#ka ryo ten

[artisautismtic]

nona_navy's Welcome to the Hi Shin Unit

[vanillabound]

[cospinol]

(extremely keeping my mouth shut abt this)

[crazyasianlove]

Kingdom 2: Harukanaru Daichi e (Sub. Esp)

DESCARGAR O VER ONLINE AQUÍ

Título: Kingdom 2: Harukanaru Daichi e (Kingdom 2: Hacia la Tierra Lejana) País: Japón Duración: 134 min. Género: acción, historia, guerra Fecha de estreno: 15 de julio, 2022 Dirección: Sato Shinsuke Guion: Kuroiwa Tsutomu SINOPSIS Después de reprimir la rebelión de su hermano menor, el rey del estado de Qin, Eisei, que había tomado el trono y aspira a unificar China, es amenazado por asesinos que entraron en el palacio real por la noche. Gracias a Shin y Ka Ryou TEn, quienes se apresuraron a la escena, los asesinos fueron repelidos con éxito, pero estaba claro que había alguien dentro del palacio que planeaba asesinar a Eisei. Si bien todavía había cierta incertidumbre, el enemigo vecino, el estado de Wei, comenzó a invadir a través de la frontera, y Shin finalmente se unirá a su primera batalla como soldado de a pie. Los soldados de a pie formaron un equipo "GO" de cinco hombres, y Shin se unió al campo de batalla junto con sus viejos amigos Bi Hei y Bi Tou, que vienen de la misma ciudad natal, el experimentado líder del escuadrón Taku Kei, que no es fiable pero nunca había matado a nadie, y el misterioso Kyou Kai, cuyo rostro está cubierto casi por completo con una máscara. Go Kei, el gran general de Wei, es un genio con una excelente estrategia militar, y también hace pleno uso de la poderosa fuerza de carros de Wei para invadir a los soldados de a pie de Qin en la línea del frente. Cuando el gran general de Qin, el duque Hyou, recibe noticias de la amarga batalla, simplemente sonríe irónicamente y ordena a sus tropas que se mantentan alerta. Contra probabilidades abrumadoras, Shin pelea una batalla solitaria con su habilidad perfeccionada con la espada, mientras que sus camaradas y otros lograron sobrevivir con su propio ingenio. Baku Koshin, un general de mil hombres de Qin, ve el éxito de Shin y sus hombres y corrió a las colinas para unirse a ellos en un asalto aún más imprudente. Con Shin y sus hombres del Cuarto Ejército mostrando un ligero tambaleo por la abrumadora desventaja de Qin del día anterior, el duque Kyou encuentra la "chispa" de la batalla y finalmente hace su movimiento. Mientras la batalla vanza a lo grande y un gran fuego comienza a rodar, esa persona inesperada también aparece en el campo de batalla... CAST Yamazaki Kento como Shin Yoshizawa Ryo como Eisei/Hyou Hashimoto Kanna como Ka Ryou Ten Seino Nana como Kyou Kai Mitsushima Shinnosuke como Heki Okayama Amane como Bi Hei Miura Takahiro como Bi Tou Hamatsu Takayuki como Taku Kei Makabe Togi como Hairou Yamamoto Chihiro como Kyou Sho Toyokawa Etsushi como Hyou Kou Takashima Masahiro como Shobunkun Kaname Jun como To Kato Masaya como Shishi Takahashi Tsutomu como Kyugen Shibukawa Kiyohiko como Baku Koshin Hirayama Yusuke como Mou Bu Ozawa Yukiyoshi como Gou Kei Tamaki Hiroshi como Shou Hei Kun Sato Koichi como Ryo Fui Osawa Takao como Ou Ki

TRÁILER: https://www.youtube.com/watch?v=jYJR1YKFq_8

[maokdm]

Heliao Diao

河了貂

[incorrect-kingdom-quotes]

Mou Ki, to Ka Ryo Ten: Er, would you like to stay for dinner?

Mou Ten, from another room: WOULD YOU LIKE TO STAY FOREVER?

[jlassijlali]

Kingdom

[aquariumdrunkard]

The Aquarium Drunkard Show: SIRIUS/XMU (7pm PST, Channel 35)

Intro ++ Antena – To Climb The Cliff ++ Shintaro Sakamoto – From The Dead ++ Ronald Langestraat – Girl Where Are You? ++ David Bowie – Right ++ Starship Commander Wooo Wooo – Starship Commander Wooo Wooo ++ Patrick Cowley – Somebody To Love Tonight ++ Harald Grosskopf – Emphasis ++ Günter Schicker – Suleika ++ CAN – Shikako Maru Ten ++ Amon Düül II – A Morning Excuse ++ Cluster – Caramel ++ Bernard Fevre – Earth Message ++ Basil Kirchin – Silicon Chip ++ Tonto’s Expanding Head Band – Cybernaut ++ Jan Hammer Group – Don’t You Know ++ Mariah – Shinzo No Tobira ++ Yasuaki Shimizu – Kakashi ++ Bernard Estardy – Cha Tatch Ka ++ Bruce Haack – When Mothers of Salem (AD edit) ++ Brian Eno & David Byrne – Regiment ++ Niagara – Rhythm Go ++ Lee “Scratch” Perry – Huzza A Hana ++ Ryo Kawasaki – Hawaiian Caravan ++ Jah Limonardi Und Die Kleine Gräfin Dubski – Titto Und Pippo ++ Gorillaz – Dracula ++ Dr. Alimantado – Ride On ++ Nascimbene – Interlude: Witchdoctor ++ Antena – Achilles ++ Funki Porcini – Last Night Over Norway ++ Ashra – Oasis ++ Tony Allen & Jimi Tenor – Cella’s Walk ++ Yura Yura Teikoku – Robot Deshita | art michael hentz

[optimisticweeb]

Reon x Kenta

I Don't Want to be Alone

The sun is gone, and the wind blows strongly outside. There may be an incoming storm, so GYROAXIA's practice got canceled. Reon though it was a good thing. He could use some solo practice.

Home alone, Reon sits on his couch, guitar and pick in hand. He plays the melody for their new song, but it's a but difficult without Miyuki's drumming or Ryo's bass. Reon sighs and leans back against the couch.

There's a knock on his door, startling him from his train of thought. Reon frowns, putting his guitar down and shoving the pick in his pocket.

Who could it be?

He opens the door. Standing in the door way, is GYROAXIA's guitarist, Kenta Satozuka. Surprised, Reon scans him quickly. His tie is loose, his red hair messy, face flushed red, and his chest heavy. Reon can smell the alcohol on Kenta's clothes.

Out of all places, he choose Reon's house. It infuriated him slightly. Kenta and Reon didn't really get along well for reasons called Nayuta.

"Kenta? What are you doing here?"

A strong wind blows, and Reon shivers. He steps aside and lets Kenta into his house. Despite being drunk, he still had the decency to take off his shoes and leave them by the entrance.

"Can't believe how drunk you are."

Kenta turns around and points a finger at the guitarst.

"I'm not drunk!" His words are slurred together, obviously he's been drinking more than usual.

"Yes, you are."

"I'm not...fucking drunk!"

It's rare seeing Kenta angry, usually he's calm and quiet. Hearing him swear is another rare thing. Actually, Reon can't recall a moment where Kenta had cursed.

"Alright, can you tell the time?" Reon asked.

"Yes," the redhead turns to a clock on the wall, "I'm not fucking drunk."

Reon slaps a hand over his mouth, trying not to laugh loudly. He wished he had a camera to record it. Reon should really help Kenta. But it's another rare thing to see him drunk. Yes, Kenta liked wine and did drink it fairly often, just not a lot in one sitting.

Reon sighs and wraps an arm around Kenta's waist, letting his weight lean on him. Kenta graps Reon's shoulder in an attempt to steady himself. He wonders why Kenta came to his house. Maybe he should do some questioning.

Just a little bit of prying.

"Hey, Kenta. Why are you drunk?"

"Cuz I drank too much?"

Reon rolled his eyes. Okay, so maybe Kenta still had a shitty sense of humor. It kind of ticked him off.

"Nice one. Now tell me, why were you drinking?"

"Oh...fuck. Who knowz? I just got thirsty."

Kenta's words are slightly clearer, but it's kind of hard for Reon to understand him. The questioning will have to be cut short.

Reon takes Kenta to the couch, and the guitarist plops down. The redhead rubs his eyes, a quiet yawn escaping his flushed lips. Reon frowns soflty.

Kenta should take his bed for tonight. Sleeping on the couch isn't really comfortable. Besides, Reon still has practice. He glances at the clock that Kenta talked to earlier.

11:00 PM

"Reon."

"What?"

"What're ya thinkin'?"

"I'm thinking you should take my bed tonight."

"Oh."

He grabs Kenta's arm, and again slowly drags him away. Kenta leans against Reon, using him as support.

"Reon."

"What?"

"I'm hungry."

"No, you're going straight to bed."

"Ugh! Okay."

Kenta reluctantly allows Reon to drag him to the bedroom. He stares at Reon, who cutly bites his lower lip as he struggles to drag Kenta. He finds everything about Reon cute.

"Hehehe~"

"What's so funny?"

"Nnnothin'. You look cute though."

"Kenta, you're drunk."

"For fucks sake, I told ya'! I'm not drunk."

Reon heaves a sigh, relief washing over him as they reached his bedroom.

Why did it take so long?

He throws the redhead on the bed, who let's himself be thrown. Reon rubs his shoulder, which aches from Kenta's tight grip. There's a moment of silence, and Reon can see Kenta's expression change.

His face is still red, but his mouth is set in a straight line, and his eyes seemed watery. Kenta shifts in bed, leaving a wide area empty.

"Reon."

"What?"

"Lay down with me."

"Kenta..."

"Please? I don't want to be alone."

The yellow eyed male is taken aback. Kenta was never open with his feelings. Especially with his desires. So it's surprising to hear Kenta ask something. Especially a request like that.

"Fine. But I'm only going to lay down."

Reon fills the space Kenta left, awkwardly lying on his back. Kenta wraps an arm around his waist, gently nuzzling his face into Reon's shoulder.

"Will stay right here?"

Kenta spoke softly, voice barely reaching a whisper. It was so quiet, Reon thought he hadn't spoken at all. He glances down, and Kenta looks at him with hopeful eyes. Almost like a child begging their mom to stay.

"Sure, for as long as you need me to."

Kenta smiles soflty, a bright and beautiful smile that blinded Reon. He grabs Kenta's glasses and puts them on the nightstand.

Well, if he's going to sleep in the same bed as Kenta, he might as well get comfortable. He rolls onto his side, and brings a hand to the red strands of hair. He gently runs his fingers through the soft locks of hair.

So soft.

Reon slowly closes his eyes, feeling the drowsiness get to him. Weird, he thought. He wasn't tired until Kenta got here. He did waste a bunch of energy carrying him.

The warmth of the sun, brings Kenta back to consciousness, his head throbbing in pain. He groans softly, rubbing his eyes. He realizes the limiting space, and slowly raises his gaze.

Kenta's heart jumps at the sight. Reon's chest rises and falls, a steady rhythm that matches the beat of his heart. His hair is messy, but it makes him look hot. Kenta gulps slightly at the choice of words.

So he likes Reon, what's the problem?

The problem is that he got drunk and blacked out along the way. He doesn't remember jack shit. Kenta doesn't know if he told Reon about his feelings nor if he caused problems.

The thoughts and alcohol make his stomach ache. He realizes this pain, and groans softly. His nausea and head ache isn't really helping. Kenta gently pushes Reon's arm, slowly sitting up. He's careful not to wake him up.

His head feels like it's being squeezed under some sort of pressure. Kenta groans again, rubbing his head.

He feels like throwing up. This is not okay. He slowly gets off the bed, his legs threatening to crumble beneath him. The room spins and he doesn't know if he's on the floor or still standing. Kenta can feel the acid rising up his throat.

He cursed mentally and rushes to the bathroom, forgetting Reon's presence. He manages to get there in time to empty out his stomach. He holds his hair back, spitting into the bowl beneath him. He presses the handle, and watched it flush. Kenta waits patiently.

It comes again, the feeling of something going up and the acid burning his throat. He hates that feeling. Not to mention the taste is gross. He just tastes alcohol and puke. Not a good mixture.

Kenta breathes heavily. He feels something grazing his back. He jumps slightly.

"Hey, hey. Kenta it's me. Just relax, okay?"

Reon's voice is soothing and gentle. Kenta actually feels relaxed. He can still feel his stomach acid churning.

"I brought water and aspirin. Take them once you're done."

Kenta nods, feeling the bile rise up again. He mentally curses, and was slightly ashamed. Reon was in the room, afterall. Bearing witness to this mess.

Once he's sure it's over, and his stomach is no longer bubbling, he sighed softly. And gingerly stood up. Kenta opens the sink and rinses his mouth thoroughly. He rinses and spits repeatedly.

"Hey, I got you a toothbrush. I'll get you some clothes and a towel so you can shower."

Kenta nods once more.

"Thank you."

He cringed at the sound of his voice. Weak.

Reon smiles softly before disappearing again. Kenta rubs his head, groaning softly. He burshes his teeth for about ten minutes. There is no way he won't be thorough with his hygiene. Once that's done, he takes the aspirin and gulps down the glass of water.

The door to the bathroom opens again, and Reon leaves a pile of clothes by the entrance along with a towel.

"Sorry if the clothes don't fit you. They're mine."

Kenta tries his best not to blush. Wearing Reon's clothes is a blessing. He silently thanks Reon, who simply smiles in return.

Luckily, the keys of the showers were simple. He turns only the cold water on, and steps in. The cold water wakes him up. Kenta sighs softly, splashing the water onto his face. He just realized he doesn't know where his glasses are.

I hate myself so much right now.

Kenta groans softly. He's been tired recently. Band practice, school, checking in on his brother, taking care of Nayuta. Now that he's alone with his thoughts, it seems strange.

Why the fuck am I taking care of Nayuta?

Kenta grabs a shampoo bottle, making sure it's shampoo first, and squirts some onto his hand. He feels to relieved to shower. He reminds himself that he's at Reon's place. He blushes furiously, the warmth traveling down his neck and lower. He cusses out loud.

After showering, he grabs the towel and quickly dries himself off. Kenta slips the clothes on. It's rather loose around him. A long sleeved shirt, and grey jeans. They're really comfortable too. He exits the bathroom and steps into Reon's bedroom.

The room has obviously been cleaned and organized. The bed is made and the nightstand only has a clock on it. And...

"My glasses. Thank God."

He grabs them and slips them on. He can see clearly now. He smiles softly. Kenta leaves the bedroom and catches a whiff of food. His stomach rumbled, and he noticed how hungry he is.

Reon can cook?

He enters the kitchen and sees Reon by the stove. A song he doesn't recognize is playing, but it's a good song. Reon gently hums to the song, as he prepares breakfast. Actually, Kenta glances at clock, brunch. The song reached the chorus, and Reon began singing.

"Seiippai kono namida kakiwakete"

"Kimi ni subete o ageru kara"

"Onegai dō ka kienaide kure"

"Ano hi mamoru to kimeta, yakusoku wa kono mune ni"

Kenta smiles soflty. He wished he could see Reon's face. And besides, Reon's singing wasn't bad. It's actually really soothing and calming.

"Good afternoon."

Reon turns and beams at Kenta. It's startling, but the redhead doesn't mind. He enjoys seeing Reon smile. And he rarely smiles at him. So he won't comment.

"Hey! How'd ya sleep?"

Reon asks as Kenta takes a seat at the table.

"Not bad. Uhm, and you?"

"Pretty good, actually."

The kitchen is quiet. Kenta feels awkward, but the air doesn't feel that way. He wants to talk to Reon to ignore the weight of the air.

"What are you making."

"Ah, nothing special. Just curry."

The song that was playing hasn't finished, and it reaches the last few lines. Reon sings all of it flawlessly.

"It's a good song. What's the name?"

"Oh, haha. It's Polaris by Blue Encount. It's the opening for My Hero Academia."

Kenta has heard the name before. He just can't recall what it is.

"Oh, is that so?"

"Yeah, the openings are great and Blue Encount is a great band. I like to cover them sometimes."

Kenta nods, and it feels as if the air is lighter now. After a minute of waiting, a plate of curry is set in front of him, along with a spoon. Kenta thanks him, and gingerly scoops up a but of the curry. Reon sits across from him, setting his own plate.

"Oh, it's good."

Kenta comments. Reon smiles and nods, eating some himself.

"Sorry if it's kind of boring. I wanted to make something simple and quick. It's the only thing that came to mind."

Kenta shook his head.

"Now, tell me what happened yesterday."

Kenta shoves a spoonful of curry in his mouth. Wanting to avoid the question, he took his time breaking down the food. Reon sighs softly.

"Fine, don't answer."

Reon angrily stares at the plate in front of him, eating the food little by little. Kenta felt a little guilty. While showering, he did remember what happened yesterday and why he got drunk.

"I'll tell you what happened. But you have to tell me what I did last night."

"Alright."

Kenta gulps softly, poking at the curry with his spoon. He sighs softly and puts the spoon down.

"Wataru called me last night. He told me we had to talk."

"Your brother?"

"Right. Apperantly, my parents got in contact with him. They told him that they wanted to see me and him."

"Wait, aren't your parents divorced?"

"Yeah, Wataru said we'll be meeting them next week. I didn't want to. I told him I wasn't going to. He got mad at me. We had a small argument."

Kenta fiddles with his sleeves, avoiding eye contact with Reon.

"I decided to drink a bit. And, well, you know the effects of alcohol."

Kenta grabbed the spoon and shoved the curry into his mouth. It's good and made by Reon. He'll eat it. Besides he's done talking.

"Oh, uhm, I'm sorry."

"It's fine. Now tell me what happened."

"Oh, okay. You came by my place at like eleven. I let you in and thought you should sleep it off. That's it."

"Did I say anything?"

"Pfft, yeah. You told a clock you weren't drunk."

Kenta blushes madly. Here he was, worried about spilling his unnecessary emotions. But his worst enemy was talking to a damn clock.

"Reon, I'm serious. Anything else?"

"Err, nothing strange. I mean, you asked me to lay down with you because you didn't want to be alone."

Is it possible to blush this much in one day? Yes, yes it is.

Kenta's face grows hot and he looks down at his food. He rapidly eats all of it, wanting to leave the kitchen as quicklt as possible.

"Oh, and Kenta."

"Hm?"

"I think you should talk to your parents."

Kenta nearly chokes on the curry.

"You should be able to rely on them. Of course, that doesn't mean you should trust them right of the bat. I think you should try and fix your relationship with them."

Kenta coughs, startled by the sudden piece of advice. Reon stands and grabs a cup of water. He offers the cup and Kenta takes it.

"Thank you. You did a lot for me."

"Don't mention it. I'd do it again."

Kenta and Reon smile at each other.

"I'll make sure you won't have to."

[manish-pakhi]

Basics of Buddhism

Lotus Sutra – ‘Juryo’ Chapter 16

Life Span

Myoho renge kyo – nyorai juryo’hon dai ju-roku

Ji ga toku bur^rai. Sho kyo sho kosshu. Muryo hyaku sen man. Oku sai asogi. Jo seppo kyoke Mushu oku shujo. Ryo nyu o butsu-do. Nirai muryo ko.

“Since I attained Buddhahood the number of kalpas that have passed is an immeasurable hundreds, thousands, ten thousands, millions, trillions, asamkhyas. Constantly I have preached the Law, teaching, converting countless millions of living beings, causing them to enter the Buddha way, all this for immeasurable kalpas.

I do shujo ko. Hoben gen nehan. Ni jitsu fu metsu-do. Jo ju shi seppo.

“In order to save living beings, as an expedient means I appear to enter nirvana but in truth I do not pass into extinction. I am always here preaching the Law.

Ga jo ju o shi. I sho jin-zu-riki. Ryo tendo shujo. Sui gon ni fu ken.

“I am always here, but through my transcendental powers I make it so that living beings in their befuddlement do not see me even when close by.

Shu ken ga metsu-do. Ko kuyo shari. Gen kai e renbo. Ni sho katsu-go shin.

“When the multitude see that I have passed into extinction, far and wide they offer alms to my relics. All harbor thoughts of yearning and in their minds thirst to gaze at me.

Shujo ki shin-buku. Shichi-jiki i nyunan. Isshin yok^ken butsu. Fu ji shaku shinmyo. Ji ga gyu shuso. Ku shutsu ryojusen.

“When living beings have become truly faithful, honest and upright, gentle in intent, single-mindedly desiring to see the Buddha not hesitating even if it costs them their lives, then I and the assembly of monks appear together on Holy Eagle Peak.

Ga ji go shujo. Jo zai shi fu-metsu. I hobenrik^ ko. Gen u metsu fu-metsu. Yo-koku u shujo. Kugyo shingyo sha. Ga bu o hi chu. I setsu mujo ho.

“At that time I tell the living beings that I am always here, never entering extinction, but that because of the power of an expedient means at times I appear to be extinct, at other times not,

and that if there are living beings in other lands who are reverent and sincere in their wish to believe, then among them too I will preach the unsurpassed Law.

Nyoto fu mon shi. Tan ni ga metsu-do. Ga ken sho shujo. Motsu-zai o kukai. Ko fu i gen shin. Ryo go sho katsu-go. In go shin renbo. Nai shutsu I seppo.

“But you have not heard of this, so you suppose that I enter extinction. When I look at living beings I see them drowned in a sea of suffering; therefore I do not show myself, causing them to thirst for me. Then when their minds are filled with yearning, at last I appear and preach the Law for them.

Jin-zu riki nyo ze. O asogi ko. Jo zai ryo jusen. Gyu yo sho jusho. Shujo ken ko jin. Dai ka sho sho ji. Ga shi do annon. Tennin jo juman. Onrin sho dokaku. Shuju ho Shogon. Hoju ta keka. Shujo sho yuraku. Shoten gyaku tenku. Jo sas^shu gi-gaku. U mandara ke. San butsu gyu daishu. Ga jodo fu ki. Ni shu ken sho jin. Ufu sho kuno. Nyo ze shitsu juman.

“Such are my transcendental powers. For asamkhya kalpas constantly I have dwelled on Holy Eagle Peak and in various other places. When living beings witness the end of a kalpa and all is consumed in a great fire, this, my land, remains safe and tranquil, constantly filled with heavenly and human beings. The halls and pavilions in its gardens and groves are adorned with various kinds of gems. Jeweled trees abound in flowers and fruit where living beings enjoy themselves at ease. The gods strike heavenly drums, constantly making many kinds of music. Mandarava blossoms rain down, scattering over the Buddha and the great assembly. My pure land is not destroyed, yet the multitude see it as consumed in fire, with anxiety, fear and other sufferings filling it everywhere.

Ze sho zai shujo. I aku-go innen. Ka asogi ko. Fu mon sanbo myo.

“These living beings with their various offenses, through causes arising from their evil actions,

spend asamkhya kalpas without hearing the name of the Three Treasures.

Sho u shu ku-doku. Nyuwa shichi-jiki sha. Sokkai ken gashin. Zai shi ni seppo. Waku-ji i shi shu. Setsu butsu-ju muryo. Ku nai ken bussha. I setsu butsu nan chi.

“But those who practice meritorious ways, who are gentle, peaceful, honest and upright, all of them will see me here in person, preaching the Law. At times for this multitude I describe the Buddha's life span as immeasurable, and to those who see the Buddha only after a long time I explain how difficult it is to meet the Buddha.

Ga chi-riki nyo ze. Eko sho muryo. Jumyo mushu ko. Ku shugo sho toku.

“Such is the power of my wisdom that its sagacious beams shine without measure. This life span of countless kalpas I gained as the result of lengthy practice.

Nyoto u chi sha. Mot^to shi sho gi. To dan ryo yo jin. Butsu-go jip^puko. Nyo i zen hoben. I ji o shi ko. Jitsu zai ni gon shi. Mu no sek^komo. Ga yaku I se bu. Ku sho kugen sha.

“You who are possessed of wisdom, entertain no doubts on this point! Cast them off, end them forever, for the Buddha's words are true, not false. He is like a skilled physician who uses an expedient means to cure his deranged sons. Though in fact alive, he gives out word he is dead,

yet no one can say he speaks falsely. I am the father of this world, saving those who suffer and are afflicted.

I bonbu tendo. Jitsu zai ni gon metsu. I joken ga ko. Ni sho kyoshi shin. Ho-itsu jaku go-yoku. Da o aku-do chu. Ga jo chi shujo. Gyo do fu gyo do. Zui o sho ka do. I ses^shuju ho.

“Because of the befuddlement of ordinary people, though I live, I give out word I have entered extinction. For if they see me constantly, arrogance and selfishness arise in their minds. Abandoning restraint, they give themselves up to the five desires and fall into the evil paths of existence. Always I am aware of which living beings practice the way, and which do not, and in response to their needs for salvation I preach various doctrines for them.

Mai ji sa ze nen. I ga ryo shujo. Toku nyu mu-jo do. Soku joju busshin.

“At all times I think to myself: How can I cause living beings to gain entry into the unsurpassed way and quickly acquire the body of a Buddha?”

[artisautismtic]

[vanillabound]

[harmonia17]

Kono BL ga Yabai! 2019 Top 20 Best BL

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[skyflyinginaction]

Assassination classroom: Class E classmates name meanings

In case if you didn’t know if I didn’t add the names its because I didn’t know what kanji with hiragana and katakana to use for there names

Yūma Isogai 磯貝 悠馬 Yuu (悠) means "distant, leisurely,permanence” ma (馬) means “horse” Iso (磯) means “seashore” gai (貝) is an abbreviation of “kai” means “shellfish”

Taiga Okajima 岡島 大河 Tai (大) means large or big and ga (河) is an abbreviation of ka means “river” together means “big river” Oka (岡) means “hill” jima(島) is the abbreviation of shima means “island”

Hinata Okano 岡野 ひなた Oka (岡) means “hill” and no means “an area, field”

Manami Okuda 奥田 愛美 mana (愛) means “love, affection” and mi (美) means "beauty" together means “affectionate love” oku (奥) means “inside,inner depths,one's heart, true feelings, heart, interior” and da (田) means “rice paddy”

Megu Kataoka 片岡 メグ Kata (片) means “one part of a pair” oka (岡) means “hill”.

Yukiko Kanzaki 神崎 有希子 Yu (有) means “possession” ki (希) means “hope” and ko (子) means “child” Kan (神) means “a deity or god” and zaki (崎) the abbreviation of saki means “peninsula; promontory; cape; spit”

Masayoshi Kimura 木村 正義 Masayoshi (正義) means “justice” in kanji his real name Justice so the kanji is used to fit it. Ki (木) means “tree” and mura (村) means “village”

Hinano Kurahashi 倉橋 陽菜乃 Hi (陽) means “the sun”, na (菜) means "vegetables, greens" and no (乃) is “a possessive particle” means “of” Kura (倉) means ”Storehouse”and hashi (橋) means “bridge”

Sōsuke Sugaya 菅谷 創介 So (創) means "genesis, hurt, injury, originate, start, wound" and suke (介) means "concern oneself with, jammed in, mediate, shellfish”. Suge (菅) means “sedge” and ya (谷) means “valley”.

Tomohito Sugino 杉野 友人 Tomo (友) means “friend” and hito (人) means “person” Sugi (杉) means “a Japanese cedar” and no (野) means “an area, field”

Kōtarō Takebayashi 竹林 孝太郎 Ko (孝) means “filial piety,mourning” and taro (太郎) means “eldest son or strong, heroic, masculine” used at the end of boys names Take (竹) means “bamboo” and bayashi (林) is the is the abbreviation of hayashi means “woods”

Ryūnosuke Chiba 千葉 龍之介 Ryu (龍) means "dragon”,no (之) means “a possessive marker” and suke (介) means "forerunner, herald" Chi (千) means “thousand” and ba (葉) the abbreviation of ha means “leaf” all together means "thousand leaves"

Ryōma Terasaka 寺坂 竜馬 Ryo (竜) means “dragon”, ma (馬) means “horse” together means “Dragon and horse” Tera (寺) means “a Buddhist temple”, saka (坂) means “slope, hill”

Rio Nakamura 中村 莉桜 Ri (莉) means "white jasmine" o (桜) means "cherry blossom" Naka (中) means “middle” and mura (村) means “village”

Kirara Hazama 狭間 綺羅々 Ki (綺) means “thin twilled silk fabric”, ra (羅) means “lightweight fabric” and ra (々) is a repeater of ra Kirara means something that is “like twinkle or something shiny” (キララ) Hazu (狭) means “cramped, narrow, contract, tight” and ma (間) means “space and room”

Rinka Hayami 速水 凛香 Rin (凛) means “dignified,severe, cold” and ka (香) means “a pleasant smell; a scent, a fragrance, an aroma” Haya (速) means “fast, speedy” and mi (水) means “water”

Sumire Hara 原 寿美鈴 Su (寿) means “longevity, long life,congratulations”, mi (美) means “beauty” and re (鈴) means “a bell, chime” Hara (原) means “meadow, plain, field”

Yuzuki Fuwa 不破 優月 Yu means “tenderness, excel, surpass, actor, superiority, gentleness” and zuki means “moon” together means “Tender moon”. Fu means “un-; non-; negative prefix” and wa means “break,cut”

Hiroto Maehara 前原 陽斗 Hiro means “the sun” and to means “Big Dipper, ten sho (vol), sake dipper, dots and cross radical (no. 68) ” Mae means “the front” and Hara (原) means “meadow, plain, field”

Kōki Mimura 三村 航輝 Ko (航) means “navigate, sail, cruise, fly” and ki (輝) means “radiance, shine, sparkle, gleam, twinkle” Mi (三) means “three” and mura (村) means “village”

Takuya Muramatsu 村松 拓哉 Taku (拓) means "expand, open, support" and ya (哉) “an exclamation” Mura (村) means “village” and matsu (松) means “a pine tree”

Tōka Yada 矢田 桃花 To means “peach” and ka means “flower” Ya (矢) means “arrow” and da (田) means “rice paddy”

Taisei Yoshida 吉田 大成 Tai (大) means “big or large” and sei (成) means “to become,to do something” Yoshi (吉) means “lucky (or good)” and da (田) means “rice paddy” together means “lucky (or good) rice paddy”

Ritsu 律 Ritsu’s (律) name means “law” her name is taken from Jiritsu (自律) meaning Autonomy

Itona Horibe 堀部 糸成 (イトナ) Ito means “thread” and na (成) means “to become,to do something” Hori means “ditch, canal,moat” and be means “section, bureau, dept, class, copy, part, portion, counter for copies of a newspaper or magazine”

[cospinol]

Oh my god, kingdom time… So So Much to talk about, I think I would’ve had to split this into multiple posts even if it was just one episode, because it’s now clear that we’re going to end with yo tan wa’s return rather than the chu court drama, so every scene is being expanded a little to fit, which means so many new lines and sequences…!!!!! And, since we’ll be proceeding slightly out of order anyways b/c there’s one of those sequences that I have to quarantine in its own post, I want to start with The Woman Of All Time on the chu border ❤️❤️❤️❤️

(ka rin voice) the joker … there’s an extended bit here where we get to see bam yuu as he’s delivering the news to her and she kicks him in the face abt it :)❤️

I obviously already would’ve wanted to highlight this next line very badly since because it’s Fun and i’m in love with her abt it, but it seems like we’ve got some additional discussion to do regarding the fact the anime translators had a very different take on ‘mou bu no obocchan’ than the manga translators lol:

I think the anime team is probably right that she’s referring to mou bu, since he’s the one in the panel (also, I’d be willing to believe that she doesn’t know/care that he has a son), but the fact that the mou family’s young master Is Here on the field does muddy the waters.. Also, in my heart I want her to be talking about mou ten, sorry, I think he doesn’t get personally bullied anywhere near enough and she would be the perfect person to do it ❤️

thrilled to see him here with hon and roku omi, though, of course:

A couple of steps ahead of them in terms of figuring out the ai situation, too :) even when he’s barely even in the background of a campaign he’s still completely on top of things, that’s my boyyy

but unfortunately with that interlude aside we’re headed back to court for (lovingly) a very bad time for everyone involved. Here we actually get to see rou ai’s trial (following his capture, which I’ll discuss later lol) as a scene with dialogue, vs the narration sequence in the manga; so we get to see him accuse ryo fui of sending him to the queen mother, and to see him take full blame for the ai rebellion himself, which I really enjoyed.. several of the anime’s additions (incl. in the rout at kankoku) serve to really emphasize his devotion to her, which helps to underpin the subsequent scene, which in many ways is about her love for him just as much as her love for her children :(

The most interesting part of the entire trial, though, is actually kou’s speech; in the most basic sense it’s a fine character moment that demonstrates how much she cares for sei, but what’s really good is that it comes after sei’s made it clear that he intends to execute the other children…

That’s a look of genuine surprise and distress, and there’s no indication anywhere else that she’s one of the people who knows that he isn’t actually going to have his siblings killed… the fact that she’s visibly upset by what he plans to do but still not only supports him in it but goes on to chastise his mother for being too cruel to him in the same scene is actually so good. I don’t even think she’s in the wrong, the point she makes is genuinely touching and cuts to the core of what’s so broken abt their relationship and really makes you wish things could’ve been better for them (as does the scene in the tower, later…) I just think there’s an element of actually Blind devotion here that’s much spicier than their usual dynamic, lol.

anddd with the arc just about over we’ve got to say goodbye to a few major & minor players I really enjoyed our time with:

I said a few weeks ago was the last time we were seeing ruki, but of course we do get to watch him get beheaded :( still kind of hope his father does get to avenge him someday, but him having to watch the execution silently in disguise while ruki calls out for him makes for such a miserable scene it’s fully juicy enough in its own right ❤️ han family delivers to the bitter end lol. Chou kou remains in my list of characters who I think it’s slightly more likely we’ll Actually see again, since notable courtiers/ministers are a slightly rarer breed I think he’s got a higher chance of being narratively useful .. tho if he doesn’t, his exit being as unceremonious as his arrival is also cute.

Unfortunately the anime didn’t make room for the extended how-far-we’ve-come first arc retrospective that shin and sei hold together on the tower at the end of the arc, so we don’t get to see the cute hyou panel that’s in the manga :( so sei’s little declaration of love will have to make up for it:

I love that he frames it as an order/command even though he’s orchestrated this part of his Big Plan at least partially just to create the stage shin has always dreamed of standing on; a major declaration of devotion, imo, even though he’s being overwhelmingly tsun about it. And now we’ve got our fifteen year timer going, it’s on to bigger things yet :) still only 1/6 nations subdued since then in the manga lol

[maokdm]

【河了貂と羌瘣】 テレワークしてると膝に猫が乗ってくる的なアレ https://t.co/k9IuLoLCwg http://twitter.com/maomaomoa/status/1255863269782216704