#just so i could match

[ardinwriter]

Anyone have any thoughts on what I should/could do with knee high socks?

I played softball pretty constantly for about 20 years, often on 3-4 teams throughout a year. But I haven't played in about ten years and I don't plan to go back.

I have dozens of pairs of socks in a range of colors and want them out of my house.

I might trash the couple of pair that are in really bad shape, but I think I only wore some of these for like 6 weeks of intramural during college and so if I can do something else with them that would be great.

[edlucavalden]

Learning to eat with your hands.

[chloesimaginationthings]

FNAF Vanny and Michael if they met as teens

[puppyeared]

act 4 :(

@chipper-smol and i came to a realization

[pbnmj]

what was supposed to just be pavitr and meera jain spiralled into a LOT of spiders in formalwear/red carpet outfits.... most of them referenced off met gala outfits and then adjusted to suit my own tastes LOL

[mortysmith]

eye color hcs

[illiaccrest]

You know what else Aventurine needs is a nap buddy.

[vaguely-concerned]

purple hawke who, at malcolm's death, lost not only a father, a mentor, the single most stable and safe point in their world up until this moment. but also the only person in their life who would consistently, gleefully 'yes, and — ' them. the loss, in one fell swoop, of both a beloved parent and your sole willing — no, not only willing, enthusiastic — improv partner. truly, the most unkindest cut of all that the maker could have seen fit to deal. (there's always so much less laughter in the house, after malcolm's gone.)

and then after all the horrors of the blight and trying to make a new life in the shithole turned shithome of kirkwall....... they meet varric. and something that's been slumbering deep within their soul dries a tear of relief and joy and whispers 'oh we are so back'. and they are so right

[bree-paints]

My copium where they all survive and they are an iconic one eyed trio

Also some random sketches because 266-267 have been killing me emotionally thank you

[some-sort-of-ecologist]

i think one of the biggest scams i've seen in my lifetime is the idea that it looks better to have to have all matching mugs, preferably that match your dishes

reblog and tell me about your coffee mug

[spooksicl-e]

he was a man of habits, narrow and concentrated habits, and i had become one of them… i was a whetstone for his mind. i stimulated him.

[bixels]

Bit of a weird question, but what is your overall least favorite thing about MLP? 

Sparity.

[appleleef]

this is what happened right

[chloesimaginationthings]

Michael learns of Jeff’s pizza from FNAF Into the pit

[i-dreamed-i-had-a-son]

Another Les Mis musical connection that's making me feral: Jean Valjean uses the same melody with which he sings to Cosette, "Believe me, / Were it within my power, / I'd fill each passing hour-- / How quiet it must be, I can see, / With only me for company"...

When he sings "You are free, / And there are no conditions. / No bargains or petitions! / There's nothing that I blame you for. / You've done your duty--nothing more" to Javert.

In my journey to map out the various leitmotifs in the show, this one really flung me for a loop because what does it meannnn?? This is the only time we hear the melody in the show, and it's applied in two very different circumstances, where the relationship Valjean has to the characters involved could not be more opposite. What connects them?? But I think I have it.

It's a reluctant release. Not of the people, but of his own desires regarding them. Let me explain.

Valjean very distinctly wants things from both Cosette and Javert, which he sings about on the rising part of the melody. With Cosette, he wants to be the center of her life: "Were it within my power, I'd fill each passing hour;" on the other hand, he desperately wants Javert to leave him alone. When he has Javert at his mercy, he absolutely does want to trade lives, which is why he sings it on the rising part: "And there are no conditions, no bargains or petitions." He does want these things--but he's letting them go.

And that's where the falling part of the melody comes in. In both situations, Valjean knows he can't have what he wants. So he gives up that desire. He accepts that Cosette wants someone else, and doesn't blame her for it ("How quiet it must be, I can see, with only me for company,"), the same way he accepts the situation between him and Javert ("There's nothing that I blame you for. You've done your duty, nothing more."). That's why immediately afterwards, he tells Javert his address, and why shortly after that, he prays that Marius be brought home to Cosette.

Cosette is his biggest security, and Javert is the biggest threat to his security. But in this little melody, he sets them free (Cosette metaphorically, and Javert literally). He acknowledges what he wants, and accepts that he can't have it, even though it hurts.

And if that ain't the most Jean Valjean thing, I don't know what is.

[citrusinicake]

in another universe