#just need to write them

[bruciemilf]

Need a teen! Bruce au where he’s exactly like Justice League! Batman and Battinson in one. That mf put the fear of every god in Ra’s Al Ghul.

Everytime he’s in a room with someone over 30 “Teenagers” by My Chemical Romance plays in the background.

Despite that, in his own way, he’s as gentle as can be with his league. Give me a young Diana who’s getting spat on and ripped apart by the media in a way not one of her male teammates get.

And she’s Wonder Woman. She shouldn’t be affected by it. And she is, anyway. Bruce relates to that in an uncomfortable degree.

“When I first became Batman, weak men tried standing in my way, too. “

“And what did you do?”

“I stepped over them.”

He has a tiny Robin he occasionally has to keep on a leash.

Give me somewhat teen mom Bruce who struggles to wrangle his unruly six year old who likes flipping from rooftop to rooftop and thinks fighting Bane is a piece of cake.

“If Tati can do it, so can I!”

“Dick,” he paused, before handing him a handfull of candy. “Wonderful emotional manipulation. Good job.”

“:D”

[tariah23]

The manga industry, especially JUMP, needs to hurry up and do away with weekly scheduling for mangaka. There needs to better regulations put into place for their health and safety because this is pitiful. Two weeks - monthly updates should’ve already been the standard for the manga industry at this point. These money grabbers will only continue to put the lives of these artists at stake for the sake of capitalism unless some serious changes are implemented.

[writersdrug]

If you smack your boyfriend's ass...

Captain John Price will snap his head up, looking at you with a confused but intrigued expression, rubbing his behind in slight shock. "What's that for, luv?"

Kyle "Gaz" Garrick will throw back his head and laugh, rubbing his ass and smiling at you. "Been workin' out more - is it paying off?" He'll say, looking back at his own ass.

Simon "Ghost" Riley will let out a shocked grunt. "Oi, little wanker-" he'll quickly grab you by the waist before you can scramble away and give you a few sharp pats to your ass.

Johnny "Soap" Mactavish will chuckle mischievously, putting down whatever he'd be doing. "Right, askin' for it now, cheeky-" he'll say, chasing you into to the bedroom.

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[purrpl-png]

puppy trio and their silly little ancients

[strawberryyyenthusiast]

Eddie, who becomes so in tune with Steve it’s actually crazy. Steve lovingly dubbed it as his “Stevie-Senses,” which Eddie loves and robin hates. Robin calls him a glorified service dog.

Steve’s blood sugar is low? Eddie brings over a juice box or a blue airhead.

Steve’s blood sugar is skyrocketing? Eddie nudges him and asks is he needs a correction.

Eddie even has the app on his phone that is connected to Steve’s pod so he can see where Steve’s levels are at even when they’re apart.

Eddie keeps the packet that Steve made for him on his person at all times, even though he doesn’t need it anymore. He keeps the needles, strips, alcohol wipes, and the monitor in a little pouch.

When Eddie is performing, he makes sure that there are a shit ton of snacks for him, as well as water and a place for him to relax if he needs to.

Steve has never felt so loved and so seen before, which helps solidify Robin’s endearment and approval for the couple.

[choccy-milky]

sometimes you gotta lure your overly-studious ravenclaw gf into spending time with you 🥰 📚 ( from 'Every Teardrop is a Waterfall' by Kat_12739 on ao3, GO READ IT!!! the first story is about seb falling sick and still pushing himself/not admitting he's sick until he ends up in the hospital, the second story is about the birth of seb and clora's daughter and seb's reaction to clora almost dying in childbirth, and the third is about dealing with a fussy newborn lewis😭🥹THEY'RE SO GOOD AND SWEET AND SOMEWHAT SAD (not to mention beautifully written) so go check it out!!💖💖 )

[latimeria-fell-from-heaven]

Okay look, I know people are gonna characterize Aventurine as the kind of yandere that manipulates everything behind the scenes and is always coming up with ways to try and make his darling unable to rely on anyone but him. But honestly? I can see him as the desperate needy type who needs to have your attention on him, he NEEDS to be the only man you'll ever want and look at, and GOD, he just desperately needs you to own him in his entirety.

He'll do anything to keep your attention on him and make sure that you at least will keep him around long enough for him to enact his plans of keeping you by his side. You want a dog who does whatever you say and will crawl on hands and knees for your amusement? You want a pretty little toy that you can break over and over? You want him to take the lead and make you unable to think or walk anymore? He'll do it, he'll do whatever you want, he'll do anything to keep your attention on him until he can make you his.

[xxplastic-cubexx]

personal happiness or what the fuck ever

bonus:

[five-thousand-loaves-of-bread]

ok i need. need. NEED. you all to understand what high support needs autism actually is. not just higher support, but highhhh (high) support.

& honestly me, am not even fit to talk about this!! but knowing popular (often low support) autism content creators & authors tokenize me & include me in justification “well i listen to high support needs people and they need—”

high support needs not just need remind take meds, not even need remind eat, need remind shower. if you think “high support needs” & those struggles come first in mind & see those as most represent of HSN, most classical way of be HSN, then you wrong. you wronggg.

many HSN autistic, not even “advanced” enough (for not have better word) to able use reminders. on average day often need physical help. for a lot, need complete physical help. need complete physical help hold spoon n fork, or not able be a part at all and need other people do it. need be told open mouth chew swallow sometimes. need other people clean up drool & spill from mouth & mess.

they have worth. deserve all the fucking help they need.

“difference between low & high support is not actual amount struggle because all struggle inside same but that high support show more external outside struggle & those struggle more annoying for people around them” hear this so often and make blood boil because cannot be farther from truth yet some you all so loudly proclaim.

then tell me why only hear LSN say this. why only hear LSN on internet. why all big content creator big authors big autistic speakers all LSN.

tell me how someone nonverbal and no robust communication no functional language struggle even nonverbally communicate not even AAC not yet or not ever ever, how that same inside as someone who able speak who speak fluent who able communicate want needs dreams have conversation with words

both struggle. but not fucking same struggle.

many people in between. but you not get use people like them like me to give self shiny credential of “i know high support needs because i listen”

don’t use me. you embarrass me.

[bababaka]

Yall need to interact with fanfiction author's more.

So. After the ddos attack on ao3.

I was encouraged to write more comments and make my love known to fanfic writers.

I dont really like commenting. Because im a bit shy and soooo lazy.

Now though. I am writing more comments. And dude. This is so heartwarming. Ya'll need to treat writers better. They are doing the lord's work.

Take for an example, couple of days prior, i was searching for something interesting to read, and found an oneshot quite compelling.

I read it. At the end of it, i was blown away by how good it was. It promised me something and it went beyond my expectations. But then i saw a crime, zero fucking comments!

At that moment, i wasn't feeling up to writing a comment. Because, normally i like to write huge paragraphs. But because im lazy i decided to be brief.

Next day, the author answered that the comment lift their mood for the whole day.

That warmed my heart.

Duuuuuuuude! Write comments! Suport the writers of the fics you like! No need to be something super elaborate. Just give your thoughts. Freak out. Ramble. Ask something. Make theories. Compliment. Make a joke about how you wished to give kudos every chapter but ao3 sucks(not true bby) and won't let you.

Truly. Just. Comment. It can make someone's day. And that is part of the apeal of writing fics. Interacting with people.

Just give love to fanfic writers yall. They deserve this and so much more.

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[pretend-theres-a-name-here]

Little thing I wrote while procrastinating writing part 5 of Hide Your Heart.

~~~~~~~~~~~

Steve Harrington who knows his kid brother is obsessed with some niche, up and coming metal band. Steve Harrington who groans and grumbles and carries on about having to drive him around to shows and listen to him nerding out but does it anyway. Steve Harrington who doesn’t really pay attention because the lights on the stage are too bright and drown out whoever’s playing. Steve Harrington who is currently wading through a crowd making their way to the door, going against the current and stumbling as he searches for the mop of hair he promised to get home.

“Henderson!” He cups his hands around his mouth, “Where is that kid?” 

He finds himself pushed to the outskirts of the mass of bodies, plastered to a wall but he still pitches forward when a particularly rowdy young woman rams into him. He thinks he’s going to go all the way to the floor when a hand snags his elbow, holding him up. He turns to rush out an apology, a few thanks for the save, but stops before he can get the words out because holy shit the guy is gorgeous.

And Steve—well Steve has been doing some thinking about himself. About how most guys don’t have to mentally prepare themselves to go into the locker room after pe class. About how most guys don’t let their friends paint their nails pretty colors. Robin told him that there was this thing called being bisexual and he thought some things were clicking into place. So he’s gotten used to going out and noticing more than just girls, it’s not uncommon, but this guy is hot, like really hot. 

He’s dressed in leather pants and a cut off tank top that hangs around his sides. Tattoos, more doodles than actual designs, on full display for the world to see, running up his arms and peeking out from his ribs. His hair is in curly tangles, sweat sticking it to his forehead but he’s grinning. He has a jacket, leather, in his other hand. 

He’s also still holding on to Steve’s arm. Warm rings press into the inside of his elbow as he rights himself.

“First time?” The man asks.

“Y-yeah.” Steve gets out, “I’m supposed to be here with my brother, he’s a huge fan of some band playing here. Molded Coffin or something.”

The guy’s face breaks out into a full on smile, humor sparking in his eyes but Steve doesn’t know if what he said was that funny.

“Yeah? Where’s he at?” The guy still hasn’t let go, leading Steve away from the crowd and further into the room where there were less people.

“I’m actually looking for him now. Left him alone for five minutes to get a drink and he disappears.”

“You need help? These things can get a little crazy.” The man offers.

“You do this a lot?” Steve asks, immediately mentally face palming. He practically asked the guy if he came here often, he was going to think he was flirting. Was he?

The man just smiled, “You could say that. Eddie.” He finally released Steve’s arm in favor of holding out his hand. They shook hands and Steve told the man—Eddie—his name.

They talked for a while, Eddie got them drinks and Steve told himself that Dustin was old enough to behave himself for 15 minutes. Eddie kept an arm around his shoulders the whole time, shielding him from the chaos of the dwindling crowd was his excuse. Steve would have told him he didn’t need an excuse if that didn’t seem too forward.

 Eddie was just asking for his number when someone behind them called, “Ed! Quite flirting and get your ass over here! You’re helping us tear down this time!”

Eddie sighed, “Duty calls.” He scribbled something on to a napkin, patting it against Steve’s chest and backing away, “I’ll be waiting for yours, sweetheart.”

And Steve was either drunk or insane because he actually laughed at that. Laughed again when he looked at the napkin and saw numbers almost unreadable, a winking face below them.

“Steve! There you are! I’ve been looking all over for you—What’s that?” Dustin’s tone went from annoyed to prying as soon as he saw the napkin.

“None of your business.” He stuffed the napkin in his pocket, “Are you ready to go or what, kid, I’ve been waiting forever.” He poked Dustin’s shoulder until he got moving and then he poked it again when Dustin scowled at him.

In the car he was once again subjected to Dustin’s after show rant about how cool it was. The guitarist apparently broke two strings and flipped the crowd off with his bloody fingers—which they went wild for, which Dustin screeched along with them for. They played a new song, but it all sounded the same to Steve. That was as much as he heard, though, his mind kept wandering back to the man after the show. To the number in his pocket. He debated putting it to use, was the next day too soon? How long was too long until Eddie forgot about him? A guy like that probably had a mountain of napkins with numbers thrown at him every day. He decided to get over himself and call late the next day. 

“Hi, this is Steve.” He suddenly felt very silly for calling but it was too late now.

“Steve, pretty boy from the show last night Steve?” And just like that he forgot why he hesitated to call.

“That would be me.” He cringed, “No, wait, that sounds so self centered.”

“Not self centered if it’s a compliment.” Eddie argued.

“If you say so.”

They talked, got 10 whole minutes of random conversations Steve never wanted to end before Eddie cursed.

“I’m sorry, I promised my uncle I’d help at the shop.” He muttered, “I’m gonna be late.”

“That’s fine, you should go help him.”

“I’ll call you later?” Eddie asked, and if Steve didn’t know any better he’d say it sounded hopeful.

“I’ll be here later.” He responded. 

They called all the time after that, whenever they were both free. They even met up in person, it was just to the park because Eddie found out Steve had never fed ducks before, but it ended with another day scheduled to spend together and then another and then a month had passed and he could say they were officially dating. It was the best time Steve had had in a long time and he really didn’t want it to end. The realization came to him one night, after another day with Eddie, and it wasn’t as shocking as he thought it would be. It was a Friday night, Eddie was busy most Saturdays—something about going to shows with the guys—so a lot of their slow nights were Fridays. They were watching TV on the couch in Eddie’s trailer, which was quickly becoming Steve’s favorite place, when he found himself watching the way Eddie laughed and even jumped at whatever horror movie was on more than he was watching the movie itself. 

“I love you.” He whispered. 

Eddie’s head whipped around, eyes wide, movie forgotten, “I love you too!” And then Steve couldn’t be blamed for not watching the movie anymore when he was practically tackled to the couch, laughing the whole way down.

It was a month after that night that he was steeling himself outside of his front door.

“It’ll be fine.” He said to himself, “They’re going to love you.” He said to Eddie who was gripping his hand.

“It’ll be fine.” Eddie agreed and he almost sounded convinced.

Today was the one day that everyone could gather at Steve’s. The whole party had shown up, everyone he had folded into his makeshift family was in his living room waiting for him to get back with the new partner he told them he was introducing. Today was the day they decided to tell people about them.

Steve pushed the door open, taking a deep breath before leading Eddie to the living room. All of his friends sat scattered around the room. On the couch and floor and coffee table. He could do this.

“Uh. Hey.” He cleared his throat, “I’m back.” All eyes snapped to him, eager to know who this mystery person was.

Eddie tried for an awkward wave but their hands were still connected so they just shook between them.

The silence was getting unbearable until finally Robin shot up from the floor and tackled him in a hug, subsequently dragging Eddie along into it.

“I’m so happy for you, dingus.” She laughed as she pulled away, “Robin.” She stuck her hand out to Eddie who visibly relaxed, “Best friend, platonic soulmate, hurt him and I swear to god you’ll wake up with no kneecaps.”

“Eddie.” Eddie squeaked, shaking her hand hastily.

“Bobbin.” Steve only called her that when she was being particularly over the top because it annoyed her to no end and she knew this, “Tone it down, would you?”

The rest of the group chorused their hellos and introductions and a weight lifted off of Steve’s shoulders at the sight of all of his friends accepting the news without comment. Until he realized there was only one person who hadn’t spoken a word, standing in the middle of the room with a strange look on his face.

“Dustin?” Steve prompted, voice strained.

“Oh my God.” Dustin mumbles in disbelief.

“Dustin…” Steve shot him a warning glance, “If you’ve got a problem with it—”

But Dustin ignores him, he’s staring at Eddie in shock, “Oh my God!” He practically shouts, coming to life to jump and screech, “That’s—! You’re—! You’re Eddie Munson!” 

Eddie grins, seemingly unfazed by this bizarre reaction to meeting your brother’s boyfriend, “I take it you’re a fan?”

“A fan of what?” Steve asks, pulling his hand out of Eddie’s to turn to him face to face.

At the same time, Dustin starts babbling hysterically, “A fan? Only the biggest CC fan in all of Hawkins! I have every song on vinyl, like three posters and—oh my god this is so embarrassing. Eddie Munson is in my house and I’m telling him I have his face on my wall.” 

He keeps talking but it’s more to himself than anyone else in the room so Steve raises an eyebrow at Eddie, “What’s he talking about? Why are you on posters and why does he have them?”

Eddie, for the first time since Steve has known him, looks almost sheepish, “Oh…I guess I’m kind of, maybe the frontman of Corroded Coffin.” He might be blushing.

“You’re that nerd Dustin’s always going on about?!” Steve exclaims.

[cozylittleartblog]

lil columbo sticker design i made for my etsy :) i'm not sure what the market is for columbo merch but if the demand is high enough i'd like to make an enamel pin in the future!

[celenawrites]

Simon ‘Ghost’ Riley, after years of active duty, has no idea how to court a woman normally.

Does recon (*cough* stalking *cough*) at his new date’s place sound normal - taking note of your daily routine, watching you go through mundane chores in skimpy little t-shirts that barely covers your ass as you bend over to take out the laundry from the washer and watching you enjoy a cup of earl grey (a woman after his heart, he says) normal? No, it isn’t.

But, is it normal for your date to come into your apartment when you call to take a rain-check on your date because your bathroom pipes burst open at the worst possible time and you need a plumber to help you stop them or you’d run out if water, only for Simon to offer his help and fix it, discarding his plaid shirt and distracting you with his biceps in that good-for-nothing wife-beater he has on (the one that makes you almost clutch your pendant in comfort as you try to call for takeout as you don’t try to fantasize about his big, muscly arms to have you in a headlock as he fucks you dumb)? Also, not normal.

But, Simon is not exactly a conventional man and after he fixes your pipes, being normal is quite possibly the last thing in his mind as he makes you cum on his thick cock for the third time in an hour, his fingers rubbing at your clit as you bite the pillow and make your back arch in a way that makes your ass grind against his pelvis and he cannot resist the urge to give it a good smack, laughing throatily as he hears your muffled whine at the sting.

Point to be made, nothing has exactly been normal when it comes to Simon. But that’s fine, he can make do with that - or so he believes as he sees you demolish the already cold takeout you both had neglected earlier for your lovemaking. Now, he has a date to plan for as he slowly enjoys the cold noodles from the takeout box and watches the shitty tele with you.