#kerala all place name

[apnajourney]

Best places to visit in ginnamala — Apnajourney.com

So, currently we going to Ginnamala — with Mr. Justin here — who is an experienced and expert off-roader. And I must say, it’s a very amazing adventure riding with him. We have reached the hills top by the car. We are come to a place called So, over here there is a story about There was a guest from Denmark. What she did was she took a scooty and she started exploring the unexplored places at Vagamon

And, she came to this place. Her name was Ginna, so the place is called Ginnamala. the meaning of Mala? — Mala means hills in Malayalam. It’s actually an old place is old but it is discovered recently. people have started visiting.so people are sitting is the actual viewpoint of Ginnamala. Ginnamala is known for its spectacular views and sunsets. But. I must say, I’m really stunned with how spectacular the views are over here in Vagamon

For More information visit us : apnajourney.com

[hobiebrownismygod]

Headcanon: Pavitr knows Kalaripayattu and uses it when he fights

History:

Kalaripayattu is an ancient form of martial arts that was specifically designed for the battlefield. It originated in a state named Kerala, in South-western India and is actually fairly similar to Kung-Fu.

In the 13th-16th century, Kalaripayattu was a way of life in Kerala, believed to have been often taught to children as customary training. However, after the British Invasion and imperialism of India, Britain set laws in place to quell any possibility of Indian rebellion, preventing people from practicing or training in this martial art form. After this, it was only taught and practiced in very rural areas in order to avoid confrontation with the law.

Eventually, in the 1920s, it was revived and during a period of traditional rediscovery. There was a rise in the number of Kalaripayattu schools and Kalaripayattu presentations gained a lot of popularity. Now, although still not as well-known as many of the other Asian martial arts, it is a widely-known martial art form in South India and practiced by many.

It is also believed to be the oldest surviving martial art in the world, with a history spanning over 3000 years.

Style:

Like most martial arts, Kalaripayattu focuses on mind over body. Having complete control over your mind is essential to being able to succeed in mastering this art.

Ashtha Vadivu are 8 poses derived from the instinctual movements of wild animals, poses that were designed to make your body more flexible and powerful. They also help the student develop balance and stability.

Maithari are 18 different exercises practiced to achieve peak physical fitness and heightened reflexes. By practicing these, one can strengthen their body and their mind in order to be able to properly participate in combat situations.

Kalaripayattu also involves the usage of different kinds of weapons. Spears, swords and shields are all used, along with maces and really any weapon that can slash, stab or cut. Special wooden whips, knives and staffs can also be used.

This is an example of a Kalaripayattu tournament!

Headcanon:

In the comics, Pavitr was often bullied because of the fact that he came from a small town and wore different clothes than the other boys in Mumbattan. He was given his powers by an ancient Yogi, gaining the magical powers of a spider.

Because Kalaripayattu is very spiritual and based off the religious myths, it would make sense for Pavitr to incorporate it into his fighting style! I think he would've learned it prior in order to protect himself from his bullies, and eventually began to use it when he fought villains as Spider-man as well.

Its a lethal fighting style with weapons, but in hand-to-hand combat, wouldn't be as deadly so it would make sense for Pavitr to use it when he fights, in order to defend himself or strike his enemies.

Just random thoughts <3

Sources below the cut!

[leroibobo]

the paradesi synagogue in kochi, kerala, india. the first synagogue on the site, built by the city's longstanding malabari jewish community, was destroyed by portugese who'd colonized the area in their persecution of locals. it was rebuilt in 1568 by spanish and portugese jews who fled persecution and later expulsion, hence the name "paradesi" ("foreign" in malayalam).

these sephardic jews and a community of jews of mixed african and european descent who were formerly enslaved ("meshuchrarim", "freedmen" in hebrew) joined the malabari jewish community of kochi and somewhat integrated. they were later joined by some iraqi, persian, yemenite, afghan, and dutch sephardic jews. the middle eastern and european jews were considered "white jews" and permitted malabari jews and meshuchrarim to worship in the synagogue. however, in what seems like a combination of local caste dynamics and racism, malabari jews were not allowed full membership. meshuchrarim weren't allowed in at all, but were instead made to sit outside during services and not allowed their own place of worship or other communal rights.

as the "white jews" tended to be rather wealthy from trade, this synagogue contains multiple antiquities. they include belgian glass chandeliers on its walls, hand-painted porcelain tiles from china on its floors, and an oriental rug that was gifted by ethiopian emperor haile selassie.

[mysticalblizzardcolor]

Ashta Nagas 🐍 Name of Ashta Nagas – 8 Snake Gods or Serpent Deities In Hinduism, the Ashta Nagas are eight gods who are snakes. South India, especially Kerala, South Karnataka, and parts of Tamil Nadu, is where they are most famous. Each of the eight snake gods is honored on its own. List of Ashta Nagas- Name of 8 Snakes God Ashta Nagas are worshiped to cure of skin diseases, pregnancy problems and to avoid all kinds of problems in the zodiac caused by Rahu and Ketu being in bad places in Horoscope. People also belive that making offerings to the eight nagas will help them find hidden wealth and happiness. They are Anantha or Sesha Naga Gulika Vasuki Shankapala Thakshak Mahapadma Padma and Karkodaka Chapter 5.2 - Ashtanaga—Eight important Nagas Out of the one thousand serpent children Kadru had, 8 important nagas are called Ashtanagas. They are: 1Ananta, 2 Vasuki, 3 Takshaka, 4 Karkotaka, 5 Shankha, 6 Padma, 7 Mahapadma, 8.Gulika. They are the nagas that are worshipped. Many of the ashtanagas are important characters in the Itihasa Puranas. Ananta He is the most important of the ashtanagas. The name itself means one who has to end. It means he is infinite. About the birth of Ananta, ValmikiRamayana says like this. From Mahavishnu came Brahma and from Brahma came the Prajapatis. From this it can be surmised that Ananta is a Prajapati.But as per the Mahabharata,Ananta is born to Prajapati Kashyapa in his wife Kadru. When Kadru and Vinatha, two of the wives of Kashyapa, were fighting and to win in the bet Ananta was asked to hang from the tail of Iravata. Ananta lost his peace and so went to places of pilgrimage and fasted. Immersing himself in reflections on Brahma, he obtained a boon from him. The boon was that even if the entire universe burns down, Ananta will not perish. That is how Ananta becomes Adi Shesha and the leader of nagas. He also became the bed and shade of Mahavishnu. It was because of the boon he received he went into the Hades and began to hold the worlds upright supporting them with his hoods. It is garuda that helps Ananta in this task of holding the worlds. Ananta has one thousand hoods and on the main hood there is the mark of Svastika. This indicates the Sun and Vishnu. As weapons he holds a plough in one hand and an iron pestle or mace in the other. He is served by Shridevi, Varuni Devi, Nagakanyaka and many other goddesses. The belief is that Ananta dwells in the abode of Varuna in the West. Ananta is not merely the eldest of the brood, but he is the noblest and occupies an elevated niche in the hierarchy of things. He is softspoken, philosophical and has an ascetic character. He is the one who leads the group of ideal serpents. Two of Ananta avatars are Lakshmana, the younger brother of Rama and Balrama, the elder brother of Krishna .The Anantashayanam indicates the mutual relations between Vishnu and the Serpent. Vasuki He is the son of Kashyapa and brother of Ananta. He spent his childhood with his parents. As a devote of Shiva, he dwells in the body of Shiva. According to the Puranas, it is thought that Vasuki is the ring on the finger of Shiva. In the quarrel between Kadru and Vinata, Vasuki did not support his mother and so he was cursed and therefore he had to live away from his mother in a different group. Vasuki has a special place amongst the important deities of Shaivas. Vasu means diamond. The one with a diamond on the head is Vasuka, that is Kashyapa. the son of Vasuka is Vasuki. Vasuki has the white colour of diamonds. When the Devas and Asuras churned the Ocean of Milk, they used Vasuki as the coir for binding the Manthara Mountain which was used as the churning stick.

[ancientcosmicsecrets]

Nagas, the mythical creatures

The Nagas

The Nagas, mythical creatures from Hinduism, Buddhism, and Jainism, are half-human and half-cobra beings that can be both a threat and a boon to humans. Their name means 'serpent' in Sanskrit, and they reside in Pata-loka or Naga-loka, an underground kingdom adorned with exquisite jewels and stunning palaces. According to legend, Brahma, their creator, sent them underground when they overpopulated the Earth. They only emerge to bite those who are genuinely evil or fated to die prematurely.

The Nagas were a group of people living during the period of the Mahabharata, an epic from India, and were spread across the country. They had a fierce rivalry with the demigod tribes known as Suparnas. The Naga clans in Kerala and Kashmir were believed to be the original and indigenous abode of all Nagas, and cities like Thiruvananthapuram in Kerala and Anantnag in Kashmir stand as testaments to this. In Hinduism, Jainism, and Buddhism, Nagas can take any shape, but they mostly appear as human beings. They are demigods associated with water and treasure. Lord Shiva, the most powerful god in the Hindu pantheon, wears a garland, anklets, and armlets made of snakes.

Snakes also serve to decorate and protect the gods Bhairav and Mahakala. Ananta, the thousand-headed Naga, protects Kali, the Hindu goddess of destruction. In Hindu myths, Nagas defend the gods and even serve as their resting place. Nagas also safeguard doors, windows, and temple walls, making their carvings and sculptures a common sight in Hindu temples. Female Nagas, referred to as Nagis or Naginis, belong to serpent royalty and are renowned for their breathtaking beauty. They hail from dynasties, including Manipur in northeastern India, Pallavas in southern India, and Indochina's ancient ruling Funan family. The Hindu canon contains several references to beings from other planets.

For example, the Bhagavata Purana, one of the 18 significant Puranas from a Vaishnava perspective, mentions other beings. The creation of the universe is described in detail in Canto 3, the universe in Canto 5, and battles between demigods and demons on other planets are detailed in Canto 8. The Mahabharata also extensively mentions beings on different planets. The Panchang, an ancient Indian calendar, has evolved in Indian astronomy over the past 5000 years. It predicts the exact time of lunar and solar eclipses and the dates and times of all our festivals from time immemorial. It continues to be widely followed in India. The star positions for all significant events in the Mahabharata and Ramayana, two major Indian epics, are also given.

Modern astronomers have dated these positions and found them to be internally consistent. Surprisingly, our ancient story of Dasavatharam, which mentions the ten avatars of Vishnu, also describes the evolution of life from fish to amphibians, animals, half-animal/half-human creatures, short, intelligent humanoids, forest-dwelling axe-men, ideal homo sapiens, wise politicians, and finally, Buddha. Darwin's theory mirrors this up until the homosapien. The tenth avatar, Kalki, is believed to be the technically adept human of tomorrow. Finally, a 16th-century hymn called the Hanuman Chalisa describes the distance to the Sun. It states that one yuga, an epoch, equals 4.32 million years. The Hanuman Chalisa claims that the Sun is at a distance of 100 crore yojanas from the Earth, with one yojana equating to about eight miles, which translates to 800 million miles.

Ancient references mention that the Earth and other planets orbit the Sun and that the size of our solar system is close to the same as it is now. Various texts also discuss the nature of time, reality, and consciousness. Modern science is validating these ideas one by one.

[mystixa2304]

HEYYYAA

My name is Alice Mystica

I am currently 16 year old, female obviously

I love documenting my life which is why i like journaling and I’m completely obsessed with writing i jot down all my feelings yes i am a writer who’ll never let you die..

Jokes apart, journalism has been an important factor throughout my life it has helped me cope with my emotions

Ive been to many places in india like Punjab,Rajasthan,Assam,Uttarakhand,Uttar Pradesh,Himachal Pradesh,Madhya Pradesh,Tamilnadu,Kerala,Andra Pradesh,Maharashtra,Gujarat and the list just goes on and on.. yeah i know its crazy that I’ve travelled to many places in such a young age lol yea i am an army brat ever since i was born I’ve moved around a lot like “A-LOT”

But you know what i quite enjoy the fact that i can change my personality every now and then lol “wannabecoolme”. One of my favourite things moving around was probably some people that I’ve met or some memories I’ve created..

Apart from that now I’m in junior college right now (science) includes subjects like:

• physics

• Maths

• chemistry

•computer

•English

i suck at all those subjects lol other than English it’s my favourite subject for some reason maybe because it is effortless

Some of my favourite movies are:

• pirates of the Caribbean (all parts).

•dil dhadakne do.

•zindagi na milegi dobara

I also love watching kdramas🍓 some of my favourite are: True beauty & Business proposal

About food: ugh who doesn’t love food i prefer hot and spicy stuff rather than sweet

Favourite sports: badminton,golf,basketball

I guess thats more than enough about me follow my page for awesome upcoming stuff love you 💋🍓🍪

[sysmedsaresexist]

News Flash ⚡

Paper discussing the cultural exclusion criteria

From distress to disease: a critique of the medicalisation of possession in DSM-5

A paper out of New Delhi, India, discusses the application of the cultural exclusion to instances of possession in Kerala, South India. To do this, it clearly explains the cultural exclusion, and it should be required reading for everyone.

Important quotes below the cut

Despite DSM-5’s recognition that not all possession states are pathological, the categorisation of possession-form DID is problematic as the DSM-5 reduces possession to a binary of culturally acceptable and pathological possession. This reductionist and unidimensional understanding of possession differs from the anthropologists’ observations of the ambivalent, porous and malleable nature of possession.

The DSM-5 has made some changes to the previous possession and trance disorder and categories possession under DID, emphasising that culturally appropriate possession states can be distinguished from possession-form DID (APA 2013, 295). ... Despite introducing the classification of culturally acceptable possession states, the problem of universalising and standardising possession states and experiences are far from resolved as possession states are now posited in a binary of pathological versus culturally acceptable states. This formulation still does not consider the cultural basis on which possession was constituted. ... In other words, the DSM-5 categorisation provides a singular, static and linear understanding of possession with cultural factors seen as only impacting the aforementioned understanding (forms, identities, places of manifestation. etc.). It does not however, provide scope for an alternative categorisation itself. To engage with these ideas further, it is essential to first understand classification of possession in the DSM-5.

The DSM-5 distinguishes between culturally accepted possession and possession-form DID stating, ‘Possession-form DID can be distinguished from culturally accepted possession states in that former is involuntary, distressing, uncontrollable and often recurrent or persistent, involves conflict between the individual and his or her surrounding family, social, or work milieu; and is manifested at times and in places that violate the norms of the culture or religion’ (APA 2013, 295). Through this distinction the DSM differentiates between possession as a disorder and possession as culturally acceptable, emphasising that the former is involuntary, distressing and uncontrollable. However, as the experiences of possessed individuals and their families at the Chottanikkara temple illustrate, such a distinction is problematic for a number of reasons, primarily because the various types of possession may appear similar at first. The ‘acceptable possession states’ (APA 2013, 295) thus are not initially distinct from the presumed pathological ones either in the time or place that they occur, or in the control over one’s manifestation.

This brings us to the second point of contention with the DSM categorisation, namely, the notion of cultural acceptance, wherein the DSM specifically terms possession in the non-DID form as culturally acceptable possession. ... The cultural acceptance of different kinds of possession is significant for it allows possessed individuals to heal within a temple space where there is an acceptance of possession.

Recognising the multiplicity of possession indicates that the distinctions made between voluntary and involuntary possession, distressing and non-distressing forms of possession are limiting in that the distinctions may not be present, at least in the initial phase of manifestation, and very often may not be clearly demarcated throughout the course of healing.

The final point of contention with the DSM categorisation of possession is the association of possession-form DID with ‘typical behaviours and actions’. In other words, it is possible that the individual does not manifest his/her possession and may exhibit no signs typically seen at the temple. Given the emphasis on the manifestation, would such a condition of non-manifestation/lack of typical behaviours be seen as possession-form DID or would it be seen as culturally acceptable? While the DSM does not engage with this question, it is significant in terms of healing from possession.

[randomvarious]

Today's mix:

Hearts of Space 574: Goa Trance by Steve Davis and Stephen Hill 2000 Ambient / Space Ambient / New Age / World Music / Downtempo / Dub

Hearts of Space is a popular weekly radio program that's been on the air since 1973, has been broadcasting nationally on public radio in the US since 1983, and, for a time, was also on Sirius XM as well. Coming out of San Francisco, the show's been primarily hosted since day one by a guy named Stephen Hill, who has delivered over 1,300 roughly hour-long and uninterrupted thematic transmissions of slow, eclectic, and psychedelic sounds that he refers to collectively as "space music"—largely ambient, new age, and world stuff.

And apparently I've stumbled upon a bit of a goldmine here, folks, because it looks like every single one of these transmissions since '83 is up on the Hearts of Space website itself, which also has this darling, futuristic-looking interface that should really take you back to like, I don't know, 2004?

Have a look and tell me you don't love just how cozy this is 😌:

So, today I listened to my first ever Hearts of Space episode, a transmission that originally aired in October of 2000 called "Goa Trance." And, well, none of it actually happens to be Goa trance 😬. I mean, look: there is certainly a mystical Indian flavor to much of this music, which is where Goa trance originated from—the coastal beaches of the tiny state of Goa to be more exact—and a lot of it is psychedelic as well, which is another trait of Goa trance. Plus, one could also classify all of these songs as entrancing too. But at the end of the day, Goa trance is a specific form of electronic dance music, with things like four-on-the-floor kick drums and a pretty specific sound and vibe, and not a single track within this set meets that criteria. So, methinks Stephen Hill was a bit confused on the terminology here.

That said though, this transmission seems to represent an hour's worth of Hearts of Space's very own bread and butter: windingly psyberdelic ambient and new age journeys. And while I'm definitely no ambient junkie myself, I don't see how those who are couldn't love a tune like legendary Brooklyn bassist and avantgarde electronic hero Bill Laswell's "Hear No Evil," because, while it's definitely not my full get-down, that one clearly seems to be the most complete production within this set here. And it seems like Hill only actually played half of it.

For me, though, almost everything that I enjoy listening to requires a more prominent and conventional kind of drumbeat that I can contentedly nod my own head along to. And those types of rhythms are contained in songs like Bob Holroyd's snail's-paced downtempo groove, "Adrift in Kerala," as well as the intercontinental ethnic fusion of The Third Planet's "The Rhythmic Experience," which manages to build itself up towards a pretty spectacular conclusion.

So, with having an idea of what Hearts of Space is all about, I guess I shouldn't have really expected to actually hear dance music in the first place, but then again, if something is called "Goa Trance," I guess I don't really know what I should expect otherwise either 🤷‍♂️.

Regardless of all of that though, if you're someone who digs themselves some spacey ambient tunes, then I think I just found over 1,300 hours worth of stuff for you to really immerse yourself in!

Listen to the full episode here.

Highlights:

Bob Holroyd - "Adrift in Kerala" The Third Planet - "The Rhythmic Experience"

[jessicasperspective]

Indian Folk art- Ground paintings

In this blog we shall see a brief about folk arts that are drawn on the floor.

Kolam

Kolam is a tradition originated from Tamil Nadu. Kolam is also followed in various place of south india with different names like muggu.

Kolam is painting on the floor of every house’s entrance I order to welcome to goddess ‘Sri devi’ to their households as she brings good health and wealth into the family’s life.

Kolam is a geometrical drawing with dots and lines with no open line it. Because a open line Kolam is considered to bring bad omen to the house who they call `moodhevi’.

Till date people of South Indian households follow the tradition of putting Kolam infront of their houses after cleaning it everyday.

Rice flour is used in Kolam to feed little creature that created like ants and bugs.

Kalamezhuthu

The ritualistic practises of Kerala's Bhagavati, Naga, and Ayyappa temples incorporate the ancient art of kalamezhuthu.

During the 40-day Kalamezhuthu festivities celebrated at Bhagavathy Temples all around God's Own Land, this straightforward ideal can be seen at its pinnacle.

It a whole ritual that takes place during the process of drawing as a celebration with music and special songs written for it along with dance. These paintings are highly sacred that it could be painted only inside the floors of temple Gopura and not elsewhere.

Alpana

Alpana was birthed from the state of Bengal. It is a traditional art drawn by women of the households with mixing flour and water together into a paste and painting it twigs or bare fingers.

Using their imagination, the artists draw a range of patterns, which may consist of a mix of hollow and solid geometric shapes, floral designs, paisleys, symbolic representation of animals and other objects, etc.

During the celebration of Lakshmi Pooja it is important for them to draw pair of feet to welcome the goddess into their house especially to nourish their fields. Hence you will find the footstep pattern drawn all over the house, even the staircase is not spared.

The artist draws whatever she likes and considers it to be blessed by the gods. Example : their babies, farming tools, kitchen utensils, etc.

To learn more about the above folk arts, visit:

[12romy]

Actually I’m not from Tamil nadu, but from kerala the neighbouring state… and it’s a beautiful place.. you should visit if you have time.. Kerala is a small state with the arabian sea on one side and mountains on the other ..there are places called munnar, alapuzha, wayanad; all pretty places. And the food is tooo good..that’s like my favourite thing about my state.. the food, it’s a bit spicy but tasty af.

So yeah what I’m tryna say is you should visit if you can 😁 you’ll love it

Oh I've heard SO much about Kerala!!! Everyone keeps telling me I should go there, and it's on my list actually ^^

My work contract finishes in April but my visa is valid for another three months, so I plan on staying a bit longer to visit! Kerala is the first place I'll go to, clearly, it just looks gorgeous! Then I had planned on going north, and to Nepal!

I'm definitely going to keep those names in mind, thanks for the advice ;)

[penkraft123]

History Of Devanagari Script

Devanagari is a combination of the word’s deva and nagari. Deva translates as “heavenly,” “divine,” or “deity.” Nagari derives from Nagaram, a Sanskrit word that means “town.” Devanagari can therefore be rendered as “from the home of divinity.” The ancient term Nagar gave rise to the name Devanagari.

Nagari was one of the primary scripts used for the Sanskrit literature and first appeared in the northwest of the Indian subcontinent around 633 CE. It was fully evolved by the 11th century CE.

The 1st to 4th century CE inscriptions found in Gujarat provide some of the earliest epigraphic evidence of the development of the Sanskrit Nagar script in ancient India. [10] Nagar script variants, which are recognisable as being close to Devanagari, are first documented in Sanskrit Rudradaman inscriptions from the first century CE,Inscriptions from the Middle Ages indicate widespread use of scripts related to the Nagari, with scripts exhibiting local script alongside the adoption of Nagari scripts. For instance, the Siddha Matrika script and an early Telugu-Kannada script can both be found on the Pattadakal pillar from the middle of the eighth century in Karnataka.

By the seventh century CE, the Nagari script was in widespread use, and by the end of the first millennium, it had reached its full development. Numerous pillar and cave-temple inscriptions, like the 11th-century Udayagiri inscriptions in Madhya Pradesh, attest to the employment of Sanskrit in Nagari script in mediaeval India.

Moreover, the British Museum is home to an inscribed brick from 1217 CE that was discovered in Uttar Pradesh. Prototypes of the script and related variations have been found alongside historic artefacts outside of India, in places including Sri Lanka, Myanmar, and Indonesia. Buddhists in East Asia used the Siddha Matrika script, which is thought to be the closest ancestor of Nagari has historically been the foremost among the Indian scripts.

It has been used by religiously educated people in South Asia for a very long time to record and convey information, coexisting alongside a wide range of regional scripts (such as Mo, Kaithi, and Mahajani) used for administration, trade, and other daily activities all throughout the country.

In Kashmir, Sharada is still used in parallel. The Kutila inscription of Bareilly, which dates to VS 1049 (992 CE), exhibits the formation of the horizontal bar to combine letters pertaining to a word in an early form of Devanagari. [1] With a writing date of roughly 150 BCE and a transcription date of the 14th century CE, the 1,413 Nagari pages of a commentary by Patanjali are one of the earliest Sanskrit manuscripts from the early post-Maurya period still in existence.

Penkraft conducts classes, course, online courses, live courses, workshops, teachers’ training & online teachers’ training in Handwriting Improvement, Calligraphy, Abacus Maths, Vedic Maths, Phonics and various Craft & Artforms – Madhubani, Mandala, Warli, Gond, Lippan Art, Kalighat, Kalamkari, Pichwai, Cheriyal, Kerala Mural, Pattachitra, Tanjore Painting, One Stroke Painting, Decoupage, Image Transfer, Resin Art, Fluid Art, Alcohol Ink Art, Pop Art, Knife Painting, Scandinavian Art, Water Colors, Coffee Painting, Pencil Shading, Resin Art Advanced etc. at pan-India locations. With our mission to inspire, educate, empower & uplift people through our endeavours, we have trained & operationally supported (and continue to support) 1500+ home-makers to become Penkraft Certified Teachers? in various disciplines.

[southgatetravels]

Explore the Beauty of Kozhikode with Car Rentals: Your Guide to Car Hire in Calicut

Kozhikode, often known by its historic name Calicut, is a gem on Kerala’s Malabar Coast, offering a perfect blend of natural beauty, history, and cultural richness. From serene beaches and lush hills to vibrant markets and historic monuments, Kozhikode has it all. car rent kozhikode provides a hassle-free and flexible way to explore all this city has to offer. Here’s everything you need to know about car rental options in Kozhikode and how it can enhance your travel experience.

Why Rent a Car in Kozhikode?

Freedom and Flexibility With a rental car, you’re in charge of your itinerary. No need to wait for public transport or stick to strict schedules. A rental car lets you explore the city and nearby attractions at your own pace.

Convenience and Comfort If you’re traveling with family, friends, or a lot of luggage, renting a car is more convenient than relying on taxis or buses. It offers privacy and a more personalized experience.

Easy Access to Surrounding Destinations Kozhikode is well-connected to scenic spots like Wayanad, Kappad Beach, and Beypore. A car rental makes it easy to explore beyond the city limits and uncover some of Kerala’s hidden treasures.

Types of Rental Cars Available in Kozhikode

Economy Cars For solo travelers or couples, economy cars offer an affordable and fuel-efficient way to get around the city.

Sedans Perfect for families or small groups, sedans provide comfort for both short trips and longer drives to nearby destinations.

SUVs If you’re planning on exploring hilly terrains like Wayanad or traveling with a larger group, an SUV offers both space and versatility.

Luxury Cars For those seeking a premium travel experience, luxury cars add an extra touch of comfort and style.

Self-Drive vs. Chauffeur-Driven Choose between self-drive options if you prefer independence, or opt for a chauffeur-driven car to relax and enjoy the views without the stress of navigation.

Popular Car Rental Services in Kozhikode

Several car rental providers in Kozhikode offer competitive pricing and a variety of vehicle options. Here are some reliable providers:

IndusGo IndusGo is popular for its well-maintained fleet and easy booking process. They offer both self-drive and chauffeur-driven options with pick-up points around Kozhikode.

Zoomcar Known for its app-based booking, Zoomcar allows you to select from a range of vehicles and offers flexible durations, making it ideal for both short and long stays.

Royal Travels A trusted local provider, Royal Travels offers chauffeur-driven and self-drive vehicles for affordable rates. Their services are popular with both tourists and locals.

Kozhikode Airport Car Rentals For travelers arriving by air, several rental agencies operate at Calicut International Airport, allowing you to pick up your vehicle as soon as you land.

Top Places to Visit in and Around Kozhikode by Rental Car

Kozhikode’s top attractions are easily accessible by car, allowing you to create a flexible itinerary and discover the city’s highlights:

1. Kappad Beach

Just 20 km from the city, Kappad Beach is where Vasco da Gama first landed in 1498. It’s a tranquil spot with historical significance, perfect for a day trip.

2. Mananchira Square

Located in the heart of Kozhikode, Mananchira Square is a beautiful park ideal for a leisurely stroll. Nearby attractions include the Mananchira Tank and SM Street, a bustling market famous for souvenirs and local snacks.

3. Kozhikode Beach

A must-visit in the evening, Kozhikode Beach offers scenic views, street food stalls, and a lively atmosphere. The famous piers that stretch into the sea make for a perfect photo opportunity.

4. Beypore

Known for its centuries-old boat-making industry, Beypore is only 10 km from the city center. Watching artisans craft traditional wooden boats, known as “Uru,” is a unique experience.

5. Thusharagiri Waterfalls

Situated around 50 km from Kozhikode, Thusharagiri Waterfalls is an excellent day trip destination. The scenic drive through green landscapes makes the journey as rewarding as the destination.

6. Wayanad

About a 90-minute drive from Kozhikode, Wayanad is known for its tea plantations, wildlife, and stunning hillscapes. Renting an SUV or a sedan is ideal for this trip, which takes you through winding roads and lush scenery.

Tips for Renting a Car in Kozhikode

Book in Advance Car rentals can be in high demand during peak tourist seasons (December to March). Booking early can help secure the car of your choice and may even get you a better rate.

Check the Insurance Policy Ensure the rental car has sufficient insurance coverage. Comprehensive coverage can give you peace of mind in case of any mishaps.

Inspect the Vehicle Before Departure Check the car for any existing damages and take photos to avoid disputes when returning the vehicle. Ensure that the fuel level and mileage limits match the rental agreement.

Get a GPS-Enabled Vehicle Kozhikode and surrounding areas have regions with limited cellular coverage. Having a GPS-enabled vehicle can make navigation easier.

Understand the Fuel Policy Some rental agencies provide a full tank and expect it to be returned the same way, while others might charge differently. Make sure you’re aware of the policy to avoid additional costs.

Car Rental Rates in Kozhikode

The cost of renting a car in Kozhikode varies based on the type of vehicle and the rental period. Below is a general idea of daily rates:

Economy Cars: ₹1,200 - ₹1,800

Sedans: ₹1,800 - ₹2,500

SUVs: ₹2,500 - ₹4,000

Luxury Cars: ₹5,000 and above

For longer stays, you may be able to negotiate a discounted rate or opt for weekly and monthly packages.

Frequently Asked Questions (FAQs) on Car Rentals in Kozhikode

1. Can I rent a car at Calicut International Airport? Yes, several car rental companies have kiosks or offer pickup services at the airport, making it convenient for tourists arriving by flight.

2. Do I need a local driver’s license? Indian citizens need a valid driver’s license, while international tourists should carry an International Driving Permit (IDP) along with their home-country license.

3. Is there an option for unlimited mileage? Some rental companies offer packages with unlimited mileage, but it’s best to confirm with the provider to avoid any unexpected costs.

4. What is the minimum rental duration? While many providers offer hourly rentals, a minimum rental period of 24 hours is more common. For flexibility, some providers also offer half-day packages.

5. Are there additional fees for chauffeur-driven rentals? Yes, chauffeur-driven rentals often come at a slightly higher cost compared to self-drive rentals, but they provide the convenience of a local driver familiar with the area.

Ready to Explore Kozhikode?

Kozhikode is a city that offers a unique blend of historical charm, natural beauty, and modern amenities. Renting a car here allows you to enjoy a smooth, flexible travel experience, perfect for both short visits and longer stays. So, whether you’re planning to relax on the beaches, immerse yourself in history, or take a scenic drive through Kerala’s countryside, car rentals in Kozhikode provide the ideal way to make the most of your journey. Happy travels!

[eminentsoftblogs]

Creating the Ideal Modular Kitchen: Efficiency, Style, and Expert Craftsmanship by Variety Aluminium Traderz

A modular kitchen has become the ultimate solution for modern homes, balancing aesthetics with unparalleled functionality. Unlike traditional kitchens, modular kitchens offer streamlined layouts crafted to optimize space, enhance efficiency, and present a clean, modern look. With each component purposefully designed and customizable, these kitchens are tailored for both style and practical use, making them a staple in homes where efficiency is key.

What Defines a Modular Kitchen?

At its core, a modular kitchen in kollam is built on the concept of standardized “modules” or units, including cabinets, countertops, drawers, and storage spaces that can be customized to suit the unique layout of your home. Every module serves a specific purpose — some units are meant for storing utensils and cookware, while others hold appliances and pantry items, keeping everything within easy reach. This intelligent layout ensures a seamless cooking experience where everything has its place, reducing clutter and simplifying daily kitchen tasks.

From sleek cabinets to spacious drawers and durable countertops, a modular kitchen is designed to bring together all elements of kitchen functionality into a cohesive and beautiful setup. Each component is designed for maximum accessibility and optimized use, promoting not only easy organization but also enhanced ease of cleaning and maintenance.

Why Choose Variety Aluminium Traderz for Your Modular Kitchen Needs?

If you’re considering a modular kitchen, choosing the right partner can make all the difference. Since 2003, Variety Aluminium Traderz has been a trusted name in Kollam, known for their commitment to quality and personalized solutions. With over 21 years of expertise, their team specializes in delivering modular kitchens that aren’t just functional but also elevate the look and feel of any home.

Variety Aluminium Traderz brings a wealth of knowledge in aluminium fabrication, which is central to their modular kitchen dealers. By incorporating aluminum elements, they offer kitchens that are not only sleek and stylish but also exceptionally durable. Aluminum, known for its resistance to moisture, corrosion, and general wear and tear, ensures that your kitchen will stay pristine for years to come — a practical choice for Kerala’s humid climate.

What Sets Variety Aluminium Traderz Apart?

Customization and Versatility Variety Aluminium Traderz understands that every home is unique, and they work closely with clients to customize modular kitchens according to specific layouts, preferences, and usage needs. Whether you’re looking for a minimalist setup or a more elaborate design with ample storage, their team can accommodate a wide range of styles and functional requirements.

Seamless Integration of Design and Functionality Beyond just aesthetics, Variety Aluminium Traderz prioritizes functionality in every design. Their modular kitchens are meticulously planned to offer a balance between storage and workspace, helping homeowners maximize the potential of every square foot. With modules designed for specific purposes, their kitchens streamline the cooking process, making it easy to keep things organized and within reach.

Durability with Aluminum Fabrication A hallmark of Variety Traderz’s modular kitchens is their emphasis on aluminum, which provides a lasting solution without compromising style. Aluminum is not only lightweight and strong but also easy to clean and maintain, making it ideal for busy kitchens. With this material, Variety Aluminium Traderz ensures that their kitchens are both modern and durable, providing a worry-free solution for years of use.

Exceptional Track Record Serving clients in Kollam and surrounding areas, Variety Aluminium Traderz has transformed countless kitchens into efficient, stylish spaces that reflect the homeowner’s vision. Their experience extends beyond homes to commercial spaces, giving them a comprehensive perspective on functionality, design, and client satisfaction.

Why a Modular Kitchen Is a Worthy Investment

Investing in a modular kitchen brings immense value to a home. Not only does it offer a more organized cooking space, but it also enhances the overall appeal of the home, making it more enjoyable for residents and attractive to potential buyers. A modular kitchen reflects a modern, forward-thinking approach to interior design, adding a touch of sophistication and a strong sense of functionality.

Contact Variety Aluminium Traderz to Begin Your Kitchen Transformation

If you’re ready to upgrade your kitchen with a modern, space-saving modular design, Variety Aluminium Traderz is your go-to partner in Kollam. Their expertise in aluminum fabrication, attention to detail, and commitment to client satisfaction make them an excellent choice for homeowners seeking quality and affordability.

Get in touch with them at +91 9846657142 to explore their modular kitchen options and discover how they can create a kitchen that perfectly fits your style and functionality needs.

[globalworship]

Deep Jalé (Light the Lamp), India song

I've known Chris Hale for 21 years and am still blessed by the many recordings he has made. He's also the friend who first introduced me to the Yeshu Bhakti movement, a contextualized Christ-centered way of life, ministry and worship.

Today Chris wrote,

Happy Diwali friends!

I want a share a song I recorded while living in India in the 1990’s. We often sing it at Diwali, the festival of lights. I am particularly drawn to the line in the 2nd verse, which translates, "I am lighting the lamp, and watching the road, to see you, Lord, to see you. Come dwell in my heart."

Lyrics and English translation for Deep Jalé are in subtitles, and also written lower in this post.

+++

Chris continues:

"Deep Jalé" is an original song by Anil Dev of the Matridham Ashram. My band, OLIO, recorded our cover of it on our "Naam Leo Re" album in Thrissur, Kerala in 1997.

This year I uploaded all the songs from the album to our channel at youtube.com/@OlioIndia and it is also available for a free download on bandcamp at https://oliotheband.bandcamp.com/album/naam-leo-re.

+++

Original Hindi words and music by Swami Anil Dev Performed and Recorded by Olio

दीप जले प्रभु नाम रहे मेरे मंदिर में, मंदिर में Deep jalé, Prabhu naam rahe, mere mandir mein, mandir mein Light the lamp for the name of the Lord to remain in my temple In my temple (of the heart)

साँझ-सवेरे यह मन गाये येशु तेरा नाम, प्रभु येशु तेरा नाम Saanjha savere yeh man gaaye Yeshu teraa naam, Prabhu Yeshu teraa naam Evening and morning my soul will sing Jesus your name Lord Jesus your name

नाम रहे मन में प्रभु नाम रहे मन में Naam rahe man mein, Prabhu naam rahe Man mein May your name remain in my heart Lord May your name remain in my heart

दीप जलाये राह निहारूं दर्शन को, प्रभु दर्शन को Deep jalaaye raaha nihaarun darshan ko Prabhu darshan ko I am lighting the lamp and watching the road for a vision A vision of the Lord

आन बसो दिल में प्रभु आन बसो दिल में Aan baso dil mein, Prabhu aan baso dil mein Come dwell in my heart, Lord, come dwell in my heart

हे प्रभु दाता विश्व-विधाता नमन करूँ प्रभु नमन करूँ He Prabhu daata, Vishwavidhaataa, naman karun, Prabhu naman karun Oh Generous Lord, Creator of the whole universe I bow before you, Lord I bow before you

राग जगे मन में अनुराग जगे मन में Raag jage man mein, anuraag jage man mein Let desire awaken in my soul, Let passion awaken in my soul

Recorded and mixed at Chethna Studios, Thrissur, Kerala, India, by Sebastian. Coordinated by Olio's co-founder and manager, Jose. Copyright ©1997 OLIO

+++

Chris and friends later recorded a different version of the song for "Yeshu Satsang Toronto." Listen and download at https://yeshusatsangtoronto.bandcamp.com/track/deep-jale

Chris and Pete Hicks also recorded a version of the song with their group Aradhna - it was the title song of their 2000 album. You can stream it at the usual places.

+++

Here is a recent presentation of flowers and deepa/diya lights (the "deep" in the song above) prepared for a Diwali celebration by a Christian friend in India.

[shahulsaleem]

Why Kerala is Home to the Best Plywood Manufacturers: An In-Depth Analysis

Kerala, this verdant land, which is filled with full and rich industries, has also been known as the home for some of the best plywood manufacturers in India. Good raw materials combined with hand craftsmanship and a tight focus on sustainability have put Kerala as the top choice for producing this engineered wood product. In conclusion, this article explains how Kerala is the best source and location for plywood manufacturers based on what makes this business unique, thus underpinning the importance of this factor in the context of this industry in interior and structural applications.

1. Accessibility of Raw Materials and Good Practices

The excellent access to high-quality raw materials is one of the main reasons Kerala produces some of the best plywood in the market. The state boasts rich forests and plantations that supply essential hardwoods like rubberwood, eucalyptus, and teak, best suited for making durable plywood sheets. Manufacturers in Kerala source the materials locally, ensuring quality while cutting down on transportation costs and environmental impact.

Kerala is also renowned as a state of sustainable practices in forestry. Industry-based standards certify several plywood-making units here that have in place eco-friendly sourcing and production. Because of this sustainable production feature, Kerala-based manufacturers offer their products to consumers on the basis of eco-friendliness and become very reliable names in plywood.

2. Available Skilled Labor and Traditional Expertise

Another critical factor that makes Kerala home to the best plywood manufacturers is the skilled labor. Generations of experience in woodworking make Kerala craftsmen unique in their combination of traditional knowledge and modern techniques in plywood manufacturing. It ranges from the selection of the best veneers up to the application of the best adhesives used.

It is perceived that the manufacturing of this region has accurate precision in its production process. This makes most ply companies rely on modern machinery supplemented with skilled craftsmanship. Some of them will give off a rich quality with this combination, making it sustainable for application in cabinetry, floor coverings, and building construction.

3. Technical Advancement with Quality Product

Best plywood manufacturers in Kerala use age-old traditions with the latest technology. They make sure that all the high-end machinery they use for pressing, laminating, and finishing guarantees that the product is constant in quality and as per international standards. Kerala plywood manufacturers also follow certifications, such as ISI and ISO, to ensure safety, reliability, and environmental responsibility.

Many plywood factories in Kerala also carry out stringent quality checks, such as moisture content analysis, borer-proof testing, and load-bearing evaluation, to ensure the product finally reaches the market within industry standards. Through such investment in technology and quality control, Kerala's plywood industry has set a standard for the market and, in turn, attracts clients who appreciate quality as much as innovation.

4. Varied Product Line and Options for Customization

Plywood manufacturers have a range of products that suit various needs. Right from moisture-resistant and fire-resistant plywood to flexible plywood for curved surfaces, the plywood companies here fulfill the needs of household as well as the commercial segment. Most of them allow customization, and clients can order according to the specifications like thickness, finishes, etc., to suit their projects.

For example, high-quality plywood manufacturers provide specialized products to match the specific challenges of the tropical climate in Kerala. These would include high-moisture-resistant plywood ideal for wet environments and termite-resistant plywood suitable for durability over long periods in domestic dwellings.

5. Intensive Focus on Customer Satisfaction

Finally, the best plywood manufacturers have much emphasis on the customer. The plywood manufacturers in Kerala aim to deliver after-sales services, faster delivery times, and lower price quotes. In many companies, the plywood is attached with a warranty. Such an attachment is meant to signify confidence in the quality of the product and thus goes on to enforce its message on customer satisfaction. Whether on large or small order volumes, the plywood manufacturers believe in quality and reliability when dealing with any of their customers.

Conclusion

Kerala has made a strong position as the hub of the best plywood manufacturers due to the rich resources in the state, skills of laborers, innovative technologies, diversified product lines, and a customer-centric approach. At its core lies quality and sustainability, the plywood industry of Kerala is meeting all the national demands but also has become a source of international attention.

If you want quality plywood that can be used for building construction or other interior designing needs, Kerala producers have the best on offer in the market. Plywood manufacturers produce pieces with the most precise manufacture, the highest-quality materials used, and products that tend to last for a pretty long time.

[pooma-satsangam]

தமிழில்

Adi Shankaracharya’s Divine Realization by Observing a Snake Protecting a Frog

Around 1,200 years ago, in the beautiful village of Kaladi on the banks of the Poorna River in Kerala, lived a Namboothiri Brahmin couple, Shivaguru and Aryamba. They had been childless for a long time and undertook severe penance, worshipping Lord Shiva with pure devotion. Pleased with their devotion, the compassionate Lord Shiva blessed them with a son, who was named Shankara. They lovingly raised him.

At the age of five, Shankara underwent the sacred thread ceremony. Soon after, his extraordinary abilities began to manifest.

One day, while seeking alms, Shankara encountered a poor woman who, despite her poverty, did not want to send him away empty-handed. She searched her house and found a single dried gooseberry, which she offered to Shankara. Touched by her generosity, Shankara prayed to Goddess Lakshmi, and golden gooseberries rained down in her house.

On another occasion, seeing his mother Aryamba struggling to bathe in the Poorna River due to her health, Shankara prayed to the Ganga River. Miraculously, the Poorna River changed its course to flow behind their house.

By the age of eight, Shankara had mastered the four Vedas and six Shastras, and his fame spread far and wide. Even the local king came to see him.

With his mother’s permission, Shankara embraced asceticism to fulfill his life’s purpose. He became a disciple of the great sage Govinda Bhagavatpada on the banks of the Narmada River and served him devotedly.

Following his guru’s instructions, Shankara went to Kashi, where he defeated various scholars in debates and established the Advaita philosophy, which teaches that all living beings are manifestations of the divine.

Shankara wrote numerous works, including commentaries on the Upanishads, Bhagavad Gita, Brahma Sutras, Vishnu Sahasranama, and Patanjali’s Yoga Sutras. He also composed many devotional hymns and texts like Vivekachudamani and Atmabodha to make these teachings accessible to all.

He established the Panchayatana form of worship, which involves the simultaneous worship of five deities: Shiva, Ambal, Vishnu, and others. He also defined the six orthodox schools of Hindu philosophy.

One day, while walking along the banks of the Tungabhadra River with his disciples, Shankara witnessed a remarkable sight. A snake was shading a frog in labor from the sun with its hood. Astonished, Shankara thought, “In nature, a snake preys on frogs. Yet here, a snake is protecting a frog in distress. What a divine place this must be!”

He decided that this auspicious place was perfect for establishing his first monastery. He drew the Sri Chakra on a rock and meditated on Goddess Saraswati, who appeared before him.

“Mother, you must reside here permanently as Sri Sharada and bless the devotees,” prayed Shankara.

The goddess, pleased with his prayer, agreed.

The monastery established by Shankara on that day, with Sri Sharada as the main deity, came to be known as the Sri Sharada Peetham.

Shankara designated the Yajur Veda as the principal Veda for the Sri Sharada Peetham. He also provided the Sri Chandramouleeswara Spatika Lingam, the Sri Ratnagarbha Ganapati idol, and the Mahameru Yantra from Kailasa for the daily worship at the Peetham.

Shankara entrusted the administration of the Sri Sharada Peetham to his chief disciple, Sri Sureshwaracharya, who was considered an incarnation of Lord Brahma.

At the age of 32, Shankara reached the sacred site of Kedarnath in the Himalayas, worshipped Lord Shiva, and then disappeared into the snow-covered mountains.

தவளையை காத்த நாகத்தை பார்த்து தெய்வீகத்தை உணர்ந்த ஆதிசங்கரர்

நிறம் மற்றும் எழுத்துரு அளவு மாற்ற

கிட்டத்தட்ட 1,200 ஆண்டுகளுக்கு முன் கேரள மாநிலத்தில் பூர்ணா நதிக்கரையில் காலடி எனும் அழகிய கிராமத்தில் வாழ்ந்து வந்த நம்பூதரி பிராமண தம்பதியான சிவகுரு - ஆர்யாம்பாள் ஆகியோருக்கு, நீண்ட நாட்களாக குழந்தை பாக்கியமே இல்லாதிருந்ததால் அவர்கள் கடும் விரதம் பூண்டு,

சிவபெருமானை துாய்மையான பக்தியுடன் ஆராதித்து வந்தனர்.அதனால் மகிழ்ச்சியடைந்த கருணாமூர்த்தியான பரமேஸ்வரன், அவர்களுக்கு தம் அம்சத்துடன் கூடிய ஓர்ஆண் குழந்தையை அருளினார். அக்குழந்தைக்கு சங்கரன் எனப் பெயரிட்டு பாசத்துடன் வளர்த்து வந்தனர்.

ஐந்து வயதில் உபநயனம் செய்து வைத்தனர். அதன்பின், ஸ்ரீ சங்கரரின் அபார சக்திகள் வெளிப்பட துவங்கின

ஒரு நாள், தாம் பிச்சை கேட்ட ஒரு வீட்டில் வறுமை தாண்டவமாடியபோதிலும், அந்த வீட்டு பெண்மணி தன்னிடம் பிச்சை கேட்டு வந்த பிரம்மச்சாரியை ஏமாற்ற மனமில்லாமல், வீடு முழுதும் தேடி உலர்ந்த ஒரு நெல்லிக்கனியை கண்டெடுத்து, அதை ஸ்ரீ சங்கரருக்கு பிச்சை அளித்தாள் அந்த ஏழ்மை நிலையிலும் அவளுக்கிருந்த உயர்ந்த மனப்பாங்கு ஸ்ரீசங்கரரின் இதயத்தை பெரிதும் தொட்டது.

அக்கணத்திலேயே அவர் ஸ்ரீ மஹாலக் ஷ் மியை வேண்டிக்கொள்ள, அப்பெண்மணியின் வீட்டில் தங்கநெல்லிக்கனிகள் மழையென பெய்தனபின் ஒருமுறை, தம் தாயார் ஆர்யாம்பாள் பூர்ணா நதியில் தினப்படி நீராடி சென்றுவருவதற்கு அவரது உடல்நிலை ஒத்துழைக்காததைக் கண்டஸ்ரீ சங்கரர், கங்காதேவியை பிரார்த்திக்க, பூர்ணா நதியே தன் ஓட்டத்தை ஸ்ரீசங்கரரின் இல்லத்திற்கு பின்னால் இருக்குமாறு மாற்றிக் கொண்டு விட்ட அதிசயம் நடந்தது

எட்டு வயதிற்குள்ளாகவே நான்கு வேதங்களையும், ஆறு சாஸ்திரங்களையும் கற்றுத்தேர்ந்து விட்ட ஸ்ரீ சங்கரரின் பெருமை எங்கும் பரவத் துவங்கியது. அப்பிரதேசத்தை ஆண்ட மன்னரே ஸ்ரீ சங்கரரை நேரில் வந்து தரிசித்து சென்றார்

தம் பிறவியின் நோக்கம் நிறைவேறும் பொருட்டு, தம் தாயாரின் அனுமதியுடன் துறவறம் ஏற்ற ஸ்ரீ சங்கரர்,

நர்மதை நதிக்கரையில் வாழ்ந்து வந்த மஹானாகிய ஸ்ரீ கோவிந்த பகவத்பாதரை தம் குருவாக ஏற்று அவருக்கு சேவை புரிந்து வந்தார்

தம் குருநாதரின் ஆணையை ஏற்று காசிக்கு சென்ற ஸ்ரீசங்கரர், பல்வேறு மதத்தினரையும் தம் வாதத் திறமையால் வென்று'உலகில் உள்ள அனைத்து உயிர்களும் இறைவனின் அம்சங்களே' எனும் அத்வைத மதமே பரம்பொருளை பூரணமாக அறிய உதவும் மதம் என்பதை நிலைநாட்டினார்

உபநிஷதங்கள், பகவத்கீதை, வியாச முனிவரின் பிரம்ம சூத்திரங்கள், விஷ்ணு ஸஹஸ்ர நாமம், பதஞ்சலி முனிவரின் யோக சூத்திரங்கள் போன்ற பெரும் தெய்வீக படைப்புகளின் உட்பொருளை அனைவரும் எளிதில் புரிந்து கொள்ளும் வகையிலும் விவேக சூடாமணி, ஆத்மபோதம், சதச்லோகீ போன்ற பற்பல கிரந்தங்களையும், பக்தி மார்க்கத்தை விரும்புவோருக்கு உதவும் வகையில், பக்தி ரசம் ததும்பும் நுாற்றுக்கணக்கான ஸ்லோகங்களையும் ஸ்ரீ சங்கரர் அருளினார்

வேதங்களை சார்ந்து பரம்பொருளை அறிவிக்கும் மார்க்கங்களாக அத்வைதம், யோகம், சாங்க்யம் முதலான ஷட்தர்சனங்கள் எனப்படும் ஆறு மார்க்கங்களை நிர்ணயித்தார்

பஞ்சாயதனம் எனப்படும் சிவன், அம்பாள், விஷ்ணு முதலான ஐந்து கடவுளர்களை ஒருசேர வழிபடும் பூஜை முறையை ஏற்படுத்தினார்.

சைவம், வைணவம், சாக்தம் முதலான ஆறு ஆதாரப்பூர்வமான மதங்களை அறிவித்தார்

காஷ்மீரில் பற்பல பெரும் பண்டிதர்களை வாதத்தில் வென்று, புகழ் பெற்ற சர்வஜ்ஞ பீடத்தில் அமர்ந்தார்இந்தியாவின் நான்கு திசைகளிலும் நான்கு பீடங்களை தோற்றுவித்தார். அவரால் முதலில் தோற்றுவிக்கப்பட்ட பீடமே தென் திசையில் உள்ள சிருங்கேரி ஸ்ரீ சாரதா பீடமாகும். இதர பீடங்கள் புரி - கிழக்கு, பத்ரி - வடக்கு மற்றும்

துவாரகா - மேற்கு ஆகிய இடங்களில் அமைக்கப்பட்டன ஒரு நாள் தம் சீடர்கள் பின் தொடர, துங்கா நதிக்கரையில் ஸ்ரீ சங்கரர் வந்து கொண்டிருந்த சமயம் அங்கு தென்பட்ட ஒரு காட்சி, அவரை பெரும் ஆச்சரியத்துக்குள்ளாக்கியது.

வெயிலில் பிரசவ வலியால் அவதிப்பட்டுக் கொண்டு இருந்த தவளைக்கு, நாகம் ஒன்று தன் படத்தை விரித்து நிழலை தந்து கொண்டிருந்தது.

இதைக் கண்ட ஸ்ரீ சங்கரர், 'இயற்கையிலேயே நாகத்திற்கு தவளை உணவாகும்.ஆயினும், இங்கோ தன் இரையான தவளையைஇரையென காணாது, அதன் இன்னலுக்கு இரங்கி அதற்கு உதவ ஒரு நாகம் முற்படுகிறதென்றால், இந்த மண்ணின் மகிமை தான் என்னே!' என எண்ணினார்.

மறுகணமே, 'என் முதலாவது பீடத்தை அமைக்க இந்த புண்ணியம் நிறைந்த தலமே மிக பொருத்தமான இடம்' என உறுதிபூண்டார். பின் அங்கிருந்த பாறையின் மேல் அம்பாளின் எந்திரமான, ஸ்ரீ சக்கரத்தை வரைந்தார்.

அதன்பின் அவர் ஸ்ரீ சரஸ்வதி தேவியை தியானம் செய்தார். தேவியும் உடனே காட்சி தந்தாள்.

'தாயே... ஸ்ரீ சாரதை எனும் பெயரில் நீ இவ்விடத்தில் நிரந்தரமாக குடிகொண்டுபக்த ஜனங்களுக்கு அருள்புரிந்து வர வேண்டும்' என சங்கரர் பிரார்த்தித்தார்.

தேவியும், மகிழ்வுடன் அவரின் பிரார்த்தனைக்கு சம்மதித்தார்.

ஸ்ரீ சாரதையை பிரதான தெய்வமாக கொண்டு அன்றைய தினம் அவரால் தோற்றுவிக்கப்பட்ட பீடம், ஸ்ரீ சாரதா பீடம் என்றே அழைக்கப்பட்டு வரத் துவங்கியது

ஸ்ரீ சாரதா பீடத்திற்கு பிரதான வேதமாக யஜுர் வேதத்தை அறிவித்தார், ஸ்ரீ சங்கரர். கைலாசத்திலிருந்து தருவிக்கப்பெற்ற ஸ்ரீ சந்திரமவுலீஸ்வர ஸ்படிக லிங்கத்தையும், ஸ்ரீ ரத்னகர்ப கணபதி விக்ரஹத்தையும் மற்றும் மஹாமேரு எந்திரத்தையும் பீடத்தின் நித்ய பூஜைக்கென ஸ்ரீ சங்கரர் அளித்தார்

ஸ்ரீ சாரதா பீடத்தின் நிர்வாகத்தை தம் முக்கிய சீடரும் சாட்சாத் நான்முக பிரம்ம தேவனின் அவதாரமாகவே கருதப்பட்டஸ்ரீ சுரேஸ்வராசார்யாரிடம் ஸ்ரீ சங்கரர் ஒப்படைத்தார்

தம், 32 வயதில் இமயமலையில் உள்ள கேதார்நாத் திருத்தலத்தை அடைந்து, சிவபெருமானை வழிபட்டு பின், பனிபடர்ந்த மலைகளூடே சென்று மறைந்தார்.