#just needed to post my live reaction

[mod-coffee-is-here]

[sernik-krakowski]

Im back in the fucking building again

[1doesnotsimplyhavejust1fandam]

Watching Eddie Begins with Buddie-colored glasses on is already crazy enough, but I just caught something that I never really thought about before. Athena tells Bobby that the news crews showing up before she leaves for another call might turn the call into a nationwide story. And then Buck absolutely LOSES it when 30 feet of wet earth falls on top of Eddie. So yeah, maybe Bobby pulls Buck away to stop him from futilely digging for Eddie with his hands, but maybe he also does it because he doesn’t want his kid’s grief and fear and love for Eddie being broadcast across the country. Especially not when Bobby thinks that Eddie’s probably already dead. And not only does Bobby pull Buck away from the well, he pulls back right into his lap. This is the closest we get to Bobby cradling Buck in his arms until the lightning strike, and it’s because he doesn’t want Buck to be in pain, and he most certainly does NOT want the tragedy of Eddie’s death to be made even worse by Buck’s pain over it being broadcast to the entire country.

[seventh-district]

LET’S FUCKING GOOOOOO

[shadow-the-crow]

Candle light dinner zwischen Frau Haller und Boerne?? Und was sollen diese Blicke? :( :(

Boerne näht Thiel zusammen und sagt ihm, dass er besser auf sich aufpassen muss :D

Frau Haller hat anscheinend ein Date mit Mirko (oder warum gehen die sonst was trinken?), Boerne fragt Thiel, ob sie stattdessen was zusammen machen wollen, und sie machen zu zweit Urlaub in den Niederlanden :D :D :D

[godsofdeathloveoranges]

Super specific senario but i thought of something funny (inspired by a fic i read once, I'll link it if i find it)

(Mello and Matt are still alive in this, faked their death, post-defeat of Kira)

So Mello visited Near one night before his "death", and the two had a mini-confrontation that lead to one thing, then another, and- well. They spent "a night" together, let's say- a beautiful night that neither of them wanted to end... but, sadly, did, with Mello slipping out of the window as the sun rose, shooting one tender glance back at Near, before he was gone, and Near was waking up to an empty space beside him.

Flash forward about 2 months or so, and Near's successfully located the dingy little apartment Matt and Mello are hiding in until the heat dies down (Mello especially is still technically wanted by the American and Japanese police). Cue three little knocks on the door, door opening to a gun in Near's face, that lowers, slightly in shock, as Mello begrudgingly steps back to let Near into the apartment, crossing his arms.

Matt comes into the room, fiddling with his gameboy, shooting Near a grin and a wave, "S'up Near?"

Mello rolls his eyes.

"Don't say hello to him!'

Matt sticks out his tongue.

"M'just being friendly Mels, don't be so rude."

Mello decides to ignore him, looking back to Near. He finds it difficult to keep eye contact, face growing warm as he remembers what the two did the last time they were in a room together.

"Whatever. Just- spit it out already. Why'd you come?" His eyes take on a slightly concerned gleam. "It's not Kira, is it?"

"No," Near softly shakes his head.

"Okay, then what?" Mello unwraps a bar of chocolate, bringing it to his lips. In the background, he can hear the upbeat music coming from Matt's game, recognises it as one of his favourite levels.

Neae fiddles with a lock of hair, tugs on it lightly, before sighing, reaching into his pocket and drawing out a-

Is that a-

Near looks him dead in the eye.

"I'm pregnant."

The square of chocolate falls out of his mouth and onto the carpet.

He stares.

He's aware of the sound of music coming from Matt's gameboy, signifying a game over. If he had it in him, he would be shocked. Matt never loses this level. He-

He hears a thud behind him.

Matt's fainted.

A few moments pass, before he loudly snacks his forehead with his palm.

-

Matt slowly comes to.

He's lying on the couch, the concerned faces (at least- he thinks the concerned faces, Mello looks more exasperated than anything, and it's always difficult to tell with Near) of his two friends floating above in his vision.

He groans, rubbing at his eyes.

"Ugh- did I just-"

"Yeah." Mello doesn't sound impressed. "You fucking fainted."

"Aw man," Matt sniffs. "Why did I even-"

His eyes snap open.

"Oh! That's right!"

He lurches up, clasping Near's hands in his, the latter looking thrown off balance, blinking wide-eyed at him from under his shaggy hair, but letting him do so anyway.

He squeezes Near's hands, eyes sparkling.

"Near, this is wonderful! I can't believe it, I- I'm gonna be an Uncle!"

The words hang in the air, before he flushes. He and Mello have a close relationship, and the two may not share blood, but he's always considered him as something like a brother, and Near too, by extension, he's a lot like the little brother Matt always wanted to have, but he never said as much to him, and-

"Sorry," he stammers sheepishly, "I mean- I know I'm not, we don't have that kind of relationship, but-"

"No," Near cuts him off softly. He gives Matt a rare, warm smile. "You're right. You're going to be an- Uncle."

Matt thinks he just might cry.

He wants to hug Near, but... that would probably be too much. He settles for smiling at him instead.

"So, tell me! Whose the father?"

He feels the atmosphere shift. Mello suddenly looks to the side, avoiding his gaze, snapping off a piece of his chocolate.

Near blinks at him slowly, and Matt almost thinks he can see a hint of nervousness in those eyes.

"... That would be Mello."

Matt's hands slowly slip off Near's in shock, landing in his lap. He looks from him, to Mello, to Near, back to Mello again.

"..."

Matt slowly nods.

"I see."

And then promptly faints again.

[timeflow]

why do like half of the tiktoks I see have some random person on the left who doesn't stop fucking talking. bitch I don't want your commentary and I don't want anything to do with the people who think it adds anything of value

[tj-crochets]

Every time you post you make me want to make something!! How do you manage to start and finish so many projects constantly? I’m also disabled and its always so hard to find the spoons to finish my projects 😭

I definitely feel you on the difficulty finding spoons thing, I had multiple days this week where I did absolutely no crafting at all because I was just completely out of spoons. This explanation got long, so it's below a read more

For me, crafting is a...I'm not sure how to word it. A load-bearing hobby? Making a physical, tangible object gets me those good "finished task" brain chemicals while at the same time letting me learn a skill (one of my favorite things to do) and ending up with an object that I will probably eventually give to someone (also one of my favorite things to do, matching objects to the people who will love them). If I go too long without crafting I get antsy and grumpy and I get frustrated easily. Other load bearing hobbies for me are reading and making music; too long without any of them and I feel off-balance, metaphorically. I have a variety of crafts I keep supplies for on-hand for different spoon level days; for me crochet takes less spoons than knitting, which takes less spoons than all but the simplest plushie sewing, which takes less spoons than most quilting. There's some differences; plushie making is less physically taxing for me than quilting but takes a lot more focus, so if I'm having a good physical spoons day but a bad mental spoons day I might opt for quilting instead of plushies? The other thing that's helped me a lot is forgiving myself for unfinished projects. I used to feel guilty when I got hung up on a project and couldn't finish it, and I'd struggle through it and not want to craft and it would take forever and I'd be unhappy the entire time, or I'd set it aside and try to make other things but feel guilty the whole time because I thought I should be making something else. These days, I have gotten a lot better at accepting that I have limits, both physical and mental, and it's okay for me to respect them. Not finishing a crafting project is a morally neutral thing; for me, crafts are for enjoying, and if I enjoyed making the part of the project I made then I got something out of it even if I never finish it. I also think no crafting effort is wasted, you'll learn something from it even if all you learn is that you don't like that particular craft. The other other thing that helps me start and finish so many projects so often is that I am lucky enough to be able to keep the basic supplies for a wide variety of projects on hand at all times, so that I can make almost anything as the whim strikes me (like grumpy bunnies this week). I think of it like keeping a stocked pantry as a baker; you might not know what you'll want to make tomorrow, but you know you'll probably need sugar and flour and salt, and as you learn more about baking you can tailor your stock of supplies to what you like to make (for me in sewing, that means keeping a rainbow of minky and some faux fur on hand, so that I have many colors to choose from because I really enjoy working with color. In knitting, it means keeping a particular yarn in any color on hand because I pretty much only knit beanies these days and I don't care what color they are but do care about the yarn. Your "staple supplies" will vary based on your craft, your preferences, your budget, and your storage space, but I absolutely love being able to impulse craft things)

[daydreamerdrew]

Iron Man (1968) #60

[ibrokeeverything]

Y'ALL THEY BROUGHT BACK THE DROPPED ZILLO BEAST PLOTLINE FROM CLONE WARS

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[arolesbianism]

Was going to do some oni file digging but got too distracted playing the actual video game. Anyways look at her <3

[trans-leek-cookie]

its late-ish so my thoughts won't be well organized. Well they'll be even less well organized but anyway. I don't think murder is inherently like... Evil like it's not good but there are people who I believe the world is better off with them dead and I don't really care if it happens naturally or by another person's hand. But I can't stand the idea of fucking. Okay the specific concept I'm thinking about are "conscious rounds"- basically if someone was to be executed by firing squad there would be random guns with blanks so theoretically you might not have been the one to shoot the person to death. And I can't abide by that. Even if a murder is justified I don't think it can be justified by fucking self reassurance. I think if you are going to be involved in killing a person you should know exactly what you're doing. And I don't think this is like, something that will make people "better" necessarily (there are people who would prefer to know how they hurt someone and ended their life) but I think it's irresponsible to allow people to distance themself from the deaths they cause. And I think that's broadly true- we should be aware of like, the people who die or are hurt in the process of food, technology, clothing, etc. production because I don't think ignorance or self soothing does any good. Even if people don't care we need to know wether we want to or not.

And just. There are obviously more complex arguments that need to be made and refined and discussed but where I started with opposing the death penalty is internalizing that 1. Obviously, we aren't fucking clairvoyant- innocent people will die because of mistakes 2. Many of the ppl subjected to the death penalty will be marginalized and Black people are especially vulnerable because of antiBlackness) 3. The potential abuse of the system to falsely accuse people is enough to negate any possible "justice" the death penalty could provide and imo focusing on aiding the victims makes false accusations much less appealing because there is no longer* a punishment you can use to harm the person you accuse (idk how to exactly say this but like. I don't think punishment is inherently evil or whatever but 1. The state should not be allowed to use death as punishment 2. The punishments that currently exist (like jail) are largely fucking immoral on their own. Like if someone gets sued for damages that's its own thing. Sorry idk where I'm going with this but mainly there shouldnt be a legal way to get someone killed)

[geraskier]

horrendous stomachache this morning that lasted for hours and hours. skin on my stomach and lower back feels incredibly sensitive still. im assuming i must have accidentally ingested gluten but i have no clue *how*. usually the gluten pain starts pretty soon after i eat it so i can tell what it was. i ate a bunch of corn chips before i went to bed last night, but those have never bothered me like this before, and i didn't wake up from the pain until 7ish. i had some progresso soups yesterday but neither of them had gluten according to the ingredients lists. (aside from that i had fruit, yogurt, etc. im really careful about what i eat and i don't normally eat "new" food items, meaning i stick to safe brands and flavors of things.)

still don't feel quite right.

[postanagramgenerator]

They were three children living a normal, comfortable life with all their needs provided for. Nasser, 8 years old, Baraa, 4 years old, and Adam, 1 year old.

Our story with Adam: Adam was one year old when the war started and he left his home and the wonderful, dignified life. He was displaced to a tent without the minimum necessities of life. A team came to provide support and assistance and brought some food and fruits.

Adam's reaction was strange. He attacked the fruits without realizing it. He ate them greedily. Adam began to ask his father for fruits on a daily basis as if he was exploring the world through them.

story by dana alanqar, art by @panspy-draws

my followers know of @ibrahim-blogs' vetted campaign. thanks to everyone's kindness, he's now two-thirds of the way to his goal. he still needs our help– but he and his sister hope to rally the same attention to their relatives, who are a lot lower on funds (just 2% of the way to their goal!!) and have more people to evacuate.

the first time i tried to bring attention to this campaign i accidentally posted the wrong link, and it was a few days until i could get around to reposting this, so id deeply appreciate if everyone reading would help me make up for lost time 🙏

[mikkeneko]

I've been musing a bit on that one post that went around during the recent holiday season, to which someone added their family tradition of Present Practice. My god! Imagine actually telling kids what behavior is expected, instead of expecting them to intuit it and punish them when they get it wrong!!

Separate post because this topic is a little tangential to that, but I think it does a great job of unearthing one of our very well-hidden internal biases, which goes as follows:

Good people don't need to be taught.

A good person (in this case, a good child) shouldn't need to be told to be gracious and grateful when given a gift. A good child should just know that a holiday tradition of gift-giving is a social performance to strengthen family bonds and that personal preference or genuine reactions are secondary to that performance. A good child should just know how to value gifts, how to express thanks, how to praise and compliment. No caretakers in their lives should need to put any effort into instructing or modeling these things.

Good people should just know how to be good. If they were really Ontologically Good, their inherent goodness would simply intuitively guide them to correct behaviors. If they can't do that on their own, in a vacuum, in the absence of cues, that's a sign of their inherent moral lack.

.

.

...Which all sounds very reasonable and obvious, and surely a mistake that only fundie christian families would make! Except that people in the social justice sphere also do this all the time. It's not anybody's job to educate you. It's 2024, how do you not know this already? If you were a Good Person, you wouldn't need to be taught. You would simply intuit the correct philosophies and gravitate to them according to your superior internal moral compass.

If you were a Good Person, you would already know that everything you were taught by your family and/or background was wrong. You should have rejected it already. You should have cut off your family, your heritage, everything about your childhood and upbringing that was Bad and Wrong. You should have known it was all a lie.

If you were a Good Person, you should be able to find the correct way yourself. You should be able to seek out the proper educational resources, and distinguish them from bad advice leading you astray, and make sense of them all according to your own internal moral code.

If you were a Good Person, you would have found your way by the proper, dignified, official channels, not by reading a comic or watching anime. You shouldn't need entertainment or art to guide you. You should just know.

And if someone can't do these things on their own, in a vacuum, in the absence of cues, that's a sign of their inherent moral lack.