genuinely cannot wrap my head around ofmd superfans raising over twenty thousand us dollars to put up BILLBOARDS in an attempt to save a tv show. fucking billboards. advertisements. $20k raised for a literal tv show in the midst of a genocide. no tv show on this planet is worth throwing thousands away on advertisements attempting to reverse a cancellation while a genocide is enacted. do you know how much you could do with $20k? besides, the debate on whether or not the show deserved to be cancelled does not matter one bit at this point. it is pointless. it is incredibly obvious where the ethics of these fans lie, especially the wealthy ones willing to fund an entire times square billboard. i just cant fucking understand it.
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im so sorry i get it now i really do, the gay angels have me shaking screaming crying at all hours of the day and night, they mean everything to me i am literally thinking about them all the time and what it would mean to love someone steadily and silently through eternity, what it would mean to love across the lines of a divine war of supposed good and evil, what it would mean to carve out a space for oneself and ones lover in no man’s land, in the grey and moral ambiguity when you were created to be black and white without blemish. god i love them so much i just
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One of the aspects of season 1 and 2 that made them my favourite were the portrayal of the dynamics of the characters with each and themselves in their adult life.
Give me Klaus having a breakdown cause he’s starting to forget what Dave looks like and the sound of his voice. Show me him begging Five to just go back and save him, as he’s just one person, it won’t matter. But it will. Klaus knows that. He just doesn’t want to believe that.
Show me how Allison sees her daughter refusal to going to bed as something alike herself. Show me the doubt and fear that might come from her seeing herself in Claire.
Show me Luther trying to socialise with other people without it sounding like a formal report.
Show me Five having a hard time opening up entirely with anyone, especially his family. Show me Victor and him both relating that they feel like outsiders with their siblings, that no matter how good they are now, they will never know how it feels to be completely comfortable and secure with them. That deep down, they will always be alone.
Give me the honesty between Diego and Luther, the outraged desperation of Diego wanting to be the leader, to be seen as an equal to Luther, and Luther telling him that he always knew how that affected him. And deep down Luther enjoyed that his leadership was able to ignite some sort of emotion, even if it was disdain, just something to prove to him that what he was doing was worth a reaction.
Show me victor not being used of people calling on him to make the shots.
Show me Allison and Diego bonding over how it feels to lose their voice, to feel weak and defenceless in a world that is so quick to take away their power and anatomy
Show me Luther and Lila undermining anyone older who gives them guidance or are authoritative in fear of becoming susceptible in becoming mindless obedient soldiers again.
Show me Victors tedious relationship with the violin. How he wants to entirely forget how to play the violin, but hating himself by how easily it is to regain that skill. It feels like Reginald’s hand will always be holding his shoulder every time he holds that god forsaken thing.
Show me how Allison is able to conceal her insecurities and guilt with her award wining smile, on and off set.
Show me a quiet bonding moment between Diego and Victor showing each other’s littered scars on their hands, either by failed knife tricks and tightening strings. Both brought upon by an absent father that each other will never quite understand the others perspective
Show me Lila first thought fleeing anytime her and Diego get into a fight, thinking that it’ll be easier to ran away then to face him.
Give me Diego trying so hard trying to be badass but failing, because intrinsically he isn’t a whiskey shooting cold blooded ‘lone wolf’, he’s just someone who loves his family and wants to be truly close to someone
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I was so distracted by the Bentley playing Good Old-Fashioned Lover Boy as Crowley raced back to the bookshop this season that it didn't occur to me that we'd been in this position before.
Spat with Aziraphale?
Check.
Threatened by demons?
Check.
Rushing back to the Bookshop with the Bentley playing something overly romantic?
Check and check.
Friends, it is ENTIRELY POSSIBLE that Crowley was having major flashbacks to the bookshop burning and Aziraphale being gone, which is why he was setting new records for the drive through central London. Maybe everyone else already thought about this but I didn't until right now and I am not ok.
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