#k-pop song review

[itspileofgoodthings]

The But Daddy I Love Him >>>> Who’s Afraid of Little Old Me? stretch of the album. Whew.

[married-2-the-music]

Look, I think we place too much emphasis on something being 100% original, you know?

Like, is (G)I-DLE’s Super Lady similar to 2NE1’s I Am The Best?

Sure.

Do I care? Absolutely not.

Naega jeil jal naga, motherfucker! I’m already grabbing my thigh high boots and a bedazzled cap.

[deadcactuswalking]

REVIEWING THE CHARTS: 17/02/2024 (Beyoncé, VULTURES 1)

For a seventh week, Noah Kahan stays strong at #1 with “Stick Season” - but it’s Bey season and Ye season… no, those words don’t rhyme, and welcome back to REVIEWING THE CHARTS!

Rundown

Welp, as always, we start with our notable dropouts, songs exiting the UK Top 75, which is what I cover, after five weeks in the top 75 and a peak in the top 40, and this week, we bid adieu to: “HISS” by Megan Thee Stallion (that was quick), “Gas Me Up (Diligent)” by Skepta, “Feather” by Sabrina Carpenter, “When We Were Young (The Logical Song)” by David Guetta and Kim Petras, “Surround Sound” by JID featuring 21 Savage and Yung Baby Tate, “Northern Attitude” by Noah Kahan, “Runaway” by Ye featuring Pusha T, “Can’t Catch Me Now” by Olivia Rodrigo, “Is it Over Now?” by Taylor Swift, “Black Friday” by Tom Odell, “Agora Hills” by Doja Cat, “My Love Mine All Mine” by Mitski and finally, “Baddadan” by Chase & Status and Bou featuring IRAH, Flowdan, Trigga and Takura. Yeah, bit of a bloodbath here.

You know, we actually have barely any returns or gains as a result of the influx of 13 new songs, so we have some vague post-GRAMMYs impact and that’s kind of all, with it mostly being in our returns - “Coal” by Dylan Gossett at #73 (probably not GRAMMYs), “FE!N” by Travis Scott featuring Playboi Carti at #71 and on a much more positive note, Tracy Chapman’s classic original version of “Fast Car” all the way at #38. It first charted at 1988 and peaked at #5 (when Glenn Madeiros’ schmaltzy “Nothing’s Gonna Change My Love For You” was #1) and then returned in 2011 and peaked at #4, when… “Party Rock Anthem” was #1. This won’t last or peak nearly as high, but it improves the net quality of the chart for the time it’s here. As for the gains, “Anti-Hero” by Taylor Swift at #57 and “Home” by Good Neighbours at #34. Yup.

As for our top five, we see Mr. YG Marley creep in maybe in part to his grandfather’s documentary as “Praise Jah in the Moonlight” is at #5. Then “Lose Control” by Mr. Teddy Swims is at #4, “Beautiful Things” by Mr. Benson Boone is at #3, “Murder on the Dancefloor”by Sophie Ellis-Bextor breaks my gag at #2 and finally, Noah is building his seven-week ark at #1. Now our real stories, of course, are in our influx of new entries, many of which are pretty damn high and have exceedingly more to talk about than I wish they did, so I suppose let’s start rounding those off.

New Entries

#64 - “ONE CALL” - Rich Amiri

Produced by Rio Leyva and Zuko

Now, I am not familiar with Rich Amiri, which is a pretty generic rap name all things considered so for all I know, I’ve listened to his mixtape, but I am familiar with some of his producers. Rio Leyva has credits across a lot of recent pop-rap mainstays like Lil Tecca, The Kid LAROI and even Yeat, and he tends to produce in a style many would say is rage-adjacent… so it makes sense that this is a rage song, with some genuinely wiry, menacing leads in the synths and a dirty, factorial trap skitter. The song’s barely two minutes, so it doesn’t really give Mr. Amiri much time to even finish his one verse, which is full of personality-void Auto-Tune and mindless repetition, but he isn’t exactly derivative of any specific person, it just sounds like he hasn’t figured out his exact voice yet, which is expected with up-and-coming rappers. The content obviously isn’t worth speaking of - it’s just flexing and violence and sex all delivered pretty plainly - but he’s not the worst at it? I don’t know, this is great production but I feel like there are rappers who could make this pop out a bit more. Maybe 454, SoFaygo, someone with a high-pitched squawk to make this feel dynamic? If you still want to go for relentless cool, get Thouxanbanfauni on the remix and this could be a slam dunk.

#62 - “Made for Me” - Muni Long

Produced by Jermaine Dupri, Bryan-Michael Cox and JordanXL

“Hrs and Hrs” is not a song I remember much at all let alone fondly, but the voice behind Muni Long is Priscilla Renea, a very prolific songwriter, so I imagine that with Jermaine Dupri on the boards, there could be some R&B wizardry to make her chances at a second hit much more solidified. As for if I like it or not, well, I can see it being a hit considering the 2000s throwback sound with the classy (yet almost basic-sounding) pianos, even down to the groove and the incessant sound effect that’s a bit distractingly loud in the mix, but by the end of the song, you almost forget it’s there and think it would sound weird if it wasn’t. Even if I generally like this song, I don’t really think it fits the song too much, which is about finding your soulmate and… NOT losing them. There should be some grandiosity to this, especially with that powerful voice and chorus, but it feels a bit lost in its own attempt to be “cool”, which… I don’t know, will it be a theme this episode? Probably not, but the first two songs definitely share the element of just not going far enough with good ideas. This is still a solid tune, though.

#60 - “Dance Alone” - Sia and Kylie Minogue

Produced by Jesse Shatkin and Jim-E Stack

Sia. Kylie. Two pop stars of very, very different prepositions but ultimately in the same niche. I have no hopes for anything Sia does, pretty much, never liked her, but what else would I have to say at this point? Her songs produce so little analysis from me because a lot of the time, it’s just kind of immediately obvious what will happen and what I’ll think. There are painfully basic vocal melodies, very typical disco-house beats, and Sia tries to actually play down the hamming but lets her natural characteristic of her voice end up preventing her from doing so because, well, that’s just how her voice sounds. A “subtle” Sia is just an awkward fit, and she may be trying that on purpose so she doesn’t put off pop listeners, but it just results in her being completely outclassed by Kylie, who eats this up as expected. That little “woo!” in the pre-chorus is to live for, as is the “(dance)” ad-lib in the final chorus, but by the time we’re in the “bridge” (see: the post-chorus again, same phrase repeated ad nauseum), Sia’s clipping in the mix again and nothing sounds like it cares about me caring, so I’m not caring. It’ll go hard in the Mumsnet forum voice chats. Do they have those? They should have those.

#55 - “Birds in the Sky” - NewEra

Produced by Karl Durkan and Ben Williams

Okay, I’ll bite: Who are NewEra? Well, according to Genius, they’re an EDM production duo from Dublin and this track from last year is their only song to appear on streaming, yet it’s released on Warner interesting. Either way, it’s clearly blown the Irish duo up a bit, so there must be some merit and well, the sample - wherever it’s from, I genuinely can’t find it - is about as weirdly mixed as they always are on these piano-led EDM cuts, but it doesn’t stick out too much amidst the more typical trance grooves and very basic, almost preset-sounding drums that lead into a constant anticlimax, leading the pianos and barely impactful drop sound like they’re teasing you into a false sense of confidence that the song is at all moving. It damn well works though, it’s pretty hypnotising, so when I was lulled into the drumless glitching section where the cheap pianos actually build up to a pretty good pounding drop, I was thoroughly immersed. These guys have done something right.

#50 - “Make You Mine” - Madison Beer

Produced by Madison Beer and Leroy Clampitt

Madison Beer is one of those ostensible “pop stars” that don’t exactly make innovative, experimental or often even interesting music but still exist only on the peripheries of the mainstream, many of which eventually get some kind of breakout chart hit, and this might just be Ms. Beer’s… well, if this is supposed to convince me on the personality and character of Madison Beer, I am not impressed at all, she doesn’t sound interested in developing that. If it’s supposed to convince me on her production ability… yeah, I’m hopping on this train. This is incredible. My comment on her vocal performance is not a detracting remark of the song, her emotionally confused, at times static and always intimate vocal take adds a lot of depth to the intense, but more accurately hallucinatory sensuality of the song. There’s a lot of staccato repetition, sure, I mean, it’s deep house, but it’s all a luring act as you can “slip inside her mind” (sure), against the warped synth basses, echoed and fuzzy vocal production, mesmerising synths that are incredibly well panned and mixed - the sound design is immaculate, and that’s not even mentioning the incessant groove or one of the catchiest nonsense hooks in pop of recent years. The drop barely registers as such, it feels like a natural climax that the song just slides into, despite all the little intricacies in both the build-up and the catharsis that transform the song into a fizzling journey of sexy club-pop that goes a lot harder in the details that I expected it to. I mean, the overdubbing of synth leads and curious glitches in the outro - nothing’s going to go exactly “wrong” in this hook-up, but it’s not where either expected to be… and for that night, it’s life-changing. I didn’t think I’d like this as much as I do but oh, my God, please make this a hit. ASAP.

#47 - “Heaven or Hell” - K-Trap

Produced by Nathaniel London, Jester Beats and Godwin Sonzi

Well, K-Trap’s back, this time without Headie One, and I guess this is his song for the ladies. There’s a swash of R&B keys, a Central Cee acoustic guitar - or an *NSYNC acoustic guitar relistening - and an actually interesting choice in making the drill hi-hats and really the rhythm section in general a bit papery, with a bass that feels mixed a bit too low yet still being relatively busy. K-Trap is just rambling misogynistically over all of this, and not just in a typical rap way, it’s a bit distracting and groan-worthy, but his comical delivery of some of this as well as the female spoken interludes kind of explain away his hypocrisy a bit. Not too effectively, of course, but it’s worth pointing out that it’s somewhat of a two-way street. I still find the soft percussion resemblant of sample drill pretty refreshing and enjoyable, I just wish maybe there was a more melodic presence of a rapper on it. Still okay.

#44 - “16 CARRIAGES” - Beyoncé

Produced by Beyoncé, Ink and Dave Hamelin

So, Queen Bey released two country-influenced songs on the Sunday - one’s in the top 10, the ballad is at #44. I will wait until this act two of RENAISSANCE is actually out before making any statements on Beyoncé doing country outside of that I hope she ends up shouting out or giving chances and/or feature spots to other Black women in that field, as a way of propping up that community within an industry that pretty flagrantly prevents that instead of just doing a genre switcheroo because she can and convincing nobody about anything systemic in the meanwhile. Hell, that’s more for me, personally, because I’d like to know a lot more Black country artists, and given that I’m obliged to listen to this album, I mean if you care about the genre, Bey, it’d be cool to point me in some directions. Not that it’s her job, but it would be a worthwhile light to shine especially since Beyoncé is both a hitmaker and a bit of a tastemaker.

As for the first of her country efforts though, this is a pretty heartfelt southern soul track that could almost act as a campfire song if not for Bey just not being in that zone as a singer, but it definitely has the clapped rhythm of one and some compelling lyrics regarding her time touring with Destiny’s Child. Now it’s less smoky than I’d really want a song like this to be, it doesn’t sizzle as much as it stagnates, particularly with that crash into the guitars and church organs that doesn’t really surge the way I so badly wanted it to. I do find the vocals excellent, the narrative interesting and still surprisingly relevant to her as a modern touring act as well, and the rapping is surprisingly well implemented, it feels just like she’s shooting the shit in the middle of her country storytelling song. In that regard, I’d like there to be a lot less grandiosity to the presentation, maybe do without the soaring overdubs or horns, make this more of an explicitly acoustic effort. I know it wouldn’t fit Beyoncé and all her harmonies and belting, as her presence isn’t always fit for minimalism, but she could pull it off. The problem with that would be is it doesn’t emulate the theatrics of a stage performance and the abrupt shock of showbiz being put onto her at an early age, so there’s some great mirroring there that almost makes up for me not being greatly into the actual sound of these tracks. Regardless, it does have me excited for the more solemn moments on this album, but we won’t be covering that until the end.

#37 - “Abracadabra” - Wes Nelson featuring Craig David

Produced by Mike Brainchild and Rndm Beats

CRAIG DAVID?! And it doesn’t appear to be a sample? The crowd says “bo selecta” indeed. Whatever about this Wes Nelson guy, he sounds like an AI amalgamated what every R&B singer has sounded like since the planes hit, or realistically, just Jeremih, but the beat is a rough-around-the-edges 2-step jam with harder bass than you’d think and some blocky space synths. It’s all very rote but it’s also Craig David and man, you can put however many filters on his voice, it’ll still sound like Craig David, and I can’t even seriously critique him anymore. I’m sure he’s a complex, nuanced human being with flaws and feelings but to me, he’s just an unexplainable deity figure. Also, there is a moment during the drop of this song - and the outro - where the beat cuts out for Craig David to say “Bruh”, and I just needed to point this out.

#31 - “Forever” - Noah Kahan

Produced by Noah Kahan and Gabe Simon

The Vermont singer-songwriter has released what appears to be the final deluxe edition of his #1 album Stick Season, subtitled “Forever”, henc ethe name of its sole original song. I’m honestly surprised this didn’t debut higher, but there is a lot debuting above it, and Kahan tends to have sleepers. Speaking of sleepers, I’m not really feeling this one as much. It’s got the wistful acoustics but it’s a lot slower in its pace, especially for its first half, which makes Kahan’s frail, nasal vocal that I’m still not that big on not nearly as ignorable, especially as it punctuates the lyrics so exactly and ends up making the harmonies, especially in the pre-chorus, somewhat haunting, which given the deterministic lovelorn lyricism, doesn’t seem to be the intention? It eventually picks up a nice little bluegrass-esque groove but nothing too far from an average Lumineers track in terms of just lacking bite and punch, whilst forcing Kahan to strain more than he needs to, to sell pretty resonant content.

#18 - “BACK TO ME” - Adolf Hitler and Ty Dolla $ign

Produced by Hitler, Ty Dolla $ign, 88-Keys, Wax Motif, AyoAA, Feez, Nic Nac and James Alex Hau

88-Keys, huh? Now, I’m not saying that Kanye West is Hitler, I’m just doing him a favour and comparing him to his idol. There are a lot of things that he loves about him. In a perfect world, I have the choice to completely ignore this album, especially since two of the debuts from VULTURES 1 (debuted at #2 on this week’s album charts) are considered widely to be the best tracks by both me and a lot of the fans, though I am a sucker for the darker, problematic last quarter that people don’t tend to like that much. I don’t want to admit that, of course, and I’m kind of torn between not feeding into exhaustive discourse by not mentioning any controversy and then feeling bad for not doing so because I’d be supporting his cult of fans who supposedly only care about the music, regardless of how his music is constantly reminding you of his controversies. It’s also not easy when you have two pretty damn good tracks from an album that largely consists of the man embarrassing himself and, well, Ty Dolla $ign, who sounds wonderfully smooth on this track and many others. He stands out particularly well over the punchy breakbeats and bass that entrench the mix. Hitler does embarrass himself as usual, but the minute-and-a-half Auto-Tuned quoting of an old comedy movie that he probably doesn’t even remember the rest of is an almost poetic reflection of where he is as an artist and a man. Oh, and Freddie Gibbs shows up to steal the show so effortlessly with his tightest, rapid flows I think I’ve heard from him in years, some excellent, topical wordplay that feels like it’s what the album wanted to be: playful and effervescent in its hedonism. He steals the show so much in fact that the song just ends after he does, he takes complete ownership. Nice one, Gibbs, do it on someone else’s album, for the love of God.

#17 - “BURN” - Adolf Hitler and Ty Dolla $ign

Produced by Hitler, Azul, Morten “Rissi” Ristorp, Chrishan, The Legendary Traxster and Leon Thomas III

This is just what this guy’s album used to sound like. We have a mid-album reminder that he can still do it, but only for two minutes, and half of that is Ty the Tasmanian Tiger over here carrying the album with his sloppily-mixed but still incredibly passionate and incessantly catchy chorus - I’ve had it in my head for the whole damn week, pretty much - over a very conventional, punchy chipmunk soul beat that lasts less than two minutes and it just ends up on a bittersweet note. The Hitler verse is his most coherent during the whole album, it’s pretty fun, it’s pretty traditional, not worth the attention paid. And neither is…

#12 - “CARNIVAL” - Adolf Hitler and Ty Dolla $ign

Produced by Hitler, TheLabCook, Ojivolta and Digital Nas

Now, thankfully, there really is nothing of value to cover here regardless of how and where you slice it. The song is like 60% Rich the Kid, which should show you how inspired the former GOAT has been lately. Hitler spends most of his verse just being cheaply transgressive for attention, pretty much explaining why I’m not a fan of prominent critics covering this album, dignifying it as more than an ego trip surrounded by yes-men. That’s not to say transgression can’t be art, there’s a lot of discussion to be had about the value of transgressions against the audience. And Hell, maybe a rage song about riding dick featuring Rich the Kid and Playboi Carti warrants that level of analysis, but that’s exactly what Hitler wants me to do here, and I’m not taking instructions from Hitler! I’m not following orders!

#9 - “TEXAS HOLD ‘EM” - Beyoncé

Produced by Beyoncé, Killah B and Nathan Ferraro

Alright, this is just fun. I’m sure someone more equipped than me to talk about country than me will have a lot to say about this song, but I just got a kick out of Bey’s sultry voice, as always perfectly layered with energetic ad-libs and riffing, over that acoustic rolick and clearly programmed thumping production and generic country ambiance. You can tell that this isn’t produced by Nashville staples as much as it’s a semi-outsider attempt at fusing country with Beyoncé’s more natural pop and R&B territory, but it doesn’t detract from it being a sick groove about just having a lot of fun on the dancefloor, boogieing with somebody who makes you forget about everything that’s going wrong. That whistling post-chorus with all the traditional fiddle - if I’m getting that correct - in the background is such a cool little moment, especially with the panning that replicates the live hoedown feel. It absolutely feels much more like a costume party than “16 CARRIAGES”, but to be honest, I might prefer this one just because of how easily Bey dresses up in this particular set of clothes. That’s not derogatory either, she literally lists off “hoops, spurs, boots” in that gorgeous outro. I’m actually glad that such a large, potentially problematic but still full of music to discuss ends on such a delightful, carefree note. Love it.

Conclusion

It’s not getting the best, though, Best of the Week is going to… surprisingly enough, Madison Beer for “Make You Mine”, but Bey obviously grabs the Honourable Mention with “TEXAS HOLD ‘EM”. As for the worst, I mean… there is a song with Rich the Kid on this week. “CARNIVAL” is a shoe-in, but given this was actually a pretty great week in terms of overall quality, it’s difficult. I think I want to give it to K-Trap for “Heaven and Hell” but that’s really because it appears as the lazier, less interesting of the songs I wasn’t a fan of. On another day, it probably would have been Sia, but K-Trap doesn’t have a Kylie Minogue feature. Anyway, with all of that chaos out of the way, thank you for reading, rest in peace to country legend Toby Keith, and I’ll see you next week!

[cutielycheepie]

Here's what I thought of Jimin's solo 'FACE'

Of course he was amazing, he's Jimin!

When the pre-single 'Set Me Free Pt.2' came out, I thought that for sure I wouldn't like the album (because the sound was quite different from what I expected) but then I saw the title track trailer and, nevermind, guess I'll love it after all.

And love it I did! I listened to Like Crazy... like crazy. It was everything I love in one, somehow! This is my favorite BTS solo song now, I love My Time but Like Crazy just has to take the crown. It's the best.

Like Crazy

It started out mellow and built it's beat from there, the "watch me go" part always gets me hyped up. The ending is forever my favorite part though, I sing along to it without a fail. Everything about this song just makes me listen to it again and again, and don't even get started on the MV! It's fun and the visuals are just divine.

Overall song: 11/10

Face-off

I think this is what I expected from the album after listening to Set Me Free Pt.2. It's actually good! I like the shift that the beginning took, even though I can't tell the purpose of it. It's nice! I don't have much to say but it's definitely a vibe :D

Overall song : 9/10

Alone

I think this song fits Jimin's voice very well, slow and soft. It's not a song I'd listen to just because I want to, but it's certainly good. I really like the sound effects in it, I don't know how to explain it, but the "day and night, repeated fall" part was so satisfying.

Overall song: 8/10

Set Me Free Pt.2

Of course I started liking it after it was all over my YT page.

Okay but really, I didn't expect to start liking it so much! I mean it's definitely not one of my favorites, but I listen to it and sing it for no reason, so I'll take that as a good sign! It also makes me want to dance, which is another good sign 💃

Overall song: 8.5/10

FACE

I think it was brilliant! Like Crazy is my new forever favorite solo song from BTS.

Overall album: 9/10

[atlaswebdesigns]

Current Playlist 🎶

Sharing my current song obsessions is one of the top things that I love doing from my whole heart. There are a few things that make me as happy as finding a new song and liking it so much that I don’t care how many times it plays on repeat. And when I find such songs, I need to share that joy. So, in today��s post, I’m going to share with you some songs that have been on top of my playlist…

[doyoulikethissong-poll]

Psy - Gangnam Style 2012

"Gangnam Style" is a K-pop song by South Korean rapper and singer-songwriter Psy, released on July 15, 2012, as the lead single of his sixth studio album, Psy 6 (Six Rules), Part 1. The term "Gangnam Style" is a neologism that refers to the nouveau riche lifestyles associated with the Gangnam region of Seoul, where people are trendy, hip, and exude a certain supposed class. Psy likened Gangnam to Beverly Hills, California, and said in an interview that he intended the title as a joke, claiming that he has "Gangnam Style" when everything about the song, dance, looks, and music video is far from high class.

"Gangnam Style" debuted at number one on South Korea's Gaon Chart, receiving generally positive reviews, with praise for its catchy beat and Psy's amusing dancing during live performances and in its music video. The song and its music video went viral in August 2012 and have influenced popular culture worldwide. In the US, "Gangnam Style" peaked at number two on the Billboard Hot 100, which at the time, was the highest charting song by a South Korean artist. By the end of 2012, "Gangnam Style" had topped the music charts of more than 30 countries including Australia, Canada, France, Germany, Italy, Russia, Spain, and the UK. The music video won Best Video at the MTV Europe Music Awards that year. On December 21, 2012, "Gangnam Style" became the first Youtube video to reach a billion views. As of January 2024, the video is the eleventh most viewed video on Youtube, having reached over 5 billion views.

Psy's dance in the music video itself became a cultural phenomenon. He revealed that South Korean fans have high expectations about his dancing, so he felt a lot of pressure. In order to keep up with those expectations, he studied hard to find something new and stayed up late for about 30 nights to come up with the "Gangnam Style" dance. Along the way, he had tested various "cheesy" animal-inspired dance moves with his choreographer Lee Ju-sun, including panda and kangaroo moves, before settling for the horse trot, which involves pretending to ride a horse, alternately holding the reins and spinning a lasso, and moving into a legs-shuffling side gallop.

"Gangnam Style" received a total of 77,2% yes votes!

[ineedakpopvibe]

TAEYONG, JENO, HENDERY, YANGYANG, GISELLE - ZOO (2022)

Release Date: 14 Jan 2022

SM has a house full of artists that they are not afraid to use. Pairing NCT rapline with Giselle was definity a success, mostly because of the song they got to perform. K-pop borrowing *heavily* from African sounds is no news (BTS’s Idol must be the most prominent example) but it’s always great to hear that somewhat experimental coctail.

3 things that got me hooked:

Oh what a rythm we have here! First thing that comes to my mind is gqom but I am not well versed in what is going on in African music landscape. It’s definietly something that could have been played in Jo’burg though.

The chorus and those tiny vocal samples in the background.

Endings of Jeno’s prechoruses. “This is awesome wild” could be a meme in and of itself along with the cartoonish “weeee!”. Got me cackling.

all the songs can be found on the ever growing playlist 

[bencgtravels]

My Top 10 Songs of 2022: #6 PSY (feat. SUGA) - "That That"

#6 - PSY (prod. & feat. SUGA of BTS) - "That That"

Not a lot to be said here. Simply a cathartic banger from Mr. Gangnam Style himself.

2022, pandemic's over, do what you wanna!

[gammasnippets]

[CHANNEL_9] fromis_9 '채널나인' EP58. Spotlighting🎬 Part.1

fromis_9 Lee Saerom, Song Hayoung, Jang Gyuri, Park Jiwon, Roh Jisun, Lee Seoyeon, Lee Chaeyoung, Lee Nagyung, Baek Jiheon

2,824 words (Unedited)

It’s the year 2027.

With the immense attention social media content garners these days, K-pop groups must put out a lot of various kinds of content for their fans to stay in their boat. And as of late, some artists are even resorting to a more risqué and sexual form of media just to stay in the game. The morality and ethics of it is something that shouldn’t be scoffed at, as it has sparked controversy around the industry. Others are in favor of it, while some are against it.

But as time goes by, this venture becomes harder and harder to resist as more and more fans are eating all forms of content… Until their perception of it all becomes grayed out.

Being one of the industry's most revered groups, the members of fromis_9 are just some of the artists who started partaking in more provocative and sensual concepts for their content to provide fans with a more sensual form of fanservice. Their agency has always been reluctant to do so, as they had their reputation to keep up. But with many groups competing for the top spot, these nine girls have to “exploit” what assets they have to push themselves higher in the industry.

As the group delved deeper into this sensual rabbit hole, they made a variety of content that fans will surely go crazy about. From music videos that show their bodies in tight, revealing clothes, and a bunch of photoshoots that would make you blush with the sheer sensuality of the outfits and poses that they had, fromis_9 has gone to the world that only the most daring of groups would dare venture in. And being a part of a group of editors tasked to produce content like this, you often find yourself getting a lot of material to jerk off to from these girls.

To commemorate the group’s 10th anniversary, the company has planned a series of special videos featuring the girls for their ever-loyal fans. And after several passes and editing by the other editors, the videos finally came in your email, waiting for a final review to be conducted by no other than you. The pressure is high, as this could very well be the most successful video project yet. As the last editor to get the content, it's all up to you to give it the final touches and make these videos—12 in total— as flawless as possible. With tissues and lotion just within arm's reach, you start reviewing the footage.

You press play on the first video on the list and the unforgettable intro for their variety series “Channel_9” starts.

The episode begins as the camera shows a large studio complex, almost like the ones they have in other countries where they create live-action films and such, panning through the many large structures and beautiful gardenscapes scattered around the area. It then transitions to a drone shot, where the girls can be seen walking through the complex. They pass by large water fountains and flower patches, all the while showing how nice and beautiful the place is. All of them gasped in awe at the sight of the complex.

“This place looks like a big hotel. They could be hiding the rides in those buildings,” says Hayoung.

Seoyeon chuckles. “You mean a theme park?”

“Ah… Right,” she answers.

You can hear all the girls laughing at that short yet funny conversation.

“Unnie,” says Chaeyoung. “We just visited one recently and you still can’t forget about it.”

“That place was fun, though,” she retorts.

“Yeah. You’re right,” Saerom and Chaeyoung answer, almost in unison.

“Wish we can return to that place,” Jiheon tells everyone.

"Maybe the crew's planning to take us to a theme park," Jiwon tells the group as she looks at the cameraman with a smug look on her face.

Everyone giggles at that.

Gyuri then sighs. "There she goes again."

"Watch it get jinxed," Nagyung adds.

Seoyeon laughs out loud at that. "Her plans never work out."

"Ya!" Jiwon protests, "It'll work out this time. Just watch!"

She looks back at the camera again, nodding as if persuading them to agree with her.

However… She got silence for an answer.

Jiwon playfully sulks, making everyone laugh.

They continue to walk through the complex until they've reached the center of a huge courtyard, where the rest of the filming crew is waiting for them. As they are all getting into their respective positions, you see the members getting excited to start shooting the first episode.

"This will be exciting, hmmm?" Hayoung asks them, looking eager.

"I sure hope so," Jisun replies, smiling.

"Oh, me too," says Saerom.

One of the staff members then began to speak up.

"Hello, everyone," the staff member began, greeting them.

The group greeted her back in unison, bowing their heads.

"Welcome to the country's biggest filming facility," the staff member continued.

"Oh! So this is what it is!" Jiheon gasps.

The camera then pans out in a drone camera, giving the viewers another good look of the entire complex.

"This is probably where they filmed that one train movie I just watched," Chaeyoung says in excitement, her eyes sparkling in awe.

Suddenly, Hayoung yells.

"Ahh! Ahh!"

Everyone looks at her, shocked.

"What is it?" asks Saerom.

Hayoung, still looking shocked, excitedly points somewhere far.

"I… I've seen that bench from my favorite drama show!"

"Really?" Gyuri asks.

Hayoung nods.

The camera then pans over to a familiar bench that looks identical to the one in the show.

"It really does look like that one," Seoyeon says.

"Wow, unnie," Nagyung says. "You do know your stuff."

Hayoung smiles and gives her a thumbs-up.

"Anyway… We have prepared a series of challenges for all of you," the staff member resumes.

Oohs and ahhs can be heard from the girls.

“We call these Spotlighting Challenges.”

Another wave of amazement envelops the group.

Hayoung then raises her hand. “Spotlighting Challenge?”

The staff member nods. “These challenges refer to a study about how people behave differently when they are being watched—be it on camera or in the spotlight.”

Everyone nods at the given explanation.

“Ooh. So that’s why there’s ‘spotlight’ in the name,” Chaeyoung remarks, nodding her head.

“Yeah,” Jisun hears her and agrees. “But we’re definitely used to it by now, right?”

Chaeyoung nods back, laughing. “Yeah. This should be easy for us!”

"Every single challenge has different goals and rules to achieve,” the staff member follows up. “All of you must do your best to complete each challenge."

"I see…" Nagyung replies, attentively listening.

"So where are these challenges located?" Saerom asks.

"Each challenge is located at different areas within the complex. There are nine challenges—one for each member."

Everyone is shocked at the announcement.

"Woah! Nine?" Jiheon exclaims.

"Yes, each member has a unique challenge."

"Unique challenge?" Jiwon asks, her eyes wide in shock. "So we'll be alone?"

"Yes," the staff member nods her head. "These challenges can only be completed individually."

A sudden silence fills the air as they process the information.

"Jeez… This is going to be nerve-wracking," Gyuri mumbles, scratching her head.

"I feel the same," Jiheon tells her, her body shaking in nervousness.

"We know you girls will worry about not having each other by your side," the staff member tells them reassuringly. "But we believe in each of your skills and strengths."

"Thank you," Jisun bows, accepting the encouragement.

"Are the challenges going to be difficult?" Chaeyoung asks, curiously.

The staff member shrugs her shoulders and replies in a soft tone.

“Kinda…”

Everyone then lets out sighs and grunts at the answer.

“Oh dear. We’re done for,” Nagyung frowns.

"But we made each challenge doable for any member," the staff member explains.

Everyone responds with a mixture of relief and determination.

"Well that's good news," she says with a smile.

"I know right?" Jiwon replies, also relieved.

"These challenges will require all of you to be creative. So do your best," the staff member adds.

Those words piqued the girls' curiosity. Some of them begin thinking of what they could mean.

"Be creative, huh?" Saerom asks them, her tone doubtful.

The staff member nods. She follows up with the instructions with a smirk forming on her face.

"And maybe some of your… Physical skills."

A mischievous glint suddenly sparkles in the girls' eyes as they exchange knowing looks.

"Hmmm… I wonder how physical these challenges can get?" Jiwon mischievously suggests with a playful tone.

Her teasing remark sends a wave of laughter through the group, instantly lightening the tense atmosphere.

"Oh, boy. Jiwon's at it again," Hayoung chuckles at Jiwon's suggestive remark.

The group can't help but blush at the playful insinuation.

"Surely it's nothing like that… Right?" Chaeyoung asks, looking dumbfounded at the revelation of their challenges.

The staff member smiles knowingly, making the girls even more intrigued

"Oh, dear…" Jiheon whispers under her breath, her cheeks slowly blushing. "This is going to be interesting."

"Are we really going to do it? Here?" Jisun murmurs, sounding both nervous and excited.

"I guess so," Gyuri responds with a sly grin.

The girls look at each other once again, giggling, as if they're sharing a naughty secret only they know.

"But what do we get if we win?" Nagyung then asks, diverting the topic to their goal.

"We have prepared something for all of you if you win," the staff member replies. "Since there are nine of you, the group will need five members to successfully complete the challenges."

Everyone is intrigued, their curiosity piqued by the promise of a reward.

"What's the prize? Can we get a hint?" Saerom asks, sounding mischievously.

"Yeah! Tell us!" Jiwon follows up, yelling in excitement.

"Jeez, unnie. Tone it down," Chaeyoung playfully berates her.

"Well… Is there anything you girls like?" the staff member asks the group.

Some of the members start thinking of an answer, but the others already have their minds made up.

"An all-you-can-eat buffet!"

"A trip to a theme park!"

"Rent a cinema, maybe?"

"Ooh! Let's go overseas!"

Those are some of the answers the girls excitedly shout out, their enthusiasm shooting through the roof.

The entire staff bursts into laughter at their liveliness and shared excitement.

"I guess we'll have to discuss that later," the staff member says with a smile.

"Alright!" Hayoung replies, pumping her fist in the air.

"I'm actually kinda excited now," Gyuri admits, a joyous look on her face.

"Me too," Jisun adds.

"So please do your best, everyone," the staff member encourages.

Saerom nods, looking determined. "Of course."

The other members nod, too.

The rest of the staff then carries, in front of them, a ballot box. Colorful envelopes can be seen inside the transparent box.

"Wow! So pretty," Jiheon exclaims, her eyes gleaming with excitement.

"That's cute," Nagyung agrees, a smile forming on her face.

"Everyone, please take turns drawing an envelope," the staff member instructs, gesturing towards the box.

The girls eagerly step towards the box one by one, reaching into the ballot box. They then head back to their original spots, envelopes in hand, excitement radiating from each of them. Some are careful in picking their envelopes, while some are swift and waste no time… And some play around with their selection.

All the members seem eager to open the envelopes and reveal the contents. But everyone is waiting for a signal, patiently, as their anticipation builds.

"Please remember that you shouldn't reveal the contents of your envelopes to anyone," the staff member reminds them.

Everyone responds in affirmation as they grip their envelopes tightly, excitement and curiosity swirling in their eyes.

"Okay. You can open your envelopes now."

The members rip open their envelopes, their eyes meticulously scanning the contents.

"Oh. So this is just instructions to where we should head for," Chaeyoung asks, raising an eyebrow in confusion.

The staff member nods. "Yes. You will be informed about the challenge once you reach your designated location."

She nods back in understanding. "I see…"

"I hope the missions are fun!" Saerom exclaims with a grin on her face.

"I'm more hoping that they're easy," Gyuri chuckles, crossing her fingers.

"That too!" Saerom adds, laughing along with her.

"Ugh! I'm getting nervous!" Seoyeon whines, hopping from foot to foot.

"Pretty sure you can do it," Hayoung reassures her, giving Seoyeon a comforting pat on the back.

"How cute," Nagyung murmurs, giggling at the two.

"So, is everyone ready?"

Everyone responds in unison, their voices filled with anticipation.

"We're ready!"

"Yes!"

"Let's go!"

"The Spotlight Challenge has started! Again do your best, everyone!" the staff member announces as she cheers them on.

"Thank you!" In response, the girls bowed to everyone in gratitude.

Each member then reviewed their instructions and began looking around, figuring out where to go.

"Hmmm… I guess I should be going here," Jisun muses to herself, reading the directions on her instructions sheet as she walks off.

"Hey, unnie!" Jiheon calls out to her. "Are you going?"

Jisun turns around and nods. "Ah! Uhmm... Yes."

"Wait! I'm coming with you!" Jiheon decides, running up to join Jisun on their journey.

On the other hand, the rest of the group continued to figure out their destinations.

"Well… I think I'm heading this way," Seoyeon says, pointing opposite to Jisun's direction.

"You're heading there, too?" Hayoung asks her curiously, glancing at her own instructions.

Seoyeon just nods with a sheepish smile.

"Yay! Let's go together!" she excitedly screams as she hugs her.

"Hey! I’m also heading there too!" Nagyung adds, joining in on the hug.

As the trio embraced each other tightly, the remaining members were still working out the instructions given to them.

"If this is here, then…" Gyuri mumbles. "Then this one is… Hmmm…"

"I guess I should be going… This way?" Chaeyoung says, scratching her head in confusion as she tries to decipher the instructions.

"Huh? Chaeyoung-ah," Gyuri calls out.

"Yes, unnie?"

"Are you leaving already?"

"Yeah, I think so," Chaeyoung responds, looking unsure.

"Okay. Do your best, then!" she encourages her, waving her hand at her.

"Will do! Thank you!" Chaeyoung replies cheerfully, waving back at Gyuri. "See you later!"

Suddenly, Jiwon appears behind her, as if peeking at her unnie's instructions. Gyuri quickly spots her and hides her envelope, giving Jiwon a playful glare.

"What are you doing?" the older girl asks, pretending to be annoyed.

"What?" Jiwon acts coy, smiling as if she's innocent. "I'm doing nothing?"

"You aren't supposed to peek at my directions," Gyuri scolds her, wagging her finger at Jiwon.

"No, I'm not," she continues her innocent act, blinking her eyes innocently at Gyuri.

But Gyuri sees through her act and playfully pinches Jiwon's cheek.

"Ow! Ow! Ow! Unnie!" Jiwon yelps as she feigns pain.

"Come on now, don't be sneaky," she says with a smirk.

"I'm not! Really!" Jiwon insists, rubbing her cheek dramatically.

Gyuri chuckles. "Alright. Where are you heading?"

"I'm heading that way," she points to the huge building behind the filming crew.

"Ooh. That looks big."

"I bet that's the main building."

"Seems like it. Yeah."

Suddenly, Saerom spots the two, approaches them, and joins in on the conversation.

"So, where are you going?" she asks.

Gyuri is the first to answer, pondering her options.

"I think I'll head to that building and ask around," she says, pointing to the same building Jiwon had mentioned earlier.

"Me too," Jiwon adds, nodding in agreement. "I think my challenge is somewhere in that building."

"I see…" Saerom replies, nodding at their answers.

"So where will you go?" asks Jiwon.

"Me?"

The two other girls nod expectantly.

"Same as you two. To that building," Saerom answers, confirming their choice.

"Oh. Then we all should go together," Gyuri suggests with a smile.

"Yes! Let's all go!" Jiwon exclaims excitedly, grabbing onto Gyuri and Saerom's arms.

Now with all the nine members of fromis_9 walking off in different directions, the view then shifts to a drone shot, showing the immense size of the complex, before showing a slo-mo view from each camera team that follows every member towards their respective destinations. Nervousness and excitement can be read on their faces, adding anticipation for the upcoming events.

All of a sudden, a brief montage teasing the future episodes plays. It showcases the members meeting new people, strategizing for their challenges, and lots of pure, unadulterated sex—the girls letting out screams and moans no one has probably heard. Your heart skips a beat as you process what you just saw. Doing sexy projects might not be new to them at this point, but nothing that's as bold and intense as this is.

You can't deny the creeping sense of unease that you're suddenly feeling. Yet, at the same time, it's an undeniable fact that you are getting excited and eager to see more.

Finally, the screen fades out, leaving you excited to review all of fromis_9's thrilling new series.

= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =

Author’s Notes:

I'm back... I guess? 😅 I apologize for the sudden absence that took more than a year. I left everyone without saying a word. And with that, I would like to make up with a huge series starring all of fromis_9.

Yes. Including Gyuri. 🍊

As ambitious as this might be, and given the fact that I'm not the most creative writer with the most amount of creative juice there is, I'm gonna try and sprinkle a few other stories featuring other idols in between... Just to add variety, and to not bore myself (and everyone) with just one group.

And, yes. I know. I still have 6 more Girls' Generations to write a story about. We'll get there when we get there, okay? It'll happen... When it happens. 😂

A huge thanks to @braaan for the poster! You are too kind. 🫂

And with that, thank you very much for reading! 🙇

[married-2-the-music]

A Kpop Fan’s Favorite Country & Folk

Though this is a k-pop blog, first and foremost, I enjoy music from all around the world, in a dozen different languages. (With a bias to English and German, because I actually speak those). So here are those albums, if you're interested! This page is country and folk, from Orville Peck to The Lumineers.

(For all best albums, click here)

(For all non-Kpop, click here)

Created in America in the early 1900’s, country takes influence from Black and Irish culture. Think O Sole Mio by Sf9, Stay by BLACKPINK, or 24/7 by ToYoon.

A bit unusual in k-pop, but there nonetheless, folk takes inspo from many cultures, Celtic, Caribbean, and Appalachian among them. Think Bon Voyage by YooA, Voyage by Kim Sejeong, or Fish In The Water by AKMU.

[ramiethewizard]

Next Keeper portrait out!! It’s none other than Bangs Boy himself, Tam Song!

I’m doing a review of these portraits, so if you have something unkind to say, please keep it to yourself :)

First, I have to say again that this art style is so pretty I can’t even begin to describe it. It has such an air to it that is just absolutely stunning.

I thought Tam’s first portrait was okay, but didn’t really capture him and his personality but overall caring nature. I just feel like this does. I don’t quite know what it is, but you can just see it.

Also, the first time we met Tam, Sophie described him as looking like a k-pop singer. The last portrait I feel didn’t capture that. This DEFINITELY does. If you put him on stage, you better bet that this guy would fit right in.

Also, the clothes!! The collar he’s wearing with the buckles just fits his vibe so well. It’s very Tam, and shows off more of his closed off nature.

And he actually looks like his ethnicity! I feel like the last portrait looked too white, but he actually looks Japanese in this. And his eyes are kind of the right color - they’re supposed to be very silver.

And his hair! Man takes care of his hair because he loves it. This captures the way he takes care of it so well - the silver tips are hitting hard in this portrait.

He genuinely looks so great and I can see him so clearly in my head with this portrait. It just fits him.

Can’t wait to see more!

[deadcactuswalking]

REVIEWING THE CHARTS: 30/09/2023 (Nines/Tom Odell/blink-182)

Content warning: References to sex, emotional abuse, cancer and outdated memes

It’s the fourth week for “Paint the Town Red” by Doja Cat at #1 on the UK Singles Chart - welcome back to REVIEWING THE CHARTS!

Rundown

As always, like clockwork, we start with our notable dropouts, songs exiting the UK Top 75 - which is what I cover - after five weeks in the region or a peak in the top 40, and we do have some pretty notable losses this week. We see the end of two awfully premature two-week runs for hits-that-could-have-been team-ups, those being “Bongos” by Cardi B featuring Megan Thee Stallion and “My Love” by Leigh-Anne featuring Ayra Starr, and we also say farewell to “I’m Just Ken” by Ryan Gosling, “Seven” by Jung Kook featuring Latto, “Talibans” by Byron Messia, in no doubt assisted in its run by a sequel / remix with Burna Boy, “UNHEALTHY” by Anne-Marie featuring Shania Twain, and finally, “Dancing is Healing” by Rudimental, Vibe Chemistry and Charlotte Plank.

What’s also interesting are our notable gains and returns, and whilst we don’t get a third song from Kylie Minogue’s newest #1 album Tension - with a new single stalling outside of the top 75 - we do get the return of “Padam Padam” at #72 and a big gain for the title track “Tension” up to #47. As for the rest of our list, we see the return of RAYE’s “Escapism.” featuring 070 Shake for… some reason and a much clearer return to #49 for Bakar’s “Hell n Back”, thanks to his recent album release, though the album didn’t make the top 10 of the albums chart and only features the song in the form of a remix featuring Summer Walker so it’s honestly just as inexplicable a return. As for our gains, it’s a mixed bunch, as there are boosts for “Another Love” by Tom Odell at #61 thanks to residual streams from his new release which we’ll get to, “ecstacy” by SUICIDAL-IDOL of all songs at #52 probably thanks to an okay remix with syris and 6arelyhuman, because of course, those guys are certified hitmakers, then “Back on 74” by Jungle at #41 again probably in part thanks to a remix by Joy Anonymous but still awesome nonetheless, “PARK CHINOIS” by Headie One and K-Trap at #39 thanks to the album release which we’ll also get to later, “My Love Mine All Mine” by MItski at #34 (this four-way streak of gains is pretty great actually), “City Boys” by Burna Boy at #17 and “Water” by Tyla continuing to be a surprise hit at #16.

As for our top five, well, as I kind of expected, “greedy” by Tate McRae continues to do well as it scoots to #5 off of the debut, and then we see the usual: “vampire” by Olivia Rodrigo at #4, “Prada” by casso, RAYE and D-Block Europe at #3, “Strangers” by Kenya Grace continuing up to #2, and finally, of course, “Paint the Town Red” at the top. Now to get to our business as usual.

NEW ARRIVALS

#75 - “Would You (go to bed with me?)” - Campbell and Alcemist

Produced by Campbell, Alcemist and Franklin

For some context, Campbell and Alcemist are both drum and bass producers, and they released this song back in July. It’s not exactly inaccessible but definitely not the typical drum and bass hit, with a piercing horn line that just blares over all the production mist clouding around it, as well as a spoken word sample that’s purposefully awkward about finding someone attractive and wanting to sleep with them. These are all sampled elements from a song called “Would You…?” by the jazz group Touch & Go, and with the organic percussion, that insanely infectious jazz hook hits even harder - it hit #3 in 1998 and is in my opinion, a perfect song. By the way, “Believe” by Cher was #1 that week. Now how well does it translate to drum and bass? Pretty naturally, given the fast-paced jittery feel of the original and the memetic nature of the vocals. As someone who is into jazzstep, best genre name ever by the way, it’s pretty great to see drum and bass that uses horns directly influenced by jazz on the charts, and even if it’s in a harder, bass-heavy jump-up style rather than cribbing from atmospherics, the sample flip - though admittedly kind of a copy-paste job in some ways - sticks the landing incredibly well. Now why is this drum and bass remix of a forgotten jazz single from 1998 with no real chorus charting? I have no idea, but what may help it next week is the fact that the day I am writing this, they released a Caity Baser remix, and I have no idea why anyone told her she could rap. She is incredibly awkward, somehow deflated-sounding despite putting all of her energy in it, and ultimately cringeworthy, clashing against the intended subtle awkwardness of the original vocal so hard that it’s almost impressive how far they missed the point. Now speaking of obvious samples to rip from…

#56 - “Got Me Started” - Troye Sivan

Produced by Ian Kirkpatrick

Troye. Troye, Troye, Troye. One of the loveliest elements of “Rush” is the fact that there is no sample, seemingly, and that instead its filtered hook is completely original yet made to emulate the French house style through editing. It’s a brilliant work of songwriting, even if the song has slightly soured on me since release. So I know for a fact you and your co-writers didn’t need to do whatever the Hell this is. If you were on the Internet in 2017, you probably remember the weedy synth line from “Shooting Stars” by Bag Raiders, a song that was originally released in 2009 and became a very minor dance hit in Australia, the group’s native country, but never charted here. “Get Me Started” takes that Internet meme melody and essentially just drops it to the most “memorable” or “TikTok-worthy” parts of an otherwise completely average cloudy dance-pop jam about doing it. It’s in the intro to catch your attention, and the transition into the actual song is fine, but then it completely disappears, and the melodies they bring through the pads don’t really replicate the original lead or anything, so it seems like a troll… but then the pitch-shifted chorus ends and abruptly, almost as if it were a mistake, you get the “Shooting Stars” melody played completely straight over the song’s rhythm section. Then as if he’s hurrying to try and make sense of it, Troye delivers an awfully manipulated vocal take of incoherence in an attempt to harmonise with the synth lead. This is pathetic, desperate and just sad to hear in a year that has relied so much on these recognisable samples. There’s little to no attempt to effectively sequence this sample into the song. It’s just there, because you remember the song, right? Or you remember the meme from six years ago? Let’s just redo the meme, that was already taking a seven-year-old song’s chorus, and repackage it in marketable Troye Sivan form. The original song is so good because it is from 2009, and it goes for a purposeful clash between the despair present in much of the song, especially the lead vocal, and that earworm of a hook, until the chorus comes in by the end of the song and the synth line finally makes sense. It’s incredibly satisfying. Repackaging it to be as straightforward as possible with no respect for the source material outside of its meme factor is almost YouTube Poop-esque, which I would respect and find fascinating if it was clear that any passion was involved in the rest of the seemingly unrelated song. There is no comedy in the shock of that drop, just exhaustion.

#31 - “TRIPLE THREAT” - Headie One, K-Trap and Clavish

Produced by M1OnTheBeat, Likkle Dotz OTB and Ghosty

I have not listened to that Headie One and K-Trap collaborative album yet - been a bit too busy for new releases - but I am pretty impressed it got to #4. I know Headie’s big but he was kind of the decline right up until he took K-Trap under his wing for STRENGTH TO STRENGTH, with this cut getting the video push, and well, I’ll give it to Clavish, this is the first verse I’ve heard from him that I think he does very well on. His flow is tighter, he comes in with more energy than I think he ever has before, and there are honestly some pretty good lines, with his usual problem of leaving too much empty space really not here, which is impressive considering how this beat is pure menace with the waves of synths under particularly metallic drill percussion. Hell, he’d have the best verse here if Headie One wasn’t so effortlessly sick with his looser rhyme schemes, rich voice and memorable punchlines. With all of that said, the beat gets dryer overtime - the song’s not too long but the instrumental is pretty unmoving and copy-paste for it to work when K-Trap comes in and he has the loosest flow of all of them, leading to more awkwardness than there probably should be in his otherwise decent verse. Outside of that brief issue, I think this is still very solid drill, I’m honestly glad there’s still drill charting that’s as intense and dark as this.

#29 - “Agora Hills” - Doja Cat

Produced by Earl on the Beat, Gentuar Memishi, Jean Baptiste and Bangs

It’s no surprise to see that Scarlet, a fascinatingly bad self-immolation on Doja’s behalf, is under-performing compared to Planet Her, and whilst the fall isn’t drastic - this album still made it to #5 on the albums chart - it is telling that this of all songs is what is being pushed and what fans are gravitating to. First things first, this song samples “All I Do is Think About You”, a song originally cut by the Jackson 5 in their declining last few years on Motown before being popularised by Troop in 1989. It was a minor hit on the pop charts but very big on the R&B charts, and Troop’s is the version sampled because I mean, she can’t afford good mixing on this project two thirds of the time so I assume a Michael Jackson sample was also too much. The song never charted in the UK. Second things second, this song is pretty explicitly about Doja Cat’s current boyfriend who has some harassment allegations lept towards him, as well as some edgy X posts, with Doja emphasising the appeal of people not appreciating their relationship, sexualising the idea that they might get caught and harassed or trolled. There are sarcastic interludes about how she lives in a mansion, verses comparing herself to Fortnite and him to Jesus, a chorus threatening to tie the knot all delivered playfully as if she’s dangling keys in front of children and, considering that Mr. Cyrus allegedly had manipulated and emotionally abused several women and members of his Twitch community, a particularly striking line about how she doesn’t care where his penis has been - there aren’t sexual misconduct accusations as far as I’m aware but I feel like Doja jumped the defensive gun with that one and hints towards levels of discomfort I don’t think is actually even there. Third things third, Earl’s on the beat - this is a gorgeous production. Sure, the bass is mastered strangely, but the filtered 80s R&B synths skate under the expected trap skitter really well, and whilst Doja doesn’t do much R&B in this record, this song features her best vocal harmonies possibly ever during the refrain. Fourth things fourth, I have to ask the question: do I care more about how a song sounds or what it’s trying to convey? Can I really separate them? Last things last, I really don’t know.

#28 - “ONE MORE TIME” - blink-182

Produced by Travis Barker

blink-182’s comeback single, “EDGING”, was a horrible and misguided attempt at replicating their older humour. However, I was willing to give them the benefit of the doubt that this was a purposeful “sellout” or troll moment just to excuse the high ticket prices and get some viral bombast to their comeback record with the original line-up. This song goes for nostalgia in the video but is also a pretty genuine reflection on how tragedies and hardships in the members’ lives have brought them closer, such as how Mark Hoppus fought cancer quite recently. So I feel kind of like a terrible person for thinking this song is pretty bad. It’s a rote acoustic guitar line accompanied by really rough vocals from Tom DeLonge and stock pianos that sound straight out of the 90s, but not blink’s 90s, more like the adult contemporary and dream trance of the 90s. The lyrics carry weight but not in a way that is all that poetic or hard-hitting, and the melodramatic “emo” delivery isn’t doing the already whiny vocal melodies all that much justice. The vocal mixing - especially for Mark - is unacceptable for a band asking that much for a concert ticket, and Travis Barker isn’t left with much to do, especially not in that underdeveloped outro which lets a final “I miss you” sit there in the air before an increasingly sappy instrumental passage. I know this is human, I know this is genuine and to a lot of fans, going to bring back some memories, I’m sure. For me, I’m just sad the boys don’t have it in him to make a genuinely crushing single like they used to.

#21 - “Black Friday” - Tom Odell

Produced by Tom Odell and Cityfall

Thanks to the bizarre longevity of “Another Love”, Tom Odell is a mainstay on the UK Singles Chart, but he’s finally got another single in the top 40 and it does indeed have an acoustic guitar line. It has strings, a vocal take from Mr. Odell that implements reverb and softer vocal delivery, singing lyrics about love and relationships in a particularly frail cadence. In fact, so frail that I have to get out of ChatGPT mode and wonder what actually is going on in this song. It starts with an obscure soundscape that ends up being drowned out by the typical folk-pop, and even then it isn’t all that typical given the distance the mix gives the guitar and the subtle squeals before the first verse. Odell seems a bit checked-out and paranoid, not able to enjoy the time he’s spending with his partner, as he feels like a burden due to his inability to truly be happy and have fun, feeling like he’s being carried by his partner - or really friend as there’s not that much romance here - through life. Spending time with them almost confuses him, it seems, due to his perceived inability for self-improvemnet, with that falsetto warble in the chorus as he asks what is happening to him wavers on the drumless forest like he’s calling out for help. Sure, some of the lyrics may feel a bit cliché or stunted, but the performance definitely makes up, especially in that second chorus where he starts belting over a swell of strings and rushijng percussion that so cathartically crashes into a symphonic Britpop-esque instrumental, never fully erasing his yelped question: “what is happening to us?” It could be mixed a bit more dynamically at times during that impactful bridge, but otherwise, um, this may be a fantastic song. Colour me kind of confused and very corrected about Tom Odell, this is beautiful.

#20 - “Daily Duppy” - Nines featuring GRM Daily

Produced by Karlos

And we end, somehow, with a Nines freestyle. Huh. Well, you know the drill by now, GRM Daily is a YouTube channel that invites UK rappers to freestyle in this Daily Duppy series, and the biggest guest stars end up having their single officially released and charting. This beat from Karlos is one of the best I’ve heard from Daily Duppy freestyles, given the smoothly-blended 90s R&B loop being very effectively chopped up under a very hard trap beat. Oh, and Nines is here. I’d prefer if he weren’t. Yup, that’s it. What did you expect? It’s Nines, he doesn’t say anything interesting, and his dull flow actively detracts from a beat that deserves so much more personality. This is also just one long verse as usual, so there’s not a catchy hook or anything to latch onto sadly. Just kind of a wasted beat - and even that overstays its welcome a tad.

Conclusion

I feel like “Agora Hills” sums up this week pretty well because it really was kind of a binary clash between good and terrible for the most part. As a result, these titles fall out pretty easily. Best of the Week goes to Tom Odell of all people for “Black Friday”, as the Honourable Mention ends up in the hands of Alcemist and Campbell for “Would You (go to bed with me?)” though that sample is doing a lot of lifting. As for the worst, Troye Sivan gets the Worst of the Week handedly for “Got Me Started”, it’s practically insulting. I do feel bad for saying it but blink-182 get the Dishonourable Mention and really aren’t that far behind with “ONE MORE TIME”, sadly. As for what’s on the horizon, I don’t think it’ll be too busy of a chart outside of maybe Ed Sheeran but my predictions are pretty awful so take me with a grain of salt. For now, thank you for reading and I’ll see you next week!

[cutielycheepie]

Here's what I thought of IVE 'Kitsch'

IVE are really a group that never disappoints with their music — and I'm happy to say, they hit again!

The chorus was awesome, first time I heard it I was surprised by how the tone immediately shifted, but it was a vibe. I really like the styling of the MV too, and I would love to wear Wonyoung's outfit, it's cute and trendy.

When I heard the rap it reminded me of the rap from Oh My God by (G)I-DLE, and I still keep thinking of it during the rap part.

For a pre single I think it's pretty strong! I'll be looking forward to the album. I don't personally stan IVE but I'm always waiting for their next comeback because they always outdo themselves.

Final rating: 9/10

[venusvity]

If you were concerned that the girls were being overworked before, welcome to the year, Angelico proved you right ten times over! Refusing to lose their hype and cash flow, Venus would release their first full album, "BRAINROT," alongside the title track WORMZ4BRAINZ. "WORMZ4BRAINZ" received positive reviews from critics, who praised its production and the group's vocal delivery. It attained commercial success, peaking at number two on the Gaon Digital Chart and number three on Billboard's World Digital Songs chart.

Showing their full versatility this year, the girls would come back with their sixth mini album, "#dontlike" taking on a more "teen crush" type concept. The EP debuted at number two on the Gaon Album Chart and number six on the Billboard World Albums chart. The songs from the album also performed well digitally. "#dontlike" charted at number one on the Gaon Digital Chart and number three on the Billboard World Digital Song Sales chart.

Controversially, just two months after Jiah turned 19, Venus would release "Come N' Get It," a sexy summer mini album. While a group of Constellations were very vocal about how inappropriate it was for this concept to be done on a freshly legal adult, the general public didn't seem to care. "Come N' Get It" debuted at number 27 on South Korea's Circle Digital Chart. It rose to number one the following week. The song debuted at number one on Singapore's Top Streaming Chart, the Malaysia International chart, and the Billboard Hits of the World charts for Hong Kong and Taiwan, earning Venus their first number-one in Hong Kong.

When asked about how she felt looking back on Come N Get It in the "The Road To Venus" documentary in 2023, Jiah would discuss how she feels currently about the concept vs. how she felt at nineteen.

The music video, full of provocative dancing and the girls in swimsuits, was filmed two days after Jiah's birthday, resulting in another wave of concern from fans. Jiah would only concern fans further by saying she's been waiting to do a concept like this and was very excited to show this side of her.

As a means of damage control gone wrong, VENUS would close out the year with their second digital single, "BAD GIRL," which spearheaded the Venus Hate Train of 2020. A hate train when you're in a successful girl group is to be expected, and the girls handled it to the best of their ability. However, online critics did nothing to the girls charting power and influence.

"Bad Girls" was named the best K-pop song of 2020 by Business Insider, second by Zenerate, and amongst the best songs of 2023 by Elle. Apple's campaign and "Bad Girls"'s music video received awards at the One Show and the Spikes Asia Awards. The song received four music show awards, twice on both M Countdown and Inkigayo.

[leilani-lily]

~Oh Deer~ (Chapter 6)

Weeee we made it to 6~! ✧｡٩(ˊᗜˋ )✧*｡ I'm deciding to take more time to edit and review each chapter before I upload it. I don't want the excitement to take over and I post it in a happy rush and then look back on it and wish I could change things too late (≡ ε ≡;) This chapter was delightful to write. I had too much fun. I have no regrets (< w <) SYNOPSIS: AroAce! Alastor x Chef!Singer! Reader. Reader isn't satisfied with not perfecting the jambalaya recipe, and is determined to try again. Alastor is lured to the kitchen, and of course, chaos ensues~ Word count: 5.7 k

Chapter under the cut!

~*~*~*~*~*~*~*

As happy as you were that you had nearly recreated his mother’s jambalaya, a small part of you itched to make it perfect. The joy you felt when you watched Alastor taste your cooking, it was something you wanted to experience again. It had kept you up that night as you lay in bed, thinking about the things you could adjust and remembering what Alastor had said was missing.

Charlie was kind enough to order food in for the guests on the weekend so it allowed you weekends off. However, that Saturday morning you were too inspired (and probably stubborn) and found yourself back in the kitchen during your free time, preparing to try and correct the rice dish. After making a quick pot of coffee and pouring yourself a cup, you turn on your trusty radio and let the music begin to pump you up. The fast paced jazz made you begin to bounce on your toes as you took a sip of java, feeling your body begin to loosen up and mind buzzing with determination. As the first song came to an end, you set your mug down and begin collecting all the cooking supplies, a sly smile curling up your lips.

Alastor’s weekends were usually filled with various tasks that needed to be attended to. Meeting’s with the other Overlords, get-togethers with Rosie, or running personal errands. However, the Radio Demon was shocked to find this morning was open, which was a rather pleasant surprise. Alastor was walking down the hallway, debating on either reading or taking a stroll through the city, when the sound of music floated to his ears. The lanky demon paused, his ears unbeknownst to him perking up at the sound as he deciphered where it was coming from. Determining it was coming from the kitchen, it made his eyebrows furrow in confusion. 

He knew very well that you had weekends off. And nobody else used the kitchen that often, especially with jazz blaring in the background. Curiosity was getting the best of the Radio Demon, and before he knew it, his long legs had guided him towards the kitchen.

(link to song here) 

As he got closer and the songs changed over, he was surprised to hear your voice suddenly gasp out in delight before joining along in the next song. It was a slow rhythm as you crooned along, your vibrato trilling as you held certain notes. Remembering how enchanting your voice was from when you had first met, his smile slowly widened, heeled boots unknowingly picking up the pace.

Turning the corner and seeing the entrance, Alastor slowed his stride and crept up to the door frame. The waft of simmering sausages and spices filled his nostrils, and he had a jolt of memories back to when he was a small child. The song’s beat had picked up slightly, the lyrics became faster. And surprisingly, you were keeping up like a pro. This must’ve been a song you were very familiar with, explaining the excited gasp he heard earlier. Beyond intrigued, he dared to peek around into the kitchen to a sight that he honestly wasn’t prepared for.

You bounced from foot to foot, your hips swinging to the beat, your shoulders shimmying as your head nodded side to side. You were poking a couple sausages on the stovetop, the fat sizzling and popping from the heat. You turned on a heel and approached the island, grabbing a kitchen knife nearby and quickly mincing some onion like a natural. You continued to sing quick and on the beat, completely lost in the music and singing your heart out.

There was a mess of other ingredients and cooking utensils scattered around you, and you were sweating from the heat of the stove. Usually this would bother the Radio Demon, liking to keep things tidy; both in space and appearance. But oddly enough, that wasn’t what he focused on. His eyes remained on the beaming smile on your face; your eyes shining in pure delight and cheeks flush. You were completely in your element, and he a mere observer. 

At a certain point you even stopped chopping the onion and began to dance on the spot, eyes closed as you completely rocked out. You twisted your feet in and out, swayed your arms side to side (your dominant hand still holding a very sharp knife), and bopped your head, feeling the beat in your veins and taking a hold of you. 

You knew a super fast part in the song, so you were preparing yourself to really nail the fast lyrics. So when you felt two long arms slide down your own and a warm body press up from behind you, your soul almost left your body.

“No need to stop on my account darling~” Alastor crooned behind you, speaking before you could turn around and stab him with the knife in your hand. But then his long fingers wrapped around your hands and pulled you away from the island. 

Without a second though, you quickly dropped the knife as he twirled you in place, the music still playing in the background. Feeling yourself bubbling with excitement, you began to sing faster than lightning, the joy in your heart from this rare opportunity and secretly wanting to show off a moment. Alastors eyebrows raised impressively, and seemingly wanting to take it up a notch, as if this was a competition of talents. 

The suave demon twirled you out and let go of one hand but still firmly holding onto your other. You both break out into full swing dance as the horns blared and violins sang in the background. Alastor was quick on his feet, pulling you in close then spinning you out as both of your feet tapped and twirled. You managed to sneak glances at the Radio Demon, thoroughly surprised at his skill in dancing. The tall demon flashed you a smile and even dared a wink as you shimmied together, his grip on your one hand tight and secure. You continued to sing, although found it much more difficult to do while dancing to such a fast paced song. 

The melody slowed for a moment, indicating an instrumental and Alastor was quick to act. He pulled you in gently and immediately grabbed onto your hip, his other hand still tightly holding yours. You could feel your heart thrum in your chest from the proximity of the Radio Demon. You had never been so close to him before, your chest was pressed to his and the hold he had of you was captivating. Like even if you tried to push away he wouldn’t allow it. Not that you even wanted to. Not ever. This was a rare occasion; and definitely something that you didn’t want to pass up.

Finally finding the courage, you glance up at him, feeling very shy but your heart racing with exhilaration. You can see his crimson eyes are shining with delight as hooded lids focus on you. His grin was wide with amusement as he guided you around the room. You had to stop yourself from laughing out loud at the obscurity of it all, never imagining this is how your morning would end up. 

Dancing in the kitchen with a serial killer; your mother would be so proud. 

You knew the music would pick up again soon, and you knew Alastor could feel it the way he lightly squeezed your hand. You both shared a look, equally looking smug and ready for the next round. Giving him a nod of encouragement, Alastor twirled you out once more as you burst into song again. You belted out the lyrics, so full of glee you couldn’t contain your voice. 

You both continued to dance together, feet kicking up to the beat and arms swaying to and fro. He swapped you from hand to hand, guiding you around the room and switching from left to right, but never letting you go. At one point you both were hand in hand, looking at each other and dancing on the spot. From the giddy expression on his face, you could tell he was enjoying himself as much as you were, both of you feeling the drums thump in your chests. With all the fast dancing and excitement, you found your singing was occasionally interrupted by a tired laugh, especially when Alastor suddenly flung you around. But you knew the last note was coming, and you wanted to finish off strong.

When the instruments stopped and the final sentence played out, Alastor spun you out and let you have your moment; you belted that last note with pure joy. The song came to an end, and was promptly met with a commercial break as a muffled voice droned on in the background. The adrenaline coursing through you finally dropped and you let go of the demon's hand, bending over to catch your breath. Hands on knees, you couldn’t help the weary giggles escaping your throat as you panted, your brain still not sure if you had just imagined all of that. Feeling Alastor’s burning eyes still on you, you finally rise up and give him a tired, but beaming smile. You look him up and down and can't help but let out a single guffaw as you notice something.

“Are you freaking kidding me?” you laugh, “How are you not even sweating right now?? After all of that?!”

The tall demon stood before you, hands behind his back and completely composed as if he wasn’t just dancing up a storm with you. His expression was calm and amused as he watched you wipe your brow. His smile creaked up further onto his face. 

“Practice my dear y/n,” he hummed. He began to walk towards the sink with his head held high, clearly thrilled to gloat in front of you. “I was known to be quite the jitterbug back in the day~” He grabbed a clean cup and began to fill it up with cold water. You watched him in pure amazement; who would’ve known Alastor liked to dance? His gaze eventually slid back to you.

“Nevertheless, I must say,” he continued, turning the water off and striding back to you, “I was not the individual dancing and singing along to the melody. That’s an admirable skill set.” He offered the cup of water to you with a cocked eyebrow and you laughed out a tired ‘thanks’, happily taking the drink. You chugged it back instantly and sighed in relief, the Radio Demon watching you amusingly.

“Well,” you chuckled, setting the empty cup down and looking to the floor sheepishly, “I can’t really say I’m the best of dancers. I’m sure I looked like a ragdoll compared to you.” Your mind wandered back to the dance and could only imagine how you looked compared to your graceful and experienced partner. You couldn’t help the amused smile spread across your face.

“Hmmm… Perhaps…” Alastor mused, looking off to the distance and only confirming your thoughts. He was too much of a gentleman to admit a lady’s faults. It only made you laugh silently to yourself. 

“However, I will argue,” he continued, his gaze falling back to you, “your entrancing voice was enough to carry you through. And what more, you still chose to dance with pride, even if it was out of your comfort level. So for that, I applaud you~” Alastor bent slightly at his waist in a small bow as an applause track fizzed in the air. You giggled at the theatrics, feeling your cheeks redden at the compliment.

“Well, thank you,” you tittered, giving a small awkward curtsy in response, “It was nice having such an amazing dance partner; I haven’t had that much fun in a long time.” You beamed up at him, genuinely grateful for the impromptu dance session. Alastor watched you for a moment, taking in your expression before standing up straight again, looking down at you mirthfully.

“Well then my dear, we’ll just have to-” 

The Radio Demon stopped suddenly, his mouth still open and grinning. But his eyes had flicked up and away from your face. You watched his eyebrows shoot up in surprise as his pupils shrank in what appeared to be shock. You were just about to ask if he was alright when the distinct smell of burning meat entered your nostrils. You whipped your head around and watched in horror as flames were licking up the side of the pan and smoke began to bellow.

“Awh FUCK!”

You sprint towards the stove at lightning speed and turned the flames off. Without even thinking you grabbed onto the handle of the pan to pull it away from the hot element. It immediately fell from your grasp however as the searing heat had burned your hand and you immediately gasped in pain. The pan and now crispy sausages clattered to the ground as you gripped your tender hand to your chest, eyes shutting tight against the pain and falling to your knees.

You heard a rush of static and felt a draft of wind tickle your skin. Eyes still scrunched in pain, you felt yourself jump when large hands suddenly gripped on your wrists and began pulling them away from your chest. 

“Show me your hand y/n.” 

You felt a wave of embarrassment pour over you. Here you were trying to master his favourite dish, but got too caught up in your silly little fantasy. And now you had ruined it. And in front of him nonetheless. Shame settled in your stomach, making you clutch your burnt hand tighter to your chest. 

“I’m fine Alastor really, I-!”

“That was not a request.” The sternness in his voice caught you off guard. You had never heard him speak to you in such a tone. Your eyes finally opened to see his red claws grasping your wrists. His grip on you tightened.

“Look at me y/n.”

You felt your stomach lurch. You felt so stupid, like a child being scolded by their parent. You couldn’t bare to face him. But you heard your radio in the background fizz and crackle dangerously, and you knew Alastor was losing his patience. Humiliated beyond belief, you finally tilt your head up and dared to peek up.

Alastor’s eyes immediately locked with yours, as if he was watching your face this entire time. His demeanor was surprisingly calm; still wearing his classic smile, but the corners weren’t as high on his face as usual. His gaze on you was strong; unmoving. It almost burned into you more than the burn on your hand. You had to catch your breath.

“I wont say this again.” he warned, his tone still very stern but now quieter as he looked at you. “Show me your hand.”

The last time you had felt so small was when you had accidentally touched his antlers without permission. You weren't scared of him this time, but his eyes still managed to make you quiver on the spot. Finally, you felt your muscles relax and you allowed him to pull your hands away from your chest. In an instant he held your dominant hand in both hands and gingerly turned it over, inspecting the flushed skin that was already beginning to swell. His eyebrows narrowed a moment before he immediately rose to his feet, dragging you up with him. Without a word, he led you to the sink, his grip on your wrist gentle but firm. You stumbled after him and before you knew it, the Radio Demon had turned the water on and dunked your hand under.

You hissed out in pain as the cold seemed to burn you even more. Alastors eyelid twitched at the sound, but you were in too much pain to notice. You both stood there a moment in silence as he gently guided your hand under the water, turning it over and twisting your wrist to insure every burnt part was rinsed. It wouldn’t be until later that you noticed how attentive he was to all of it. 

Turning off the water, the Radio Demon snapped his fingers and a roll of gauze blinked out of thin air. The other hand still holding yours, he began to carefully wrap your palm in the fabric. You flinched ever so often as the gauze grazed over your tender skin, but you couldn’t help but sneak a peek up at your nurse. His face had remained surprisingly calm, his attention focused on the task at hand and unwavering. But you did notice his ears seemed to be pressed to his head, and a single bead of sweat rolling down his forehead. 

Eventually, Alastor delicately tucked the end of the gauze into the wrapping, giving it one last look over before letting you go. His gaze slid up to you, his small smile slowly growing into more of his signature look.

“Fortunately, the damage is minimal given the circumstances. Give it a few days rest with lots of ointment and you’ll recover.”

You lifted it up to eye level and gave it an inspection, surprised to find how neat it was. As if he had done this before. The idea of that both fascinated and worried you. 

“Now tell me my dear, why is it that you were cooking today? Or do you just enjoy setting my kitchen on fire?” His cocky grin spread across his face, already enjoying the opportunity to tease you. You let out a groan of embarrassment, your wrapped hand flapping to your side like a wet noodle.

“Lord have mercy. You’re never going to let me live this down are you?” you whined, already hating yourself for giving him more material to work off of. He cocked his head to the side, absolutely tickled pink by your reactions. 

“Oh, you know I’ll be roasting you about this for weeks~”

Another pained groan escaped your lips. Oh great. Here come the puns. Your uninjured hand rose to pinch the bridge between your eyebrows, trying to calm the rage in your heart, but also to stop you from actually laughing at it all. You didn’t want to give him the satisfaction. He leaned in even closer so he was face to face with you, his shit-eating grin threatening to crack his face.

“What’s the matter my dear? Can’t handle the heat~?”

Your grip on your arm and bridge tightens. His face inches closer.

“Unfortunately for you, I’m just getting warmed up~”

You could feel your shoulders start to shake. He leaned close enough that his lips were right beside your ear.

“Come now y/n, don't be flame,”

“ALASTOR!” you finally caved and burst into angry laughter, turning away from him in shame and hiding your face as you crack up over his god awful puns. Damnit, you hated how he could make you laugh at your own misery. In a way you were grateful; it was a good distraction from the pain. He always knew how to make you smile, especially if you were upset. Unmoving, Alastor watched you in pure delight as he drank up your laughter, his own chuckle of amusement slipping from his mouth. Finally satisfied, he leaned back up and took in the mess on the ground and other various ingredients in the kitchen island. 

“You never answered my previous question dearest.” Alastor spoke up from behind you, “Why are you cooking jambalaya so early in the day?”

You felt yourself freeze on the spot. Man, nothing got past this man; he was as sharp as ever. 

You felt your shoulders start to tense as heeled boots clicked closer to you. 

“Don’t get me wrong, it is an exquisite meal, but even I would never consider it before 10am.”

You could feel his tall figure looming from behind you, body almost pressed to your back as he closed the distance between you both. You sighed in defeat, knowing you couldn’t talk your way out of this. You shamefully turn around to face him, but refuse to look him in the eye.

“I was trying to perfect the recipe,” you mumbled quietly, feeling yourself fidgeting under his gaze, “It’s just… you’ve done so much for me, and I feel like I haven’t been able to return the favor. I don’t have magic or power or endless resources. So…” your cheeks were starting to turn red, feeling your tongue swell in your mouth, “S-so I figured… if I can cook your favourite meal exactly like your mother… If I could help you to recreate that moment in time… th-then maybe…”

You trailed off, unsure what to say, and feeling smaller than a speck of dust. He must think you’re pathetic. And who could blame him? He was an Overloard; he could eat demons like you for breakfast. You still didn’t understand why he seemingly wanted to spend time with a nobody like you. You knew he was going to laugh at you now. Make fun of you like he always did and tease you about this for weeks to come. You shut your eyes tight with frustration, feeling them begin to burn with tears and preparing to hear his laughter track drone on any minute now.

… But there was silence. 

You paused a moment longer, suddenly uncomfortable in the silence. It was odd, even his usual static that hissed whenever he was around had gone missing. You were just about to dare a peek up at him when you felt a warm, heavy hand on your shoulder. Your head immediately lifted to him, eyes shimmering and maybe a bit hopeful.

He looked at you and didn’t say anything. His grin was still ever present, but it felt loose, wavering. His eyes flicked over yours as his brows furrowed, signaling the look of… Deep thought? Confusion? … Worry? 

Alastor watched you, eyes wet with unshed tears and lip threatening to quiver. Something stirred within him. No one had ever… done something so thoughtful for him. So used to demons making deals with him, only giving so they could take. A soul for power. Or for riches. Or fame. Greed and selfishness was a sickness Alastor was very used to when dealing with others. It was one of the things he despised the most about sinners. And he was no saint either. He knew himself he would take what he wanted, but only if he deemed it necessary to his ascension. His greed was different, as least in his own twisted mind. 

… But you…

After what felt like an eternity, Alastor finally lifted his hand on your shoulder and cupped your face, his other hand reaching to do on the other side. Startled as to what was happening, you gasped softly, feeling your heart begin to hammer against your chest. His smile was warm and genuine, which was honestly a stark difference to his usually sharp features. Eyes hooded and looking down at you in wonder. He even dared to squish your cheeks a couple times, surprisingly making the Radio Demon chuckle in amusement at their suppleness. His warm hands pinched for a moment longer, taking a moment to drink in how soft your cheeks were. How could a previous murderer and cannibal somehow be so innocent? Finally, he opened his mouth to speak, his voice soft as static crackled in the air.

“You never cease to surprise me my dear. What a peculiar little thing you are...”

And without another word, he removed his hands from your face and rose to full attention, striding past you and towards the sink. You blinked back your surprise and dumbly turned to watch as he rolled up his sleeves and turned the faucet on. All you could do was stare numbly as Alastor began to wash his hands, and even began humming softly to himself. As he finished up, he quickly dried his hands and flicked his wrist up, his fingers snapping sharply. An apron suddenly poofed onto his figure; a basic white with ‘Kiss the Cannibal Cook” printed on it.

Turning on his heel, he continued to hum to himself, the radio filter over his voice making it seem sharper than the average hum. But that wasn’t the thing making you tilt your head. It was when he opened the fridge and looked about, as if looking for something in particular. After shuffling a few items around, he finally turned his head to you, eyes still on the fridge and smile absolutely giddy. 

“Tell me y/n, if we had any okra, where would it be~?”

You felt your eyelids blink one at a time as you watched him stupidly, mouth partially open. When you didn’t respond, his pupils finally slid to you and caught your expression. He cocked an eyebrow as his eyelids fell flat.

“Close your mouth dear, it’s not very lady like.”

You click your jaw shut and blink back to reality. He looked at you expectantly, and finally cluing into his question, you responded.

“Oh. Ah. Bottom left hand drawer. Sh-should be in a little plastic bag…” 

Alastors smile brightened as he turned back to the fridge and followed your instruction, a satisfied ‘Ah!’ coming from his mouth before pulling the bag out and closing the refrigerator. As he approached the island, you finally were able to utter the biggest question on your mind.

“Alastor… What are you doing?” 

The Radio Demon stopped humming, turning his head to you as he grabbed a spare knife and cutting board from below. He tilted his head and raised an eyebrow as if you just asked the stupidest question in the world.

“Isn’t it obvious?” he remarked, turning back to the okra and began to slice the green plant into thin segments. “If you really thought you could master the recipe without my help, then you are sorely mistaken. Besides,” he lifted his knife to point it at your wrapped hand, eyeing you a moment, “Now that one of your hands is out of commission for the day, it would be against my mother’s teachings to force a woman to cook something for me alone and with only one arm.” 

He turned back to his chopping board and continued to slice.

You watched him a moment longer, processing his words until you felt your heart bloom in your chest. He didn’t laugh. Didn’t tease. Didn’t make you feel small or inadequate. He saw your genuine pain and surprisingly, chose kindness. And even more, chose to help you personally rather than summoning his minions to do the work. You felt a lump in your throat, a different kind of tears threatening to fall down your face. But Alastor didn’t notice, thank goodness, too absorbed in his work.

“My dear,” he began, swiping the sliced okra into a bowl, “Would you pass me the peppers next?”

“O-oh!” you stuttered, quickly wiping your misty eyes with your sleeve, your smile going ear to ear as you rush to the requested veggie, “Of course.”

Between the two of you, you were quite the team in the kitchen. Who would’ve known that Alastor was actually quite the chef himself? He admitted that he loved to cook, of course inspired by his mother, but simply didn’t have the time nowadays with the hotel and Overlord work. You could tell he was being genuine; his dicing skills were remarkable. The speed and precision he had with a knife was impressive (and maybe a little terrifying if you thought about it too hard). But the fond look on his face while he was doing it, that's how you could tell he wasn’t lying about enjoying it. 

While he chopped and diced, you were on saute duty. Alastor was hesitant to give you this task, given how the last batch of sausages ended up… But after lightly smacking his arm with a wooden spoon, the Radio Demon laughed and allowed you near the stove.

... With close supervision that is. 

You collaborated with each other, Alastor explaining his method and you explaining how you made yours. And you were sure somewhere in the middle was the true recipe. The radio continued to play in the background, and out of habit you’d sing along to the songs you knew and Alastor would hum. For one particular song he pulled you in for another quick dance in which you laughed the entire time. But he made sure to deposit you back to the stove quickly, not wanting to recreate the disaster from earlier. While you stirred with your unscathed hand, Alastor would pop up behind you on occasion for a taste test. You’d offer him the spoon and he’d give it a try, comparing the flavor from what he remembered. And if needed, would add more spices or scour the cupboards for something new. 

Finally, after letting it simmer and adding the last remaining garnishes, the jambalaya was ready.

The smell alone was absolutely divine, spices and oils melding together to create a rich aromatic scent. You wiped your sweaty brow in satisfaction as you watched Alastor divvy up two plates and bring them to the island. The dish was a beautiful vermillion colour with fiery red veggies and soft green herbs snuggly tucked away with the sausage, shrimp and rice. You felt your stomach rumble, not realizing how hungry you were having skipped breakfast. You felt the strong urge to just dive in, but you pulled back. You couldn’t eat. Not just yet.

Your eyes slid carefully over to Alastor as he looked at the plate below him, inspecting it with a calculated gaze. He seemed almost… hesitant. But before you could think on it further, the Radio Demon scooped a mouthful up, paused a moment, then took a bite.

He chewed.

Stopped.

Chewed again.

Swallowed.

His head hung over his plate, his bangs covering his face and making it impossible to read his face. There was a heavy pause, the air feeling thick as you waited for his final thoughts. The static around him buzzed louder for a moment then went completely silent. Finally, he raised his head, and his expression almost made you want to weep. His eyebrows were tight and sorrowful, his smile pinched and threatening to tremble. Pupils dilated and never moving from the plate below him. Eventually, his mouth creaked open. 

“This is it.” 

The radio filter over his voice was gone, and that almost floored you. You had never heard his natural voice before, and honestly it was one of the most beautiful sounds you had ever heard. He scooped another spoonful and tasted it again, closing his eyes and sighing to himself with a sense of longing. You had never seen him so at peace. 

Swallowing his previous bite, he looked down at his plate again, eyes drifting over the dish as a low chuckle suddenly began to rumble from his chest. He closed his eyes and shook his head, smiling and eyebrows furled as he hummed about something. And then, he spoke, his radio-like quality returning to his voice.

“You remind me of her.”

It felt like your heart had lurched into your guts at his words. You knew how much she had meant to him. The impact she had on his life, in living and in death. And for him to admit that to you? It made your hands tremble in your lap. Alastor opened his eyes again and looked down, deep in thought.

“There was always music drifting in the air when my mother cooked,” he reminisced, “Jazz music of course; it was in our bloodline. I remember as a boy watching her from the dinner table. She would sing along to the music, and would even pull me in for a dance if a certain song compelled her to.” He chuckled a moment before sighing, tilting his head up with eyes lost in memories gone by.

“Oh, she was a beacon of light and life itself. Always looking out for others, never asking for anything in return. A strong, selfless woman with a heart of gold. The only woman I ever, truly…”

He didn’t finish his sentence, but he didn’t have to for you to understand. Your hand reached for his without a second thought. He flinched at the sudden touch, his eyes shooting open, but eventually you felt his hand relax under your warmth and eyelids soften again. You held his hand tenderly as he continued to stare up at the ceiling, head swimming with fond reminders of the past. Gentle minutes trickled by before you felt the Radio Demon’s hand twist up so it could hold yours tightly. And soon after, he lowered his head and looked straight at you.

“You have given me a gift no one has ever been able to give.” He smiled, his eyes remaining gentle as his scarlet orbs never wavered. You could feel yourself melting under his gaze. He began to lift your hand towards his face, stopping mere inches from his mouth. You could feel your heartbeat quicken. 

“Thank you, mon passereau~” he purred, pupils falling to your hand and pausing for a moment. You could feel his breath on your skin and your heart raced.

He wasn’t going to do what you thought he was… right? 

Finally he lifted your hand up and gently pressed it up to his forehead, like he had done weeks before. You felt a breath escape your noise, from relief or disappointment, you weren’t sure yet. But honestly, what were you expecting? This was Alastor. He wasn’t one for romance or being overly touchy. 

Please, like he would ever kiss your hand. Get it together y/n.

Still, when you focused on him again, a warm smile spread from your lips as you felt the warmth of his forehead and the pinpoint that would be the ‘x’ on his head. This gesture was intimate for him, and that was more than enough for you. And thinking back on the joy and gratitude he showed you earlier… it made you sigh blissfully. You had done it. You achieved your goal of somehow paying him back. And you felt that your relationship with him had only grown stronger with the morning you’d had. With a content smile, you breathed a reply.

“You’re welcome Alastor.”

~*~*~*~*~*~*~*

Fun fact: 'Passereau' in French roughly translates to "songbird" ( ⸝⸝´꒳`⸝⸝) Thank you for reading thus far! As always, comments and reblogs are much appreciated; the more encouragement, the more fueled I get to write more (•̀ᴗ•́ )و I eat your delicious words and poop out a story that's hopefully to satisfaction LMAO okok I'm done, gnight folks ꨄ

FIRST PREVIOUS NEXT

[loonarii]

Ari's K-Pop Roundup: July 2024 (aespa, KATSEYE, KISS OF LIFE, STAYC, tripleS, + MORE)

last months installment ✦ full masterlist welcome back to episode SIX (!!!) of this review series I started back in february - I've tried a lot of review formats in my time on kpop tumblr, but this one feels the most fun to do, and is by far the most well received. thanks so much to everyone who likes, reblogs, or even just reads these rambles, I appreciate it so much <333 This month was pretty fun from the get go so lets go get into it ~ ari

Hot Mess - aespa

A month and a half after their first korean full album, aespa have dropped their first proper foray into Japanese releases with 'Hot Mess'.

This is a classic aespa style track, like something off the 'Savage' or 'Girls' mini albums. Powered by a distorted trumpet base melody and filled with vocals delivered with a hyperconfident attitude, 'Hot Mess' is very Bratz doll, very Y2K. The chorus is reasonably catchy, but the verses fall somewhat short in my opinion, and the post chorus feels slightly out of place? The bones for a great song exist within 'Hot Mess', but for me the song peaks at 'good'. Is it anywhere near on the level of 'Supernova' or 'Amargeddon'? No, but it is cute and shows off the aespa members' skills well, as a debut song should do.

Giselle, as the member who speaks the most Japanese, is the BEST on this song, she sounds the most comfortable in her delivery and the tone of the song suits her style perfectly. Ningning is also a huge highlight of this track.

'Sun and Moon' is a classic SM style b-side, half way to a dance track, half way to a ballad. Where 'Hot Mess' highlighted vocal tone, 'Sun and Moon' emphasizes vocal range and the runs the members can pull off - in that sense it is the perfect b-side for a song like 'Hot Mess'. It's an easy hit, I like it a lot.

'ZOOM ZOOM' has actually already been released, so I won't delve into that one today, but the tl/dr is that it's a 10/10 aespa dance track that is forgotten about FAR TOO OFTEN.

Overall, this was fun. 'Hot Mess' didn't quite do it for me as much as I would have liked, but I enjoyed it nonetheless. The b-sides are great, and as a debut, it works well. With their influence on the Y3K aesthetic in japan, success over there is inevitable and I'm wishing the best for them as always.

Touch - KATSEYE

If nothing else can be said about 'Touch', at least it was a decent song this time around.

Let's not lie, you can hear the PinkPantheress print on this song as well as I can, and while that results in an enjoyable song, it does not bode well for the future of KATSEYE. The derivative nature of 'Touch' isn't inherently bad - PinkPantheress coded songs have been popping up in kpop frequently over the past year or so (though granted never quite as obviously referential as this), but contextually the song is a bizarre choice. Even though their 'Debut' was released last month, KATSEYE is still extremely fresh on the scene, and every choice they make right now in musical, conceptual and creative direction will impact how they are perceived by global audiences.

Making music that sounds like a another artist will almost always tarnish your reputation and brand as a soloist/group UNLESS the artist you are emulating caters to an entirely different market. For example, ILLIT got backlash from kpop fans both inside and outside of Korea for emulating the sound of NewJeans, but the discussion of Tinashe's undeniable influence on kpop is limited to select groups of international fans. KATSEYE are trying to appeal to the western market presumably, so while 'Touch' imitating PinkPantheress may result in a few million streams and TikTok song of the hour status, it does nothing to build a brand, create a signature sound, and make a name for KATSEYE outside of kpop. Not to mention, it sounds unconnected from 'Debut' sonically, tonally, and conceptually, further meddling with any chance they have of building an iconic (in the original sense) discography.

However, this concept did seem to suit some of the girls better, Yoonchae especially seemed comfortable taking the centre this time, she was the star of the song for sure.

I would be remiss if i didn't bring up the song length after bitching about it so heavily last time, so here we go for round two. From 'Debut' clocking in at an appalling 2 minutes and three seconds, the HYBE overlords have blessed us with SIX MORE SECONDS on 'Touch'!!! At least this song calls for a bridge slightly less than 'Debut' did, but regardless this is absurd. I may be glad that the recession has triggered a resurgence in upbeat pop music from the west with BRAT summer and all that, but if it means song length shrinking by minute every year, I'm not sure if it's worth it.

Sticky - KISS OF LIFE

Kiss Of Life are just KILLING it, every release has been fucking incredible and 'Sticky' is no exception. Built on a foundation of afrobeats and powered by spirited vocal runs from all the members, 'Sticky' is the perfect song for the summer. It doesn't over-complicate itself, this is a song all about wearing short-shorts in the blaring July heat and having a blast with your friends. the melodies aren't especially new but they are classic and highly enjoyable. Hanuel is the beating heart of this song. Her vocal tone is on the more nasal side which usually means she's delegated to the verses or adlibs while Natty takes the frontline, but in 'Sticky' she is centre stage and I couldn't be happier about it. Natty and Belle take the post chorus sounding incredible as always, and Julie punches up the verses and post chorus ad-libs with her citrus-esque vocal tones. All the girls come together on the chorus in a chant thats been stuck in my head since I heard it. This and Chuu's 'Strawberry Rush' are my songs of the summer.

If 'Sticky' is a midday bike ride along the beach, 'Te Quiero' is a midnight beach party lit by campfires and neon swimsuits. Its the perfect b-side for 'Sticky', equally as addictive but slightly more unique in its construction. The strings on this track are to die for, and the lyrics are surprisingly enjoyable too.

A great single album for the summer months, Kiof have done it again - are we surprised?

Cheeky Icy Thang - STAYC

STAYC's last couple of releases, 'Bubble' and 'Teddy Bear' have been highly divisive, and while they didn't perform poorly by any means domestically, they were pretty unpopular among international kpop listeners. It seems HighUp recognized this lack of interest, and when the head prophet said the omens were right for STAYC to have a full album, they dropped the more childish concept and circled right back to 'RUN2U' - and now we have 'Cheeky Icy Thang'.

To be honest, the first couple of times i heard this song I didn't get it. My main impression was that it was messy - there were too many elements fighting for dominance, too many hooks, too many words in one line. And while I do still stand by some of those elements (you cannot convince me Sieun says 'rock' in the line 'on-the-rock whiskey ring-a-ring ding-dong'), but now I see the song as more maximalist than messy. I consider 'RUN2U' to be one of the most polished and well executed kpop songs of all time, and 'Cheeky Icy Thang' is not that at all - but it's charm comes in how rough and chaotic it is. While yes, the lyrics did need a second draft in some cases, notable exceptions being Sieun's '미녀와 야수면 내가 Beast' in the intro (excellent, no notes), the song's structure is genuinely a masterpiece - J's subversive pre-chorus having that tinny answerphone layer was amazing, easily the best part of the song. The production is top tier throughout, but that is to be expected from Black Eyed Pilseung.

It's difficult to pinpoint what exactly is so charming and subversive about 'Cheeky Icy Thang', because on paper it is neither something new for STAYC, nor something new for the industry at large in terms of concept or sonic style. However, what this song does that is so odd for kpop is that it does not put all of its eggs in one basket at all. Kpop songs, especially kpop songs post the TikTok era (thanks SO MUCH for that Zico), tend to be top heavy, and concentrate all the fun and creativity and catchiness into the chorus. 'Cheeky icy Thang' does not do that - the verses are a treat, the pre-chorus is a stunner, the breakdowns are groovy, and the chorus leaves us just satiated enough to keep listening. Crucially, 'Cheeky Icy Thang' cannot be compressed, and while they undoubtedly will make a dance challenge out of it, you cannot get the full experience of this song from a 20 second soundbite, as you can with so many other songs coming out right now.

### - tripleS

Lack of music video aside, '###' is the perfect tripleS japanese debut. A lovechild of anime intros and tripleS's iconic maximalist sound with a tS trademark 'lalala' post chorus, EVERYTHING about '###' is deliciously addictive. It's hyper-cute to the point of psychosis, and the members vocal delivery is perfectly imperfect.

Like a year ago I started yapping about what I called 'love island pop', and with this review I would like to introduce another micro-genre my prefrontal cortex cooked up 'Rhythm Heaven Fever pop'. Basically, music that sounds like it wouldn't be out of place in a Wii U rhythm game from 2011. '###' fits this perfectly, other notable examples being 'Dumb Dumb', 'Rookie' and '#Cookie Jar' - Red Velvet, and 'BBoom BBoom' - Momoland. This is the kind of music that keeps kpop going in my opinion, it's been a steady undercurrent of the trending sounds over the last 3 generations, and I am more than glad to see tripleS stoking the embers.

Such an unabashedly FUN song, it never takes itself seriously and that works FULLY in it's favour. Definitely a must-listen track from the July roster.

MINI REVIEWS:

[ALBUM] MINISERIES 2 - SUMIN & Slom: Wasn't sure if I should include this since it's not really kpop, but what the fuck SUMIN IS BACK BABY and yeah its another FUCKING BANGER of an album. Just go listen to it. I might do a separate review of it because it's just that good, so expect that in the next 2-5 business years. Just go stream it.

Klaxon - (G)-IDLE: For all I don't really like (G)-IDLE's music, I can usually admit that it is at least catchy. And yet, somehow Klaxon is not that catchy? The first line of the hook feels like a bizarre Frank Sinatra interpolation, and that post chorus does most of the heavy lifting for this track. Overall, this felt pretty derivative, but hey, sometimes a throwback isn't the worst.

FOREVER - BABYMONSTER: Babymonster are leaps and bounds away from my stan list, and even though this is vaguely something different from them (not really, it's just that there isn't an empty chorus), it's once again not for me. The vocal mixing on this song is very odd and as a result any emotion or power the girls used in their vocals is totally lost and tonally the song falls flat. The key change in the final chorus is a nice touch, and Pharita and Haram especially shine on this track. The fact that this was somewhat 'something new' gives me hope though - perhaps all is not lost over at YG. Perhaps.

Something Ain't Right - XG: XG are so consistent in the quality of their releases it's actually insane - from the production to the hooks to the vocal direction this is such a fun song. I don't know if I love it as much as TGIF or New Dance from X-GENE, but it's a very solid release. XG are well and truly the ones to watch, and the dichotomy between this and 'Woke Up' proves that perfectly.

Let It Burn - H1-KEY: You know, this was so close to being one of several contenders to be included on my mini reviews segment that just get cut, but this release really shocked me. I went in with almost no knowledge of H1-KEY, I had heard of them, but I had no idea what the concept was, who the girls were or even how many of them there were. 'Let it Burn' is a fucking delight from start to finish. A lot of these kpop takes on punk rock anthems fall flat for me, but this one keeps it honest and heartfelt throughout. The lyrics are honestly a delight, the chorus is fun, but the verses are the real star of the show, snappy and well delivered, and backed by a clean, classic hip-hop beat. You probably missed this track this month, and I would definitely recommend a listen.

JUSTICE - Dreamcatcher: Trust me, I am SO CLOSE to getting dreamcatcher to click for me, and 'Justice' proves that. It's lowkey fucking amazing, SO well executed. I truly think I am one discography deep dive away from falling in love with DC, this song is SUCH A BANGER. I really appreciate how DC never sacrifices their unique sound for whats trending, no one else is doing what they are doing, and holy hell are they doing it well.

Don't - LEE CHAE YEON: It's cute? I guess? Not overly spectacular, but not spectacularly awful either. I still don't know who the fuck Charlie is.