#just so great
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woodlaflababab · 21 days ago
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Back in my Katara Appreciation Brainrot, but she's just so great. Just so great. A queen. Such a badass. Rewatching the show and just, anytime she does anything I'm over here on the verge of squealing because SHES JUST SO AAGGHHHHH
Also, I will never tire of her bullying Sokka. She's so little sister.
Me 🤝 Aang, would die for Katara
I love seeing her take charge but I also love watching her when Sokka or Aang is taking charge. With Sokka she's taking the role of "pointing out how stupid your ideas are" and she's SO SASSY and then with Aang she goes into ride or die mode and is so quick to back him up like "Aang may not punch you BUT I SURE AS HELL WILL"
I will never be over how great of a character she is. Never. Absolutely never.
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mywaywardcupcake · 4 months ago
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God I just love Jounouchi so damn much.
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never-quite-buried · 9 days ago
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Nope now it’s at the point that i’m shocked that people off tt don’t know what’s going down. I have no reach but i’ll sum it up anyway.
SCOTUS is hearing on the constitutionality of the ban as tiktok and creators are arguing that it is a violation of our first amendment rights to free speech, freedom of the press and freedom to assemble.
SCOTUS: tiktok bad, big security concern because china bad!
Tiktok lawyers: if china is such a concern why are you singling us out? Why not SHEIN or temu which collect far more information and are less transparent with their users?
SCOTUS (out loud): well you see we don’t like how users are communicating with each other, it’s making them more anti-american and china could disseminate pro china propaganda (get it? They literally said they do not like how we Speak or how we Assemble. Independent journalists reach their audience on tt meaning they have Press they want to suppress)
Tiktok users: this is fucking bullshit i don’t want to lose this community what should we do? We don’t want to go to meta or x because they both lobbied congress to ban tiktok (free market capitalism amirite? Paying off your local congressmen to suppress the competition is totally what the free market is about) but nothing else is like TikTok
A few users: what about xiaohongshu? It’s the Chinese version of tiktok (not quite, douyin is the chinese tiktok but it’s primarily for younger users so xiaohongshu was chosen)
16 hours later:
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Tiktok as a community has chosen to collectively migrate TO a chinese owned app that is purely in Chinese out of utter spite and contempt for meta/x and the gov that is backing them.
My fyp is a mix of “i would rather mail memes to my friends than ever return to instagram reels” and “i will xerox my data to xi jinping myself i do not care i share my ss# with 5 other people anyway” and “im just getting ready for my day with my chinese made coffee maker and my Chinese made blowdryer and my chinese made clothing and listening to a podcast on my chinese made phone and get in my car running on chinese manufactured microchips but logging into a chinese social media? Too much for our gov!” etc.
So the government was scared that tiktok was creating a sense of class consciousness and tried to kill it but by doing so they sent us all to xiaohongshu. And now? Oh it’s adorable seeing this gov-manufactured divide be crossed in such a way.
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This is adorable and so not what they were expecting. Im sure they were expecting a reluctant return to reels and shorts to fill the void but tiktokers said fuck that, we will forge connections across the world. Who you tell me is my enemy i will make my friend. That’s pretty damn cool.
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poorly-drawn-mdzs · 25 days ago
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Penelope's final gambit, you will always be famous, no matter the subtext.
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housederiva · 2 months ago
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Gaby Soto is a gift
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Edit: I missed one!
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reasonsforhope · 7 months ago
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If you're feeling anxious or depressed about the climate and want to do something to help right now, from your bed, for free...
Start helping with citizen science projects
What's a citizen science project? Basically, it's crowdsourced science. In this case, crowdsourced climate science, that you can help with!
You don't need qualifications or any training besides the slideshow at the start of a project. There are a lot of things that humans can do way better than machines can, even with only minimal training, that are vital to science - especially digitizing records and building searchable databases
Like labeling trees in aerial photos so that scientists have better datasets to use for restoration.
Or counting cells in fossilized plants to track the impacts of climate change.
Or digitizing old atmospheric data to help scientists track the warming effects of El Niño.
Or counting penguins to help scientists better protect them.
Those are all on one of the most prominent citizen science platforms, called Zooniverse, but there are a ton of others, too.
Oh, and btw, you don't have to worry about messing up, because several people see each image. Studies show that if you pool the opinions of however many regular people (different by field), it matches the accuracy rate of a trained scientist in the field.
--
I spent a lot of time doing this when I was really badly injured and housebound, and it was so good for me to be able to HELP and DO SOMETHING, even when I was in too much pain to leave my bed. So if you are chronically ill/disabled/for whatever reason can't participate or volunteer for things in person, I highly highly recommend.
Next time you wish you could do something - anything - to help
Remember that actually, you can. And help with some science.
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nataliescatorccio · 4 months ago
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"Originally it was not called 'Good Luck, Babe!', it was called 'Good Luck, Jane!", but my co-writer and I kept getting in arguments about it, so it became 'Good Luck, Babe!'." CHAPPELL ROAN on 'Good Luck, Babe!'
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taeggukxiie · 3 months ago
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this art will always make me want to bawl my eyes out because what do you mean we could have pro hero touya and health assistant toga only if they had decent parents??
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(I hate mha society so much)
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anna-scribbles · 7 months ago
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so this summer i am nannying a 5 year old who loves miraculous ladybug (my dream) & every day she asks if we can play ladybug and chat noir at the park. these are some comics based on our various games<3
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nitw · 5 months ago
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i've been waiting for gravity falls to become relevant again so i could share one of my favorite underrated bits from the entire show. like it's only episode 2 but this whole segment just makes me lose my shit. i think jason ritter's exasperated line delivery is what makes it
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mcapriglione-art · 2 years ago
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what do you want!!!!!!!!
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lunar-years · 19 days ago
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mywaywardcupcake · 1 year ago
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I love this shift so much. Look at how angry he (and Yugi was, adorable). Then it's like eh what do ya do ¯\_(ツ)_/¯. He just makes the best out of any situation. Love this about him. "Jounouchi's ability to adjust in an instant is incredible too..." it really friggin is.
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tearlessrain · 10 months ago
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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