#just to only finish one panel and give up

[butchisrevolution]

dolly dog man readthrough #8

grime and punishment

THERE'S SOME INSANE SYMBOLISM IN THIS ONE

also yes i skipped a readthrough and yes it is in my drafts, im publishing it later bc i had problems with the image files

this is a metaphor for life and having the autonomy to choose your own path and this is probably gonna be the theme for the rest of the book

im guessing

all of grampa's experiences with others in life have been transactional, likely since childhood, to the point that he is unable to see others in any way other than a means to an end

while his son, petey, fits an NPD diagnosis almost exactly, grampa seems to fit an ASPD diagnosis almost exactly.

anddd

andddd

this is the most open he has been about his feelings. and its in an altered state

this is a metaphor for people who avoid therapy and medication, instead opting into dependence on recreational drugs to regulate and process their emotions

petey hangs onto the hate towards his father because it's the only thing he has left with him in relation to his father. giving up the hate would mean giving up his father, and deep down he still just wants to be loved, so he settles for what he's given

being a witness to abuse is really hard, especially when you're trying to explain it to someone who wasn't around to see it, someone younger. you want to protect them from the harsh knowledge, but you want them to understand your pain. it's even harder when you have to watch your other parent simply take it, settle with the abuse, because they feel like there's no escape. it makes you lose hope and really shapes your expectations for what life will look like for the worse.

OH FUCK. SHIT

side note: the composition of these frames is really nice... in the second frame, his son's speech bubble comes from behind him, as if it's sneaking up on him. the sizzling of the pan goes off the page to the right, continuing as his son talks, but it abruptly stops once he finishes the sentence. it literally shows the room going quiet.

in the last frame, petey is super far behind him. there's a divide between him. it's as if li'l petey is fading into the background and an invisible barrier, petey's memories, is brought to the foreground. a divide between them, really showing how different their experiences of life are.

i also appreciate how the color changes of the background went through these panels, starting a deep angry color, fading to a more neutral, some tension with the yellow, and then desaturating as the question is asked.

silhouette comes in clutch every time. this entire scene is genuinely a cinematic masterpiece

i appreciate that they took the time to show that even when there's tension between them he still makes sure to take care of li'l petey

sickening page

this was created so beautifully.

the third panel is absolutely stunning, the symbolism managed in the imagery in such a simplistic comic is incredible. the bottled weeds from earlier in the book on the counter, the weeds that li'l petey specifically referred to as dying, which ended up symbolizing resistance in struggle... in this scene, it means both of those things at the same time. there's a duality.

also, the buds of the weeds being white i assume symbolizes grief and loss. outside, it's dark, the world is a dark place, but they've made a loving home together, which is why the walls are still multicolored. petey is struggling with issues from the past, but this time he's not alone and he can't give up. it's a lot of mixed feelings, just like the mixed colors on the wall.

he has a point, the little anarchist has a point

ACAB chief my beloved

he just does it for the fun of the game

i feel like im witnessing a Socratic seminar in comic form

to hate or not to hate

or smth

YEAH TELL EM LI'L PETEY SET THOSE BOUNDARIES

bro needs to stop parentifying his child !!

I KNEW THAT WAS GONNA COME BACK.

shitt bro...

let go of your baggage or it will only weigh you down

also i rlly liked the artistic decision to make petey's outline glow more when hugging his son so cute

fun fact this is actually a DBT crisis skill called "Pushing Away"

when there's nothing else you can do to make a situation better, you're allowed to give yourself the benefit of retiring from it. you're not required to stick it out for every problem in your life. you are allowed to have peace of mind

and now grampa has no choice to accept the situation for how it is. it's settled and boundaries are set. he can't wriggle out of them. it was a direct, neutral statement with no judgement. when you're in the wrong, sometimes that's the hardest thing to sit with. if someone tells you something you did with no judgement and you feel ashamed because of it, you can't blame it on the way they said it, you can only blame it on what you did.

PERFECT DBT SKILLS. PERFECT BOUNDARIES SETTING.

yeah this is essentially what people are saying when they try to make you explain your boundaries

if you fight enough with someone they may forget their footing and adjust their boundaries, but you don't have to fight, you don't have to explain your boundaries, you can just set them and leave it.

real shit bro real shit

IM FUCKING TWEAKING HOLY SHIT

that bottle again,,,,

after years of struggle he lets his inner child finally feel and see. he travelled his path and now he's ready to share his resilience with the rest of the people in his life, ready to reconnect in a new way, instead of hiding his resilience in private, ashamed, as if it's a show of weakness. he's learnt the strength of being open

YOU CAN COLOR IT ANY WAY YOU WANT......

FIEND! FIEND! FIEND! FIEND!

so THISSS is the sauce they put in this book...

EACH BOOK KEEPS GETTING BETTER AND ALSO MORE HEARTBREAKING

IM GONNA GENUINELY START TWEAKING

DAV PILKEY WHAT ARE YOU

[tekesima]

this is the 5th and unfortunately last page of this mini comic. This was intended to be a quick project but ended up stretching to almost if not a year of work due to my commitments to irl stuff. I loved working on this and I'm once again thankful to @blood-injections for letting me make these few pages based off their post here.

you can find the previous pages here: 1, 2&3, 4

more explanation and background beneath the cut

I underestimated the amount of work that would go into making these, especially with all the pages being fully rendered. Initially there were supposed to be 6 pages but I ended up having to stretch it to 7 pages. But now I've decided to end it here on the 5th page due to a number of reasons. The first being that I just unfortunately do not have the time for this kind of commitment anymore with me in college now. I also have just moved on from mcr content and have been more interested in other bands and other media. Another reason is that I do not have a lot of time in general to even do digital drawings anymore and finally I feel like my art style right now that I'm currently happy with is a departure from the style that i started this comic with, and it just doesn't fit it very well.

I felt pretty bad having to take so long on working on these pages and only coming out with one, maybe two pages after 3 months, since i've only been able to work on these during my semester breaks.

Thank you to people who've been following and reading along, and again, thank you so so much to @/blood-injections for giving me permission to make their post into this short comic, even if I never ended up finishing it.

This part will just be some final thoughts. I learned a lot while making the pages; panel shapes and placement and how to make it appealing, how to space out and arrange speech bubbles to make the dialog more digestible and easy to read, how to sort of draw out the sound effects which I'm still trying to get the hang of in terms of fonts. The hardest thing I found about making all of these is consistency, not just in terms of schedule but in terms the process of making the comic itself, particularly the designs of the characters. I hadn't created a character reference sheet at all for this since I anticipated it to be short and quick (it was not lol), and so there were quite a few times where I found myself accidentally forgetting to draw some details of the character's designs but since I had already posted them, all I could do was just add the designs I missed in the next pages. I hope that didn't bug you all too much :'3

That's pretty much all I have to say, thank you for the people that stuck around this long but I apologize for not being able to continue the comic due to personal commitments and having moved on to other interests. I hope you all have a good one :]

[abdocado]

reading up on shandian wildlife

[turtleblogatlast]

Things I make for myself when insomnia kicks in

Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[hoshiros]

—✯ TRY IT, BITE IT, LICK IT, SPIT IT

cw. 18+ mdni. all chars 20+, pro-player!rin, afab!reader, oral (f!receiving), praise, petnames, established relationship, inspired by that one leaked panel of rin because what the hell

When ITOSHI RIN wins a game, your face is always the first one he wants to see.

Oftentimes, he'll search for you in the crowd with your embarrassingly noisy neon poster boards cheering him on. Other times, you'll already be waiting for him at the gates with your arms opened wide for him to run into.

For the last four weeks, though, he’s had to suffer the agony of your absence.

Rin called you incessantly while in France, reminding you of how many days separated him from being in your arms. "Wait for me. I'll be home soon," he said. "And be good," he'd add on, almost cheekily.

His promises were always sincere and lethally calculated. He wanted you to need him so badly that you'd fall apart on his tongue in minutes. Then he'd do it again, and again, and again, until he was satisfied.

When he finally came home, you barely had time to breathe before his lips were crashing into yours. You wanted to ask him if his flight was alright, if he had dinner yet, but then he licked himself into your mouth and the entire thought vanished.

And now you're being devoured by a monster.

Rin's been between your legs for so long that you're dizzy, head airy and light as he fucks into you with his tongue.

"Stay still," he warns sharply, words muffled as he stuffs his face closer into your sopping cunt. His warning is followed with his hands circling around your thighs, palms flat against the skin and leaving seas of heat along it.

You whine pathetically when he presses your hips down into the mattress, forcing you to be still for him.

"Can't—" you choke, spine curling from the bed so far that your head tilts backward. "Slow down, Rin!"

"Slow down?" He murmurs roughly. Rin furrows his brows, like he genuinely can't comprehend your request. "Actin' like it's your first time," he mocks, finishing his sentence by wrapping his lips around your clit.

You squeal, hand shooting down to shove his head back. He almost laughs when your weak attempt only pushes the bangs out of his eyes, giving him an even better view of you.

Rin pulls back enough to click his tongue, amused by your squirming but equally frustrated at your protests. He draws away from you. You feel cold as he does, the space he occupied suddenly devoid of his warmth.

"M'sorry princess," he coos, trying to coax you into relaxing. Peppering light kisses up your thigh until he gets to the spot resting on his shoulder, Rin can feel every shiver as you recover. "Too rough?"

You take a moment to catch your breath, waves of overstimulation crashing in your stomach. Finally, your gaze slowly drifts down to him, roaming over his face.

Your pussy clenches around nothing at the sight.

Sweat gleams across his forehead, stray strands of hair stuck to the skin as he also finds his breath. The entire bottom half of his face is so wet. You did that. You did.

"Hmm?" Rin hums, trying to get an answer. He looks so fucking cocky. So hungry. His tongue runs across his lips as if he can't stand not tasting you for even a second longer.

You shake your head, fingers still in his hair tugging lightly until he groans. "I can take it," you sniffle, guiding him back down closer to your heat.

"I know, baby. You're so good."

Rin dives back in as if he's starving for you, lathering your cunt in rough, long licks until you're shuddering. His hands travel down to the base of your thighs once again, pulling your body closer so that he can finish his meal.

You cry out softly, aching hole desperately trying to squeeze his tongue. He was the one who was so good to you. You dare to gaze at him again, just to admire his beautiful face.

Your breath hitches.

Rin has that same look on his face as he does on a football field—like a winner chasing a goal he knows he'll always get.

[k9wa]

⟁ SENSITIVE ft. BOOTHILL.

⠀ — “you get all excited for me to fix you up and call you a good boy.”

⠀ OR

⠀ — a sensitive spot during a repair leaves him melting into your callused little hands.

⚠︎ mechanic!reader, so much flirting im kind of sick, he whimpers i have an agenda, this is like 90% dialogue sorry, he wants u sooo bad. wc 1k, from this req.

“y’know darlin,” boothill managed to breathe out through a taut jaw and clenched teeth. “you bein’ this close ain’t exactly helpin’ me focus none.”

your fingers were slow, careful, precise as they pushed a few tiny wires apart, giving view deeper inside the little panel on boothill’s throat.

the position you two stood in was one all too familiar, boothill perched on your workbench with you between his thighs— the only new variables being your face way closer than he’s used to and your fingers proding around in his surprisingly sensitive wires.

it was an…odd sensation, to say the least. a small unpleasant stinging that simultaneously stimulated a rather pleasant shiver up his back with every small poke.

“time and place, cowboy.”

you responded quietly, tone a little flat with your tease from concentration.

“can’t help lettin’ my mind— wander, can i now?” his breath hitched a bit as you nicked a particularly touchy wire.

“if you let me finish this,” you lifted your head enough to meet his eyes, free hand gently smoothing out the crease in his brow. “i’ll let you show me just how wild your imagination can get.”

boothill bit back a scruff chuckle at that. 

“that enough incentive for you to sit still?”

“well, i reckon that’s plent— mmgh!”

a pair of mechanical hands tightly grab onto your hips as his shoulders tense, a knee-jerk result of your tweezers finding the out of place wire you’d been looking around for.

your hands paused, opting to ignore the way he audibly whimpered for raising your gaze a second time to check on him.

“you hangin’ in there?”

boothill’s fingers flexed as they held onto you, relaxing from squeezing your pants to a more gentle cradle of your hips.

“you know,” he swallowed thickly— as if his throat could even dry out, likely just a natural reflex— “you got a way of makin’ fixin’ me up feel real special.”

the slight waver to his voice isn’t lost on your ears— it was quite loud in them, actually.

“i’m hangin’ in fine, don’t worry your pretty head none.”

carefully retracting your tweezers, you stood up straight enough to lightly push his hat up, giving view to his face and cupping your hand over a blue-hued cheek.

“wanna take a break?” 

he nearly had to clutch his chest with the gentle concern that laced your tone.

boothill knew he was flushed, was purposefully avoiding looking you in the eye because a few pokes to some sensitive spots had him sliding his hands to your waist like a lifeline— not that what he could distantly feel of your skin against the synthesised nerves of his palms weren’t doing much to cool him off anyway. but he did…relax, somewhat. 

he always enjoyed when you’d touch his face, getting to feel all the unique little details of you; the gentle drum of your pulse and the little calluses from your tools. it somehow always manages to make the tension in his body ebb away, draining with an exhale that lightly fans against your wrist.

he shook his head with a quiet clear of his throat— another unnecessary function that served more as a tick than anything.

“nah, nah i’m alright.” he assured. it didn’t make him any less embarrassed to be having such a reaction. 

big bad criminal until you get a little too fudgin’ touchy, apparently.

“let’s just get this finished up, yeah? maybe we can move onto somethin’ more pleasant.”

your thumb gave two gentle taps to his cheekbone before it pulled away, reaching for your tweezers for the nth time.

“that’s my boy.”

oh how boothill’s chest bloomed at the simple praise, the endearing ‘my’ that slipped in with it licking up his ribs and curling to rest along where a drumming heart should have been.

“jus’ be gentle with me, will ya sugar plum?”

“you know i've always got ya.”

each plug or untangle of a little yellow or red cable had his systems humming, fingers occasionally curling into your hips every time a little surge left him biting his cheek a little harder.

“we’re almost done,” your voice is icing on an already cavity-inducing cake, though he’ll gladly take a toothache if it’s for you. “just a little longer.”

boothill was going fist to fist and losing with the urge to completely melt under your deft fingers.

“…keep talkin’ to me,” he requested with a murmurmurmur, cautious not to move too much. “helps me stay on t—” he had to bite back another whimper, cheek going between his teeth and eyes going to the ceiling. “—task.”

boothill didn’t miss the little tug of your lips.

“you know, you do this thing when you get shy.” you mused quietly, breath meeting the shell of his ear. “you bite your cheek ‘n look away. it’s cute.”

boothill couldn’t help but let out a breathy chuckle at your deduction. he tried to regain some of his composure, though the colour in his cheeks continued to betray him.

“i don’t know ‘bout shy,” he rumbled, keeping his voice steady as he could. “but i’ll take cute if it means i get to hear you keep sweet talkin’ me. keep this up and i might start enjoyin’ these repairs a lil too much.”

his voice was a little strained, though still held his usual humour.

“like you don’t love em already.” you teased back, gently closing the panel on his neck as it re-sealed with a small hiss. “you get all excited for me to fix you up, call you a good boy and send you on your merry way.”

“i’m still waitin’ on that last bit, y’know?”

you shook your head, popping his hat off his head and placing it on your own.

“good boy,” you pinched his cheek endearingly. “you’re all done. do you want a lolipop too?”

“think i deserve somethin’ a lil sweeter than a lolipop, don’t you sugar?” boothill’s face unknowingly deepens at the sight of you in his hat, brave words betrayed by a nervous tap in his finger and more blue to the apples of his cheeks.

“we’ll save it for when you’ve got a real booboo,” you took his hat off, using the brim to lightly tilt his chin up and give him a tender kiss on the cheek. for such a heavy hunk of metal, he nearly began to float.

“but there’s something to hold your sweet tooth for now.”

…

“boothill?”

“y..yeah, sweet pea?”

“you’re overheating.”

⠀ MASTERLIST / GOT A REQUEST ?

[cybertron-after-dark]

Average transformers g1 episode:

Megatron is attempting to black out the entire sky across a hundred mile radius and funnel all the sunlight into one, concentrated solar death ray to target a heavy duty solar panel he's having soundwave and the cassetticons build in order to convert it to energon. Then he plans to hit the autobot base with the death ray just for funsies. Starscream plans to push Megatron directly into the death ray, also just for funsies.

Optimus sends Wheeljack and Spike to deal with it, along with two bots you're pretty sure have not been in this show before this point, but you're kind of past asking how many of these fuckers were on the ark offscreen when it crashed. One of them has the worst fake Canadian accent you have ever heard, and the other's name sounds inexplicably dirty.

Starscream tries to get Megatron to stand in the spot he told Skywarp and Ramjet to direct the death ray, but is interrupted when Rumble asks why Starscream stuck him with extra work (a task Megatron assigned specifically to Starscream). This vexes Megatron. The autobots show up and try to figure out what the point of the blacked out sky is while Starscream attempts to talk his way out of it. Then the death ray goes off two feet away from Megatron, which only pisses him off further.

The Canadian bot yells "AH BINARY-BEAVERS!!" because the death ray caught him off guard and completely gives away the bots' position. Soundwave immediately fires on them. Gratuitous robot violence ensues. Spike is generally useless and tries chucking rocks at Rumble. Megatron is too busy trying to almost-murder Starscream to bother with the autobots and just lets Soundwave handle it.

Probably-an-innuendo-name-bot is luckily a flier and takes the chance to see what's blocking the sun now that their cover's blown anyway. He gets up there and the seekers are sticking tinfoil on the clouds to make the tops reflective. The writers are really just hoping you don't think too hard about it.

Skywarp starts firing on dirty-name and calls him a nerd. Dirty-name takes evasive action. Skywarp runs out of ammo and starts just chucking tin foil at him. Dirty-name calls him dumb and says his processor is made of spare toaster parts. Then he crash lands and canada-bot asks if dirty-name's wings are spare toaster parts as well. Wheeljack yells that they'll all be spare toaster parts if they don't focus on the decepticons. The death ray goes off again and barely misses the autobots. Wheeljack corrects himself to Melted spare toaster parts.

Dirty-name gives Wheeljack the rundown on the tinfoil clouds so he can figure out a way to get rid of them while Canada-bot fights Soundwave and the cassettes in the background. Spike is kind of helping too sort of almost. Those rocks hes chucking sure are damaging. Ravage gets straight up drop kicked. It cuts back to Wheeljack whipping up a good old fashioned Device™️.

Starscream flies up past the tinfoil barrier while Megatron shoots at him. All the holes he's shooting in the blackout barrier are just making more, slightly shittier death rays and the main one is losing concentration. One of them hits Megatron right in the optic and he keels over with an over the top screech. Starscream descends, breaking another hole in the tinfoil to see a golden opportunity.

"MEGATRON HAS BEEN BLINDED!!! I, STARSCREAM AM NOW YOUR LEADER!!!"

Wheeljack finishes his Device™️: A grenade that makes tinfoil entirely invisible, thus rendering the whole weapon unusable. The writers are hungover, please do not think about it too hard. Pretty please. Dirty-name doesn't know if he can throw it into one of the holes in the barrier on his own since he can't fly in robot mode and he cant throw in altmode. Spike offers to get on his back and throw it in for him if he can get close enough. And he's just SO good at throwing things. The other two agree he's their best shot, they're so happy spike is around, couldn't do it without him.

Starscream is hovering in the air as he gives his Decepticon Leader Acceptance Speech he's prepared for this very occasion, golden light streaming in from the him-shaped hole in the barrier. Dirty-name and spike zip past him and spike makes the best goddamn throw of his life. Before starscream can properly question the Fucking Audacity of these autobots interrupting him while he's trying to have a moment, the invisible explosion goes off that the animators are just happy they don't have to put that much effort into drawing. Starscream gets knocked out of the air and crashes directly onto Megatron. This vexes Megatron.

Sky's normal again. Don't worry that there's still tinfoil there, don't even fuckin worry about it dude. Spike and Dirty-name touch back down. Round of applause for spike for throwing super good. Wheeljack comments that he's just happy it blew up the way it was supposed to. Cue uncomfortably long laughing. Megatron manages to roll starscream off him and calls for a retreat.

Back at the decepticon base, Megatron has an eyepatch and is skulking. Starscream yaps about how it makes him look like a proper tyrant, brooding and battle scarred, and, dare he say, darkly handsome? This vexes Megatron.

[sunrizef1]

Baby Blue

Pairing: Logan Sargeant x fem!reader

Warnings: Slight cursing, not edited

Word count: 3.8k (this was supposed to be short 😭)

Summary: Logan had just misspoke, shouldnt have been a huge problem, right? Wait, what do you mean he said he had a daughter? And is that his girlfriend?

Authors Note: Surpise, not a whiv chapter but instead, an uncharacteristically sweet fic.

Logan had fucked up. Royally. And he knew that, which is why, the second the words had left his mouth, he was grimacing, gaze quickly switching over to Oscar who was sat a few yards away with wide eyes.

It was the United States Grand Prix. Austin, Texas. Logan had been put on the media panel that day since he was the only American present and had the most connection to Austin, Daniel Ricciardo not included.

By pure luck or maybe by sheer will, Logan had been sat next to Oscar, both grateful to have a friend next to them. Fortunately, on Oscar’s other side was Max, a driver who’d always been respectful toward the American. Lewis completed the quartet, another driver that Logan wouldn’t have to worry about in terms of kindness.

When the panel started, almost none of the questions were for him. He’d expected that, he wasn’t exactly having an overwhelming season. Especially compared to the joys and successes of the Red Bull world champion or the unexpected high-placing finishes of the Aussie next to him. And his woes were nothing to write home about when placed next to the declining team performances from the 7-time world champion and future Ferrari driver.

So, as he had expected, most of the questions were asked to his left.

But he’d been put on the panel for a reason, and eventually an America-related question did arise, signaling that maybe he would be of use today.

“Good morning,” the reporter calls out toward Logan and he smiles with a nod toward the darkness where the reporters are all sat.

“Morning.”

“How’s it feel to be back racing in America? You have any family or special guests in the garage this weekend, giving you that extra boost?”

Oscar nudges his knee with his own, causing Logan to let out a small laugh as he glances over. He actually did have some special guests in the garage, not just his own family, who’d come from Miami for this, but also, you, his Fiancée. And his 4-year-old daughter, of course.

Your entire family lived in Texas. So whenever you werent following Logan around the world, you landed back home in Texas, the family home being the best place for your daughter to grow up. It helped that your parents loved her more than the world, constant presents being rained down on the little girl every time you’d bring her. He hadn’t seen you in about two months, not having had a time to come back to America since summer. So having you in his garage for the first time in a while was all that much more of a motivator for him.

He raises the microphone to his lips to say a paraphrased version of that, your relationship not being a very public one yet. Logan wanted to get the wedding done before he paraded you around, not wanting to add the stress of the public on your already existing stress from wedding planning and taking care of your daughter.

“It’s always great to get back home, you know? Uh, got to stay with some family out here for a few days, got some good southern food in me, which was great,” Logan laughs lightly, watching as the reporters grin widens, “And it always feels different when you’ve got important people in the garage, cheering you on. People who don’t usually get to make it, so that’s really nice.”

The reporter nods as Logan puts his mic down, but she raises hers to further the questioning, “Anyone specific? A lot of people were curious about a few different people in your garage.”

Logan nods, your family was pretty well known, especially in Texas. You weren’t famous or anything, but you’d grown up like Logan and when people have that type of money, their names get spoken pretty often.

“Yeah, some close family and friends. You’re probably asking about the l/n’s and I, um, knew them growing up so it’s really nice to see them out here supporting me,” Logan pauses slightly. The internet was pretty sure he had a girlfriend, not that he’d confirmed anything. It wasn’t hard to figure out though, as he almost never shut up about you. But it wouldn’t hurt if he mentioned having a girlfriend, right? Everyone already knew that anyway, it couldn’t do too much damage, “My girlfriend’s here, as well. Really happy to have her here, she hasn’t been to a race in a while.”

Oscar snorts, making Logan glare at the Aussie. Oscar knew you were more than his girlfriend, having been present at the engagement. He also knew Logan was leaving out a key family member in his list, a certain baby being completely unmentioned.

“Well it’s always nice to have your family, right?” The reporter nods with a kind smile, jotting something down on her notebook.

Logan nods with a matching smile, eyes shining as he thinks about you and your family in the garage, “Yeah, and I mean, my daughter-“

Logan pauses, stomach dropping as he takes in the slip-up. He glances over to Oscar whose eyes are wide with shock, mouth dropped open slightly. Max leans forward to lock eyes with the American from Oscars other side, eyebrows furrowed. Lewis looks his way as well, but his expression is soft as he takes in the younger man’s evident embarrassment.

Logan had fucked up.

His cheeks are bright red as all the eyes in the room stare at him, questioning looks on their faces. Logan laughs slightly, rubbing the back of his neck as he looks back out toward the reporter who’s now wearing an incredulous smile, “Shit.”

This breaks some of the shock in the room, laughs ringing out from in front of him. Logan shakes his head with another embarrassed laugh, “My girlfriends gonna be so mad at me.”

Logan drops the mic next to him, reaching his hands up to shield his face in order to avoid some of the embarrassment. Oscar, still laughing, reaches over to pat him on the back, his free hand stifling the laugh threatening to escape his throat.

Luckily for Logan, they run out of time before the questions can get back to him and the surprise child he just revealed he had. He’s quick to rush out of the room, only pausing to allow Oscar to catch up before he’s gone again, practically running to Williams.

He can hear Oscar struggling to keep up behind him, shocked laughs occasionally echoing out as he runs.

“Logan- Come on, slow down man!” Oscars calling out toward the blond, Logan continuing at his fast pace. He only slows when he makes it to hospitality, Oscar slamming on his brakes in order to avoid crashing into the taller mans back.

Logans eyes scan the room in search of you, Oscar reaching a tired arm up to rest agaisnt the distressed Americans shoulder.

Oscars groaning as Logan walks off, apparently having caught sight of your family.

“Hi, Mrs. L/N,” Logan says shyly as he walks up to your mom, a sheepish smile painted on his flushed face. Your mom turns toward him with a smile but after taking in his guilty demeanor, she looks at him suspiciously.

“You’ve known me for 18 years and you’ve never called me Mrs L/N,” your mom looks your fiancé up and down, eyes narrowing as she catches sight of an equally nervous Oscar, “What did you do, Logan? And why did you drag Oscar into it?”

Logan laughs nervously, glancing back at Oscar who ducks his head, looking away from the interaction, “Do you, maybe, know where y/n is? It’s important.”

Your mom pauses, suspicion still rolling of her in waves. But, sensing Logan’s urgency, she nods, “She’s in your room with Nat.”

Logan can’t help the smile that shows at the mention of your daughter’s name, sighing slightly with relief, “Thank you, I need to go talk to her.”

Your mom just nods, watching as Logan starts to walk quickly away, moving toward you in his room. Oscar moves to follow but your mom is calling him back before he can take a step, “Stay here, Oscar. Let him go, you’re going to tell me about the season. Either that or you’ll be the one to tell me what Logan did.”

Oscar, having had plenty of conversations with your mother while growing up, sighs, accepting his fate, “It’s been good.”

Logan, though, has made it to his room, opening the door quietly as he reaches it. He smiles once he looks inside, being met with you dancing around with your daughter, music playing from your phone on the table. As the door opens, your daughter looks over, a grin breaking out on her little face as she practically lights up, “Daddy!”

Logan grins as your daughter jumps up, sprinting over to jump into her dad’s embrace, giggling as he lifts her up into the air, clutching her gently to his chest, “Hi, baby. You having fun with mama?”

Your daughter nods, smiling brightly as she turns to look back at you, “Yeah! Me and mama went to see the cars and they let me sit in it! I wanna be a driver like you, dad.”

Logan grins, looking over to where you’re stood, a small smile on your face as you watch the interaction. When you catch Logan’s gaze on you, you speak up, “They let her sit in your car. They told her about how her daddy races every weekend and she decided that that’s what she wanted to do. She said you’re the coolest person she knows, now.”

Logan laughs, warmth filling his heart as you recap your daughter’s words, “Just don’t tell her Oscar races, too. Can’t have her thinking he’s cooler than me.”

You daughter looks up at the statement, confusion crossing her face, “Uncle Os drives fast too?”

Logan hums, nodding as he sways, your daughter resting her head on his chest, “Yeah, he does. He’s not as cool as me, though.”

You daughter hums, “I think he’s pretty cool.”

You laugh, moving toward the father-daughter pair, a serious look crossing your face, “He is, baby. Do you want to go see him so I can talk to daddy?”

Logan grimaces but lets go as your daughter nods, letting you set her down. She wraps her small hand around one of your fingers, swaying happily at the idea of seeing her Australian uncle.

You push the door open to go find Oscar but when you look up, you see Oscar’s already stood there. He looks exhausted and Logan knows that a conversation with your mom was no doubt the reason why.

“Uncle Ozzy!” Your daughter’s small voice calls from below you, causing a bright grin to burst onto Oscar’s face as he picks her up, the small girls hands immediately moving to push against his face. Oscar laughs, moving an arm to support the small girls weight as she pushes his face around.

You smile at the pair, laughing as your daughter grasps Oscars hair in her small fists and pulls gently, just watching as his head rolls around, “Can you watch her? I have to talk to Logan.”

Oscar smirks, glancing over your shoulder to see Logan standing sheepishly, “Someones in trouble.”

You hum, small smile on your lips, “Can you just hang with her for a minute?”

“Yeah, I can,” Oscar says, smiling down at your daughter in his arms, “Anything for my favourite American.”

You hear Logan mumble “rude” under his breath, warranting a snort from you as you watch Oscar walk away, no doubt about to parade your daughter around to anyone who'd listen.

You turn back around, coming face-to-face with Logans grimacing form, “Saw the panel.”

Logan winces, rubbing his hand along the back of his neck, “Yeah?”

You hum, stepping across the room to reach your fiance, “Mhm, I did.”

“Im sorry,” Logan sighs, looking anywhere but at you.

You can't help the small laugh that escapes you at his clear distress. Logans head snaps up, confusion crossing his face at your apparent glee, “What?”

“Im not mad, Lo,” you laugh, wrapping your arms around his neck. He stares at you, a puzzled look stuck on his previously fear-stricken face.

“You’re not?”

You smile up at him, shaking your head, “I mean, it's not how I would’ve wanted to announce it but I don’t mind too much.”

“Really?” You giggle when you catch the relief on his face, his shoulders dropping dramatically.

“Mhm,” you tangle one of your hands in the hair at the nape of his neck, his head tilting slightly back into your touch, “It was nice to be private for a while during the engagement. We didn’t have concrete wedding plans and Nat was so young. But the weddings basically planned and Nats old enough to handle herself in public, I think it’s a really good time, actually. Do you want to say something official?”

“I will, but until then I’d be happy to not have to hide you guys,” Logan grins, a hand reaching up to grasp the side of your face. You blush as he presses a soft kiss to your forehead.

“That sounds lovely,” you say, untangling yourself from his hold, “But, for now, I think you have interviews to attend to.”

“Yeah, yeah, I do,” Logan replies, but his gaze is still locked on you, love filling his eyes, “I’ll see you in a minute, I love you.”

“Love you too, Lo. Go do your interviews,” Your soft smile shines, lighting up your face.

Logan nods, moving to exit the small room, stopping to send you another grin. You laugh, pushing him out of the room, the door sliding closed behind him.

He moves on practical auto-pilot, feet carrying him to the media pen, thoughts of his family stuck on his mind. He reaches the pen quickly, spotting a group of about 8 drivers all huddled together in a chat. He thinks about walking the other direction but Max spots him first, gesturing for the younger driver to walk over. Logan agrees reluctantly, making his way to his fellow drivers.

“Logan!” Max calls, a smile on his face as he greets the Williams driver warmly.

Logan nods, smiling at Max politely, “Hey, Max.”

Max grins, throwing an arm around the blond driver, “How are you doing?”

Logan hums with a small smirk, knowing exactly what Max was eluding to, “I’m great, actually. Thanks for asking, Max.”

Max tilts his head with a wide smile, raising an eyebrow, “Yeah?”

“Yeah, I mean, you know how my morning went.”

Max seems to catch that Logan’s allowing him to publicly address the situation in front of the other drivers, turning his attention to the slightly confused drivers around them, “How’d the Mrs feel about it?”

“She was fine with it,” Logan smiles, “Honestly kinda happy to be open about it.”

“I didn’t know you had a girlfriend,” Lando says from across the small circle, a confused look occupying his face.

Logan shakes his head lightly, arms crossed across his chest, “Fiancée, actually. Been engaged for like a year now.”

This sends a wave of shock around the group, Daniel being the only one to pipe up, a huge smile on his face, “I know what this is about!”

George turns to the VCARB driver, a questioning look laying beneath his dramatic sunglasses, “What are you talking about?”

Before Daniel can explain, a high-pitched voice yells out from behind Logan.

“Daddy!”

Several drivers turn, being met with the sight of a small girl sprinting her way toward the group, a smiley Oscar trailing along behind her. The girl giggled as she approaches her father, skipping along happily as she gets near him. Logan leans down, opening his arms to let her walk into his grasp. She wraps her arms around his neck and Logan holds her tightly as Oscar stops behind him.

“Hey baby,” Logan says to his daughter as he looks down at her, “Have a good time with uncle Osc?”

The small girl nods excitedly, grinning as she looks back over to the man she’d spent the past 15 minutes with, “Ozzy took me to the orange garage, um, papaya I think actually, and I got to sit in another car!”

Logan hums, running a hand through the girls hair, trying his best to swipe it back into place, “Yeah?”

“Uh huh, it was really fun!”

Logan smiles, turning back to thank Oscar for looking after the girl. He turns back around, catching the gaze of about 8 different F1 drivers, all with varying levels of shock painted on their faces, “I don't know if you guys saw, but, um, I accidently revealed i had a daughter this morning and, um, this is her?”

Max is the first to laugh, having already been through his shock about the young girl currently attached to her father. Logans face heats as the drivers stare, Nat burrowing her head in her fathers neck as she tries to discreetly glance at the men around her without having to make any eye contact.

“Congrats, man,” Daniel grins, moving over to clap the younger driver on the back. Logan chuckles slightly as your daughter finally moves her head away from him, her curiosity at the Aussie overtaking her shyness.

The honey badger smiles at her, nodding his head. She smiles gently, reaching a small fist out toward the man. Daniels eyes widen at the gesture, eyes glancing between the girl and her outstretched arm before he reaches his own hand up to fist-bump hers. She nods with a satisfied smile, turning back toward Logans neck.

“He’s kinda cool, I think,” She mumbles and Logan smiles glancing over to see if Daniel has heard her words. Based on the increased grin on his face, Logan figures he had.

The rest of the drivers take their turns congratulating Logan on his fatherhood and introducing themselves to the small girl, her favourites being Daniel, Max, George and Alex, who she’d already met in the Williams garage over the past few months.

Eventually, all the socializing caused her to fall asleep against her father's chest, her tired eyes slowly drifting closed. Logan sways slightly, trying his best to soothe her in her slumber.

Once she's fallen asleep, he turns to Oscar, "Do you know where y/n is?"

Oscar nods, "I think she'd fallen asleep when I went to drop Nat back off. Didn't want to wake her so I just brought her over here."

Logan nods, glancing over to see the other drivers getting pulled into interviews. He didn't want to wake you, knowing how little sleep you'd been getting lately with all the wedding planning and your daughter. Anyone else in your family would be too hard to find on such short notice.

So, when his pr officer calls him over to do interviews, he holds Nat a little bit tighter, hoping the interviews don't wake her.

He smiles at the shocked interviewer as she hands him a microphone which he holds in his free hand, trying his best to support your daughter with one arm.

"Morning," Logan nods, voice low.

The interviewer nods slightly, shaking herself out of her shock so she can ask the American some questions.

"Good morning!" Logan thanks his lucky stars as the woman catches his drift and tries her hardest to stay cheerful while keeping her voice relatively quiet, "I had a couple questions about the panel from this morning but it seems you've answered them yourself before I could even ask."

Logan laughs, glancing down at his girl before bringing the microphone to his lips, "Yeah, my girlfriend was asleep and I didn't want to wake her so this girl is joining us today."

The interviewer smiles warmly, "Before this I saw she was hanging out with some of the other drivers?"

"Yeah, yeah, she was. She, uh, had a good time getting to meet some of the grid. But, you know, all the socializing tired her out."

The woman in front of him nods again, glancing over his shoulder at who Logan knew to be Max, getting asked questions across the pen, "How'd they react?"

"I think they were pretty surprised, you know? I don't think a lot of them saw the panel from this morning and even then, I didn't really give much of an explanation. Don't think Max even believed me until Oscar brought her over," Logan laughs, grinning lovingly at the girl starting to stir in his arms.

"Hi baby," Logan says gently, watching as the little girl rubs at her eyes, trying to pull the tiredness from them.

"Hi Dad, where'd Ozzy go?"

Logan glances over his shoulder, looking for the Australian in question. He eventually sees him, turning his body so Nat can see him as well,

"Uncle Osc is just over there, angel."

The girls nods, a frown still on her face from having to wake up, “What about Maxy?”

Logan grins, happy that his daughter was already comfortable with his fellow drivers, even going as far to seek Max out. Logan turns straight around, pointing behind them at the Red Bull driver, "He's there. And Danny's next to him."

The girl nods, a satisfied look on her face as she spots her new friends. Logan turns back to the interviewer, the grin not leaving his face.

Max, meanwhile, is in the middle of an interview when he notice the interviewer looking over his shoulder. Max looks at the man in front of him with a confused look, the man quick to explain.

"Think the newest addition to the paddock is looking for you, Max."

Max looks over his shoulder to see a small girl, chin resting on her dad's shoulder as she stares back at Max. When he turns to see her, she grins, moving a small hand to wave excitedly at the driver before moving to tug at her father's hair, looking for his attention.

Max grins, waving back as Logan looks over, indulging the girl. She laughs happily, getting even more excited as she spots Daniel beside him.

"Maxy! Danny!" Max looks beside him and sees that Daniel hasn't noticed your daughters yelling and he quickly leans to the side, poking the Aussie. Daniel turns to the side to see what Max wants but is instead met with Max pointing vaguely across the pen. Daniel glances over and grins when he sees Logan and his daughter, the smaller of the two waving hurriedly at the pair of drivers.

Daniel waves back, a grin practically splitting his face. The interviewer sends him a questioning glance and he laughs lightly, "Seems we've got a new cheerleader, then."

The interviewer laughs, quickly returning to the questions. Max, after waving bye to your daughter, turns back as well.

Your daughter, now properly noticed by her new favorite drivers, turns back around, letting Logan get back to his questions. She wraps her arms around his neck gently, smiling in satisfaction as she leans up to tell him something.

"I like your friends, dad."

Logan smiles warmly, happy to see her getting along with his coworkers, "I'm glad, baby."

———————————————

@casperlikej @evie-119

[cyberrose2001]

HUMAN PET AU <3

Ratchet finally comes home from working all day at the med bay, the poor medic is tired as hell and just wants to relax in the comfort of his own berth. Fortunately enough, ratchet owns an exotic pet. A human he has grown fond of. They are fully trained and even have their own collar (with the message “Please return to Ratchet if lost” written on it), they have also learned how to help Ratchet de-stress by letting him use their hole as his personal flesh light <3 His happy little human loves becoming his cum dump to help him get his frustrations out, such a helpful little pet <33

any continuity of ratchet is fine (pick ur fav!), afab but gender neutral reader please and thank you moni 🙏❤️‍🩹

A Sight For Sore Optics - Human Pet AU

IDW/MTMTE Ratchet x human! afab! gn!Reader

Hi Gem! Thank you so much for your request, I was literally foaming at the mouth ready to write this. To make this more anatomically possible, Ratchet's spike transforms to a more "safer" size. So I hope this is good please be good (I haven't finished reading mtmte yet so forgive me). Also if I have missed any tags please let me know!

Warnings: Xenophilia, Size Kink, Collaring, Oral (both receiving and giving), Masturbation, Praise Kink, Cum Dumping, Mild Dubious Consent (?)

Word Count: 2.3k

18+ ONLY MINORS DNI

Another day, another few thousand miles of endless space, another few sickly bots. Additionally, a few unkempt humans requiring attention due to poor conditions from their previous owners. With the new organic additions to the Lost Light at the captain's approval, Ratchet had found himself biting off more than he could chew, looking after bots and humans. Oh, how he wished he took up an organic health course or something other than primarily relying on Brainstorm's fervent research on the tiny creatures. Between juggling it all, Ratchet was unsure how much more his threadbare servos could take. Still, there was one thing the old medic was unmistakable about. He was tired.

One good thing, he must admit, is that he gets to return to you. His own human pet, a personal 'Thank you' gift on behalf of the entire crew for his selflessness and hard work, provided with you a basket with fundamental necessities. But the basket had long since been used up, and he had transformed it into a makeshift cot for you. It'll do for now, he had thought.

He was initially still trying to figure out what to think of you. Apart from very rudimentary health checkups and nutritional foods, there wasn't much that Ratchet could provide for you. There's not many enriching activities for such a tiny human like yourself. Until that is, he discovered something quite unusual that had been exhibited in almost every human adopted by the crew so far.

You have an insatiable libido.

Ratchet was unsure, if not downright nervous if other owners were to discover how incredibly beneficial humans could be. Whether or not they had already learned was an entirely different story. It wouldn't surprise Ratchet if that was the very reason why human pets were approved, though it seems shocking. It all seemed so innocent enough, adopting humans for the cuteness factor for the mechs on board. But as with most things, there's always more than just the surface level of what the optic sees. And Ratchet was already way too far below the surface.

Punching in the code for his hab suite, Ratchet waits eagerly for the door to open with twitching digits. He steps inside, tossing whatever work essentials he has on hand on the first bench he sees. He'll worry about reorganising later. Right now, he needs some pet therapy and a well-overdue overload. The dull ache behind his panels only gets stronger as his pedes carry him to his berthroom to you, curled up on his berth. It looked as if you neglected your rudimentary cot, choosing to sleep on his berth instead. The medic can't help the softened expression as he melts at the sight. Of all the things he didn't think he deserved, he never once expected it to be such an adorable little thing like you.

He lets his pedes wander over to you, like countless times before, careful and delicate. He always told himself that this 'fling' he had with you was only temporary and that it was purely for his curiosity, but he tends to find himself aching for you repeatedly. He can't help how his racing neurocircuits seem to fizzle out and calm down when he lies with you.

A roughened servo brushes over your hair to slowly stir you. It looked like you had been napping for some time now, which he believes is a good thing. Brainstorm did say that humans tend to sleep better in environments they consider comfortable. The gentle brushing causes you to stir and lift your head to greet him, though in a language yet to be deciphered. It's a pleasant greeting, and Ratchet can tell they're happy to see him. Something along the lines of 'I missed you,' he'd like to think.

"Hey, squishy. I missed you too," Ratchet smiles warmly. He brushes the hair away from your neck to reveal a collar, "You haven't ripped it off yet. Seems like you like it, hm?"

A slight, sleepy nod in confirmation, you've grasped at what he said. Ratchets' digits trail down to the collar, a small silver plate that reads 'Please Return to Ratchet If Lost - HabSuite ###" engraved in Cybertronian. Not that you tend to wander off, but more or less a just in case. Plus, he gets a thrill seeing his name attached to you. He thumbs it gently, admiring his handy work.

"I'm glad you do. It took me quite some time to make," Ratchet tugs at it softly, beckoning you to come closer. He watches you climb onto his lap, "Such tiny adornments are complex to create, 'specially with hands like mine." A servo cups your back, his thumb moving to play with your soft chest. He shivers when he hears a tiny whimper from you, and you seem eager to play with him already.

"I've had a busy day," A mechanical noise of shifting gears as his spike slides out of its housing, "I think you know what I need." It's well and truly bigger than you, much bigger than your tiny body could ever take. But the way your eyes light up in excitement assures Ratchet that you are more than pleased, already desperately taking off your quirky frame coverings. He eyes off your cute organic valve, notices how dripping wet it is, and staves off a moan.

"C'mere for a second," Ratchet scoops you into his servo to bring you closer to his face. He gets a whiff of your arousal, so earthy and addicting. The more you spread your thighs for him, the more he can smell. He brings you to his intake and licks one hearty stripe up your folds.

Oh yes, he thinks. Better than energon. Better than any high grade to ever pass his dermas, like a warm drink that soothes and revitalises his senses. It thickens on his glossa, groaning at the taste as he swirls it around your little node. He watches intently as you squeal in delight, your thighs trembling around his cheeks and how your little face contorts into one of pleasure. Well, he had always presumed it was in pleasure; you've never exactly shied away from his glossa. He hums when you feel him grinding, desperate little ruts chasing the vibrations.

Ratchet licks one last time at your slick, pulling away to observe. Oral lubricants coat your valve thickly, the sensitive area reddened from his torment. His optics wander up; your soft skin is already flushed and glistening with sweat. He wonders how close you were to overloading; it wouldn't have taken much longer if he had kept going. But his spike grows restless, throbbing against his abdominal plating, begging to be touched by much softer palms than his own.

"Do you want my spike? Hm?" Ratchet teases, "My big spike?" He knows you can't fully understand him, but he can't help but vocalise his salacious fantasy. Holding onto you carefully, he lounges back onto the berth. He bites his bottom derma and lowers you to his lap, showing you his engorged spike, "Go on then, have at it. I'll frag your little brains out soon."

With an encouraging nudge from Ratchet, you straddle the shaft. To anyone else, it looks ridiculous. A tiny human desperately attempting to wrap their arms around a spike that's two times taller than they are. But to any depraved fleshy fragger, it's a sight to behold. Ratchet once thought of snapping a picture to potentially maybe sell it to the highest bidder for those who crave the feeling of such a soft body grinding on them, for he is sure there's a market out there somewhere, probably more than half of the crew onboard. Still, the shame of it all prevents him. There's an image to uphold being the resident medic.

Besides, he'd much prefer to keep you and that curious tongue all for himself.

He feels your little licks along him, a tiny tongue wiggling through the grooves and smooth surface, reaching crevices with hidden nodes that cause his pedes to curl. Soft ruts of your hips press your soaked valve right up against him. He knows what you want. The medic brings a servo to grip around his spike with you squished between, only tight enough to keep you in place as he begins self-servicing himself. He hears you letting out a surprised gasp, then a muffled moan, feeling your grip tighten around him.

"Yeah? You like that, squishy?" Ratchet moans, moving his servo slightly faster, "I bet you-nghh do. You look so cute like that. So tiny pressed against my spike."

Only a taste of your warmth is given through your body, like the little tease you are. Ratchet feels the perspiration dripping off you, likely due to the rise of his internal temperature and the energon being solely diverted to his array. It makes for a mediocre yet acceptable lubrication. He could spike you with it alone, but Ratchet prefers to use alternate practices in the interest of your health. Primus knows how careless other Cybertronians can be with their pets.

The medic is becoming increasingly aware of his overload and yours by the looks of things, your little optics squeezed shut, and your limbs clamped tight around his girth. He consciously decides to stop before you reach it. The idea of you squirming on his spike played on his processor a bit too well. He hears your soft whine at the loss of friction, which Ratchet can't help but chuckle at.

"I know, I know. I'm so mean, aren't I? Hold on, squishy." Ratchet lets you rest against his palm while his weeping spike whirs and clunks inwards to a much more manageable size for a human. His spike may be smaller, but there's not much difference in sensation. Thank Primus for the minicon-compatability modes, "You alright?"

A small squeak from you, yes. The medic watches intently as you waste no time climbing on, guided by his careful servo. You press your little valve against the tip, hissing as it barely slips through. Ratchet digs his pedes into the berth at the intense sensation, gritting his dentae as you bottom out. The feeling is incomparable to anything else; it's uniquely organic, warm, and so, so much softer than mesh.

He then wraps his entire servo around you, effectively turning you into one perfect spike sleeve only for him. Perfectly snug inside you, his grip clenches and unclenches around your torso before gently unsheathing himself from you again.

Ratchet is always careful when he uses you in this manner, ensuring his grip isn't too tight. He pushes you back down again, and he feels you melt into his servo. He hears your little whimpers and cries for him, to go faster, he believes. He learned a long ago that he doesn't need to understand your verbal mumbles when your fleshy hips try to hastefully force yourself down onto him, only halted by his own hand. His grip ever so tightens and gives in to your desperation, or more or less his own.

"You're so good for me, squishy. Hah- Lettin' me use your little valve like a toy." Ratchet mewls, his helm lolling off to the side as his optics flick between your face and the way his spike disappears inside you, "Such a helpful little pet you are."

He feels your velvet walls clamp down on him with each and every praise he gives, your little arms draped over the top of his thumb, clinging on for dear life. Every now and then, he massages your breasts pressed up against it, eliciting more dirty moans from you. Such softness that he can't help but take advantage of.

"So- ngh- tight," Ratchet vents heavily, "Primus, you've ruined me for my own race."

He felt a twinge of shame hearing himself; it was as if he had entirely let himself go. But he knows he can no longer turn back, not when you're the best little creature to ever stumble into his life. Despite him having you wrapped around his digits, it is indeed him wrapped around yours. The relief you bring to him after every gruelling shift, after every stressful day upon this damned ship, had him truly addicted.

And with an internal affirmation of decadence and with your soft little valve clenching and pulsing around his spike, he's sent right over the edge.

"Frag yes, sweetspark!-" He glitches out, pressing you down on his thick shaft as far as your soft little body can tolerate. His energon pulses deeply and shocks his entire body with an overload, shooting gush after gush of transfluids into you. His frame lurches forward, his hips driving into the berth as he milks his throbbing spike, his servo driving it deeper into you in a lust-filled daze. Your whines and cries only spur him on more, and he doesn't stop until you're shaking like a leaf in his hold.

It takes only a few more moments for a spent Ratchet to collapse back with you still in his grip, albeit slumped against his thumb. You're panting hard, and he can only just feel your tiny heart pounding against him. You must have had your own overload by the looks of it if the bliss-filled smile on your soft lips is anything to go by. His optics linger down to your soft, distended stomach and the dripping mess that splatters across your thighs and onto his pelvic plating. Now that truly is a sight for sore optics, he thinks to himself.

Ratchet huffs, bringing his other servo to pat the top of your head, "Now there's my happy little human, huh?" He smiles warmly when he feels you leaning into his touch, "How 'bout I fill you up some more?"

If this was what it took for the old medic to de-stress and relax, then so be it. If he were to be exposed to the rest of the crew, then may he join the rest of them. In secret, for now, he will proudly declare himself a lover of organic flesh.

[dindjarindiaries]

Stay

character: Din Djarin (The Mandalorian)

prompts: “Why not tonight? I’m even wearing something pretty.” “Give me a little show.” & “Make me.” (18+)

main masterlist • prompt masterlist

You were just finishing up in the refresher when you heard a gentle knocking on the door. You stopped smoothing out the wrinkles of your new outfit and glanced away from your reflection.

"Hey." Din's voice was muffled on the other side of the door. "I'm gonna head out."

Your heart sank as you turned towards the door. "Already?"

Din had told you that he was planning on leaving tonight to follow his next lead, but you had hoped he would change his mind. The outfit you had just changed into was supposed to convince him further.

"I'll be back in a few days." Din's voice was warm, clearly aiming to comfort you the best he could. "It won't be long."

You huffed loud enough for him to hear. "So, you're just gonna say goodbye through my refresher door?"

Din was amused. "I wasn't sure if I had permission to open it."

You straightened your shoulders and stepped forward, pressing the panel to let the door slide open. Din stepped back, as if he'd been leaning against the door, and you rested your shoulder against the frame. You spoke in a voice that was both soft and demanding. "Stay."

Din's visor gave you a once-over obvious enough to make the tips of your ears burn. His gloved hands tightened into fists at his sides as he took a deep breath. "I can't." He turned around and began to walk out of your bedroom. "I've already overstayed my welcome."

You exhaled sharply through your nose and pursued him. "No you haven't. There's no such thing as overstaying your welcome here."

Din hummed, though he didn't stop his stride as he reached the open area of your flat. "That's very kind of you, but I meant that I've delayed too long." He shook his helmet as he grabbed his travel pack from the table. "I can't lose this lead."

You wrapped your arms around yourself and desperately sought out another excuse. "But it's already dark outside. You might as well stay."

Din paused and turned his helmet over his shoulder, allowing you to see only half of his visor. He didn't speak, which gave you the freedom to continue.

"Why not tonight?" You unraveled your arms and let your hands run over your sides. "I'm even wearing something pretty." You batted your lashes to further sell your performance. "Just for you."

Din slowly turned around to face you. He rested his weight on one hip as his visor took its time observing you again. You embraced your shyness and channeled it as confidence, lifting your chin and the corners of your mouth.

When Din spoke again, his voice was low. "Tempting." He tilted his helmet. "But I can't stay."

You deflated, your brow furrowing as you let out a heavy sigh. "Fine." You tightened your lips. "What do I need to do to convince you?"

Din mused upon your words for a long moment, his visor busying himself with the sight of you again as he did so. He then sat down in a nearby chair and leaned back, making himself comfortable as he dropped the travel pack by his boots.

You shifted your weight as his helmet nodded in your direction. "Give me a little show." His voice was even lower than before.

Your eyes widened, and you blinked a few times before scoffing. "That's ridiculous.” You crossed your arms. “I'm not doing that."

Din leaned forward, resting his elbows on his spread knees without ever once looking away from you. "Then I guess you don't want me as badly as you think, do you?"

You circled your jaw, narrowing your eyes at him as you noted the challenge in his words. "What are you trying to say, Din?"

Din sat up enough to brace his gloved hands upon his armored thighs. "If you want me to stay..." he paused and leaned back again, "then make me."

You lifted your brow. "Make you?"

Din nodded before he tilted his helmet. "Make me."

You inhaled a soft breath before walking towards him, closing the tense gap between you more and more with each step. Your knees were nearly knocking against his when you stopped. You propped your hands up on the arms of the chair to lean over him. "How much permission do I have to make that possible?"

Din's voice was so airy that it crackled through his modulator. "All of it."

You tilted your head at him and set your knee between his thighs. "Anything?"

Din shifted. "Anything."

Your lips curled up in a sly, satisfied grin as you pushed yourself up to sit on his lap. Your hands found the sides of his helmet as you started to lift it, still giving him a chance to stop you despite his reassurances. When your gaze caught his, you knew you had him exactly where you wanted him, with the flames that burned deep within you finding their match in the golden flecks of his hungry gaze.

You took his helmet and set it aside. "You won't be needing this."

Din's hands clutched your skin. "No, I won't." He pulled your chest against his. "I just need you."

You hummed in delight as you traced his untrimmed jaw with your lips. "It was that easy, huh?"

Din held your jaw with one hand to lift your gaze back up to his. This time, you saw his once-over without his visor concealing it, the warmth of it practically burning your skin. The corner of his mouth rose as he spoke. "You had me the second that door opened."

You laughed as you pulled his face towards yours. "I knew it."

Din wasted no time devouring you, his parted lips an intoxicating match to your own—but just when his tongue began to tease you, he pulled away to add more. "I just wanted to see how badly you wanted it." He chuckled as he kissed your upper lip. "That's all."

You huffed. "Then shut up so I can show you."

Whatever amused sound Din made in response was drowned out by you as you continued where you both had left off, and you didn't stop until you were sure that you had made Din's decision to stay count.

[katsukikitten]

Imagine Bakugou's PR team BEGGING him to be in a holiday parade.

"You just have to sit there and wave" is their argument but Bakugou thinks spending half a day being gawked out sounds like pure hell until they tell him their favorite interviewer is going to be there. You'll be hosting it this year and suddenly Katsuki is bullying his way onto the panel with you to finish out the last two hours leaving Shouto and Izuku on the float alone.

The crowd and Internet goes wild to see Katsuki use his quirk to launch himself to the little interviewer table that's perched over to see the parade. Picking you up and putting you in his lap for a chair and he's so fucking warm. You try not to blush or fluster when his big hands come to support you better.

"Dynamight what a surprise! What brings you up here?"

"Ya looked cold sweetheart. Don't mind me I'm just here to be yer personal heater."

"Sweetheart?" Your banter co-host asks with a raised brow and Katsuki gives him a look as if to back off, to not ask the question Katsuki knows burns on the man's tongue.

"It's just a nickname he's given me." Before you're going back to pointing out the next float not missing a single cue before it cuts to commercial break.

You expect the producer that chatters over the ear piece to scold you and shoo Katsuki away, instead you hear. "Don't get him a chair and zoom out so he can fit in the frame better."

Looking up at him over your shoulder and Bakugou decides he loves this view of you. Loves the feel of your body on his and loves to hear that he can stay. Not that he was going to give them an option anyway.

"Listen, this isn't like my interviews where you can cause and say whatever the fuck you want! PG only! You can't even say hell!"

"You just said fuck." He smirks down at you with a cocky grin.

"Katsuki I'm serious! This is a big deal and could lead me to hosting all sorts of other events. So behave? For me please?" Desperation lacing your voice at the end when you hear the producer start to count down.

Katsuki leans closer, nudging his nose into your throat to get a better smell of your intoxicating perfume.

"Anything for you sweetheart. Ya don't gotta beg." And he waits until he hears one before he adds, "Though I like how ya sound when ya do."

[warblogs17282]

I'm still busy thinking about that comment that said that Vivzie said season 3 would have a focus on 'family and addiction', and now that I think about it, the show really does appear to be heading that direction. (Again, I do not have the clip to confirm this claim at this moment in time.)

As for family, let's start with Stolas and Octavia, we know that their conflict is far from being over at this point in the show for a few reasons, but the biggest one is the fact that Blitz makes it especially clear in the last few moments of the episode, with the lines 'You just gotta give her time.' and 'You just gotta keep trying.', so we definitely have more plotlines involving these two in season 3 (and Andrealphus + Stella).

Wherever the show decides to go in regards in Millie's pregnancy and the fact that Sallie May knows about said pregnancy, and I also imagine it's likely that the rest of Millie's family is also going to find out about Millie's pregnancy at some point during season 3 as well, so Millie's family is likely going to make more appearances during season 3 as well.

Blitz mentions Barbie Wire towards the end of the episode as well, in which I can only imagine that it's foreshadowing more Blitz and Barbie Wire interactions, and potentially some sort of resolution to their conflict at some point during season 3 as well.

Something else that the show makes quite clear is just how much the circus fire + Blitz's upbringing with an abusive parent still deeply effects Blitz to this day, (and quite frankly, the events of that fateful day will probably still continue to effect Blitz, forever.) so we're probably going to see more regarding that and potentially some more flashbacks to the pre-circus fire days, especially in regards to Blitz's mother and Blitz's abusive father, even more so if Blitz is referring to said circus fire with the line 'for something that I did.'

Considering how s2 e3 and s2 e6 went for Crimson, I imagine he's going to be plot relevant next season as well, which likely opens the gates for more flashbacks and such regarding Moxxie's upbringing in the mob family, potentially showing us more scenes of Moxxie's mother as well, who, as I've said before, was likely murdered by Crimson when Moxxie was very young.

I have no idea if they'll make an appearance next season, but I do still find it interesting that Stolas' mother just appears to be non-existent, so I do wonder if they have a plotline involving her, or if they have plotlines related to Stolas and Paimon at some point during season 3 as well, although probably not tbh.

Of course, I can't finish off this section without mentioning I.M.P, and all the people within it, which is it's own found family at this point tbh.

And this scene as well, we absolutely cannot forget the Stolitz domestic family moment that we saw in Sinsmas, aka, the scene where we see some of Blitz's hopes and dreams.

As for addiction, we have Stolas' alcoholism, which alongside being something that the show has pointed out in some form time and time again, Bryce has mentioned at a panel or whatever that it is something that Stolas struggles with, so I imagine it's probably going to get a mention in season 3 at some point.

Stolas and smoking might be something that comes up at some point, but I kinda doubt that considering that we've only seen Stolas smoke once before, all the way back in s1 e5, but for now I do think it's something worth keeping an eye on.

The fact that Verosika also appears to be an alcoholic, it got mentioned once in s1 e3 that she went to rehab, but got out early because she was famous, while still very clearly being an alcoholic, so I wonder if that's going to get a mention at some point during season 3.

And finally, Blitz makes a comment about the fact that Barbie Wire used to be on some sort of drug named H-8, which she went to rehab for at some point considering Verosika's earlier statement, so I wouldn't be surprised if this detail gets brought up again tbh.

So yea, considering that alleged statement from Vivziepop saying that season 3 is going to have a focus on 'family and addiction', I can already see quite a few potential plot points the show has potentially been setting up for that's relevant to either the themes of family or addiction. (Obviously there's also other ones that's going to relevant as well like Blitz and Loona, but I just want to focus more so on the plot points that the show appears to be directly setting up for season 3.)

[renren-006]

Over The Years- Daryl x Fem Reader

plot: being in love with daryl through the years but he’s clueless

word count: 2639

a/n: hey! i love that you guys have been eating up my Daryl Fics soooo heres another one. this took me sooo long to write so oi hope you enjoy!!

This has been posted on AO3- Over The Years

taglist: @rosecentury

Atlanta - 1:

"you've been staring at him all day, y/n," Lori said, coming to your side. You were standing by the van, 'helping Dale,' watching Daryl do whatever he was doing in his little area. You offered to help, but the man shooed you off.

"I'm not," you told her; she gave you the mom look she gave Carl, making you cave. "okay, so what if I am?"

"Just be careful, hunny," she told you, "he's not the type to realize his or your feelings."

"I know," you told Lori. This wasn't the first of these conversations, but it was the last time someone told you to be careful.

Atlanta - 2:

"If yer trying to fish here, yer in the wrong spot," Daryl said as he came up behind you on a rock, trying to catch fish or just waste the day away.

"I figured," you told him, hitting the empty bucket you had. "I'm just…"

"Tryna' not to be bored?" He asked you. You nodded.

"You want to know how ta' catch fish?" he asked; you smiled and nodded, reeling the cast in and handing him the pol, following him to a different spot and spending the rest of the afternoon taking tips from him on fishing. If someone asked you what you learned, you could only tell them that Daryl's eyes looked almost green in the sunlight.

Farm - 1:

you saw him take his stuff and walk off; he hiked over weeds to his area a yelling distance away. Carol watched you watch the man walking away from the group's solidarity.

"he's stubborn," she commented; you nodded. You faced her, to see she was already watching you. "he's stubborn with his feelings too."

"I know. I know both those things," you told Carol; she nodded. She walked off after patting your back, knowing you knew the unsaid things in the air. You continued working around the group, keeping watch, cooking dinner, and helping with the Greene family. Maggie became a close friend of yours through the days on the farm.

Farm - 2:

"Hey," you said as you stood in the doorway. Daryl glanced up from bed, his shirt half on over his bandages.

"Hey," he said, not responding more to you entering his room.

"Just wanted to check on you."

"Dont need ya to," Daryl said, trying to hide from you more and more. You stood in the doorway still, knowing entering wouldn't go well.

"I didn't ask if you did," you told him. "I'm in the kitchen; shout if you want anything."

Part of you wanted to give more care to him, show him you cared, but you knew him well enough to know he didn't need that from you. He nodded his head at you, and you closed the door again. Then, he walked down back to the kitchen to help Maggie with lunch.

Farm - 3:

"Ya need help," Daryl asked. You were trying to get a sheet of wood up on the window to nail it shit, but you only had two hands. He came up and grabbed the wood from you, holding it up for you

"Thank you," you told him, and he grunted back at you. You finished up nailing in the panels with his help.

"You need any help?"

"Nah, I got it," he said, leaving after helping you. Things were still the same between the two of you, you thought. Daryl, however, couldn't see how he was growing to care for you.

On the road:

You never planned on getting hurt, but it just happened. You, Daryl, Glenn, and Maggie were off in a group scouting a building you had seen. Rick had made the five of you go to keep an eye on each other and get as much stuff as possible. You walked in first, knife in hand, Glenn close behind with a flashlight. Maggie and Daryl took the rear, much to Daryl's dismay.

Once you were all inside the building, you realized this used to be a Military compound, a small one, but it still had some things left inside. There was an airfield outside, probably a small compound not used for much. Once you split off from everyone, you wandered around the shelving units, finding some rations. When you didn't see the ceiling being held up by one of the shelving units and when you accidentally bumped into it, part of the roof came falling down. You yelled as part of it fell on top of you, crushing your ankle. Daryl was the first person over to you, rushing to see what was wrong.

"The roof! I didn't see," you said, grinding your teeth. Daryl stood there, eyes wide at seeing you on the floor with half the ceiling on your leg. "Daryl!" you practically yelled at him. The shock of you yelling shocked him out of his daze, and he rushed to lift the wood off your leg. Glen and Maggie rushed over soon after seeing the aftermath of the roof collapse and Daryl lifting it off you.

"What happened?" Maggie asked as she picked me up. I hobbled a bit, yelping when I put my left leg down. "Shit"

"The roof...I didn't see that it was falling, and the shelves were holding it up," you said, "I think I fucked up my ankle."

"How could ya not look?" Darly said angrily, "Now ya hurt and.."

"Hey, it's fine, Daryl. She didn't know. This could have happened to any of us," Glenn defended. "Let's look for crutches; they have to have some here. After you look around, you find some crammed in the back of a closet and leave the building. Daryl hung back with you while you were trying to walk.

"I shouldenta' yelled," Daryl said, breaking your silence. You nodded, knowing he was only trying to look after you.

"It's okay."

"Nah, it's not," he told you, stopping you from walking any further "Sorry"

"It's okay, Daryl, really. I was stupid anyway."

"Nah, coulda' happened to anyone," he said. During the rest of the walk, you had a small smile, and Daryl had a hand on your back guiding you. He didn't want you to fall again, let alone on his watch.

Prison:

The prison setting took everyone a while to settle into it; Daryl, however, took to it really fast, moving into one of the guard towers. You desperately wanted to be near him again, not only because you knew how you felt but also because he was the only person you felt truly safe around. You watched him go back to that guard station every night after dinner just outside the cell block. You turned back into your bunk at the end of the hall, far from everyone and enough privacy that you felt calm. Carol already knew about your affection for the archer and tried many times to get the two of you to sit next to each other. You moved, always, leaving the spot open for Glenn to take and talk Daryl's ear off about whatever he had found on a run that day. You took your spot next to Maggie, who silently let you watch the archer with no complaints.

That was months ago.

"Why don't you join us on the run tomorrow?" Maggie asked you, "We need to find stuff for Judith."

"Yes, I'll come."

"No, ya won't," Daryl said, walking up behind the two of you outside.

"Daryl, I'm fine. I'm going."

"Then I'm coming'" He said, glaring daggers at the two of you and going to get his bike ready.

"Ass," you muttered to him as he walked away; he didn't seem to hear you.

"He cares," Maggie said as you grabbed the bags by the upper gate. You signed, you knew that but for some reason, he had distanced himself, or maybe you had

"Whatever," you said and made your way down the path. The pickup truck was made for two, and Daryl knew that.

"Hop on," he said, riding up to you. You looked at him, and it seemed like he knew you wanted him there. You climbed on behind him and headed out with the others. The ride was quiet, but it spoke enough about the two of you that no words needed to be spoken.

Daryl and you scouted a house; all was quiet between you two. You found an unopened can of peanut butter and showed it to him, he smiled over at you.

"Who knew we'd find it," he told you, taking it from your hands.

"Guess you're my good luck charm," you told him, grabbing the can back and putting it in your bag. When you glanced back, he was looking at you. "Daryl?"

"Nah, it's nothin'," he said, snapping out of his daze. "I'm looking upstairs," he said, moving away from you and up to the tip floor. You continued rummaging through the downstairs before heading out to the porch and waiting for Daryl.

Prison:

Daryl didn't get jealous. You had never seen him that way. It was early in the morning, everyone was outside, and you were helping Carol with the food prep. One of the guys from the town you saved had a very obvious thing for you. He was younger than you, but it didn't bother him. He made a move that morning in Daryl's direct eyesight. He had come over, taking your ear off, and then he got close, trying to grab or touch you. You had stepped away, trying to tell him that you didn't see him like that and that he needed to give you space. He didn't listen. Daryl barged over and tugged the guy back from you.

"Didn't ya hear? She said to back off," Daryl said, putting himself between him and you.

"Oh, shit! Hi Daryl!" the guy said, unaware that Daryl could rip this guy to shreds. You put your hand on his bicep, feeling it flex under your touch.

"I'm fine," you told him calmly. He looked back at you, seeing that you were relieved he stopped in but worried he would rip the guy to shreds.

"Good," he said, pushing the guy back, "don't ya go near her again," the guy nodded, running off, getting the message.

On the run:

You were with Daryl and Beth, wandering around the unfamiliar world. It was a miracle that you found Beth during the invasion and even more so that Daryl made a B-line for you. When the three of you started on your journey, it was slow. Daryl watched for the two of you Until Beth was taken in the night.

"Beth!" you yelled, "Beth!"

"C'mon," Daryl said, tugging you back from the road and away from the walker's grouping. "Well, find her."

You walked after that car for miles until your feet couldn't take it, and you collapsed. Daryl wanted to drop beside you, but he couldn't.

That was when the real test of being back out in the world came. These men that Daryl didn't want to join but did anyway made your skin crawl. The way they looked at you, the way they wanted you, it made you sick. Daryl quickly understood the rules, realizing I got no say in anything in this group and was merely seen as an item for the taking.

"She's mine," He said, causing the boys upfront to look back at the two of you. You were behind Daryl, per his request. "Aint no one touching her."

"Boss! He can't do that," one yelled.

"Rules are rules," the boss said, "She's his."

Still didn't stop looking or not sleeping. Daryl noticed it; of course, he did.

There was one man both of you knew who didn't care about the rules. One night in particular proved this to Daryl and the rest of the men. He had left you no longer than a few minutes in a different direction than you out in the woods when the man sprung on you. You tried to grab your knife, but he was already prepared to stop you. You were helpless as he tried to get his way with you.

"Don't scream now," he said, with his hand over your mouth, suppressing any screams you tried to get out. You started hitting him, making him yell back in pain from it. "Crazy bitch” he said, slapping you.

"Daryl!" you yelled, scrambling to get up. The man behind you grabbed your leg, making you fall to the ground. "Daryl!" you screamed again, knowing that was your last attempt at calling for the archer. Your breath was completely knocked out of you. You heard fast-moving, crunching footsteps as the man tried to turn you over, and then, nothing. You turned, seeing an arrow between his eyes and the man falling back. You scrambled away, trying to catch your breath as Daryl jumped to hold you.

"I'm sorry," he said into your hair as you held onto him, too shoved to say a word. The world became quiet in his arms.

On the run:

The road to salvation was long. The group had been walking for days; hope was dwindling. You lagged, not having much energy for things anymore. Daryl is always stuck by your side, never leaving the comfort of your space. He had been quiet for a while, keeping his thoughts locked away. You stopped walking, alerting Daryl but not the others.

"Hey?" he asked, looking back at you and watching him.

"somethings wrong with you, and you won't tell me," you told him, matter a fact. "I know there is."

'aint nothin'"

"Nothing? Really? You haven't left my side since the…¦," you said, drifting off, not wanting to mention the near attack you had. "Since you know when I feel like I can't breathe without you worrying."

"I.."

"What is wrong?" you pressed; Maggie had seen that you had stopped and told the others to slow the pace a bit. You knew she probably understood that what was happening with the two of you needed to be talked about away from the group, so she kept them moving slowly. "I can't stand to see ya hurt anymore," he told me, knowing somethin' was on his mind. "I can't stand thinkin' somethin' happen if i leave ya"

"Daryl, that's not your responsibility," you said.

"maybe it should be," Daryl said.

"What?"

"I care about you a lot" he said, looking down, "I love ya"

The world stopped when he said those words, something he had never even said to Carol or Rick, ever or often. You took his hands in yours, making him look at you.

"I have loved you since we were on that mountain in Atlanta," you told him, "I have always loved you."

"ya have?"

"How could I not, Daryl?" you said; he smiled a bit, something you had not seen in a very long time.

"You my woman now," he told you, "you've been mine since I told those men you were."

"I'll always be yours; you never have to worry about that."

Extra:

Alexandria: (years later)

"How long have I been an idiot?" Daryl asked Carol. They were both lounging on the porch in Alexandria, watching you chase after a little brown-haired girl. She was only two, but she had spirit. You were smiling so big that Daryl felt like his heart was melting.

"You've been an idiot for as long as she's been in love with you

ain't helping" Daryl said, shoving Carol a bit.

"I think you started falling for her when we were in Prison"

"yea…your right"

"You were stubborn to let yourself feel until you almost lost her," Carol said. Daryl nodded, not wanting to admit that it took a life-or-death situation for him to truly know he couldn't ever lose you.

[danganronpadespairtime]

Well, it's been a year since the last episode came out, and the rest of ch2 still isn't done. I am well aware that this is the case so there is no need to remind me.

Working on ch2p2 is very difficult and tiring, and it is more time-consuming than usual. So it seems it will take a long time. I will not go into reasons as to why this is the case. I rewrote this post many times trying to express my feelings or explain the reasons things are taking this long, but it seems like it always comes out as sounding really miserable. So instead, I'm just going to say nothing about the matter and move on.

It would be nice to post some preview of ch2p2, but it would either be spoilers, or it would be so generic to avoid spoiling anything that it kind of looks indistinguishable from the first half of the trial. It feels pointless. That is why, for the time being, it's possible I might be posting a lot more about things unrelated to ch2p2, like my other Fangan. This is just because I feel compelled to make a post once a month, yet I am running out of things I can say or show about DRDT.

I can make no promises about the release date of ch2p2 at this time. But I promise that it will be done one day. No matter how painful it becomes or how many difficulties I face, I want to see it through to the end. It might take a long time, but I can't give up. So please put your faith in me.

As always, thank you everyone for the support you've given me.

Some addition things that are of no concern to the casual viewer ↓

There is a lot of discussion about the "progress bar" and sometimes I receive questions about it, so I will talk about it for a bit.

Yes, I update it frequently. But it reflects "time left in the story before completion", not "time left in real life before completion."

Basically, it poorly accounts for things that take a long time to make, like the argument armament, the closing argument, the execution. For example, it's lucky if I can sketch out a single panel of the closing argument per day, but once it's all finished it will only look like a few percentage points increased. Even if it's at 90% I feel like there would still be a long time before things were finished.

As they say, "the final uphill stretch is the hardest of all"... Or something like that................

[phantomarine]

Clam's Quick Tips for Starting Your Very First Webcomic

Howdy! Here are the three bits of advice I tend to give people who ask me about getting into webcomic-making. Maybe they can help you jump into the fray with a little less fear.

1) Make Your First Chapter a Pilot Episode

You will be told by webcomic veterans to start with a short, simple comic idea first - which is wise - but if all you can think about is your big magnum opus, then you might as well hop in, right? Otherwise you'll just be glancing back at the other cooler project forever.

But if you can't start with a small simple story, start on a small, simple part of that larger story. Your first chapter should be a snapshot of the main conflict - show us a simple scene with few characters, ease us in slowly, keep things clear and focus on emotion/impact/clarity. Get the audience to care by offering something easily digested, but full of promise.

Once you're done with that 'pilot' chapter, and you're feeling more comfortable with the whole comic process, you can open the gates and show us the larger world. At that point, you'll be way more ready.

2) Simplify Your Art Style For Your Own Sanity

Always try to make your webcomic's art style as simple as possible - the standard rule is to use only 75% of your artistic skill for every comic page you make. Otherwise you will burn out quickly and terribly.

But you also need to be PROUD of your art style. If you're really feeling itchy, add a couple bells and whistles to your style so you can look at the finished page and say "Yeah, looks cool." You'll find the right balance the more you draw.

Also, don't be afraid to change your art style as you go along. Ultimate consistency is often impossible in webcomics anyway - so embrace your desire to try new things, streamline your work, whatever you feel needs to happen to be happiest. Sometimes the coolest part of reading a webcomic is noticing that style change - so don't hesitate to embrace it!

3) Resist the Reboot! RESIST!

The curse/blessing of drawing the same things over and over is that you'll inevitably get better at drawing those things. The trouble comes when you look back at old stuff and start thinking "Damn, I could draw that way better now."

You must recognize that this feeling never goes away. Not after a hundred pages. Not after three hundred. Not after a thousand.

I think everyone should be allowed one soft reboot for their first webcomic. Redraw some panels that bother you. Change up some dialogue if it doesn't make sense with your new story ideas. Do maintenance, basically. One of the beauties of webcomics is that they can be easily edited, without reprinting a whole book or remaking a whole game.

But if the ultimate purpose of a webcomic is to tell a story, then constant reboots will just be retelling the same story - slightly better each time, but the same at its core. We've heard it before. Most audiences would rather you save your strength and just keep going, rather than circling back year after year and going "Wait wait wait! I'll do it better this time."

Reboot early, not often, and only when you absolutely must! You're a storyteller, and you're constantly getting better at telling your story. Don't be ashamed of it - look back how much ground you've covered, and keep walking!

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That's a good start. Happy webcomicking - don't be afraid to jump in, but be prepared to learn a lot very quickly. And if this advice doesn't work for you or adhere to how you did it, that's absolutely fine - webcomics are diverse by nature, and so are their creation processes. Feel out what works best for you, and good luck!