#just thinking about this show because the first episode rewatch hit me hard

[shaniacsboogara]

zach stone trying so desperately to be famous to get the validation he craves, but in the process hurting the people who care about him the most, people who don't care whether or not he's famous.

zach stone nearly ruining his relationship with his parents, his brother, his best friend, and the girl he's in love with because he wants to make them proud of him.

zach constantly trying to find different ways to make himself matter to the most people possible. he needs to be famous because then he'll be important.

[ladyloveandjustice]

So I have no stake in ships in Avatar the Last Airbender, I do not have any real ships for the show. But when I was looking in Katara's tag for art and stuff, I saw this reoccuring claim that Katara always supported Aang with his problems and feelings, but that Aang never supported her back with hers.

And I don't care about the ships, but I do really like the friendships in Avatar, and that bothers me. It's a slight on Aang, but also on Katara (implying she wouldn't stand up for herself and break it off if a friend was all take and no give, which doesn't fit her personality at all.)

Aang does support Katara whenever he gets the chance, which is unfortunately few and far between because Katara seems to have a hard time leaning on the people she cares about and talking in depth about her own trauma and feelings about it, though she will do so when she literally doesn't care what the person thinks about her (and both times she opened up to Zuko about her Mom initially were her lashing out at him and not caring what he thought about her in return).

This would be something that would need to be addressed for a romantic relationship between them to truly work, and I imagine it would be part of the journey of finding a way to stay together, but it's very much not Aang's fault. And as I said, when he gets a chance to support her she does. Since I just recently rewatched most of the series, have a list of those times!

-His first time being supportive of her is literally a half hour after they first meet. As soon as she tells him about wanting more waterbending experience, he enthusiastically offers to fly all the way to the north pole so they can find her a master. And this very clearly means a lot to her.

-I don't think Aang knew how supportive of her he was being here, but there's the "I haven't done this since I was a kid" "You still are a kid!' exchange. As much as people accuse Aang of seeing Katara as his Mom (he's literally the one character who doesn't express that he does in The Runaway btw and I think that's for a reason) their first interaction establishes that he sees her as a kid, just like him, and think she should have fun like a kid does. This must have been huge for Katara, who'd been forced to take on adult responsibilities at a young age, who resented having to hold the family together, who thought her childhood was over. Aang helped her have fun and be the kid she is, and he'll continue to do so.

-When she lost her mother's necklace (And Zuko subsequently stole it) he was very concerned for her feelings and seemed to immediately understand the weight of that loss, due to his own experiences with loss. Not only did he make her a new necklace to wear as a way to comfort her, as soon as he saw Zuko had it he said "you're giving that back to me" and risked being hit by Zuko in his attempts to grab it. Then he gave it back to her and she was ecstatic!

-He was so supportive of her during the waterbending scroll episode it's actually ridiculous, despite how she lashed out at him. It's unclear if he actually understood she was upset or if this was just his unwavering respect for her coming out, but when she was upset that he learned the first move faster than her he said "well you didn't have such a great teacher!" and it clearly makes her feel better for a bit. He immediately forgives her for lashing out at him, doesn't judge her at all for stealing the waterbending scroll, or for accidentally dragging them into trouble. He, in fact, goes out of the way to reassure her, looking happy at the chance to work together and reminding her they need two waterbenders. And he appreciates her joke at the end (he's just straight up being simp (affectionate) there, and I get it).

-When Pakku won't teach her he immediately denounces him as wrong and unfair and is willing to sacrifice his own education (which he needs to save the world) because he won't stand for it. He remains upset about it even after Katara persuades him, tries to secretly show her what Pakku taught him, and cheers her on when she fights him.

-When she's crying over Jet's death, he's the first one to notice and reach out to her, putting his hand gently on her shoulder and drawing her into a hug (that becomes a group hug). She smiles and clearly feels comforted. They probably talked about it offscreen too (but this cannot be shown as they would need to directly acknowledge his death to do so)

-He's pretty much always praising her as a teacher, and when she grumbles about him not calling her Sifu, he goes out of his way to call her that.

-He notices that she's mad at her Dad and asks her about it, but she deflects

-He looks really sad when he has to remind her she has to take off her mother's necklace for their Fire Nation disguises, again it's something he very much seems to empathize with her about, he understands the weight of what it means to her.

-He not only doesn't judge her for lying during the Painted Lady saga, but praises her and enthusiastically helps her commit ecoterrorism.

-Both he and Sokka move to comfort her when she's crying after the bloodbending fiasco. Most of the comforting of her happens offscreen, which I do think is a shame, and a contrast to how Aang is handled- but it's more of a "he's the main character" thing, since the same happens for Sokka as well (I'm sure Katara and Aang talked to him about Yue's death and at least tried to comfort him, but we don't get to see that).

-He was trying to support her during the Southern Raiders ep, whether you believe he did it well or not, both according to his beliefs and cultural values and by trying to emulate the ways she's talked HIM down from revenge and hatred in the past. He specifically brings up those two incidents- losing his people and losing Appa- where she stepped in to keep him from losing himself to rage. As this post notes, he also specifically echoes her phrasing from when she was urging him not to lose himself to the Avatar state (she says "watching you be in that much rage and pain is really scary" and he echoes "you're feeling unbelievable pain and rage" while talking to her in this ep.)

It's not just the air nomads he's trying to emulate here, but her. Just like Katara doesn't want to see him consumed by hatred and pain, he wants the same for her. His concern is not for her mother's killer, but for her, he fears this will hurt her, just like her concern was always for him and how this would hurt him in those times he was raging.

He wants to do for her what she did for him. But, Katara is not him. She is not someone who will be talked down by someone else when she is grieving, angry, and looking for revenge. Nobody can stop her when she sets her mind to it. She needs to wrestle with whether to kill him and she needs to come to her own conclusions, because she's the only one that can stop her. And Aang realizes that. He says it's a journey she'll have to take on her own, that she needs to face him doesn't stand in her way.

(I wonder if it kind of hurt, deep down, that he couldn't reach her the way she always reached him. I wonder if he felt upset that he couldn't find the right words like she did for him. But I don't think there were any right words. She needed him to step back. It was her choice to make. So he did.)

And in the end, he was correct that she didn't want to do it. She did choose that based on her own feelings and values.

His assumption Katara not killing the guy = forgiveness is definitely him just kind of applying his assumptions and values, but when she says she doesn't forgive him, he doesn't like, judge her or anything that we can see.

So yeah, quite a few examples! It can feel lopsided because more attention is paid to Aang and Katara's personality affects things.

Katara is both open about her emotions and not. She's someone who will look after other's feelings but not really discuss her own pain with people she cares about, until it all builds up and bursts out.

And it's not surprising she's most concerned about Aang, if my friend had recently (from his perspective) survived a genocide where he lost everyone he loved and was now tasked with saving the world at twelve years old, I'd be pretty worried about him and want to support him too! Aang goes through a lot by virtue of being the protagonist, he has the most pressure on him, he's routinely in the most danger, he literally dies for a few minutes. It's not surprising Katara has more opportunities to comfort him, but he unfailingly supports her in any of her problems of goals (when they're not murder) when he can.

I do think there's some missed opportunities to explore Katara and develop their relationship, but it doesn't make Aang a bad, unsupportive friend, or Katara his Mom and not his peer.

[pinecipitation]

I am once again up at your ass and asking for smiling friends hcs,,,, can I get fucking uhhhh Charlie and Alan with a crush who can't help but infodump their interests?? Talking about sitting then down and forcing them to watch their favorite movie and just rambling. (This is totally not me projecting in the slightest, nuh uh) THANK YOU WIFE I HOPE THIS IS OKAY TO ASK MWAH

SMILING FRIENDS X GN!READER

HELLO WIFE YES THANK YOU FOR THE ASK!! LEAN IN I HAVE A KISS READY FOR YOU

word count: 800+

warnings: none!!

CHARLIE:

- my guy doesn’t know about shit honestly, I feel like just how in the president election episodes he’d be like “idk idc” but in the end he gets an opinion with the more info you talk about

- of course because it’s YOU, he’d listen though

- you’re more into movies and shows and games than he is, so if the moment is ever dull he’d immediately hit you with the “….soooo,, any new recommendations?”

- boy do you have them

- he honestly enjoys the way you light up talking about the media you’re into, even if he isn’t quite retaining the information

- he doesn’t mind asking about it again just to hear your piece

- he thinks it’s sort of sweet that you get so heavy into a piece of media that you’d defend it to the ground, especially if its media that isn’t too widely liked or known or have much of a fanbase. he thinks it’s cool that he’s that person for you, like he’s getting insider information from a reliable source

- he finds himself seeing the media in the wild and immediately thinking about your thoughts on it, if he sees a figure of a character you don’t like or a poster of an arc you loved he’d be sure to point it out to himself

- will find himself going “man, fuck this character” to himself because of you, immediately shaking his head and wondering what was wrong with him. He didn’t even know the character, but he subconsciously has an opinion on them because of you

- back to you though, he would have a hard time physically sitting down to watch or read what you’re into, or try out a hobby you like, but when the moment comes where you offer watching the series with him he will jump on it without a second thought

- you do talk and pause to rewind certain parts in it, which he usually wouldn’t like people doing, but it doesn’t matter to him. it’s not like he’s watching the show anyways, he’s too fixated on you and how close you two are on his couch

ALAN:

- now he would ACTUALLY know what you’re talking about and pay attention to the movies and series

- usually he would just state he’s seen it or doesn’t care for it, but he’s breaking habits if it’s something you’re visibly excited about

- of course he’s happy to rewatch it though

- “no, I don’t know about it, is it good?” he’s seen the movie four times

- alan the type of man to stare at you blankly and resist the urge to add his own opinions and facts, but stays quiet for the plot

- he does genuinely enjoy having you so vocal about a subject you’re so passionate about, you’re somehow one of the only people he doesn’t get too overstimulated around, plus this way he doesn’t have to talk as much

- the day you offered a movie marathon at his place was a turning point, him taking the day off before just so he can clean and make the place acceptable, going the lengths to get usual movie snacks and blankets and such. this, and him hiding his books and dvds so that you wouldn’t stumble on them and find out he’s been pretending this entire time

- for the sake of the plot we’re ignoring alan being a morning person, in this universe he’s a night owl hence the eye bags

- the marathon goes on for later in the night than you both anticipated, after the first several hours and rambles of explaining you find yourself more and more tired and you pause the movies less and less

- it doesn’t take Alan long to notice that you fell asleep just like that, the blanket around the two of you and the bowl of chips discarded beside you

- he doesn’t care about that though, what he does care about is your head centimeters away from his shoulder

- not feeling even a little tired, he pauses the movie and carefully grabs his phone, sure not to move himself or you and writes down the time and place he paused, sure that you’d want to continue in the morning or another day. he’s also sure to write a small summary of where you two left off, now that you both “watched it together” he can talk back in infodump conversations and not give away that he knows the parts you two didn’t watch

- he’s quick to move when you shift in your sleep, him carefully but rapidly moving his hand from between you two and scooping his shoulder right under your head. you didn’t seem to wake or notice, a small lazy smile of success on his face as the two of you spend the rest of the night on the couch, him on his phone and you resting peacefully on his shoulder.

[a-memory-a-distant-echo]

ok, i'm being so brave and making the rec post that i told anon i would do like three days ago.

the obligatory caveats. this is not comprehensive—i haven't read all the fic in this fandom, and i've barely looked at anything not in english. my reading habits are pretty broad—i'll read almost any pairing, and am generally willing to suspend my disbelief to do so. i am not usually an au person, though this fandom is doing its absolute damndest to prove me wrong on that point.

also i have…more…fics that i felt i should rec somewhere, so probably this is rec post one, but ten felt like enough and also saying things in public where people can hear me is, it turns out, absolutely excruciating. please no one be mean to me about this post, especially if you wrote one of these fics, because if you are i will simply fill my pockets with rocks and take to the sea, ok? ok.

excited to find out what i manage to do that ruins the formatting, links the wrong fics and/or people, or otherwise breaks things in this post. please tell me if i've fucked up, or if your fic is on this list and you would rather i keep your name out of my mouth, or whatever.

first, a very special mention to the mlc reference guide by @yletylyf. this is such an incredibly comprehensive and generous resource. you want a timeline for this show that does an incredibly poor job of maintaining its own timeline? it's here. you want episode summaries? they're here. you want all the people and places? they're here. if you're writing fic, you want this guide, because it's so much easier and faster than scanning episodes or subs files to figure out the name of one specific guy or whatever. it also means that at least occasionally you work on the thing rather than accidentally rewatching the same scene five times, or hypothetically watching two to four episodes without even really thinking about what you're doing. the reference guide is the unsung mvp of fandom.

beyond porch and portal, difanghua, teen, by willowdream. this is the vampire au that i didn't know i wanted? the author posted it and their note was like 'i'm trying to be the change i want to see in the world,' and i was like ok sure, i'm not really convinced that the change i need is vampire aus, but i'll give it a go, and then i did and was like, oh shit, i'm eating fucking glass about this vampire au, i'm chewing on my own fucking fingers, i'm so fucking normal about this, i need another hundred thousand words of this and also seventeen more vampire aus in my inbox by monday morning. i literally finished reading it and scrolled right back to the top to read it again. i have no idea why this fic hits so hard, but it took me out at the knees. the voices are perfect. something about it is just impossibly compelling.

不安的遠離，再无歸期 | restless distance, without return, fang duobing/qiao wanmian, mature and teen, by @difeisheng. this is technically two fics but they're short and you should read both of them because they're such a brutal, perfect encapsulation of grief, and a really beautiful acknowledgement of the ways that fang duobing and qiao wanmian can be read as reflections of each other, separated by a decade, and it just fucking guts me. i dunno. it's about the grief! it's about the yearning! it's about someone who understands parts of you that you wish didn't exist! i think i've reread this like once a week for the last six weeks and i feel like it gets overlooked because it's not A Ship but like. it could be. it should be.

dance the silence down, fanghua and feihua, explicit, by @momosandlemonsoda. this fic. ugh. ok. i'm breaking my own rules. i had two when i started writing this post: no works in progress, and no reccing things that i haven't left a comment on, like a goddamn grownup. this one fic is breaking both of those rules and i feel bad about it and will hopefully spend like, all day tomorrow just commenting on every chapter or something, but i have to do this. this fic is so good. this fic ruins me. this fic is 63k, still a work in progress, and also if i were losing the whole internet tomorrow and i got to keep one fic in all the world and it was the only fic i could have for the rest of time, it might have to be this one, even as a work in progress. i ignored this fic for so long—by which i mean probably two of the four months since i first watched mysterious lotus casebook—because i was like, i don't like aus, and i especially don't like rock star aus. (or sex work aus, and you're never gonna fucking believe what else this author is writing and what else i absolutely cannot get enough of—this is a sneaky bonus rec for all i wanna do is wrong, another fic that i feel so so so normal about!) but then i was like okkkkkkk but. maybe i'll try it. people seem to be nuts for it. and then i read it and i was like OH HOLY SHIT PEOPLE ARE FULLY CORRECT TO BE ABSOLUTELY UNHINGED ABOUT THIS and normally, honestly, i wouldn't bother posting a rec like this because it's like 'oh haha have you read the five most popular fics in this fandom?' and it feels so redundant, but i know for a fact that a friend of mine who finished watching the show yesterday is reading this post, and even if everyone else has read it, she has not! anyhow as a former music person and a former diner cook, this fic like. i don't know. i feel like it broke me but also fixed me? i literally criticise writing professionally and every time i try to talk about this fic i find myself speechless because it's so perfect to me. i am deeply unwell about this fic. every time a new chapter comes out i sit down and read the whole thing again, yes, all sixty-thousand-plus words of it. some nights you go to bed and you're like 'what's the fucking point?' and then you're like 'no wait, there will eventually be more of dance the silence down,' and somehow that makes things suck a tiny bit less. my wife has made me take out like six sentences from this rec because they're too intense and too weird about it but i need you to understand: you have to read this fic.

in this dream, there is a lover to share this life with, fanghua, g, by @lianhuajing. alternative ending for the end of episode 27, in which li lianhua—precious man who has yet to discover a hill he's not willing to die on—apologises to fang duobing the only way he knows how, and it's wildly upsetting for everyone (but it's ok and it doesn't end miserably, no one panic). this is a delightfully angsty treat, and i love how conflicted fang duobing is in it—i feel like it's not something that i've seen explored a lot, but this poor boy really fuckin goes through it—his best friend and his childhood idol are the same person but are lying to him about it, and his dad's not actually his father and has been lying to him about it, and his best friend/childhood idol may have killed his father, and—yeah, is lying to him about it. like? someone give this poor man a hug and a cup of tea and a snack and a blankie. i love that we get to see some of his internal conflict in this.

quintessence of dust, feihua, teen, by justthereforit. this plays with one of my very most favourite tropes in the world, which is the one where the heart is a physical object and a physical form of trust and control and surrender and—like. this is so good. it's set in episode 13, which is, for me, one of the absolute peak angst points, and it absolutely nails it. di feisheng who's upset and vulnerable and frustrated and angry, li lianhua who knows he's going to die and can't bear the thought that he's going to take anyone else down with him, and they're both just so fucked up. chef kiss. i love it when everyone is emotionally wrecked and continually like 'ok no, i can take one more knife in my soul to protect someone else', and this absolutely delivers on that.

under moonlight, we change our futures yet again, feihua, explicit, by @thesilversun. the wedding room! obviously we have to have a wedding room fic, right? i'm not going to lie: i'm willing to suspend a lot of disbelief for wedding room fics, but in this one, it's actually a wonderfully, horrifyingly plausible setup. it walks a really fine line of keeping people in character, and acknowledging the inherent horror and seriousness of the situation, and also providing some desperately hot sex, and also managing to get the emotional beats of it, too. it has a sequel, which imo really has to be read as the conclusion to this fic, and it's just as good. it's possible that some of what i'm saying here is 'i love vulnerable-inside crusty-outside di feisheng' but like. i do. i love it so much.

what's sealed away, feihua, teen, by @bbcphile. AMNESIA FIC yessssss, a-fei my beloved, fics that handle brain damage/memory issues/amnesia well my beloveddddd. i love the a-fei arc, but i also have had a number of brain injuries and some other stuff that means that my own memory is…not so great, so i sometimes really struggle with how often amnesia in fiction is played off either as nothing to worry about or as a funny thing where everyone's in on the joke except the person who has amnesia. this fic is a great and sometimes very visceral exploration of a horrifying experience, and a really fantastic study of a-fei/di feisheng as a character, as well as the relationship that he has with li lianhua. a-fei trying to balance the trust he has in the sense memory of his body with his understanding of his relationship with li lianhua with li lianhua's reaction to—everything, really—is really well done and wonderful/terrible to read.

我只愿面朝大海 | i wish only to face the sea, g, by foreverstudent. ok so you wanna fuck yourself up some more? go read this. this is canon divergence from episode 39, and fang duobing has learned too well the lessons he's been taught, and sees the shape of things before li lianhua ever touches the wangchuan flower—so he sets about making sure that he won't be able to throw it away. this is agonising and gorgeous and maintains the canon relationships while developing the narrative differently. i wept literal tears. i was like 'ok that's it the worst part is over!' and then i remembered that there was another part coming and then i started crying. anyhow, it is—as ever, with me—about the devotion.

我住長江頭, 君住長江尾 -- i live upstream, you live downstream, fanghua, teen, by @rimbaudofficial. ok so this is Not a fic that i should like, because i am a massive academic failure and despite being in my forties have regular nightmares about having to re-engage with academia for like. any reason. HOWEVER. as noted, i read indiscriminately, even when i'm like 'reading this is a terrible idea and will be upsetting for me personally!', so i was like 'well, how bad of an idea can it possibly be?' and then instead! it was. incredibly charming? it was so fucking cute? the fang duobing characterisation in this is somehow just perfect to me—he's simultaneously confident and vulnerable, and also just so deeply committed to the weird clueless guy who he's decided is meant for him. di feisheng and li lianhua have a perfect weird-bros friendship. i would read another ten chapters of this and i would love it.

[dramavixen]

Love and Redemption: A Fantasy Epic About How Prejudice Destroys Worlds, and How Love Pieces Them Back Together

**major spoilers for: Love and Redemption

After wrapping up a watch-through of Mysterious Lotus Casebook, my mom had the brilliant idea that we should rewatch the work that launched Cheng Yi to fame (or at the very least solidified him as the man to hire if you need someone to spit blood): Love and Redemption. 

I’m certain she only found this idea appealing because she doesn’t remember a TV show after it’s over. Credits rolling? Aight, time for the woman to clear up space on her brain’s memory drive. Meanwhile, my life flashed before my eyes as I recalled the anguish that’s synonymous with the show’s plot. But you know how things go when your mom wants something. If she says you're sitting through 44 hours of emotional torture with her, then you plant yourself on that couch until it’s over.

Ironically, Love and Redemption fares even better on rewatch. Though other xianxias have come close to its place in my heart, I’m now concerned that my palate won’t be so easily satiated again. It’s got your conventional reincarnation, warring realms, and a star-crossed romance while throwing curveball after curveball to shatter your expectations. Complex characters, too? An endgame villain who will haunt you in your sleep? You can’t ask for more. 

Just because you didn’t ask, doesn’t mean that the show won’t deliver something extra. I like to think that nothing reflects a society’s unsightly reality like a well-done fantasy, and this one hits closer to home the more time that passes. A thinly veiled commentary on human flaws and how difficult it is to be a good person, Love and Redemption is a drama for the ages.

This is going to get lengthy, so to prepare you, here’s how I’m divvying up this piece:

Part I: All of Them Are Classist

Part II: All of Them Are Sexist

Part III: All of Them Are Racist

Part IV: Love Wins All

---

Part I: All of Them Are Classist

It’s not my intention to disgust anyone right out of the gate, but we need to talk about Wu Tong. Do you hear what I hear? Yes, it’s the distant echo of Wu Tong’s nefarious laughter, resounding between the walls of my skull.

Quite simply, Wu Tong is the worst. (Or at least he would be, if it weren’t for that other fellow named Bai Lin. That dude will get a glaring spotlight later in this essay, trust me.) But it’s not for no reason.

Coming from a background of poverty, Wu Tong spends most of his young life trying to prove himself to upper class cultivators who don’t have any interest in who he is, only in what he has to offer them. He earns his place in his sect through relentless hard work. He utilizes unsportsmanlike methods in his attempts to win the battle tournament in opening episodes. It's not just a competition to him—he's directly told that if he gets anything other than first place, he can forget about keeping his place in his sect.

When he and the protagonists first meet, his prideful personality results from his inferiority complex. There’s no doubt that he’s a powerful cultivator, but the issue is how he finds that to be his only real value. He doesn't bother to be likable, because what's the point in doing that? Being likable doesn't fill an empty stomach. But the more he disrespects others in an effort to make himself appear important, the more others look down on him, and the more he overcompensates by fighting back even more. It’s a vicious cycle—one that never ends because no one involved wants to take the first step back.

Knowing what type of person he becomes, it’s hard to pity him in any capacity. However, it would still be unfair to ignore how others mistreat him before he even turns into a true enemy.

One scene that sticks out to me happens early on, where Wu Tong nearly injures Xuanji during a 1v1 battle against Minyan. The protagonist crew insists on getting payback. Okay, I’m with it. You can’t let such reckless violence slide. I guess they’ll get their revenge in a later stage of the tournament by beating him into the ground? 

Nah. That would be too reasonable. What they actually opt for is tricking him to fall into a trap by putting up a “have you seen my lost snake?” poster with a financial reward, knowing that he’ll be fooled because…he’s poor.

Sifeng: I asked around. Wu Tong was born to a family of lower status. He lives frugally. The reason he trains so hard is because he hopes to become someone powerful one day. […] Now he needs the money urgently to buy medicine and recuperate his inner strength before his next battle. Minyan: When you put it that way, doesn’t that mean he has no choice but to come for the ten night pearls?

Sifeng…oh no. Not you too.

The way Wu Tong behaves doesn’t warrant anyone being amicable toward him. I, too, have a nonexistent tolerance for obnoxious, violent egoists. But if later episodes are any evidence, this scene foreshadows that two wrongs won’t make a right. If they want to teach him a lesson, they shouldn’t stoop so low as to take advantage of his poverty. His family background is the one thing about him that isn’t his fault, yet it’s the one thing they choose to use against him. That’s what I call “going too far.”

Now that he's been hit where it hurts, Wu Tong feels justified in going too far himself. In a fit of desperation and contempt prompted by his master abandoning him, he stabs Xuanji. Not great. Things get extremely not great when you remember that Xuanji is the daughter of a sect leader. That quickly transforms Wu Tong’s attempted murder/almost manslaughter into the evilest act known to mankind. All five sects turn against him to hunt him down and kill him. I’m no law or philosophy expert, but I’m pretty sure the punishment for almost manslaughter is not the death penalty. 

The five sects can treat him as their prey because he doesn’t have a support system to counter them. If he were the son of another sect leader, the thought of killing him would never even have entered their minds. Targeting him so relentlessly has less to do with justice and more to do with exerting power over a lower-class young man who hurt someone infinitely more “important” than him. 

That imbalance between crime and punishment is what pushes Wu Tong over the edge. He goes on the run for several years before officially succumbing to the call of evil, after which he becomes truly irredeemable. Still, you’re occasionally reminded of his struggle—is he destined to be a villain? Or is throwing aside his remaining morality just his best chance at survival? 

Do you have any idea how I survived these past several years, when you were all trying to kill me? What did I do back then that was so unforgivable? Did your sister die? Was it warranted for all five sects to team up against me, an average disciple? Was it warranted to back me into a corner over and over again, to force me to claw out of hell? Open your eyes and look at me! These past four years, I’ve already died countless times. Every time, I clawed my way back out of hell. Five hundred taels? You want to take my life with a measly five hundred taels? Don’t look down on me. Touch here. I have a fake leg. That’s what your five sects have left me with. What’s that look of yours? Guilt? Pity? I’m not telling you this for you to pity me. I, Wu Tong, survived this far because I must have my revenge.

Something my mom likes to say is if you find yourself going against someone—but especially a dangerous person—you must leave a path for their survival. It’s less for their sake than it is for yours. Should you eliminate all their options, they’ll have no choice but to bite. And they’ll make sure it hurts like hell. 

As an impetuous teenager, Wu Tong is in the wrong. He needs to be taught that his actions are unacceptable. But that can’t be accomplished by putting a bounty on his head and demanding that he be murdered. That’s how you turn a scoundrel into a monster.

Minyan, Wu Tong’s foil, similarly doesn’t come from an optimal background. An orphan, he was taken in by the Shaoyang Sect without the obvious pressure that Wu Tong suffers. Even so, he can’t escape the innate inequality that seems to exist between him and his fellow disciples. It especially affects him because he’s in love with Linglong, Xuanji’s sister but more importantly…also the daughter of the sect leader! Poor guy.

When I was little, kids in the village would surround me every day and call me a bastard child with no parents. I could only pretend that I didn’t hear them. Because if I took it to heart, they would only ridicule me more. We can’t shut the mouths of people who want to slander us. But we can choose not to listen.

He may think that he’s past it, but later episodes see Minyan being manipulated using that exact insecurity. It’s easy to impersonate his master and nudge him to become a “spy” in the enemy base because he’s compelled to prove himself worthy of the sect and worthy of Linglong. Fake Sect Leader Chu Lei tells him:

When I first met you, you were only eight years old. You were homeless on the streets, starving and shivering. Still, you clung to your family dagger and refused to pawn it. In that moment, I knew that you were a child with an iron will. That’s why I’m here to find you today.

I can agree that Minyan is really stupid to immediately believe that his master, a guy well-known for pretending to do important things more than he actually does them, would tell him to do something as reckless as invade enemy territory. However, he also heeds the impostor’s instructions because realistically, his master asking him to prove himself is something that could happen. Any good disciple would naturally want to repay their masters for their favor, let alone a disciple who would otherwise have nowhere else to go.

The contrast between Minyan and Wu Tong shoves itself in your face as you watch, primarily through their respective relationships with Linglong (well, one of them has a relationship. The other is a creep. Can you guess who’s who?). Without family backing, the two men both struggle to find their place in the world, but they’re complete opposites purely because of their upbringing. Thankfully for Minyan, he found a family amongst people who don’t treat him as “another,” even if he may think of himself as such.

Wu Tong isn’t so fortunate. You can say it’s his own doing, a result of his terrible personality, but he certainly wasn’t born like that. And now someone will pay for it.

---

Part II: All of Them Are Sexist

As a caveat, I’ll mention that the main cast really could have used a woman who isn’t some combination of foolish, lovestruck, and/or loud. But I’m willing to overlook it just this once because the writers excel in highlighting both the ladies' flaws and how we as an audience exaggerate those flaws through our own preconceptions. 

Working backwards in terms of plot importance, we can start with Xiao Yinhua. Sifeng’s snake familiar in a human form, Xiao Yinhua is like most female leads from the turn of the millennium in that her only real strength is throwing temper tantrums. She’s also like most second female leads from the turn of the millennium in that she constantly prefers using underhanded tactics and harming others to achieve her goals—in other words, a snake. Oh. I guess that makes sense.

Her affections toward Sifeng cloud her already nonexistent judgment and prompt her to make some of the worst decisions made by anyone, ever. At first, I thought I was being unfair toward her because of my own internalized misogyny. But no. I can say with absolute confidence that I would abhor this character no matter what gender or creature or object she may be. She has no redeeming qualities aside from teaching us that someone foolish, lovestruck, and loud is doomed to self-sabotage. From that perspective, she’s still a valuable character to have because now we know that before we act, we should think: would Xiao Yinhua do that thing? If she would, do not do that thing. 

If Xiao Yinhua were willing to grow up, she could become more similar to Zi Hu. Zi Hu almost acts as a parallel to Sifeng—hopelessly in love with someone who doesn’t return the affection for a literal thousand years. Also, both are very pretty. Ahem.

Zi Hu’s thousand years’ worth of experience gives her the skills to back up her unrelenting feelings for Wu Zhiqi. She’s a rarity in that her driving force is a man—a motivation that's typically a reputation ruiner for female characters—but you find her lovable instead of thinking that she lacks self-respect. The key is that her love isn’t blind and rash like Xiao Yinhua’s. Zi Hu has a plan to save Wu Zhiqi from his prison and she carries it out with intention. In other words, it’s okay to focus on love, but only if you can take responsibility for your feelings. 

Ting Nu: Why go so far? When did Wu Zhiqi ever tell you that he loved you? Your affections are merely one-sided. Zi Hu: When did he tell me he didn’t love me? Look, once I rescue him, he’ll have to be with me to thank me. 

Because Zi Hu is a literal fox, people suspect her both for being a demon and for being the demon notorious for seducing men to consume their souls. The latter is quickly debunked and becomes less of an issue than her just being a plain demon. I nonetheless find it hilarious how everyone balks when she shows them her harem of men gleefully living in her backyard. Yep, she’s a cunning vixen. You can just keep wishing you could join that harem.

Zi Hu: You're trying to shoo me away. You think I’ll storm out because of your petty tricks? You’re underestimating me. I’ve already decided, starting today, I’m going to follow you everywhere. Even if you don’t want me to, I’m going to cling to you. This old spirit isn’t going to let those thousand years of waiting be in vain. Wherever you go, I’m going with. If you dare sneak peeks at other pretty women, I’ll dig out your monkey eyes. All in all, if I’m around, no pretty woman can enter your vision. As if you could bear to leave me behind if I hang around for another thousand years!

Xiao Yinhua and Zi Hu aren’t overly victimized based on their gender within the show itself. For the better too, because whoever dares to do so would probably end up dead by a fox's claws and a snake's teeth. These two characters' existences test your innate view of female characters instead. What is it that matters to you in a female character? What standards do you hold against them?

(**Content warning for the below segment until the next purple break: brief mentions of sexual assault and suicide.)

And that's where we come to Linglong. Linglong is a loudmouthed spoiled brat. She's overbearing, and while she wants to protect Xuanji, her method of doing it is by crying crocodile tears and throwing temper tantrums in front of their father. No wonder she and Xiao Yinhua clash—two childish people who both have a compulsion to win arguments? Forget it.

A bulk of the drama sees Linglong’s primordial spirit being taken and held captive by Wu Tong. Wu Tong puts half of her primordial spirit into the body of a flower demon, whom he also forces to take on Linglong’s physical appearance. No other reason, he just wants to have his way with someone who looks and acts like Linglong, the person who jeered at him all those years ago. By the time the real Linglong recovers her primordial spirit, Wu Tong has done enough damage that she’s haunted by nightmares and memories of someone who assaulted her when she couldn't even fight back.

The lead-up to this arc is incredibly disturbing and takes root in the very first episode. On my first watch-through, I thought their relationship would take a classic enemies-to-lovers path. The directors and writers pull you in this direction with no subtlety, showing a smitten Wu Tong when he first lays eyes on Linglong. They then keep the scam going by having him act out in awful ways as he attempts to gain her attention. That’s right, it’s the brainwashing girls receive when they’re on the playground: “he pulls your hair because he likes you."

During their first meeting, Linglong is surrounded by a halo filter from Wu Tong’s perspective. Knowing what he’ll later do to her makes the seeming innocuousness of this scene revolting, but it's necessary. It's the first of many steps to prove that someone’s “affections” can’t be used as an excuse for harming whomever’s on the receiving end of them. 

Linglong can be an extremely annoying person. Her outspokenness and difficult temper shape her into an unlikable character, which then ensures that by the time Wu Tong captures her, the audience almost instinctively wants to say that it’s her fault. We all know the talk track: “he liked her, so why couldn’t she just have been nicer to him? She asked for it by being mean to him.”

When Linglong first offends Wu Tong, it isn’t for no reason: she’s angry because he endangers her sister’s life over and over again. Admittedly, she goes overboard in her retaliation against him. So what? Linglong being mean to Wu Tong and Wu Tong later targeting her are indeed connected events, but the former doesn't justify the latter. If we say that the five sects hunting Wu Tong down isn’t a fair punishment, then isn’t it also unfair for him to turn the tables on her in such a way? 

Essentially, Linglong isn’t the “ideal” victim. That’s what makes her arc all the more heartbreaking. To this day, society wants to find any excuses for the assailant. Any mistake, any flaw of the victim's will be used against her. As humans, maybe it’s instinct for us to hope that bad things only happen to bad people, and victim-blaming is our twisted way of making that an impossible reality. 

Overcome with depression and trauma, Linglong is unable to come to terms with what Wu Tong did to her. Men gossip about her and her “relationship” with the enemy, sometimes harassing her straight to her face. Wu Tong himself finds great delight in taunting her about her “sharing his bed,” not only relishing the memories but also enjoying how much it torments her.

Linglong: It was my fault that I was captured by Wu Tong, wasn’t it? [...] Everyone thinks so. I didn’t want to be captured by Wu Tong. But after Wu Tong said all those things, everyone thinks so. Minyan: Linglong, why care about what everyone else thinks? Just pretend that you didn’t hear any of it. Linglong: But I did hear them. Why do I need to pretend I didn’t? It’s something that actually happened, so why do I need to play dumb and trick myself into thinking it didn’t? Are you going to be like them too, and mock me?

All the accusations brainwash her into thinking everything is her fault. To Wu Tong and all the people judging her, she’s nothing but a pawn to be used for their own entertainment. And once she and Minyan leave the protection of the sect, everyone finds her an easy target to push around. Hoping that her death will mean freedom for both herself and her loved ones, she attempts to drown herself before being yanked back to life and reality by Minyan.

Linglong’s struggle is many women’s worst nightmare. It’s also a diligent representation of PTSD, something that I normally wouldn’t expect from a xianxia drama. Even after she's rescued and everyone tells her that her suffering is over, it never feels over for her. At night, Lingling is awoken by harrowing dreams of Wu Tong returning to kidnap her once again:

Nightmare!Wu Tong: You’ll always belong to me. You can’t escape.

The conclusion to her arc being Wu Tong’s death and his literal letting go of her may be quite idealistic. But I prefer to think that giving Linglong her happy ending is the writers’ way of trying to assuage our fears, of showing us that there will always be another sunrise regardless of what happens.

(**Content warning end.)

Linglong becomes the drama’s strongest woman-centric plot, and I really love that the writers did it with a character whose personality isn't the most appealing. She's the imperfect woman we can find in every corner of the world, a representation of women overall instead of the minority who are considered "deserving" of justice.

Next to her, Xuanji also gets a short end of the stick. She's constantly being pushed to marry Hao Chen. Every excuse in the book is used against her: they're a fated couple, he's the only one that can take care of her, doesn't she agree that this is a part of her duty? No matter how logically she objects to it, no one really cares what she thinks. If she objects, she’s being headstrong, and that’s the end of it. (More on Xuanji to come in Part IV of this essay.)

And aside from Bai Lin’s more obvious transgressions (we're getting to those), what really irked me is just how twisted he makes the God of War’s rebellion appear in others’ eyes. The logic turns quickly from “Bai Lin must have done something wrong” into “the God of War must have been in love with Bai Lin and grew resentful that he rejected her.” I guess it’s very believable that the God of War would want to destroy the entire universe because some guy wouldn’t date her? That’s right, you can be the most accomplished woman in your field and someone will still want to attribute everything you do to being motivated by romance.

Naturally, the next question is—why is Bai Lin such a weirdo? Why does he insist on turning his friend Luohou Jidu, a man, into a woman when creating the God of War? Hmm. I smell a waft of homophobia...

---

Part III: All of Them Are Racist

And except for a small minority, I really mean "all of them" this time. Humans and celestial beings are racist toward demons. Demons are racist back toward humans and celestial beings. If you asked both sides who started it, they'd point at the other without hesitation. "They started it. By existing."

I don’t even know where to start with this topic. Part of me believes this entire section of analysis could be extraneous—do I really need to do a deep dive when you could just click a random timestamp of a random episode and have a 50% chance of finding a character saying something incredibly racist? No case studies necessary. The drama is the case study.

Obviously, while I may say that all the different races are racist toward one another, some are notably more egregious in their discrimination than others. The five sects, being in power, are the worst offenders. Every other second, someone is reminding another that they need to wipe out demons. Just the utterance of the word “demon” makes them froth at the mouth. In their possession, they have treasure troves of weapons and magical devices whose collective main purpose is to identify and kill demons. Perhaps you know someone in real life who thinks that hating something is a personality trait—that’s the five sects in a nutshell.

Zi Hu and Ting Nu are continuously snubbed for not being human even after they’ve long proven that they’re more help than harm. Ting Nu is a doctor, but even saving Hao Chen doesn’t make them think of him as anything but a demon who is evil in his very bones. Demons can do everything right, but the high and mighty humans are too pure and innocent to associate with them…aside from killing and torturing them, of course.

Highlighted Exhibit A: Sifeng almost being tortured and whipped to death based on the mere suspicion that he’s a demon. The fact that he is one doesn’t matter. His assailants operate on the doctrine that they’d rather kill an innocent person than let a demon roam free. Every action to rid the world of a demon is a virtuous one. It's a reenactment of the Monty Python witch trial but they're being completely serious. 

Highlighted Exhibit B: the other sects band together to wipe out Lize Palace without solid confirmation as to whether they’re all demons. They’re operating on the same principle as in Exhibit A, so at least you can praise them for being consistent.

Highlighted Exhibit C: before Sifeng is revealed to be a pretty bird, Xuanji’s repeated defense of him consists of "Sifeng isn’t a demon." The main purpose of these lines is to instill further fear into Sifeng and give him more reason to keep lying to her, all while Xuanji's trust in him deepens. But is it also some of her lingering innate judgment seeping through? A subconscious understanding that her family and sect will never accept a demon as her boyfriend? Well, joke’s on them because he’s one hot bird.

So how are you supposed to survive as a demon? Lize Palace results from the humans’ desire to eradicate an entire race of demons. Just as Wu Tong is driven only by revenge, the demons of Lize Palace just need to survive for long enough to one day remove their masks and live as themselves. Humans’ endless thirst for blood does nothing but fuel demons’ fire of rebellion and keep the wheel of tragedy turning.

As for the “bad guys” of Tianxu Hall? At least when they commit the same acts of evil as the other five sects, they’re willing to admit that being evil isn’t beyond them.

Yuan Lang is an extremely successful villain for this very reason. All of us love Yuan Lang, so much that we start grinning whenever he comes on-screen with his fan and sarcastic mouth. So much that when it's revealed he's been consuming people's souls, all my mom had to say about it was: “Oh. That's mean of him.”

He plots and he lies and he murders, but he doesn’t put up a facade of holding himself to a lofty moral standard. It’s also quite telling that while Yuan Lang machinates behind the scenes, 90% of his time is spent standing by and calling others out on their bullshit. Everyone around him creates their own downfall. He just happens to benefit from their stupidity.

Man with a fan and a plan. I like. 

Even so, Yuan Lang isn’t invulnerable to emotion. One of my absolute favorite scenes is where Di Lang sacrifices himself so Yuan Lang can make a getaway. It’s the only instance of Yuan Lang being subject to the pain of caring about someone else. Those short moments contrast so starkly against the sects’ inhumanity that suddenly, a revolution doesn’t seem all that bad.

Behind the bulky mask, his despair is apparent. Man. This actor’s come a long way since his F4—I mean, H4 days. If you've never watched Let's Go Watch Meteor Shower Together, don't.

Finally, we arrive on the topic of Bai Lin. Oh, boy. I still haven’t watched Blood of Youth because seeing the actor’s face triggers my fight-or-flight response. And it’s been years.

Bai Lin, the one racist to rule them all. The guy must have a handbook on “How to Be Racist” or something—how else could the contempt that spews from his mouth, the spark of repugnance in his eyes, and the brazen obstinacy in his opinions be so immaculate?

The entire drama consists of setting the stage for the full reveal of Bai Lin turning Luohou Jidu into a weapon of war to be used against his own people. By the time all the pieces fall into place, you’ve already witnessed the tragedy created by discriminatory practices between mortals. You've seen how Sifeng is targeted and Xuanji forced to move her hand against him. You've seen how the sects use their power to harm instead of help. You've seen how demons plot their revenge for centuries. Once Bai Lin is confirmed to be the genesis of all that, there’s nothing left for you to feel but utter revulsion.

Bai Lin: Celestial beings and demons cannot coexist. How could my Heavenly Realm possibly hold a marriage with the Devil Tribe? Luohou Jidu: Celestial beings and demons cannot coexist...Then why do you drink with me today? Why are you friends with me? Bai Lin: Naturally, Brother Jidu, you’re different from other demons and devils. Out of all the demons and devils in this world, Brother Jidu is my only friend.

Can’t believe he even pulls the "you’re one of the good ones" card.

Bai Lin, practitioner of unethical tactics: his ultimate decision to trick and use Luohou Jidu results from racism-induced paranoia. He simply can’t believe that his friend will remain his friend, not unless he becomes "one of us." He thinks the God of War should appreciate that he's given her power and invested his time and energy in her tenth reincarnation, going so far as fool her into thinking that they loved each other once upon a time. Once Xuanji shows herself capable of independent thought, he doesn’t hesitate in turning against her and manipulating her to destroy her own self. He eventually sacrifices the entire world for the Heavenly Realm's survival. After all, what's the value of an entire planet's human and demon population in the face of his power?

He's the representation of what happens when those in power, those who have the best chance of righting wrongs and preventing more from happening, decide to perpetuate the problem. At the same time, he presents the predicament that those we rely on to give us justice are also victims of their own emotions and fears.

I venture to say that Bai Lin is the best-written antagonist in modern xianxia. He’s ruthless but has a moral compass, albeit one that only points in one direction—toward himself. His hubris aside, you have to admit that he genuinely believes he's acting for the greater good. The ends justify the means because he thinks he’s bettering the world.

Bai Lin makes awful decisions that involve genocide and cruelty because he operates on a strict utilitarian philosophy. "I do what I think will bring the best results, even if it means sacrificing something huge in the process." He’s the most dangerous character and the person we should also fear in real life because he’ll stop at nothing to create his definition of a paradise.

It would be easy to dismiss him as simply being a bad person. However, this show draws from reality in that every person exists in a gray area between good and bad. You can lean one way or the other, but you don’t fall completely into either. And that’s the foundation of the show's conflicts. Everyone's so busy trying to define what’s right and wrong that they’ve lost sight of basic compassion.

When he’s finally faced with the consequences of his actions, Bai Lin is driven to despair. He feels true remorse over what he’s done, but only because he’s fortunate enough to actually witness how the thousand-year conflict wouldn't have existed without him. We as people aren’t so lucky—those “what if”s will forever remain in the shrouded realm of impossibility.

Heavenly Emperor: You always thought that evil had sparked in the hearts of the God of War and Luohou Jidu. But the one in whom evil truly sparked was you. All things and happenings in this world are originally empty. From emptiness comes meaning. Yin and yang reverse; they support and restrain one another. The Heavenly Realm was originally empty. The Asura, too, was empty. If all is empty, then how could the Heavenly Realm be superior; and the Mortal Realm, Demon Realm, and Devil Realm be inferior? Your excessive concern for the safety of the Heavenly Realm prompted evil to take root in your heart, unable to be undone.

Seeing him in such despair almost makes me feel bad for him. Maybe I do have too much sympathy.

At this point, it's already too late to repair the damage he's caused, a realization that causes him further anguish. He rids himself of his divinity to show his remorse and accepts death. But he's already caused so much pain to everyone else. Who can put back together the world that he's destroyed?

---

Part IV: Love Wins All

(We love IU for her perfect song that also gave me the best possible final section title.)

As I seek to be conscious of my own biases, I once wondered: why is it that shaking my head at a female character for being dedicated to a man comes so naturally to me, but I can’t be more gleeful to see Sifeng put his heart out on a platter for Xuanji? Perhaps I’m also sexist. Perhaps I have double standards.

Then I thought about it some more and realized everyone loves Sifeng because he’s so blatantly unrealistic that you’re immediately able to sink yourself into his fictional beauty. He transcends gender norms because there is no person of any gender who would go to the extent that he does for Xuanji, nor is there anyone who could remain as levelheaded when faced with some of the most shameless people known to mankind. Forget all the people flying on swords and uttering magic spells. The biggest absurdity in Love and Redemption is its male lead. Yes, I'm a skeptic. But we're so lucky to have him.

Sifeng grew up in a bizarrely backwards environment where—instead of girls needing to cover up to not attract men’s attention—all men need to protect themselves by wearing masks and not associating with the opposite sex. Brainwashed for years to believe that Lize Palace is the only safe space for golden fire birds like himself, he keeps cautious around people while still harboring a subconscious longing for their warmth.

In my entire life, I never knew what a "friend" is. I finally understand now, the meaning of "fervent friendship."

Sifeng is established as the loyal lover extremely quickly. He's whipped—figuratively and literally—for Xuanji, his sheltered childhood leaving him defenseless against her unintentionally flirtatious mannerisms. He teaches her about her lost senses without judgment, nurtures limitless patience with her and others by proxy, and isn't afraid to question the status quo.

We love Sifeng for his wisdom and levelheadedness. He sees things for what they are and is commonly the voice of empathy and reason within a world of selfishness. The entire show is Sifeng going, "I might as well do it myself" in every situation because no one else cares, is capable enough, or both. He's the guy in group projects who quietly does everything and doesn't even get mad that you're the most useless team member ever. What a saint.

In the xianxia universe, he's distinct husband material (which isn’t saying much since the bar there is so low that you'd need to dig yourself a grave to reach it—which is also great because then you already have a place to go once your xianxia spouse gets you killed. I digress). His loyalty to not only others, but also who he is and what he wants, leaves him able to counter the complacency with hatred and evil permeating the world around him.

With his endless empathy, he's able to understand Luohou Jidu. While Sifeng's earliest motivation in facing the greatest devil is only to save Xuanji, he later views Luohou Jidu as an individual with his own sufferings. He's the only one to truly view Luohou Jidu as himself, not someone to eliminate, not just an extension of Xuanji. To Sifeng, everyone deserves a chance to be heard before a verdict is passed over them.

Not to mention, these two’s interactions are absolutely hilarious. I wish I could've seen the extensive conversations that must’ve went on in the censorship agency over them. 

Fellas, is it gay to clasp a guy’s hands within your own and stare deeply into his eyes while reminiscing about your loving relationship if he’s technically got a woman captive in his brain? 

But perhaps what shines the brightest about Sifeng is how he suffers. He's so pretty when he suffers. Wait. That's not my point.

When his Lovers’ Curse triggers for the first time, Xiao Yinhua speaks the gospel that a lot of the audience probably has in mind: "you did so much for her, you were so good to her, but she doesn’t love you back." And it sounds kind of right? But also kind of not? Then Sifeng opens his mouth and you think, "oh, crap, I've been brainwashed by misogyny yet again."

She never asked me to like her. If someone wants to kill another just because she doesn’t reciprocate their feelings, then that person will never be loved. They also don’t deserve to love another.

Again and again, Sifeng puts himself in harm's way to keep loving Xuanji. Sure, he wants her to love him back, but that's secondary to his desire to be honest with his own feelings.

With the bright beacon of light that is Sifeng’s blinding love, I feel most viewers overlook Xuanji’s capabilities as a female lead. Her comparative passiveness in the relationship makes it seem as if she doesn’t love him enough. I attribute this to the same reason as our previous conclusions, that female characters in romance dramas have a harder time garnering the audience’s approval than their male counterparts. Are we innately more judgmental toward women, or is the standard for men still so low that we’re already impressed when a guy surpasses the bare minimum? Probably both.

It's easy to forget that Xuanji is the one who's nice to Sifeng first. When they first meet, Xuanji literally falls into his arms. Then he just…drops her. (And they say chivalry is dead.) But Xuanji doesn’t care.

The rules of his sect push Sifeng into being a bit of a porcupine in his demeanor. He puts up a wall against everyone, but especially Xuanji. After all, as an innocent boy, Sifeng needs to protect himself from evil women. Or something.

Xuanji is the one who can't take the hint tries to befriend him and tears down his wall with the gentle, graceful nature of a sledgehammer. She insists that she'll retrieve his lost mask because she knows it's important to him. When she discovers that Sifeng is punished over it, Xuanji is the one to point out how unfair it is. Her straightforwardness and sense of principle are the reason Sifeng begins to open up at all.

Xuanji: I’m the one who took off his mask. If you want to hit someone, hit me. [...] Not to mention, he almost died trying to get his mask back. So I'd like to ask you, Palace Leader, is Sifeng's life more important, or is that mask more important?

She knows no fear, so she doesn't consider emotionless rules to be worth anything if they cause pain for the people she cares about. In many ways, Xuanji is the one who teaches Sifeng to stand up for what he believes in.

That Xuanji lacks her six senses makes her the least susceptible to the prejudicial habits of her surroundings. She accepts what they believe, that demons are bad, but only because that's all she knows. Whereas most of her peers are content remaining in their ignorance, this supposedly heartless gal is curious about the world. She can easily abandon her preconceptions in favor of what she witnesses the world to be.

It takes constant practice and tests for Xuanji to completely shed her old beliefs. The introduction of Zi Hu marks the beginning of her growth. Xuanji, concerned and angry that Zi Hu is holding her friends captive, fully intends on killing the fox until Ting Nu reasons with her:

Ting Nu: Zi Hu isn’t a malicious demon. You shouldn’t threaten her life. Xuanji: But she kidnapped my friends. How can I spare her? [...] No. She did bad things, so I have to kill her. Ting Nu: [...] Zi Hu has never actually harmed anybody. She’s simply misguided by her anxieties. You should spare her life. […] If you discover that she’s actually committing malicious acts, you could kill her then, no?

If it were Minyan or Linglong in her position, you could bet that they'd ignore Ting Nu. For one, he's a merman, so of course he'd protect another demon. To Xuanji's credit, she really does give Zi Hu—and Ting Nu—the benefit of the doubt. Does she have to? No. But she does anyway.

If Sifeng’s love comes naturally, then Xuanji’s comes through determination. Who's to say that one is inherently better than the other? It takes ten lifetimes for her to understand a semblance of love. She wants dearly to understand what it means to "like" someone, even though she's already the least unafraid to show how much she cares about others.

After she successfully grows the heart light for Sifeng, I don't think anyone is more excited than Xuanji herself. Look how proud she is. Obviously, she's happy she can use it to protect him, but I imagine that she also views it as the clearest proof that she’s as human as anybody else and as capable of loving as anyone else. Sifeng may be stunned when the heart light disappears, but Xuanji falls despondent—she really wants Sifeng to be someone important to her.

People sometimes struggle to see past Xuanji’s initial naivety. They're especially harsh toward her for not seeing what Sifeng has sacrificed for her until it’s almost too late. It's true, the drama primarily favors Sifeng's perspective, so it's easy to only see what he’s done and ignore Xuanji’s efforts.

In spite of warnings from Sifeng himself to not do so, Xuanji emerges to save him from the third lash of the demon whip. You go, girl.

Love isn’t a competition. But for the sake of the discussion, let's say proof is needed that Xuanji’s effort in the relationship matches Sifeng’s. In that case, the important part is looking at what they sacrifice in a relative scope instead of an absolute one.

The things that Sifeng sacrifices are astronomical. He climbs a tower blustering with an eternal blizzard and puts on the Lovers' Curse mask. He stands right in the middle of the conflict between humans and demons even though there’s no way humans will spare him. He gets stabbed…a lot. But everything he does is a result of his own will and careful calculations—they’re all things he knows he can take responsibility for.

Sifeng's major flaw is that he's a massive liar. He's not right to lie, but he's also right to be scared about what would happen if he doesn't. As a demon, he knows what happens to anyone who isn't distinctly human. That's why he conceals his identity from Xuanji.

Then, once he discovers that Xuanji is also the reincarnation of the Star of Mosha, his fear is ignited again for her sake. Xuanji has almost always been defined by what she is, not who. She's berated for being useless when she doesn’t have her six senses. The moment she’s revealed to have the God of War's power, suddenly everyone finds her more than useful. If she's publicly revealed to be the Star of Mosha, then she'd be killed without question, and the person that is “Xuanji” will also cease to exist. Just as he doesn’t want Xuanji to view him and as anything other than himself, Sifeng doesn't want anyone else to view Xuanji as anyone other than herself. That's also why out of everyone, the one person he must keep the Star of Mosha secret from is Xuanji herself.

When Sifeng's lies begin to unfold, Xuanji is left to handle the mess he's inadvertently created. Suddenly discovering that he's a demon and also protective of the demon that possibly murdered her mother, Xuanji is torn. Her wavering faith in him isn't because of his identity, but because he lied to her.

Zi Hu: Do you dislike it that much, that [Sifeng] is a demon? Xuanji: Should I not? Zi Hu: Well, you healed my wounds. And you’re friends with me and Ting Nu, a merman. As for little Sifeng, he’s not a malicious demon who harms people. I don’t think he was aware of what went on with Tianxu Hall and Lize Palace. Xuanji: That’s different! He shouldn’t have lied to me. He’s the person I trust the most. But he even kept from me who he is. Then, all the things he told me and did with me in the past…what part of it all was real and what was fake? Zi Hu: What’s real and what’s fake? Can’t you just drag him over here and ask him? If he’s a scumbag, just kill him. But if there’s any misunderstandings, the two of you should clear them up. Resolve them and see what solutions there are. When two people are together, the scariest thing is misunderstanding one another for no reason. If you lose each other, that might be the end, forever. You’d regret that. 

And then she eventually does try to kill him. Good going, Zi Hu.

Xuanji's main conflict in the latter half of the drama is that she wants to find a solution that satisfies everyone, an impossible dilemma. Everyone starts pressuring her to lead the charge against the demons. It's her duty as the God of War, isn't it? Oh, but if she doesn't want to, it's because she's in love with the enemy. But she can't be in love with the enemy. She's the God of War, after all.

That’s the duplicitous world that Xuanji lives in. Yet, without knowing why he's been dishonest or what else he could be lying about, she still chooses to believe in Sifeng—even if it means being treated as a traitor herself and being further guilt-tripped. She's bound to her duty, family, and the expectations that come along with that. Going against them in any capacity is a challenge to her entire livelihood and the moral standards imposed on her. If you take that into account, suddenly the things that she risks don’t pale in comparison what Sifeng does for her.

As an omniscient audience, it's easy for us to say that she doesn't do enough, that she should know better. It's an interesting thought experiment to wonder what else she could do in such a situation. Her boyfriend lies to her. She believes he has a reason, believes in him when he tells her to trust him. She defends him repeatedly to people who don't even care to listen unless it's to interrupt and call her crazy. She lies to her father that she'll devote herself to killing demons like Sifeng so they'll stop calling her crazy and threatening her. Then, when she goes to rescue Sifeng from Mingxia Cave, he's suddenly getting passive-aggressive with her: “oh, what does the mighty God of War need from a lowly demon like me that she deigns to talk to me?” Bro…if I were her, I might just ditch him in a fit of rage. That's how you want to play? Have fun turning into frozen poultry in this cave, then.

Obviously, more is going on behind the scenes that Xuanji is completely unaware of. Sifeng almost dies from her fire magic that Hao Chen stole. The broken hairpin. And okay, I'll admit that her saying that she'll kill him while he's eavesdropping outside is not a great look. But come on, Sifeng. Where have your critical thinking skills gone? If you can lie, don’t you think Xuanji can too? And after all that, she still instinctively shields him from her father’s sword.

Sifeng. In this case, I do have to criticize you in a serious manner. Do you have any idea how hard it was for Xuanji to finally try to get herself stabbed for you, only for you to go “no, me” and get stabbed again? Do you have a sword-magnet in your chest?

Then Sifeng tells her that he’s never loved her and was only using her because he’s Luohou Jidu, the world's biggest villain. And she still can't bear to hurt him. When Xuanji discovers that Hao Chen has tricked her into using a so-called “Purifying Vase” to doom Sifeng to a painful death, she's furious:

Xuanji: For my own good? You want me to practice the Method of Love, but you also want me to be heartless. I can’t be so contradictory. Hao Chen: I told you to practice the Method of Love through feelings between you and me, not for you to continuously absorb yourself in your fixation on Sifeng! Xuanji, don’t forget. Our marriage is one determined by the heavens. It’s destiny. Xuanji: The heavens determine nothing. If they do, then why did they make Sifeng and I meet in our past nine lives? What a joke of the heavens. Hao Chen: So, you’d rather resign yourself to your doomed fate with that demon than stay properly by my side? Xuanji: Fate isn’t split into a virtuous or doomed one. I hate myself for loving Sifeng before, and we won’t ever be together again. But since I already gave him my love, I won’t take it back.

But of course, Hao Chen has more tricks up his Mary Poppins sleeves. He pulls out all the stops and uses his last breath to manipulate her into stabbing Sifeng. Oh my god. Look at all these trust issues, just making themselves readily available.

Her stabbing him is, how do you say, very bad. But let’s be honest, she’s seen him survive worse. I don't have a nifty conclusion is here, but basically, she subconsciously knows he'll get over it (physically, at least).

Of course, Sifeng is heartbroken. It's intensified by the tragic fate of his father. His father’s goal was always to protect Sifeng from the dangers posed by the racist five sects, led primarily by fabricated memories that his lover Hao Feng was driven to suicide by her own family. When Yuan Lang reveals the truth, that Hao Feng's fear of demons trumped her love for her husband, it’s intense foreshadowing of Sifeng and Xuanji’s relationship. Maybe Xuanji isn't like Hao Feng and she can cross the rift between humans and demons, meeting Sifeng in the middle. But finally, she still retreats, away from him. Her betrayal, now the tenth in all their lifetimes, leads Sifeng to leave behind some of the most truthful but hurtful words for Xuanji to deal with:

I finally understand why my fate turned out as it did in all my past nine lives. From beginning to end, you have always been a heartless person.

It’s not fair to ask Sifeng to keep considering Xuanji’s feelings under the brunt of her violent wrath. But just as she has no idea what he’s been doing to protect her, he has no idea what she’s been doing to protect him. Zi Hu is right again: nothing poses a greater danger to a couple than misunderstandings. And racism.

The ultimate resolution only occurs once Xuanji recovers the memories of their past lives. Congratulations, Sifeng. After a millennium of pining, your love has finally touched the heart of your beloved. Indeed, it might take a long time getting there, but love will find a way.

I love the short scenes that show the God of War and Xi Xuan's quiet but gentle relationship. Xi Xuan is the only one who cares that the God of War wants her own identity, then gives her a moment in which she doesn't have to wear her armor, just as Sifeng does everything in his power to let Xuanji be "Xuanji." Through all their lives, Sifeng is the one who recognizes her for who she is and wants to make her happy, even if she doesn't have a heart.

Activate: Xuanji, shameless mode. After Xuanji tracks down Sifeng in his solitude, they return to their days as teenagers. Xuanji acts like a fool in front of him, demanding his attention, and Sifeng only wants to get her the hell out of his house. It's not only a reminder of the times when things were a lot simpler, but also of how far they've come.

She intends on marrying Sifeng. Even if her father doesn't approve, she no longer cares. There's not enough time left in the world to hesitate about the people you love to satiate someone who can't be satisfied. Just as Sifeng upends his whole life for her, she's willing to do the same.

And as Sifeng is dying, Xuanji makes the ultimate decision to become the Star of Mosha. This isn't a reckless move done just to save him. Rather, her faith in Sifeng has strengthened into steel after all they've been through. Even if the world ends, she knows that a little bird with unshakable resolve will come get her. For two people who have spent most of their time as a pair of parallel lines, never to coincide, this is their point of intersection—a challenge that they'll face together, even if they're apart.

Sifeng: Xuanji, stop! I'd rather die than watch you become a devil for me! Xuanji: Sifeng, I can't consider all that now. I have to save you! Whether I be the Star of Mosha or the God of War, I don't care. I just need you to be okay. Sifeng. If I become Luohou Jidu, you absolutely can't forget me. Remember to bring me back! I cry during this scene. Then I immediately start laughing at Sifeng's gobsmacked expression once Luohou Jidu shows up. It just reads "but...my girlfriend..."

And Xuanji's right. Sifeng is the solution. No one else can save Luohou Jidu, the God of War, and the world by extension. Luohou Jidu's pain results from being betrayed purely because of his identity as a devil, but Sifeng becomes the confidante that Bai Lin pretended to be. The God of War's pain comes from having no self-identity, but Xi Xuan gives her the ability to seek one and accompanies her for a thousand years to help her find it. The suffering that Bai Lin set into motion would lead to a ceaseless cycle of revenge and a destruction of the world’s good due to its sins, but Sifeng alone convinces Luohou Jidu and the God of War that there's something in life worth keeping. But you have to fight for it, and persistently, because good things only come to those who are willing to chase after them.

Xuanji to Bai Lin: I won’t mess with someone else’s life so simply due to my own matters, even if that person is someone as despicable as you. Sifeng once said that using hate to obtain vengeance is an endless cycle. In this life, I already have something that matters more to me than that. I have no space to keep my hatred.

I know it can sound cheesy to say that the best revenge is living a happy life. But Love and Redemption can convert even the most insistent of cynics—me, for example. People will practice evil whether or not there’s a reason for it and whether or not those consequences will ripple out into a tsunami that will engulf the world. Only true, honest love can hope to settle the uneasy sea. It’s why Zi Hu gives Wu Zhiqi something to live for other than war. It’s why Linglong and Minyan have a reason to persist alongside one another. It's why Luohou Jidu gives his heart and life to Sifeng. It’s why Sifeng is able to save Xuanji. It's why the three realms are blessed with the chance to keep finding a reason to persist.

Sifeng and Xuanji’s story is a journey of overcoming all odds; of learning to love someone unconditionally not because it’s easy, but because you want to; of letting that love grow into a ray of hope in the world. Yes, if we let it, love wins all.

Sifeng: Your heart has become one of flesh and blood. It couldn’t bear to destroy the three realms. Because…it’s a heart that I held and warmed in my hands, bit by bit.

[salamisatos]

late to the party?

I recently finished Xena's first season and it's the first time I'm rewatching it since I was a teen. And I'm just overwhelmed. I finished "Is there a doctor in the house?" last night and spent my whole day thinking about the episode and the season as a whole.

The thing is, I missed tv so much without even realizing it. Halfway through the season it hit me that we did used to have mid-season finales and the storyline would go a certain way to 1) give us a twist or 2) plant the seeds for the finale. What a joy, truly.

Anyways, from what I could remember the relationship between Xena and Gabrielle was never just implied but I thought they had only started to add more things in later seasons but it's so clear that this build up starts as soon as season 1. It was a very pleasant surprise, actually.

The start of Gabrielle's hero journey is breathtaking. I love a good "young and naive sidekick that tries to keep their heart pure even after witnessing the horrors of the world" trope. She starts like that and it's so painfully clear how much Xena wants to protect that and at the same time in later episodes we also see how much she respects Gabrielle's worldview. I also love that when she goes back home to figure herself out after freezing facing a dangerous situation it's 100% her choice. It was an amazing choice to put this moment right after she starts becoming more and more competent in battle, taking more care of herself because I feel like it was such a turning point for her. It's like in that moment she fully understood how high the stakes were and it's heartbreaking to see Xena come to the realization that she can't help Gabrielle with that. Ugh, I love it.

Speaking of Xena, I love how through the season we see her getting more and more fond of Gabrielle but really keeping her at arms length because she thinks she's not a good person. They are always doing things kind of separately, mostly Gabrielle staying behind and what not. I also love how this power trip and bloodlust she gets into feels almost like an addiction and it's such a painful struggle. She's trying so hard and Gabrielle is so ready to vouch for her, to absolve her of all her wrong doings, even us as audience feel so much in the way she's trying to do what's right and then bam they hit us with Callisto.

AND IT'S SO GOOD! like the literal personification of everything she did wrong. and they show us in such a nice way how much Xena understands and accepts that what she's doing is basically the bare minimum. She's not going to be absolved of anything, she's doing what's right because it's the right thing to do because she doesn't want that pain and suffering anymore and not because people will cheer and forgive her on the spot. She won't cheer and forgive herself on the spot.

It blows my mind how she's as caring as she's tough. I feel like often in media people still struggle to balance this line with the "strong female character" and here I felt it was done so naturally. In the last episode we see her using so many of her battle techniques but this time to help heal people. People she doesn't even know. We see her so practical, rationally teaching medicine as we know it to Hippocrates lol but then it all comes crashing down so painfully when Gabrielle gets injured. Like, that's her guide, her northern star, her partner and best friend. The scene where she's trying to get Gabrielle back is just so so so strong. She's like a cornered animal, no one is going to help her, she's at her most vulnerable and everything is so raw and desperate it truly took my breath away.

I don't think that's when she realized she really loved Gabrielle, I think she's known that for quite some time at this point but it was the first time she actually had to face what it would be like to really lose her and it was the worst thing that has ever happened to her.

Anyways I don't even know if I'm making sense, I just felt a lot of things and decided to let it out. I just love them so much it's crazy. And they love each other so much it's even crazier.

[amuseoffyre]

I got thinking that the most honest and raw details about Ed and Stede's past are revealed in Stede's fever-dream and Badminton hallucination and Ed's coma, when they're confronted by their own subconsciousnesseseses (too many esesesss didn't know when to stop).

I had a pick over some of Ed's dialogue from the Gravy Basket the other day, which was barely even scraping the surface, including his expectation of violence when he's vulnerable, anticipation of hurt/cruelty in a domestic sphere and from a caretaker, desperate need for validation and approval and more.

While rewatching episode 1-4 today, it hit me how much Stede's demonstrate his belief that:

he was and remains nothing more than a disappointment to everyone around him, fit for scorn and derision (covering the parent, spouse and child for his fever dream)

no one would care if he was hurt ("Yeah, congrats")

he was insufficient ("you are such a disappointment")

he was a coward/weak ("He was scared of geese, for god's sake," say the man who shows up holding the goose he forced his son to watch him kill)

his choices, thoughts and fears would be laughed at (All of the above + Nigel)

no one cares about his physical well-being (Standing over him, taunting and laughing while he's in pain)

he was a terrible father by choosing to leave ("They'll never see papa again")

his children would hate him and wouldn't care if he was dead ("scoundrels spare no one")

Messy, emotionally-repressive autistic lad hasn't had anywhere to let out his distress for a long time, because he's never felt safe to do it. Mary says she knew he was unhappy and thought she heard him crying alone and, in a flat monotone, he denied it and said the crying was the wind.

He was conditioned to believe anything he said would be shot down. He wasn't allowed to express opinions and thoughts and his father made damn sure if he did have any, they were scoffed at and ridiculed, whether it was Stede's belief he was fortunate to have comfort and wealth or derision about his belief that he could marry for love. Mary's anger at his ship plan comes in there too, even if her reaction is warranted - he still sees a rejection of him, his ideas and the things he cares about.

It says it all that the only time he really does lose his temper in S1 (not including the meltdowns over things not going to plan) is when Jack is deliberately smashing all his buttons, treating him like his peers and dad used to and then, to rub it in extra hard, pissing on his shoes.

Stede tried to do what he normally did in stressful situations: he was going to go back to the ship so no one would see anything, because Conceal Don't Feel is that man's watchword. He bottles so finely he has an entire wine cellar of Trauma.

Ed catches him before he can leave and Stede's all out of control of his emotions and lets opinions fly and next thing he knows, Karl is dead, the crew are upset and Ed is leaving with Jack. So he learns Do Not Show The Emotions Again and boy, how that spectacularly backfires.

And on that note, watching S2, ohhhhhh there's an eruption coming at some point. He has been pushing it all down, shaking the bottles and stacking them. We've had his flashbacks again. We've had him kill for the first time. We've had him almost lose the love of his life multiple times. He's not dealt with any of that and a storm is a-coming now there's nothing to distract him from it.

Also, in case there's any doubts that his trauma isn't lurking to sneak back up and bite him, look at the man he chose to spend time with after Ed left him when he did something regarded as "man's work": an older man in a bloody leather apron just like his father in the flashbacks.

"You like me for me," he says to that guy, the one who has been reassuring him and validating him and telling him how good and worthwhile he is all day.

Stede "Daddy Issues and Then Some" Bonnet.

[mira-likes]

The revelations episode with Xiao En hits hard even when you KNOW that it's coming and what he's going to say. And in the years since I'd first watched the show, I'd forgotten some details!

There's an evil under the Divine Temple?? That, if unleashed, is going to destroy the world?

Like, there are already SO MANY things s3 has to address--I'm guessing Fan Xian has to deal with both the Second Prince and the Crown Prince once and for all, plus the emperor, since none of them are fit to rule; but do we also need to deal with whatever is under the temple?? That feels like a lot.

(But at the same time, this rewatch of s1 has convinced me the show must have some kind of a sci-fi-related resolution, which I don't personally love, because I'm invested in the pseudohistorical imperial drama instead. And the sci fi mysteries do delight me, but only as long as they don't take over. So if they end up taking over at the end, I won't be best pleased.)

Also, the con Chen Pingping ran on Xiao En is just so exquisitely cruel. And he kept on it for YEARS.

(And in this episode we haven't even got to Fan Xian's realisation about who Xiao En's real grandson is.)

Which, again: another point towards the "Chen Pingping hates the emperor and will take revenge on him at the end" theory, because this episode too emphasises how Chen Pingping can nurse a grudge and hate someone quietly for years, and always, always settle the score.

Anyway, Fan Xian is actually illegitimate! A flashback moment in s2 had Xiao En's line about how Ye Qingmei had married into the Qing royal family, but in s1 he actually backtracks to, they weren't officially married but did all the things that married couples do. I knew I kept thinking he was the emperor's illegitimate kid for a reason...

And Fan Xian's face. Fan Xian has a great many faces! This actor is so good at facial expressions and subtle shifts that play out on his features! And that moment of revelation really, visibly hits him like a hammer.

And it strikes like a bolt from the clear sky, too. He NEVER thought anything was off about his birth. He knew his mother was this great individual revered by many, and he obviously knew he was an illegitimate kid, but he never doubted whose illegitimate kid he was. He'd grown up with it! He knew it like an immutable truth! And then, after Xiao En first tries to convince him they're related (which Fan Xian knows for sure to be wrong), he then casually drops this bomb on him, and Fan Xian--

I genuinely think he's never the same after. Like, I'm curious to see where it goes on my rewatch, but I think this is the great shift for him; the moment where things converge and hit home and trap him in this web of connections he didn't know he had and hadn't suspected others of hiding from him.

[theflyindutchwoman]

Hey! How are you holding up? Just finished the episode and I haven't really recovered. I am sad, I am frustrated, I don't really know what's happening? I thought they were mature and Tim is so dumb right now, I can't even.

And Lucy? I can't even start to imagine what she's going through. She has been so badass for the 5 seasons and this season she just gets fail after fail and loss after loss and doesn't even get a good job storyline.

So sorry I didn't reply sooner but I first wanted to take a little step back in order to fully digest the episode. As much as the waiting is killing me, I actually appreciate the hiatus for that. I imagine your feelings may have changed a bit as well since then… or that was the impression I got from our different conversations here and there. How are you feeling now? A bit better or still frustrated?

I'm going to start with Lucy. I was rewatching the beginning of season 5 and this is hitting even harder now. Not because of the pining era. But because the narrative was already showing her isolation back then. I couldn't quite put my finger on why her storyline in season 6 felt so familiar but now I get it. This is merely the continuation.

As we all noticed, the scene of Tim breaking up with her had a very similar vibe to the one at the end of 5.02. But think back of when she went to Nyla for advice about going to UC school, when she was trying to confide to Aaron who was too caught up in his own drama to hear her… or when she spent hours locked in a freezer because no one realised she was missing - besides Tim, that is. And then, there was the whole Rosalind thing where Lucy had to push through her own trauma to help Chris deal with his and help Bailey stay calm. But no one ever took the time to ask her how she was doing with all of this (on screen). They all had good reasons, by the way, this isn't me trying to paint them as the bad guys. But this still has an eerie similarity to what is happening right now. Only there has been no payoff for any of this. Yet. It didn't seem to go anywhere. Until now. Same with her career : she nailed UC Academy, something that was supposed to help her standout come promotion time… She helped the FBI on a raid, she was asked to be the acting Watch Commander, she was told that the whole station had her back… And yet, none of this paid off either. Yet. So this is a great opportunity to finally connect all the dots that have been dropped for the past two seasons and give Lucy the amazing arc she deserves. I sincerely hope this will be the case.

As for Tim… Look, the reason why I didn't want a breakup (besides the fact that I dislike this trope so much), is that I was afraid that it would cheapen the whole "worth the effort / worth the risk" speech. You can't say that and leave at the first difficulty without downplaying the whole story. So I'm glad that the writers were able to find a way to circumvent that issue by showing Tim completely unravelling. Because this isn't about him thinking Lucy is not worth the effort or the risk… This is about him thinking HE is not worthy of her. And that changes everything. For me, at least. I still get the frustration. I still wish this storyline would have been done with them sticking together and trying to work through it. But I can understand his perspective, why he thought this would be better for her. And I can see how that could make them stronger in the end. So, just like with Lucy, I hope Tim's arc will be treated properly and carefully. I need to see the payoff, the progress… I need to see them heal. Separately and then, together. It's always hard to see where a story is going when it is still unfolding… But for now, I choose to remain optimistic and hopeful. Does that help you even a tiny bit?

[alexwilltellyouthings]

Entirely self indulgent rating post about the top 10 TV shows that made me fucking insane for some reason

10. Sense8

God, this was so good. Such a blessing. I saw part of the cast during a Pride Parade and it's one of my favorite memories. I felt every possible emotion with this show, I love it.

9. The Last of Us

This is kind of a cheat, because the obsession comes from the games, but it is what it is. It's one of the few games that had a big impact on me and I closely relate it to my relationship with my dad. Can't wait to cry my heart out at season 2.

8. Good Omens

It's a given, isn't it? That stupid angel with his stupid demon and their stupid God. GRRRAAWW. A lot of thoughts and feelings came from the fandom, I have to point out. It's been very nice.

7. The Umbrella Academy

I have the first issue of the comics autographed by Gerard Way!! I mean, yes, it's because I'm a MCR fan, but it became even more precious after I got into the show. I'm rewatching right now, preparing for the last season. I'll be a mess when I say goodbye to them. Can't even really think about it too hard or I'll cry right now.

Continues under the cut

6. Our Flag Means Death

LISTEN THIS CHANGED EVERYTHING TO ME. What do you mean we can have a show THIS queer? It's all I want now. I ate it up. I smiled so much. I wanted this so badly and had no idea.

5. Interview with the Vampire

Feels like it should be top 3 honestly but I'll get there. This is also a cheat, I've been reading the Vampire Chronicles since I was like 15. Growing up with Anne Rice probably messed me up but hey at least I have great taste. And seeing them on screen? The way they made it BETTER? And Lestat?? Who has been haunting me for 15 years on and off??? And the second season and their reunion and and and?????????? I'm STILL insane about them and will be forever, I'm afraid.

4. Doctor Who

Listen. Listen. Okay. Yeah. What can I say? If you get into it, you're doomed. And I have been doomed for 10 years at least. I stopped watching for a while and got back last year, and it hit me all over again. I love this dumbass genius alien in a way that's calm, even. Just a permanent part of who I am now.

3. The Untamed

The year was 2022, it had been a while since I had a proper fixation and I didn't think it would happen with this danmei live-action, but then came Wei Wuxian. Guys, if I tell you I fell in love. Couldn't stop thinking about him. Everyday I was plagued by his smile and red ribbon and tragic backstory, yadayadayada. I really like other characters too, and their stories, but WWX did something to me that I still don't quite understand.

2. Queer as Folk (US)

This was a looong time ago and it didn't really persist over time like the others, but it was my first actual obsession. I was clinically insane over these gays. I had no one to talk to about them, so for every episode I wrote several pages of notes to comment to my (only) friend at school the next day, the poor thing. It was pretty much all I talked about because I spent EVERY MINUTE we had to talk going over the notes and explaining the episode. Like, between classes, during breaks, everything. Months of that. She held on firmly because she was a good friend, but I'm aware it must've been terrible. Like I said, insane.

1. Dead Boy Detectives

Maybe I'm putting this up here because it's my current hyperfixation? Maybe. But I don't think I have felt something hit as strongly as this since QaF over there. This time I can participate in fandom so I don't need to write every thought I have because it's all a big talk anyway, but I'm still pretty much having those thoughts all the time for *checks notes* nearly three months. I'm writing more than I have in years. I'm back at Tumblr after I don't know how long. I'm staring at GIFs over and over like I have the fucking time for that. I'm distracted at work daily. I talk about it in therapy. I have the main cast's notifications on. I'm getting involved in fandom discourse sometimes even knowing I shouldn't. It's a nightmare. I love it. I love them.

If you read all of this, congrats! Now you know how my mind works, kinda!! I'm open to talk about any and all of these shows. It's amazing how they mess us up. It's also scary, but anyway.

[alice1505]

I made the mistake of rewatching Sherlock because I never did finish it back in the day (I was -clenches fist- seething over the queerbaiting and rage quit after not fully watching episode 1 of s4) and I'm here to make my side hyperfixation (what year is this??? Who am I???) Tumblr's problem. The more I sit with s4, the less I like it 😂 There were pieces and elements I liked, but overall, it left a bad taste in my mouth. Forgive me if any or all if these points have been talked to death, I missed all the discourse and I'm hella late, but I need to flail and send my thoughts into the void because what even WAS that season? I can't believe I avoided it for years, got drawn in by a couple of tiktoks making fun (affectionately) of superwholock Era and That Scene about the fucking phone charger port, binged all of it, only to be left with..... that. Not nearly as disappointing or rage inducing as spn's ending but by God, did it leave a hole in me. So please ignore my rambling thoughts as I slap them down here for my own sanity.

• First and foremost, what - and I can't stress this enough - the fuck was UP with the assassination of John's entire character???? What was that??? Why????

• Related to that point - I can appreciate the angst point and potential it provides, as I'm reading many, many fics, but AYO WHY didn't anyone rip John an entire new one for that beat down he did on Sherlock????? Hello???? 911?????

• Tell me why everything felt so stilted and borderline icy. Like I get the high emotions and shit, but after a certain point... 😭 was there a falling out between Benedict and Martin that I'm not aware of? Did they just try to ungay everything so hard and were so pissed at the audience picking up everything THAT THEY PUT???? into this show and their interactions that they just hit the brakes hard enough to make everything feel weird???

• A lot of it felt weird. Off kilter a little. Forced in some places, toned down in others (and toned down where it shouldn't have been), a nod to ships but weirdly/hatefully??? Idk if that makes sense. Like the whole Sherlock and Molly phone call (I do not mean any hate to this ship, I really hope it doesn't come off this way. Not my cup of tea but you are valid). Why was Molly so upset BEFORE the call? Did I miss something? Also I don't personally think or feel she'd still have those feelings for him??? I??? I am bamboozled.

• to that whole point, Eurus was.... Hmm. Mmmm. She was. Something. (Confused derogatory)

• I like Mary as a character. I also hated her. (Definitely biased by my shipper trash ass self for johnlock, I'm sorry). Wtf were those messages, please. Edit: AND ANOTHER THING. John's reaction to Sherlock's death - awful, gut wrenching, beautiful, my heart breaks with and for him, utterly devasting. John's reaction to Mary's death - had me sitting there like🧍‍♀️(it was weird. so weird. awkward. w h y. (we know why, but also the acting choices were Something TM, in both cases! for different reasons!) i'm sorry i just can't get past my anger and put off-ness with mary, fun as she could be)

• why did mycroft and John switch roles 😭 pls. The last episode was just. So Much. The lackluster responses from John, to John, to Sherlock, between them, like.... hello???? Who are these people?? Help me. Moriarty saved me for a brief shining moment tho, God bless.

There's more I could spew, but that's what's sitting right at the top of my head. I guess all this just to say, if a show runner/writer really just fucking hates the audience they got (instead of the one they wanted), they probably shouldn't have fucking become a show runner/writer in the first place. Either hand it to someone who can actually handle it and listens, or fuck off. I will never understand when shows and plots and characters gets kamikaze'd because of a show runner being pissy and egotistical. Like ????? Grow up. Learn from Bryan Fuller and Hannibal or something.

Sorry for all the rambling, bless anyone who reads this and makes sense of it 😂

[jinkibum-smiles]

Just started watching Lovely Runner and I love it so far! Don't get the hype about the ending of ep 4 tho when Sol says "Was it my memory that I lost or was it you?" Am i missing something? What makes that line so good?

You know, I don't think it had hit me that hard either when it first came out, but it definitely has a deeper meaning now with everything that has happened. Looking back, it was a pivotal line and moment in the show. And that's probably what people picked up on and really hyped up.

Without spoiling anything and just looking at what happened in the first 4 episodes - we're seeing Sol realize that the person who made her want to continue living is also the same person who saved her life.

And she pushed this person away and hurt him in her moment of pain and grief over losing her legs.

Because she doesn't remember him and no one told her about him, she never had the chance to go back and thank him.

As I'm thinking through this and rewatching the scene, perhaps she could have even thought if she had been in his life from the beginning, things could have turned out differently in 2023.

Wow - thank you for this question. It made me appreciate this line and scene even more. Also, the way Kim Hye Yoon delivered this whole scene was amazing.

*cries*

[raayllum]

Been rewatching Infinity Train (3rd show of all time for me) and reflecting on how they write relationships:

The first is that they let characters have real issues with each other — actually unhealthy / toxic individual traits and subsequently unhealthy patterns with each other — even when those characters don’t know anything is wrong! They think they’re fine, fun, healthy, as a dynamic and as a person, the way most people do. The second thing is that in letting the characters be wrong, the show lets both characters, every time, be wrong. [...] It would be so easy for Infinity Train to just go “one half has all the problems, the other just has to help them through it”.

and it just filled me with so much love for how S4 and S5 of TDP but especially S4 wrote its main character relationships.

Rayla was wrong to leave, and Callum isn't wrong to be angry, but they both leave a lot to be desired when it comes to relationship repair; Rayla is awkward and kind of aloof, and Callum is cold and closed off. He mandates that he doesn't want to talk about what happened and she respects that, but then the next day he's jabbing at her over it. And we see in late s4 and early s5 that despite coming back, Rayla isn't really breaking old patterns of behaviour, either. Callum had to burn through his anger and hit a turning point of giving her a solid basis to work from — if he withholds help, she'll never learn how to accept it; if she never shares, they'll never be anywhere but square one — that lets them both do repair on their wound(s).

Janai and Karim are mutually bad at communication. Initially, Karim doesn't plan to divulge his worries at all, but Janai gently nudges him. Then when he expresses them, because they're borderline bigoted, Janai doesn't want to hear them, which is fair, but does leave the concerns he does express completely unaddressed as she shuts him down. Karim isn't wrong that both Lucia and Amaya are being insensitive over what happened, and Janai doesn't communicate her changing feelings regarding being queen, so Karim bites himself in the ass by assuming she'll step down. Was Karim being a bit unhinged and stupidly dangerous by orchestrating the Blood Duel? Of course. But did he actually 100% think Janai would step aside (when in the same episode, Janai was considering that maybe Karim would be a better king to begin with)? Also yes. But neither communicated well, and that's part of why things escalated to the degree that they did in s4.

Viren and Claudia are another great example, and honestly reminded me the most of the pair from S3 of Infinity Train, in which one starts to back out of the Literal cult they've formed while the first 'follower' refuses to consider any other paths till they end up destroying each other. We see something reminiscent here. Viren is responsible for setting Claudia on her path and for bringing Aaravos into their lives, but Claudia has been making her own choices independent of what Viren wants for a while now as of S4, bringing him back because she couldn't afford to lose him and slapping his concerns out of him for the same reason, when Viren thinks he may ultimately want something else. She's been through too much to have her turning point with clear eyes, and we see Viren in S4 steadily building up to have his own (circa S5). I'll be very interested to see the two interact and this massive divide in choices/priorities come to a head, should Viren live into S6, especially as it teaches the hard lesson arc 2 keeps reaffirming over and over: you cannot save someone who doesn't want help, and you cannot change someone who isn't willing to change. They have to do those things and accept your viewpoints / accept your help piece by piece when they're ready or willing to. And that's life

[cyanoticfireflies]

Hazbin Hotel - Rewatch Thoughts (Episode 1, Part 2)

Charlie kicks into song #1, “Happy Day in Hell,” and KeeKee is just kind of floating in the air listening along with all the rest.  Just an observation.

Okay, so some of the stuff we see in Hell: one very dead ant/praying mantis looking demon, some actually not *that* kinky sex (guys, we’re on AO3… if you know you know), and a slew of dead bodies in the road.  I assume those are fresh kills and not leftovers from last week’s extermination – though maybe?  They smell awful and have flies, which means the dudes picking up corpses in the Pilot are very inefficient at their job.

Real talk about the barbed-wire pair – what’s the status on Sinner/Imp relationships?

 Because in HB we kind of see some of the social stigma of, say, a Goetia prince and an imp.  Though there doesn’t seem to be a whole lot of noise about a Sin and an imp – probably because everyone is way too distracted by Lust falling in love.  And with a Sin and a hellhound, it is telling that the party is populated by imps and hounds exclusively….

We do get an imp and a sinner making out in the music video Addict (the ladies with Valentino) but that strikes me a bit more as “someone told Valentino that lesbians making out was hot and he said “Yeah, sure.”

Anyhow.

I feel like when Charlie hops up on the car we get our first real core philosophical discussion here.  “If I can show them the dream I’ve dreamed, that anyone can change.”  This is *optimism.*  This is highly simplistic so we as first-time viewers of the show can understand Charlie’s personality and motivation.

This is not realistic.

Vivianne did a livestream where she talked about just this idea and that part of the conflict is that maybe not everyone can be redeemed.  Are we holding out high hopes for the loan sharks that came to the hotel with a battering ram in episode 5?  The skeezy sharks that tried to date-rape Angel in episode 4?  *Valentino?*

(That last one actually wouldn’t surprise me that much if they tried it, but also how?  If HH pulls it off and genuinely manages to redeem the most universally hated character in the show, I will be impressed.)

Some people don’t want to change their ways and be redeemed.  Others may have done things so horrific that it’s hard to imagine them being able to truly change their ways and move forward with the rest of their existence.  There’s a sliding scale of what is and isn’t forgivable, and VM said herself that the scale is very person-to-person and it’s something the series will struggle with.

“But I do think there are certain things, you know, to me, from my perspective, that I feel like are irredeemable and, you know, when that line is crossed, I’m like ‘that can’t be uncrossed.’”

Counterpoint to Charlie’s singing, Vaggie starts talking about the angels.  She’s 10,000% convinced that this isn’t going to work, and at this point in the show first-time watchers are just nodding along.

But we know that Vaggie isn’t just repeating anti-angel slander here.  She knows better than anyone in Hell except maybe big Lulu himself what the angels are like because she *was* one.  When she says they’re stubborn, don’t change their minds, are bloodthirsty, she’s talking from hardcore experience.  And specifically exterminator experience.  We only really spend time with Lute as far as the exterminators go, but – as we’ll see later on in this very episode – Vaggie is pretty much hitting the nail on the head describing her own personal knowledge of angels.

Also, it’s worth noting that Vaggie says “those angels,” “they.”  This is partially to avoid spoiling the big reveal later on but also because Vaggie genuinely doesn’t think of herself as an angel anymore.

She no longer has wings.  She’s no longer an exterminator.  She lives in Hell.  She doesn’t have any personal connections – that we’ve seen yet – to anyone in Heaven but has a Hellborn girlfriend.  Vaggie’s life exists in BC and AD in terms of “Before Charlie” and “After Demon [Princess].”  More on this later.

 (What moron killed this dude and then *left. the. drugs?*)

This next part is, to me, where “Happy Day in Hell” cooks.  You sing it, Princess!

So… Travis?  Why???  What is this dude’s deal?  Not even getting into the pilot or Addict videos, but in episode 4 – so actual published show cannon – this guy directs Valentino’s porn.

His literal job is watching porn all day long, live and in 3D.  But he wants to spend his free time watching other porn and getting so randy he’s practically humping the windows?  Me thinks his sins are related to a porn addiction that is very not under control.

Moving on to Cannibal Town, I have a legitimate question.  We’re told that sinners can’t “double-die” unless they take an angelic weapon to the face.  Does that mean that those who are cannibalized in Hell don’t actually die from it? 

And if they won’t die from it, are there people who volunteer to be eaten?  Do the cannibals take turns deciding whose turn it is to eat and whose it is to be eaten?  And then after they’re eaten, do they just respawn?  Is there a lottery system?

It's been a long time since I was in band, but I think the sheet music behind Charlie is actually correct, which is like a super impressive little detail.  Tri-pe-let-hold.  There’s-just-no-way. 

As someone who likes shows where the person “playing” music is so far off of the music that it’s laughable sometimes, it’s just really cool to see.  It probably wouldn’t have been any more – or less – work to just make something up, so there was no reason not to.  But I’ll still give the kudos!

Little detail that cracks me up every time is Husk’s original VA being the flasher Trenchcoat Demon.  “Touch his parts” indeed. 

Sorry, buddy – only certain fluffy spiders get to touch the parts.  Imagine getting told you’re being replaced by Keith David only for them to find a part for you anyway and it’s that.  Mick Lauer must have a great sense of humor.

Without going into too much detail on my job, I actually do a reasonable amount of communication with and visits to embassies in Washington, DC.  Charlie’s experience of walking straight in the front door and ambling around until she finds the reception desk is definitely a suspend your disbelief moment for me. 

I know the whole point is that it’s abandoned and creepy.  But no metal detectors or bag checks?  At least there is a sign in sheet.

Someone pointed this out, but how does Adam eat through his mask?  I know that the ribs are a hologram, but so is Adam, so assumedly the real Adam is eating real ribs up in, like, the atelier off of Sera’s office? 

In episode 6 we later see him drinking through his mask while he’s walking around with Lute, but that’s normal drinking.  This is like he’s shoving the ribs through a rib-stripper that mechanically separates the meat from the bone.  That whirs.

The hologram part of Adam’s presence does seem to be entirely arbitrary, though, based on whether the scene wants him to pull a prank on Charlie or be slightly threatening.  Her hand goes right through him when they go to shake, but later on he is able to grab her wrist and physically move her. 

Is there a button up in Heaven?

Wait… if Adam is a hologram for Charlie, is Charlie also a hologram for Adam?  Is he in full VR like he’s sitting in the Heaven Embassy in Hell, or is he sitting in his own office and just Charlie’s physical presence is being projected?  Or did the design the two rooms to look the same so no one would get lost on where they are?  If Adam moves a chair in Heaven, does an identical chair move in Hell so that if Charlie walks in that exact spot the two images won’t overlap?

I may be thinking too much about this.

We go back to the hotel, where Vaggie wants to create a new commercial. 

I love that Angel can’t be within a few feet of Husk without basically going “the old man… I desire him.”  Poor Husk.  His eye is actually *twitching.*

Notice me not saying anything about the genuinely impossible physics related to another (missing) eye.  So proud of myself.

Alastor creates a new camera for them, and I’m genuinely curious what his thought process is.  The photo camera he makes seems pretty congruous with his time period (aside from some antler decorations), so it seems like he conjures what is familiar for him.  But when he creates the video camera, it includes an eye and even eyelashes. 

I wonder if this might be related to some part of his backstory with Vox.  We know that Vox has cameras set up all over the place and watches people, so maybe Alastor associates video cameras with being watched.

Vaggie films Husk and Angel first, and I love hearing awesome actors act like they’re awful actors.  But this also makes me curious what the storyboard Vaggie has in mind is.  Also, there’s no way Vaggie actually handed Angel a script that said “big, strong daddy.”  She’d die.

I know the “you come” set up the Angel-filthy-moan joke, but it should definitely be “you’ve come” – possibly setting Angel up for a “not yet, baby” joke…  Either Husk really needs the script that close to his nose to read it or the scriptwriter didn’t get good grades in grammar.

Scrub that counter good later, Niffty and/or Husk.  We know where Angel’s *everything* has been.

… I’m not even asking what the skeletons around the bar are from, but one does look like a snake. 

Maybe that’s why Sir Pentious thought they other residents had it out for him.

I’ll get into this more in episode 4, but even this early we can see Angel adopting some of Valentino’s mannerisms  when he’s making passes at Husk.  “Baby-cakes” from the pet called “Angel-cakes” by his own master…. 

I know it’s upsetting you, Husk, but take the lid off the bottle first.

(We'll pick up in Episode 1, Part 3 due to Tumblr's 30 images-per-post limit.)

[where-theres-smoak-2]

The Artful Dodger Spoilers!

So I may have rewatched the artful dodger a few times, ok so it may have been an unhealthy amount of times and I may have a slight obsession but the show is just too good and dodgerfox has a hold over me.

But anyway on my most recent rewatch something struck me and I just love how poetic it was that Jack finds the solution to saving Belle's life in a noose.

Like Jack is someone who has always had this threat of the hangman's noose hanging over him. When he was a child he was a pickpocket and there was always that danger of getting caught, now he's an escaped convict and if anyone finds out he'll be hung. This is something that is established in the show from the first episode with the scene where Jack watches a man who is an escaped convict hang. Throughout the series the hangman's noose continues to be this looming threat over Jack and is brought up consistently, like when they go to Tim and say 'the noose is upon us' and there are other instances were the characters talk about the danger of them being hanged.

Then you have that scene with jack after he and belle have failed to do the surgery on the cadaver, the woman he loves is dying and it seems like there is no hope at all, then he looks out the window and sees the noose and that is what gives him the idea to tie the thread into a noose allowing him to have more control when tying the ligation. It gives him hope.

What I love the most about this moment is how it links back to the conversation Jack and Belle have in 1x02 when Belle tells him that there is more to medicine than just death, there's life, there's hope. I think Jack has struggled with how limited he has found medicine up until Belle came into his life. It's established right from episode 1 that Jack does care for his patients and when he loses a patient it effects him deeply. It also seems like due to the way the hospital is run and the limitations Jack has to work with, because the prof is ignoring all new progress in medicine, Jack loses patients alot and has come to frustratingly accept that its just part of medicine, nothing you can do about it.

But then Belle comes into his life and she starts introducing all these new, ground-breaking things to medicine, the ether, the carbolic acid, access to literature on medical breakthroughs from around the world. For Jack this opens up a whole new side of medicine for him, he is able to do procedures that just weren't possible before, like abdominal surgery. Before Belle an abdominal injury meant his patient was going to die, but now there was hope that they could be saved. As the series goes on we see Jack going from 'no that surgery is too much the patient will die from the pain, its not possible' to trying and succeeding at performing more and more difficult procedures in the hope that his patients will live and it works, charlie lives, rotty lives, the sailor is able to continue navigating. I think Belle very much becomes his hope.

Which is why for me that scene with the noose hits so hard. At the time when he feels like he is losing hope, literally in that he can't save Belle who has become his hope, it is something that Jack associates with death, with the finality of death, that gives him hope that he can save Belle. It's just such a beautiful scene, even in the way that it is shot, the way they use light in this scene is just perfect. How when he first looks out the window and sees the noose and he turns around to look back at the heart he is experimenting on, sunlight just floods through the window. How when Jack is tying the thread into the noose and the sun has lit him up all golden. Also how when Jack holds them up side by side and we get the close up of first the hangman's noose and then the thread and the thread is again lit by the sun and seems to be glowing with a golden light. It was all just so well done.

I really do think its such an under-rated moment. Anyway I think I've rambled on enough now.

[been-around-seen-things]

CW: discussion of suicide

I’ve been mulling over a number of thoughts after eps 1-3 about Ed’s storyline, and I want to get them down before the new episodes come out, so here goes.

I’ve seen so many folks hard hit by Ed’s suicidality, needing to mind their mental health before rewatching, and—yeah. Folks who know me as a fic writer and who have read A Bug to Remember can glean some idea of where this topic has touched me. My own lowest time was literally two decades ago, so for me it’s not so much about that.

I just keep thinking about the okayness Ed performs in ep 2, which obviously isn’t entirely convincing, but nevertheless covers up that he’s already made his decision.

Which makes me think about someone I mentored and who died by suicide in 2019. Her name was Katie. I’m going to speak her name here because talking about her and thinking about her keeps her present for me.

Katie was deeply complicated, but, well, so is Ed, obviously. Ep 2 reminded me so vividly of her performance of okayness. She was professionally successful, organized, seemed to have it all together. I know others who also loved her have had the very natural “I should have known” reaction, but I don’t necessarily feel that way. For people like me whom she saw as mentors, she very deliberately hid the cracks, the pain, the suffering. Looking back on it now, I can see how our closeness was more about how much she made me feel comfortable sharing myself, while she remained pretty thoroughly walled off.

All of this makes me think about all the lies, the terrible lies our brains tell us. I talked in sort of a jumbled way on Twitter about the stories Ed tells and tries to tell about himself. The stories we tell and believe about ourselves are so fundamental to our very existence, and Ed has so much trouble believing any positive story about himself.

We first see him trapped in the narrative of Blackbeard, in which he is a “ghost.” He imagines himself as Stede Bonnet, but that’s a violent story with an intended murderous end. Jeff the Accountant is a story that’s fun at first, but the fallout just ends up hitting him where he’s most sensitive, his deepest feelings of unworthiness.

The most believable story for him is the Kraken. Clearly he wants something else, but it feels like literally the only option.

He tries to imagine himself as Jeff the Innkeeper, but he can’t keep from being a dick to himself long enough to even fully imagine how that story could play out.

His only positive stories, of course, are with Stede: first, playfully imagining himself as a chef, someone who can do anything. That one ends happily, albeit only temporarily—the brief dream of being co-captains. And then the possibility of running off to China together—but that’s an option that means Ed leaving his whole identity behind. It’s a running away, not an integration of the stories he carries. And then losing the possibility of that story—well, we know what happens.

And so. Here we are. Ed is alive, and he needs a new story that doesn’t cause himself and everyone else around him so much suffering. Ngl I had a real hard time on my first watch with how much pain there was all around. But that’s because, as always, this show is emotionally truthful even as the events are sometimes preposterous. I’m excited to see what other story possibilities are there for Ed. What he can find himself able to believe.