#kenyan british artist

[huariqueje]

Clive's Cabbages - Phoebe Baskett

Kenyan-British , b. 1982 -

Linocut print , 38 x 52 cm.

[apollos-olives]

lemme make a list of some non western songs. Not all of them will be Arabic, there’s some African singers here too.

Habibi - KAYAM (Tanzanian/Kenyan/British/Indian - Canadian born)

Naïf - GIMS (also known as Maître Gims, Congolese French) (VOCALSSSSS) (I could make a whole list of him and the next artist I’m about to put down)

L’enfer - Stromae (Rwandan-Belgian) (extremely popular, you might have heard Papaoutai or Alors on Danae. Papaoutai is about his father who died in the Rwandan genocide ☹️ you should listen to it, it’s very sad)

Sante - Stromae

Mets moi bien - GIMS (change of pace lol)

Born without a Heart - Faouzia (Moroccan-Canadian)

Puppet - Faouzia

Ghazaleh- Dana Saleh (Jordanian/Palestinian/American)

Call Me - MANAL (Moroccan)

Jayeb Khbari - RYM (Moroccan)

Very Few Friends - Saint Levant (Palestinian/Serbian/Algerian/French)

FaceTime - Saint Levant

Sability - Ayra Starr (Nigerian - Beninese)

I think that’s enough for now lolllll sorry

thank you so much!!!! i'll listen to them as soon as i have a chance 🫶🫶

[afrotumble]

Phoebe Boswell, Kenyan-British artist. Born 1982, Kenya.

[reclaiming-spaces]

Esther Mahlangu's artistic style and cultural influence make her a unique artist. While it is difficult to find artists who share the exact combination of her distinctive Ndebele-inspired aesthetic and cultural context, there are artists whose work exhibits similarities or resonates with certain aspects of her art. Here are a few artists who explore themes of cultural heritage, vibrant colors, and geometric patterns, which may evoke a sense of affinity with Esther Mahlangu:

Nelson Mukhuba - A South African artist known for his colorful geometric patterns and contemporary interpretations of Venda culture.

Billie Zangewa - A South African artist who incorporates vibrant textiles, storytelling, and personal narratives to explore themes of identity and womanhood.

Firelei Báez - A Dominican-American artist whose work often involves intricate patterns, cultural references, and explorations of identity, memory, and history.

Wangechi Mutu - A Kenyan-American artist who combines collage, painting, and sculpture to explore themes of African identity, femininity, and cultural mythology.

El Anatsui - A Ghanaian sculptor renowned for his large-scale installations made from recycled materials, which resemble vibrant tapestries and evoke the traditions and history of West Africa.

Yinka Shonibare CBE - A British-Nigerian artist known for his use of African fabrics, vibrant colors, and historical references to explore themes of colonialism, globalization, and cultural identity.

While these artists may share certain resonances with Esther Mahlangu's work, it's important to note that each artist has their unique artistic voice and cultural context. They contribute to the rich diversity and ongoing dialogue within the contemporary art world, celebrating and exploring different aspects of cultural heritage, identity, and artistic expression.

[abwwia]

Happy Birthday Sarah Maple - we love you! #BornOnThisDay

follow @sarahmapleart for more up-to-date works by this absolutely fantastic British Contemporary Artist!

Here is the link to our tribute post: www.palianshow.wordpress.com/2022/01/16/sarah-maple-b-1985-uk/ (2022)

see the blog for more of our favourite artworks 💃💪🙏💥

Sarah Maple (b.1985) is a British visual artist. She was recognised for her work after being awarded the "New Sensations" prize. Early life and education. Maple was born in 1985 to a Kenyan Muslim mother and British father. Via Wikipedia

Sarah Maple is an award winning visual artist known for her bold, brave, mischievous and occasionally controversial artworks that challenge notions of identity, religion and the status quo. Much of Maple's inspiration originates from her mixed religious and cultural upbringing.

Sarah’s artwork, film and performances have been exhibited internationally at galleries and institutions.

Via artist's website

#SarahMaple #activistart #feministart #artbywomen #womeninarts #femaleartist #feminism #contemporarybritish #PalianShow #feministart #BritishFemaleArtist #ukart

[fikri-46]

Top Cultural Experiences to Enjoy on a Kenya Visa

Kenya is a country that boasts a rich tapestry of cultures, languages, and traditions, making it an exciting destination for travelers seeking immersive experiences. From the bustling cities to the serene rural landscapes, Kenya is home to over 40 distinct ethnic groups, each with its own unique customs and practices. This diversity is reflected in the country's art, music, dance, and festivals, offering visitors a chance to explore and appreciate the vibrant heritage of its people. Whether you're wandering through a market or attending a lively cultural festival, the experiences in Kenya are sure to leave a lasting impression.

Engaging with the local culture is not just about observation; it's about connection and understanding. Travelers with a Kenya visa can delve into Kenya's history by visiting national museums, participating in community events, or exploring traditional villages. These cultural experiences offer insights into the values, struggles, and celebrations of the Kenyan people, enriching your journey and fostering a greater appreciation for Kenya.

Here are some Top Cultural Experiences to Enjoy on a Kenya Visa.

National Museums and Archives

A visit to Kenya is incomplete without exploring its national museums and archives. Located in Nairobi, these institutions provide a comprehensive overview of the country's cultural history. Visitors can view an extensive collection of artifacts dating back to the British colonial period, as well as exhibits showcasing Kenya's indigenous communities. Furthermore, the National Archives is particularly notable for preserving records related to various cultural groups, thus offering valuable insights into the nation's past. This experience allows visitors to understand the diverse influences that have shaped Kenya over the years.

Cultural Festivals

Kenya is home to numerous cultural festivals that celebrate its rich heritage. One of the most popular events is the Turkana Cultural Festival. It showcases traditional music, dance, and crafts from the Turkana people. Another noteworthy event, the Maulidi Festival, commemorates the birth of the Prophet Muhammad with vibrant processions and performances. The Mombasa Carnival is a grand celebration of the coastal region's diverse cultures, complete with colourful parades and artistic displays. Attending these festivals is an excellent way for visitors to experience the local traditions and engage with the community.

Visit Maasai Village

To gain a deeper understanding of Kenya's indigenous cultures, a visit to a Masai village is a must. The Maasai people are known for their distinctive customs, attire, and pastoral lifestyle. Situated in the Loita Plains, these homesteads offer an authentic glimpse into Maasai life. Visitors can participate in traditional ceremonies, learn about their intricate beadwork, and even engage in local dances. This immersive experience not only provides insight into their way of life but also fosters appreciation for their rich cultural heritage.

Visit a School or Community

Another meaningful way to connect with the local culture is by visiting a school or community. This experience enables visitors to engage with students and educators, offering insights into educational practices and the challenges within local communities. Many schools offer programs that showcase traditional music and dance, providing an engaging way to learn about Kenyan culture. Engaging with the community fosters understanding and connection, allowing visitors to appreciate the resilience and spirit of the Kenyan people.

Shop at a Local Market

Shopping at a local market is one of the best ways to experience the culture of Kenya. Markets are bustling hubs of activity, where visitors can find everything from fresh produce to handmade crafts. One of the most famous markets is the Maasai Market, where vendors sell vibrant textiles, jewelry, and traditional art. Negotiating prices and interacting with local artisans enhances the experience, giving visitors the chance to bring home unique souvenirs and support local businesses. The vibrant atmosphere and lively exchanges make shopping in these markets an unforgettable highlight of any trip.

Jacaranda Workshop

For those interested in artisan craftsmanship, a visit to the Jacaranda Workshop in Nairobi is highly recommended. This not-for-profit workshop focuses on creating handmade jewelry and providing training and employment opportunities for local artisans. Visitors can observe the artisans at work and learn about the intricate processes involved in jewelry-making. This experience showcases the talent and creativity of local craftsmen, emphasizing the importance of supporting sustainable practices and empowering communities.

Horseback Safari

Experience Kenya's breathtaking landscapes in a unique way by taking a horseback safari in the Masai Mara National Reserve. This activity offers a unique perspective on wildlife viewing, allowing visitors to get close to the incredible flora and fauna of the region. Guided by experienced local cowboys, you can explore vast savannahs and spot wildlife in their natural habitat. The combination of adventure and cultural immersion makes horseback safaris a memorable experience for visitors.

Mcensal School of Fashion and Design

Finally, a visit to the Mcensal School of Fashion and Design provides insight into Kenya's emerging fashion industry. This prestigious college offers courses in design, branding, and textile technology, showcasing the country's creative talents. Visitors can tour the campus, meet aspiring designers, and see firsthand the innovative work being produced. Engaging with the next generation of designers offers a unique perspective on the cultural evolution of Kenya's fashion scene.

Conclusion

In conclusion, exploring Kenya's cultural experiences not only opens a unique way to connect with the nation's heart and soul, but also offers unforgettable memories. Vibrant festivals celebrate diverse ethnic communities, while local markets showcase traditional crafts and cuisine, enriching your understanding of Kenya's heritage. Engaging with the Maasai people, learning about their way of life, or joining community events fosters a connection that transcends borders. You'll leave with cherished memories and a deeper appreciation for the Kenyan spirit.

To fully enjoy these cultural experiences, obtaining a Kenya visa is essential for international travelers. This process is straightforward, and having the proper documentation ensures a smooth entry into this captivating country. With your visa secured, embark on an unforgettable journey, immersing yourself in Kenya's cultural tapestry and discovering the warmth and hospitality of its people. Your adventure awaits, filled with rich traditions and experiences that will resonate long after your visit.

[avaliveradio]

The Best Indie Christmas Songs of 2022 Spotify Playlist

The Best Indie Christmas Songs of 2022 that will keep you warm and stress free this holiday Season. Listen on Spotify

AVA Live Radio is ranked in the top 5% most globally shared podcasts on Spotify and in the Top 10% Video Podcasts viewed on Spotify in 2022.

Make this Christmas more enjoyable, by giving yourself a stress free experience!

It's that time of the year again. The days are getting shorter, you're counting down the days to Christmas so you can spend some quality time with family and friends.

You know what Christmas is like; there's always so much to do! This year, why not make it easier on yourself? Plan ahead, set goals and make a list of tasks you need to complete. Get organized and you will be able to enjoy yourself more than ever before!

Here’s something to check off your list!!

Our playlist is filled with the most unique Indie Holiday songs to light up your season. Arranged from songs that lift your spirits to peaceful melodies and more traditional unique recordings. Use this playlist while you prepare your Holidays and then play it for your friends for a stress free enjoyable evening filled with hours of amazing chill vibe holiday music.

All these tracks have the most chilled out elegant vibes. Give yourself permission to relax (and enjoy) this festive season by looking after your physical and mental health first. For me that starts with music and lots of time decompressing.

Follow my list for updates until New Years... <spotify>

Featured Artists on this Playlist:

Cabela and Schmitt

Each year Cabela and Schmitt puts out some holiday music for those who enjoy the sounds of the season. Nicolas Essig from Los Angeles, CA and Robert Venable from Nashville, TN did the engineering work for the EP- ENJOY !!! Read more.. <here>

‘Christmas Bells are Ringing’ is an ongoing memory from year to year reminding us of happier days when Christmas time was about being good to one another, cheerful parties, thoughts of the true meaning of Christmas and giving from our hearts rather from our pocketbooks, leaving the commercialism in the future. As another season soon approaches our hope is that we can once again come together as loving human beings.

Little Baby Jesus is basically the traditional story of Jesus Christ the King of Kings being brought into this world through humbling surroundings and the glorious account of His birth. We felt as one being there as this all took place with visions of experiencing it when writing the song.

Camila Cabello - "I’ll Be Home For Christmas"

Camila Cabello released her Amazon Music cover of “I’ll Be Home For Christmas” on all platforms in 2022, calling it her “favorite Christmas song” on Instagram.

https://open.spotify.com/track/6SiKqI0vm3N5NBjdgM2V9m?si=049d60116f2d45d9

ANNA VEE - Feeling This Way

'Billlboard featured songwriter Anna Vee from Sweden has worked with well known artists throughout her career. ANNA VEE is releasing her soundtrack for the upcoming Hollywood movie ”A Miracle Before Christmas” starring x Destiny’s Childs member Letoya Lucket. The movie is released first on BET NETWORKS Dec 8th. Produced By: Steven Langs -Written By: Anna Vee & Steven Langs

During the summer of 2022 Anna started releasing songs from her upcoming debut album that will see the light of day beginning in 2023. On top of that she’s now also releasing a Christmas album where one of her songs will be in the Hollywood movie ”A Miracle Before Christmas”.

https://open.spotify.com/artist/13BaOOsXXt71qRAX69F9OO?si=uPfYpfrgSxSeViNsbG7nOA

Afro Neat - It's Christmas in Ukraine - Afro Beat Mix

The new release I am promoting is ‘It’s Christmas In Ukraine’, featuring Afro Neat, is a charity single with all proceeds going to UNICEF and The British Red Cross, for Ukraine.I wanted to do a Christmas song in a different genre and with different musicians so recorded this track in Kenya using brilliant Kenyan musicians, vocalists and Producer.

https://open.spotify.com/track/7IP4Qfye1hp3y8QjwBaEwP?si=de0ae55e51e84c19

Chord Overstreet - "Everybody Loves Christmas"

Glee alum Chord Overstreet sings about his favorite holiday traditions on “Everybody Loves Christmas,” released as part of the soundtrack for his new Netflix film with Lindsay Lohan, Falling For Christmas. I have been writing songs since 1966 and have been releasing music independently for over 40 years.I write and release songs in different genres, mainly Country and Pop/Electronica, and now Afro beat/pop and release it on my own record label and my music gets played all over the world and have had several songs in the World Independent Chart in the past.

https://open.spotify.com/track/4Gq6cezJ21QZZ8EJHRN2JL?si=240529ea2bd44dc9

The Dangaleros - Xmas Morning Beer

"This song will grow on you if you dig Roots Rock 'n Roll and can’t hack holiday music ... and family gatherings lol 🤠🌵🛸" The 2022 Christmas holiday season is coming in hot and for some, can be more haunting than Halloween.  Especially for the jefe of the Dangaleros - Rance Lane - who grew up in a house full of know-it-all attorneys and professional bickerers.  And so to ease into Christmas morning, he’d crack open a beer at sunrise to help muster the strength to boldly endure this arduous traditional winter’s day of condemnation . . . that never seemed to end.  The DANGALEROS are a "Wreck ‘n Roll" band formed along the US-MEXICO border in 2017. They are feral drifters from both sides of the US-Mexico Border; who on special occasion honor a Cease-Fire to perform their unique brand of Western Funk Punk Surfabilly.

https://open.spotify.com/track/5AZzGiCaXw39gGYNQ6w9RL?si=75d0cfff41f44f41

Johnny Stuart - Deck The Halls (Fah Wah Wah)

Johnny Stuart is a singer, songwriter and multi-instrumentalist based in Tucson, Arizona. He has played hundreds of shows since starting his professional music career at age 15 in Upstate New York. 

Johnny’s love of music was handed down from his father Billy Stuart (professional vocalist and guitarist) and his grandfather Jan Stuart (professional clarinet player, sax player and swing-era bandleader). While his primary instrument is the guitar, Johnny also plays and occasionally gigs on the bass guitar, and he loves to use his mandolin and banjo in the studio. 

https://open.spotify.com/track/0YutXS6Nc36OPbmJSKlrwo?si=a0301f8c96264b6b

Brothers of Song -Giving It Up For Hanukkah

Hey there , this might be a bit outside your usual shares but I thought an original upbeat Hanukkah song might add a bit of diversity to your Holiday playlists ? An original Hanukkah song to inspire young listener's to celebrate the magic of the season,

https://open.spotify.com/track/6v3btdjcbLtMjBwYsiWa7E?si=3caf610ff8c045dc

Mick J. Clark - It's Getting Near Christmas

‘It's Getting Near Christmas’ by Mick J. Clark Captures the Busy Holiday rush as Christmas approaches.

https://open.spotify.com/track/01sMr37ROWrbS71BJvfNpy?si=3b17b69f4f544580

Mollie Rainwater - Winter Wonderland (Mollie Rainwater Cover)

The soft piano and strings come in beautifully. I am an artist who focuses closely on the meaning behind lyrics and how music can support a concept! My typical music contains a mellow folk sound with a lead acoustic guitar and occasional piano!

https://open.spotify.com/track/3QVeUvPJCNhAoQAeqxBr0B?si=7ac855884d5146f4

[simonshawrugbygod]

#PORTRAIT_No12 @shawseyshaw🏉🏉 :" NEVER

STOP. TRYING, NEVER GIVE UP"💪💪💪💪 . . . ." #mySHAWSEYs12thPORTRAIT #2013ARTWORK #THEONLY_THEBEST #MYSHAWSEYSHAWMASSSSIVE4ME 🤗🤗🤗🤗 #INSPIRATION🎨🎨🎨🎨 #GREATNESSofSOUL . . . .#CLASSY_AS_EVER #MYSIMONSHAWSEYSHAWGREATERTHANTHELIFE4EVER🏆 #myMIGHTYONLYRUGBYGODLEGENDARYSIMONSHAWSEYSHAWMASSSSIVE4me #CHEERSmySHAWSEYSHAW🍺🍺🍺🍺@SetPieceEvents❤ @mrestaurants_❤ @InMyLocker💙 @caytoouk ❤ #simonshaw #rugbylegend #LEGEND #SIMONSHAWRUGBY #SHAWSEYSHAWRUGBY @simonshawrugby 🏉🏉🏉🏉 #mySHAWSEYSHAWMYONLYRUGBYGOD #CHEERS #DEVOTED4MYSHAWSEY4EVER #BESTWISHES #MYINSPIRATION4EVER #mySIMONSHAWSEYSHAW_MASSSSIVE4me4EVER🎨🎨🎨🎨🏆 #GODBLESSmyMIGHTY_SIMONSHAWSEYSHAW4me4EVERmyPRIDEandJOY MY SIMON SHAW 4EVER🏆#shawseyshawrugby #RUGBY #SIMONSHAWSEYSHAW #RUGBYFAMILY🏆 #GENTLEGIANT🤗🤗🤗🤗🙎‍♂️#eddyshaw

[dear-indies]

Hii!! Can you suggest me some biracial faceclaims? Preferably half white half black if you won’t mind 🙏🏻

Women:

Nina Sosanya (1969) Nigerian / English.

Tamara Taylor (1970) Black Canadian / Scottish.

Carmen Ejogo (1973) Nigerian / Scottish.

Amanda Brugel (1978) Black Canadian / English.

Megalyn Echikunwoke (1983) Nigerian / English and Scots-Irish.

Annie Ilonzeh (1983) Igbo Nigerian / Polish, English.

Gugu Mbatha-Raw (1983) Zulu South African / English.

Zawe Ashton (1984) Ugandan / English.

Natalie Gumede (1984) Zimbabwean / English.

Cush Jumbo (1985) Nigerian / English.

Jessica Lucas (1985) Black Canadian / European.

Ilfenesh Hadera (1985) Ethiopian / Unspecified White.

Cynthia Addai-Robinson (1985) Ghanaian / English.

Hannah John-Kamen (1989) Nigerian / Norwegian.

Jasmine Cephas Jones (1989) African-American / English.

Nanna Blondell (1986) Ghanaian / Swedish.

Logan Browning (1989) African-American / European.

Belinda Owusu (1989) Ghanaian / English.

Laura Harrier (1990) African-American / Rusyn, English, German, Swiss-German.

Paulina Singer (1991) African-American / Ukrainian.

Berta Vázquez (1992) Ethiopian / Ukrainian.

Kiersey Clemons (1993) African-American / European - is queer.

Aisha Dee (1993) African-American / Unspecified White.

Fola Evans-Akingbola (1994) Nigerian / British.

Jasmin Savoy Brown (1994) African-American / English, German, Norwegian, Scots-Irish/Northern Irish - is queer.

Corinne Foxx (1994) African-American / European.

Melissa Rakiro (1994) Kenyan / German, Irish.

Non-binary:

Olive Gray (1994) Zambian / English - non-binary - they/them

Quintessa Swindell (1997) African-American / Unspecified White - non-binary - he/they.

Tylan Grant (2001) Zambian / English - non-binary - they/he - is Autistic.

Men:

Daniel Sunjata (1971) African-American / Irish, German.

Richard Ayoade (1977) Nigerian / Norwegian.

Joey Ansah (1982) Ghanaian / English.

Kendrick Sampson (1988) African-American / English, other.

Regé-Jean Page (1990) Zimbabwean / British.

Elliot Knight (1990) Nigerian / English.

Jacob Artist (1992) African-American / Polish.

Justice Smith (1995) African-American / Italian, French-Canadian - is queer.

Jidenna (1985) Igbo Nigerian / English, German, Dutch.

Noah Gray-Cabey (1995) African-American / European.

Michael Evans Behling (1996) Nigerian / Unspecified White.

Odiseas Georgiadis (1996) Ghanaian / Greek.

Hey anon! Please remember manners when asking other helpers something and please let me know if you need more specific suggestions!

[optikes]

Magdalene Anyango Namakhiya Odundo  (b1950) Kenya, lives and works in the UK

1 Vase (1990)

2 Untitled (1989) burnished and carbonized terra cotta, 44x38cm

3 thrown, burnished reduction fired pot (    )

4 the artist and her work

5, 6 text source: capriolus.nl

A    artsy.net     Best known for her hand-built ceramics, Kenyan-born British designer Magdalene Odundo originally trained as a graphic designer. Her pieces are not made traditionally using a wheel, but are instead creating using a coiling technique. Her pieces are left unglazed and are burnished by hand, turning red-orange clay pieces into black pots or vessels that are as distinctive in their colour as they are in the forms she creates by hand. Amorphous in shape yet resembling the human body in curvature and sinuosity, the pots are vehicles for thinking about the human body and its relationship to space. Her influences vary widely, from Cycladic figures to modern sculpture by Jean Arp and Constantin Brancusi.

B    Liese Van Der Watt,  contemporaryand.com

In many traditional African societies, clay pots and vessels are made by women. Shaped by hand, decorated or not, they fulfill mostly domestic needs and are used to collect and keep water or beer, to cook in and to eat from. Because these items are functional household items they fall in that murky category of “craft,” where objects are historically attributed to anonymous makers, often the domain of women.It is therefore easy, if stereotypical, to assume that a female ceramicist of African descent is merely continuing a tradition that she was born into, one that is somehow part of her very being.

But for acclaimed Kenyan ceramicist Magdalene Odundo it was a long journey. After finding her preferred artistic medium – clay – she’s been on a long and circuitous passage starting in England, taking her back to Africa, and culminating in the ceramic art works that she has become so famous for: beautifully simple and perfectly accomplished hand-built anthropomorphic vessels, burnished in black and red tones. These pieces are hybrid creations – they gesture to Africa but also to Europe and Asia, they speak of Greek and Roman influences but also of indigenous African traditions.

Odundo speaks of clay vessels as having an inside and an outside, a skin and a body, and therefore being able to express her inner thoughts. Her vessels capture stances, gesture, and movements; in interviews, Odundo often describes how she literally “embraces” them or “dances” with them, starting on a little step next to the lump of clay, working her way up in order to shape and form them. They are literally embodied objects, providing a connection with all of humankind – Odundo says ceramics tell “the history of our humanity,” since they have been essential to all cultures.

In an exhibition currently on show at the Hepworth Wakefield in West Yorkshire, Odundo has been asked to select and combine objects and images with more than 50 of her own vessels. It is a clever curatorial strategy befitting an artist like Odundo – one sees in an instant how her work is situated in a wide web of influences and inspiration, her chosen objects and her own pieces appear almost like old friends having a conversation. On display is an eclectic variety of objects, artifacts and ideas that have influenced her vision and interests – vessels from British studio pottery, ancient Greece, and Egypt; ceramics from Africa, Asia, and Central America; Elizabethan textiles; ritual objects from Africa; and sculptures by Degas, Barbara Hepworth, Henry Moore, and Rodin. The resonances are aesthetic and cultural but also located in shared techniques and approaches to art making.In an interview Odundo has said that

“in Nigeria, I learned to look and listen. By listening to people who made art, they made it apparent that ambition wasn’t enough to make you a potter. Patience was the vital ingredient, you had to learn to observe, to participate…”

It is this deeply thoughtful and humble approach to her art that sets Odundo apart; from this fusion of listening, learning, and collaborating she creates works that are at once situated in tradition, but also singular and original.

[pearlintheruins]

this is a new blog so i guess i’ll introduce myself:

 - call me pearl :D

 - she/her

 - bi

 - 16 yrs (yr 12)

 - british/kenyan 

 - cancer, intp :)

 - i like reading pretty much anything, listening to music, writing crappy poetry, eating, watching films and tv

 - fav books are lord of the rings, the secret history, no longer human, and lots more - it’s like trying to chose a favourite child

 - top artists (according to last fm) are doja cat, mitski, twice, sza, pinkpantheress, iu, pheobe bridgers, txt, and marina. 

 - i like action and fantasy films, nostalgic british tv shows like doctor who and merlin, and k dramas (e.g. crash landing on you, weightlifting fairy, coffee prince...)

 - no homophobes, racists, xenophobes, transphobes in my house

 - message me if u want to chat i’m looking for some online friends :) 

[bogusavathepit]

Laurent & Laurent (S4)

So, I made two separate versions of Laurent, one of the important characters of color in the Twilight series (Twilight and New Moon). One of the versions I made from the description I’ve read from the guide and the first book, while the other version comes from what I’ve seen in the movies where Edi Mūe Gathegi plays Laurent. 

A. (Books) Turned in his 40s; spoke French Creole yet lived in France as a human; Was very likely biracial

In CAS

In Game, With My Twilight Vampire Mod

*the chalkiness is no my doing, that was the lighting’s fault*

B. (Movies) Gagethi looked like he was in late 20s; Kenyan (East African); dark-sinned black person

I am not good at making likenesses of real people...at all.

In CAS

In Game, With My Twilight Vampire Mod

A Long Winded Explanation for “Why”

Not happy with the movie versions of the Twilight series at all, but not because Laurent is darker-skinned. 

I’ve tied the entire movie Laurent character with the smh-ness of the movies themselves. And I am one of those people who will always believe that the books’ narrative is better than the movies’, especially with the number of lazy cash-grabs that continue to soar in number and frequency over time that flanderize personalities.

Not that Twilight is an artistic masterpiece nor was it trying to be. The movies just weren’t as gripping as the books’ horror-tinged, thrilling melodrama because they didn’t bother to actually display the despairing image of vampirism that Twilight vampirism presented. The director of the first movie, Catherine Howard seemed to at least try.

Then they just phoned it in after Twilight and made vampires too human-like.

All in seeming laziness or lack of care AND to better appeal to a wider audience who may or may not know about Mormonism, gender, sex, and race in America plus British literature’s influence on Meyer's vision, specifically the gothic genre’s influence. (This is not an excuse for many canon characters’ behavior nor the series’ treatment of certain characters--more of a contextual explanation for why these movies were weak sauce and tried too hard. And I do agree with the decision to make the darker vampires not pale like how Meyer did. The only thing I agree on.)

Still, I didn’t want to erase Gathegi and his performance. Gagethi’s prescence inserted color and shade into a series that seriously needed it. 

The invisibility and degradation of POCs is not for me, so when a POC person succeeds and/or is allowed to, it should be recognized, appreciated/celebrated, talked about, and used as context for a bigger conversation for why it was done. Why didn’t the books do this?

What do you think and how’d I do? Wanted to provide both versions for however you experience the series and for you to think about why whichever respective sim appeals to you.

The two Sims 4 versions of Laurent (inside “James’ Coven”) is out! 

Download Here on Patreon!

[youngbugandtonystank]

To keep up the spirit remember guys we shouldn't forget about it just because it's been a few days, can you make a list of some black actresses in the mcu and their accomplishments? we need those ladies to be on the spotlight today and forever

Hi!

Sure!♥

Lupita Nyong'o, Kenyan-Mexican actress (Lancome's first black ambassador, Oscar Award Winner, Best Breakthrough Performance winner, Outstanding Actress winner, named Personality of the Year, Outstanding Actress in a Motion Picture for Black Panther and Us, Outstanding Broadway winner and winner of several awards for Best Actress, named the world's most beautiful person for 2014 by the US People magazine, winner of the Essence Magazine Black Women In Hollywood Breakthrough Performance Award, Academy Award Nominee). - Nakia, Black Panther.

Lashana Lynch, British actress (First female James Bond/007 in Bond 25, one of the main actresses in the first solo female-led movie in the MCU, one of the first female African-American United States Air Force fighter pilot in the MCU, Essence Black Women in Hollywood winner, in the Marvel comics, her character’s daughter; Monica Rambeau, was the first female Captain Marvel and became the first African-American woman to join and eventually lead the Avengers). - Maria Rambeau, Captain Marvel.

Letitia Wright, Guyanese–British actress (First, youngest and canonically the smartest female character in the MCU, third-time winner for Outstanding Supporting and Performance Actress, Scene Stealer, and Breakout Movie Star nominee, BAFTA’s Rising Star Award winner, Choice Sci-Fi Movie Actress winner, Princess of Wakanda and one of the stars of the highest-grossing film). - Shuri Udaku, Black Panther.

Danai Gurira, Zimbabwean-American actress (Opened the first-ever all-Black, all-women creative team and cast on Broadway, Best Breakthrough Performance winner, winner of several awards for Best Supporting Actress, Best Actress, and Outstanding Supporting Actress, named The Action Movie Star of 2018, Best Lead Actress winner, Revolution Award for Artistic Excellence winner). - Okoye, Black Panther.

Angela Bassett, American actress (Queen of Wakanda in the MCU, first and only African-American recipient of the Golden Globe Award for Best Actress in a Musical or Comedy, Academy Award nominee, Icon Award winner, winner of several awards for Outstanding Actress, Best Actress, Outstanding Lead Actress, and Outstanding Supporting Actress for Miniseries, Television Movie, Movie or Dramatic Special, Outstanding Director nominee) .- Ramonda, Black Panther.

Tessa Thompson, American actress (MCU's first openly LGBTQ demi-goddess superhero, queen of New Asgard, her character is one strongest warriors of Asgard and one of the most powerful female superheroes in Marvel comics, Best Supporting Actress, Outstanding Supporting Actress, Breakthrough Performance and, Best Breakthrough Performance winner several times, American Black Film’s winner for Best Actress, named Woman of the Year in 2017, winner of the Top 10 Breakout Stars Awards, winner for Best Music of Seattle Film Critics Awards) .- Brunnhilde/Asgardian Valkyrie, Thor.

Zoe Saldaña, Afro-Latina actress (Gamora's 'deadliest woman in the Galaxy' in the MCU, star of not one, but two of the world’s highest-grossing films of all time, the sixteenth Latina in history to earn a star on the Hollywood Walk Of Fame, Favorite Movie Actress, Best Supporting Actress, Best Global Supporting Actress, Outstanding Animated Character and Choice Movie Actress winner) .- Gamora, Guardians of the Galaxy.

Laura Harrier, African-American actress (First black love interest and legendary title of the lead actress in a Spider-Man and Marvel movie in the MCU, in the comics: Liz Allan owns her own company, she is the founder and CEO, nominated for Outstanding Breakthrough Performance twice, female protagonist of Spike Lee's BlacKkKlansman, film nominated for Grand Prix award, five Academy Award nominations and winner movie for Best Adapted Screenplay) - Liz Allan/Toomes, Spider-man.

Shaina West, Ghanaian actress and stunt actor (Real life super-hero and an alter ego fighting to change the stigma around Black women on screen, self-trained highly skilled martial artist specializing in weaponry, UK’s 2nd Female BAME Stunt Actor, certified personal trainer). - Black Widow.

Zendaya Coleman, American actress.- (Teen Choice Award, Kids Choice Award, and People's Choice Award winner for Best Style, Choice Movie Ship, Female TV Star – Kids' Show, Choice Liplock, Choice Twit, and Choice Collaboration. Young Artist, Outstanding Performance in a Youth/Children's Series, Outstanding Young Ensemble in a TV Series and YoungStars Award nominee) .- Michelle Jones, Spider-Man.

Feel free to add more!

[wondersmith39]

day two of @hetaliaafrica2020 - holidays/celebration

based off of photos of parades on Jamhuri Day/Republic Day, celebrated December 12 in Kenya to commemorate their independence from the British Empire (except I like drawing crowds as much as the next lazy artist so ya girl’s going her own parade somewhere more scenic than a stadium lol)

The uniform is based off of that of the Kenyan Air Force, inspired by one Fatumah Ahmed, the first woman in Kenya to reach the rank of Brigadier-General. I know Hetalia nations are most often drawn in their ground forces’ uniforms (America and his bomber jacket being a notable exception) but I really liked the colour of the Kenyan Air Force uniform, and I always associate pilots with being really optimistic and free-spirited which lines up with how I imagine Kenya’s personality

[two-browngirls]

BREAKING OUT OF THE BOX - SONIA CHANDARIA TILLU

For every #BROWNGIRL, redefining, rejecting and creating new ‘labels’ that society gives us or we choose to identify with has a huge impact on our lives, ideas and ambitions. 

One of the reasons we started TWO-BROWNGIRLS was because we wanted to connect with other women who were defining their identity for themselves and could be inspirations and role models for others. 

In the second part of our three-part series highlighting emerging dance artist, Sonia Chandaria Tillu, Sonia shares with us how she has constantly worked and lived to break out of conventional labels placed upon her.

“Am I an accountant or a dancer? Indian, Kenyan or British? Professional, semi-professional, amateur? Classical, semi-classical or a commercial dancer? Do I aspire to be a career woman or housewife? Even my dating status apparently needed to fit into a category...”

When Sonia set up her own company, Sona Lisa Dance, she decided to make it part of the artistic mission to challenge these labels society puts on us. 

“In my piece ‘Breaking Ground’, I explore multicultural identity and the impact of migration. How do we unpack the emotional conflicts that arise from sometimes multiple migrations? Every time we move to a new country we experience it through the lens of our cultural baggage.”

Check out the video HERE that shares her creation process and introduces some of the artistic team.

Sonia is also inspired by women who have come before her such as Indian freedom fighter, Aruna Asaf Ali. In her new piece ‘Āgraha’, choreographed by Jose Agudo, Sonia explores how Aruna played an active role in Gandhi’s Satyagraha Salt March. 

“On one level she was a really compassionate, empathetic and caring woman and on the other hand she was an extremely radical and independent thinker - it’s amazing to read her biography to attempt to understand how she drew on these various aspects of her personality in a totally organic way. More about this piece is on our website HERE.”

Catch Sonia performing these new works at the MAC Birmingham on 30th November 2019. Tickets and more info HERE. 

It’s so important to continually share stories of women that are breaking the boundaries of the boxes that they’ve been placed into so that more people, especially of the next generation, can see what’s possible. We can choose what labels we are defined by and create new ones too so that before you know it, there are no more boxes that fit us at all. 

[pennstateuniversitypress]

Kenyan Prayer for Decriminalizing Homosexuality

by Adriaan van Klinken, author of Kenyan, Christian, Queer: Religion, LGBT Activism, and Arts of Resistance in Africa, forthcoming in August.

This Friday, May 24, the High Court in Nairobi, Kenya, is supposed to issue a ruling about the decriminalization of homosexuality in the country. If favorable, this ruling will be widely seen as a landmark in the history of LGBT activism in Kenya and would follow a recently emerging trend across the continent with Angola decriminalizing homosexuality in January this year and Mozambique a few years earlier.

In 2016, Kenyan LGBT organizations filed two petitions, asking the High Court to declare that Sections 162 a and c and 165 of the Kenyan Penal Code are unconstitutional. The Penal Code, which dates back to the British colonial period, holds liable to imprisonment any person involved in “unnatural offenses” or “carnal knowledge against the order of nature” (up to fourteen years), and any males involved in “indecent practices” (up to five years).

The Court is taking considerable time to reach a decision. Submitted in April 2016, the petitions were first heard in February and March of 2018. The ruling was originally supposed to be made on February 22 this year, but was postponed until May. In the meantime, Kenyan LGBT activists, with local and international allies, have built a strong campaign, using the hashtag #Repeal162 to create visibility and mobilize support for their cause.

The opposition to LGBT rights in Africa is often associated with religion, in particular with Christian churches and organizations. Indeed, in the Kenyan context, religious bodies such as the Evangelical Alliance of Kenya, the Catholic Justice and Peace Commission, and the Kenya Christian Professionals Forum have been very vocal on the issue. These organizations also hold significant political influence in a country where the great majority of the population is Christian. Deputy President William Ruto, while speaking in a church a few years ago, stated that “homosexuality is against the plan of God” and that “we will defend our country Kenya, we will stand for our faith and our country.”

However, it would be a mistake to only see Christianity as fueling the campaign against LGBT rights. In fact, many members of the LGBT community are religious themselves, and several LGBT organizations and activists actively engage with religious bodies and make creative use of religion as a resource. For instance, the Same Love music video, produced in 2016 by the Kenyan band Art Attack, quotes the Bible and closes with the statement “Love is God and God is love”. The organization NYARWEK, in the city Kisumu, has actively worked with religious leaders to promote the acceptance of LGBT people, through a “training manual on religious inclusion for Christians at the periphery”. Another organization, PEMA Kenya, in Mombasa, has initiated a “religious dialogue partner process” on issues of sexual and gender diversity. In Nairobi, Cosmopolitan Affirming Church (CAC) is an LGBT-affirming Christian faith community that has become an important hub of Christian LGBT activism.

On the Sunday before the original ruling date of February 22, CAC held an inter-denominational prayer service, in order to pray for, the impending decriminalization ruling. The CAC choir performed the gospel song, “We are a rainbow”, with the following chorus:

We are a rainbow, sign of covenant and peace,

For the flood of tears will finally cease to be,

Come shine your rainbow, splash your hues across the sky,

Paint the world in colors proud and bold and free.

The intercessory prayers during the service passionately called upon God to make the promise of the rainbow come true in Kenya, while various speakers called upon the congregation to keep hope and be part of God’s movement for social change towards freedom for all.

For these Kenyan LGBT Christians and their allies, prayer and worship is a major “art of resistance” and a form of political mobilization. Let’s hope that the ruling on Friday can be seen as an answer to their prayers!

Adriaan van Klinken is Associate Professor of Religion and African Studies at the University of Leeds. He is the author of Transforming Masculinities in African Christianity: Gender Controversies in Times of AIDS and coeditor of several books, including Public Religion and the Politics of Homosexuality in Africa and Christianity and Controversies Over Homosexuality in Contemporary Africa.

The latest book in our Africana Religions series, Kenyan, Christian, Queer presents four case studies of grassroots LGBT activism through artistic and creative expressions—including the literary and cultural work of Binyavanga Wainaina, the “Same Love” music video produced by gay gospel musician George Barasa, the Stories of Our Lives anthology project, and the LGBT-affirming Cosmopolitan Affirming Church. Through these case studies, van Klinken demonstrates how Kenyan traditions, black African identities, and Christian beliefs and practices are being navigated, appropriated, and transformed in order to allow for queer Kenyan Christian imaginations. Learn more, read a sample chapter, and sign up to be notified when the book is published here.