getting in the mood for carols, fruitcake and Christmas decorations because it reminds me of time spent with (departed) family. Happy because those are happy times worth recalling, but also bittersweet because those loved ones are no longer around.

‌

One of Your Girls (Troye Sivan)  While I tend to feel a pinch of resentment whenever Aussies of European origin seem to get opportunities in the West more easily than non-white people do, I have to remind myself it's the system and not the talent that is at fault. So credit where credit is due and I'm a fan of what Troye has done with this and his earlier releases (like his video with PP Krit 😃😍). One of Your Girls is just so beautiful and languid as it teases with its message, and consistently Troye is breathtakingly beautiful and languid in the video, teasing us with an offering of the forbidden. I'm feeling things I never thought I would. 😮 The choreography is pretty daring too. (Especially that crotch flare – where did they tuck the dangly bits? I'm wincing as I watch.) Also shout-out to all the different representation with the models. 😍

‌

Then I'm Gonna Give You Up (Rick Astley)  This is Rick Astley spoofing Rick Astley (more explanation linked here) and just so funny. Especially since the original song is already iconic on Tumblr.

‌

Fast Car (Luke Combs)  Another nostalgia trip, this is an absolutely stellar rendition of the already phenomenal original by Tracy Chapman. Almost like Marc Cohn's Walking in Memphis with its sense of urgency and of bottled emotions about to explode, maybe just a shade less of Marc's full-throated growl in Luke's voice, but earthshaking nonetheless. In these 21st century times (and in my corner of the world where BL and queer rep cross my dash all the time) I love that Luke (a married man with a wife and two kids, looking for all we know like the straightest of the hets) didn't change Tracy's line "So I work in the market as a checkout girl", paying homage to the original and smashing at the gender-obsessives everywhere in a quietly powerful way.

‌

Currently reading: My language study textbooks; not much time for anything else though I do miss having a good work of fiction to keep me company whenever the slate of Thai drama dips in quality.

Currently watching: I Feel You Linger in the Air – a really impressive work, solidly-grounded in its universe with overhanging familial, social and political intrigue that threatens to overshadow (but never really does) the chemistry between Khun Yai and Jom.

I've fallen in hard love with this and just hope that Tee Bundit will display the wisdom associated with his name (for those as linguistically-obsessed as I am, Bundit is the homologue for pundit in English, pandit in Hindi and pendita in Malay) and wrap up the finale with more finesse than he has done on his other shows. (Something tells me though that the sense of foreboding you get while watching IFYLITA is partly due to the dread that Tee is going to rush and stumble through the last bits, leaving viewers less than satisfied with the ending like he did with Lovely Writer, Hidden Agenda and Step by Step.) However this goes, I'm a new fan of Nonkul and Bright's acting, and can't wait to see more of them.

As to what else I'm watching – I'm still trying to finish Only Friends, if only to be able to say that I've finally watched a Jojo show all the way to the end. It's not for me, though it has some moments that shine (like Neo's performance, and all the shirtless scenes) but I struggle to find anything that satisfies on a more cerebral level. I'm not opposed to sensuality and messy drama being foregrounded over more intellectual underpinnings (all hail KinnPorsche) but for me it doesn't go earthy and raw enough to make up for whatever else it doesn't do.

Current favorite character: Pat and Pran from Bad Buddy will always be on this list, but because I'm currently enjoying IFYLITA I'm sure I've been visited by Por Jom, Khun Yai, Khun Ueangphueng, Ba Prik, Ming and Khun James in my dreams lately (and also a certain racing piglet 🤣).

Current WIP: All in my head, but I have a final wrap-up post on Bad Buddy locations percolating, as well as one on the graphics in the show (that give us hints of Pat and Pran's interior worlds).

Tagging names I've seen more than once cross my dash and/or notes:

@neuroticbookworm @airenyah @alexis-mika @belladonna-and-the-sweetpeas @wen-kexing-apologist @twig-tea @pandasmagorica @respectthepetty @dribs-and-drabbles @waitmyturtles @dimplesandfierceeyes @writerwithoutsound @bengiyo @grapejuicegay @lamonnaie @lurkingshan @callipigio @italianpersonwithashippersheart @recentadultburnout @kattahj @theheightofdishonor @fiddlepickdouglas @dc-alves @brazilian-whalien52 @slayerkitty @silvercrystal1 @dudeyuri @ranchthoughts @suni-san @chawarin-panich @lurkingteapot @solitaryandwandering

and anyone else who'd like to play. 😍 Apologies if you've already been tagged; point me to your post if so! And apologies if I've forgotten to mention anyone; if I follow or if you follow me please know you are loved and do play along if you wish! 💖

Also a special tag carved out for the lovely @visualtaehyun as a part-apology; you've tagged me before on a couple of other games and I wrote out about half of my replies – but then work deadlines became urgent and got in the way. Ruefully I had to abandon those posts (especially since they're now weeks out of date). So this is my way of saying thanks for tagging me on those tag games, sorry for not replying, and I hope you'll play along with this one because I love getting to know like-minded people on Tumblr! 💖

[heritagebrowser]

Sint-Servaasbasiliek in Maastricht

(Pictures 1-5) The Mountain Portal (dutch: Bergportaal), Latin: Porticus montis, also called Mountain Gate or South Portal, is an early Gothic statue portal in the Basilica of St. Servatius in the Dutch city of Maastricht. In fact, the portal consists of a vestibule with three richly decorated walls at the southwestern Mountain Gate. The Mountain Portal is seen as an important link in the development of the Gothic church portal. The sculpture dates from the late 12th and early 13th centuries, making it the earliest example of Gothic sculpture in the Netherlands (Low Countries).

The first phase of construction was probably around 1170-80, after which construction probably stopped for some time, continuing shortly after 1200 and completing around 1215. In the meantime, plans had changed and it was decided to enlarge the portal using the already existing parts, which led to a somewhat forced result. There was also probably a change in the iconographic scheme: the older representations seem to point to a Marian portal; the later on a Christ or king's portal. The original portal consisted of the Marian representations on the lintel and tympanum, and the two inner archivolts. The lower parts of the side walls also appear to belong to this construction phase. The later extension consisted of the two outer archivolts, combined with an increase in the gate passage. In order to achieve a unity of style, the portal was painted with a blue-gray paint, traces of which were found on all parts.

(Pictures 6-8) exterior of the westwork of the church. The core of the monumental westwork of the St. Servatius Church was probably constructed during the first construction phase of the Romanesque church, but underwent a major renovation in the twelfth century. The heavy coal sandstone substructure has a rectangular plan with a slightly protruding middle section. The three horizontal facade zones decrease in height towards the top and are equipped with saving fields with round arches. In the upper zone there are round-arched windows with partial columns. In the course of the thirteenth century, the chimney walls or supporting arches were probably added, which extend over the street of Sint Servaasklooster. The northern and southern west towers (with nineteenth-century slate roofs) date from the same period. There have been several middle towers between these two towers over the centuries.

(Pictures 9-10) The so-called double relief on the westwork altar (ca. 1150-60) indicates by its shape that it was intended for the westwork from the beginning: the shape of the altar corresponds to the ground floor of the westwork; the two parts of the relief reflect the architectural structure of the imperial lodge in the westwork. The whole is a reflection of Augustine's Civitate Dei ('city of God').On the upper, semicircular panel, Christ hands the key of heaven to Peter and the key of Servatius to Servatius. The lower, rectangular panel depicts the Virgin Mary with the Child Jesus in a mandorla, held by two angels. The mandorla and other parts of the relief were once decorated with precious stones.

[artbusiness5]

USA Art

The art scene in the USA is incredibly diverse and vibrant, encompassing a wide range of styles, mediums, and historical influences. Here’s an overview of key aspects of American art, including its history, major movements, and contemporary trends:

1. Historical Overview

Colonial and Early American Art: Early American art was heavily influenced by European styles and included portraits, landscapes, and historical events. Notable artists include Benjamin West and John Singleton Copley.

19th Century:

Hudson River School: Focused on American landscapes, emphasizing the beauty and majesty of the American wilderness. Key figures include Thomas Cole and Frederic Edwin Church.

American Realism: Artists like Thomas Eakins and James Whistler depicted everyday life with a focus on accuracy and detail.

Early 20th Century:

Ashcan School: Known for its gritty, realistic portrayals of urban life. Prominent artists include George Bellows and John Sloan.

American Modernism: Embraced abstraction and experimental styles. Key figures include Georgia O'Keeffe, Marsden Hartley, and Charles Demuth.

2. Major Art Movements

Abstract Expressionism (1940s-1950s): Characterized by large-scale, abstract works and an emphasis on spontaneous, expressive techniques. Key artists include Jackson Pollock, Mark Rothko, and Willem de Kooning.

Pop Art (1950s-1960s): Drew inspiration from popular culture and mass media, often using bright colors and commercial techniques. Famous artists include Andy Warhol and Roy Lichtenstein.

Minimalism (1960s-1970s): Focused on simplicity and the use of geometric forms. Prominent artists include Donald Judd and Agnes Martin.

Conceptual Art (1960s-1970s): Emphasized the idea or concept behind the artwork over its aesthetic or material aspects. Key figures include Sol LeWitt and Joseph Kosuth.

Contemporary Art: Encompasses a wide range of styles and practices, often incorporating new media and technology. Notable contemporary artists include Jeff Koons, Cindy Sherman, and Kehinde Wiley.

3. Major Art Institutions and Museums

The Metropolitan Museum of Art (New York City): One of the largest and most comprehensive art museums in the world, with extensive collections spanning various periods and styles.

Museum of Modern Art (MoMA) (New York City): Focuses on modern and contemporary art, including significant collections of abstract, pop, and conceptual art.

The Getty Center (Los Angeles): Known for its impressive collection of European paintings, sculptures, and decorative arts, as well as its research library and conservation efforts.

Smithsonian American Art Museum (Washington, D.C.): Focuses on American art from the colonial period to the present, with a diverse collection of paintings, sculptures, and folk art.

4. Contemporary Trends

Diversity and Inclusion: There is a growing emphasis on representing diverse voices and perspectives, with more focus on artists from various ethnic backgrounds, genders, and socioeconomic statuses.

Digital and New Media Art: The use of digital technology, virtual reality, and interactive media is increasingly prevalent in contemporary art practices.

Social and Political Commentary: Many contemporary artists address social, political, and environmental issues through their work, using art as a platform for activism and dialogue.

Street Art and Graffiti: These forms have gained significant recognition and are often featured in galleries and public spaces. Notable artists include Banksy (although UK-based) and Jean-Michel Basquiat.

5. Art Markets and Collecting

Art Fairs: Major events like Art Basel (Miami Beach) and The Armory Show (New York City) showcase contemporary art and attract collectors and dealers from around the world.

Auction Houses: Houses like Sotheby’s and Christie’s regularly auction high-profile American artworks, often reflecting market trends and collector interests.

Private Collections: Many private collectors and philanthropists contribute to public art institutions and support emerging artists.

6. Art Education and Community

Art Schools: Renowned institutions like the School of the Art Institute of Chicago (SAIC), Rhode Island School of Design (RISD), and California Institute of the Arts (CalArts) train the next generation of artists.

Art Organizations: Organizations such as the National Endowment for the Arts (NEA) and various local art councils support artists and art initiatives across the country.

business, forex, art, usbiz, usa art, fine art, trading, forex trading

[wedesignyouny]

All Pro Painting Co. Offers Skilled Wallpaper Installation Services in Nassau County

All Pro Painting Co. Offers Skilled Wallpaper Installation Services in Hempstead and Nassau to Enhance Your Interior Design.

Greetings:

Wallpapers have the amazing ability to elevate any space from the ordinary to the spectacular. You've come to the perfect location if you live in Hempstead or Nassau and want to give your living areas a dash of style and individuality. Top-notch wallpaper installation services from All Pro Painting Co. can revitalize your walls. We're here to make your interior design dreams come true with a team of talented experts committed to accuracy and beauty.

The Art of Hanging Wallpaper: Improving Your Hempstead House

Wallpapers can be the key to opening up a world of possibilities in interior design. Our Hempstead wallpaper installation services are intended to improve the atmosphere in your house. We work with you to create a visually attractive and unique area that reflects your taste and style, using a vast selection of patterns, textures, and colors at our disposal.

Revealing Magnificence: Nassau Wallpaper Installation Services

With its sophisticated reputation, Nassau merits interior design that is as charming. Our wallpaper installation services at All Pro Painting Co. are designed to highlight the style and individuality of your living areas. Regardless of your preference for a modern or vintage design, our staff guarantees careful installation that leaves your walls looking immaculate.

The Touch of All Pro Painting Co.: Quality in Each Installation

All Pro Painting Co. is unique because of our commitment to quality. Our wallpaper installers are skilled artisans who have a desire for accuracy rather than just technicians. We put our all into every project, from painstaking wall preparation to flawless application, making sure your wallpaper turns out just how you had imagined.

Elevate Your Interiors with All Pro Painting Co.: From Basic to Stunning.

Does your house lack that "wow" quality? If you want to transform your interiors from basic to magnificent, go no further than our wallpaper installation services. Our skilled staff is aware of the subtleties of aesthetics and design, so they can guarantee that your wallpapers complement your interior decor and foster a welcoming feeling.

Top Wallpaper Installation in Hempstead and Nassau: Reliable Skill

Installation of wallpaper is an area where experience counts. With pride, All Pro Painting Co. has been serving the Hempstead and Nassau areas for many years. since of our years of experience, we are the go-to company for clients looking for dependable and superior wallpaper services since we can handle a wide range of installation issues.

In summary:

All Pro Painting Co. is here to give your living areas the finest treatment since they deserve nothing less. Our wallpaper installation services in Hempstead and Nassau are created to go above and beyond your expectations because we have a passion for design and an unrelenting dedication to perfection. Bid adieu to plain walls and welcome to a world of charm and elegance. To begin your journey of transformation with All Pro Painting Co., get in touch with us immediately at https://www.allpropaintingco.com/.

Get in touch now!

📍 : 575 Hempstead Turnpike, West Hempstead, NY 11552 

📞 : (516) 481-2787 

📧 : info@allpropaintingco.com

[weddingbanquets0123]

Perfect Wedding Venues for Your Dream Celebration

West Delhi, a vibrant tapestry of bustling markets and residential havens, offers a treasure trove of stunning wedding venues. From luxurious banquet halls to picturesque lawns, the area caters to diverse needs and budgets, making it a popular choice for couples seeking an unforgettable wedding experience. Let's embark on a journey through some of the most sought-after wedding venues in key West Delhi locations:

Kirti Nagar:

Grand Imperial: Experience grandeur fit for royalty at Grand Imperial. This opulent venue boasts expansive Wedding Venues in Kirti Nagar adorned with intricate chandeliers and crystal accents. Lush gardens and a dedicated bridal room elevate the experience.

The Millennium Banquet: With modern interiors and ample space, The Millennium Banquet caters to both intimate and grand weddings. They offer customizable wedding packages with exquisite catering and impeccable service.

Naraina:

The Ritz: This iconic Wedding Venues in Naraina features contemporary banquet halls bathed in natural light. They offer themed decorations and personalized menus, ensuring a unique and memorable celebration.

Golden Leaf: A haven for budget-conscious couples, Golden Leaf offers value-driven packages with spacious halls and delicious catering. Their dedicated team assists with all aspects of your wedding planning.

Wedding Venues in Rohini:

Grand Venice: Transport your guests to the charm of Venice at Grand Venice. This unique venue features picturesque canals, gondolas, and stunning Italian-inspired architecture, creating a magical backdrop for your vows.

Country Inn & Suites: This resort-style venue offers outdoor lawns, banquet halls, and a rooftop terrace, ideal for intimate or expansive weddings. Their on-site catering and event planning services ensure a seamless experience.

Moti Nagar:

The Grand Ashok: Indulge in unparalleled luxury at The Grand Ashok. This five-star hotel boasts opulent banquet halls, manicured lawns, and impeccable service. Their culinary expertise and personalized attention to detail set the stage for a truly grand celebration.

R K Banquet: This traditional Wedding venues in Moti Nagar offers a spacious banquet hall ideal for large gatherings. Their focus on delicious vegetarian cuisine and warm hospitality makes it a popular choice for families.

Mayapuri:

Hotel Mayapuri: This budget-friendly venue features well-maintained banquet halls and efficient service. They offer customizable packages and cater to a variety of wedding styles.

Park View Banquet: With a spacious Wedding venues in Mayapuri and a dedicated team, Park View Banquet offers a convenient and affordable option for smaller weddings.

GT Karnal Road:

The Grand Iris: Immerse yourself in luxury at The Grand Iris. This contemporary venue offers opulent banquet halls, a dedicated bridal room, and a sprawling lawn. Their personalized services and innovative catering options elevate your wedding experience.

Invitee Banquets: This versatile Wedding Venues in Gt Karnal Road features multiple banquet halls catering to various wedding sizes and styles. Their experienced team assists with all aspects of your wedding planning, ensuring a stress-free celebration.

Beyond Venues: Unveiling Additional Services:

While venues are crucial, it's the additional services that truly elevate your wedding celebration:

Catering: From vegetarian delicacies to international buffets, West Delhi provides an array of catering options to match your taste and budget.

Décor: Talented decorators transform your chosen venue into a dream setting, reflecting your style and theme.

Entertainment: Live music, DJs, and dance performances add vibrant energy to your wedding festivities.

Photography & Videography: Capture the precious moments of your wedding with skilled photographers and videographers who immortalize your story.

Final Touches:

Remember, the perfect wedding venue is one that resonates with your vision and budget. Explore West Delhi's diverse offerings, compare details, and schedule visits to ensure a venue that sets the stage for a truly unforgettable celebration.

Read More... https://weddingbanquets.in/

[kyndaris]

The Rise and Fall of Empires

After an uneventful day of transit, we landed quite late in Turkiye and were rushed quickly to dinner before we pulled in at the hotel that we would be staying at in Istanbul: the Pullman. On the two hour flight from Cairo to Istanbul (for most of the day, we simply sat around the hotel before hopping onto the coach that would deliver us to the airport at 10AM), I managed to watch Bullet Train and tick off the chaotic but fun movie from my long list of films that had looked interesting but I hadn’t bothered to go into the cinemas to actually well...watch.

In any case, by the time I had showered and fallen asleep on the soft bed at the Pullman, it was quite late and we had an early start the next day.

At about 6:35AM, I was rudely awoken by a morning wake-up call and served as a reminder that I was late! Popo and I came down for a hurried breakfast before boarding the coach that would take us around the ancient city of Istanbul, or Constantinople as it was previously known during the Byzantine and Ottoman eras.

We arrived at our first stop for the day: a decently sized marine vessel, just before 9AM. Hopping on, we enjoyed a cruise around the Bosphorus Strait, providing us with excellent views of the city of Istanbul. It should be known that the city straddles the bridge between Europe and Asia and has proven to be a pivotal beacon throughout most of history. It played a key role in Christianity before it fell to the Ottomans and became an Islamic stronghold. 

As such, the history of Constantinople is really a history of the world, as well as a symbol of the West’s relationship with the East.

But back to a recount of my trip there!

It was unfortunate that we had arrived in the city in March. The weather was still quite cool and after a good thirty minutes, I felt quite frozen to my spot on the upper deck and quickly sought shelter from the fierce wind.

After our trip on the high seas, our ship pulled into port near the Dolmabahce Palace. In Chinese, the palace is often called the “New Palace” as it was built in and around the mid 1800s and was in use for approximately 70 years until the 1920s when Turkiye became independent. 

The style of the Dolmabahce Palace, although commissioned by an Ottoman Sultan, was very European in design. However, this was soon explained by the fact that the architect for the palace had studied in France and had helped build similar types of buildings all across Europe.

Still, the decorations inside the palace was a lot different to the ones I’d seen before in France and Austria. A shame, really, that photos were not allowed as I could show you rather than be forced to describe what I saw. Even though there were a few other tourists that took quite a few ‘subtle’ photographs of the rooms and the grand ceremonial hall.

Most notable, at least to me, were the paintings that lined the walls. Most of them depicted famous battles the Turks partook in. Another interesting piece of interior design that caught my eye was the crystal staircase, with the crystal primarily being the supporting columns of the banister. 

Down in the old storage cellars, too, the palace sported numerous displays full of utensils compromised of Bohemian and Baccarat crystals. They also had Mosser glass, which the internet tells me can cost thousands of dollars because of their high-quality construction. Another location in the heart of the palace had displays for medals, weapons and Hokka sets. 

But it should be noted that the palace also had similar trappings as its European counterparts such as the gilded halls, lavish drapings, huge mirrors, as well as beautiful chandeliers. Which will serve as useful material for my future writings although I lack photos for reference.

After touring the Dolmabahce Palace, we had a quick lunch in a spot that was, no doubt, frequented for its water views and which served as a popular fishing spot.

With our stomachs full of grilled fish, we headed to the Grand Bazaar, established all the way back in 1481 according to the plaque out front. There, we roamed the shops and I exchanged some Australian and American dollars into Turkish lira. And though there was a leather jacket I dearly wanted to purchase, my funds, unfortunately, did not have enough stretch to allow me to buy it out right. Nor did I want to risk using my debit card for fear that the details would be stolen and used for nefarious purposes.

Good riddance, I say! I didn’t want it anyways...

Maybe...

Gosh, I do wish I had bought that reversible leather jacket!

Once I had established how useless I was at haggling, we headed to the Blue Mosque, which sat opposite the Hagia Sophia. Due to ill luck, visiting on a Friday of all days, the Blue Mosque was closed by the time we arrived. It was also undergoing renovations. This fact angered one member of the tour group who was quite rude and aggressive to our tour guide for fear that we would miss out on all the key locations on the itinerary. 

What he didn’t know, of course, was that the itinerary had already been rejigged when we had paid a visit to the Dolmabahce Palace earlier and we would have plenty of time upon our return to Istanbul to take a gander around a mosque if we so wished (which did happen, although it wasn’t the Blue Mosque!).

Undaunted by the trantrum thrown, the tour guide continued to tell us about the Roman Hippodrome that had been constructed in the heart of Istanbul and why the only signs of its presence was the obelisk that had been taken from Karnak Temple. Of course, we had already seen its twin when we visited Karnak Temple several days ago when we had given Egypt a whirl. Score one for a well-planned trip!

We then headed to the Hagia Sophia, which was initially built as a Church following the conversion of the Roman Empire to Christianity. The Hagia Sophia was later converted into a mosque when the Turks took the city. When Turkiye became independent, it served temporarily as a museum before being converted back into a mosque.

And to think that such a sight had been built in a mere 5 years!

True, a lot of the material, such as the Grecian columns used to support the roof, had been recycled from older buildings like a Temple to Artemis in the Ephesus region, but it still looked and felt like a marvel of engineering and vision.

The day ended with dinner at a doner kebab place before we headed back to our hotel for another long day ahead. Although, this time, we would mostly be on the road.

[oldwestiron]

Striking the Perfect Balance Between Functionality and Style in Your Home Projects

Designing a home addition requires finding the ideal balance between functionality and style. Your space needs to be both practical and durable, with elements like sturdy rafters and long-lasting flooring. However, bulky, unattractive brackets or generic mass-produced hangers can ruin the overall aesthetic, especially when working to preserve the unique charm of an antique home or incorporate vintage-inspired features into your design. Striking the perfect harmony between durability and elegance might seem like a challenge, but it doesn’t have to be.

Enter Old West Iron’s decorative iron joist hangers—a seamless blend of style and utility. These meticulously crafted pieces don’t just serve a structural purpose; they enhance your space with sophistication and timeless appeal. Whether you’re embarking on a new build or upgrading an existing structure, these decorative hangers can elevate your design, turning a functional necessity into an eye-catching feature.

Here’s everything you need to know about joist hangers and how they can transform your home’s design.

What is a Joist Hanger?

A joist hanger is a specialized hardware component designed to securely connect lumber joints at a perpendicular angle. By wrapping around the base and sides of a beam, it creates a strong, stable connection that ensures your structure remains safe and durable over time.

Joist hangers are more than just practical—they're adaptable and customizable. Available in various shapes, sizes, and designs, they can be tailored to meet the unique requirements of your project. Whether you need oversized dimensions, angled configurations, or finishes that complement your home’s aesthetic, there’s a joist hanger to fit the bill. Options like hammered textures or custom-colored finishes can even add a touch of personality to your design.

Installing joist hangers is straightforward. With pre-drilled holes for easy attachment, they can be secured using square head lag screws, which not only offer exceptional strength but also lend a rustic, vintage charm. Once in place, joist hangers provide reliable support while doubling as decorative elements that enhance your structure’s overall design.

Applications for Joist Hangers

Joist hangers are remarkably versatile, making them invaluable for a wide variety of projects. While they are most commonly used in structural framing for rafters and flooring, their usefulness extends far beyond these applications. They’re an excellent choice for outdoor structures like decks, pergolas, pavilions, and even decorative garden arches. Essentially, any project involving exposed beams or requiring a secure, reliable connection can benefit from the strength and stability joist hangers provide.

One of their key advantages is the ability to minimize wood shrinkage and twisting, which is particularly crucial in large-scale construction or exposed timber designs. Beyond their practicality, joist hangers also offer aesthetic appeal, making them ideal for projects where both durability and visual impact are essential. Whether you're constructing something new or reinforcing an existing structure, joist hangers deliver a polished, professional finish that enhances both form and function.

Why Opt for Decorative Joist Hangers?

Exposed wood beams and visible brackets are a growing trend in home design, offering a timeless charm that complements both rustic and modern interiors. However, an unattractive or plain bracket can quickly diminish the overall aesthetic. This is where decorative joist hangers shine. Combining strength with style, these hangers not only ensure structural integrity but also enhance the beauty of your project.

For those upgrading or retrofitting existing beams, tabbed or faux-concealed decorative joist hangers are an ideal choice. These designs allow you to elevate the visual appeal of your structure without requiring significant structural modifications, making them a cost-effective and elegant solution.

Designs to Complement Every Aesthetic

Decorative joist hangers come in a variety of designs, making it easy to find a style that complements any architectural aesthetic. Whether your home exudes rustic charm or embraces sleek modernity, there’s a joist hanger to match your vision. Here are some popular styles to inspire your next project:

Art Deco Joist Hangers – Bring a touch of 1920s elegance with sleek, geometric designs.

Romantic Classical Joist Hangers – Ornate and luxurious, perfect for adding timeless sophistication.

Scandinavian Iron Joist Hangers – Minimalist and clean, ideal for a modern, understated look.

Medieval and Vintage Designs – Perfect for historic homes or creating a classic, old-world ambiance.

With so many options available, you can seamlessly match your joist hangers to your home’s existing style or use them as a statement piece to introduce bold, decorative detail.

Why Choose Custom Iron Joist Hangers?

Standard brackets might be functional, but they can’t match the charm and character of custom or vintage-inspired iron joist hangers. Crafted with care and precision, these hangers combine intricate details with durable, high-quality iron, ensuring they look stunning while withstanding the test of time.

Custom designs open the door to endless possibilities, allowing you to create a truly unique piece that perfectly complements your home’s style. From tailored finishes and intricate patterns to specific dimensions, custom iron joist hangers let you bring your vision to life with precision and elegance. They’re more than just functional supports—they’re a lasting investment in both style and durability, making them the perfect choice for any project.

Choosing the Perfect Joist Hanger for Your Project

Choosing the perfect decorative joist hanger can feel like a daunting task with so many options available. That’s where Old West Iron comes in. As a family-owned business, we take pride in crafting high-quality iron hardware that blends durability with timeless design. Our carefully curated collection of decorative iron joist hangers offers a wide range of styles, sizes, and finishes to complement any project.

Whether you're working on structural framing or enhancing outdoor features, our joist hangers bring both beauty and functionality to your space. Ready to elevate your next project? Explore our collection today and discover how effortless it can be to add classic, lasting style to your home. With Old West Iron, your project isn’t just built to last—it’s built to impress.

[duxiaomin-blog]

The Contemporary Interpretation of French Chinoiserie: Innovation and Regeneration of Traditional Aesthetics

Chinoiserie, an 18th-century European romanticized interpretation of Chinese culture, has left an indelible mark on French court decoration, architecture, furniture, fashion, and even jewelry design. At the time, the French aristocracy, enamored with exotic aesthetics, fused Chinese elements with Rococo or Baroque styles, creating a unique aesthetic known as French Chinoiserie. However, this artistic tradition did not cease in the 18th and 19th centuries; instead, it has been continually reshaped in the context of globalization, breathing new life into contemporary design, fashion, and lifestyles. Today, French Chinoiserie is not merely a decorative style but also a symbol of cultural fusion, embodying both historical heritage and modern creativity.

Throughout the evolution of French Chinoiserie, porcelain has served as a crucial medium for cultural exchange between the East and the West, making it a key carrier of this aesthetic. In the 18th century, Meissen Porcelain became the first European manufactory to successfully produce “white gold” (hard-paste porcelain), swiftly becoming a symbol of aristocratic collection and royal decoration. Meissen not only reproduced the delicate aesthetics of the East through its porcelain craftsmanship but also reimagined Chinese culture from a Western perspective, deeply influenced by Chinoiserie.

Today, Meissen’s Chinoiserie pieces are no longer limited to reproductions of 18th-century classics. Instead, they have undergone modernization in terms of materials, colors, composition, and thematic expression. For example, The Double Bass Player is clearly inspired by one of the most famous motifs in Chinoiserie — Singerie, or the depiction of monkeys engaged in human activities. A notable example of this theme is La Grande Singerie, an ornately decorated room in Château de Chantilly, where Christophe Huet painted murals around 1735. These murals feature anthropomorphic monkeys dressed in Eastern attire, playing musical instruments, drinking tea, painting, or engaging in fantastical exotic rituals, creating a humorous yet luxurious courtly style.

In The Double Bass Player, although the monkey’s attire is classically Western, the design incorporates the Chinoiserie painting style of Johann Gregorius Höroldt (1696–1775), one of Meissen’s most renowned porcelain painters. The monkey’s clothing and the double bass are adorned with chinoiserie patterns, integrating traditional Chinese figures and fine brushwork techniques, thereby producing a lively, dramatic, and highly decorative classic Chinoiserie piece.

French Chinoiserie has also had a profound influence on jewelry design. One of the most outstanding representatives of this style in jewelry is ChuCui Palace, which exemplifies the elegance of Chinoiserie in its craftsmanship. The Fragrant Lotus brooch, for instance, draws inspiration from the classic Chinese symbol of the lotus, pioneering a fusion of traditional Chinese meticulous brushwork with Western gem-setting techniques.

The piece features vibrant, contrasting colors, with gemstones arranged to create subtle color gradations reminiscent of traditional Chinese brushwork shading. The structure of the brooch follows the principles of Chinese fine-line painting, depicting the lotus flower in dynamic, unfolding petals that convey its vitality. The design harmonizes dots, lines, and surfaces, imbuing the piece with depth and spatial layering. Unlike traditional ink wash painting, which emphasizes emptiness and tranquility, this brooch expresses permanence, joy, fullness, and purity. The enduring nature of jewelry further enriches and extends this expression, making it a perfect convergence of Eastern philosophy and Western craftsmanship, enhancing its cultural depth.

Beyond porcelain and jewelry, contemporary painting has also embraced new forms of expression within the French Chinoiserie aesthetic. Through innovative use of color, light, and composition, this style has evolved beyond traditional decorative arts into a more expressive and emotionally rich artistic realm.

For example, the contemporary painting Spring Ginger by Jeanette Vertentes is centered on blue-and-white porcelain tones, contrasted strikingly with green tropical plants and yellow flowers, adding visual depth to the otherwise serene color palette. The artist employs free, dynamic brushstrokes with luminous light effects, imparting a sense of fluidity to the Chinoiserie-inspired imagery. While the subject matter — blue-and-white porcelain — remains a classic Chinoiserie theme, the painting adopts a style closer to Western Impressionism, exemplifying the quintessential East-meets-West character of Chinoiserie.

French Chinoiserie is not merely an 18th-century European romanticized vision of the Orient; rather, it is an ever-evolving cultural expression that transcends time and geography. In the context of globalization and artistic diversification, Chinoiserie is no longer confined to courtly decoration or vintage design but has been seamlessly integrated into contemporary art, design, and lifestyle, serving as a vibrant testament to East-West cultural exchange.

From the exquisite craftsmanship of Meissen Porcelain to the meticulous artistry of ChuCui Palace jewelry, and from the luminous brushwork of Jeanette Vertentes’ paintings to modern interpretations in various artistic mediums, Chinoiserie continues to flourish with renewed vitality. This aesthetic not only preserves the elegance and delicacy of traditional Chinese art but also incorporates Western artistic expressiveness and experimental spirit, constructing a bridge between the classical and the modern, between the East and the West.

[lavishtinting]

Enhance Your Home with Window Frosting and Tinting

The Benefits of Window Frosting in Cranbourne North & Cranbourne East

Windows play a crucial role in the aesthetic appeal and functionality of a home. However, they also come with privacy concerns and exposure to excessive sunlight. This is where window frosting in Cranbourne North & Cranbourne East becomes an excellent solution. Frosted windows provide an elegant touch while enhancing privacy without compromising natural light. They are perfect for bathrooms, entryways, and office spaces where discretion is necessary.

The versatility of frosted window films allows homeowners to choose from different patterns and opacities, ensuring a customized look that complements the interior design. Additionally, frosted windows reduce glare, creating a more comfortable indoor environment. Whether you want to add sophistication to your living space or maintain privacy, window frosting is a practical and stylish option for homeowners in Cranbourne North and Cranbourne East.

Why Homeowners Prefer Home Window Tinting in Cranbourne South & Cranbourne West

Another innovative way to enhance your home’s comfort and efficiency is home window tinting in Cranbourne South & Cranbourne West. Tinted windows help control indoor temperatures by blocking excessive heat during summer and retaining warmth in winter. This results in reduced energy costs, making it an eco-friendly and cost-effective home improvement.

In addition to energy efficiency, tinted windows protect furniture, flooring, and décor from sun damage by filtering harmful UV rays. Over time, prolonged exposure to sunlight can cause fading and deterioration of household items. With quality home window tinting, residents of Cranbourne South and Cranbourne West can extend the lifespan of their interiors while enjoying a cooler and more comfortable atmosphere.

Achieving Privacy Without Compromising Style

Both window frosting and window tinting offer privacy solutions without making the home feel closed off. Frosted glass is ideal for areas requiring higher privacy, such as bathrooms and bedrooms, while tinted windows are perfect for living rooms and home offices where natural light is essential.

For those living in bustling neighborhoods or near busy streets, these window treatments provide an extra layer of seclusion, allowing homeowners to enjoy their space without outside distractions. They also serve as a security measure by preventing outsiders from peeking inside, adding an element of protection to your home.

The Easy Maintenance and Longevity of Window Treatments

One of the biggest advantages of window frosting and tinting is their low maintenance. Once installed, they require minimal upkeep. Unlike curtains or blinds that gather dust and need regular cleaning, frosted and tinted windows remain clean with occasional wiping.

Durability is another key factor that makes these treatments a worthy investment. High-quality films used for frosting and tinting are resistant to peeling, bubbling, and discoloration, ensuring they retain their look and function for years. Professional installation further enhances longevity, guaranteeing that homeowners get the most value from their investment.

Enhancing Aesthetics and Modernizing Your Home

Apart from the functional benefits, window frosting and tinting add a touch of modernity to any home. Frosted windows create a sleek, stylish appearance that enhances contemporary interiors. On the other hand, tinted windows offer a sophisticated, polished look while maintaining a home’s overall brightness.

Whether a homeowner prefers a minimalistic or decorative approach, window treatments can be tailored to meet various design preferences. With professional customization, it is easy to achieve the perfect balance between privacy, comfort, and visual appeal.

Making the Right Choice for Your Home

Choosing between window frosting and tinting depends on your specific needs. If privacy is the priority, frosting is the ideal choice, whereas those looking to improve energy efficiency and UV protection may opt for window tinting. In some cases, combining both solutions can provide the best results.

With expert installation, homeowners in Cranbourne North, Cranbourne East, Cranbourne South, and Cranbourne West can transform their spaces with stylish and functional window solutions. Whether it's for aesthetic improvement, energy efficiency, or enhanced privacy, window frosting and tinting offer long-term benefits that elevate home living. Investing in high-quality window treatments ensures a comfortable, stylish, and secure home environment for years to come.

[luxuryrugsnasser]

Elevate Your Home with Luxury Area Rugs from West Hollywood’s Premier Rug Stores

Luxury area rugs are more than just functional decor; they are the foundation of sophisticated interior design. For homeowners and designers in West Hollywood, a city renowned for its upscale lifestyle and cutting-edge design trends, finding the perfect rug is an art form. Whether you’re revamping your living room or creating a statement in your dining area, a luxury area rug can redefine your space. Here’s everything you need to know about choosing the right rug and why a visit to a luxury rug store in West Hollywood is a must.

Why Luxury Area Rugs Are a Design Essential

A luxury area rug serves multiple purposes in home design. Beyond its aesthetic appeal, it provides comfort, defines spaces, and adds a layer of sophistication. Here’s why investing in a high-quality rug is worth it:

1. Timeless Elegance

Luxury area rugs are crafted with exquisite attention to detail. They feature intricate patterns, rich textures, and premium materials, ensuring they remain timeless pieces in your home.

2. Versatility

Whether your style is modern, traditional, or eclectic, luxury rugs come in a wide range of designs to complement any decor. From abstract patterns to Persian-inspired motifs, there’s a rug for every taste.

3. Comfort and Warmth

A luxury rug doesn’t just look good—it feels good. Soft underfoot and often made from materials like wool, silk, or bamboo silk, these rugs add a layer of comfort to your living spaces.

4. Space Definition

In open-concept homes, rugs play a crucial role in defining different areas. A well-placed luxury area rug can anchor furniture and create distinct zones within a room.

What to Look for in a Luxury Area Rug

Shopping for a luxury area rug can be an exciting but overwhelming experience, especially with the variety of options available at a luxury rug store in West Hollywood. Here are some key factors to consider:

1. Material Matters

The material of a rug affects its durability, texture, and overall appearance. Wool and silk are popular choices for luxury rugs due to their softness, resilience, and ability to hold vibrant colors.

2. Size and Proportion

Choosing the right size is essential to ensure your rug complements the room. Measure your space and decide whether you want the rug to cover the majority of the floor or simply accentuate a specific area.

3. Style and Pattern

From minimalist designs to intricate patterns, luxury rugs come in a variety of styles. Consider your existing decor and select a rug that either harmonizes with or adds a bold contrast to your space.

4. Craftsmanship

Hand-knotted rugs are the epitome of luxury. These rugs are crafted with meticulous precision, ensuring they last for generations. Machine-made rugs, while less expensive, lack the same level of detail and durability.

Exploring Luxury Rug Stores in West Hollywood

West Hollywood is a hub for design enthusiasts, offering some of the finest luxury rug stores in the region. These stores provide an unparalleled selection of area rugs that cater to a discerning clientele. Here’s what makes shopping for a rug in West Hollywood a unique experience:

1. Exclusive Collections

Luxury rug stores in West Hollywood showcase curated collections that include rare and one-of-a-kind pieces. Whether you’re looking for a vintage rug or a contemporary masterpiece, you’ll find it here.

2. Expert Guidance

Shopping at a high-end store means access to knowledgeable staff who can guide you in selecting the perfect rug. They understand design principles and can help you choose a rug that fits your style, space, and budget.

3. Customization Options

Many luxury rug stores offer custom sizing and bespoke designs, allowing you to create a rug that’s truly unique to your home.

4. Exceptional Quality

West Hollywood’s luxury rug stores pride themselves on offering rugs crafted from the finest materials and with impeccable craftsmanship. These are investments that stand the test of time.

Caring for Your Luxury Area Rug

Once you’ve found the perfect luxury area rug, proper care is essential to maintain its beauty and longevity. Here are some tips:

1. Regular Cleaning

Vacuum your rug regularly to remove dirt and debris. Be gentle to avoid damaging delicate fibers, especially if your rug is made from silk or other fine materials.

2. Professional Maintenance

Schedule professional cleaning every one to two years to preserve the rug’s vibrancy and texture.

3. Rotate Your Rug

To ensure even wear, rotate your rug every few months, especially if it’s placed in a high-traffic area.

4. Protect from Sunlight

Prolonged exposure to direct sunlight can cause fading. Use window treatments or move your rug periodically to minimize sun damage.

Making a Statement with Luxury Area Rugs

A luxury area rug is more than just a design element; it’s a reflection of your personal style and appreciation for fine craftsmanship. Whether you’re enhancing a chic West Hollywood apartment or a sprawling Beverly Hills estate, the right rug can transform your space.

Conclusion

For those seeking the ultimate in style and quality, a visit to a luxury rug store in West Hollywood is a must. With their exclusive collections, expert advice, and bespoke options, these stores offer an unparalleled shopping experience. Invest in a luxury area rug today and watch as it elevates your home’s design to new heights. Let your floors tell a story of elegance, sophistication, and timeless beauty.

[walnutstation]

A Guide to Sustainable Home Styling in Vancouver

Sustainable home styling vancouver blends eco-friendly design with modern aesthetics, creating stylish yet environmentally conscious living spaces. This guide explores how to incorporate sustainable materials, energy-efficient lighting, and upcycled furniture into home decor. Vancouver’s commitment to green living makes it easy to source locally made, non-toxic furnishings and decor that reduce environmental impact. Maximizing natural light, using indoor plants for air purification, and opting for durable, ethically sourced materials enhance both sustainability and style. Smart storage solutions and minimalist designs prevent waste while maintaining a chic, functional home. Whether you’re redesigning or making small changes, this guide provides practical tips to create a beautiful, eco-conscious living space that aligns with Vancouver’s sustainability values.

Modern Home Styling Trends in Vancouver

Vancouver's home styling trends emphasize sleek, modern, and sustainable designs. Homeowners are incorporating minimalist aesthetics with neutral color palettes, natural materials, and eco-friendly furniture. Open-concept layouts and smart home technology are also trending, creating both functional and visually appealing living spaces.

Maximizing Small Spaces with Vancouver Home Styling

With the high cost of real estate, Vancouverites are making the most of small spaces. Space-saving furniture like Murphy beds, foldable dining tables, and modular sofas enhance functionality. Light-colored walls, large mirrors, and well-placed lighting add depth and openness to compact interiors, making small spaces feel more spacious and stylish.

Incorporating West Coast Aesthetic in Vancouver Home Styling

Vancouver's unique natural surroundings inspire a West Coast aesthetic in home styling. Organic materials like reclaimed wood, stone, and linen add warmth and texture. Large windows, open spaces, and earthy tones create a harmonious blend of indoor and outdoor living, embracing the beauty of the Pacific Northwest.

Sustainable and Eco-Friendly Home Styling in Vancouver

Sustainability is a key aspect of home styling in Vancouver. Homeowners are opting for energy-efficient lighting, low-VOC paints, and upcycled furniture. Indoor plants not only improve air quality but also add a refreshing natural element. Choosing locally sourced materials supports the environment and enhances a home’s aesthetic appeal.

Luxury Home Styling for High-End Vancouver Residences

Luxury home styling in Vancouver includes high-end materials such as marble countertops, designer lighting, and custom cabinetry. Smart home automation, premium hardwood flooring, and sophisticated artwork elevate the space. Personalized design touches ensure that high-end homes reflect elegance while maintaining comfort and functionality.

Budget-Friendly Home Styling Solutions in Vancouver

Achieving stylish interiors doesn’t have to be expensive. Vancouver homeowners can revamp their spaces with DIY projects, thrifted decor, and cost-effective furniture. Repurposing existing items, incorporating peel-and-stick wallpaper, and updating fixtures can refresh a home affordably while maintaining a chic and modern look.

Professional Home Stylists in Vancouver: Why Hire an Expert?

Hiring a professional home stylist in Vancouver ensures a well-designed, cohesive space tailored to personal tastes and needs. Experts offer innovative solutions for small spaces, enhance curb appeal for property resale, and integrate the latest design trends seamlessly. Their knowledge and experience streamline the styling process, saving time and effort.

Conclusion

Vancouver home styling blends modern aesthetics, sustainability, and functionality to create inviting spaces. Whether working with a large luxury home or a compact apartment, thoughtful styling choices enhance comfort and visual appeal. By integrating smart solutions, eco-friendly materials, and professional guidance, homeowners can transform their living spaces into beautifully designed havens.

[tameblog]

February 04, 2025 Let’s explore the last 5 homes on the 10th annual Tribeza Interiors Tour, a tour of Austin homes that shows off the work of interior designers. This is part 3 of my coverage of the late January tour. (Click for part 1 and part 2 if you want to start there.) Sparrow Interiors At the Sparrow Interiors home in Tarrytown, a red divan under a contemporary portrait grabs your attention in the entry. Echoing touches of red appear in a wood-paneled sitting room (pictured at top), where twin blue sofas face each other. A lighthearted dining room features a pink gallery wall and branch chandelier. This, however, is the dining area I was most drawn to: a round table and banquette with moody blue-and-purple upholstery. A black Murano glass chandelier adds to the goth-romantic vibe. A bar area featured furry wallpaper, Wonderwoods by Arte, that had tour-goers exclaiming and touching it. I’ve seen textured wallpaper, but faux fur is next level. Pastel cranes, deer, and dogs rove under cloud-like trees against a black field. Check out Sparrow’s portfolio for more pics of this bold space. A 3rd dining area confused me — was this a guest wing? — until a docent explained that this curtained space is part of a pool house, with a wall of windows that slides open to make an open-air cabana. Again, check out the designer’s portfolio to see how it all fits together. The beautiful drapery fabric reminds me of Marcia Donahue’s bamboo sculptures. The pool house bathroom is dramatic and spendy with a wallpapered ceiling and vertical tile completely covering the walls. A skylight in the shower brightens the shades-of-brown room. The ceiling is wallpapered with Hoopoe Leaves by Cole & Son. Outside, a pair of beautifully cushioned sofas offers space for lounging by the pool and watching a game. Looking back at the main house, you see two more spaces for enjoying the backyard, a dining deck and covered patio. The patio’s rattan swivel chairs didn’t appear comfortable, so I sat in one to see. Looks are deceiving — it was so comfortable! Lavender and blue fabrics harmonize with the banquette dining area just beyond the window. An elegant powder room draws you in with emerald Greek key wallpaper — It’s Greek to Me by Phillip Jeffries. Gem-like pendants add more glowing green. Clayton Korte At the Clayton Korte house, I admired a front sitting room-turned-library. Floor-to-ceiling corner windows bring the outdoors into the room. Square-framed bookshelves display books and decor. A pillowy chair and a reading table offer options for where to crack a book. Bookshelf styling with Bill Ding stackable clowns. Remember these? This is an art lover’s home, with folk art ceramics and small paintings — including a Lance Letscher pinwheel collage — making a bigger-than-the-sum-of-its-parts display. I was intrigued by a series of cowboy scenes painted on plastic bags. What does it signify? A disposable culture? The Old West living on in microplastics? The ultimate in reuse? I’d like to know more. Jazzy tile in the kitchen includes a wavy pattern on the floor and silvery gray zellige tile curving around the range hood. A retro, bubble-gum pink fridge adds a playful touch. Countertop bouquet and copper pans A bathroom wowed me with floor-to-ceiling penny tile. It even wrapped around tricky framing of the tray ceiling! I can’t remember what this room was — maybe a supply closet? — but I enjoyed the yellow sink and silvery wallpaper, Fruit by Morris & Co. Word art in the hallway brought to mind the recent wildfires in Los Angeles. But upon reflection it evokes for me a drought-stricken West Texas landscape. A commentary on climate change? A restful primary bedroom… …and glam copper tub framed by watery green zellige tile. Peeking out the kitchen window, I admired a calm evergreen plant palette, contemporary paving, and lacy breeze block wall screening the carport. It’s the work of Lattice Studio, recently rebranded from Austin’s Big Red Sun. Heading to the car, I got a closer look through a steel-framed wire fence. I like the trough fountain with copper spout and gently curved stone path in the gravel. BANDD/DESIGN Interiors At the BANDD/DESIGN Interiors home, I admired this bathroom’s Morris & Co.‘s Pimpernel wallpaper, blue stacked tile, and a leather-wrapped mirror and baskets. The airy dining room overlooks a garden patio. And an airy, white bedroom gets cozier with a canopy bed, boucle chairs, and beaded chandelier. The home office got lots of attention with Victorian-style wallpaper swooping down from the ceiling to the top of green-paneled walls. This is Spoonflower’s New Heights paper — really pretty. Pink chinoiserie wallpaper — Avignon by Wallpaperie + The Leslie Style — makes for a dreamy bedroom. A wicker bed and burlap chandelier add natural texture. Avignon detail Cuppett Kilpatrick At the Cuppett Kilpatrick home in Rollingwood, I was drawn to a cozy, textured sofa with gray and mauve pillows. Tactile art above it harmonizes perfectly. The big picture window frames a view of handsome live oaks. A kids’ art table and colorful framed art occupy a nearby alcove. A minimalist tablescape is elevated with a gorgeous GUBI Tynell 1972 Pendant Light with pleated-bamboo shade. An upstairs deck offers a view of a multi-level backyard with artificial lawn… …and a concrete slide and stairs leading down to a putting green. I’m glad to see some living plants on the slope and along the fence. An upstairs den is anchored by a large Cruz Ortiz painting — a cowpoke Hamlet with Yorick skull? In the primary bath, mirrors are suspended in front of a large window. In a girl’s bedroom, Kelly Ventura‘s Shade Blossom pattern appears on the walls, Roman shades, and bedding, set off with sage green trim. The trim color is Sherwin-Williams Oyster Bay… …according to a handy spec sheet from the designers. A window with a treehouse view of the live oaks makes a perfect spot for a reading nook. I’d never leave this spot. Another child’s bedroom features blue bunk beds in a green-painted alcove. Ashley Ferguson Interiors I thought I might not have time to see the Ashley Ferguson Interiors house out on Lake Austin, but I made it with 30 minutes to spare. Perched on a steep hillside, the house invites you in via a long stair to the door, which opens onto this floral scene. The painting is by Ali McNabney-Stevens, I think. A moody dining room gives a ’70s vibe. The light looks like a Murano Pebble Pendant by Fabio. A sitting room off the kitchen features four blue armchairs. And a powder bath goes dramatic with a dark-veined sink and raspberry zellige tile. That’s a wrap on my coverage of the 2025 Tribeza Interiors Tour. It was a good one! To read Part 1, click here. And click here for Part 2. I welcome your comments. Please scroll to the end of this post to leave one. If you’re reading in an email, click here to visit Digging and find the comment box at the end of each post. And hey, did someone forward this email to you, and you want to subscribe? Click here to get Digging delivered directly to your inbox! __________________________ Digging Deeper Attend the annual Budding Out Plant Sale & Festival on March 15th at the John Fairey Garden in Hempstead. Shop for rare plants from the garden’s nursery and select plant vendors. Local artists and artisans as well as food, drink, and demonstrations will also be featured. Admission: $5 for members, $10 for non-members, children under 12 free. Hours: 10 am to 4 pm; members get early admission at 9 am (memberships available on day of event). Come learn about gardening and design at Garden Spark! I organize in-person talks by inspiring designers, landscape architects, authors, and gardeners a few times a year in Austin. These are limited-attendance events that sell out quickly, so join the Garden Spark email list to be notified in advance; simply click this link and ask to be added. Read all about the Season 8 lineup here! All material © 2025 by Pam Penick for Digging. Unauthorized reproduction prohibited. Source link

[ramestoryworld]

February 04, 2025 Let’s explore the last 5 homes on the 10th annual Tribeza Interiors Tour, a tour of Austin homes that shows off the work of interior designers. This is part 3 of my coverage of the late January tour. (Click for part 1 and part 2 if you want to start there.) Sparrow Interiors At the Sparrow Interiors home in Tarrytown, a red divan under a contemporary portrait grabs your attention in the entry. Echoing touches of red appear in a wood-paneled sitting room (pictured at top), where twin blue sofas face each other. A lighthearted dining room features a pink gallery wall and branch chandelier. This, however, is the dining area I was most drawn to: a round table and banquette with moody blue-and-purple upholstery. A black Murano glass chandelier adds to the goth-romantic vibe. A bar area featured furry wallpaper, Wonderwoods by Arte, that had tour-goers exclaiming and touching it. I’ve seen textured wallpaper, but faux fur is next level. Pastel cranes, deer, and dogs rove under cloud-like trees against a black field. Check out Sparrow’s portfolio for more pics of this bold space. A 3rd dining area confused me — was this a guest wing? — until a docent explained that this curtained space is part of a pool house, with a wall of windows that slides open to make an open-air cabana. Again, check out the designer’s portfolio to see how it all fits together. The beautiful drapery fabric reminds me of Marcia Donahue’s bamboo sculptures. The pool house bathroom is dramatic and spendy with a wallpapered ceiling and vertical tile completely covering the walls. A skylight in the shower brightens the shades-of-brown room. The ceiling is wallpapered with Hoopoe Leaves by Cole & Son. Outside, a pair of beautifully cushioned sofas offers space for lounging by the pool and watching a game. Looking back at the main house, you see two more spaces for enjoying the backyard, a dining deck and covered patio. The patio’s rattan swivel chairs didn’t appear comfortable, so I sat in one to see. Looks are deceiving — it was so comfortable! Lavender and blue fabrics harmonize with the banquette dining area just beyond the window. An elegant powder room draws you in with emerald Greek key wallpaper — It’s Greek to Me by Phillip Jeffries. Gem-like pendants add more glowing green. Clayton Korte At the Clayton Korte house, I admired a front sitting room-turned-library. Floor-to-ceiling corner windows bring the outdoors into the room. Square-framed bookshelves display books and decor. A pillowy chair and a reading table offer options for where to crack a book. Bookshelf styling with Bill Ding stackable clowns. Remember these? This is an art lover’s home, with folk art ceramics and small paintings — including a Lance Letscher pinwheel collage — making a bigger-than-the-sum-of-its-parts display. I was intrigued by a series of cowboy scenes painted on plastic bags. What does it signify? A disposable culture? The Old West living on in microplastics? The ultimate in reuse? I’d like to know more. Jazzy tile in the kitchen includes a wavy pattern on the floor and silvery gray zellige tile curving around the range hood. A retro, bubble-gum pink fridge adds a playful touch. Countertop bouquet and copper pans A bathroom wowed me with floor-to-ceiling penny tile. It even wrapped around tricky framing of the tray ceiling! I can’t remember what this room was — maybe a supply closet? — but I enjoyed the yellow sink and silvery wallpaper, Fruit by Morris & Co. Word art in the hallway brought to mind the recent wildfires in Los Angeles. But upon reflection it evokes for me a drought-stricken West Texas landscape. A commentary on climate change? A restful primary bedroom… …and glam copper tub framed by watery green zellige tile. Peeking out the kitchen window, I admired a calm evergreen plant palette, contemporary paving, and lacy breeze block wall screening the carport. It’s the work of Lattice Studio, recently rebranded from Austin’s Big Red Sun. Heading to the car, I got a closer look through a steel-framed wire fence. I like the trough fountain with copper spout and gently curved stone path in the gravel. BANDD/DESIGN Interiors At the BANDD/DESIGN Interiors home, I admired this bathroom’s Morris & Co.‘s Pimpernel wallpaper, blue stacked tile, and a leather-wrapped mirror and baskets. The airy dining room overlooks a garden patio. And an airy, white bedroom gets cozier with a canopy bed, boucle chairs, and beaded chandelier. The home office got lots of attention with Victorian-style wallpaper swooping down from the ceiling to the top of green-paneled walls. This is Spoonflower’s New Heights paper — really pretty. Pink chinoiserie wallpaper — Avignon by Wallpaperie + The Leslie Style — makes for a dreamy bedroom. A wicker bed and burlap chandelier add natural texture. Avignon detail Cuppett Kilpatrick At the Cuppett Kilpatrick home in Rollingwood, I was drawn to a cozy, textured sofa with gray and mauve pillows. Tactile art above it harmonizes perfectly. The big picture window frames a view of handsome live oaks. A kids’ art table and colorful framed art occupy a nearby alcove. A minimalist tablescape is elevated with a gorgeous GUBI Tynell 1972 Pendant Light with pleated-bamboo shade. An upstairs deck offers a view of a multi-level backyard with artificial lawn… …and a concrete slide and stairs leading down to a putting green. I’m glad to see some living plants on the slope and along the fence. An upstairs den is anchored by a large Cruz Ortiz painting — a cowpoke Hamlet with Yorick skull? In the primary bath, mirrors are suspended in front of a large window. In a girl’s bedroom, Kelly Ventura‘s Shade Blossom pattern appears on the walls, Roman shades, and bedding, set off with sage green trim. The trim color is Sherwin-Williams Oyster Bay… …according to a handy spec sheet from the designers. A window with a treehouse view of the live oaks makes a perfect spot for a reading nook. I’d never leave this spot. Another child’s bedroom features blue bunk beds in a green-painted alcove. Ashley Ferguson Interiors I thought I might not have time to see the Ashley Ferguson Interiors house out on Lake Austin, but I made it with 30 minutes to spare. Perched on a steep hillside, the house invites you in via a long stair to the door, which opens onto this floral scene. The painting is by Ali McNabney-Stevens, I think. A moody dining room gives a ’70s vibe. The light looks like a Murano Pebble Pendant by Fabio. A sitting room off the kitchen features four blue armchairs. And a powder bath goes dramatic with a dark-veined sink and raspberry zellige tile. That’s a wrap on my coverage of the 2025 Tribeza Interiors Tour. It was a good one! To read Part 1, click here. And click here for Part 2. I welcome your comments. Please scroll to the end of this post to leave one. If you’re reading in an email, click here to visit Digging and find the comment box at the end of each post. And hey, did someone forward this email to you, and you want to subscribe? Click here to get Digging delivered directly to your inbox! __________________________ Digging Deeper Attend the annual Budding Out Plant Sale & Festival on March 15th at the John Fairey Garden in Hempstead. Shop for rare plants from the garden’s nursery and select plant vendors. Local artists and artisans as well as food, drink, and demonstrations will also be featured. Admission: $5 for members, $10 for non-members, children under 12 free. Hours: 10 am to 4 pm; members get early admission at 9 am (memberships available on day of event). Come learn about gardening and design at Garden Spark! I organize in-person talks by inspiring designers, landscape architects, authors, and gardeners a few times a year in Austin. These are limited-attendance events that sell out quickly, so join the Garden Spark email list to be notified in advance; simply click this link and ask to be added. Read all about the Season 8 lineup here! All material © 2025 by Pam Penick for Digging. Unauthorized reproduction prohibited. Source link

[alexha2210]

February 04, 2025 Let’s explore the last 5 homes on the 10th annual Tribeza Interiors Tour, a tour of Austin homes that shows off the work of interior designers. This is part 3 of my coverage of the late January tour. (Click for part 1 and part 2 if you want to start there.) Sparrow Interiors At the Sparrow Interiors home in Tarrytown, a red divan under a contemporary portrait grabs your attention in the entry. Echoing touches of red appear in a wood-paneled sitting room (pictured at top), where twin blue sofas face each other. A lighthearted dining room features a pink gallery wall and branch chandelier. This, however, is the dining area I was most drawn to: a round table and banquette with moody blue-and-purple upholstery. A black Murano glass chandelier adds to the goth-romantic vibe. A bar area featured furry wallpaper, Wonderwoods by Arte, that had tour-goers exclaiming and touching it. I’ve seen textured wallpaper, but faux fur is next level. Pastel cranes, deer, and dogs rove under cloud-like trees against a black field. Check out Sparrow’s portfolio for more pics of this bold space. A 3rd dining area confused me — was this a guest wing? — until a docent explained that this curtained space is part of a pool house, with a wall of windows that slides open to make an open-air cabana. Again, check out the designer’s portfolio to see how it all fits together. The beautiful drapery fabric reminds me of Marcia Donahue’s bamboo sculptures. The pool house bathroom is dramatic and spendy with a wallpapered ceiling and vertical tile completely covering the walls. A skylight in the shower brightens the shades-of-brown room. The ceiling is wallpapered with Hoopoe Leaves by Cole & Son. Outside, a pair of beautifully cushioned sofas offers space for lounging by the pool and watching a game. Looking back at the main house, you see two more spaces for enjoying the backyard, a dining deck and covered patio. The patio’s rattan swivel chairs didn’t appear comfortable, so I sat in one to see. Looks are deceiving — it was so comfortable! Lavender and blue fabrics harmonize with the banquette dining area just beyond the window. An elegant powder room draws you in with emerald Greek key wallpaper — It’s Greek to Me by Phillip Jeffries. Gem-like pendants add more glowing green. Clayton Korte At the Clayton Korte house, I admired a front sitting room-turned-library. Floor-to-ceiling corner windows bring the outdoors into the room. Square-framed bookshelves display books and decor. A pillowy chair and a reading table offer options for where to crack a book. Bookshelf styling with Bill Ding stackable clowns. Remember these? This is an art lover’s home, with folk art ceramics and small paintings — including a Lance Letscher pinwheel collage — making a bigger-than-the-sum-of-its-parts display. I was intrigued by a series of cowboy scenes painted on plastic bags. What does it signify? A disposable culture? The Old West living on in microplastics? The ultimate in reuse? I’d like to know more. Jazzy tile in the kitchen includes a wavy pattern on the floor and silvery gray zellige tile curving around the range hood. A retro, bubble-gum pink fridge adds a playful touch. Countertop bouquet and copper pans A bathroom wowed me with floor-to-ceiling penny tile. It even wrapped around tricky framing of the tray ceiling! I can’t remember what this room was — maybe a supply closet? — but I enjoyed the yellow sink and silvery wallpaper, Fruit by Morris & Co. Word art in the hallway brought to mind the recent wildfires in Los Angeles. But upon reflection it evokes for me a drought-stricken West Texas landscape. A commentary on climate change? A restful primary bedroom… …and glam copper tub framed by watery green zellige tile. Peeking out the kitchen window, I admired a calm evergreen plant palette, contemporary paving, and lacy breeze block wall screening the carport. It’s the work of Lattice Studio, recently rebranded from Austin’s Big Red Sun. Heading to the car, I got a closer look through a steel-framed wire fence. I like the trough fountain with copper spout and gently curved stone path in the gravel. BANDD/DESIGN Interiors At the BANDD/DESIGN Interiors home, I admired this bathroom’s Morris & Co.‘s Pimpernel wallpaper, blue stacked tile, and a leather-wrapped mirror and baskets. The airy dining room overlooks a garden patio. And an airy, white bedroom gets cozier with a canopy bed, boucle chairs, and beaded chandelier. The home office got lots of attention with Victorian-style wallpaper swooping down from the ceiling to the top of green-paneled walls. This is Spoonflower’s New Heights paper — really pretty. Pink chinoiserie wallpaper — Avignon by Wallpaperie + The Leslie Style — makes for a dreamy bedroom. A wicker bed and burlap chandelier add natural texture. Avignon detail Cuppett Kilpatrick At the Cuppett Kilpatrick home in Rollingwood, I was drawn to a cozy, textured sofa with gray and mauve pillows. Tactile art above it harmonizes perfectly. The big picture window frames a view of handsome live oaks. A kids’ art table and colorful framed art occupy a nearby alcove. A minimalist tablescape is elevated with a gorgeous GUBI Tynell 1972 Pendant Light with pleated-bamboo shade. An upstairs deck offers a view of a multi-level backyard with artificial lawn… …and a concrete slide and stairs leading down to a putting green. I’m glad to see some living plants on the slope and along the fence. An upstairs den is anchored by a large Cruz Ortiz painting — a cowpoke Hamlet with Yorick skull? In the primary bath, mirrors are suspended in front of a large window. In a girl’s bedroom, Kelly Ventura‘s Shade Blossom pattern appears on the walls, Roman shades, and bedding, set off with sage green trim. The trim color is Sherwin-Williams Oyster Bay… …according to a handy spec sheet from the designers. A window with a treehouse view of the live oaks makes a perfect spot for a reading nook. I’d never leave this spot. Another child’s bedroom features blue bunk beds in a green-painted alcove. Ashley Ferguson Interiors I thought I might not have time to see the Ashley Ferguson Interiors house out on Lake Austin, but I made it with 30 minutes to spare. Perched on a steep hillside, the house invites you in via a long stair to the door, which opens onto this floral scene. The painting is by Ali McNabney-Stevens, I think. A moody dining room gives a ’70s vibe. The light looks like a Murano Pebble Pendant by Fabio. A sitting room off the kitchen features four blue armchairs. And a powder bath goes dramatic with a dark-veined sink and raspberry zellige tile. That’s a wrap on my coverage of the 2025 Tribeza Interiors Tour. It was a good one! To read Part 1, click here. And click here for Part 2. I welcome your comments. Please scroll to the end of this post to leave one. If you’re reading in an email, click here to visit Digging and find the comment box at the end of each post. And hey, did someone forward this email to you, and you want to subscribe? Click here to get Digging delivered directly to your inbox! __________________________ Digging Deeper Attend the annual Budding Out Plant Sale & Festival on March 15th at the John Fairey Garden in Hempstead. Shop for rare plants from the garden’s nursery and select plant vendors. Local artists and artisans as well as food, drink, and demonstrations will also be featured. Admission: $5 for members, $10 for non-members, children under 12 free. Hours: 10 am to 4 pm; members get early admission at 9 am (memberships available on day of event). Come learn about gardening and design at Garden Spark! I organize in-person talks by inspiring designers, landscape architects, authors, and gardeners a few times a year in Austin. These are limited-attendance events that sell out quickly, so join the Garden Spark email list to be notified in advance; simply click this link and ask to be added. Read all about the Season 8 lineup here! All material © 2025 by Pam Penick for Digging. Unauthorized reproduction prohibited. Source link