#kathleen coghlan
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bluemoonscape · 9 months ago
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The fact that there are actually people in this world who continue to body shame Melanie Lynskey like “oh she needs a trainer for yellowjackets” “she’s not fit for an apocalypse role (TLOU)” when she looks like THIS
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LIKE OH MHAYS GHOD MELANIE LYNSKEY ONE CHANCE JUST GIVE ME ONE CHANCE
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taiturner · 2 years ago
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TLOU APPRECIATION WEEK | day 7: free choice ↳ favorite offscreen character: MICHAEL COGHLAN
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dyingroses · 2 years ago
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The Last of Us + text posts 
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chiefnooniensingh · 2 years ago
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When we wrote the show bible, […] right there on the front page, we said, “this is a love story, and that’s not good”. […] Throughout our series, we will continue to come back to the notion that love conquers all, and that’s problematic.
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lukaskyle · 2 years ago
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THE LAST OF US | 1.05 "Endure and Survive"
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giveamadeuschohisownmovie · 4 months ago
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barlowstreet · 1 year ago
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I kinda feel like this deserves its own post
(Inspired by this post and these comments)
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emmynominees · 1 year ago
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melanie lynskey as kathleen coghlan in season one of the last of us
primetime emmy award nominee for outstanding guest actress in a drama series
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wipbigbang · 2 years ago
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WIP Big Bang 2023 Round Starting April 1st!
What is the WIP Big Bang? Good question! This is a Big Bang with one goal in mind: to clean out your fanfic drafts folder. These are stories that were unfinished for whatever reason, that authors returned to and completed, and the art that goes with them!
Please read our FAQ/check out our schedule for more details.
(* Fixed with the info about the BB...sorry for the blank picture!)
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holycartoonwarrior · 2 years ago
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The episodes four and five were rlly weak politically. Amazing character work as always and exploring Joel and Ellie’s relationship so it’s so jarring the show has such black and white centrist takes on politics in the fucking apocolypse?
Kathleen deserved better writing.
I’m sorry but revenge is bad, non violence good. Is not an interesting take. It’s why I didn’t like TLOU2. Kathleen clearly cares abt helping her ppl, that’s WHY she was so motivated for revenge. which means it makes NO sense for her to lie abt the infected underground. Why it makes NO sense for her to kill collaborators who she is AWARE r poor and already gave a better solution for dealing w. Something firm and tough and cruel but understandable in the fear of fascism returning. U could actually have a moral struggle abt if this is better.
INSTEAD. She goes all “KILL THEM ALL” so u can’t even question if she’s morally good or not. They WANT her to be evil so BADLY. A real shame I thought it was going somewhere w the fact Henry was aware he was a terrible person who had commited a genuine wrong against his ppl. One he felt he had to make but was sacrificing more ppl than he was helping.
Again utterly squandered by Kathleen giving the weirdest nonsensical speech abt why Sam needs to die which doesn’t ALIGN AT ALL w being a resistance leader. She lead an uprising against a fascist dictatorship? WHY WHY WHY would she suddenly talk abt resigning urself to fate? U could have her talk abt weather it’s worth saving one kid who could die any moment without going “eh fate IG”. The show is so scared of exploring this. Cuz they want the Joel mirror character of Henry to go as little challenged politically as possible.
A real shame cuz I did like at the end it shows that his attachment to Sam and Sam alone was deeply dangerous and doesn’t foster a healthy mindset. Perhaps this could’ve gone against Kathleen if they actually went w the communal utilitarian view w her and commited.
All in all they should’ve just had Kathleen be a simple done and done fascist or done her better.
I don’t want Joel to becoming morally better. That is NOT his story. I do not want the idea sacrificing for one person is a good thing. The game was good abt keeping that for u to decide. And so far it’s not too bad it was done rlly well w bill being a libertarian nut job and Henry putting all this emotional pressure on a child just scared it’s slowly getting there.
Inshallah it’s not, It’s still a great show. And I believe it’ll be fine for the most part. Just jeez Kathleen was such a waste of potential.
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barlowstreet · 1 year ago
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Do you ever see something unhinged and think "I could do that"
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Welp
@live-laugh-levente Thanks for the idea XD
(This is just a view link, you can't add videos to tumblr reblogs)
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@tlounetwork | The Last of Us Week 2023 Day # 4: Favorite Supporting Character
It ends how it ends. Melanie Lynskey as Kathleen in S01E05: Endure and Survive
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roseguided-arch · 2 years ago
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@lightlypse ASKED, 𝒕𝒉𝒆 𝒐𝒏𝒆 𝒘𝒉𝒐 𝒔𝒖𝒓𝒗𝒊𝒗𝒆𝒔 𝒊𝒕 𝒂𝒍𝒍 𝒂𝒏𝒅 𝒍𝒊𝒗𝒆𝒔 𝒕𝒐 𝒕𝒆𝒍𝒍 𝒕𝒉𝒆 𝒕𝒂𝒍𝒆. / 𝒇𝒓𝒐𝒎 𝒋𝒐𝒆𝒍 𝒐𝒓 𝒍𝒚𝒅𝒊𝒂 𝒇𝒐𝒓 𝒌𝒂𝒕𝒉𝒍𝒆𝒆𝒏
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𝐖𝐎𝐑𝐃𝐒 𝐂𝐀𝐔𝐒𝐄 𝐓𝐇𝐄 𝐖𝐎𝐌𝐀𝐍 𝐓𝐎 𝐇𝐀𝐕𝐄 𝐓𝐇𝐄 𝐒𝐌𝐀𝐋𝐋𝐄𝐒𝐓 hint of a smirk to her lips. he speaks as if he’s going to live through this . . as if he’ll be the one telling the tale. joel seemed like someone , in his prime & even now , who was overconfident in himself. all brawn , hardly any brains from what she’s seen. he fights with his hands , with his gun , with the knife he used to murder bryan. fists might allow you to win against someone attacking you , but it doesn’t organize people & it doesn’t get things done ! ( kathleen was brain , she was the organizer , & the woman who got things done. she freed the kansas city QZ from the cruel rule of FEDRA & she continues to run their city as it was always meant to be operated. can joel say the same ? has he ever done anything worthwhile ? ) ; eyes , cold in their gaze , look upon the other man with a sense of contempt. ❛ & you think you’ll be the man to tell the tale , then ? ❜ asked kathleen with slight humor & seriousness in her tone. one brow arches , lips fixed in the frown she always seemed to wear. when was the last time she felt happiness since her brother died ? ❛ you killed bryan, you killed my men. they had families , y’know , but that doesn’t matter to you does it ? ❜ tone becomes accusatory , slightly more irritated. head gives a shake , ❛ you don’t get to evade consequences. you came into our city , that’s on you ! ❜ kathleen comes to stand , moving toward the ajar door of the holding cell. a pause , a glance back toward him: ❛ if you don’t start giving me answers , i’ll use that kid against you. don’t think i won’t do it. ❜
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dyingroses · 3 months ago
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A little TLOU + AO3 tags
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psychedelic-ink · 2 years ago
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𝐃𝐞𝐚𝐝𝐡𝐞𝐚𝐝 - 𝐂𝐡𝐚𝐩𝐭𝐞𝐫 𝐎𝐧𝐞 𝐨𝐟 𝐈𝐎𝐀𝐃𝐊
Pairing: FEDRA!Javier Peña x firefly!reader
Genre: slice of life, smut, romance, angst, enemies to reluctant friends to lovers, TLOU AU, minors dni
Summary: Javier, a former member of the Federal Disaster Response Agency in Kansas City, is haunted by the guilt and violence he indirectly caused by not taking action when he should have. After fleeing Kansas City in the aftermath of Kathleen's violent overthrow of FEDRA, you and Javier seek refuge in an abandoned train in the middle of a forest.
As you and Javier turn the train into a living space and learn to navigate the dangers of a post-apocalyptic world, you gradually overcome your differences and form an unlikely bond. But when your pasts catch up with you, you must confront the demons that haunt you and make a choice that could mean the difference between life and death. Will you choose to protect each other and find a way to build a new life together, or will the ghosts of your pasts tear you apart?
word count: 4.5k
chapter summary: you and javier get off on a rocky start.
warnings: canon typical violence, arguing, a brief reference to Ellie and the main TLOU plot, no y/n
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Deadhead - A railcar or locomotive that is being transported empty, typically to be used for future shipments.
The day was warm, the sun bright. Small petals flew further away from the green grass, colorful flowers moving left and right with the soft caress of the wind. The vest Javier wore dug uncomfortably into his chest, his rifle slung over his back and pistol snug on his hip. The lovely weather mocked him, taunted him. It was a lie. A facade. The color, the white clouds, the green grass— all of it seemed muddled now. If he tried hard enough he could see specks of blood, tainting the visual that could as well be a spitting image of a Van Gough painting. 
But despite it all. Despite knowing it’s a lie, despite knowing the horror, he still wore the letters; F E D R A— Federal Disaster Response Agency. He liked to think that they were doing some good. At least they drove the wretched infected underground, right? They did one good thing, so that made the killing, the rape, and the torture okay. 
Right? 
“Fuck me.” he muttered into the wind, hoping the words, later on, would be carried back to him, reminding him that hey, at least I knew something was wrong. 
He noticed someone walking up to him. He was expecting it, really. Micheal Coghlan. The man who by some goddamn miracle still carried goodness inside of him. The type of goodness that would radiate through the cracks of skin and bone, the type that would bring light to a person’s face. 
Micheal had a limp. 
It was caused by someone Javier knew but didn’t particularly like. He saw it happen. He still heard the bone snapping into two when he closed his eyes at night. The man stood next to him and Javier observed him from the corner of his eye. Once upon a time, he could call his face roguishly handsome. It wasn’t a sharp face, round around the edges, with a bit of stubble; shaved by his sister no doubt. His eyes were kind, a darker shade of brown compared to his own, lips thin and chapped. Thirsty. 
Javier cleared his throat, hand going to his waist, he pulled out his flask and offered it to him. 
“Water?” 
He took it without an answer. Drank it in a way where water droplets would stream from the corner of his lips, his gulps loud. It made Javier feel awkward. Micheal stood a bit straighter when he offered the flask back. It was empty. 
“So what did you want to talk about?” Javier asked. 
Micheal smiled and crinkles appeared in the corners of his eyes. “The people.” 
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It’s a bird violently flying into the window that wakes you. 
Your eyes open fearfully, your heart beating a mile a minute. Your breathing is uneven. Dust clings to both the inside of your throat and skin. Eyes still wide open, you stare at the ceiling of the train. The seats you managed to sprawl yourself upon are uncomfortable, jagged metal sticking into your skin, making ugly marks and dents. When your breathing calms, and body relaxes, you slowly get up. 
The weather is hot, yet gray clouds decorate the sky. The heat of rain, you like to refer to it as. You can barely see the sun, the light of it filtered through the gray, painting the world into a muted color. Fitting. 
You hear a snore and direct your gaze toward the sound. You see the boots that belong to a man that’s sleeping a couple of rows ahead, too big to truly fit and get comfortable. Javier Peña. You heave yourself up by grasping the heads of the seats, your legs aching and stumbling like a newborn doe’s. His shirt is unbuttoned from the top, revealing golden, scarred skin. Your eyes trail further down, and they don’t stop until you see the gun strapped to his waist. You think about how easy it would be to just take it, to shoot him and try to find your people. 
Then you remember. They’re all gone. You have no people. Marlene’s words were clear;
The girl’s gone. No more soldiers, no cure, no nothing. The fireflies are dead; you’re on your own now. 
A chill crawls up every inch of your skin. Why are you even here? Why are you with him of all people? You’re not sure yet. It’s much easier to dislike him when he’s not speaking and his eyes are closed. 
You hate that when they are closed, the only memory of them is him being struck with fear, the flames behind you mirrored in his eyes. Kansas City quickly became a place of destruction and death. It was unexpected and with every fabric of your being, you wished you had never seen it. 
“Why are you watching me?” his voice startles you; it’s deep with sleep. “It’s creepy.” 
“I was thinking about taking your gun and shooting you.” 
“I’ve always loved an honest woman. What stopped you?” 
“I have no place to go.” 
“Neither do I, as you know,” he says. He finally opens his eyes, but only to stare at the ceiling in a similar way you did not moments ago. “So where does that leave us?” 
You don’t understand what he’s asking you. The air is still.  Javier takes a sitting position, his elbows pressed into his knees and hands hanging loosely between his legs. 
“I say we stay here,” he says, voice firm.
“The train?” you ask, confused.
He shrugs. “Why not? It’s covered pretty well, it’s far enough for people to see and close enough if—god forbid—we want to head back into the city.” 
“You want us to live together?” 
“I want us to turn this into a living space. After that leave, if you want,” he rubs his thumb into the corner of his lips. “Though I wouldn’t really advise leaving, and I definitely need your help.” 
“So I should stay because?” 
“Safety. Security.” his smile is bitter. “What else can a person want during the end of times?” 
“Someone they can trust.” 
“You can trust me.” 
You look him over. He must’ve sensed your immediate hostility because his gaze slowly moves to you. He returns your suspicion in like, contemplating what to say. You don’t trust him. He doesn’t trust you. Javier’s fingers twitch and his hand moves to clap over his pocket. He lets out a sigh of relief when he feels the familiar shape of a cigarette box. 
He licks his lips again. 
You gaze out the windows. They’re thick with dust and vines, the outside seems a tad bit brighter now, the gray clouds clearing up a bit. 
“Being addicted must be hard,” you mutter. “What are you going to do when you run out? Sacrifice yourself for a box of Marlboros?” 
He chuckles. “Maybe. Who knows. I’m not out of stock yet.” 
“Not a very comforting thing to hear from a man that’s arguing that I should trust him.” 
“It’s not like I said I’d trade you for a pack of cigarettes.” 
“Who knows. That’s what you said, right?” 
He sighs and gets up. He walks down the narrow hall of the train, hands brushing over the headrests. You follow him outside, and just like you suspected, the weather is grossly warm with no light. The dry weeds crunch under your boots. Javier pulls out the crumpled pack and offers you one; you shake your head. You’re surrounded by trees, with little to see except the sky.
“Wouldn’t want to dry out your stock faster.” 
“That scared of what I’ll do if I run out?” he smiles, placing the butt of the cigarette between his lips. “I’m trying to figure out if you’re paranoid or smart.” 
“Paranoia works.” 
“I guess that’s true.” he mutters, lighting a match. “So what are you going to do? Stay or leave?” 
Javier inhales deeply, his lips not too tight not too loose. A soft groan vibrates from the back of his throat and he lets go of the smoke. Your eyes follow the dance of it, twisting and dissipating like the vapor on the first exhales of winter. He places the cigarette back between his lips and tucks his hands behind as he leans back into the metal surface of the train.  
He waits as you think. It’s ironic really, the fact that you’re actually contemplating staying with him. Needless to say, FEDRA and the fireflies don’t have the best relationship, but you guess that’s all behind you now. There are no organizations at this moment, no rebellions. Just him and you; two people looking for a way to survive. 
You turn to stare at the train. It’s nearly completely intact— there are six cars and the locomotive. If you stare hard enough you can spot the tracks buried under the moss and grass. It would take a lot of work, but indeed it was possible to turn it into a living space. 
“Give me a gun,” you say and he smiles. 
“What makes you think I have more than one?” 
“Then give me the one.” you press. 
“The first thing you said to me this morning was that you wanted to shoot me.” he pushes himself away from the metal surface. Pulling his cigarette away from his lips, he stands an inch away from you and holds your gaze. His smile disappears as smoke fans across your face, making your stomach churn. “Are you going to stay?” he asks. 
“If you give me the gun then sure.” you tilt your chin up. “I don’t trust FEDRA.” 
“I’m not FEDRA anymore and you’re not a firefly.” 
“You were once. I think you can see why I have my reservations. You weren’t just any FEDRA soldier, you were a part of it in Kansas City. I heard horror stories about that place.” you rub your eyes, trying to erase what they had seen. “And I actually witnessed the fables.”  
Javier takes a step back then, admitting defeat. Something horrific seems to cross his face, a series of violent images perhaps, or maybe it was the loss of his “friends” whatever it was you don’t pay much mind to it. Everyone has pain. Even children who are meant to be carefree and happy. You’re surprised when he suddenly hands you the gun, cigarette loose between his lips. You take the weapon. It’s heavy in your hand, cold between your fingers. 
“Satisfied?” 
“Very much so, yes.” you don’t smile, but you pull an expression very similar to it. He exhales another breath of smoke, and you push the gun under your waistband. “Where do we start?” 
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“You can’t be serious, Carillo.” 
It was dark and he could barely see the figure of his colleague. Javier had the intention of stepping forward and taking the gun from the other, but he stood there instead, heart beating in his throat. His stomach churned, bile thick on his tongue. Carillo didn’t bother to look at him. There was a man that was on his knees in front of the captain, his head bowed, shaking like a leaf. Carillo aimed his gun at him, his jaw tense. 
“You rather them kill us?” 
“I rather none of us kill each other.” 
Carillo finally turned to him then. Javier would expect the captain’s eyes to soften but they didn’t. 
“You heard what happened in the other QZ’s,” he spat. “Soldiers being killed, murdered. The people rioting. We can’t let weeds grow free Peña, he already killed one of us. You heard the rumors to overthrow FEDRA.” 
Before Javier could say anything a gunshot echoed, a body fell lifelessly to the concrete. He didn’t move. He didn’t even twitch. He just watched. Carillo placed a hand on his shoulder and the skin under Javier’s shirt burned—his stomach trembled then. 
“Ya no vivimos en un mundo de misericordia. Elige un bando.” 
Pick a side. 
Carillo left, Javier followed. Without thinking, his hand went to his empty flask. The cool metal under his fingertips did little to soothe him.
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It’s odd being here with him. You feel trapped by nature, by circumstance. Nothing is the same and nothing would ever be the same. You lean over and sweep out the glass into a tattered bag. Javier had decided on burying the glass or anything else you might find and have no use for down into the dirt. You didn’t have any objections to that. When you lean over to pick up a piece of a broken wine bottle, you feel the gun Javier gave you pressing into the skin of your hip. 
You always hated cleaning before the outbreak. Now it was a soothing thing to do. It felt normal. A reminisce of the past. Still, you can’t help but feel sick from being at ease. Change has to happen. But with the immune girl gone, and the fireflies basically disbanded (at least that was what you could tell from Marlene's massage) there is nothing you can do. 
You see Javier approaching, a sheer amount of sweat coats his skin, his shirt clinging to his body. Surprisingly, he’s silent. You had expected him to talk, to pry into your past life. But he seemed to be content with just cleaning for now. 
“We should scout the area,” he says when he catches your gaze. “Look for abandoned houses, supplies. Maybe we can find a fruit bush or something and plant some here for food.” 
“You do know there’s no way this is going to be like…a peaceful suburb residence right?” 
“A man can only dream.” 
He wipes a bead of sweat from his brow and your curiosity gets the better of you. 
“I need to ask,” you say and he piques with interest. “Why FEDRA? No offense but you don’t exactly look the type.” 
“I remember you saying that the first time you saw me.” 
“Still surprised you didn’t shoot me then, considering who I was.” 
“No offense but you didn’t exactly look the terrorist type. I didn’t know who, or what, you were.” 
“We weren’t terrorists.” 
“So you guys didn’t plant bombs?”  he asks sounding amused. “You didn’t kill people?” 
You narrow your eyes, heat pooling under your skin. “Only pieces of shit like you.” 
“I thought I didn’t look the type?” he sighs and shakes his head. “Look I’m not going to argue the ethics of it all and you’re definitely right. The things they—we did, FEDRA, It’s inexcusable. But don’t come here and tell me the fireflies were squeaky clean.” he takes the broken bottle from you and throws it into the bag. “I don’t want to fight about this. I don’t want to argue with you all the time. I’m not telling you I’m a good person, I don’t understand why you have to remind me. I know I’m not.” 
Silence follows. Your anger shifts into guilt and you push those feelings down. He gives you one last stern look before turning his back to you. 
“But neither are you so let’s stop bulshitting ourselves. And if you’re going to start interrogating me about my decisions—about my past— I recommend you not cuss me out a minute later.” 
His steps are loud as he leaves. You notice he left the bag behind, meaning that you managed to rile him up enough that he just had to get away from you. You probably deserved that. You don’t understand how he can shove the past aside so carelessly, how he can just forget what he’d done, what you’d done. But he was right, you aren’t a good person. Unlike him, you enjoy believing that you are. Joining the fireflies…it made you believe that you were doing good, that you were better and more noble. The killings you did were for the greater good, the people that ended up under the rubble of explosions were just a sacrifice that needed to be made—you told yourself that, again and again. 
Maybe you aren’t as bad as FEDRA but you aren’t that above it either. 
You contemplate going after him. Apologize without actually apologizing. You remember a time you used to break the tension by making a joke, how did you do that again? You can’t quite remember. 
You shake your head and continue to clear out the debris. He’ll come back. You can think about what to do then. 
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Javier does eventually come back, but not before the sun had set. 
The stars appear one by one, and you hate to admit that you’d worried about him. Being alone is worse than being with someone you hate. 
Dirt and dust sit uncomfortably on your skin. After an entire day of work, you managed to clear out the broken glass, rust metals, dead insects, and rodents (you shudder at the memory). Now all of it lays outside, waiting to be taken further away from the train. 
“Where were you?” you ask when he arrives, you notice a bow strapped to his back. “And where did you find that?” 
“Careful, it almost sounds like you were worried about me.” he grins as if he hadn’t stormed away from you when the sun was at the very top. You decide to let it slide. He lifts two rabbits and your eyes go wide. “I went looking around a bit. Found this in an abandoned cabin, then did some hunting. Assuming you’d be hungry.” 
“Thanks. I…actually forgot that we need to eat.” 
“Help me build a fire?” 
You answer. “Sure.” 
The process of building a fire has become as natural as breathing air. If it were a couple of years ago, most people wouldn’t know how to build a fire but that wasn’t the case now. You doubt that anyone who had survived in this world did so by not knowing how to create flames from scraps of wood and dried leaves. Even the children know. That’s just the world they grow up in now. 
Your eyes constantly follow him whenever he moves and you can’t decide if it’s due to old habits or is it because of something else. He has a bizarre aura about him. Something that you can’t quite read. He’s soft. You’ve met a lot of FEDRA soldiers back in the day, have argued and fought against them, but you never met someone like him. He has a bite to his words, but you see the kindness swirling in his eyes, suffocating him from the inside out. It’s an odd contrast and makes you feel uncomfortable. 
He’s a man that has been beaten down by the world and the system. Him asking you to stay here is his way of giving up on everything he wanted for the world. You can see it as vividly as you see the stars. Just glimpses of his backstory winking down at you. 
The flames come alive, roaring and eating the rabbits whole. Javier had taken the job of cooking for himself, patiently watching the fire, he pokes the sizzling meat from time to time. 
“You like cooking?” you ask, and your eyes water when the wind blows the ashes into your face. 
“I did,” he answers without looking. “I wouldn’t really say I particularly enjoy cooking this.”
You cross your legs as Javier hands you a branch, skewered with rabbit meat. You take a moment to examine the branch, noting the rough texture of the wood and the way it's been stripped of any leaves or twigs. The delicate slices of meat have been threaded onto the branch with care and precision, each one spaced perfectly apart.
He takes his own portion and sits across from you, the flames curling into the air in between. He doesn’t say a word as he takes the first bite. You watch him chew. The flames lick his face, the tip of his nose a dusted red. Javier swallows and when he does you bring a piece to your lips and slowly chew. It’s gamey, slightly sweet. Overall, tastes pretty damn good. 
Your lips twitch up to a small smile. Biting into it more eagerly this time, your stomach growls as you swallow. 
“This actually tastes pretty good,” you mutter, feeling the fat from the rabbit coating your lips. 
“Well, don’t go overboard.” 
“It’s the truth.”
When you lower your gaze back down to the meat, you don’t miss the way a smile curls at his lips. The night grows louder and you two finish the rest of your dinner in silence. You hear crickets, the leaves rustling with the wind. A sweet scent touches your nose, something like newly blossomed flowers. You look into the distance and all you can see is darkness. 
Your eyes play games with you, shows you shadows of people, tricks you into thinking that you and Javier might’ve been followed by Katleen’s resistance. 
You blink. 
No. 
There’s no one there. 
Your pulse skyrockets, your heart beating in your throat. Vibrating, you turn back to Javier only to see that he’s already staring at you. His look is one of understanding, his lips relaxed as his eyes flit around your face. 
“Are you alright?” 
“Yeah,” you breathe out. “I just thought—” you look back to the silhouette of trees. “I thought I saw something.” 
“The curse of the forest,” he answers, placing a cigarette between his lips. He realizes he doesn’t have his matches with him so he leans forward and lights it from the source. Javier’s face illuminates, and you see splashes of blood, of death. It lingers over his skin, curls around his throat, stains the white of his eyes. “It makes us see things we don’t wanna see.” 
“There was this girl,” you suddenly say, swallowing down the gasp that threatened to slip from your lips. He raises an eyebrow and sits back, listening. “Marlene told us that she was immune. I was supposed to meet up with them in Boston.” 
“Immune?” he scoffs. “Immune to what?” 
“Cordyceps.” 
“Bullshit.” 
“No, it’s true,” you answer with a sudden need to convince him. You’re not sure why. “She got bit and never turned.” 
“Did you actually see it?” he exhales a puff of smoke when you shake your head. He believes he made his point. “So what about this girl? Is there a reason why you’re telling me this or are you just that afraid of the dark?” 
You bite into your bottom lip, the sting offering a fleeting relief. “It’s not that I’m afraid. It’s just too silent. It feels…naked.” 
“Naked?” he asks, grinning, he steals the cigarette from between his lips and evens his gaze with yours. “We’re covered, cariño. Nothing to worry about.” 
“Famous last words,” you tease, ignoring how his tongue rolled as he mumbled cariño. “I guess I’m not used to it yet. There’s always something to fight. Someone is always lurking in the shadows.” 
He voices out the rest of your thoughts, “It’s like all the noise and chaos of the world has disappeared, leaving you with nothing but your thoughts.”
You take a deep breath of the crisp forest air. 
Emotionally, you want to lean into him. There’s a need in your chest that doesn’t go away but it’s tainted with the anger and the hatred of the organizations that tear you away from each other. He might’ve wanted to do good once, but he chose the wrong side. He thought fireflies were terrorists, and maybe to some you were. However, at least you weren’t fascists and tried to help the people. For better or for worse.
“It doesn’t hurt does it?” he says, guiding your attention back to him. Javier looks up to the sky, takes a deep inhale of smoke. It spills from his lips as he continues. “To have someone by your side.” 
No, you think as you get up and head into the train, it doesn’t. 
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You don’t know what it is this time that wakes you up. There’s no noise. The only thing that convinces you that you’re not in a soundproof cell is the moonlight filtering through the dirty windows. You watch as the pine leaves move together, you’ve always enjoyed the smell of it. The sound of it comes like an afterthought, slowly gaining and getting louder. 
You get up when you feel the train shake. 
Javier is in the same spot that he always sleeps in, only a couple rows ahead. You move past him and you sneak a glance. His lips twitch and move as he sleeps. 
Stepping outside, you take in the same sight as before. It’s still eerie. 
Interestingly enough since the fire was gone the darkness seemed lighter somehow. A shimmering blackness. The moonlight probably helped. 
Dry earth cracks under your boots. The sound of the trees now mixed with something else, something violent and cruel yet beautiful. You feel the gun on your hip and travel deeper into the forest. The scent of pine and flowers that only bloom during the night stronger. The train is still visible so you don’t worry much about the distance in between. Your fingers brush over the tree trunks, you feel the moss, the sticky resin. 
You hear a click. 
Click. Click. Click. 
Just ahead there’s a clicker, moving with its arms bent and dragging its feet through the soil. Swallowing, you take a slow step back. Then another. And another. 
The chill of the night stings your skin, sticky from sweat and burning. The clicker turns in your direction and you stop moving, your one foot suspended in the air. It gains momentum, head twisting and turning. Very slowly you lower your foot, and your heart beats loud in your chest. Surely the clicker hears it. 
Fuck. 
The sound of the branch snapping underneath you was like a gunshot, reverberating through the stillness of the woods.
You don’t even get the chance to pull out the gun on your hip. 
You’re slammed into the dirt, all air forced out of your lungs. You struggle against it but it’s too heavy, too wild to be pushed off of you. The clicker screams into your face, the stench horrid. Bile builds in your throat and coats your stomach. You’re helpless. 
It makes a move towards your hands and you pull them away, its full weight suffocating you. Killing you. You can’t breathe. 
Tears flood your eyes. You know you’re about to die because you see your life flashing before your eyes, snippets of the past and possible future. You think of the fireflies, of Marlene. You see earth cleansed from the virus. 
You see Javier. He’s smiling, leading you in a dance around the wilting flames. You don’t push the thoughts away. You take them as a blessing in moments of lingering death. 
A gunshot echoes. You hear the bullet cutting through the air, whistling in the night. It sinks into the clicker’s shoulder, you hear another one, this time the bullet strikes its head.  The clicker collapses. Before you can shove the lifeless vessel away, it’s being lifted. 
You can breathe again. 
Javier is standing before you, his brows creased with worry. His lips are parted as if he’s about to say something but you beat him to it. You’re still gasping for air when you speak. 
“You had a gun.” 
“Yeah,” he heaves, sweat clinging to his chest and moonlight trickling down his skin. “I had a fucking gun.” 
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Oh man, you guys have no idea how excited I am to finally be sharing the first chapter. I hope you guys enjoyed it, I'll probably be posting a new chapter every Saturday (the first 3 chapters will def go up and Saturdays, after that, if everything goes well, I'll continue it the same way)
A few thank you's are in order; @pedrito-friskito , @inklore , @fuckyeahdindjarin and @pedrorascal who listened to me go on and on about this and for their endless moral support ♥︎ and thank you to @laters-gators who beta'd this.
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lukaskyle · 2 years ago
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Melanie Lynskey as Kathleen Coghlan THE LAST OF US | 1.05 "Endure and Survive"
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tuppencetrinkets · 2 years ago
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Sorted caps from The Last of Us Season 1. Episodes 1-8
Joel Miller - Pedro Pascal #34,000
Ellie Williams - Bella Ramsey #44,000
Tess Servopoulos - Anna Torv #7,000
Henry Burrell - Lamar Johnson #3,000
Kathleen Coghlan - Melanie Lynskey #3,000
Sarah Miller - Nico Parker #4,500
Marlene - Merle Dandridge #2,000
Sam Burrell - Keivonn Woodard #1,000
Perry - Jeffrey Pierce #1,000
Tommy Miller - Gabriel Luna #300
Maria Miller - Rutina Wesley #1,200
Riley Abel - Storm Reid #8,000
David - Scott Shepherd #6.000
Dr. Neuman - John Hannah #1,000
Bill - Nick Offerman #7,000
Cpt. Kwong - Terry Chen #600
Ratna Pertiwi - Christine Hakim #2,000
Frank - Murray Bartlett #8,000
Marlon - Graham Greene #450
Florence - Elaine Miles #450
James - Troy Baker #3,500
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