#just in case anyone gets the wrong idea

[4lph4kidz]

i was thinking about your dirk and hal poll and i want to mention that i think your concept for ink and iron where dirk creates hal from his reflection by enchanting a mirror is so cool 😌

thank you! hal's predicament and purpose within the canon narrative is so fascinating and i felt it was really important to find a way to explore what i find most interesting with him. i can't take full credit for the concept though i took inspiration from a few placees (one of my friends pitched the idea of the mirror accidentally dumping him onto jake's doorstop for example) but overall i think the idea is very fun and i'm really excited to write more hal stuff!!! also i'm going to take the opportunity to share this oldish doodle i found:

the mispelling of angel as angle was NOT intentional (<- dyslexia haver) but it probably explains a lot. he's pointy

[samglyph]

Hope you draw Oscar again, that post made my day 0.1% better

I can never make any promises but just for you here’s an unused sketch that I drew while doing my drawings for the episode aka how I think Arthur should have said thank you

[ducktracy]

Does it ever feel pressuring (no pun intended) to work on a show with such a legacy and history as SpongeBob?

VERY much so, but in a good way, if such a thing exists! one of our mantras on our little storyboard plussing team is “pressure makes diamonds” and it is a very applicable saying

when i first started, i was TEEEEERRRIFIED! i really felt like i had no idea what i was doing, and there have been so many times where i’ve turned in a section and genuinely thought “oh my god they’re gonna fire me for this it’s so bad.” working in animation is frazzling enough! but not only are we working on a cultural mecca, with not only the kids of today to entertain, impress and inspire, but to maintain the integrity of the series and entertain/impress/inspire the kids like us who grew up with the show, we are also working with literal animation legends and animation veterans!! it’s pretty surreal to be working on the same show as someone like Bob Camp, who’s been in the industry for 40+ years… and even more surreal when he says he’s a big fan of your work 😵‍💫‼️‼️‼️‼️

THANKFULLY, i’ve made a lot of strides in curbing some of my storyboarding stage fright. it used to be really bad when i started, like genuinely panic attack inducing! the constant patience and guidance and encouragement of my peers and consistent practice from these past three years have really allowed me to grow and blossom. now, when i feel a bit claustrophobic in remembering the pure scale of what we’re doing, i weaponize it for good!!

i think of how inspired and amazed and obsessed with SpongeBob i was as a kid. how it inspired me to draw, how i remember drawing along to episodes and commercial breaks. my brother and his wife are both elementary school teachers and routinely update me about how their kids are still crazy for SB (and they both brag about me to their kids heheh). i think of all the kids watching, all the kids realizing that getting to draw these characters and interact with them and live in their world is something you indeed can do, all the kids who religiously catch each new episode like i once did… it just fills me with so much confidence and hope and love, and that motivates me to deliver and do my best and try to do what i can to help make each episode be better and more fun than the last

SpongeBob is for everyone, obviously! that’s one of the great things i love about working on it: i get just as much enjoyment watching our finished episodes as our target audience. but i do bring up the kids particularly often because, at the end of the day, that is who we are doing it for and i also just can’t help but think back to how my SpongeBob obsessed self as a kid would have had her world rocked to know i’m doing what i’m doing. i want to give those kids, who i used to be and still essentially am, the same joy and spark and all consuming inspiration i felt and still do

there are definitely some days where the gravity of what we’re doing hits harder than others! some days are a lot more difficult than others. this is an absolute dream job, i’m not just saying that, i always fantasized about maybe one day being able to work my way up to working on SpongeBob and now it’s my first animation job—but it is very easy to get overwhelmed by just how big of a legacy we’re carrying on our shoulders! how many other mega talented people work on this show! there’s a lot to juggle. but we juggle it well. there is so much love and heart and care poured into this show. we do everything we can to maintain the integrity of the characters and the show’s core, and it just makes me love what i do all the more and makes me more determined to do it

TLDR: YES! but i’m much better off for it, because it reminds me of why we’re working so hard to begin with. we all want this show to be the best it can—to maintain its core 25 years later, but still have fun doing it. i mentioned this on Twitter, but when i met Bill Fagerbakke last month he was saying how cool it is that fans who grew up with the show are now able to work on it and i couldn’t agree more. it’s the greatest honor imaginable being able to carry such a monumental torch, and i hope i’m able to keep at it for a long, long time.

[possamble]

realizing im kind of a weirdo about laios and marcille

[wild-at-mind]

I get why people like the whole queer existence is resistance thing. I don't personally, because I think it puts a tonne of intracommunity pressure to exist in the 'right' way, I.e. the way that is 'radical' to the person currently scrutinising you. As a person with OCD that manifests in self scrutiny that I have to constantly concentrate on to avoid it becoming self hatred, I'm never going to be a fan of that. I kind of feel this way about any kind of assimilation conversation with regards to queerness really. I think it's an important conversation within irl communities who already care for each other- who shows up for others outside of their own interests and who doesn't, etc. But the internet makes things so impersonal and cold. It encourages people to make very serious snap judgements about others who they don't even know, and to encourage others to believe that about them. None of these people are in community together in any meaningful sense, or they wouldn't treat each other so ungenerously.

Anyway I had a bit of a realisation earlier- I think we have to tell ourselves our existence is inherently radical all the time because we're always getting the subtle message from our community and the wider activism community that having a good time or enjoying yourself is somehow bad, or insulting to people in dire straits. But instead of challenging that idea we say no it's OK because I'm doing activism simply by being here. I think it's fine to feel that way and in many ways existing as a marginalised person really is radical. I just want to make sure we aren't internalising the idea that we can't ever be happy or having a fun frivolous time without justifying it, and passing that idea along to others without meaning to.

[vi-enti]

SORRY this is going to be tmi but where else can i say it??

i’ve always thought i’m somewhere close to asexual or generally sex-repulsed bc i have such a low sex drive and no desire for it that i could perceive. APPARENTLY that’s a fucking symptom of some of the hormonal shit i’ve got going on that comes attached to my dysfunctional ovaries.

so now i’m like??? do i have any grasp on my identity at all or is it all fucking connected to the same syndrome in my uterus? what if i just. blew up.

[halcyonmirage]

I'm rusty when it comes to drawing realism, but I gave it a shot. Why not?

Miss talking to you, Grandma.

[isekyaaa]

But on the other hand, a psychological horror fanfiction of That's Not My Neighbor in which you are the doorman and a certain entity becomes obsessed with making your life a living hell.

[firewoodfigs]

today i went to a friend’s house and he just casually sketched all of this in ten minutes for his neighbours’ kids that we were unwittingly forced to babysit and i’m just??? how can one person have so much talent

[enbysiriusblack]

thinking about horror film au marauders.. (tw. lotta gore)

lily the nerdy, bossy character that comes out with a giant axe and brutally beats up the killer/s to the shock of every other character

peter is either the bargaining character that tries to bargain and give the killer/s what they want just as he's about to die. or the character secretly on the killer's side that's revealed at the end

definitely giving wolfstar the making out whilst a killer is in their house/car/woods

mary, dorcas, remus, and lily all turning to each other wondering which of them is gonna die first, when they realise they're basically in a horror film cause of the black character dying first trope (i watched the blackening yesterday and the tagline "we can't all die first" gave me this hc. very good film. highly recommend)

sirius is the resident horror film expert that tells them what the killer usually does next (im imagining someone dying and everyone is just screaming over the dying body and sirius is also screaming but then adds in "this is exactly like that scene in wrong turn!"

the screamers are probably mary, remus, and james. not a definite though. i can see it being other people.

marlene gets the most jump scare scenes and emmeline gets the most hearing creaking and footsteps

james is the best at fighting but absolutely hates blood. feel like there needs to be a scene where he's like punching a masked killer and is doing SO WELL. and he gets the killer on the ground and is about to pull the mask off when the killer pulls out a knife and stabs at his hands and chest and shit. and he just screams and backs away staring at his blood until he faints.

as marlene dies, she clutches dorcas' hand and whispers "the lesbians never get a happy ending. apart from fear street... why couldn’t this be like fear street?"

the final girl HAS to be mary. ofc.

[literaphobe]

its adrienette APRIL

YES IT IS!!! and guess what has happened in this beautiful april. TVL CH10!!!! <- it’s up now guys go read it yayyyy

[waywardsalt]

in post-ph specifically a really old idea ive had is that linebeck is extremely, extremely possessive of his coat, but if in a situation where he fears he might actually die, he gives it to the person he trusts to save him, or he gives it to someone he cares about that seems to be on the brink of death

[peachsayshi]

I don’t mean to point out the anons message- but the truth is, it’s really frustrating receiving messages that read out like demands (even though I’m sure it’s not the intention). I usually just delete them, but like, the least you can do when sending somebody a request is to say hi or check out a writer’s pinned notice to see what they are or are not comfortable writing. 

[beeseverywhen]

god the duality between 'I don't want someone in my house' and 'yeah I'd like my own kids and no way I'm doing that alone'

[kalmeria]

i make posts for an audience of one (me)

[galactic-feelins]

Been rotating some characters and shows I like around in my brain, but something went wrong and now some wires crossed in unfortunate ways. I’ve been trying to get back into the drawing mood, but considering there is now a jumbled mess of fandoms and characters in my head now, be warned I may end up sharing something unfortunate

Details are in the tags here if you’re curious, just be warned it’s messy…