#just trying to get better at drawing real people

[randomstore]

okay but this is my generation. and to see people so casually do this every single day hurts me so much. need an essay idea? ask ai! want a list of goals for your life? chat gpt can help you! want to draw something? just come up with a prompt and the art is yours.

if I had to guess, around a quarter to half of the thesis statements in my honors english class this semester were made with ai. nobody seems to bat an eye but me. stuff like ai 'art' seems to irk more people, but there's a noticeable part of the population who just doesn't really care.

maybe it's because I'm a writer. an artist. I spend so much of my life consuming the art people have made with their own hands and their own souls and creating my own that it does not make sense to spend my time trying to make less art. art made by real humans has shaped who i want to be as a person. every ounce of emotion and struggle that goes into that art shows how much they wanted to make it exist and that emotion and that struggle is what makes it art.

also, why would I want to outsource my thinking? my beliefs and values are the things that make me who I am, more than any simple physical traits and skills I possess. my goals are uniquely my own and to hand any part of that process of development over to a machine that can never really know me feels strange. all it will ever do is spit out what the majority of people want to do, never accounting for who you want to be. I have found no easier way to find what I want to do than to go on a walk or just sit and contemplate. alone. only with my thoughts, which isn't always fun. but it gets me somewhere. I know myself better afterwards, even if just a little bit.

maybe it's just because I'm an artist. but I don't want to see people jump at the opportunity to do less of what makes them human.

the generational gap between me and the people my age who use chat gpt

[starrysharks]

bored little practice

[nonsensechemicals]

crying whenever i talk about Cookie9 because all my friends have these interesting and unique theories on them while i take everything too literally and they all just stare at me like “dude… uuugh we r TIRED” <-they dont actually say this they are very kind to me but i can Feel It

[dexaroth]

such an awful handicap to be a person that always needs goals assigned by someone else to have things be fun. maybe its just a quality thats been stripped and stolen away from me like every ounce of normalcy i used to have. who knows. still sucks though

[star-ocean-peahen]

im so tired so tired and im bored and i need some easy reward chemical for my stupid brain but i dont know where to get it

[franeridan]

was watching a process video of an artist i really like trying a style he doesn't usually go for and he's usually got this very flowy, free style but for this one he was doing lineart and he was obviously struggling with it and said something like he really doesn't know how people can comfortably work with solid lineart and that genuinely shocked me into stopping the video and looking at nothing for a little while ngl

[seungbo-today]

.

[whumpster-fire]

Broke: Chilchuck Tims is child coded.

Woke: Chilchuck Tims isn't child coded, he's a middle-aged, divorced man with grown up children.

Bespoke: Chilchuck Tims cannot be accurately described as either "child coded" or "not child coded" because he is a deliberate commentary on the idea of "child coding" itself.

Chilchuck, and half-foots in Dungeon Meshi in general, are given significantly more neotenous proportions and appearances (e.g. larger heads and eyes, rounder faces) than the other races. This is not universal for depictions of hobbits / halflings in Tolkien / D&D inspired fantasy fiction. Compare Chilchuck relative to the "tallmen" (humans) in Dunmeshi to how small races are drawn in something like Legend of Vox Machina (many of those characters are gnomes but whatever) or in basically any official D&D art. It was an intentional artistic decision to make him look like that. This is reinforced when he's temporarily transformed into a tallman (human) and in addition to becoming much taller he gains features that make him look more visibly middle-aged (stubble, eye bags / wrinkles, a more oval face) that he doesn't have as a half-foot. See also Marcille's transformed form and supplemental drawings of what all of the main party would look like as other races. However they do NOT look indistinguishable from actual children as portrayed by Dunmeshi's artstyle and have distinguishing features e.g. larger ears.

Chilchuck is frequently mistaken for a child in-universe, or treated / perceived as one even by members of other races who know he's a half-foot, and he hates this. His infantilization and that of half-foots in general isn't just a running gag, it's a significant plot point and source of discrimination. Like when the party gets impersonated by shapeshifters copying everyone based on the others' memories of them, and most of the Chilchuck clones look and behave more childish than the real one, and they almost get away with it, even though his party should know better than to think of him as a kid.

The narrative consistently takes the position that the people infantilizing Chilchuck are wrong, and are being ignorant/racist.

Conclusion: Chilchuck is definitely not "child-coded" in the way that a 700 year old shapeshifter that looks and behaves indistinguishably from a little kid for contrived reasons. However, he is intentionally designed to make it seem plausible for people who know he's an adult to still not fully believe it and this can make the viewers fall for it too. Which I guess is "child-coding" in a sense. But the message the work is trying to send is very clearly "Don't decide that grown-ass adults are equivalent to children and treat them like children because they have physical characteristics that remind you of a child you dipshit."

While hobbits aren't real and Chilchuck's traits that get him mistaken for a child are exaggerated compared to the vast, vast majority of real people, infantilization of grown-ass adults due to ableism, racism, or just people being dumbasses who forget short people exist is a real issue, and if you start shit with people for shipping Divorced Dad Chilchuck Tims with other characters or whatever you are displaying the exact attitude that's being criticized.

[chiscaralight]

cw: shy!choso x reader, prone boning, college au. sukuna and gojo ver linked at the bottom!

college athlete!choso who’s an absolute beast on the field. everyone loves to watch him play, it’s almost like a movie every time he’s out for the game! he’s always ready to charge headfirst when it comes to his sport, and he won’t let anyone take it away from him.

college athlete!choso who doesn’t talk to anyone outside his teammates and a select few. it’s fair anyway, a lot of people only want to speak to him bc he’s deemed important, not like they want to know him.

college athlete!choso who’s also known for his aloof personality. but when you’re partnered up for an essay, you soon realize everyone is painfully wrong.

college athlete!choso who’s the most shy thing ever! it almost breaks your heart how he starts to stutter and avoid your eyes while you work out the details, just humming in agreement and you swear he almost passes out when you ask for his number.

college athlete!choso who’s practically about to fall off the edge of your bed, trying to sit as far away from you as possible. it’s like trying to coax a hostile cat to eat food you brought it, but with the way you’re looking at him, choso is sure he wouldn’t mind you putting him in your mouth just a bit.

college athlete!choso who finally warms up to you after a couple of evenings together. there’s still significant distance between the two of you, both physically and emotionally, but he’s more open now. he can actually hold a conversation with you now, and he thinks you’re the coolest! he can’t get you off his mind at all, whether he’s walking to the field hoping to spot you on his path, or secretly searching for you in this shared class.

college athlete!choso who jerks himself off to the thought of you after practice, making sure the locker room is empty as he moans out your name, wishing it was your hand wrapped around his cock instead.

college athlete!choso who forgets he’s supposed to meet up with you, cussing himself out when he sees your texts and missed calls. you’re super understanding though, and you tell him to take his time or you can reschedule if it’s better. but he assures you he can be there in less than ten minutes.

college athlete!choso who’s at your door in three minutes, panting and soaked. you can’t tell whether it’s from the shower water or if it’s sweat, but your eyes are more focused on the outline of his exposed arms and damp shirt clinging to his frame. he’s babbling, saying sorry for wasting your time, he ran because he couldn’t find his keys! but his apologies are hitting deaf ears, your mind is definitely on something else. and he notices.

college athlete!choso who’s eyes widen when you pout, shyly asking him to kiss you. this is something you’ve been trying to avoid since the first day he sat in your room, but it’s so hard to hold yourself back when he looks like this!

college athlete!choso who presses his back to the door, holding you in his arms while your tongues tangle. he’s moaning around your tongue, shamelessly feeling you up while you grind your front against his hardening bulge. he’s almost embarrassingly loud, but each sound he makes sends vibrations straight between your legs.

and you’d have to say the same for yourself, fingers dragging down his arms, around his neck, across his chest. but the real kicker is when you softly place your hand against his abs. he’s unconsciously flexing beneath your touch and it draws you in like magic. maybe he’d have good core strength? you’re the one who’s going to put college athlete!choso to the test.

college athlete!choso who passes your test in flying colors, prone boning you with an ease that has you seeing stars. you’re face first in the sheets, cries muffled by the pillow your head rests on while he slams into you like he hates you, much different from the way he asks if you’re okay after a couple of thrusts. you can’t even get your head up! and he’s getting worried but you guide his hand towards your neck, struggling to place your head in the crook of his elbow before telling him to squeeze.

college athlete!choso who gets off on the way your eyes roll back and your voice gets whinier. his hips falter just a bit when you call out his name in that voice, and if not for how good you felt, you would’ve teased him for the way his cock just twitched.

college athlete!choso who can’t face you in class the next day. you’re a little sad when you don’t see him, so you decide to check the field later in the day.

college athlete!choso who freezes up when he sees you waving from the stands. his teammates don’t miss his change in demeanor, and they start to laugh and nudge him in the side, teasing him about the cutie cheering him on from the bleachers.

college athlete!choso who comes up to you during their break, face still blazing hot from the exercise and the memories of you from last night. he says he would have hugged you but he’s insanely sweaty right now. not like you would’ve minded, that sweaty body was all up on yours last night like it was nothing!

college athlete!choso who gives you a nice long kiss before he leaves. trying to drown out the sounds of his team hollering at the two of you from a distance. you break the kiss with a laugh and tell him he can come over later if he wants.

college athlete!choso who forgets his keys and runs all the way to your place for the fourth time this week. he doesn’t mind though, he just thinks of it as prep for the calories he’s about to burn with you in a couple of minutes.

sukuna ver here!

gojo ver here!

geto ver here!

choso pt2 here!

[cup-o-stars]

Relativity Falls!

Design Concepts (and my unnecessary thoughts):

Excuse the the colors, ig my apps are fighting.

I see Mabel finding success no matter what happens to her, but I really like the thought of her running an insane arts and crafts business in GF. Alternatively, if she fell in the portal, she'd come out acting confident as always, but she probably wouldn't realize how much the constant change and lack of family/stability wore her out until she settled back in. In either case, she's a bit cracked.

Dipper is investigative, but cracks easiest under stress and is not as inherently adventurous as Mabel or Ford- so the portal wouldn't treat him well. If he's not the one in the portal, he'd be into stargazing and real magic to share with people, while also warding tourists away from the dangerous stuff. In general, he'd be an unhappy adult if left to his own devices, lol.

Between Dipper and Mabel, I like Dipper being in the portal more. He's a great protagonist, but as a supporting cast member, he needs to be more insane to match the draw that is 'Mabel taking care of children,' ha. I also love the idea of there being no portal / some other looming threat for these two to struggle with (at least because Hirsche has made it clear that Dipper and Mabel are equally smart, and to me it seems like the portal would reopen way quicker with them), but I didn't plan on posting these and I don't know how my followers feel about me posting lore.

Stanford and Stanley:

Pretty much how they are in canon, but now they're in a setting where they can get over themselves, ha. They aren't quite as mature as Dipper and Mabel were at their age, but after coming to GF, they finally found other people to look out for them. Dipper could be a more emotionally available and level-headed role model (I think having people to take care of is calming for him in turn), and they'd both look up to Mabel as the peak of somebody who knows how to socialize.

Fiddleford:

He's a sweet, southern, farm-raised mechanical engineer just like in canon.

Idk why Fiddleford is in GF (visiting an unnamed grandparent?), but I really like his relationship with Ford in the journal. Following that thought, in this AU, he starts out more of Ford's friend than Stan's, and it's kind of a big deal. Unlike Dipper's arc on learning to be a kid, Stan and Ford clearly struggled a lot with interpersonal relationships / finding security outside of eachother, and that's what I think this AU could be about (it's great they realized they need each other in canon, but the part where they had no one else to turn to is also kinda crazy if you ask me).

Ford gets to meet another smart kid in a weird town, which helps him feel more normal. He has a better idea of what friendship is because of it, but also, since I can't imagine Dipper wanting an apprentice so young/vulnerable/impressionable or Mabel asking only one of the twins to stay- he'd have to come to terms with the fact that he can't live in his dream world forever. (Or maybe the apprenticeship comes from somewhere else, just because the conflict around going back to Glass Shard Beach at all, or sending Stan alone could be pretty good.)

On the flipside, I think Stan's initial jealousy of Ford and Fiddleford's friendship would force him to try finding his own friends / hobbies. I like the idea that he fails at first- and a lot- but Mabel notices his mounting frustration (which he is very keen on hiding), and her consistent and unorthodox support makes him realize he wasn't alone to begin with. He can be more open around her, which makes it easier to open up to others, and then he can make friends without having to pull any tricks. He probably starts with some animals, and then at least gets closer to Fiddleford anyways (I feel like they're both more practical than Ford and value human company more, so they'd bond easier once Stan gets over his personal hurdle).

Anyways- because that was way too much- Mabel's exes are a constant source of antagonists and Dipper is stressed about setting a good example.

(I was more of a Monster Falls fan back in the day, but I can't draw animals, lol)

[fictionadventurer]

Genuinely think the only way to approach art is to like the things you like instead of tearing down what other people like.

"You should read classics because those are real literature unlike that TikTok garbage." Bad. Turns people away from reading the classics because it makes them sound stuffy and boring and makes you sound like a snob.

"You should read classics because this book is amazing! I love the characters and the story, and it's so cool to read a story that uses different techniques than modern fiction does." Good. Makes people want to read the classic. Suggests there's something good in this story instead of just suggesting that other stuff is worse.

"You don't like the modern art? That's because you're an unwashed plebeian who only likes what's pretty." Bad. Puts down the person and makes them even less likely to be interested in this type of art.

"Wow, I love this painting! Look at the technique! I love the message behind it!" Good. Helps the person to appreciate what might not be obvious at first glance, instead of shaming them for not automatically knowing this.

"You should watch this show because it's so much better than that other garbage show." Antagonizes people who like the garbage show and makes them less likely to feel positively toward the show you like.

"You should watch this show because it has great writing/characters/plot etc." Good! Tells people what makes this show appealing and makes them want to try it.

"I listen to this music because it's real art and not that manufactured pop garbage." Bad. Makes your genre seem like an exclusive club of snobs that I don't want to join.

"I listen to this music because I like the sound. Here, listen to this song." Good! Shows me something good within the genre and may encourage me to explore further.

There's a place for criticism. You don't have to like or approve of everything. But it's not a great technique for getting people to like art. Hating on the things that are bad just drives people away. If you want to draw people toward something, you have to help them to appreciate what's good.

[hellonearthtoday]

canon is dead I rule the world. dsmp you are MINE

dsmpblrs ocs shared between the 5 (five) singular people that inhabit this fandom

I'm taking the chance to just talk about my personal dsmp au that is basically canon if you don't think about it

I don't think we as a community wrote enough about demon ctommy. he was always my favorite it just gives him this evil vibe that I think is sooo funny and I always see it in ctommy art but never in literally any fic. and that's fine but imp or whatever-he-is-Tommy will always be real in my heart. in my head he used to be a bird hybrid, but when he died for what was supposed to be the final time they took his fucking wings and gave him cunty demon horns and tail. Death made him emo. for the sake of this narrative his wings used to be white too. Pair this with religious ctommy and you get peak

ctubbo. I think about him a lot. I think personally he wears armor under his coat. You'd think it start to get hot under there, and it does. his solution is to just Never leave the Arctic.

At some point he started developing resting bitch face, because it used to just be resting (autistic face of neutrality) but now he kind of just looks tired all the time. Not like Tommy's rbf where he looks like he's kinda pissed and has a headache 24/7. but at least they're semi matching now. bff's!!! (?) I can't write too much about ctubbo because my cutbbo is like 20 billion contradictions stacked on itself. he's not as simple as my ctommy.

He doesn't wear the red bandana anymore but he can't tell you why and he's not insecure about the scar on his face but he's not proud of it either. I FORGOT TO DRAW CRANBOO AND HIS WEDDING RINGS IM AN ANTI WHAT THE HELLL okay ignoring that blunder, their wedding rings are meant to be on their horns 💔 you can't fucking see cranboos singular (1) horn because it's out of frame, they're too tall.

SPEAKONG OF CRANBOO!!!! snakes in his hair because Hahhaa hattte eye contact????? Medusa???? get it guys get it do you guys get jut

The snakes talk to him. Take that as you will. He's a chronic suit wearer and will literally not wear anything else unless it's under or over the suit. he would like to never try anything new ever he needs this constant in his life or everything will fall apart and the world will end. He knows how to kit up and wear armor but just as a joke he wears random bits of armor in places he literally needs it least. as a fashion statement. Tommy doesn't wear any armor usually bcz who gaf he's not doing that shit

in my perfect world the egg plot in dsmp actually got used better and becsme more than a background plot. it could've been everything. anyway my dsmp au is egg war las Nevadas craziness and I'm right goodnight

[comicaurora]

Hey, sorry if you’ve been asked this before, but I have ADHD and I’ve been following your comic for years and just now have started to write my own comic (partially because you really inspired me). But I’m really struggling with staying on the project even when it’s boring and getting myself to work on it in the first place. Do you have any tips on how to keep your brain invested or just to make yourself do the work at all?

I have excellent news, I literally just figured out something really important about this.

So when you're an ADHD kiddo or otherwise have difficulty staying on task in a structured environment where Task is the Priority, the main way people try to MAKE you stay on task is by removing your access to anything that is not The Task. No phone, no TV, no doodling, no going outside, etc. In practice, this just makes us miserable because it takes the boredom that's always simmering around a 2 or 3 and cranks it all the way up to 11. In the same way that you would have difficulty staying on task if you were in physical pain, this crushing existential monotony makes it very difficult to work. The work might get done simply because you have no other options, but it will not be done quickly or well, and it will take a while to recover from how much it hurt.

What I realized earlier this week is I caught myself doing this to myself. I had 42 pages of background colors to do, and I thought to myself "this sounds really tedious, but I suppose I have nothing better I can do." And I realized what I'd just thought, and got very alarmed.

Because back when I was an ADHD kiddo imprisoned by school scheduling and a million little factors that keep children immobile and restrained, I couldn't stop thinking about how big and exciting the world was, and how much I wanted to be anywhere but here. When I was feeling really crushed in I'd pick a random spot on the maps on my wall and just imagine being there instead of my bedroom. This was the impetus behind almost all of my creative energy. I've said it before - anything is a prison if you can't leave, and being in a prison makes it easy to imagine how amazing things could be outside of it. Aurora's initial worldbuilding was forged in the crucible of fifth grade misery. My enthusiasm for art and my creative drive are inextricable from my sense of wonder and yearning for excitement in the real world. Not escapism, but appreciation. Wonders unimaginable are out there, and I gain just as much joy seeking them out as I do conjuring them up in my head and sharing them with all of you.

So now that I'm a grown-up with actual freedom in every way I've been able to get, the idea that I was staying on task by making myself believe the world was small and not worth seeing was extremely alarming. It could keep me on task for an afternoon, but at the cost of slowly extinguishing the thing that made me want to make art in the first place - the hunger to experience and draw inspiration from all the myriad complexities in the world.

So what I've been doing is I've been purposefully and intentionally taking excursions whenever I catch myself thinking "I could take a break but it wouldn't be worth it, it's the same outdoors as always, I'll be uncomfy and unproductive and tired." Because that is never true. Every time I've put down the stylus and gone out, I've been renewed in one way or another, and when I come back to comfort fully recharged I get a lot of shit done. Because it is easier to work on anything if you remember why you wanted to make it in the first place, and it is self-defeating misery to just lock yourself in with it and tell yourself you're a bad person if you can't get it done.

I honestly don't know how widely applicable this is. I have worse wanderlust than anyone I know, so for me this has always been modeled as imprisonment vs freedom. I've also been extremely lucky to find myself in a profession that lets me set my own pace on literally everything I do. But I genuinely believe that when it comes to making art with ADHD, you need to give yourself freedom to move laterally, not just in the direction of obvious forward progress. We don't think linearly in any other part of our lives - art is no different.

[jinjeriffic]

DCxDP Prophecy universe

(Title subject to change)

Sometimes Danny really hated Clockwork. You’ll know him when you see him. “Cryptic and unhelpful as usual”, Danny groused. “You’d think the Master of Time could be a little more descriptive considering it’s his damned errands I’m running here, but noooo! I’m starting to think this whole apprenticeship is just an excuse to foist his busywork off on me.”

Here Danny was, aimlessly flying above the rooftops of Gotham, trying to figure out who he was supposed to be delivering his message to. He had a name, but no description and no location. I’ll know him when I see him my ass. Whoever this Damian Al-Ghul was supposed to be had better stick out like a sore thumb or Danny was never gonna find him. Speaking of…

Danny paused in mid-air. There was someone crouching on a nearby rooftop, peering over the edge. He was young, wearing a red and yellow outfit with a dark hooded cape. He wore a sheathed sword on his back that looked way too real to be part of some casual cosplay. Welp, if this ain’t him then Clockwork picked the wrong errand boy. Now, how best to approach this?

Danny considered his options. The cloak and apprentice staff Clockwork had loaned him gave him a suitably spooky appearance on top of his usual ghostliness but he wasn’t gonna go around scaring kids, armed or not. The friendly approach it is then.

“Hey there!”

Wow, the kid had some good reflexes. At the sound of Danny’s voice he jumped as if electrocuted, spinning around and drawing his sword in one smooth movement. He held the sword in front of himself in a defensive position and his stance showed that he knew how to use it. “Who the hell are you?” he barked.

“Easy there” Danny raised his hands in a placating gesture “I’m just here to deliver a message. I’m looking for someone named Damian Al-Ghul. You wouldn’t happen to be him, right?”

A deepening scowl was his only answer. “I repeat, who the hell are you?”

Danny sighed “Look kid, I’m just trying to do my job here. I have a prophecy to deliver, so if you’re not this Damian fella…” he trailed off invitingly.

“A… prophecy?” the kid hesitated before lowering his sword slightly, scowl still firmly in place.

“Yep” Danny popped the end of the word for emphasis “Phantom, apprentice to the Ghost of Time and part-time delivery spectre, at your service” he threw the kid a mock salute. “My Boss told me to come to Gotham to give a prophecy to you’ll know him when you see him” he dropped his voice to a lower register and made airquotes around the words, “and you’re the only memorable person I’ve seen tonight, so…” Danny spread his arms in exasperation.

The kid hesitated visibly before letting his sword hand drop to his side. “I am the one you’re looking for.”

“Great! Hang on.” Danny pulled a messenger bag out from under his cloak and started rummaging around in it, causing the kid (Damian?) to twitch “Now where did I put..? Aha!” Danny pulled out a faintly glowing envelope in triumph. It had a large purple wax seal on it and Damian Al-Ghul written in elegant cursive across the back. Danny floated closer and held out the envelope to the kid.

“The prophecy… is a letter?” Damian drawled, eyebrows rising in disbelief. Danny shrugged.

“What, did you expect a dancing, singing telegram? I only do those for the really good tippers” he shook the envelope slightly “So, are you gonna take this or what?”

Damian finally reached out and took the letter, turning it over to scrutinise both sides. Danny tucked his bag back under his cloak and rose into the air.

“Right, I’ve got other errands to get done, so… see ya!” he turned to leave.

“Wait”

Danny turned back to face the kid and to his surprise, saw that Damian was holding out some folded bills towards him.

“You know the tipping thing was a joke, right?”

“Tt. I am told it is rude not to tip delivery people” Damian sniffed “I am simply acting within expected social norms”

“Wow, um… okay” Danny took the folded bills from Damian. It looked like it would last him for a couple of good meals and he wasn’t exactly swimming in money, okay? Ghost apprentice wasn’t exactly a paid internship. “Thanks?”

“You’re welcome” came the haughty reply.

Danny shrugged and tucked the money into his bag. He rose back into the air with Damian’s eyes tracking his movement. With a wave of his staff, he opened a portal back to Clockwork’s realm and passed through it leaving Gotham behind.

****

Robin’s hand rose to the communicator in his ear.

“Oracle, did you get all that?”

Now has a Part 2!

[mimiyapshard]

Warrior Penelope stuff cause I've been listening to too many EPIC genderbent covers, and I wanted to give my take on it (also cuz I kinda want to draw it one day)

- Ares as Penelope's patron, absolutely! But Ares didn't have a huge cult in Sparta, although he wasn't hated. So my lore take version thing is that ATHENA wanted to be Penelope's patron (she had already an eye on Ody kinda) but Ares saw his chance, got to it first and became attached to Penelope without wanting to admit it, also because she saw the good and useful in him. Athena still watches over Penelope (especially after her and Ares platonically break up, which she finds really stupid) and is the one who does her best to protect Ithaca while she's gone. She's by Ody's side while he misses his wife and is mostly the reason why the Suitors hadn't taken over yet.

- To get Ares to realize his mistake, Athena tricks him into helping Telemachus defeat Antinous in Little Wolf because free bloodshed, only to end up sensitized by Telemachus because holy shit, my friend's son is here almost dying to this ASSHOLE who thinks he's so much stronger than MY friend the queen and even me like who tf does he think he is. Athena makes Ares fucking rational for once. And maybe even Aphrodite, as well, gets some damn sense in his mind like "they love each other like you and I and my girl is doing her best to get home you're going to apologize rn"

- ctimene holds a claymore double her height with no problems

- penelope is more "cold ruthless" than Odysseus, in a way that she's still poised (until the end or when she's really brought to her knees which is disturbing) while doing merciless stuff. She's emotionless a lot more (just on the surface)

- Ares was the one to give Penelope the idea of going to war instead of Odysseus, for obvious reasons. And Pen is really a mastermind among the Greeks ofc

- Ares and Pen fought in their My Goodbye version because she "held back her power while her friends got devoured" "she didn't even fight Polyphemus, didn't even TRY to kill him" "hid behind her wits to get things done". Because when fighting Polyphemus, she knew that if she tried to kill Polyphemus while he was asleep, they'd be stuck in that cave forever (like in the real Odyssey). And knew that fighting while her friends got killed would slow them down and probably get more people dead. And when they ran away, she didn't go back to kill the Cyclops even if she could've because of yes, mercy, but also because she would've awakened all the other Cyclops and sailing away was faster, better. Ares deemed this cowardice. Crazy thing, since one of the most important things to him is courage.

- Ares overstimates Penelope's power. Like, yes, she's exceptional, but still HUMAN. With her limits. He hasn't dealt with a human personally in years so he doesn't understand this, so his expectations are ridiculously high, which ends up breaking Penelope.

- During 600 strike, Penelope can actually breathe underwater and not hold her breath for such a long time and be fine because she's half naiad (yes, they are fresh water nymphs but still). Also this may make her even stronger around water (to a certain degree, she's still very mortal)

- calypso is pansexual

this is already a lot, ill add more when i think about it lol (also if i realize any of these ideas don't make sense)(check reblogs for more)

[lowkeyren]

—close call.

in which : crammed in a maintenance closet with boothill, his audacious plan saves you both from the ipc —but not without leaving your heart racing for reasons far beyond fear.

pairing : boothill x gn!reader

wc 1.4k, "enemies" with tension, forced proximity, banter banter banter, reader implied to be a galaxy ranger + shorter than him, flirting (re: dialogue. he's a tease), reblogs r much appreciated!! enjoy <3

from event req: here ; art by @/kiu30750

the rain hammers down on the tin roof above, its rhythmic pounding the only sound aside from your ragged breaths and the distant shouts of the ipc agents scouring the area. you barely managed to wedge yourself into the maintenance closet with boothill; and now, here you are —cramped, drenched, and undeniably screwed.

pressed chest-to-chest with him, the infamous galaxy ranger whose charm is as notorious as his tendency to get into trouble, you can’t decide which is worse: the likelihood of getting caught or the suffocating proximity.

“just wonderful,” you mutter under your breath, voice dripping with sarcasm. you shift, trying to create even an inch of breathing room. though it’s hopeless; the movement only presses you tighter against his chest, and the slight tilt of his wide-brimmed hat brushes your ear, sending an uninvited shiver down your spine.

boothill, as infuriating as ever, doesn’t seem the least bit shaken by the situation. if anything, his composure is maddeningly relaxed, a sharp contrast to the rapid thuds of your heart and the faint shuffling of ipc agents just beyond the door; as though you aren’t currently hiding from people who would gladly haul you both in —or worse.

“things would’ve gone better if you hadn’t tripped the alarm back there,” you hiss.

he lifts an eyebrow, eyes narrow slightly as he glances down at you. “me? yer the one who—”

before he can finish, you press your hand over his mouth, cutting him off mid-sentence. his words die against your palm, leaving only the thrum of his breath against your skin. but even that is drowned out by the frantic beating of your hearts, the air thick and suffocating as you both listen intently to the shuffling sounds just outside the door.

you can hear footsteps drawing nearer, the unmistakable clink of weapons being adjusted, the subtle scrape of boots on metal. your pulse quickens, the pressure in your chest building with each passing second. you instinctively press your hand harder over boothill’s mouth, a desperate attempt to suppress even the smallest sound.  

his skin is surprisingly warm pressed against you —a sharp contrast to the coolness of his metal body, making the entire sensation feel disturbingly real.

"ya gonna fudgin' suffocate me if yer press so hard," he mutters, the words barely audible under your hand. his fingers wrap around your wrist, firm but careful, and he gently pulls your hand away from his mouth. 

before you can retort, the sharp sound of the lock breaking pierces the tension between you. both of you snap your heads toward the door just as it starts to creak open. without hesitation, boothill reaches out and kicks a broom across the floor, jamming it under the handle to hold the door shut —for now. 

the door rattles violently as the ipc agents push against it, the muffled voices on the other side growing louder. each thud against the flimsy barricade reverberates through the cramped closet; the handle straining under the pressure, threatening to give out at any moment.

"seems like it ain’t gonna hold for long,” his drawl thick with that familiar, unbothered tone. his eyes flick to the door, then back to you, his stance relaxed despite the impending danger. “ya better start thinkin’ quick, 'cause i ain't exactly got a plan here."

the words barely register before your mind starts to race as panic crawls up your spine. your thoughts begin to spiral —there’s no escape route, no backups, and little to no time left. you’re running through options, half of them nonsensical, as the door rattles louder with each passing second.

“heh, adorable.” his infuriating grin is more felt than seen, a slight tilt of his head as he takes in your flustered state. “wreckin’ yer pretty head over this an’ sacrificin’ yerself f’me?”

your heart stutters in your chest, a mix of frustration and embarrassment flooding your system as you snap a glare up at him, your words coming out sharp and defensive, "you wish!"

boothill chuckles, his irksome grin still in place. “d'worry, i was just kiddin’. i have a plan.”

“what is it?” you ask, your voice betraying the flicker of nervousness you feel.

instead of answering, he takes off his wide-brimmed hat and places it on your head, tilting it slightly so the brim is low enough to cover the side of your face, shadowing your features.

you shift under his touch, an odd shiver running through you. “stay still, will ya?” his voice is surprisingly soft as he adjusts the hat, his movements so gentle it catches you off guard. though you still can’t help but be curious. 

you blink up at him, still trying to piece things together. “what... what’s this supposed to do?” 

his eyes meet yours again, “just trust me, darlin’.”

before you can ask any further, his hand cups your jaw, tilting your head upward. thumb brushing over your lips as he leans in, and for one heart-stopping moment, you find yourself holding your breath, your pulse quickening in anticipation.

but the contact doesn’t land —not entirely. instead, his thumb slips between your lips, a barrier that keeps the distance just shy of crossing the line. your breath hitches in your throat, the aching proximity making everything feel too intense, as his presence fills every inch of the space around you.

heat prickles across your face, a flush creeping up your neck as you feel the tension in the air thicken. his mouth hovers, almost brushing against yours; instead, brushing against a small barrier —the press of his thumb between your lips, just enough to keep you both from closing the gap. 

before you can fully process what's happening, the closet door swings open with a sharp metallic clang, flooding the cramped space with light.

“whoa,” one of the ipc agents blurts, freezing mid-step as their eyes flicker between two figures; whose faces are far too close, and posture far too intimate for any doubt to remain.

“oh,” another grunt stammered, a hint of awkwardness in their modulated tone. “apologies. we, uh… didn’t mean to intrude —carry on!”

the words tumble out in a rush, and they hastily pull the door shut, leaving you both in the dim, suffocating silence once again.

boothill doesn’t immediately pull away. his lips curl into a smug grin as he eyes you with a hint of amusement. “that wide-eyed stare of yer just now? kinda pathetic, ya know,” his voice dripping with a taunting, teasing tone. 

you can almost feel the heat of his smirk against your skin; his next words come softer, “but, i reckon it’s also kinda cute, i’ll give ya that.”  

flustered and irritated all at once, you reach up, grabbing his ear and tugging it, a mix of annoyance and embarrassment flooding through you. “cut it out, you idiot.” your face burns with frustration and a whole lot of confusion about why his teasing is driving you crazy.

thank aeons the closet is dim, because you have no idea what more he’ll tease you about if he sees the heat flooding your cheeks, or worse, if he knows it’s his words —or rather, his actions —that’s causing it. 

you hear shouts from outside, the voices muffled but unmistakable. “nothing here, move on! we’ll scout the next area!” one of them calls out, the sound gradually fading as they move further away.

you let out a soft exhale, your posture relaxing as you shift slightly. “looks like we’re clear."

“we are, so how 'bout ya let go of my ear now, sugarplum?” 

rolling your eyes, you do your best to ignore the way your pulse is still quickening. “fine, let’s just get out of here before they come back.” 

curse that damnable, cocky grin that makes your heart race in ways you wish it didn’t.

boothill seems to know exactly what you're thinking as he leans in, patting his hat down onto your head. "whaddya blushin’ for? can't handle a lil’ close quarters?" he hums.

"shut up, boothill," you mutter, trying to sound annoyed, but even you can tell it’s less convincing than you'd like.

“alright, alright, ain't no time to be standin' round lookin' pretty.” he drawls, backing away slightly, but his eyes never leave yours. “let's get movin', before them ipc shirtbags change their minds and come back lookin’ for us.”

MASTERLIST ; EVENT M.LIST