#kei okano

[anzulvr]

Karma with a s/o who can't hold eye contact 😋😋😋

Tysm if u do have a wonderful day 🫶🫶🫶🫶

♥︎ ʚɞ Karma Akabane x Reader who can’t hold eye contact

— It's your shy demeanor that catches Karmas' attention the first time you meet him. He notices how around other people such as Rio or Nagisa you’re much more extroverted and you seem more authentic. Every time he tries talking to you, you can’t look him straight in the eyes, and your personality becomes a lot tamer. He assumes it’s because you’re not as comfortable around him, and that you'll open up in time.

 He couldn’t have been more wrong.

The more time you spent in End Class, the less you could look at him. He’s never had a lot of friends and that never bothered him before. Except now it seemed like you were comfortable with everyone else in class. Even Terasaka and Itona were able to pull some conversation out of you.

You’d get all nervous and trip on your words; you’d look at your hands or shoes, but never directly at him.

Most people, once they get to know him, are scared off by his “jokes” and slightly violent tendencies.

That’s why, instead of assuming you’re into him, he assumes you’re scared because of some rumor that spread around campus. Which one? He couldn’t say for sure. Students would often make up stories about him.

 “He keyed the principal's car and sliced his tires.” (Never happened, good idea though.) 

“He pushed Koyama down the stairs, that's why he sprung his ankle.” (He didn’t, but he wishes he did.) 

“He snuck into the broadcasting room and sold some of Teppei’s personal belongings.” (That one did happen.)

You were hanging out with Rio outside, and he came up to you two out of boredom.

Midway through the conversation, he notices you picking at the grass, a little while after that, you make up a lame excuse to go talk to Okano, who’s on the opposite side of the mountain.

You’re a really bad liar.

Once he’s alone with Rio, he half-heartedly says, “I wonder what rumor [Name] heard about me that has them afraid of me.” 

“Afraid? Why do you think that?”  

“You haven’t noticed? Always getting quiet when I’m around, leaving randomly—it’s pretty obvious.”

 Rio just laughed. "Wow, you’re dumb. [Names] like that ‘cause they like you.”

 He let that new bit of information get into his head. Her conclusion makes more sense.

Now he’s being extra annoying. The more annoying and insistent he gets, the more comfortable you get. 

You get to the stage where you talk to him with excitement, you don’t get tripped up on your words anymore and you’re constantly hanging out, but you still can’t look at him.

He decides (with a lot of encouragement from Korosensei and a little help from his classmates) that the only way things will move forward is if he makes the first move.

When he lays out his feelings for you, he makes sure your eyes are on him. He tilts your head back at himself when your vision starts to wander.

 Even after you officially get together, the nerves don’t completely go away. Whenever he does something nice for you or when he makes you laugh, you hide your face behind your hands or on his shoulder. 

He’s starting to look away from you too; if you noticed how flustered he can get around you, he wouldn’t live it down.

♡ PS sorry It’s been so much time since my last post!!

[444lpblue]

Undead Unluck #1 - Undead and Unluck

Screenplay: Gakuto Haishima Storyboard: Yuuki Yase Episode Director: Yuuki Yase Chief Animation Director: Hideyuki Morioka Animation Directors: Hideyuki Morioka, Shunichi Ishimoto, Yuu Fukuoka, Yumenosuke Tokuda Key Animators: Kazuhiro Miwa, Hideyuki Morioka, Shiori Tanaka, Kumiko Kawashima, Kyouko Niimura, Naoto Yoshida, Nobuo Takahashi, Hiroyuki Ookaji, Shunichi Ishimoto, Rin Ogawa, Yuuko Dangi, Mahora Muraki, Akio Kitahara, Katsuyuki Tsubouchi, Hirokazu Satou, Yuu Fukuoka, Shingo Fujisaki, Yasuto Hirohara, Rie Oomori, Yukio Okano

Yuuki Yase is possibly one of my favorite directors of all time, and I don't exactly hide this. The Kubikiri Cycle is one of my all-time favorite anime series that has continued to mesmerize and be a part of my life since its airing. Yuuki Yase's direction of that series was simply one of the best I've seen. The very concept of Zaregoto is one that is more driven by dialogue and conceptuality than even Monogatari, I would say. He was able to somehow represent the oddity in Zaregoto in visual form. Not much was happening, but the way things were framed made it uncomfortable, it felt confined even as they were in this large, spacious castle cloaked in ambiguity, the characters themselves were uncanny in a way. Let's just say I was completely charmed. So when I heard that Yuuki Yase was going to direct Undead Unluck, I was very curious, as I had never read the series before, as it never really interested me. I had a feeling I would like it since it's Yuuki Yase directing it, but I never expected it to this extent.

My jaw dropped during the cold open of the episode, all of which was helmed by Taiki Konno, who you may have seen earlier this year in the ending visual for Magical Destroyers which aired this year.

I would love to post every frame of the opener here, but of course, I can't do that. Within a very short timeframe of maybe 2 minutes, you're introduced to this fictional manga series that our main character is reading, all while relating it back to her traumatic past. It's genuinely beautiful and haunting at the same time. The buildup to the explosion of the plane was intense, and when it happened, even though you're barely beginning the episode, there's a sense of catharsis in seeing the tragedy occur. The artstyle throughout was very much Konno's usual style but it felt less constrained and more self fulfilling than any work he has done in previous anime. It felt like a great opportunity for him to showcase himself and that he completely did.

The rest of the episode took a very different turn than the intro but it was still every fun. Close up eyes shot, the use of color and desaturation much like in Fire Force or Kubikiri Cycle is prevalent here and it mixes well in creating intrigue during the introduction of Andy.

The overall production was a lot of fun, and it was superbly well animated. With the key animators' staff being completely stacked, it wasn't surprising. The actual story premise was even more enjoyable than I had anticipated, and I'm going to continue enjoying it. However, I have a feeling that Yuuki Yase is elevating this to a different level that I wouldn't experience than if I just read the manga.

[asian-heart-92]

Street Fighter fancast (part 4)

Shioli Kutsuna as Kei Chitose

Jensen Ackles as my choice #1 for Cody Travers

Garrett Hedlund as my choice #2 for Cody Travers

Kaede Aono as Maki Genryusai

McKenna Grace as Ingrid

Kairi Sane as Rainbow Mika

Ruka Matsuda as Karin Kanzuki

Raffey Cassidy as Juli

Clare Foley as Juni

Ester Expósito as Enero

Anamaria Vartolomei as Février

Camren Bicondova as März

Benedetta Porcaroli as Aprile

Lyrica Okano as Satsuki

Lovie Simone as Santamu

Alexa Loo as Xiayu

Wenwen Han as Jianyu

Blu Hunt as Noembelu

Lorenzo Richelmy as Maggio

Manu Bennett as Rolento F. Schugerg

Emilien De Falco as Remy

Kaho Takada as Makoto

Miles Teller as Ace

Tyler Hoechlin as Vulcano Rosso

Sho Kosugi as Gouken

Adeline Rudolph as Juri Han

Ahmed Mesallati as Rashid

Xochitl Gomez as Lily Hawk

Timothy Dalton as JP

[satoshi-mochida]

Key announces romance visual novel anemoi

Gematsu Source

Key, known for hits such as Kanon, AIR, and CLANNAD, has announced anemoi, its next full price romance visual novel. Platforms and a release date were not announced, but a full announcement live stream is planned for November 17 from 19:00 to 20:00 JST, which you will be able to watch on YouTube.

anemoi‘s staff includes:

Key Animation: Na-Ga / Humuyun / Yuunon Nagayama / Ao Kimishima

Scenario Writer: Kai / Yuu Nijima / Hasama / Shun Sayuki

Music Producer: Shinji Orito

Director: Kai

Producer: Touya Okano

Watch the teaser trailer below. Visit the teaser website here.

Teaser Trailer

[troublesomemix]

Name a song for each letter of your username:  

T - This Woman’s Work by Kate Bush

R - Return of the Mack by Mark Morrison  ( and Rumors by Lizzo + Cardi B )

O - Over It by Arrows in Action

U - Underdog by Alicia Keys ( aaand Ugly Heart by G.R.L. )

B - Bella Belle by The Electric Swing Circus ( also Blue by Marina and the Diamonds )

L - Let It Go by Chandler Leighton ft. Lo Spirit ( + Let There Be Light by Akihito Okano )

E - Eastside by Benny Blanco, Halsey and Khalid

S - Somebody Else by The 1975 ( also Speechless by Lady Gaga )

O - Our House Below by Cecile Corbel

M - Made of Stone by Michael Arden

E - Ex’s Side - Maddie Zahm

M - Moonlake by Pogo ( ooh and Memories by Thutmose )

I -  I Wanna Know by NOTD ft Bea Miller 

X - XO by Beyonce

when i tell you the level of difficulty this challenge possessed... it was real y’all. but we made it. ready to share it with other lovely people. always always down for a music challenge.

Tagged by: @divinexxchaos​

Tagging: @kiissme @songeurame @edgecfeden @rennisaturate @misunderstoodcreatures @filthysins @kizhavvorsa @hcllriot @writermuses

[youngfcs]

Hey, Cib, tudo bem? Já faz bastante tempo que eu não venho encher o saco kkkk. Como tá indo a vida após a recuperação? Tá conseguindo respirar melhor?

Queria indicações de FCs que tenham feito papéis interligados a magia, que possam fingir ter entre 16-22 anos, por favor.

- 1 tem que ser loiro, com cabelo grandinho (ia escolher o Alex Petyfer, mas ele tem muita polêmica);

- 1 moça branca de cabelo roxo ou azul escuro, de preferência longo;

- 1 negra de cabelos platinado ou próximo disso.

E os outros podem ser totalmente aleatórios, contanto que tenha alguma ruiva e uma asiática. Eles são inspirados na galáxia, mais pro sistema solar.

Não precisa ter pressa pra responder, já que é um pedido enorme. Se você conseguir só a de cabelo roxo já me ajuda bastante. Obrigada <3

Olá, meu bem! Tudo sim e contigo? Não tem problema kkkkkk pode vir sempre me encher o saco <3 Está tudo bem agora, melhorou muito!

Hmmmm, eu vou tentar! Não conheço muitas pessoas tão específicas assim :( pelo menos que tenha algo a ver com magia, mas vou tentar! Se quiser mais opções, pode pedir mais, como já tinham 5 personagens específicos, não dei mais!

Garoto 01:

Cody Fern [AHS: Apocalypse]

Danny Griffin [Fate: A Saga Winx]

Connor Jessup [Locke & Key]

Louis Hofmann [Dark] - acho que algumas cenas funcionam como "magia"

Garota 01:

Teagan Croft [Titans] - porém o cabelo não é longo

Ariela Barer [Runaways] - porém o cabelo não é longo

Dove Cameron [Descendants]

Sofia Carson [Descendants]

Garota 02:

Tati Gabrielle [Chilling Adventures of Sabrina]

Garota ruiva:

Abigail Cowen [Fate: A Saga Winx, Chilling Adventures of Sabrina e Witch Hunt]

Katherine McNamara [Shadowhunters] - acho que algumas cenas funcionam como "magia"

Lauren McCrostie [O Lar das Crianças Peculiares]

Nathalia Garcia [Desalma]

Garota asiática:

Adeline Rudolph [Chilling Adventures of Sabrina]

Lyrica Okano [Runaways]

Brianne Tju [Light as a Feather]

Jessie Mei Li [Shadow & Bone]

(cib)

[oliverfinalmajorproject]

Final Major Project - Thoughts 14

The Political is Personal for Japan’s Xinlisupreme

I found this article on Xinlisupreme where I am going to highlight some key extracts that I find may be useful for my research.

Okano channeled his anger at the Japanese political establishment into Xinlisupreme, his solo project since 2001. His rage crystallized in a song directed at Prime Minister Shinzo Abe who, at the start of the year, pushed to rewrite the nation’s pacifist constitution. Okano recorded a blistering rock number in his house, highlighted by a call-and-response lyric inspired by on-street protests. It was direct, and made Okano’s feelings clear from the single sentence, hollered over and over again, that gives the tune its title—“I Am Not Shinzo Abe.”

“I have to learn about political and social issues by myself, raise my voice and discuss, and sing to change the politics of Japan,” Okano says.

Not all the songs are political, but Okano uses the album to voice the concerns he has with Japan’s government. Xinlisupreme’s official site is less about his music than it is about his talking points. Okano doesn’t hold anything back—which complicated the album’s release.

Okano first displayed his fondness for protest on the followup mini-album Murder License, which was released in the run up to the United State’s invasion of Iraq. The music is uglier, and the accompanying art more direct—there’s an American flag on the cover, and George W. Bush’s image is featured inside. Abe takes those initial cautious steps toward politics to their natural conclusion.

“I had long been thinking about making music that brought to mind the various on-street protests that I saw all over Japan following the shake up of Japanese society on March 11, 2011,” Okano says. In early 2015, the phrase “I Am Not Abe” became a trend on Twitter in Japan, which gave Okano a rallying cry. Released early that year, the song eventually received attention from Japanese music site Natalie and was retweeted by SEALDs, a student activist organization.

The latest Xinlisupreme album continues the loud-to-soft dynamic Okano has long explored, featuring slightly reworked numbers from his days on the Japanese label Virgin Babylon. Its songs touch on both screeching noise rock (“Zouave’s Blue”) and smoke-damaged takes on dance pop (“Oh Yeah”). Yet its politics are always front and center; an accompanying text is focused on Abe, and it is being released at a time when the Prime Minister finds himself embroiled in a much-discussed scandal. In some ways, “I Am Not Shinzo Abe” is reminiscent of YG’s “Fuck Donald Trump”—no metaphor or subtext, just a statement delivered with passion.

[komagome-soko]

“2010 - 2022” Daichi Takagi presented by KAYOKOYUKI Sat. 11 March - Sun. 2 April, 2023 Photo by Kei Okano

[anime-end-cards]

Yuyushiki

Episode 12 end card by Mikami Komata

[frosty-icons]

55 Icons of Kei Okano from Yuyushiki

Link to Icons

Please Like/Reblog if you use them!

[retolee]

[greendrums]

[inframince-inc]

otk 002 – "Shinro Ohtake: Okusoku - Velocity of Memory" Special Edition –

現在、展覧中の秋山伸 [edition.nord] : ブルノ国際グラフィックデザイン・ビエンナーレ2016 帰国展の構成要素としても特徴的なedition.nordのアイテムより順次ご案内します。

-

2013年夏に瀬戸内の高松市美術館で開催された『大竹伸朗展 憶速』展のカタログの特別版。

7セクションからなる展示構成を反映した7冊の図版冊子、テキスト・資料冊子、瀬戸内の大竹作品に関するポスター、インスタレーション・ビュー冊子、映像作品DVDが、タイトルの布タグがついたニードルフェルトの袋に入っています。

各図版冊子とインスタレーション・ビュー冊子はサイズが全て異なり、表紙の代わりに章タイトルと奥付が印刷された小さなタグが付けられ、平綴じまたは中綴じ（コグチ裁断なし）で製本されています。

テキスト冊子は、一旦仮の表紙をつけてあじろ綴じで製本されたのち、表紙が剥がされた特殊なもの。

-

図版のレイアウトでは、通常の美術展カタログにおいて常套手段であるグリッド・システムを用いず、輪郭が揃えられていないだけでなく、大きさや余白の比例があくまで目分量のバランスで決められています。

これは大竹が自らの手と目のみをたよりに、スクラップを貼り込み、画面を構成する態度を、DTPのレイアウト作業に取り込んだらどうなるかという実験でした。

-

DVDには新作の映像作品「宇和島」（2013 / 撮影1987-89）を収録。

大竹が宇和島に移住した最初期に撮影され、そのまま放置されていた8mmのフッテージを今回新たに現像し、編集したもの。

フィルムの経年劣化による現像ムラも補正せずにそのまま生かした、まさにノイズ・アンビエント・ファミリー・アルバムというべき、非常に美しいサイレント映像です。

-

なおこの書籍は第48回造本装幀コンクールにおいて審査員奨励賞を受賞となっています。

space_inframinceにて好評発売中！

内容：

テキスト・資料冊子

図版冊子 1：遠景の記憶

図版冊子 2：残像─内的露光

図版冊子 3：アフリカ─反響する記憶

図版冊子 4：日本景─内と外に見る景

図版冊子 5：貼─既にそこにあるものと記憶の層

図版冊子 6：手製本─身体と本

図版冊子 7：スケッチブック─日常の風景

ポスター：Works in Setouchi, 1994-2013：B4／特色2P／二つ折り

インスタレーション・ビュー冊子

DVD：「宇和島」／2013／DVD-Video／ALL Region／NTSC／21分／COLOR／SILENT

執筆：大竹伸朗／毛利義嗣

-

Authored by Shinro Ohtake

Edited by Yoshitsugu Mohri [Shionoe Museum of Art, Takamatsu], Yuji Makino / Noe Kifuji / Sayaka Midori [Takamatsu City Museum of Art]

Written by Shinro Ohtake / Yoshitsugu Mohri

Translated by Christopher Stevens

Reviewed by Jiro Iio / Andrew Maerkle

Photographed by Kei Okano / Masataka Nakano / Kuniko Hirano / Kazuo Fukunaga / Shintaro Miyawaki

Video edited by Shinro Ohtake / Kazunao Kashio

Special Thanks to Take Ninagawa, Tokyo

Designed by Shin Akiyama + Wataru Kobara + Naoki Ise + Aiko Nagai + Takashi Honda / edition.nord

Printed, bound and assembled by Sun M Color

-

© 2013

Shinro Ohtake

Takamatsu City Museum of Art

All rights reserved.

Made in Japan

[geeksofcolor-blog]

Fancast of the day: Lyrica Okano as Kinsey Locke!

The middle child of the Locke siblings, Kinsey was once someone who constantly felt sad and afraid – until a certain supernatural key took that away. She became brave, and while it’s great quality, it does lead her to make reckless decisions. Though her boldness does help her, she realizes that fear is actually what will help her grow. She decides to deal with it and confront her trauma so she can move forward with it. This is why Lyrica Okano is perfect for the role! She plays a rather similar character as Nico Minoru in Marvel’s Runaways. Kinsey has this badass nature to her and Lyrica would be great in the role.

Full ‘Locke and Key’ fancast here.

[tomokonagai102]

・

プール　Swimming pool

2010

50.0×65.3cm

🍉🍍🌴🌴

@ Tomoko Nagai, Courtesy of Tomio Koyama Gallery

photo by kei Okano

[tsukiyadori]

Translations and when it bugs you even more at third glance

Yesterday I did a little rambling on Kieta Hatsukoi volume 1, whose English volume sits there for three weeks already, because I didn't get over how my favorite beat got missed in one particular scene.

I thought if I rambled a bit, I could get one with just reading the thing already. Instead, today, I found myself even more bugged about another line of the same scene.

It's the last bubble of this page:

In Japanese:

English release:

Japanese: 好きな奴の幸せぐら願ってもいいだろ English release: ... So why can't I hope that my crush will be happy? What I would be going for: So let me at least wish for my crush to be happy.

願う can mean both "to wish" and "to hope" and "to hope" actually also sounds far more natural in English. (Especially with that Japanese doesn't actually have an exclusive verb for "to hope".)

I already mentioned is off as a by note in the previous rambling, but there is this little word ぐらい in that line in Japanese. Which looks like it got omitted and instead that "why" got added. That "why" is a pretty liberal take. The more literal translation of もいいだろ would be "isn't it (also) fine to <verb>" or "Can't I <verb>". Using "why", which isn't there in the Japanese line, here makes (at least to my ears) the line sound way more forceful and confrontational than it is? And more than that, this line is, well, asking why.

Which is something Aoki doesn't really do. He doesn't question things all that much. That is to say, he pretty much doesn't question things at all. He gets pained over them, but then just accepts or resigns over how things or people just are. He doesn't go for confrontations (unless it insults or puts down somebody else). That's actually fairly important for later on, imo.

But let me get to the ぐらい (gurai) first, which already bugged me yesterday. ぐらい means approximately, about, around. It describes a sense of reference sample volume, size, quantity or worth. You do comparisons with it. "How much do you want your glass filled? - About half full." It also extends onto more abstract things. Then it becomes "to the extent of", "as much as", or "at least" (which applies to this case). That and the entire phase's tone is a bit meek, which feed to Aoki's self-deprecating trait. In the line before it, he states how it's impossible for him. He knows that. But at least he wants a measure of leniency, allowing him to at least wish for his crush's happiness. Now, the key point is, he clearly doesn't expect anybody to understand his view. But as much as he puts himself down, he isn't apologetic about seeing the world he does. He's firm, that this is a right thing to feel, at least for him. But he also doesn't get confrontational to challenge over whether it's okay or whether anyone else's belief is right or not. Instead, he's just pleading for that measure of his self to be tolerated, even if you can't connect over where it comes from.

Aoki's actually impressed when Aida puts "normal" under question, after they sorted Aida's mishap out in volume 2. It leaves him speechless. He spaces out. He didn't even think to question it. He had just taken it as is.

But, as much as he knows (or thinks to know) while not questioning other people's "normal", he equally doesn't ever question himself either. He does get fretful and all sorts of worried about how others will regard it, he still has his feelings and embraces them as much as it doesn't hurt others or conflicts with those he cares about. All he ever requests is basically to be overlooked. From the beginning. That's literally what he asks of Ida about the eraser in chapter 1.

Until Okano comes around and throws shade on Ida.

That is where he first starts pushing and questioning back and stops just accepting how things are. And he starts that on behalf of Ida. Not for defending his own position. And it takes a lot of questioning in his stead by Aida, Hashimoto and Ida before that. It takes 4 entire volumes to get him that far. And even then, he still only does it for somebody else. That and the fact that he gets hurt, but not shaken about the wholesomeness of his love given how gullible he otherwise easily is, are probably the prettiest thing of volume 5. Hashimoto observes and even tells him how he's changing. It even sends ripple effects on her own tale. It's a pretty major development.

So, why would he ask "why", in a tone that almost sounds like he's frustrated and half blaming out of it?

It sounds so out of character.

(Well, ok, the translator probably didn't read ahead more volumes. That's also not their job.)

(And if Aoki was a more frankly confrontational character like Aida nothing would be wrong with this more liberal take either.)

(But there is still plenty about Aoki's meek, self-deprecating character to be seen in v1.)

(This line just kinda rings so out of tune to me, after I looked at it again.)

(Gnnnnnaaaargh.)

It

just

bugs

me!!!!