#just so tender

[what-i-meant-to-say]

When Boba loves, he loves fierce.

I need everyone to know this, and feel it in the bones of your souls.

[2danesand1cat]

Bruce Wayne calling any of his children sweetheart.

Especially if they are hurt or crying or otherwise distraught.

That’s it. That’s the post.

[korralone]

Vi taking a moment to just hug Caitlyn in the middle of this scene makes my heart clench painfully in my chest

[hornyhoursblog]

what does it mean when you wanna cry everytime your boyfriend shows you physical affection/touches you in a non sexual way just asking for a friend ofc

[magic-worms]

two primates

finally drew the tf2 baboon!! + some doodles i wanted to feature mostly heavy in since i haven’t seen nearly enough art of them together. i think he is a proud and loving dad. more under the cut

[mysticfemme]

Getting railed to the point I go nonverbal, the only noise I'm making are little whimpered uh uh uh's. They notice and in between rough thrusts gently ask me if I'm doing okay, so I reach my hand up to tap their arm twice. They smile at me in recognition and praise me before pulling my hips into their lap and going even harder.

men dni

[bisexualcroissant]

andrew helping neil shower was so tender i’m crying into my fucking fist. andrew wrapping up neil’s wounds so they wouldn’t hurt in the water. andrew helping him take his clothes off to shower because it caused neil too much pain to pull them all the way off. andrew washing neil’s hair. andrew helping him stand up when he was struggling to balance. and then neil crossing his arms behind andrew’s head to keep him closer, tilting andrew’s face up to kiss him. i’m so fucking soft for them oh my god

[horrorhare]

you wear me out

[fatalism-and-villainy]

Something I love about DS9’s framing of Jake Sisko is how he’s consistently positioned as someone worthy of protection, whose survival and flourishing and emotional well-being are of tantamount importance, and whose innocence and vulnerability are precious.

It’s present from all directions in The Visitor. Everybody protectively closes ranks around Jake upon Ben’s disappearance, with those little moments of Dax and Kira and Bashir giving him physical affection and reassurance and Quark going out of his way to be nice to him. Jake’s older self’s protective impulses towards his younger self, as well as his desire to save his father, are the basis for the timeline reset. And then after the spacetime continuum gets wrenched back in line purely to save Jake from the emotional trauma of losing his father, the episode ends with Ben, who’s borne witness to everything and is the only one who remembers it all, continuing that work of shielding Jake from that knowledge.

And then Nor the Battle to the Strong carries on the thread of protectiveness towards Jake, in that case as part of the episode’s deconstruction of military heroism. As he’s marinating in shame over bailing on the mission to retrieve the generator, Bashir apologizes to him and says he was wrong to put Jake in harm’s way in the first place. And then at the end, he wakes up after sealing the cave entranceway and both Bashir and his father are tenderly looking after him, with similar imagery to The Visitor in terms of him being symbolically cradled by the other cast members’ concern for him. He never needs to toughen up or grow out of that need to be rescued - in fact, his fear and panic and feelings of being out of his depth prove to be immensely valuable, as his last conversation with his father emphasizes, because he’s able to bear witness to the experience of the soldiers through his writing.

That comes through in a really interesting way in Valiant as well, with Jake’s emphatic concern for his own survival in the midst of all the culty militaristic weirdness of the Valiant crew:

Nog: You don’t understand, because you’ve never put on one of these uniforms. You don’t know anything about sacrifice, or honor, or duty, or any other things that make up a soldier’s life. I’m part of something larger than myself. All you care about is you.

Jake: That’s right. All I care about is Jake Sisko and whether or not he’s going to be killed by a bunch of delusional fanatics looking for martyrdom.

And I love that exchange not only because it’s a rare articulation of how I would actually feel in a situation like that in a franchise full of characters who are all prepared to sacrifice themselves in the line of duty, but also because in the context of the episode, Jake’s position is actually the heroic one! It’s his sense of self-preservation, and the fact that he hasn’t romanticized the notion of heroic sacrifice, that enables him to see through the dogmatic ideology of the Valiant cadets and recognize how dangerously out of their depth they are. And it’s just a nice articulation of his own worth.

(And of course the Defiant rescues them at the end, because Jake’s grown up now, but he hasn’t outgrown needing his father to save him. And that’s never a shameful thing, but a really beautiful thing, and necessary to the fabric of the show.)

[lavellaned]

here's a quick shitty gif of this tweet of flycam showing solas rubbing the back of lavellan's hand with his thumb during the kiss

[laurellala-comics]

Fun fact! This was the real tipping point that made Edgeworth run away after AA1, they just couldn't show it on screen because they didn't have the rights to Chappell Roan's music <3

(A spiritual successor to my "Hot to Go" joke from this post. Image description under the cut below)

[Image ID: a four page black and white comic of characters from ace attorney.

The Judge stands solemnly at his podium holding a gavel "Mr. Miles Edgeworth, you are on trial for the murder of blah blah blah..."

A cheerful Maya Fey leans over to Miles Edgeworth, who is staring straight ahead and looking very concerned

Maya: "Psst! Mr. Edgeworth! If you win your trial, can I show you Chappell Roan?

Miles: "What the hell, sure." Internally he thinks "Oh God I am going to jail"

A box saying "later" in the top corner of the next panel marks the passage of time.

The Judge smiles as he says "I declare you... Not Guilty!"

We see a full body shot of Maya dancing excitedly while Miles looks on, emotionless

Maya: YIPPEE omg you're going to LOVE this

Miles internally thinks "oh no, the consequences of my actions.

We see Miles standing in between Phoenix Wright and Maya looking apprehensive. Maya beams in excitement, while Nick puts a reassuring hand on Miles' shoulder

Miles: Alright, so what is this exactly?

Nick: She's a pop musician Maya really likes

Maya: You promised you'd let me show you, and it's legally binding because you said it in a court room!

Miles: That is not how the law works Ms. Fey

Maya: Shh just listen!

We see a panel of Miles' pensive face concentrating as he listens to "Hot to Go". He thinks to himself "hm".

Another panel zoomed in more. His pensive expression has grown more tense/confused as he listens to "Red Wine Supernova". he again thinks to himself "Hm" in a larger thought bubble.

We zoom out again to see Nick, Miles, and Maya standing together again. Miles stares forward blankly, eyebrows raised. Maya excitedly leans in.

Maya: Ok, that's her whole discography. So! What did you think?

Nick looks at him, waiting for his response

We get a panel of Miles, looking bewildered. He starts to speak "I..."

We cut again to see the three of them standing together.

Miles: I... don't think I like women?

Miles looks shocked and confused. Nick is bent over laughing, using a hand on Miles's shoulder to support himself. Maya looks outraged and appalled!

Maya: MR. EDGEWORTH! Just because you don' like her musi it doesn't give you an excuse to be sexist!

We see a panel of Miles looking stressed and confused. He leans his head on one of his hands, which messes up his hair, showing how he isn't his normal put together self.

Miles: I should rephrase that. What I mean is, Ms. Roan is clearly VERY assured in her feelings towards women. I was... unaware that anyone felt that strongly. I thought we all viewed these things with a vague sense of distaste and unease but collectively ignored it. Like how we do with climate change.

We zoom out again to see the three of them. Miles stands in the middle looking deeply uncomfortable and lost in thought, vibrating with unease. Nick and Maya exchange deeply concerned glances across from him.

With lingering unease, Miles begins to walk away.

Miles: Well, I should be going then. Goodnight.

Nick hesitantly raises a finger to point out an inaccuracy in that statement

Nick: It's four in the afternoon-

he gets interrupted by Miles who repeats firmly: I said Goodnight

Nick looks in the direction Miles walked off in.

Nick: ...He'll be ok, right?

Maya reassures him: Of cours Nick! I mean, what's the worst that can happen?

Jump cut to a closeup of Nick's hand holding Miles' letter which reads Miles Edgeworth chooses death in all caps. Then, below in smaller font, it says Also femininomenon was really good, thanks.

We see a panel of Nick glaring wordlessly at Maya as he holds the letter in his hand. Maya leans against the wall and looks away, whistling, trying to look innocent to avoid blame.

As a bonus, we also have a page that takes place a year later. Miles and Nick stand talking. Miles looks calmer now, and Nick smiles encouragingly.

Miles: In my time in Europe, I've been examining myself and my approach to law. Ultimately, the most important focus must be justice. We owe it to ourselves and to the people we serve

Nick: Wow, that's really inspiring Edgeworth. And, uh, hows the... the other thing going?

We get a zoomed in panel of Miles glaring menacingly at a suddenly nervous Nick

Jumping out again, Miles turns his back to Nick as he continues to talk

Miles: So as I was saying, justice is truly so important...

Nick nervously rubs the back of his neck wearing an awkward expression as he sweats nervously. He thinks to himself internally "Ooookay then, clearly still working through some things there"

/.End ID]

[vaguely-concerned]

can you even imagine what a fucking horror show the early game is from spite's perspective, though. not only is this funky forcibly severed little slip of the fade having to deal with the reverse cosmic horror of physical reality as perceived by a spirit and being trapped in it against its will -- existentially confused and disoriented and hurting and nothing makes any kind of sense, at the mercy of human cruelty at its most deliberately sadistic. and then the one source of comfort and compassion and some kind of safety and clarity that lucanis surely must have been to him in the ossuary despite everything just goes and shuts himself in his room inside with a seemingly passive aggressive number of locks between them and no explanation and won't speak to him and they're STILL in the fucking ossuary. rook came and found them and they could be free now (rook is here!) and still lucanis keeps them in the ossuary even though he PROMISED he promised they'd get out of there together!!! what the fuck DO you think at that point? like did he trick me that whole time??? he wasn't like zara before, so why is he doing this to me now? why isn't he saying anything? 'he won't move. I can't reach him'. at least in the ossuary they had a deal, a goal, a hope -- each other. at least he wasn't entirely alone, before.

this poor poor poor little spite spirit really was ferried into the real world like 'hey welcome to reality! as your first introduction to it you're first getting horrifically tortured and then getting to vicariously experience one of THE most distressing and harrowing psychological conditions the human brain can cook up for itself (a fully fledged and deeply entrenched freeze response flaring up with catastrophic severity due to an unbroken ongoing and unlikely to let up any time soon chain of Unfortunately... Recent Events). I think spite is being extremely reasonable and patient about the whole thing, when you put it into perspective. I'm not saying let him eat the self-lighting candles or anything, but he's got some extremely valid points along the way lol. spite is not only child-like, the metaphor work going on is a lot more pleasingly flexible and complex than that, but he is also helplessly existentially dependent on lucanis in a way that, if anything, is a heightened version of the way a child (or child part) has to depend on a parent to navigate the world and survive.

tl;dr: we truly don't give enough sympathy to spite for having to live in the head of lucanis dellamorte. a place even lucanis dellamorte would prefer not to be. to be fair to him I think lucanis would be the first person to agree with this lol

[cabinette]

they should have been at the CLUB!!!

[pinacoladamatata]

blink and you'll miss it moments around skyhold....

[roguefiction]

lovers, after egon schiele

[hikeyzz]

draining his balls making him cum over and over again just so he'll pass out and finally get a good night's sleep >>>>