About Idolish7... (If you are a fan of this anime, you better not read this because you won't like it) 🙃
I've given Idolish7 a second chance because on the internet, it's been getting a lot of hype, saying that it's not the typical idol anime, that it's not what it looks like, they compare it to Oshi no Ko, blah blah blah so I said to myself "Why not? Maybe this way I'll put aside my disgust for idol shows 🤷🏼♀️"
I mean, to be honest I love TsukiPro/Uta 💕 so how bad Idolish7 can be?
Well, I'm on S2 E7 and so far I can say that the whole anime is It's like running on a hamster wheel, always the same. These people, Idolish7, are like a toxic couple, they don't stop fighting and making up and the worst thing is that it's always for the same thing, they do not evolve or anything, they always end up upset for the same reasons over and over again 🤦🏼♀️
Of all the songs I've listened to, I still don't like even one, but I expected that, I don't like idol music, Tsukiuta/Pro is like a miracle, the exception to the rule in my case 😂 (Well, I admit that I also like Utapri's songs and I find them good 🤔 so there are 2 exceptions to the rule).
But the worst of all in my opinion and for the moment, are Tamaki and Riku, they need a couple of well given slaps 😒.
Tamaki behaves like a spoiled kindergarten kid, I mean, there's a limit to how egotistical one can be, don't you realize that you cause problems to the rest with such an unprofessional attitude? It's your job buddy! There are things you can and can't do and Riku… Ah Riku, this guy lives in his yuppie world, his idealism/happiness borders on the absurd, he looks like an abandoned puppy all the time "Tenn-ni doesn't recognize me" boy, snap out of it and leave your brother alone already 🙄 Is it that his character can't do anything that doesn't revolve around Kujo Tenn?
They just exhaust me, I swear to god all I7 members exhaust me.
Luckily for everyone there are 2 more groups 🙏🏻 I haven't seen too much of RE:Vale yet, so I can't give my opinion, but thank goodness, I thank heavens that Trigger exists because otherwise I would have shot myself by now because of how annoying Starish 2.0 are 😩
3 notes
·
View notes
Neil gaiman is a Zionist :(
this is so funny because if you google "neil gaiman zionist" nearly all of the links are to unsourced tumblr posts or responses to a single tweet from 2015 that just acknowledges Israel's existence
I see gaiman has once again committed the heinous crime of Being Jewish When Israel Is In The News
704 notes
·
View notes
Maybe the problem with Christian fiction is that it's non-denominational. People are just "Christian", with no effort put into showing what practicing that religion looks like for them specifically. No indication that there are other Christians who could have different beliefs. No wrestling with differing ideas and the struggle of how one should live out their Christian faith. And that makes it unrealistic and unrelatable.
488 notes
·
View notes
I'm begging you, BioWare... Learn from the mistakes of Baldur's Gates past...
202 notes
·
View notes
Ppl going "waaahh unpopular opinion but Alice is kind of annoying and obnoxious and I don't think I'd like be her friend irl" is so funny to me bc like.
God forbid a cast of characters be multifaceted and have actual flaws and unpleasant aspects other than "grr angsty hero" and "whoops i'm so clumsy". Sometimes character dynamics and arcs need to be prioritized above "who would i personally be niceys with irl"
2. bro just WAIT until you hear about season 1 jon lol
216 notes
·
View notes
thinking about The Girls again and how thematically interesting Ward would have been if Taylor had been living with Lisa. Only barely tangentially involved cape business. Would mostly just work as a barista or a bookshop owner or something and went home to help Lisa with Aiden and played card games with Aisha and the rest of her group on the weekends. Would give people advice and stuff but very deliberately didn't get involved.
I understand that the absence of Taylor was almost it's own character in Ward, but all the same, I really do think that Taylor being shown to have almost succeeded in moving on from capery, being about a normal person as she could be- maybe not happy all the time but content with her life where she gets to live with her best friends, sell books and maybe help some people here and there on the side would have helped with how emotionally distressing ward got, and provide hope that even someone as horrendously unstable and damaged as Taylor managed to find some peace in a world where peace often feels like an abstract concept.
heck, i think Taylor being there would have also provided Victoria with someone who would have been able to give her the perspective check she really needed at times. Because while i love that girl, my god did some of her plans and actions reach some real moments of horror. Would have been a really cool narrative moment for Taylor to hear Victoria's idea for the new superprison and be like
"This is an idea I would have had when I was a cape. I didn't expect I'd hear it from you."
Basically I'm saying that it would have been cool to see Ward be less about the massive, sprawling fights and crazy shard shenanigans and be more of a contemplative story about the rebuilding of society, how and if capes can retire, how can you be a good person and also enjoy being a superhero when your job is largely defined by violence, ect.
Oh and also Victoria and Ashley should have had more homoerotic moments with each other so taylor and lisa could stare at them and go "ah, remember when we were like that? good times."
106 notes
·
View notes
it’s like baby gorl there’s no way I, the author who wrote the fic you’re commenting on and who is the intended audience for this comment, am gonna agree with you 😿🙏 some things can just stay on your chest 🙏
60 notes
·
View notes
please stop being wrong on my posts btw it gets very frustrating not letting myself respond to you about how wrong you are
82 notes
·
View notes
spoilers for ofmd s2e8 - a discussion of the decision to do That to You Know Who
i guess my biggest issue is that you should have seen the end coming because it makes sense narratively, so in a way you did see it coming, but the show has spent two seasons subverting expectations and chucking logic out the window, so in the context of the universe they've created it fucking doesn't make sense.
I know it narratively makes sense to tie Izzy's arc off like this, but this show has gone to great fucking lenghts to show it doesn't give a toss about sense or how you're supposed to tell a story. The plot armour has been so thick for two seasons it's genuinely ridiculous, but that's the show and now this is the audience it's amassed. You think I've spent all this time watching these idiots strut around an ocean the size of a bathtub powered by nothing but spite and a gaydar because I value logic above all else? You think I like the show despite it's narrative insanities, not because of it?
Spending a season on Izzy's emotional and mental journey only to kill him off in the end does makes a certain literary sense. Him dying surrounded by the family he finally accepted and who accepted him in turn makes literary sense. His death allowing Ed to let go of the last of Blackbeard makes literary sense.
In the real world.
But we've spent two seasons in Pirate Muppet Land, with it's bathtub size ocean where everyone can find anyone, where wounds heal the moment they're patched up, where crocs and paparazzis paperazzis exists in 18th century. I'm not here for realism, I'm here for the insanity. I'm here for the workplace romcom where this community of queer idiots can laugh and cry and have their drama and, yes, a boatload (ha) of angst but it's fine because it is about them, the plot only there to further their personal journeys no matter how unrealistic that plot turns out to be. They created Something, something new and different and hopeful, and then made a single decision that went against everything they'd built so far because? Logic? I genuinely don't know.
Ultimately I'm happy with this season. I had so much goddamn fun. I enjoyed the ending, though for the personal journeys it concluded rather than story it actually told. This season was way too rushed, for which I assume we should largly blame HBO. The cast and crew did what they could with what they had.
Still though.
I said at some point during this season that I "genuinely can’t see a scenario where they kill off any of the crew, it’s just not that kind of show". Turns out it decided to be that kind of show, with the worst decision they could make. Killing off Izzy does make literary sense. Which, in context of the show so far, makes it goddamn unrealistic.
It's not a good plot twist to pull the rug from out under the audience if the rug is actually a carpet floor you've spent the whole season nailing down.
178 notes
·
View notes
I made a guide to my overwhelmingly neutral feelings on ships
(blank under the cut if anyone want to have fun with it @ & credit me if you use!)
174 notes
·
View notes
thinking about. i dont know how to phrase this really but. chloe and frank.
like. when Chloe killed Frank i (, personally,) feel like her guilt from it was less because she killed Frank, and More because she Killed Someone (and their dog).
but!!! thats not to say she didnt feel guilty for killing Frank. because she definitely did. because on some level. despite everything. despite all of his shitty behavior. a part of her still cared for him. that tiny 15-17ish year old part in her still cared for him.
because that 15-17ish year old with intense abandonment issues in her only had. a small handful of people in her life that actually cared for her, and when THOSE few people aren’t even doing the best job at it— it’s no shit that Chloe’s standards for Good Friends are going to be Immensely dropped.
and so. it’s kind of like what happened with Rachel, but WAY less intense. when she found someone who didn’t hate her, and was willing to hang around her—after so so long of people hating her and not wanting to be around her— it makes sense that part of her would kinda latch onto them a little bit.
and so, even after all of the shit she’s learned he did— even when Frank starts to hate her— even when he threatens Max and her’s lives— part of her keeps remembering him as one of the few guys who stuck around when no one else did.
it’s just that. no matter how bad the person— if you’ve known someone for years, and they were one of the only nice people to you in a town where theres like. four people that are nice to you— it’s gonna hurt if you kill them. even if it was self defense. even if it was entirely their own fault— even if you two aren’t on even remotely good terms anymore.
ESPECIALLY for such a sentimental person like Chloe. taking that in consideration it makes me wonder. maybe she didn’t feel bad for killing Frank. maybe she felt bad for killing the person Frank used to be to her. but maybe she realized that That Frank already died long ago.
but yeah. im mentally ill. take everything i said with a grain of salt considering it is 12:07 AM.
30 notes
·
View notes
After seeing Ron Circilo’s confirmation that F!Leo did have mystic powers, I can safely say that I actually prefer the fan canon that he didn’t, least not when the prologue happened. Makes Leo cooler knowing he still leas the resistance and fought back the Kraang without any magic whatsoever. Just his training, strategic skills, and intelligence to keep him pushing to the next day and so on, and his teammates and family to help support(as long as they could). Just feels cooler. Your thoughts?
Well, first off, I must say that I have nothing but the utmost respect for Ron Circilo and the Rise team in what they were able to accomplish! The fact that he was willing to come online and answer all of our unending questions was such a gift and a true act of kindness on his part. One that is deserving of our respect and gratitude.
It is amazing how much the little bits of knowledge have invigorated so many within the fandom, myself included! With this in mind, it is not my place or intention to disregard anything he has stated in these answers. For the most part I found everything he said to be insightful and very much in line with the impression given by both the show and movie. (My particular favorite being that future Mikey is physically in his 70's due to the use of his powers. I am very happy that Replica is already slated to be going in that direction.)
The answer in regards to Leo's mystic powers, I will admit, is probably one of the few answers I personally interpreted differently from the opening scene of the film. Even so, I think it's more important to take into account that projects such as the Rise Movie involve a lot of people and writers with differing opinions and thoughts (for example I heard many while interning on AtLA). So at points like this I can only shrug and say that whatever isn't stated outright within the final source material, is still open to interpretation. It's just nice to be given some insight on what could have been!
Just know that I will continue with what I had planned for Replica, in which Leo does not have his mystic abilities. For me this will play a key role in his character growth (many of which you mentioned in your question) and also explain a number of issues the opening film would otherwise face.
195 notes
·
View notes
how are you so open about G/T with your family i’m jealous 😭 i keep just trying to drop subtle hints i’m just like ‘oh have you seen that movie The secret world of arrietty’ and mentioning g/t movies like epic
That's kind of how I started with it too! It's been so long that I barely remember but when I eventually ended up fully telling them, they said they had already known lol. Which I think means my hints were being picked up on.
You just gotta tell yourself that G/t is just a trope. It's just another interest that people can have, it's not anything weird. And if that's how you act when you tell people, then they'll see that too.
22 notes
·
View notes
thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.
the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)
there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.
45 notes
·
View notes