#just to clarify: I do not ship them romantically I’m just insane about their relationship as depicted in canon

[leek-inherent]

I love Ten and Juice <3 they are literally best friends forever <3

The fact that they spent thousands of years just hanging out is so important to me. This line made me laugh because they are the most married space probes to ever exist.

[transmazikeen]

In regards to Mel's future love interest: why are antis making Abimel shippers feel bad about wanting a story for Mel happening on screen rather than off screen? At least we can take comfort in knowing that the spike in "outrage" means there's a chance for it to actually be happening. I can't wait to see Mel and Abby have to horrendous realization they caught feelings for each other.:)

anon, that’s a great question. i know that a lot of people dislike abigael for things she’s done, (which i could dismantle every point of theirs but i won’t do that now) and they don’t believe her and mel could have a healthy relationship. to that i say: grow up, people change, therapy exists, and they’re both consenting adults who can make their own decisions. there isn’t any problem with abigael getting a redemption, especially when people act like she’s so unredeemable when in reality 85% of the season she spent HELPING the charmed ones, even at her own personal deficit. remember when godric said, verbatim, “i said it was their heads or yours. now it’s both.” if abigael was truly selfish like people think, she’d say without hesitation, “their heads, obviously.” but she didn’t, and she lost EVERYTHING because of it. i think people who dislike her (who aren’t women of color with valid upsets about negative stereotypes she’s written with, which speaks to another issue of the lack of women of color and queer women of color in the writer’s room) either don’t pay enough attention to her character, or simply have internalized phobias that her character brings to the light (biphobia/homophobia, misogyny, etc).

but besides that, i think another, deeper-rooted issue stems from screentime. abimel antis, i’ve noticed, tend to be hacy shippers and melby shippers. a lot of them are also heterosexual. (not all, but a lot.) as a sapphic person myself, who has many friends who are also sapphic and watch charmed, i don’t ship melby. i mean, i kind of do, but let’s be real: ruby doesn’t even feel like a real person after, say, 2x13. i adored their buildup, they had so much potential and i was super excited for their epic romance that i was promised!... but then the writers just discarded them; they made their relationship impossible to work, then time-jumped them forward 3 months into dating after mel literally called her “a friend” to abigael. i don’t even remember when they clarified they were dating and not casual. in short: it fucking sucks. sapphic fans deserve so much more than what they got, and ruby deserves so much more than what SHE got.

but hacy fans love to say they ship melby. it gives them credibility. the heterosexual ones think since they “ship” melby they can speak over lgbt fans who desperately want the main wlw storyline they were promised when watching charmed. to ship a ship means you enjoy a ship and the direction they’re going. you can’t ship a ship based on potential alone. i like melby’s potential, but the writers aren’t doing anything with it, therefore i don’t necessarily ship it. hacys like the direction melby is going, because the direction they’re going isn’t taking up a single bit of hacy’s requisite 29 minutes of screentime per episode. 

and let’s be real, mel and abigael having a storyline that makes it into the main plot pisses them off, because they’d possibly take some of hacy’s precious screentime. they say its because abigael is a witch-killer, that she’s evil, irredeemable, but in reality how do they expect a character to change if she’s just sitting on the sidelines like they want her to? they say it’s because they want the charmed ones to have the main amount of screentime. i absolutely agree! it’s literally their show, and the idea of another character getting more screentime than them is completely insane /srs. how about we write off harry, the bland, white, heterosexual cis man. he had a ton more screentime in season 2 than he did in season 1. more than any other character, i believe. let’s do that instead of writing off an interesting, morally grey bisexual character like abigael. oh, now you’re upset. gee, it’s almost like it wasn’t about the charmed ones screentime in the first place!

honestly, i digress. i think it’s very interesting that abimel antis don’t deny abimel’s existence in the first place. it’s not “this isn’t happening, you’re delusional”; it’s “this is happening and i’m not happy about it.” i think it’ll be extremely fun to watch the tears on the day they kiss. i’ll probably make so much fun of them i’ll get suspended on twitter. in short, there’s a variety of reasons, some homophobic, some not, and whether it’s melby, abimel, or god forbid another ship, if the writers don’t start putting energy into mel’s romantic life they’ll figure out i have hands VERY fast.

[natsumiheart]

I just wanna say how tired I am with some oumota shippers and their argument that oumasai is a bad ship cause apparently Shuichi never cared about kokichi and is annoyed with him and that oumota is better cause kokichi "opened up" to kaito like what they both were dying and kokichi had to convince kaito to work with him so he had to tell the truth that he wasn't the mastermind or else they'll die a meaningless death.I just really wanted to say this cause its driving me insane

Anonymous said:

Btw i was the anon that sent that ask ranting about oumota shippers saying oumota is better than oumasai and I just wanna clarify that I don't hate oumota shippers cause I know its their opinion and everyone can ship what they want but i feel like I really needed to tell someone about it cause it has been messing with my head and I don't have any irl friends that like DR and this blog felt the safest to vent to

Oh my goodness I’m so sorry you’re dealing with those people! I have a friend who is actually suffering from the same exact thing. Constant harassment from Ou**ta shippers saying Oumasai is toxic. I’m happy you feel like this is the safest blog to vent to ;; And just to make you feel better, here are a bunch of reasons why YOU’RE 100% RIGHT! and you shouldn’t be attacked or ashamed of how you feel towards that ship and all that hate towards yours. If anyone says Shuichi hated Kokichi and never cared for him just read this post! https://natsumiheart.tumblr.com/post/177427505177/hewwo-what-are-your-opinions-on-the-people-who

Warning: If you like Kaito x Kokichi I recommend you don’t read what’s under the cut, I don’t want to diss anyone’s ship in front of their face. That’s just insensitive, and the last thing I want is to ruin someone’s day. Unless you really want to know why others don’t feel the same as you, then don’t check out this post. Thank you!

Note that while I mention the bunch of reasons why this ship just straight up wouldn’t work out, I’m going to ignore the fact that Kaito acts very homophobic and transphobic in the japanese version of the game. I’ve mentioned it in this blog a bunch of times before, and it’s pretty obvious that everyone ignores his Homophobia so I’m just going to pretend as if he’s not homophobic and break down why exactly this ship wouldn’t work out even without him being homophobic in the first place. But I’m definitely not going to exclude how he acts towards guys in general.

> Kaito treats most guys he meets like trash, unless he respects them. Whenever Kaito finds a guy acting “Weak” he literally looks down on them, even gets frustrated with them. Huge proof is how he treated Shuichi for crying over Kaede, and then later punching Kokichi because he was acting “Weird”. Kaito was a huge fan of Ryoma, but when he saw what he has become, someone who has given up on his future, he started treating him badly, and after Ryoma was dead he even talked badly on him calling him “Weak.” and a “Sissy.” Not being able to understand the pain Ryoma was going through or how things were for him. He also got creeped out by Korekiyo for acting like a girl before he even revealed that he was “posessed” by his sister. Aren’t all those moments in the game enough proof that Kaito just straight up doesn’t like guys at all in that way? Then how could he *love* a guy, and Kokichi of all people. Heck, Gonta x Kaito make more sense than Kaito x Kokichi, even though he yelled at Gonta once for crying and being too weak for a man.

It’s shown multiple times in the game that Kaito treats guys like trash, and he treats Kokichi the worst of all.

Note: I do think Kaito can change the way he acts towards guys, but I don’t he will ever love one romantically.

> I think we can all agree that Kokichi is really hard to deal with sometimes. He distances himself so much from everyone as much as he could, and he won’t back down that easily even if it meant hurting others’ feelings. He keeps lying constantly so no one can figure him out or get close to him. We don’t exactly know the reason why, but he has major trust issues and it shows.That is the reason why for us, seeing Shuichi listed under “Trustworthy” was a big deal. (But I’m not going to dive deep into that since I already did multiple times in this blog.) My point here is that Kokichi needs someone with patience, someone who could understand him a bit and why he does what he does. Someone to decipher his actions and break down his walls, but isn’t afraid to sometimes step his foot down and tell him that his actions are wrong and he’s harming others as well as himself. Kaito on the other hand grows frustrated with guys so quickly, he doesn’t listen to their reasoning before heading in for physical violence. THAT is exactly the opposite of what Kokichi needs! And I still don’t understand how others can’t see it! When Kaito punched Kokichi in chapter 4, he was already in so much despair over seeing the secret of the outside world and that punch made it worse. To the point he stayed silent then locked himself in his room. How in the world do people actually see this ship as better than oumasai? I don’t get it.

Kokichi shouldn’t be with someone that will treat him like trash, and physically (if not also emotionally) harm him for how he’s acting.

> Opposites sometimes attract, but POLAR opposites do not. and I’m talking from personal experience here, two people who are different in so many ways (ESPECIALLY THEIR WAY OF THINKING) will end up fighting 24/7. It was shown again and again in the game that Kokichi and Kaito do not get along thanks to how different their approach is to things and their seemingly different upbringings. Ships between two characters who fight a lot just make me so uncomfortable and disturbed, because I know how these relationships actually end up in real life. Fights do happen in relationships sometimes, it’s even needed to strengthen the relationship, to realise that no matter what happens you STILL love your partner, but when you fight every single time you talk? That’s a bad sign! 

Fighting is NOT romantic and it never will be! And when it has physical violence mixed in? My god. Please do yourself a favor and break up with your partner if they keep hitting you.

> Kaito doesn’t ever side with Kokichi:

He literally said in chapter 4 “I don’t wanna survive it means I have to stoop to your level!” and Kokichi said “Then die in a hole for all I care! WE wanna LIVE, so stop getting in our way!”. Kaito will never be on Kokichi’s side, Even if it meant his death and the deaths of all his friends.

When Kaito realised that maybe watching all the motive videos together would’ve prevented a murder from happening Shuichi is the one that points out that it was what Kokichi was trying to do. But then Kaito is like “Huh, really?” Then brushes it off. Because of course, of course Kokichi wants murders to continue. Right?

Even after Kokichi spilled everything to him because he was literally about to die and really wanted Kaito to go along with his plan and believe him. Kaito still stated that he still thought he only thought of himself. Even after Kokichi sacrificed himself to save HIM from the poison and MAKI from being his murderer. He still hated him and didn’t believe him. The only reason Kaito went along with his plan was because he was about to die anyway, he was running out of time and he needed to get out even if it meant following Kokichi’s plan and killing him in the process.

When two people actually love each other they have each others backs. But with these two, they never will.

> I don’t believe Kokichi hated Kaito. But he literally thinks he is stupid and is a bad influence on everyone. These two have a relationship of two siblings that can’t stand each other. I always see myself and my brother in them, which is another reason why their ship makes me beyond uncomfortable. My brother puts his trust in people way too easily, and believes whatever tf his brain comes up with because y’know it’s him and “he’s always right”. He would never take a second to think that maybe he’s wrong, just like Kaito and his hunch. I on the other hand find him incredibly stupid, we argue a lot because our way of thinking and our beliefs are very different, we even used to hit each other a lot. We never really got along. And the way Kokichi and Kaito act around each other really reminded me of it, but you don’t know me and you don’t know my brother so why should you take my word for it? An example I like to use when trying to explain this point to others is the relationship between Stanley and Stanford in Gravity Falls, those two fought a lot in the show but in the last episode they had to work together on a plan despite their differences. Doesn’t it remind you of a certain story that happened in the game? Kokichi and Kaito’s relationship resembles theirs so much it’s insane. 

I feel like the game tried to show us how these two are more like siblings but on bad terms, even giving them similar hair and eye colors. But that flew straight over every rivalry shipper’s head.

These are some of the reasons why Ou**ta wouldn’t work out and can’t even be a thing in the first place, I said it before and I’ll say it again: I could write a book about this topic. But I’m kinda busy today and I have to leave the house soon- I hope you’re convinced that you are actually right. (I’ve been told countless times that I’m wrong leading me to question myself, so I wanted to help out by reassuring you that your feelings are valid and you’re not wrong in this situation at all) Saying Oumasai is toxic for one line Shuichi said while he was angry and defending his friend, while shipping Ou**ta and ignoring all this stuff is like the most hypocritical thing anyone can say. 

And yeah, people should ship whatever they want. Lots of people ignore characters’ feelings and ship the crackiest of ships, making very OOC art and fanfiction. And they can do that! But they can’t go around dissing people for their ship while supporting an obviously flawed one. Honestly you shouldn’t attack people for their ships in the first place, no matter what YOU ship. Just stay in your own bubble and stay away from the ships you dislike. It’s not that hard!

If you’re an Ou**ta fan reading this, I just want to say thank you for reading this far, and I’m really not saying you should stop supporting your ship. I’m just explaining why we feel this way towards it and the evidence we have behind it. If you’re one of the people who go around attacking shippers while boasting your ship. Please stop? Seriously, stop giving a shit about other people’s opinions and life will suddenly become much easier.

I’d like to clarify: If anyone responds to this post telling me I’m wrong, I’m not responding. My blog is for me to post art, sometimes funny stuff to make people’s days, interact with my followers and draw their requests, or ranting about topics I’m passionate about (Mostly DR). I do not want it to be a place for ship discourse, so if I get disagreeing replies or asks I’m going to ignore them like I always do whenever I post these rant type blogs. I hope you understand.

[playablekairi]

What do people mischaracterize Riku as? I'm not that into fanon and am curious

ah... this is gonna get long, sorry. plenty of other ppl i follow on twitter have said it before me, so i don’t take credit for this, but the soriku fandom in particular has a long history of hating kairi, and their flimsy justification for it is that she only exists to be sora’s love interest and how it’s pathetic that her existence revolves around nothing but him. they then turn around and do the exact same thing to riku’s character, and make everything about him revolve around his relationship with sora. so he winds up getting mischaracterized as someone who doesn’t have connections to any of the other characters and is even straight up uncomfortable around girls, because haha gay guys hate women amiright!!

this fails to take into account that uh... riku actually has deeper and richer connections to most of the cast’s girls than sora himself does, even though fandom has no problem characterizing sora as bi. to clarify, i do not mean this in a romantic ship sense. riku’s bond with kairi is VERY important to the plots of kh1 and kh2, equally important whether you interpret it romantically or platonically, because this series is at its core about friendship, and seeing fans say “oh that’s just comp het, he actually can’t stand her and did everything for sora” leaves me flabbergasted, especially as a lesbian who has experienced vicious comp het. also like... did they not play the game or...??? but i admittedly have a rikai bias, so moving along. his relationship with naminé is important, and has been continually revisited throughout the series. i don’t think it’s being set up in a shippy sense (or, at least, i sure hope it isn’t), but i think it’s important to note that they are two people who worked together behind the scenes quite often and there is a shared history there, even if it hasn’t been spoonfed to us. the same goes with xion, riku has spent WAY more time interacting with her than sora himself has (granted, for obvious reasons, but i digress) and their relationship is a messy thing i would really like to see explored in future instalments. even looking at minor characters, fans will use his brief interactions with shiki in ddd to ‘prove’ that he’s gay and not just, you know, an awkward disaster because he’s a sixteen year old boy. even his connection to aqua gets sidelined, which i think is a goddamn shame because i would love to see him be her apprentice after all this is said and done, because noooo riku can’t interact with anyone but sora. this isn’t to say that you have to ship him romantically with any female character, that’s not what i’m suggesting at all, but to outright and explicitly say “he has no connection to these characters at all ew how could you say that this OBVIOUSLY gay-coded male character has female friends you fucking homophobe” is. downright insane.

twitter is a bad place, anon, you gotta block the right ppl or you’ll lose your mind because i know that sounds like an exaggeration but i have honest-to-god receipts. in my opinion, it’s downright biphobic, usually misogynistic, and frequently verges on this weird fetishization of mlm relationships. i think it’s often a projection of their own insecurities, which is really sad, but it’s not my responsibility to hold their hands and walk them through their internalized prejudices. i’m here to have fun.

i like riku a lot, and he’s one of my favourite characters of all time. i find him very relatable. i myself am gay. i... do not need him to be gay? i see a lot of fans act like it’s a personal attack for riku to not be 100% gay. i can’t wrap my head around it.

okay this is getting long lemme tl;dr: mischaracterizing riku as tragic gay caricature who exists to do nothing but pine after sora and has actually always hated kairi is such a bad fucking take that it makes my blood boil. kh is about bonds, particular bonds of friendship, and to insist that riku only has a bond with sora and that it HAS to be romantic or else we’ve been queerbaited for years... goes against everything the series has always been about. it’s also hypocritical as fuck that they cherry-pick evidence that kairi’s role in the game is ‘only’ to be sora’s prize to be won at the end, and then turn around and treat soriku the exact same way. i’m over it.

[natsubeatsrock]

The Rewrite of Fairy Tail: Part 22 (Ships)

Why should I invest time in a ship?

(Disclaimer: Just because I praise the prospect of a ship in canon in this post, that doesn't necessarily mean I'm going to make it happen in my rewrite if it didn't happen in canon. I'm still deciding between some ships I want to make happen. Remember that nothing I talk about, in general, is set in stone until the story is published. Most things will happen as I write about them in this series, but I may change my mind on smaller things, such as the ships.)

This is almost definitely something I could and arguably should have done earlier in this series. I'm certain this would have made sense to many as one of the first entries in this series.

At the same time, I feel as though it's not a bad thing to talk through the basic ideas regarding ships after talking through some of my ideas regarding specific ships and other structural ideas in the series. Frankly, even as I've discussed the importance of relationships, ships aren't near as important as we make them out to be. My philosophy handling this rewrite is that the Dragon King Festival matters infinitely more than which Lucy ship I make canon.

I've touched on my philosophy regarding ships in a more passing manner. I mentioned that I'm not considering ships that could have been considered impossible in canon, even if they were unlikely there when I clarified what kinds of changes I could make. In talking about Gruvia's prospects, I said that I don't think it matters to either Gray or Juvia's arcs that they end up with each other. However, I spent only a paragraph talking about both. I feel like I should talk through them than a bit more, and a potential push back implicit in my main question.

To explain what I mean by "ships made likely by the source material," consider the difference between two (not Gruvia) Juvia ships: Lyvia and Navia. I personally fancy Navia over Lyvia. However, there's much more to the canon prospect of Lyvia than Navia. Juvia had more and deeper interactions hinting at a romantic relationship with Lyon than with Natsu. The anime even plays up the relationship between Lyon and Juvia as a bit more potential than in the manga. (I wrote this part before part 21 and it shows)

The idea is that I want to look at the relationships that exist within the series and consider how they could be furthered in rewriting Fairy Tail. Is there enough merit to the idea that their relationship could be more than a friendship? If I have a reason to believe so, I'll invest more in-series time in their relationship and bring them as close as some were in canon or closer than Mashima let others become.

That should be obvious for many of the more popular ships, regardless of if they sailed in canon. Stuff like the Big 4 ships, Zervis, and Albis are popular for a reason. However, this also applies to some of the less popular ships. The one example that people might disagree with (looking to the other side of Gruvia) is Graytear.

As I interpret the series, Gray and Ultear could have had a romantic relationship. At the very least, it's not as if they couldn't have had a much deeper relationship than what we got from them in canon. Now I know something, something Last Ages, but I stand by my views on this. I think the dynamic between them has that much potential in a romantic sense.

Though, there's an issue to discuss. Why should I invest time in a ship? (See what I'm doing?) Sure, it might be nice to see your favorite ships become canon. However, I of all people know how insane and vitriolic fandom can be over stupid ship issues. Even talking through canon up to this point has brought up contentious points regarding several ships and this post isn't going to help with that. Is the trouble worth it? That’s the perspective I’ve seen a lot of people share regarding shipping as a whole.

I think that gets at the wrong issue. The real reason to think about ships is to consider what they mean for characters, not for fans. I get not wanting to reward toxic fans, but that isn't what I think people should care about in dealing with individual ships (even as there are things that fandoms should be criticized for which can affect people's views a particular ship).

So, let's put all of this together. To show why my thought process regarding the prospect of a ship might be, I want to talk through the three ships in the Big 4 I've talked about so far (Nalu, Gruvia, and Gajevy) and how I see them through this lens. Did their dynamics lend towards a romantic relationship and why?

My views on Nalu are pretty well documented. I think Natsu's search for Igneel and Lucy's growth towards the guild clash too much. One argument I could see is that Natsu needs to grow closer to the guild as well. I see it as different from Lucy's growth, though not dissimilar. Even as I want Lucy to influence his growth to the guild, I don't think it needs to be in the context of a potential romantic relationship. I can't do that and have him look for Igneel, which I see as a higher priority for much of the series.

With Gruvia, I think it's interesting to see them as a romantic relationship. Gray's arc is getting past his trauma and Juvia's arc is learning what true love (supposedly in various aspects) is. No doubt I have issues with the way it plays out, but that's not terribly difficult to smooth over if I wanted to. However, the issue I have is that this doesn't mean I need to make them a couple. In Gray's case, his trauma could be handled best by his other friends (as it canonically is). In Juvia's case, I believe her understanding of love should be shaped by people other than Gray. It's part of the reason I had such a weird feeling towards the ship involving them in their relevant post. I could always make them a couple, but I don't know that I need them to be one and it's hard to think of one definitive way to play that out.

I've said this a few times, but Gajevy is by far the best ship in the Big 4. I would have genuinely been shocked if, of any of the Fairy Tail ships, they didn't end up as canon. Given my changes to Levy's character, it should be clear that I think their acts of self-redemption and fascination with stories can work together. But what I like is how this plays with each other. Gajeel's redemption is a narrative she's personally invested in and Levy's acceptance of his redemption motivates him to continue changing for the better. Execution aside, this is something I'm excited to work through as a romantic ship and see no reason not to think of them as so.

Speaking of which, I feel like it's worth clarifying something that I said in speaking about canon ships. I said that if a ship ended up as canon in canon, I'm not going to break the ship up in the rewrite. What that doesn't mean is that I'm going to keep their development the exact same as in canon. Many ships that did become canon will likely have moments added to them to justify their canonization, in one way or another. I doubt I have to do so much to any particular ship as to make it unrecognizable or miss what makes it special to its fans.

Introduction | Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18  | Part 19 | Part 20 | Part 21

[bartsugsy]

What’s your favourite Robron moment ?? 😊

OK YOU SENT THIS DAYS AGO AND IT’S BEEN STRESSING ME OUT BECAUSE HOW DOES ONE (1) HUMAN CHOOSE A SINGLE MOMENT???? answer: they do not choose a single moment

ANYWAY RULES ARE FOR LOSERS HERE’S 20 RANDOM MOMENTS I LOVE:

20. THAT TIME DURING THE AFFAIR ERA WHERE ROBERT WAS LIKE HEY AARON AFTER I’M MARRIED WE’RE STOPPING THIS I’M BREAKING UP WITH YOU AND THAT’S THAT AND AARON WAS LIKE ok but what if we didn’t AND ROBERT WAS LIKE OK GOOD POINT WELL MADE GUESS WE SHOULD MEET IN A BARN AND BANG ON THE DAY OF MY WEDDING THIS CAN ONLY GO WELL

19. THAT TIME WHEN ROBERT PAID AN INSANE AMOUNT OF MONEY TO HELP AARON FIND SANDRA BC HE NEEDED HER FOR HIS CASE AND THEN REFUSED TO LET AARON GO TO SEE SANDRA ALONE AND WAS JUST GENUINELY QUIETLY SUPPORTIVE. AND THEY STILL LOVED EACH OTHER AND AARON FELT THAT AND FELT LIKE HE HAD TO KISS ROBERT THEN AND THERE BECAUSE HE DIDN’T REALISE THAT ROB WOULD WAIT FOR HIM TO SORT HIS SHIT OUT FIRST BUT ROB EXPLICITLY CLARIFIED FOR HIM THAT HE WASN’T GOING ANYWHERE

18. A LITTLE EARLIER IN THAT ERA, WHEN AARON WAS HIDING OUT IN IRELAND AND ROBERT WOULD JUST WALK INTO EVERY SCENE DEMANDING TO KNOW WHERE AARON WAS. EVERY SINGLE SCENE.

17. THAT TIME AARON SPOKE HORRIBLE FRENCH (HE LIVED IN FRANCE FOR Y E A R S HOW DID HE COPE) AND ROB WAS LIKE ........i’m dating the hottest man alive?

16. THAT TIME ROBERT LITERALLY GAVE UP HIS COMPANY AND HIS ENTIRE FUCKIN HOUSE JUST TO GET AARON BACK BC HE WAS SO TERRIFIED FOR HIS SAFETY

15. THAT TIME DURING THE AFFAIR WHEN ROBERT FINANGLED IT SO THAT ALL OF THE WHITES WENT ON HOLIDAY AND HE JUST FULL ON MOVED AARON INTO HOME FARM AND THEY ACTED LIKE A FULL ON MARRIED COUPLE FOR THE ENTIRE WEEK, LIKE THE MOST INSANE PREVIEW OF THEIR FUTURE EVER DESIGNED

14. THAT TIME!!!! LACHLAN THREATENED ROBERT!!! SO AARON JUST FUCKIN???? KIDNAPPED???? HIM?????????? A LITERAL TEENAGER???????????? AARON KIDNAPPED A FUCKIN TEENAGER BC HE THREATENED TO PUT ROBERT IN JAIL (and yes used methods that hit v close to home for aaron to do so) BUT HONESTLY HE SHOVED A TEENAGER INTO HIS BOOT BC??? SURE?????? they’re both insane

13. OH YEAH THAT TIME ROBERT BURNED 100K BECAUSE AARON, FEELING ANNOYED AND PETTY, INSINUATED THAT ROBERT LOVED MONEY MORE THAN AARON AND FRANKLY AARON IS ONE OF THE ONLY PEOPLE ROBERT DOESN’T PUT MONEY AHEAD OF (or he used to, before he Grew As A Person tm) (i’m sure that won’t stick

12.THAT TIME THEY GOT MARRIED

11. ROBERT JUST WANTED TO THROW AARON THIS MASSIVE SYMBOLIC SHOW OF LOVE AND DEVOTION BEFORE HE WENT TO PRISON AND HE WANTED IT TO BE PERFECT AND WHEN IT WASN’T HE WENT OFF IN A STROP BUT AARON COULD LITERALLY GET MARRIED TO ROBERT WHILST STANDING IN A PILE OF LITERAL RUBBISH AND BE HAPPY BC AARON DOESNT CARE HE JUST WANTS TO BE MARRIED (ROBERT ALSO JUST WANTS TO BE MARRIED BUT HE HAS STANDARDS OK) AND SO AARON WENT AFTER HIM AND TALKED HIM DOWN AND THEN THEY JUST SAID FUCK IT AND GOT MARRIED ALONE, IN A PLACE THAT WAS SPECIAL TO THEM, BECAUSE IT WAS LITERALLY JUST FOR THEM AND ABOUT THEIR LOVE FOR EACH OTHER??? AND IT WAS ABOUT KNOWING THAT AFTER PRISON THEY’D STILL COME BACK TO ONE ANOTHER????? AND THAT TOOK LONGER THAN EXPECTED (WAY LONGER) (AND WAS A LOT MESSIER) BUT IT STILL HAPPENED BC THEIR FUTURES ARE WITH ONE ANOTHER AND THEY EARNED THAT AND BOTH FOUGHT FOR EACH OTHER MASSIVELY

10. THAT TIME AARON WAS IN HOSPITAL DURING SSW AND ROBERT SAT IN THE WAITING ROOM WITH CHAS AND LOOKED DEVASTATED BC HE COULD LOSE THE LOVE OF HIS LIFE NBD. ROBERT WAS SO SAD BUT ALSO SO FRUSTRATED WITH HIMSELF AND HE FINALLY GOT TO EXPRESS HIS REGRETS OVER THE AFFAIR ERA AND HOW MUCH ~TIME HE WASTED FUCKIN AROUND BC HE WAS SCARED AND ALSO LBR WANTED THAT WHITE MONEY AND POWER WHEN INSTEAD HE COULD HAVE JUST BEEN FUCKIN HAPPY AND LIVING HIS LIFE WITH AARON, WHICH IS ULTIMATELY THE ONLY FUTURE HE WANTS FOR HIMSELF AND AALDHSDFOH THE JOURNEY!! ROBERT SUGDEN!!!! HAS BEEN ON!!!!!!! IS SO GOOD FIGHT ME

9. SPEAKING OF HOSPITALS, THAT TIME ROBERT GOT HIT BY A CAR AND AARON FUCKIN RACED TO THE HOSPITAL AND CRIED AT ROB’S BEDSIDE DESPITE HAVING OSTENSIBLY MOVED ON FROM ROBERT BC HEY NEWSFLASH AARON NEVER STOPPED LOVING ROBERT JACOB SUGDEN. AND THEN THEY PROMISED TO BE FRIENDS AND ROBERT TOLD AARON HE’D BE THE BEST FRIEND HE’D EVER HAVE AND I DIED.

8. THAT TIME THEY JOKED ABOUT ANAL SEX IN THE SCRAPYARD #GAYCULTURE

7. THAT TIME!!!! ROBERT WENT TO A GAY BAR!!! TO TRY AND GET OVER AARON!!!! BUT BECAUSE AARON IS A FUCKIN LUNATIC WHO, AGAIN, NEVER STOPPED LOVING ROBERT JACOB SUGDEN, AARON FOLLOWED HIM AND THEN JUST SORT OF LURKED IN THE SHADOWS LOOKING SAD AND ESSENTIALLY WAS PREPARED TO TORTURE HIMSELF WITH WATCHING ROB PICK UP A DUDE BC HE COULDN’T STOP ROBERT BUT ALSO, INTERNALLY, HE REALLY WANTED TO STOP ROBERT

6. OH AND THEN AARON SAW ROB GO OUTSIDE ALONE AND TOOK HIS CHANCE TO SAY SOMETHING AND THEY JUST SORT OF SADLY FLIRTED WITH EACH OTHER BECAUSE THEY BOTH DESPERATELY WANTED TO BE TOGETHER??? AND FELT THAT THEY COULDN’T BE???? BUT STILL COULDN’T NOT FLIRT WITH ONE ANOTHER????????

5. THAT TIME AARON WAS LIKE HEY ROBERT DON’T COME TO COURT WITH ME AND ROB WAS LIKE .....YEAH WHATEVER AND THEN SHOWED UP IN COURT ANYWAY AND AARON WAS LIKE ??? BUT ALSO :’) AND ROB WAS JUST LIKE LOL SINCE WHEN DO I EVER LISTEN TO U

4. THAT TIME THEY TOOK THEMSELVES OFF TO A HOTEL AND THEN LEFT IT IN A LITERAL STATE??? AND THEN JOKED ABOUT IT???? BC THEY SPENT ALL NIGHT BANGING????? AND AARON HAD LITERALLY FORCED ROBERT TO TURN HIS PHONE OFF BC CLEARLY ROBERT HAS A PROBLEM #relatable #me (oh and meanwhile gerry was dying but yk we’re talking abt robron here)

3. GDI THAT TIME WHEN ROBERT LITERALLY THOUGHT HE HAD GOTTEN AWAY WITH SLEEPING WITH REBECCA AND STILL TOLD AARON THE TRUTH ANYWAY BC HE JUST??? COULDN’T LIE TO HIS HUSBAND???????? ROBERT, WHO LIED ABOUT EVERYTHING??? AND AARON UNDERSTOOD THAT GROWTH DESPITE OBVIOUSLY BEING HEARTBROKEN AND DEVASTATED RIP, BC AARON KNOWS ROBERT. THEY KNOW EACH OTHER SO WELL!!!!! 

2. THAT TIME WHEN AARON WAS SO ANNOYED THAT HE COULDN’T BONE ROBERT IN PEACE THAT HE DECIDED TO SUGGEST THEY MOVE IN TOGETHER AND THEN THEY (ULTIMATELY) FUCKIN DID AND THEN ROB WAS LIKE HEEEEY TIME 2 PROPOSE AND PLANNED THIS INSANE PLAN INVOLVING ALL OF THE BREAD IN THE VILLAGE TO SHOW AARON JUST HOW MUCH HE LOVES HIM BC HE DOES

1.5 WAIT I HAVE TWO MORE HOLY SHIT THAT TIME!!!!!!!!! THEY LITERALLY!!!!!!!!!!!! BOTH PLANNED TO PROPOSE TO ONE ANOTHER????? AT THE SAME TIME????????? IN THE EXACT SAME WAY?????????????? WHO ARE THEY WHAT IS THIS???? DID THEY LITERALLY LIKE.... HAVE THIS CONVERSATION MID-BONE???? WHY WERE THEY BOTH THINKING ABOUT PROPOSING AT THE SAME TIME WITH THE SAME PLAN TO GO BACK TO WHERE THEY FIRST KISSED???? AND THEIR FAMILIES, WHEN THEY FOUND THIS OUT, WERE JUST LIKE ....oh lol AND THEN NEVER MENTIONED HOW FUCKING INSANE THEIR RELATIONSHIP IS THAT THIS IS WHAT THEY DID gdi who are they. OH AND THEN THEY ACCIDENTALLY??? ENDED UP AT THE LAY-BY ANYWAY????? BECAUSE ROBERT’S CAR ACTUALLY BROKE THE FUCK DOWN BC GOD CLEARLY SHIPS IT OR SOME SHIT AND THEN AARON WAS LIKE lol where are we never seen it before x EVEN THOUGH NOT 24 HOURS EARLIER HE WAS WAXING LYRICAL TO LIV OVER HOW ROMANTIC IT WOULD BE TO TAKE ROBERT TO THAT VERY SPOT AND FUCKIN ASK HIM TO MARRY HIM. AGAIN. BECAUSE THEY’RE ALREADY FUCKIN MARRIED?????? god they’re lunatics. OH!!!!!!!!!!!!!!!!!!! AND THEN ROB WENT TO PROPOSE AND AARON LITERALL GOT ANNOYED BC HE WAS LIKE NO IT’S MY TURN BACK OFF SUGDEN AND THEN THEY SAID IT AT THE SAME FUCKIN TIME bc they’re literally just insane i can’t deal with them.

1. that time aaron made a speech about how robert jacob sugden, knowing every terrible thing he’s ever done and having been victim to his stupidity, manipulation, hunger for power and money and general terribleness, is still a good person who deserves love bc as much as aaron knows the bad that robert’s done, he also knows all of the good and just how far he’s come - and robert knows now, bc he’s done so much to try and be a better person for aaron and for their family and now he literally is actually sort of proud of the person he’s become and so much of that is aaron’s influence and like... aaron makes robert a better person by loving him as much as he does and robert in return loves aaron more than anything and they both recognise this love within each other and does it literally go beyond common sense? yes. are they basically a cautionary tale as to why maybe there is such a thing as too much love? u know they are. but are they perfect for each other? RIP YES THEY ARE THIS ISN’T GOING UNDER A CUT READ THIS ENTIRE POST AND SUFFER WITH ME GDI

[wendip-week]

Wendip Bits from the GF Complete Series Commentary/Lost Legends Comic

Hey all!  @ddp456 here!

So, in between helping Kenzoe64 with the last few pages of the Protector comic and working on chapters of DBR3 (yes, I swear it’s still coming) I’ve had a bit of a secret project I’ve been working on (and to be honest, I’m kinda surprised no one else beat me to it)

Over the last few months, I’ve had a chance to rewatch Gravity Falls through the newly released Complete Series Blu Ray set, and for this, listened to every commentary created for each episode, as well as those made for the special features disc (which forgive me if I’m wrong, but was for the BD set, right?).

While the tracks give a HUGE insight on all things GF, it also unveils the curtain on many things Wendy and Dipper related; some things I guessed correctly from the very beginning (see my personal notes for bragging rights), and some, well, that kinda shocked me, and left me uncertain about a few details.  But I’m getting ahead of myself.

As you can guess, think of this as a dissection of the commentaries given, focusing on our favorite duo from the series, and afterwards, I’ll include a few questions of my own.  Fair enough?  Let’s get started:

(Tidbits in the first few episodes)

-Alex Hirsch states that Dipper’s crush on Wendy was always meant to be a big part of the series.

-Hirsch wanted to drop Wendip hints in the first episode (Tourist Trapped), but Rob Renzetti (Supervising producer director, creator of My Life As a Teenage Robot) talked him out of it, saying that he was doing it way too soon.

-The age difference between Dipper and Wendy was the very first conflict that came to mind in the writer’s room, so therefore, it was used.

-The persona of Wendy herself was crafted like that of a “cool camp counselor” so that she could do cool adult stuff, and be able to do “kid stuff” as well without being out of place.

(The Inconveniencing)

-The Cold Open for Episode 5 (Roof Time!) was created at the last minute because the writers realizes that the Wendy/Dipper connection really wasn’t justified.  The roof sequence was to make not only Dipper fall in love with Wendy, but the audience as well.  (D’aww!  - Editor’s note)

-At the end of the episode, the second “Zipped Lips” motion between Wendy and Dipper symbolized many things.  It shows that Dipper (despite lying) is accepted by Wendy into her social circle, and given her friendship.  Her lying to the other teens is just as important, as she does so without Dipper asking her to.  This was done to make Wendy as real as humanly possible, showing that she is just as cool as Dipper (and we as an audience) make her out to be.

-Hirsch often laments on the fact that they didn’t do a full “Wendy-themed” episode.  He explains that the point of many episodes is that a said character “learns a sin” and they were afraid to do so with Wendy, in fears that it would ruin her chemistry.  (more on this later - Editor’s note)

-They foreshadow the conflict over Robbie and Dipper (involving Wendy) and recognizes that things weren’t always realistic (e.g. how Dipper can beat up the Multi-Bear, but how he was deathly afraid of Robbie).  Hirsch’s reasoning is that the audience seems forgiving with such exaggeration as long as everyone appeared to stay in character ( again, more on this later - Editor’s note)

(Double Dipper)

-Originally, Double Dipper had nothing to do with Wendy (GASP! - Editor’s note)  The original premise was about Mabel trying to set up a party so she could mingle with the citizens of Gravity Falls, and make new friends, and Dipper, being the anti-social opposite of her, tries to prevent this at every turn, only to fail.  It was only when at the last moment, someone suggested to have Dipper’s story be about Wendy.

-During the slow dance scene, the animators specific added a shot of Wendy from Dipper’s POV so that we (the audience) could understand and feel the same anxiety that he did at that moment.

-At the dance of the episode, Hirsch and the rest of the crew theorize about what happens when Dipper goes back inside the Shack at the end of the night.  He specifically asked, “Do you guys think he asks Wendy to dance?”  The rest of the crew disagree, saying they can picture Dipper trying to dance on his own, and Wendy cheering him on, sprinkling confetti on him from afar like in the beginning of the episode. 

(Cute, but what about this? 

is it non-canon, now?  Did the commentary happen before the real Journal 3 was written?  Or is it presumed that Dipper lied in the journal?  What the fuck?  - Editor’s note)

(Irrational Treasure)

-Going off on a tangent, Hirsch describes Dipper’s crush on Wendy as “creepy” and “over-the-top.”  He details that it’s Dipper’s seriousness that leads to misfortune, and for that, he takes a lot of lumps. 

-The Zodiac is mentioned here, and the writers explain that the Ice wasn’t always related to Wendy.  The symbol was random.

-And as a cute sidenote, the “binkies” that the Pines twins have at the back of their heads were taken from the same ones that the Mario Bros. have.

(Time Traveler’s Pig)

-Alex Hirsch goes hard on Dipper here.  He explains that Dipper has a very naive, yet forgivable, but wrong idea about romance.

-He feels that Dipper would die a thousands deaths to have Wendy feel the same way about him.

-Dipper is desperate to have this perfect moment, this perfect day with Wendy, because he believes that he’s not perfect on his own (told ya’ all! - Editior’s note)

-Hirsch says because of this, Dipper doesn’t deserve to get what he wants.  This idea of how the world works shouldn’t be rewarded.

-He adds that creating the lessons above was the hardest part of writing the episode.

(Fight Fighters)

-Hirsch knew that the “crush” angle was getting old, but he loved the story presented here.  He says that “Dipper’s heart was in the right place” when defending Wendy against Robbie.  (again, take that, internet!  - Editor’s note)

-Hirsch was blown away by the internet’s response to the episode, shocked to see how many people have had a negative reaction to it.  At this point, Jason Ritter (voice of Dipper) responses, “What?!  Love doesn’t die, guys!

-Alex goes into how he doesn’t care for “shipping,” that the “Wendy/Dipper” stories come from need for conflict, but not from character relationships.  With Wendy involved, Dipper is motivated, desperate, and will do the most insane things.

-He agrees with internet that the crush wasn’t really going anywhere, but he loved the W&D scripts that kept coming in.

-Robbie’s calling out Wendy like a dog (C’mon, out, girl!) was ad-libbed by TJ Miller.

-Hirsch believes that if left alone, Robbie would have never fought Dipper.  He was jealous that his girlfriend was going off on all these weird adventures with this kid.  (Wait, so there are untold Wendy/Dipper adventures out there?!  - Editor’s note)

-The height difference between Wendy and Dipper literally comes from Alex’s real life (and his twin, Ariel, was taller, like Mabel), where he was the smallest kid in class, and his science partner in school was regular sized, and also, his secret crush.

(The Deep End)

-The episode was always meant to be a non-serious, low-stakes piece.  Dipper’s having a good time with Wendy was not meant as romantic, but as friends.

-Wendy was originally meant to have a two piece bikini, but the network made them change it (So, wait, it wasn’t a homage to the Sandlot’s Lifeguard Wendy? - Editor’s note)

(Boyz Crazy)

-Hirsch regrets not clarifying the Robbie/Wendy/Dipper portion at the end.

-He insists that the hidden message in the song was mere coincidence.  Wendy was not hypnotized. 

-He sees the situation as follows:  Dipper is jealous that Wendy is into Robbie’s music.  For this, Dipper figures there has to be a sinister reason for this. 

-Robbie definitely stole the music, but didn’t know that the message was there.  Hirsch says as a child, he was personally fascinated by rock bands having hidden messages in their records.

-At this point in the commentary, Ariel Hirsch chips in, saying that in the end, “Dipper wasn’t thinking about Wendy.”  Jason Ritter (Dipper himself) agrees, “He’s only thinking about calling out Robbie.”    (told ya’ all x3.  - Editor’s note)

-Alex Hirsch’s quote about the hidden message: “Backward messages can’t control people’s behavior because you can’t understand them!”

-His notes on Stan and Dipper bonding in this episode: “Both would rather believe that there is a huge conspiracy rather than they’re bad with women.”

(Land Before Swine)

-Hirsch says as side-notes that Wendy had a running bet with Grunkle Stan about who would eat the corn-unicorn first (he didn’t bet on Waddles).  Also, he says that Ford has a fear of women because after a bad experience involving someone being freaked out by his six-fingers.

(Gideon Rises)

-Hirsch admits that Gideon’s speech to Dipper is bullcrap.  Dipper has beaten plenty without the aid of the Journal 3, but his insecurities make him believe otherwise.

(Scary-oke)

-Wendy has two cut scenes that are shown in the Special Features disc.  At the beginning of the episodes, she (along with Soos) is interview by the news and she is chided for using the word “Jerkface” on live TV.  She then goes into a huge rant about her “freedom of speech.”  The second shows that Wendy was given the blow-horn by Mabel to be the official hype person of Scary-oke.

(Into the Bunker)

-ITB won an Annie award?!  (Didn’t know that - Editor’s note)

-Hirsch wanted to keep the Dipper/Wendy crush going, but could see that the audience was getting tired of it.  The writers decided to have Wendy become a member of the team and go on adventures, choosing to have Dipper deal with heartbreak sooner than later.

-It was considered to be the third priority for the second season.  (Reveal Author, Revisit Switch in the Woods, and Kill the Crush)

-Speaking of, the Bunker’s staircase was taken from the video game classic, Myst

-The script for “Into the Bunker,” was given to Matt Chapman (of “Homestar Runner”/Strong Bad fame), because all of his GF scripts happen to have heartbreak in them, earning him the nickname, “Shipwrecker.”

-Wendy and Dipper’s movie night/Cold Opening was the very last thing to be added to the episode.  They needed something to tie Dipper’s investment to both the adventure at hand, and the Wendy crush

-In this, Dipper’s confidence grows by defeating Gideon, and when Wendy says she doesn’t need guys, it brings him to turmoil by the impossible and hopeless.

-The symbol room was originally the “Gonna Die” room.

-This episode is in Alex Hirsch’s top 5 GF episodes, because of its darker tone.

-He details:  there are so many good moments in this episode where Dipper is suffering at the hands of this girl that’s so much cooler and so much beyond what he could even understand.

-The GF team knew that this had to be a stand-out episode for Wendy.  We had to spend a lot of time with her, showing that she could hold her own and make a valuable addition to the Mystery Crew.  Hirsch regrets not doing that more.  For this, every time Wendy is added to the team, she’s awesome.

-The most amount of takes in the entire series was the “Dipper crying over dead Wendy” scene.  Hirsch explains that it was a hard thing to sell, and a really vulnerable moment.

-ITB’s ending was one of the hardest endings to write.  The commentary says they rewrote it 5 times to get it right.

-An idea used was “Love is temporary, but friendship is real love?”  (Hell, that’s what I use about 90% of the time - Editor’s note)

-The line “Don’t be itchy.” was added super late to the script.  The team tried to avoid as many cliches as possible.

-The first time the Wendy/Dipper confession scene was watched in animatics, Hirsch and crew felt that it was “too romantic,” like a romcom.

-In the Special Features disc, we see a sneak peak of the deleted scene.  In this, Dipper goes in on a rant of despair, pledging to Wendy that he’ll try to avoid the Gift Shop from now on, and that she’ll never have to talk to him again, before she stops him and tries to calm him (Dude, Dude, it’s okay...)  (Poor baby... - Editor’s note)

-The scene was meant to reflect Alex’s own puberty, which wasn’t romantic, but nightmarish. 

-”It’s meant to be terrifying for Dipper.  His heart is in his throat as he has to have this talk with Wendy.  He’s frozen, waiting for it to pass, and Wendy can see this pain, and she’s doing everything she can to show him, “Nothing’s different.  Everything’s normal.  You’re normal.  These feelings are normal.  I’m a couple years older than you, and I’ve seen this.  I’ve been around the block.  We all go through it.  You’re going to be okay.”

(Kinda wish they went this route instead of the whole “age” thing.  It’s beautiful - Editor’s note)

-It couldn’t be a “will they/won’t they” situation.  The real question was “will they be friends after this?”

-The writers could see a very legitimate path where Wendy is like, “Dude. you’re creeping me out.  Maybe we should take a little time from each other because this is not healthy, etc.”  The fact that she was so beautiful and cool and treats Dipper so well shows that she IS the awesome kind of person that Dipper thinks she is.

(The Golf War)

-A quick note about Dipper and relationships.  Dipper’s normal social fear melts away when he’s around someone he hates so much.  Someone like Pacifica brings out pure sass and rage.   (HA! - Editor’s note)

(Little Gift Shop of Horrors)

-There was a possible story being tossed around where Wendy gets a tattoo and gradually, it overtakes her/she becomes the tattoo herself.  Alex Hirsch loved the idea of a living tattoo, stating that it’d fit with Wendy’s rebellious teen nature, and that she’d learn a lesson at the end of it.

-The writers passed, saying that Wendy is very hard to write for.  When we see her, she’s cool and controlled, and for a short story concept, finding that depth to make it valuable would be difficult.  Plus, they didn’t want to be compared to Moana (or the fact it’s almost exactly like a Goosebumps story? - Editor’s note)

(Society of the Blind Eye)

-Hirsch and the writers loved the Wendy/Mabel scene because there’s not many of them throughout the series.  To them, it was great to show Wendy as the “cool, older sister.”  Hirsch dug Wendy’s complete disregard of boys.  “Don’t worry about them.  Yeah, whatever, they’re a dime a dozen. I’ve had so many boyfriends...”

-The writers discuss what kind of man Wendy would end up with.  “He’d have to be something - some kind of specimen.  She’s so confident and having a good time, comfortable in her own skin; if a guy’s cool, she’ll be “Yeah, I’ll try it out,” and when she’s bored, “Yeah, no thanks,” leaving a bottomless scar inside their heart,” going on to cite Robbie as example.

-Alex Hirsch added the line about Wendy’s being stressed 24/7.  It’s obviously not what she shows the world, and yet, it shows how you can vaguely see it there.  (Tell me about it - Editor’s note)

(Blendin’s Game)

-Alex Hirsch’s view on family:  “Friendship is thicker than water, and family’s something you can create.”

-Hirsch’s further thoughts on shipping:  He tells the writers that it’s meaningless.  He rather ask if they have a compelling story instead.  He doesn’t care about love, saying “Love isn’t the end - it’s a story turn.”

-A member of the writing cast was going to comment on the baby Wendy and Tambry scene, when she was interrupted, and the point is never bought up again.   (Dammit! - Editor’s note)

(Dungeons, Dungeons & More Dungeons)

-Hirsch debated about having a scene where Dipper reveals his real name to Ford.  The consensus said no.  The same happened for “Dipper and Mabel Vs. the Future.”

(The Last Mabelcorn)

-Originally, the episode was going to be a Wendy-eccentric episode involving her family and her relationship with Manly Dan.  On top of that, she was going to gain magical weather powers as well.  The team decided against it, not wanting to be compared to the movie, Frozen, as well finding it hard to balance considering Wendy’s grounded character.

For this, they made it up to her by having Wendy (and her influence) take over the episode after the first third.

(Roadside Attraction)

-The Special Features disc shows an alternate opening that doesn’t showcase a Dipper/Wendy angle at all.  Dipper asks a group of ladies to borrow a quarter and instead, gets beaten up for it.  Mabel and the gang figure from this that Dipper needs help talking to women.

-The whole point of the episode (to Hirsch) is that Dipper gets advice from Stan when Dipper is only trying to move on, while Stan has no idea what he’s doing, stating he is not a role model by any means.  The lesson is not to present false affections and learn to hear other people’s feelings.  “Stan lives alone for a reason!”

(Dipper & Mabel Vs. the Future)

-The Mabel/Wendy scene was created so that if someone as cool as Wendy doesn’t like High School, it immediately changes Mabel’s perspective on the matter.

-One of the Government agents were originally going to offer Dipper an apprenticeship/”advanced learning path,” in due to all of his discoveries and research.

-Hirsch figures that Ford’s speech towards Dipper is similar if not the same that he gave to McGucket.  Ford takes advantage of hero worship - it’s not so much as he needs an apprentice, rather to have someone that’ll do anything he says.  (So where are those people that says Ford doesn’t have a mean streak in him? - Editor’s note)

-Upon Dipper rescuing Ford, Jason Ritter laments on commentary, “If only Wendy could have seen that moment...” to which the room explodes with laughter.

(Weirdmageddon Part 1)

-Hirsch explains: “Wendy is the most grounded character in the series, so in this ungrounded scenario, she is able to make the most of it.  She can handle just about anything.”

-Wendy’s speech to Dipper was struggled with for a while.  It had to be a speech not about Dipper’s self-confidence, but about how he needed Mabel back (which the writers says there’s truth in)

-The live action Wendy and Dipper scene (with Jason Ritter and Linda Cardellini) had lines cut from the final version (Son-of-a-...  Editor’s Note)

-The Gideon/Dipper speech represents the full completion of Dipper’s Wendy arc.  It’s a real-life lesson that Hirsch says many people in real life still don’t get.

(Weirdmageddon 2: Escape from Reality)

-A deleted scene in the Special Features disc expands on the beach scene, where Mabel zaps Dipper, Wendy, and Soos’s ruined clothing into gaudy swimwear (though Wendy has a cute flower in her hair ala Hawaiian).  They go to the beach and Wendy begins to admire the hunky volleyball players, leading to a jealous Dipper.

-Alex Hirsch explains that the fantasies offered in Mabelland aren’t fantasies, they’re easier outs.  Wendy’s is teen rebellion rather than facing reality.  Soos’s is the dad he always wanted.

-With Dipper, what was originally going to be behind the door was Ford and the offer of the apprenticeship.  They would go off on adventures and discoveries, only to stumble upon a now-alone Mabel, growing up in High School, and having a real life.  Hirsch axed the idea, believing that Mabelland, and by extension, Bill Cipher, wouldn’t show the downside of any fantasy, rather Dipper would have to discover it himself.  For this, the writers had to go back to “the Wendy Well.”   (Special note: we at @wendip-week have to use the phrase, “Wendy Well” more often - Editor’s note)

-Earlier versions of the episodes had different “Wendy wants,” including one where we find her writing deep poetry.  The writers go on about her fantasy, saying that it couldn’t be a “perfect guy,” because she’s self-realized.  But at the same time,  they admit that Wendy “exhibits destructive character flaws that she has to get over.”  They add, “She really loves that aimless teen rebellion, that it’s hard to turn down all that chaos.”   (So, why the hell didn’t they make an episode about that?!  And I wanna see Poet Wendy ASAP! - Editor’s note)

(Weirdmageddon 3: Take Back The Falls)

-Alex Hirsch:  “Gravity Falls was always meant to have a bittersweet feeling to it.”

-Weirdmageddon was about giving everyone a hero moment.  Part 1 was Wendy and Dipper’s.  Part 2 was Mabel, and the Mystery team as a whole.  Part 3 was the Stan twins and the town united.

-Jason Ritter marvels at the Wendy and Rumble sequence, noting how all the other characters are fighting  with machines, and yet Wendy is going at it bare-handed.

-Weirdmageddon was approved to be a made-for-TV movie, but Disney demanded another 3 episodes for regular air.  The team declined.

-There was never an official plan for the Zodiac.  It was something the team made as a tease, but after seeing fan response, they knew they had to do something with it.  Linking Wendy with the bag was a last minute decision simply because of the scenes involving her and ice throughout the series.

-A quick note about the original quote of the Llama, versus the final one given by Larry King, “Llamas are dumb, blonde, beautiful, and they spit!”   (BWHAHAHAHAHAHA! - Editor’s note)

-Hirsch is a big believer in visual aid.  The Pines twins changed on the inside, and he wanted something to show that on the outside as well.  Mabel got to keep Waddles, and for that, Dipper received Wendy’s hat, as a symbol of their friendship.

-Rewatching the scene, Jason Ritter says that he believes Dipper never takes off Wendy’s hat, and is too shy to tell anyone its origins.  (”When people ask him, he’s like “Don’t you worry about that...”)

-Alex Hirsch says the switching hats idea came from a storyboarder’s sketch, in which he said, “That feels right.”  (Uh-huh.  Just a sketch... - Editor’s note)

The Wendy’s note scene was meant to be ambiguous about two things.  The first being “Mystery.”  It gave Dipper one last question to ponder in his head.  (Had to do one last tease, eh?  Editor’s note)

-The second was “Endings.”   “Did something just die here?  Are all these things we love really gone?”  HIrsch says not quite.  “Endings are new beginnings.”

A few neat points of interest (non Wendip related)

-Jason Ritter is a HUGE gaming fan, where he was able to name almost all the references in “Fight Fighters.”  He also played and completed the Gravity Falls 3DS game twice (where Alex Hirsch admits he never has...)

-Hidden in the Double Dipper episode, there is a secret commentary track, where Jason swoons over Wendy for part of the episode, only to be interrupted by his clones (including one that had to camp out for “The Legend of Zelda - Breath of the Wild)

And lastly, I want to address the new comic, Lost Legends.  While it didn’t have a hint of Wendip in it:

(sorry, fam, Wendy making a crack about Dipper wearing a skirt doesn’t cut it for me.  And didn’t mean to mooch. @fereality-indy. - I couldn’t find a real scan)

But it does contain two other important pieces of information (besides Mabel getting her just-desserts).

The first is a code that gives the hint, WENDY'S MOM: IN ANOTHER DIMENSION?

Such a thing would explain a ton.  One would guess that Wendy and her family believes that her mother just vanished, meaning she could have abandonment issues.  (and yes, kids, such a thing can affect how people have relationships)

And to add to the tease, there’s a second hint as well in the first story:

(and thank you, GF Team for giving me another canon point to add to the Protector comic by stating the BES still exists!)

But back to the task at hand, we see that the far right vital has Wendy’s mom’s memories.  Is this in conjunction with the above point?  Or its own theory?

Hopefully, this plot point is exploring in the next piece of GF related media.  All I can guess is this, if Wendy’s mom really is stuck in another dimension, the Pines better pray they didn���t have anything to do with it...

The only other interesting thing to note is that at the end of the second story, Wendy makes an comment about “overthrowing the government,” which kinda sounds like the cut scene from “Scary-Oke” mentioned above.  Is it a statement of the politics taught in the Corduroy home, or is it a reflection of current views from Alex Hirsch and the writers?  (It’s fascinating either way, IMHO).

So, with everything said and done, I’ll admit, reader, I’m a bit mixed up, feeling wise.

On one hand, Alex Hirsch himself confirmed a shit-ton of Wendy and Dipper info that makes me feel like:

But at the same time, it seems like one of my favorite parts of the show is the one he could care less about - that it’s an end to a means.  The closest feeling I can relate to is how the Professor in the 2nd TMNT movie inadvertently tells Donatello that he was an accident.

And I get it, the series is based on the dude’s real life, and that includes nearly every aspect of Wendy and Dipper, rather it be good or bad (or as he describes it, mostly bad).  But that’s kinda of why I love it, too, that I can relate to that as well, as I’m sure many of you can.  I can say with full honesty that I’ve been both a “Dipper,” where I’ve followed along with a way-too-cool-for-me-girl like a lost puppy, and I’ve been a “Wendy,” too, in which a small ball of wonder looked up at me like I was a gift from God, and I tried my best not to sour or pervert that, and yet, remain honest.  It is an interesting story, even if it’s not the main story.

Man, he wasn’t kidding when he said “Gravity Falls was about being bittersweet,” eh?  But still, the fact remains: while it wasn’t perfect for ol’ Dipper, at least he wasn’t Patti Mayonnaise-d.

Between the numerous essays and questionnaires I’ve whipped up this summer, I still believe that there is ton of info to be asked and answered, especially involving our non-official favorite duo.  We can only hope that the powers that be may want to wish about that “Wendy Well” one day in the future.  Nothing is ever certain, and with that, I’ll leave you with some of the truest words out there, straight from Dipper Pines himself (and because I can’t find the damned gifs.)

Until next time.

[sunshine-captain]

Hi! I asked Phoenix (horsegirlharry) for fic recs about star trek tos and she sent me to you! I am a new fan and in desperate need for some good fics since I am having a hard time finding them. I would be very grateful if you could link me to some. Thank you in advance

Oh my goodness!!! Hello my friend! I’m honored Phoenix directed you to me, I really am! To tell you the truth, they’re the one that actually convinced me to watch TOS from the start. Welcome to the fandom!! 

To start off with, here is a lovely rec blog that is exclusively TOS (that I’m a mod on, so I am of course biased, but I loved the blog even before I was added, haha!) It’s not updated that often at the moment, usually just when I have some spare time, but there’s a lot of recs already added to look through, and there are plenty of tags to maybe let you look for tropes or genres that you like. :) 

Alright, here go the recs! 

Sha Ka Ree The year is 2258. Jim Kirk is a Lieutenant on the U.S.S. Farragut, Spock the science officer of the U.S.S. Enterprise. When the ships come together for a priority landing party, these two strangers find themselves fighting against the odds for a chance at life in an alien world, and the only way they’ll make it through is by relying on each other. This is a TOS fic that takes place seven years before the show begins. It’s one of my favorite fics ever, it’s beautiful and just perfect. It’s a lovely slow burn, and it contains one of my fave tropes: Jim (Kirk) and Spock crash on an alien world and get stranded there. So, so highly recommended! Honestly, that writer is amazing and anything by them I recommend.

Crash and Burn As the Enterprise’s celebrated voyage winds down, the tension between her captain and first officer escalates, and three days aboard Jupiter’s premier lunar station will change everything. Jim doesn’t handle change very well. Slow-build, character-study prelude to the Lost Years and TMP. Unhappy ending, but canon functions as a fix-it! As the summary states, this fic doesn’t end happily. But it’s basically an explanation as to why Spock does what he does prior to The Motion Picture (I’m not sure if you’ve seen the movies so I won’t clarify just in case you haven’t, haha!), which also means there is a happy ending after the events of the movies. I had it in my bookmarks under the tag I use for fics that hurt me (literally ‘ow’, lol) so apparently I found it pretty painful. ;__;

The Squire of Eros An old nemesis pays a social call to the Enterprise just in time for the annual Valentine’s Day party. On this occasion it’s Spock who draws the brunt force of his irritating personality. But when his holiday-inspired antics turn dangerous, it’s up to the Captain and crew to take him down, and Jim is forced to confront his long-evaded desires regarding his first officer. Written for the K/S Valentine Challenge at LJ, beta’d by purple_spock. This one isn’t even remotely as serious as the other two. It’s honestly just a lot of humor and lightheartedness for the most part. It features Trelane from TOS paying another visit to the crew. :D 

Definitions “We call it t'hy'la,” Spock says. This one is so beautiful. It’s a relatively short oneshot (under 10k) but it’s so romantic and in character and just perfect (this author is another one of my favorites, I would read anything at all by them.)

Pattern Deviations A mind meld is the most intimate of any possible connection – to know and be known, wholly and completely. Usually, melds are advocated for leading to increased understanding and empathy. Spock wonders what it means, then, that everyone he melds with is so repulsed by his mind… Until he meets James Kirk, anyway. This is by the same writer as Definitions; another lovely oneshot by them. I love it! 

And I Am Also Quite Blind In the aftermath of Spock’s blinding in Operation Annihilate, Jim tries to help him through his pain. A fic with premise that Spock doesn’t handily recover from his blindness in Operation Annihilate. Lengthy, painful, excellent. I try to avoid WIPs because I can’t deal with the pain of fics that are NEVER FINISHED, but I started reading this one when it was only halfway through and man, it sucked me in. Worth it! (And it has been completed now, so no worries, haha.)

Undone During first contact with the highly telepathic Nghians, an invasion begins on their home world. A powerful psychic attack cripples the populace–and Spock.Out of contact with the Enterprise and stranded on a planet at war, Jim must struggle to keep himself and his violent, unpredictable first officer alive. Another of my favorite writers! I love this fic. Lengthy, excellent, and that favorite trope of mine again (being stranded, heh), this is great. Please note the tags, though!

What I Am To You I say, “Ask me anything, Spock,” for perhaps the fifth time.This time, you respond, your gaze bright and penetrating, “Perhaps you could satisfy my curiosity in–one particular.”“Of course,” I say enthusiastically.You seem perfectly calm as you ask, “How long have we been lovers?” And I am certain I have heard you correctly, even as I struggle not to allow my astonishment to show on my face. Takes place after the events of the third movie. Spock tries to make sense of his and Jim’s relationship.

Spice It’s a question of biology. Vulcan biology.The problem with falling in love with a member of an insanely private species is that it just might take you the best part of a five year mission to work out that the feelings are requited. And then you might discover that he’s already decided that the two of you can never be together.And what are you supposed to do if he won’t tell you why? Honestly, I’m reccing this one with…some trepidation. I never did decide whether I actually liked the fic or not, but I know a lot of people do like it. It’s most definitely one of the longest fics I’ve ever read in this fandom. It’s the SLOWEST OF ALL SLOW BURNS, which you said you liked, and even though it made me SO ANGRY at one point that I almost threw my phone across the room when one plot twist happened, it’s well written and in character. The reason behind it all is…kind of silly, in all honesty, but it makes complete sense why Spock thinks it would be best if Jim wasn’t with him, just like him to be so overprotective. *sigh* I’d say definitely give it a try and see if you get sucked in!

Translating Ennoia Spock intends to resign his commission with Starfleet six months into the Enterprise’s mission. Then he meets Captain Kirk – his t'hy'la – and everything becomes infinitely more complex. This author again! This fic has lots of pining. I love pining. And I love happy endings and romance and watching Jim and Spock’s friendship develop, too, and this fic has all of that.

Dirty Laundry Jim keeps leaving dirty dishes in the sink and toast crumbs in the bed. Spock deals with the mess silently until an unfortunate ironing incident puts it all in perspective. Jim and Spock have to adjust to domestic life. Spock has to adjust to Jim’s messiness. Domestic Spirk is always wonderful, and I enjoy that in this one it’s not all perfect at first. They have to adjust and learn to actually live together.

Breaking Tradition Newlyweds James T. Kirk and Spock spend their Holiday shore leave alone together in a remote cabin once belonging to Jim’s grandparents. They learn more about each other and Jim introduces his new husband to the Winter Holiday traditions - even if he doesn’t quite understand why he take part in them himself. An unexpected event occurs that disrupts the couple’s newlywed bliss. Luckily, one of them has experience with taking charge of a situation. This one is sooo sweet. Jim just wants to share Christmas with Spock, but they have a mishap. But it’s okay, because Jim takes good care of Spock. (Features cold!Spock, one of my favorite things. :3 )

Ghost in the Machine Tom Paris stumbles upon a Pandora’s Box of loss and regret. This fic is the outlier in this list; it’s actually a crossover of sorts between TOS and VOY. I’ve not actually watched Voyager yet, but that doesn’t stop me from reading and enjoying the fic, so please don’t let that stop you! Let me tell you, though, this has to be one of the most painful fics I’ve ever read. It just makes me cry for Jim and Spock both. It’s so painful. But also really great. But I totally understand if you don’t want to read this one, haha! It’s not for everyone. It messed me up though, I kept thinking about it for days. Especially Jim as he is in this fic. Ugh.

Home Renovation Shortly before his first mission to Romulus, Spock buys a fixer-upper house with Jim. Although Jim is excited to begin renovating their new home, Spock worries it’s only a matter of time before his husband falls off a ladder and breaks his spine. Not to mention, the house’s derelict state is preventing Spock from enjoying his remaining time with Jim. Old Married Spirk, protective!Spock, perfection.

To Be Wed “With a human ruling alongside King Sarek, it makes sense that they would want a Vulcan to rule alongside you. Look on the bright side. At least it’s not Sybok."Prince S'chn T'gai Spock and Crown Prince Sam Kirk are pushed by their families into an awkward courtship, sure to become an awkward marriage. Meanwhile, the younger Terran prince just wants to make sure his future brother-in-law feels comfortable in his new home. But unfortunately for Jim, the road to hopeless, unrequited love is paved with good intentions. It’s an AU, obviously, and it’s by the same author as Sha Ka Ree (who as I mentioned is one of my favorite writers) and I just adore this fic, it’s so great! Pining, slowly getting to watch Jim and Spock falling in love even when it’s ill advised, Sybok!! I’m also just a total sucker for royalty AUs so that helps. 

In My Own Skin After the events of Turnabout Intruder, Jim is trapped in Janice Lester’s body indefinitely and has to learn to carry on with his normal life and duties trapped in this body. Established relationship with Spock, but things become understandably difficult as a result of Jim’s situation. Complicating matters even further, the Enterprise is assigned to a difficult diplomatic mission with a new member of the Federation. I don’t know about everyone else, but my brain definitely went “what if Jim was stuck in that body…” after watching Turnabout Intruder, and this fic definitely satisfied that urge to see that explored. 

Heat Trapped together in a cave until the storm ceases, Jim and Spock find some freedom outside the press of the ship and its responsibilities. Oh look….this writer again. :DDD You’re starting to notice a pattern here, I’m sure. This was written because of a prompt I gave, so obviously I’m a little biased, but it’s just SO perfect??? Cold!Spock, cuddling for warmth (another of my favorites, hello), and just so ROMANTIC that I almost can’t handle it.

Okay, those are all TOS, but now I have just a handful of AOS AUs:

Still, Like Dust Vulcans have been enslaved on Earth for more than fifty years. To Jim Kirk, 14, this is just one more chapter from his history book… until his uncle brings home a Vulcan boy to help on the farm. I know this fic isn’t for everyone, it definitely isn’t, but it really is a great read and I enjoyed reading it a lot. There’s a lot of pain, it’s true, but there’s also a happy ending, if that helps.

Inside The River Starfleet sends Jim a spouse and an oddly vacant honeymoon. Arranged marriage!AU, always fun, and an interesting mystery going on throughout. Great read!

That’s all I’ve got for you for now, this should be a start! Welcome again to the fandom, and I hope you find something in this list that you enjoy. :)

[gilbertandanne]

Can you talk about why you think Lucas/Riley is better than Lucas/Maya? I ship Rucas too btw :)

short answer: watch GM Boy and then watch GM Texas 3

long answer:

First off, let me clarify that I’m using the term “better” to mean “more compatible” and while that’s super subjective, I’ll just stick to why I ship them.

Now, I could go episode by episode (and actually started to do just that), but I stopped bc no one wants to read my thoughts on every single episode, but basically it boils down to this:

Their build was a slow one--despite what the antis say.  Riley wasn’t ready to go out on a date in GM Sneak Attack, so they decided to remain friends and go to the movies as a group.  Then after their first date and all of the pressure everyone put on them in GM New World, they decided to remain friends (so that perhaps, they would become “diamonds” one day).  Obviously, their emotions and the complexities of their friendship increased over most of season two, which created the communication issue in GM Semi Formal, and most of the events of GM Texas.  

Friendship always came first for them and while most people their age rush into first relationships and begin to explore/give into their hormones, they didn’t.  It was something that made me go from casual shipper to ‘oh-man-this-ship-is-one-of-my-top-3-all-time-OTPs’ because the writers approached their relationship with an insane amount of maturity that tbh, I’ve never seen in any show before.  Their foundation was so strong because they became friends first and always put that above their budding romantic feelings for one another.

I can pull examples, but GM Boy, GM Sneak Attack, GM First Date, GM New World, GM Semi Formal, GM Texas 1-3, GM New Year, GM Legacy, GM Triangle, GM Ski Lodge 1-2, GM WOT 3 are some key episodes that demonstrate what I’m talking about.

If you want me to elaborate further, I can.  After analyzing a few episodes, I realized that I should just do a little summary of why I was drawn to them in the first place.

[bestiesandagents]

Relationship Coach

Rating: Teen Warnings: None Ships: Drowley Characters: Sam Winchester, Crowley, Dean Winchester Word Count: 1229 Summary: Sam's not entirely sure how he wound up in this position, but once again Crowley is coming to him for relationship advice. Even though he had never particularly wanted his brother dating the demon, he can't seem to get out of helping Crowley make it work between them. But helping Crowley through his current dilemma will require an extra dose of patience.

@shaonharryandpannisim and @thayerkerbasy tagging you guys, since you voted for this one.

“Moose, there you are!” Crowley declared as he walked into one of the bunker’s storage rooms to see the younger Winchester organizing files.

Sam sighed as he turned around to face Crowley. “What do you want, Crowley? I’m a little busy here.”

“With what? Spring cleaning? I need your help, it’s important.”

His tone caught Sam’s attention, and he straightened up, frowning slightly in concern. “What’s going on?”

“It’s about Dean,” Crowley started, earning an exasperated sigh from Sam.

Of course it was. Sam wasn’t sure why he had thought it could possibly be anything other than Crowley asking for advice about Dean – again. He understood to a point – he was Dean’s brother, so it only made sense that when Crowley needed some advice concerning him, he would go to Sam – but he hadn’t signed up to be Crowley’s relationship coach. This had been going on for over a year now, and it didn’t look like it’d be stopping anytime soon.

“Oh, moose… is your brother around?”

Sam looked up from his book at the demon who had just appeared in the library. “No, he’s at the store. Why?”

“Just… wondering.” Crowley pursed his lips slightly, glancing around the room.

He arched an eyebrow at him. “Can I help you with something?”

“Well, now that you mention it…” He walked over and took a seat at the table across from Sam. “What sorts of romantic gestures does Dean prefer?”

Sam’s eyebrows shot up, and he huffed out a surprised laugh. “Excuse me?”

“If one were to ask him out, what would be the best methods to woo him?” Crowley reiterated.

“You… you want to ask out Dean?” he clarified.

“Obviously. I just don’t know how best to get him to say yes, rather than stab me.”

“Don’t know if there’s a guarantee for that,” Sam laughed. “But pie and whiskey will at least help.”

“I need more than that. Come on moose, help me out a little.”

And despite his better judgement, Sam had helped him – more to shut him up than anything, and because he had never expected Dean to actually say yes to him. But when Dean had come home one day to see that Crowley had set up a movie night for them, complete with all of Dean’s favorite snacks… well, Sam hadn’t been there to see how it played out, but the fact that Crowley was still there the next morning filled in the blanks.

It hadn’t stopped there, either. Since Sam’s advice had worked out so well the first time, Crowley kept coming back for more – gift ideas, date ideas, tips for making up after a fight, the best destination for an anniversary trip. Whenever Sam was sure that there couldn’t possibly be any other piece of advice that Crowley could need from him, he was always proven wrong. So, what could it possibly be this time?

“What now?” Sam sighed.

Crowley took a deep breath, seeming to be more nervous than usual. “I want to ask him to marry me.”

His jaw dropped, his eyes going wide. “What?” he asked, sure that he had heard wrong.

“I want to ask Dean to marry me,” he repeated slowly and deliberately.

“…Oh.” Sam nodded slowly as he processed the fact that Crowley was planning on proposing to his brother. “Right…. You’re sure?”

Crowley sighed, his eyes narrowing slightly. “Yes, I am sure. Do you think I would choose to get married lightly?”

“No… I guess not.” He cleared his throat. “So, what do you need from me?”

“Your help picking out the ring would be nice. It’s not going to be easy to find a decent ring that he’ll be willing to wear.”

That was an understatement.

“What about this one?” Crowley indicated yet another insanely expensive ring that had a huge square ruby in the center and either edge lined with black diamonds.

Sam shook his head. “Dean would never wear that.”

“Fine. This one?” The next ring he indicated had intricate detailing along the sides, and in the center was a large, round black diamond, surrounded by rubies.

Instead of responding, Sam walked away to look in another display case. “Try something more like this,” he suggested once he found a plain, silver band.

Crowley walked over and looked down at the ring with a frown. “I’m not proposing with that – it’s cheap.”

“It’s over a hundred dollars!” he protested.

“Dean deserves better.” He turned away and walked back over to the more expensive cases.

“Crowley, Dean’s not gonna care how much you spend on a ring,” Sam pointed out as he followed him. “He likes more simple things.”

“This one’s simple.” He indicated a ring with silver edges and two tones of wood in the middle – one black and one a reddish-purple – with diamonds inlaid around the middle.

“Better,” he sighed. “But maybe something without diamonds.”

They looked around for another twenty minutes before Crowley called Sam over to his side. “This is it.” He pointed out a ring made out of silver meteorite, giving it an unusual texture, with a black strip running around the center that was a combination of dinosaur bone and quartz.

Sam grinned and nodded. “Perfect.”

He was surprised when Crowley was ready to part ways after getting the ring without even asking for advice on how to propose.

“I can figure out some things on my own,” he said when Sam asked about it.

Sam chuckled. “News to me. How’re you doing it, then?”

“A candlelit dinner complete with everything romantic.”

He raised his eyebrows slightly, but didn’t comment. If it was what Crowley wanted to do, then that worked, he supposed. Besides, it was nice not to have to give him advice on something for once. “Good luck.”

He didn’t find out until after Dean and Crowley were engaged that Crowley had been lying.

“So, he didn’t propose over dinner?” Sam asked as he and Dean sat together in the bunker, enjoying a couple of beers.

“No way.” Dean shook his head. “Too normal for us.”

“That was what I was thinking when he told me. How’d he do it, then?”

“It was actually pretty damn sappy,” Dean admitted as he set his beer down on the table. “He took me to Scotland, where he grew up – said that as much as he hated his human life, he wanted to share all of himself with me.”

“Damn.”

“Yeah.” He grinned as he looked down at the ring on his finger. “He proposed at the crossroads where he sold his soul.”

“Romantic,” Sam commented with a slight frown.

“Hey, if he hadn’t sold his soul, he never would’ve became Crowley, and I never would’ve met him.”

“That’s true, I guess.” He finished off his beer and set the empty bottle down. “So, you happy?”

“Yeah.” Dean nodded than a smile. “Happier than I have been in a long time.”

“Good.”

When Crowley had first asked Sam how he should ask out Dean, Sam never would have even considered that in less than two years Dean and Crowley would be engaged. If he had known, he might not have helped, but now, having seen how Crowley was with Dean and how happy he made him, he was glad that he had. If he got to see his brother smile, maybe being Crowley’s relationship coach wasn’t so bad.

[smashpanda]

Ani-Me #13: Groovin’ To That COWBOY BEBOP (Ep. 1-13)

Welcome to Ani-Me! The Series Where You Make Me Watch Anime! To be clear, you aren’t making me do anything because I have enjoyed every bit of this so far.

And surprise, nerds! Look what I’m doing! Haha, I actually had this whole fun plan to do the anime poll and then Ozymandias-style be like “I already WATCHED THE WHOLE SHOW!!!” But it would take too long to finish watching all of it (it’s been a busy as hell month). Besides, I got half way through the show and decided that was definitely enough space to really dig into how I was feeling about the start. So without further ado, it’s time for…

Today’s Entry: COWBOY BEBOP (1998-1999)

So, I’m doing this because I felt like I needed to have reckoning with this show.

That’s because I actually tried watching it once before. This was about 10 years ago. An old friend thought it was positively insane that I had never seen it before. He wasn’t the first to sing its praises either. Even at the time I was open to the idea and gave it the old college try for a bunch of episodes, but… it didn’t take. I think I was mostly crashing up against the proverbial rocks of all those tangible details I was not prepared for. Which were really just the kinds of things that had kept me out of anime for so long. Like the facial contortions being so different from western animation. Or the way this particular story seemed to fixate on cool posturing in a way that likely would have more appealed to me during my teenage years. Heck, I was even wondering why there was a romantic, emotional pop song at the end (again, I had REALLY not seen a lot of anime). Then there was that very complicated issue of “fan service,” because I was watching with someone who was like WHY ARE HER BOOBS ALL OVER THE FUCKING PLACE!?!?! Simply put: they were really not having it. Plus the fact that we were watching the dubbed version, which felt like it played into a number of sexist tropes. So much of this was the problem with my initial experience.

But I imagine anime fans are so fucking tired of these kinds of complaints from outsiders, no? Hell, even just a year into this column series, I’m tired of them, too. But here’s the thing: these complaints are the common obstacles for outsiders and some are not without merit. And as much the casual dismissal from outsiders about anime can rankle, it’s also important to remember how it is for the outsiders - to realize how much of that anime-fan tiredness manifests online in the forms of equally-casual dismissals (mostly from toxic white dudes) for “not getting fan service,” etc. Point is, misunderstanding and excuse-making can go in a lot of directions. And honestly it was all part of the system of why I think I stayed away from anime for so long?

Thankfully, everything’s about timing.

So much of this column series has been about throwing myself in the deep end, getting used to the cinematic language, knowing the filmmakers, and growing comfortable with the cadence of a particular form. But honestly, I think so much of it has to do with just being much older, too. Basically, I calmed the fuck down. The previous things that bothered me are still there, but it just feels like so much less of a big deal. Even “the rules” of what I tend to believe about storytelling are so much more expansive. As they say, finally “I’m not young enough to think I know everything.” Along with that, there’s the popular online joke that something “hits different,” but coming back to Cowboy Bebop after a decade… it hits different. Like I said, timing is everything. Which brings us to another reason I really wanted to do this now…

So John Cho goes to my grocery store a lot.

A little while ago I saw him in full Spike hair and it was rad as hell.

So I’ve also been thinking a lot (read: too much) about how to cover Anime TV. Ideally, I like the idea of doing one giant essay about a series, but sometimes 1) overall thoughts don’t take on essay-like form the way they did with, say, Evangelion. And 2) that sometimes takes out the fun of talking about little things in each episode. But at the same time, I don’t want to feel the need to do the FULL RECAP thing with every episode, which sometimes bogs down the more important thoughts / gets repetitive (I felt like I ended up doing that with a lot of Korra recaps). So really, it’s going to be a case by case basis. And for Cowboy Bebop, I decided on a sort of “fly casual” approach with no plot recapping - just the evolution of my thoughts along with some other random passing ones. And it will all likely crest into big overall thoughts that will come with the end of the series.

Cool? Cool.

1. ASTEROID BLUES

“Oh, this is good, isn’t it?”

I said this to myself while watching and I simply cannot explain the difference the subs make for me personally when it comes to this show. Like I know the dub has a lot of fans and history, but everything about hearing the show in Japanese just plays stronger to me. The rhythm, the cadence, and most of all the timing of jokes. There’s just this way each of their voices better line up with the droll affectation of the show. Combine that with me finally being used to a lot of anime’s particularly cinematic language? The show just plays so FUNNY now. Like I’m laughing out loud four times an episode. But that’s not the only thing that’s changed.

When I tried watching a decade ago, there was also this funny thing where I was having a very different relationship to the cinematic affectations of the late 90’s. Like how much of this episode reflects the El Mariachi / Desperado machismo that defined a certain kind of posturing coolness. Back then I worried a lot about that specific brand of indulgence. But now it all feels so silly and playful (as if, at the time, I wasn’t so much reacting to the worry of that coolness as how much the me of TWO decades would have eaten it up). Like I was the perfect age when this show came out the first time.

But I think that’s the real thing that hits me now with the episode: how playful it all feels. Like the absurd shot of the woman leaning on the counter to drink beer, the cat drinking all the crap on the ground, the sole motive of wanting beef, and Spike fitting a whole sandwich in his mouth. It takes none of these things seriously - except when it takes them seriously, of course. The episode’s structure is really built around the two bait and switches. The first is the fun fake pregnancy where it turns out that’s where she keeps the vials. And the second - tragic, with her death. Fast. Brutal. Forlorn. From minute one it’s sort of spelling out the tonal nature of this show: the fast loose hijinks > serious comeuppance > the Sisyphean process of bounty hunting without success… But hey, at least they got that beef.

It’s an apt metaphor.

2. STRAY DOG STRUT

In my original go round, I remember this being the episode liking this enough to stick with it longer. But now it plays even better. It’s kind of a classic fun and games episode, with the great set-up for the dog reveal - and the classic “lose but kinda win” ending a la Santa’s Little Helper (along with the dramatic irony that the dog is worth millions). I think I actually referenced this two columns ago, but there’s this kind of “kafka-esque’’ funny edge to the show. That “there is hope, but not for us” sentiment that populates a show of lovable losers trying and failing to navigate life’s absurdity.

But what I also like is that it’s not from a complete lack of competence. The gag where they both look up from the aquarium and Spike’s already got the gun drawn? That’s perfect stuff. Same goes with Spike absent-mindedly missing Abdul because he has shit on his foot. Both help establish this incredibly enduring character that thrives on both confidence and a genuine lack of awareness (which is often how he is able to pull a fast one on the audience, too).

The episode also helps clarify the show’s setting of an American Cultural Diaspora, filtered through the lens of Japanese culture. Could the Abdul stuff read as problematic? Oh absolutely, but the Game of Death / Way of the Dragon reference is also so singular to Kareem Abdul Jabbar’s influence that I’m not sure how much intention exists from the creators outside of it. And for an episode that delivers hijinks like Spike stealing the “just married” car and the incredible sound cue / animation of the corgi slapping onto the hood of his ship… I can’t help but smile.

3. HONKY TONK WOMAN

Ahhhhhh Faye Valentine. It’s funny, I wont say that I’m “used” to fan service at this point, nor really have any interest in excusing its extreme nature… I’m just sort of not letting it stop me from engaging everything around it? Does that make sense? But once again, I can’t explain just how much original language helps her character specifically. Megumi Hayashibara has this kind of wonderfully bored, disinterested tone that fits the characterization better.

The other thing that really hit with this episode was the James Bond-ness of the series (I mean in this gambling-centric episode drrr). But it’s the riff on the silhouettes in the opening titles, the pastiche of cool, and again, I keep coming back to that late 90’s disaffection that falls in line with Bond’s unruffled ethos. To wit, there’s a reason young men like disaffected characters, of course. In that it’s just as much of a power fantasy as so many other things are. They have all these budding, confused emotions and life feels so uncontrollable, so it becomes easy to grasp onto characters who play it cool, who show suaveness and are unbothered by the ups and downs going around them. Of course they want to be like that.

Which would normally be a possible “indulgence problem” if this show wasn’t also so keen on taking the piss out of Spike and company. That’s the thing: it’s just so damn playful at the same time. Unlike something Bond-esque, it’s always looking to make Spike the punchline. And the twisty, confusion-laden plots of chip-swapping and rubes and one one-ups-man-ship? I cackled constantly. And I have to say the fight in this one is so, so good. And the last line?

“Bye” … chef’s kiss… is… is that thing the kids still say?

insert grandpa face

4. GATEWAY SHUFFLE

It’s probably weird that THIS is the thing that most stands out to me, but it’s weird how much Twinkle reminds me of “Mom” from Futurama, right down to her large adult sons. I also like how much the episode plays with the dramatic irony of Spike and company being totally oblivious idiots (which will be a running gag), especially them on the verge of killing themselves with the virus. Also also, it establishes the sheer volume of problems that Spike fixes with sleight of hand. Also also also, there’s the fact that this episode is where Faye joins the team for good, thus setting up the fun larger team dynamics.

Is it weird that I don’t have much more to say about this one? It sort of reflects the way some Bebop episodes just feel slight in a way, which isn’t to say they aren’t fun or don’t have good gags. It’s just sort of the nature of this show, sometimes. Cause you’ll get an episode like this and then the next time you’ll get… Well, you’ll get an episode like…

5. BALLAD OF FALLEN ANGELS

“Who is this Sephriroth mother fucker?!?!?”

Such is the way I noted the entrance of Vicious. Given the overlapping timeline, I’m guessing there was something about long gray haired evil dudes with big swords in the water? Either way, the far more obvious influence on this one is John Woo. There’s the gunplay. The cathedral. The operatic posturing. It all brings me back to a place and time so vividly. That place and time being a teenager in the 90’s with a camcorder, boy, I can’t tell you how often we ran around with toy pistols diving off to the side and putting it in slow motion (we could never seem to find doves, but were always on the hunt for a group of pigeons to run through). This instinct also highlights the potential problems with these tropes. It would be SO easy for this to be nothing more than juvenile posturing / copying an en vogue aesthetic, but - as I’m learning is common for this show - Cowboy Bebop kind of hits this different note entirely…

Mostly thanks to the score. Because it all comes back to that ending with the haunting chorus of Green Bird, which gives me an array of complex feelings (along with it being a song I’ve had in my head for weeks now). On a pure aesthetic level, the scene is perfect. The pure combination of image, sound, and symbolism to hit an emotional response so squarely. A decade ago I felt this moment was more about hiding the story in a way - as if teasing backstory instead of even showing it - which isn’t entirely wrong, but now it feels more economical than anything, merely touching a lot I can have patience that will be dealt with . And more important than the specifics is understanding what it means to Spike emotionally - how much Vicious is part of his life and lost love and injury and pain, the cycles of opera and birth death rebirth death that all fit the same lyrics to the song…

“Spring has come

Worms are showing their faces

Little birds are eating them

Spring has come

Children are going to school

Farm dogs are giving birth to puppies

Spring has come

Women are looking in mirrors

Egg pies are baking”

In short, I understand why it’s a classic.

6. SYMPATHY FOR THE DEVIL

It’s here I realize that writing about Cowboy Bebop is a bit counter to my general instincts. For I’m someone who likes digging into problems because it helps me understand things. With Korra or Falcon and The Winter Solider or something, I can stop, dig into the structural problems of a given episode, talk about approach, and feel like everyone was coming out the other side with a bigger understanding. I get that sense of purpose. But what’s odd about this show is everything is incredibly sound on the writing front. Every weekly “session” gives us a contained, thoughtful, playful little story with little differing nuances (it actually reminds me a lot of the Lone Wolf and Cub story structure, which yes, I’ve read all of by the way). And it’s no different with this episode (which also reminded me a bit of the ventriloquist dummy episode of Buffy?). There’s even so many really great things that stand out. Like this is the first episode where Faye really clicked for me (the gag where she casually eats the dog food is an all-timer). I also loved the kid getting Last Crusade-ed at the end.

But the “what makes us care” is a whole other ball of wax. Because this was the last episode I watched in my initial trial a decade ago. There wasn’t any big reason I stopped, just that simple lack of interest. And I think it speaks to the trouble of telling stories about disaffected characters. The whole idea is that they’re often hiding pain or interest or backstory or whatever else. Then the idea is you’re slowly supposed to peer in (and I’m far enough into the show to know how they do that). But if you’re not really all in on a character’s emotional journey from those critical starts? Sometimes it’s hard to work up that investment. If I was watching this as a teenager in the 90’s? I would likely have a whole different feeling because I’m watching in more of an aspirational sense. But watching an episode like this, from where I am now? I understand why it’s easy to feel a lack of connection, even when the boy is giving all the tears about the release of death… It feels like an emotion on display, a thing I’m looking at, but kept a distance from - and thus a harder thing to certainly feel.

7. HEAVY METAL QUEEN

For shits and giggles I watched this one with dub. It’s interesting because it instantly reminded me that part of the reason I like subs so much is it needs your undivided attention. With the dub? Suddenly my eyes could wander, sometimes to twitter sometimes and then I’d realize I missed something and rewind a second. In that capacity the subs are actually allowing for more distraction? Which is why 1) I worry that most shows seem designed to be watched with someone half paying attention and 2) I tend to watch things sans phone as much as possible. Look, it’s not that this multitasking activity is “bad” inherently. I love listening to podcasts as I cook or clean. It’s just with cinema it’s so easy to do and miss out on what I really want to be doing. Which is being enveloped in a story.

Anyway, I’m more or less good with this episode. I wish I had more to say than that. But once again I feel like I’m coming out of an episode with an “okay, that was solid” feeling. Perhaps because also plays into 90’s dated-ness in a way where all the things that should feel modern feel just so… heteronormative? I dunno. It’s like VT feels like a character I should be adoring, but with 20 years she feels like a half-measure. And even at the time, it’s really hard to get past the dude in the sombrero ogling the waitress who looks like lady liberty. Like, the gross metaphor is utterly clear, and not in a way where it’s countering it on any level. But there’s always those moments of elation, like Spike firing his space gun to better direct himself back - that make the show still feel special.

8. WALTZ FOR VENUS

So this is the first episode I unequivocally loved.

Perhaps it’s just because it does some of my absolute favorite writing things. Like, hurray! They finally got paid! But true to understanding their ethos, it happens almost immediately in the opening, thus setting up proper expectations for what is to follow. And then it does my absolutely favorite thing, which is make you absolutely care for a character you hate without realizing that’s what it’s doing. Roco at first comes off as annoying, jealous, brash, etc. But with time and perspective, the eagerness ends up being motivated. And the way it all crests into him using the “like water” teachings of Spike’s supernatural reflexes? Perfect moment!

And then he gets fucking shot.

I literally screamed NO in my living room. But that’s what good writing does, it takes you through journeys subtlety then knocks you on your ass with whiplashing emotion (I also realized this entire beat, right down to the thumbs up in the middle, happens in Mad Max: Fury Road). And what’s more is that even on death’s door stop, all his eagerness and wonder could be summed up in that youthful question: “Hey, if I knew you earlier, would we have been friends?” Gah, it’s just gutting. And so absolutely perfect in its dramatic articulation.

With this kind of competent writing on the “fun / plot” level, it’s also funny how much I remember the little details that the show is so good at. Like the use of the Hagia Sophia on Venus. Or the way the rich guy shouts to save himself and then gets his toupee knocked off.

… And then there’s those super gay panic 90’s details like shoving the gun in gay man’s throat that make my skin fucking crawl. As good as things can be, those ugly shadows loom large.

9. JAMMING WITH EDWARD

I love that they finally get around to explaining why earth sucks and everyone is in space in episode 9! This is also one of those episodes where the cyberpunky-ness of a rogue A.I. would play more fresh back in the late 90’s? By now it’s just hard to grab onto, given how many times we’ve seen this plot done again and again. But thankfully, the show has the complete dignity to continue its tradition of being playful instead of serious, in that MPU is a little freaking weirdo whom I am glad escapes.

I sort of don’t know what to make of Ed yet? I like certain affectations and weirdness, but I’m hoping it crests into something interesting. Otherwise, most of my notes cater around very specific reactions to moments. Like how Nazca lines were just in my trivia league! Or how the episode had huge Android: Netrunner vibes! Also a Summer Wars-like internet world! And great quotes like “there’s nothing made on earth that’s good” and paying it off with the cheap missile firing a dud.

But I also just want to mention lines like, “I hear that that hacker is gay hahaha” which I want to come back to because I don’t think is just a “Japanese culture” thing. That’s a “90’s gay panic” thing. And what’s important to talk about with these moments is that I don’t handwave them now as being dated and in the past. Because they weren’t “the past” for me. They were what I lived in. And revisiting it all from where I am now makes me FURIOUS. That’s because they were all part of a gay panic culture of the 90’s than gave me so many internal complexes and fears about being bisexual (I didn’t understand that’s what I was, really, I was mostly terrified I was gay and thought it would literally get me killed) and bunch of other stuff. It was just brutal. And I spent that entire decade around all this kind of media being like “hahahhahaha no big deal, right guys?” and I didn’t realize inside it was just tearing me apart - in the worst sense of making me deeply afraid in myself. It wasn’t the past, it was hell.

Anyway!

10. GANYMEDE ELEGY

I was wondering when we’d get to a Jet episode. So far he’s been the kind of character I don’t know much to make of. He mostly exists to be a no-nonsense foil to Spike’s irreverence. But even in this episode, a lot of his gruffness comes off as harmless, but then there’s the “be strong for her” ggRrrRRrrr pRoTeCt wOmAn philosophy just rubs me the wrong way. Though I think there’s a lot of valid reasons people gravitate toward characters like Jet? Even if I hesitate to get all pop-psych with it, I think characters like this remind a lot of people of their dads? I dunno, more curious what others think.

But Jet’s backstory completely fits it with what I’m now calling the C.B.M.O. (Cowboy Bebop Modus Operandi) in that it presents a forlorn, almost classical noir backstory - doesn’t go too deep with it, leans heavy on the pastiche, but at least has the dignity to be fun in the process. And by the time we get to the ending, the final confrontation with Alisa and Rhint still plays emotionally valid, which I think is all you need in this show (including strong thematic gestures of literally throwing the watch AKA your past into the ocean).

But also once again, what’s more burned into my mind is little moments and decisions. It’s trying to light the lighter with the bad memory cooked up in your head. It’s underlining the dramatic irony of tragedy with cutting lines like “this must be because i have good karma.” Also that end song totally sounded a lot like Seal’s “Kiss From A Rose.” Also we got gem lines like…

“I live and wander with a group of weirdos now”

I do, too… I do, too.

11. TOYS IN THE ATTIC

Let’s get right to the plum gag: bahahahahahhahahah the alien being an advanced form of leaving lobster in the fridge is just SO AMAZING. I was cackling like mad.

And honestly, I think the lead up with the entire episode was pretty damn great. It just has a completely different energy, not just in regards to playing with the sci-fi / horror tropes (which it’s not laying it on thick or anything), it’s just this fun verve. You feel it in the energy of how everyone hangs out. Like Faye completely taking Jet for all he’s worth in the strip poker game and his “honorable” reaction (this side of Jet’s gruffness I like a lot more). Which all just serves as the perfect dramatic irony of the encroaching, otherworldly horror. It also sideswipes these great little lines about how humans “quickly forgot the lessons they just learned.” And once again we get an episode where all the highs are in the little details, like the little beat where the alien good wiggles again before it’s fully melted. Even the episode’s overlaid vignette structure about lessons (which could be trite when applied in gauche fashion) instead only exists as a distracting bit of artifice that is only really leading to a sublime gag: “You shouldn’t leave things in the fridge… that is the lesson.”

Five stars. Would rent again.

12.-13. JUPITER JAZZ - PART 1 AND PART 2

I feel like it makes sense to write about these two episodes as a single entity.

First off, I have to say how much I like the pacing of them. Most of the sessions of Cowboy Bebop are lean, mean, and economical, which is all part of the fun. But even though the show has its moments of rest / down time,” it’s often rushing through conflict and rarely milking the drama in a way that lets you sit with the tension. Which just means I rarely feel like we ever have a real chance to just dig into a longer story pace. Which is of course what we finally get in this mid-point two part epic that brings us back to Vicious. Which, of course, we all suspected would happen (I say this like we’re all watching the show live for the first time, haha). But now that we’re finally getting into the story itself…

I’m not sure how crazy I am about it? Like, it’s all coming back to that problem of “how much do I really care about all these characters?” I like them and stuff. Really, I do. And it’s really nice to get moments of genuine emotion, like when Spike gets legitimately angry at being called Vicious. But there’s just this thing where I can’t get the emotional investment in the show to really drive that constant want of engagement. There’s fallibility, but so little genuine vulnerability. So it’s not really the kind of show you “lean into.” Which is all part of the ongoing cool disaffection. But hey, isn’t that just how noir operates?

The thing most people don’t understand about noir is that all that disaffection and hidden emotion always bubbles up by the story’s end, often in the spectacular ways of coming undone. Like, the vulnerability explodes by the end. But with a TV show slowly dolling that out like four times across 26 hours? Yeah, that’s not what the noir structure was built for so it just makes it harder to engage. Particularly when characters like Vicious still feel like cyphers in a way. Same goes for the way Julia feels like that haunting ghost. Like we learned “more” about them, but I don’t feel “closer” if that makes sense.

And it also doesn’t help matters that these episodes do some of my least favorite story tropes. Like when a female character is like, “I’m a girl who can take care of myself!” which seems to position them as not being the damsel, but then the male character saves them anyway, which just makes them EXTRA good at rescuing the kind of super-capable women who think they’re above damsel-ing! The fact it does so on the sly that feels even ickier than that. Same goes for yet more homophobia in the episode. And speaking of LGBT+ treatment…

I have NO idea what the heck to think of Gren? Like did they really say that Gren just got a hormonal imbalance from insomnia from going to prison??? Wut??? I don’t want to google things until I’m done with the show but needless to say I’ll be reading from trans / non-binary writers on the subject because I’m having huge flashbacks to The Crying Game discourse that so radically shaped more 90’s-ness when it comes to this stuff. Speaking of which, of course the character dies. And it’s amazing how many people don’t even recognize the problems of this trope, or even that it IS a trope. The reason the “kill your gays” trope exists is because it’s always written by straight people trying to grab other straight people’s sympathy (look, see now you care about this character because they died and that’s sad!) Meanwhile it only teaches LBGT+ people that they are doomed and should be afraid and that their “sacrifice” only exists to teach the straights lessons or whatever. Again, we’re just back in 90’s tropes that I internalized and have come to resent in much more meaningful fashion.

And yet, despite all the things that stick in my craw, this show always has these little things that seep right into my brain and stay there. Like that moment where Lin dies and Vicious clarifies, “he protected the rules,” which is just a forehead-slapper of a perfect line. And then the last little variation on the end title that really hits you: “Do you have a comrade?” Oof. These little things are what makes me ultimately care about the show. It’s not the drama. It’s the little ingenious moments that stick in there and keep rattling around in my brain.

Speaking of brain rattles, this also finally brings us to why I also felt comfortable stopping halfway through the show to write all this down… The other night I felt inclined to start listening to the soundtrack and it was all just there in my brain already, set in stone.

Point being, I’m in.

<3HULK

[living-the-fastlife]

Another year has come and gone and what better way to wrap up the year than with this End of Year Survey, created by Jamie @ Perpetual Page Turner. 

Number of books I read:

Number of rereads: Sadly I only managed to fit in one reread, A Darker Shade of Magic.

Genre I read the most from: Contemporary (a surprise since Fantasy has always been my most read genre in years past)

1. BEST BOOK I READ IN 2016:

Top 3 A Gathering of Shadows by V. E. Schwab Crooked Kingdom by Leigh Bardugo The Hard Count by Ginger Scott. 

2. BOOK I WAS EXCITED ABOUT AND THOUGHT I WAS GOING TO LOVE MORE BUT DIDN’T

Riders wasn’t a pure disappointment but I did expect more. The book served as a nice introduction to the world and I’m hoping it’s sequel can elaborate on some aspects. 

3. MOST SURPRISING (IN A GOOD OR BAD WAY) BOOK I READ

The Weight of Feathers. I knew it was a Romeo and Juliet inspired magical realism tale but I wasn’t expecting it to be so beautiful. The writing was captivating, the characters were fascinating and the book really explored the beauty in the simplicity. 

4. BOOK I PUSHED THE MOST PEOPLE TO READ (AND THEY DID)

I’ll Meet You There is the one book that I will always push onto people and I am happy to see that some people have picked up this beauty of a book. 

5. BEST SERIES I STARTED IN 2016? BEST SEQUEL OF 2016? BEST SERIES ENDER OF 2016?

Best Series Started: Nevernight by Jay Kristoff Best Sequel: A Gathering of Shadows by V. E. Schwab Best Series Ender: Crooked Kingdom by Leigh Bardugo

6. FAVOURITE NEW AUTHOR I DISCOVERED IN 2016

Sarina Bowen. I completely devoured her True North series. Great characters that I could easily realate to, swoony romances and a great exploration of multitude of themes e.g. drug addiction.

7. BEST BOOK FROM A GENRE I DON’T TYPICALLY READ/WAS OUT OF MY COMFORT ZONE

This was the year for Sports Contemporary books. I’m not one to read a lot of New Adult books but the little corner I’ve discovered in Sports contemporary novels has provided some of the funniest and addictive books I’ve ever read. I’m definitely a fan of this genre. 

8. MOST ACTION-PACKED/THRILLING/UNPUTDOWNABLE BOOK OF THE YEAR

Crooked Kingdom. Can I just use this book for every question? This book was so worth all of the sleep I sacrificed. Filled with an intricate plot, unpredictable plot twists and incredibly character insights, Crooked Kingdom was hands down the most addictive book I read in 2016. 

9. BOOK I READ IN 2016 THAT I’M MOST LIKELY TO REREAD NEXT YEAR

Wolf by Wolf by Ryan Graudin. While I’m still heartbroken over the events of it’s sequel, Wolf by Wolf was another addictive read. I love the cross continental setting and the underlying themes of identity and fascinating characters were an added bonus. 

10. FAVOURITE COVER OF A BOOK I READ IN 2016

SANYO DIGITAL CAMERA

SANYO DIGITAL CAMERA

Nevernight. I loved the book and the cover, red sprayed edges and just the entire design of the book is beautiful. The maps are my favourite part though.

11. MOST MEMORABLE CHARACTER OF 2016

The Bastard of the Barrel aka Dirtyhands aka Kaz Brekker. What can I say that hasn’t already been said about this man. He is ruthless, greedy and has a penchant for violence and chaos. However, he’s also a man full of grief and complex layers and would crawl to the edge of the earth to get his Wraith back. Every single character in this series were an absolute delight to read about. 

12. MOST BEAUTIFULLY WRITTEN BOOK READ IN 2016

Saving Francesca by Melina Marchetta. It doesn’t have a flowery prose or anything fancy. Most wouldn’t name this book as their most beautifully written but the simplicity of the book is what makes it so effective in portraying the affects of depression on a family. 

13. MOST THOUGHT-PROVOKING/LIFE-CHANGING BOOK OF 2016

I wouldn’t call it a life changing book but Salt to the Sea definitely had a huge impact on me. To think that this maritime tragedy has gone overlooked when an estimate of 9000 lives were claimed by the sinking of the Wilhelm Gustloff is unbelievable. It definitely sheds a light on such a monumental event and further highlights the horrors of war.

14. BOOK I CAN’T BELIEVE I WAITED UNTIL 2016 TO FINALLY READ

Half a King by Joe Abercrombie. This is my kind of fantasy. The plot follow the typical fantasy trajectory but its the characters that makes this book so incredible. This is the ultimate underdog story and the representation of women is phenomenal.

15. FAVOURITE PASSAGE/QUOTE FROM A BOOK I READ IN 2016

“Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.” – Crooked Kingdom, Leigh Bardugo

16. SHORTEST AND LONGEST BOOK I READ IN 2016

17. BOOK THAT SHOCKED ME THE MOST

Blood for Blood by Ryan Graudin. I should have seen this coming but it doesn’t mean I wanted it to happen. This event was shocking and gut-wrenching and I’m still so bitter about it. That moment hurt!

18. OTP OF THE YEAR (I WILL GO DOWN WITH THIS SHIP!)

Shazi x Khalid, The Wrath and the Dawn duology. This is my kind of romance. The swoon levels were off the charts in this series. Why? Because of the respect shown between Shazi and Khalid. They are equals in every possible way and the maturity of their relationship was incredible.

19. FAVOURITE NON-ROMANTIC RELATIONSHIP OF THE YEAR

Kate and August, This Savage Song. A most unlikely friendship but one that definitely kept me on the edge. These two were on the run for most of the book and along the way they both learn to embrace parts of themselves they’ve tried to deny for so long. 

20. FAVOURITE BOOK I READ IN 2016 FROM AN AUTHOR I’VE READ PREVIOUSLY

The Unexpected Everything by Morgan Matson. My go-to contemporary author. Her books always deliver and as always the delicate balance between the friendship, romantic and family dynamics were greatly established.

21. BEST BOOK I READ IN 2016 THAT I READ BASED SOLELY ON A RECOMMENDATION

Air Awakens by Elise Kova. I love the cover but at the time it wasn’t enough to sway me. Then I read all the glowing reviews for the series and had to check the book out.

22. NEWEST FICTIONAL CRUSH FROM A BOOK I READ IN 2016

Garrett Graham, The Deal. This man, oh how he makes me swoon. I didn’t really like him at first but as his friendship with Hannah developed and blossomed into a beautiful romance he also managed to steal my heart in the process. He’s an incredibly supportive friend and boyfriend and I would snatch him up in a heartbeat. 

23. BEST 2016 DEBUT THAT I READ

A Promise of Fire by Amanda Bouchet. Again, I didn’t know what to expect from this book but I loved the incorporation of Greek mythology and the camaraderie between Griffin, Cat and the rest of the company was hilarious.

24. BEST WORLDBUILDING/MOST VIVID SETTING I READ THIS YEAR

Nevernight. Despite my qualms with the footnotes, I must admit they did ultimate help clarify some things about the world. Do I remember every detail, no, but I did finish the book with a clear understanding of the type of world this book is set in.

25. BOOK THAT PUT A SMILE ON MY FACE/WAS THE MOST FUN TO READ

The Deal by Elle Kennedy. Hilarious, addictive and swoony. The banter between the guys and Hannah was on point and there were plenty of laugh out loud moments in this book. 

26. BOOK THAT MADE ME CRY OR NEARLY CRY IN 2016

Crooked Kingdom is the only book that succeeded in making me cry this year. I won;t spoil the moment but it was soul-crushing and happened at the moment I dared to hope that everyone was out in the clear. 

27. HIDDEN GEM OF THE YEAR

Rites of Passage by Joy. N. Hensely. I would not be able to survive a military academy. I was exhausted after 5 minutes. The intensity levels are taken to new heights in this book and I definitely appreciated Sam’s determination to prove to everyone that she belonged.

28. BOOK THAT CRUSHED YOUR SOUL

Blood For Blood: See no. 17.

29. MOST UNIQUE BOOK THAT I READ IN 2016

Something  Real by Heather Demetrios. Reality TV is not something I follow but this book did an excellent job at exploring the dark side to this world and how manipulative and damaging it can be for someone so young to have her identity carved out by the producers of the show.

30. BOOK THAT MADE ME THE MOST MAD

Walk the Edge by Katie McGarry: I loved this book but Breanna’s parents drove me absolutely insane. The way they treated her was horrible and I hate how they thought that years of neglect could be pushed aside the moment she finds happiness in someone they disapprove of.

1. FAVOURITE BOOK BLOG I DISCOVERED IN 2016

I don’t know if I discovered them in 2016 but some of my favourite blogs are Nick and Nereyda @ Nick and Nereyda’s Infinite Booklist, Aimal @ Bookshelves and Paperbacks, Richard @ The Humpo Show, Deanna @ A Novel Glimpse. These are just a few of the amazing blogs I’ve come across and I’m hoping to up my blog hopping game in 2017 cause I have been slacking as of late.

2. FAVOURITE REVIEW THAT I WROTE IN 2016

I have two; the first one is my review of The Hard Count by Ginger Scott. The second is my review for Salt to the Sea by Ruta Sepetys 

3. BEST DISCUSSION/NON-REVIEW POST I HAD ON MY BLOG

I’ve not done many discussion posts but I was quite proud of my post on the ways to beating a reading slump

4. BEST EVENT THAT I PARTICIPATED IN

Again I’ve not participated in many of these because events like the twitter chats and such take place at 2am UK time. Time zones suck. On top of that when it comes to book signings, the closest one to home would be a good 2 hour drive away.

5. BEST MOMENT OF BOOKISH/BLOGGING LIFE 

My one year blogiversary. I gave myself a hefty pat on the back for reaching that milestone. 

6. MOST CHALLENGING THING ABOUT BLOGGING OR MY READING LIFE THIS YEAR

Keeping up with comments and blog hopping. I’ve been slacking on that front as of late and it is something I plan on improving on this year.

7. MOST POPULAR POST THIS YEAR ON MY BLOG

My most popular blog post was the Bloggers to Follow Top Ten Tuesday topic. My most popular review was A Gathering of Shadows

8. POST I WISH GOT A LITTLE MORE LOVE

My TV Talk for Mr. Robot and my review for The Hard Count.

9. BEST BOOKISH DISCOVERY

Bookstagram. I might not be the most active user but I love all the bookstagram accounts that have popped up over the year or so.

10. DID I COMPLETE ANY READING CHALLENGES OR GOALS THAT I HAD SET FOR YOURSELF?

1. ONE BOOK I DIDN’T GET TO IN 2016 BUT WILL BE MY #1 PRIORITY READ IN 2017

Where do I even begin. There are a lot of books I failed to read in 2016 and plan on reading in 2017. These include; The Winner’s Trilogy, Gemina and Outrun the Moon.

2. BOOK I AM MOST ANTICIPATING FOR 2017 (NON-DEBUT)

Strange the Dreamer by Laini Taylor

3. 2017 DEBUT I AM MOST ANTICIPATING

Wait for Me by Caroline Leech

4. SERIES ENDING/A SEQUEL I AM MOST ANTICIPATING IN 2017

A Conjuring of Light by V.E. Schwab

5. ONE THING I HOPE TO ACCOMPLISH OR DO IN MY READING/BLOGGING LIFE IN 2017

Comment/blog hop more. Write more discussion posts. I’m also considering writing some TV/Film reviews but I’m not sure if anyone would be interested in that. 

6. A 2017 RELEASE I’VE ALREADY READ AND RECOMMEND TO EVERYONE

Sad news. I’ve not read a single books since the first week of December. I hate this slump.

That was my reading year. How was your 2016 reading year?

      2016 End of Year Survey Another year has come and gone and what better way to wrap up the year than with this End of Year Survey, created by Jamie…