#künstlerhaus bethanien

[artdoubtandfun]

paper workshop with dimensions of techne, kunstquartier bethanien, berlin

[ozkar-krapo]

Jon ROSE

"The Art of Mutation"

(LP. Stasch / Künstlerhaus Bethanien. 1987 / rec. 1977-86) [AU]

[ingogerken]

ANARCHIVISTICS 2024 Tapete, Vitrinen, Bücher, diverse Gegenstände wallpaper, displays, books, various objects

Arbeiten aus der Serie BIBLIOSCULPTURES mit historischen Publikationen aus dem Verlagsarchiv des Künstlerhauses works from the series BIBLIOSCULPTURES with historic publications from the publishing archive of the Künstlerhaus

Künstlerhaus Bethanien, Berlin

[cocainaenvenenada]

The Künstlerhaus Bethanien in Kottbuser Straße has already 10 years doing the residencies open-studios with support of KfW Stiftung.

[takeaglance]

HYSTERESIS | Robert Seidel | Soundtrack by Oval from Robert Seidel on Vimeo.

HYSTERESIS Experimentalfilm Cinemascope 2K, color, 2.35:1 Dolby 5.1 D 2021

Film: Robert Seidel Music: Oval Performance: Tsuki Title Design: Bureau Now 5.1 Master: David Kamp Funding: FFA Filmboard Special thanks to Miriam Eichner, Carolin Israel, Falk Mueller and Paul Seidel

In tech companies, universities and artist studios, machines work through and learn the history of mankind. Copyright dissolves; distinctions between original, imitation or inferior reproduction erode. No origin, no responsibility, no clear bias - just a primordial soup that can be transformed into any form without questioning knowledge systems and hierarchies. In this silent, but radical restructuring of entire industries, the artist becomes a template of a future that is digitally assembled from a myriad of fragments of the past.

In the experimental film Hysteresis, Seidel’s analogue drawings and digital processing merge with the queer performance of Tsuki, whose movements improvise between Ballet, Butoh and Berlin club culture. In a fusion process, her image is recorded, fed back through Seidel’s devices and then projected onto her body. An expanding digital sphere beyond labels and identifications with gender, culminating in dehabitualised neural patterns and reconceived fabrics of intimacy beyond rational understanding. In a final step, the resulting sessions are edited and dissolved by machine-learning strategies into a constant flow of pulsating images and folded spatial configurations. The resulting Muybridgean silhouettes, baroque textures and bursting structures fluctuate between the second and third dimensions, unfolding free-floating gestures that unhinge the laws of nature. Meanwhile, delicate abrasions of the pictorial frame build bridges into contradictory concatenations of reality. The soundtrack by Oval (Markus Popp) incessantly corrodes this dense web of associations, threatening to dissolve the remaining fragile points of reference.

At a time when an overriding predictability is forced upon us all, the film celebrates the disruption of pattern recognition and the artistic corruption of results induced by artificial intelligence, specifically machine learning. With Hysteresis Seidel explores new grounds in his experimental practice and collaboration. Unveiling a frenetic, delicate and flamboyant visual language, that speaks to the hysteria and hysteresis in this historical moment. The artist wants to open a discourse about these unique modes of AI creation – with implications beyond the film and other media, to that singularity, where history collapses into a single point in the present.

To the freedom of digital filmmaking beyond (commercial) hyperrealism! (Robert Seidel, December 2021)

robertseidel.com instagram.com/studiorobertseidel facebook.com/studiorobertseidel twitter.com/robertseidelcom

Festival (Selection): 04/22 National Premiere, Filmfest Dresden, National Competition, Dresden, Germany 04/22 Video Installation of HYSTERESIS, Künstlerhaus Bethanien, Berlin, Germany 05/22 Special Mention, ITFS Stuttgart, International Competition, Stuttgart, Germany 05/22 International Premiere, Audience Award, Animation Avantgarde Competition, Vienna Shorts, Vienna, Austria 06/22 Annecy International Animation Festival, International Competition, Annecy, France 06/22 Animafest Zagreb, International Competition, Zagreb, Croatia 09/22 Encounters Film Festival, Bristol, UK 09/22 Special Mention, Festival of Animation, Berlin, Germany 09/22 Ars Electronica, Experimental Film Program, Deep Space Theater, Linz, Austria 09/22 Taichung International Animation Festival, New Angles Program, Taichung, Taiwan 09/22 Bucharest International Experimental Film Festival, International Competition, Bucharest, Romania 10/22 Bucheon International Animation Festival, Short Competition, Bucheon, South Korea 10/22 Hysteresis & Company: LIVE + Screening, Schaubühne Lindenfels, DOK Leipzig, Germany 11/22 Aesthetica Short Film Festival, Artists' Film Selection, York, UK 11/22 Audience Award, LIAF, International Competition: Abstract Showcase, London, UK 11/22 Kasseler Dokumentarfilm- und Videofest, Kassel, Germany 11/22 Kurzfilmtage Winterthur, International Competition, Winterthur, Switzerland 11/22 Special Mention, Tbilisi International Animation Festival, Tbilisi, Georgia 12/22 Beijing International Short Film Festival, International Competition, Beijing, China 03/23 Ann Arbor Film Festival, Shorts Competition, Ann Arbor, USA 03/23 Kaboom Animation Festival, AI & Animation, Amsterdam, Netherlands 03/23 Videoformes, Clermont-Ferrand, France 03/23 Glasgow Short Film Festival, Rise of the Empathy Machines, Glasgow, UK 04/23 Images Festival, The Ghost in the Machine, Toronto, Canada 06/23 Short Shorts Film Festival & Asia, Unlock -Jumping into a New World, Tokyo, Japan

Full list > robertseidel.com/hysteresis/

[mikepelletiernl]

HYSTERESIS | Robert Seidel | 2021 from Robert Seidel on Vimeo.

HYSTERESIS Experimentalfilm HD, Color, 5.1 Sound D 2021, 5:05min

Film: Robert Seidel Music: Oval Performance: Tsuki Title Design: Bureau Now 5.1 Master: David Kamp Funding: FFA Filmboard Special thanks to Miriam Eichner, Carolin Israel, Falk Mueller and Paul Seidel

In tech companies, universities and artist studios, machines work through and learn the history of mankind. Copyright dissolves; distinctions between original, imitation or inferior reproduction erode. No origin, no responsibility, no clear bias - just a primordial soup that can be transformed into any form without questioning knowledge systems and hierarchies. In this silent, but radical restructuring of entire industries, the artist becomes a template of a future that is digitally assembled from a myriad of fragments of the past.

In the experimental film Hysteresis, Seidel’s analogue drawings and digital processing merge with the queer performance of Tsuki, whose movements improvise between Ballet, Butoh and Berlin club culture. In a fusion process, her image is recorded, fed back through Seidel’s devices and then projected onto her body. An expanding digital sphere beyond labels and identifications with gender, culminating in dehabitualised neural patterns and reconceived fabrics of intimacy beyond rational understanding. In a final step, the resulting sessions are edited and dissolved by machine-learning strategies into a constant flow of pulsating images and folded spatial configurations. The resulting Muybridgean silhouettes, baroque textures and bursting structures fluctuate between the second and third dimensions, unfolding free-floating gestures that unhinge the laws of nature. Meanwhile, delicate abrasions of the pictorial frame build bridges into contradictory concatenations of reality. The soundtrack by Oval (Markus Popp) incessantly corrodes this dense web of associations, threatening to dissolve the remaining fragile points of reference.

At a time when an overriding predictability is forced upon us all, the film celebrates the disruption of pattern recognition and the artistic corruption of results induced by artificial intelligence, specifically machine learning. With Hysteresis Seidel explores new grounds in his experimental practice and collaboration. Unveiling a frenetic, delicate and flamboyant visual language, that speaks to the hysteria and hysteresis in this historical moment. The artist wants to open a discourse about these unique modes of AI creation – with implications beyond the film and other media, to that singularity, where history collapses into a single point in the present.

To the freedom of digital filmmaking beyond (commercial) hyperrealism! (Robert Seidel, December 2021)

robertseidel.com instagram.com/studiorobertseidel facebook.com/studiorobertseidel twitter.com/robertseidelcom

Festival (Selection): 04/22 National Premiere, Filmfest Dresden, National Competition, Dresden, Germany 04/22 Video Installation of HYSTERESIS, Künstlerhaus Bethanien, Berlin, Germany 05/22 Special Mention, ITFS Stuttgart, International Competition, Stuttgart, Germany 05/22 International Premiere, Audience Award, Animation Avantgarde Competition, Vienna Shorts, Vienna, Austria 06/22 Annecy International Animation Festival, International Competition, Annecy, France 06/22 Animafest Zagreb, International Competition, Zagreb, Croatia 09/22 Encounters Film Festival, Bristol, UK 09/22 Special Mention, Festival of Animation, Berlin, Germany 09/22 Ars Electronica, Experimental Film Program, Deep Space Theater, Linz, Austria 09/22 Taichung International Animation Festival, New Angles Program, Taichung, Taiwan 09/22 Bucharest International Experimental Film Festival, International Competition, Bucharest, Romania 10/22 Bucheon International Animation Festival, Short Competition, Bucheon, South Korea 10/22 Hysteresis & Company: LIVE + Screening, Schaubühne Lindenfels, DOK Leipzig, Germany 11/22 Aesthetica Short Film Festival, Artists' Film Selection, York, UK 11/22 Audience Award, LIAF, International Competition: Abstract Showcase, London, UK 11/22 Kasseler Dokumentarfilm- und Videofest, Kassel, Germany 11/22 Kurzfilmtage Winterthur, International Competition, Winterthur, Switzerland 11/22 Special Mention, Tbilisi International Animation Festival, Tbilisi, Georgia 12/22 Beijing International Short Film Festival, International Competition, Beijing, China 03/23 Ann Arbor Film Festival, Shorts Competition, Ann Arbor, USA 03/23 Kaboom Animation Festival, AI & Animation, Amsterdam, Netherlands 03/23 Videoformes, Clermont-Ferrand, France 03/23 Glasgow Short Film Festival, Rise of the Empathy Machines, Glasgow, UK 04/23 Images Festival, The Ghost in the Machine, Toronto, Canada 06/23 Short Shorts Film Festival & Asia, Unlock -Jumping into a New World, Tokyo, Japan

Full list > robertseidel.com/hysteresis/

[olafkroenke]

@laviniawilson @die_agenten_official ist der Kino Star in DER PFAU @derpfaufilm @berlinale Foto #olafkroenke @kunhildhaberkern @whomag.eu #portraitphotography (hier: Künstlerhaus Bethanien) https://www.instagram.com/p/CpF9ZkTsgv2/?igshid=NGJjMDIxMWI=

[rwpohl]

[fujifles]

*

[eeeriver]

nasan tur in his studio in kreuzberg a few weeks ago

[mentaltimetraveller]

Aline Bouvy

PUP

at Künstlerhaus Bethanien, Berlin, Germany

2019

[textbasedart]

Mark Themann

Sensorium – Go Into This Space, 2012

Künstlerhaus Bethanien, Berlin

[ingogerken]

ANARCHIVISTICS 2024 Tapete, Vitrinen, Bücher, diverse Gegenstände wallpaper, displays, books, various objects

Arbeiten aus der Serie BIBLIOSCULPTURES mit historischen Publikationen aus dem Verlagsarchiv des Künstlerhauses works from the series BIBLIOSCULPTURES with historic publications from the publishing archive of the Künstlerhaus

Künstlerhaus Bethanien, Berlin

[hibedestek]

“Be Mobile Create Together” Proje Çağrısı Açıldı

“Be Mobile Create Together” Proje Çağrısı Açıldı

Be Mobile-Create Together! projesi kapsamında, farklı ülkelerden sanatçıların kat��labileceği misafir sanatçı programları şunlardır: Almanya’da HELLERAU – European Centre for the Arts (Dresden), Künstlerhaus Bethanien (Berlin) ve Akademie Schloss Solitude (Stuttgart); Fransa’da Camargo Foundation (Cassis), La Cité Internationale des Arts (Paris) ve Le Cube (Issy-les-Moulineaux); Hollanda’da…

[thepassengertimes]

Music* Sonic Youth – Shadow of A Doubt / Photography* Noè Sendas – Crystal Girls Music & Visions - selected by Anna Lisa DM Sonic Youth Sonic Youth was an American rock band from New York City, formed in 1981.

[tseneipgam]

Chemical Gilding, Keep Calm, Galvanise, Pray, Gradient, Ashes, Manifestation, Unequal, Dissatisfaction, Capitalise, Incense Burner, Survival, Agitation, Hit, Day Light by  Chou Yu-Cheng (2015) interrogates the act of protest. Made of shiny panels of galvanised steel, the work alludes to department stores, consumer culture and elements of cheap housing, but also shows the results of human interaction – the sculpture is covered with dents. The artist conceived the gold-plated work during a residency at Künstlerhaus Bethanien, Berlin, and invited the public to destroy its flawless surface by throwing rocks at it.