#keep spoilers to a minimum
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moonjump65 · 3 days ago
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TFP S.A.R.I. Time Skip
This is sort of an amalgam of Knowledge I have lf transformers, and it’s a bit loosey goosey so I might come back to this later and edit/rewrite it when I get caught up to MTMTE, and LL. Going off on sooome info I was told on certain bots like how Rung is a therapist and Megatron gets a redemption arc. I uhh also gotta finish season 3 of prime and watch the beast hunters movie. So we’re going off that and a bit of cyberverse here, skybound there, idw here and there whereever. Just gotta fit the vibe. It’s very informal for right now but it will be tightened up later as I get caught up with the comics and Prime TV Show.
This takes place 10 years after Prime so Sari would be 18 at the start of this iteration. And being a young adult/alien after being part of an intergalactic civil war is a nightmare with all the stuff you gotta unpack.
After the events of Prime, Sari attempted to go to human school, thinking she got her powers under control, she did not take into account people would go out of their way to bully her. Having lead to an incident where she defends herself but lead to a situation where some people got hurt and she decided to finish her education on Cybertron, feeling that if she was on Earth it might put others in danger.
Post Prime she is distraught over Optimus’s death. She very much picks up a grouch personality from Ratchet and gets very jaded. She has mandatory visits to Rung, and each appointment she is very avoidant or makes lite snarky jokes through them and is very aware of her problems. Though Rung gets her to stay the full session by offering her Earth snacks and she can only deal with the flavor of Sprite for so long. It wasn’t until a new leader was selected by the Matrix of leadership being Rodimus, that she actually discussed what happened.
In her time in Cybertron most times often than not, Sari would isolate herself and be a loner. And she would often try to hide the fact that she’s part organic, feeling that her first experience with school and not being diligent enough with her abilities caused people to get hurt, and she over corrects by isolating herself and thinking if she’s the best medic maybe she can reverse or mend the harm she caused or maybe she just does not want to be hurt again. Though Hot Rod would find Sari to be really interesting and actually wants to be her friend. And he’s actually quiet persistant.
The matrix of leadership chose Rodimus in the Sari AU, and it is because Hotrod reminded the matrix/the allspark/optimus’s soul of Sari and how kind and willing to be a friend to anyone no matter what. And Sari would warm up to Hot Rod, and get in touch with that side of herself again. And just Ratchet would be so happy that Sari is having fun again and being a dumb young person. They would have a Bumblebee/ TFA Sari Dynamic where they share the same brain cell or a sort of Brother/Sister Relationship.
When Sari is on Cybertron, she uses her alt form mostly and on rare occasions and privacy takes on her normal mode. Mainly to have people not think differently of her, and for Cybertronians not to recognize her. After the incident in High School she sort of exiles herself to Cybertron thinking to herself she does not belong with humans and completed her education with the high guard academy.
As a sort of an high guard academy graduation present for Sari maybe Jack and June make a necklace for Sari being a pendant that looks similar to the Key to Vector Sigma. As a sort of nod to her and Jack’s adventure when she was little and a thing to hold close to her when thinking about Optimus.
She is especially critical of Rodimus when he becomes a Prime because he reminds her of herself when she was younger and she hates how she was when she was that age despite being a child and in a very strange situation. And Rung calls her out on this saying “This new Prime…when you criticize him you use similar language to when you tell me about your years on team prime and criticize your younger self” and she is shocked and horrified at this revelation.
She would have alot of first and secondary trauma, and hold a lot of resentment to the reformed Megatron, to a point where she picks a fight with him ON SIGHT. Though this ends up being bridged over and they would talk to each other about Orion/Optimus. With Sari knowing about his Optimus days and Megatron on his days as Orion and she realizes “Holy crap YOU GUYS TOTALLY LIKED LIKED EACHOTHER”
Homegirl as soon as she would turn 18 would get a tattoo of the autobot insignia on her shoulder. Much to Ratchet’s shagrin.
Rodimus would learn what kind of person Sari was when she was on Team Prime when they visit June, and June gushes over Sari and is like “I get you are busy with your medibot studies but it doesn’t kill you to stop and visit??” And June goes out of her way to show pictures of Sari as a kid and even showed pictures of Sari in her Optimus costume, saying “She was such a Daddy’s girl when she was little. Always wanting to help out and make Optimus and Ratchet proud.”
Sari post timeskip had this reputation of being this straightlaced no nonsense medic, but then in secret have a secret career in a more tamed version of the cybertronian gladiator pits. Like wwe wrestling. And has like the alterego of Malpractice or something and saying “Just because I can put bots together doesn’t mean I can’t take them apart”. And like she would channel her younger self in the arena not being above biting and all. Putting on a damn Luchador mask.
Hot Rod would learn of this and use that as blackmail-essentially karma for Sari’s antics with Jack and Smokescreen as a kid
When Sari tells Jack about this-he cracks up laughing
And Megatron seeing the straight laced no nonsense Sari is just like “If you were to tell me that scraplet and this medibot were the same being I would have assumed it was another of Starscream’s games.” But then when Hotrod shows him her in the arena-he is like “NOW THAT IS THE SCRAPLET THAT WAS THE BANE TO THE DECEPTICONS”
I just imagine her going for the cybertronian equivelent of the achilles tendons and just biting and ripping them out like a feral animal
Essentially using her medical knowledge to pin point where to take bots down
And just Hot Rod/Rodimus being horrified and Megatron being impressed
I just imagining her screaming to the mic “THE DOCTOR IS IN, AND SHE IS PERSCRIBING 33 CCS OF GET FRAGGED.”
She’d probibly scream into the mic after she won saying “IM A VIRUS YOU CAN’T GET RID OF”
I could see her after beating a contender pulling up a pen and paper writing a perscription and it being written on it “COPE”
I could see her doing this after Rung suggest her getting an outlet for the pent up emotions she was feeling.
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lucabyte · 6 months ago
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heres your highly requested fluff you fucking animals
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cora-illus · 8 months ago
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(GTN Spoilers) a locked tomb animation/amv i've been working on for uhhh.. you know what just roll it
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appleciderjulie · 19 days ago
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woagh siffrin sketchy doodly page. i finally made it to act 3 yesterday btw!!
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knightwhoisni · 26 days ago
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"It's daft eh? I was just thinking about Ordis, actually. What he'd look like if he was a person again. Little fella in a butler coat. Like a penguin."
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romans-empire · 1 month ago
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I think we all need to talk more about how Siffrin dissociates by thinking that this is all a play as implied by their flavor texts. Follow the script, enter the stage, enters a character, all of this is make-believe. We all have our roles to play and parts to act. Everything is fine.
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vampire-crimson · 26 days ago
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Dungeon Meshi is one of the funniest series to not rush through because day fucking one everyone was obsessed with Kabru and shipping him with Laios and everything and it's like. You read the chapter that introduces him and he's just kinda there. Like his first like four appearances are all as a side character that exists basically to contrast his group with Laios' to show that Laios' group being weird is actively contributing to their success. And then when Kabru is properly introduced you find out he's Like That. There's an entire page dedicated to "man I hope the Touden siblings are secretly problematic (just to be petty)" and another page dedicated to "I don't want to eat monsters so I have to kill Laios (does not do that)" and both of these are before Kabru's background are thoroughly explained. All of which is way more entertaining than what Tumblr did with him.
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mimicmerchant · 9 months ago
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2020 vs 2024
I think the most important takeaway is that I learned to draw elf ears bigger correctly.
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pinkfey · 3 months ago
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finding out harding comments on the age gap between you and emmrich when they write her to get with taash of all ppl is crazy
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loopnoid · 2 years ago
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2019 vs 2023
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totalmarvelnerd · 4 months ago
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I’m seeing a lot of discourse about ep 6 of Agatha All Along rn and I want to throw my unsolicited opinion into the mix:
• As much as I love AgathaxRio, it’s important to remember that they’re not the focus of this show!!! I ship it too, and I’m glad for (and hoping for more) lesbian representation from their characters, but Agatha All Along is allowed to be about more than shipping characters
• Billy and Eddie are cute together! Why do I see people trying to gatekeep this show to a lesbian/wlw audience??? The LGBTQIA+ community is still marginalized and we should be glad to see representation so openly displayed no matter if it’s gay, lesbian, bisexual, trans, etc. Reminder that this is a Disney+ show, so tbh I’m just grateful they’re not queerbaiting us entirely
Less important point, but also:
• I know there were a lot of people rooting for Wanda to come back at the end of the road, but Billy is looking for his brother and imo that’s more meaningful than any other motivation ever could be for his character
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eliasdrid · 1 year ago
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SHIN KAMEN RIDER (2023)
✨ TokuWrap2023 #6: Most (Re)Watched Movie ✨
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magicwhiskers29 · 8 months ago
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Today on 'Whiskers tells you all to play Wandersong'!
IT'S RAVING ABOUT LEITMOTIFS TIME!!
First, and (not actually the first you hear, but shhh) the Bard's motif! First heard in The Bard, the motif appears across the OST in any track titled 'The Bard and [...}', which usually opens any new act on a familiar note! And then! And then! When it plays in other tracks, such as Even the Tiniest Bugs, or I'm going with you!, it really hits you because you recognise it, and it's so full of hope and optimism, and everything the Bard stands for, even when facing the end of the world
Actually, first of all, the hero motif! It's the joint ideas of the sword seen in the prologue and that concept of wanting to make a difference. It's I Wanna be a Hero and I'm Going With You! just as much as it's The Sword and Lightning Strike, and it's that dichotomy that defines some of the most interesting themes and points of conflict in the game. (Also its use in King of Hearts will never not be my favourite thing)
Okay, and maybe not actually so much a leitmotif as a theme that gets frequently remixed, but... Miriam's motif/theme! First heard in, well... Miriam, there are variations of it starting with She's Mine, and then My Friend Miriam, where the track begins to change tone with the game. It's the contrast to the Bard's theme that remains (usually -- there is, of course, an exception) joyful and optimistic, where you can really feel that Miriam's resolve isn't quite made of the same kinds of things. Miriam matches the game's tone, where the Bard tends to oppose it and keep fighting.
To finish out the trio, Audrey does have her own individual motif as well. (Jeez, Audrey, how come the devs gave you two motifs, huh?) First heard later in Lightning Strike, followed by in Audrey's interlude music of Thunderstorm (Slightly different, actually, but I think it counts), and then again in most of Audrey's music, such as Collapse and Audrey. It's very fanfare-y, which is pretty fitting for how she likes to present herself. It's pretty classically 'cool', and you can just feel her pride and smugness in it. I do think it's interesting how the dragging out of the intro starts to bring it down as the game progresses too. It's not just the Bard and Miriam who are getting worn out (physically and mentally), by the journey.
And then all the minor motifs! There are... a lot. There are many act-specific motifs, or motifs for more minor characters. To list off a few interesting ones:
The Dream King! Starts in The Dream King as sleepy and calm, very Act 1, if you will, but gets progressively darker, sort of matching Miriam's theme, in that regard, with tracks like Out of Order
The Coffee Pirates theme! A classic for Act Three! Very fun, and gets used in a variety of contexts from a slower ship theme in The Lady Arabica, to a group sing-a-long fun time in Sailing with Coffee Pirates, to a sombre farewell in Sail into the Sunset
ALL THREE CHISMEST MOTIFS! So, there's the town theme in... Chismest, which reoccurs for a more mischievous variant in Subterfuge for plotting! Now... This is technically just part of the Order March, but I wanted to talk about it anyway
And then the Happy Kid theme heard in Happy Kid and another track which I'll get to in a moment.
And, of course, the track that the chapter is built around both thematically and literally, the Order March -- showing up again in The Baron, to bring things back to where they started for the end of the main section of the Act (Very Chismest, what with its circular layout, where you always end up back at the Factory), and for a bit of a groove in Please Hold. And possibly my favourite Act opener: ACT 4: March of the Happy Factory. It starts as a sort of strange-sounding start for the first time you hear Happy Kid's theme, before devolving into a chaotic run, very reminiscent of the Factory's ironically chaotic music, and finishing on a sombre note of the Order March once more.
If you couldn't tell, I have an immense appreciation for Act Four's music specifally, haha.
And then! HALA'S MOTIF! This one's more subtle, since you hear the origin of the motif after your first time hearing it in something else (Somewhat similar to the Hero motif, intriguing...), and it's in Hala, and also Mean Spirit where it really brings the emotion into the latter. It matches Mohabumi's soundfont very well, and it's a cool little detail in Mean Spirit!
And finally... It's small, but I'm basically legally obligated to talk about the Heart motif :) First in the very silly Heart Fairy, and repurposed masterfully for the much more dramatic King of Hearts, where the emotional stakes are much higher. It doesn't appear much, but it's usage is very efficient, and very effective
So yeah. This game has very good music and everyone should play it. (I'm not beating the obssessed with leitmotif allegations today whoops)
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heavensarcher · 9 months ago
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The fact that they got the Homer VA to record several end of current content scenes for the Rift of Thessaly is just commitment
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curapicas · 1 year ago
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Anyone else deeply amused by revisiting this scene and realizing this is LTC making CXS apologize for being a bad friend to HIM specifically. Bro has fun with murder and all but he clearly talks with his barbies. He makes the guy say this, as if this was an actual conversation, as if this wasn't saying more about himself and his nasty humor twisting his inner desires, than any offense CXS supposedly committed. He's funny to me
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angorwhosebabyisthis · 8 months ago
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one thing i realized about fandaniel's dynamic with xande that really fucks me up is, like.... there are the obvious parallels that canon draws between meteion and xande, and their roles in hermes/fandaniel's lives. and there are also the parallels between fandaniel and meteion. there's a lot to unpack.
but it hit me recently that one of hermes' deepest, most devastating regrets is having failed meteion, with abuse and hypocrisy and the project he had the authority to make her a part of.
he was painfully aware that he wasn't fit to be a father; that he'd put them in a bitch of an unsatisfactory situation with his lack of foresight; that he was currently fucking things up in ways he did not know how to understand or articulate, much less address. he knew that there was no support system for this; not just for his mental health issues in general, but to educate him and hold him accountable about how to be decent to her, because he knew no one would give a fuck. the closest thing anyone would have given him to advice would be to just kill her and start over.
he says he hopes she'll find a better parent out there in space somewhere, because he knows there is not one to be found for her anywhere on this star, including him. she was one of the most helpless, vulnerable people in their society, and there was no backup for her if he mistreated her, if he failed. and he did.
so of course his next attempt to find a meteion would be an emperor. of course he'd be at the very top of the most powerful empire in the world, at the time. of course he'd position himself as his servant, devote himself to him utterly, and value his authority above all. he wanted someone he could never hurt the way he hurt meteion again.
#final fantasy xiv#ffxiv#ffxiv hermes#ffxiv meteion#ffxiv fandaniel#ffxiv amon#anyway. kill me. just fucking kill me#they hurt me so bad#ffxivtag#FF tag#to dyn#abuse cw#honestly it's one of the things that makes hermes and meteion stand out to me among#'abusive parent under massive pressure with a lack of access to education or support; who feels guilty about it and is trying to fix things#narratives#which usually end up pushing my buttons hard#for one thing the majority of the time the parents in these narratives *absolutely do* have access to those things#and just refuse to actually seek those resources out; so they can keep abusing while avoiding responsibility for it#and while actively fishing for pity and sympathy over being abusive; muscling the victim's pain out of the way; in-narrative or out#'we've tried nothing and we're all out of ideas!'#hermes really and truly did not have *anywhere* to turn about this that he could trust#even more often than that though the thing that really fucking gets me is that the abusive parent is *always* shown to take out their guilt#by *blaming and punishing their victim for showing signs of the abuse*#because how Dare you inconvenience me by being traumatized and how Dare you be helpless living proof of what i have done#hermes does not ever *ever* blame or punish her for things that make him feel guilty and that he does not know how to fix#and that does not make it The Good Acceptable Kind of Abuse by Comparison(tm); it is *far* below the bare minimum#but it makes me feel some kind of way.#endwalker spoilers#dyn: fish inside a birdcage
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