#just for ONE sentence of creative writing

[alexi-was-not-here]

Hey everyone... I saw the other reblogs and the were beautiful and I love them and you should go show them love and support BUT this story has been floating in my head and I would like to write my version {which will be extremely similar to the others BUT I love Janus and would like him to not be the bad guy... so think of this of an au of this hc I guess}

-----

Thomas had just woken up, which meant it was time for Virgil to go help Thomas make it through the day. Virgil left his room and began to make his way downstairs when all of a sudden he heard a yell, he turned towards the noise and saw a shocked formal looking side.

"Uh h-" Virgil went to greet him before he was cut off by a different voice

"Who. Are. You?" Said a side who looked like they were closet cosplaying every Disney prince combined, who was dawning a samurai sword strangely enough.

"I- I'm anxiety" Virgil responded nervously

"Why the hell are you here, Thomas doesn't need you, no one does" Virgil felt taken aback, he's a bit nervous to talk back considering the sword, but he's supposed to be there just as much as the rest of them, right?

"I- b-but-" Virgil is trying to get a sentence out but his mind is racing and his throat is starting to close.

"But what? Spit it out or," The "prince" 's grip tightens on the sword he's holding, though he stands his ground infront of two other sides, the one with a cardigan around his neck grips Roman's jacket, "get lost."

Virgil tried to get any words out of throat but instead all he got was his own racing thoughts and stinging behind his eyes. He walks back up the stairs and hears the other sides breathe a breath of relief and return to their happy banter they were having before he walked in. Virgil collapsed on his bed and finally he let muffled sobs escape his chest. He wasn't trying to scare anyone, he just- he was helpful right? Maybe he wasn't helpful after all, just like he had feared. Maybe he truly was there to cause distress. He fell asleep crying.

---

Time and time again he tried going downstairs but he would go back up to his room after being berated by the Prince guy, or freaking out the light blue side, or getting nervous and watchful glares from the formal side. He eventually stopped trying to help the three of them as he mostly seemed to be an annoyance, and favoring staying in his room instead and allowing his thoughts to consume him.

The only time he was able to not be a nuisance to the other sides was at night when Thomas was about to fall asleep, it was the only time he was able to talk to him. Though, he did occasionally get thrown out when Princey couldn't sleep either.

One thing Virgil enjoyed doing though, was sitting at the top of the stairs and eavesdrop on athe three other side who he found out were Morality, Logic, and Creativity. He enjoyed listening to them talk, and pretending that they talked to him too.

---

One day when Virgil was listening to Logic explain something he found intresting he was pulled out his thoughts by an unfamiliar voice.

"Hey, you seem cool. You wanna come hang out with us?" Virgil turned to see a side dressed similarly to Creativity except he seems to like black and green, bent over towards Virgil {a little too close} with a wide grin on his face.

"U-us?" Virgil asked confused considering he only saw green creativity{?}.

"Hello" Virgil heard a voice from the shadows {Totally not creepy} and a yellow gloved hand wave to him.

"Oh oh by the way, I'm creativity" Also Creativity said as he stood up straight and extended his hand to Virgil. "So what do you say wanna come with us?" Virgil glanced down at Logic remembering how apprehensive he was around him, at Morality who was so scared he would hide behind Princey and hold his jacket, and finally at Princey who when they first met had told him "Thomas doesn't need you, no one does" and those words still haunted him everytime he closed his eyes.

And then he looked at Creativity who said he was cool and seem eager to get to know him, and the not-at-all-creepy shadow figure in the hallway who smiled at him too, and he took Creativity's hand.

"I'm anxiety"

"Ooooo, well anxiety do you like Dance Dance Revolution?"

-------

It had been several months since Virgil decided to follow Creativity into their hangout. He learned that this Creativity's name is Remus and is essentially thoughts doesn't want to have, and while he never learned the other sides name, he did tell Virgil he has the role of Deceit though.

Living with them especially Remus had been... stressful to say the least but it was also the first time he felt wanted and, Deceit had even told him how cool it was he was anxiety and that Thomas is lucky to have him.

Unfortunately though despite all this he wanted so desperately to go back to the other sides. He was tired of being ignored and thanks to his time with "The Dark Sides" {it's what Remus called them} he had learned not to take crap. And it was time that Thomas finally heard him.

So, he went back to his room upstairs away from Deceit and Remus in the middle of the night, knowing he'd be able to talk to Thomas unbothered.

And he went downstairs in the morning, and didn't leave even after the groans or fears exclamations, and Princey didn't seem to be as eager with his sword so he stuck around. And FINALLY the sides would listen to him, even if they didn't particularly always like what he was saying.

--

Thanks for reading everyone!! I will make a part two if there is demand for it but I think I closed it up pretty okay :}

Angst idea

During Thomas’ preteen years everytime Virgil got near Patton or Logan, Roman would stand between them and draw his sword. They were a lot younger then and they didn’t understand each other like they do now. Anxiety scared them all even though he was just trying to help in his own way, partially because of the way he went about it, partially cause no one wants to be anxious and they were kids.

Logan would always tell Roman he was being excessive but he would screech Roman’s name if Anxiety was there and Roman wasn’t.

Patton always told Roman not to be mean when he started insulting Anxiety, but he did cower behind the creative side while he did it.

Virgil would put on a tough guy act “You think I’m scared of a sword Princey?” and he was, but more than that it hurt to watch the rest of Thomas hating him so much.

[literaryvein-reblogs]

Writing Dialogue: Compliments

Compliment - a verbal or written remark that expresses admiration, respect, or praise for another person or group.

The definition of compliment includes the general expression of good wishes or affirmations on quality, as in the example sentence, “My compliments to the chef.”

Studies show that compliments can activate the brain’s reward center, promote positivity, and help build self-esteem and overall good mental health.

Types of Compliments

You can compliment anyone, from family members to coworkers to strangers on the street. Some compliments include the following:

Accomplishments: You can compliment someone about their past or recent achievements. You could compliment a significant personal win like reaching a career goal or a minor victory like guessing the word of the day on a challenging crossword puzzle.

Appearance: You can view these compliments as flattering comments about how someone looks on a particular occasion or about attributes like beautiful eyes, skin, or hair.

Creativity: Compliments about creativity might include kind statements about someone’s artistic ability or creative solutions to issues, projects, or problems.

Intelligence: When you compliment someone’s intelligence, you could give them a sincere compliment about a specific situation or playfully tell them they’re a smart cookie in a general sense.

Personality: Compliments about someone’s personality cover many areas and might include statements about the person having a great sense of humor, being a great listener, or always seeing the silver lining in difficult situations.

Whole person: You can compliment someone about how you view them, such as telling them they’re an awesome friend or a great sister.

Examples of Compliments to Give

The best compliments come from the heart and are unique and specific to the person you’re addressing. Consider the following compliment suggestions:

You have a beautiful smile.

You always light up a room.

I love your style.

That color looks great on you.

I love your sense of humor; you always make me laugh.

I’m impressed by your ability to stay calm and focused when things are stressful.

Your ideas are so innovative and fresh.

You’re always so helpful.

I appreciate your honesty.

I always have fun when I’m with you.

You’re stronger than you think you are.

I’m grateful you’re in my life.

You’re an inspiration to me.

You add so much to our community; I’m glad you’re here.

I admire that you always speak up with your opinion.

I always feel comfortable being myself around you.

You’ve brought such joy into my life.

I love how curious you are about how things work.

You’re such a good team player and considerate of others.

You’re so patient when dealing with others’ problems.

How to Compliment Someone

Giving a compliment might feel awkward at first, but with practice, you’ll experience the benefits of improved relationships and an overall sense of wellness. Follow these guidelines when giving a compliment:

Be specific. The more detailed your compliment, the more impactful it feels to the person receiving it. Telling someone they’re a good listener is lovely, but telling them about a specific time when they made you feel heard them feels more meaningful.

Embrace sincerity. Most people can sense when a compliment is insincere, so tell the truth when giving praise. Avoid giving compliments you don’t believe, such as telling them they’re attractive when you don’t find them attractive or telling someone they did a good job when they failed at the task.

Include strangers. Avoid reserving compliments just for people you know well. A well-timed and honest compliment to someone you don’t know can make their day, even if it’s about something simple. Avoid complimenting people you don’t know well on their physical appearance.

Notice the good things. Pay attention to your family, friends, loved ones, and coworkers, and note their good qualities and accomplishments. When you spend a lot of time with people, it’s easy to only focus on problems or negative issues that need solutions. Incorporate taking in the positive and giving compliments regularly to forge stronger connections and make a habit of noticing the good.

How to Respond to a Compliment

In some cases, you may find receiving compliments creates anxiety, especially if you suffer from low self-esteem. Follow these tips when responding to a compliment:

Avoid rejecting the compliment. Sometimes receiving compliments feels uncomfortable, making you impulsively want to give credit to someone else, turn it into a joke, or tell the person why you don’t deserve the accolades. Though you may feel all these things internally, do your best to avoid verbalizing your self-doubt, which could make the other person feel foolish or rejected.

Express your gratitude. Accept the compliment as you would a gift, saying “thank you.” If you wish, you can expand on your appreciation by adding how the compliment made a difference (either as a positive emotion or as an encouragement to keep going).

It’s about the giver as much as it’s about you. When someone compliments you, they tell you how your behavior or actions impacted them, which may feel like a vulnerable act for them. Remember that how you respond can have an emotional effect on the receiver.

Redirect compliments meant for someone else. If someone compliments you about an action or work you didn’t do, redirect them to the right person while supporting their desire to give a compliment. For example, if someone compliments you about a work project you didn’t do, you might say, “That’s so nice of you to say that! Actually, Kim completed that job. I’m sure she’d love to hear your feedback.”

Source ⚜ More: Notes & References ⚜ Writing Resources PDFs

[theliteraryarchitect]

Hi, this is a really specific situation, but I'm at a loss. I had an accident that left me with lasting brain issues, and my writing has taken a hit. I went from being able to churn out a 3k word chapter in a day to needing an hour to write 50 words. I have so many ideas but can't express them, and I hate writing as a result. I know practice and just pushing through are going to be the main pieces of advice, but do you have any other suggestions or resources for someone who is having to re-learn how to be a writer?

Hey there! First off, I’m so sorry this response took me so long. Your Ask really stuck with me, and I wanted to give it the thought and care it deserves.

I can’t imagine how frustrating and heartbreaking it must be to go through such a big shift in your writing process. Losing that ease and flow—especially when you have so many ideas—is a huge adjustment. It’s a testament to your creativity and drive that you’re still thinking about how to keep writing despite the challenges.

You’re absolutely right that practice and pushing through are often the go-to advice, but I think it’s equally important to give yourself permission to grieve what’s changed. Writing can feel like such a core part of who we are, and when it’s harder than it used to be, it’s natural to feel a sense of loss.

Here are a few suggestions that might help as you navigate this:

1. Try Different Mediums: If typing feels like slogging through mud, maybe experiment with dictation software or voice-to-text tools. Speaking your ideas aloud could help you capture more words without the same strain.

2. Focus on Smaller Goals: Instead of trying to write full chapters, set tiny, manageable goals—like jotting down a single image or one sentence that excites you. Those little wins can add up and feel more achievable.

3. Explore New Ways of Outlining: If you’re struggling to get the words out, focus on the ideas instead. Create bullet points, mind maps, or even doodles to capture the essence of your story without the pressure of fully fleshed-out prose.

4. Be Kind to Yourself: This is the hardest one, but it’s so important. Writing isn’t just about the final product; it’s about the joy of creating. Even if the words come slower, every step you take is progress.

And don't forget to give yourself a ton of credit! Re-learning how to write in a way that works for you now is an incredible act of resilience. You’re still a writer, and your stories are still worth telling, even if the path looks different.

Hope this helps!

Bucket

/ / / / / / / / / / /

@theliteraryarchitect is a writing advice blog run by me, Bucket Siler, a writer and developmental editor. For more writing help, download my Free Resource Library for Fiction Writers, join my email list, or check out my book The Complete Guide to Self-Editing for Fiction Writers.

[graysparrowao3]

2024 Writing Reflections

Thank you @little-paperboat, what a nice tag to receive, really interesting to reflect on these questions. I'm not sure who may not have a tag, here are some no pressure ones if you would like to join and an open invitation (no seriously, I really like this one I want to tag everyone lol)💛 @wakacreations @thylyre @faetouchedfool @barbwillbrb @lolliputian

What's been your biggest learning point this past year?

To embrace the joy of writing. This meant trying new things or putting them out there or just writing what spoke to me. Writing "easy" and not worrying about my prose - if I just wanted to write fun dialogue with the same damn dialogue tags, then go for it babe, let those blorbos yap. If I wanted to put in the most cliche, in-your-face metaphor, smack that literary device on the arse and send it out! If I had a short idea that I thought was fun, I could share it as a fic, or a post, or even just a message amongst people who like similar things. The more I embraced the joy of it just for its own sake the less anxious I felt about it.

How has your writing developed this past year?

Writing sexually explicit content. I'm very cautious about the explicit content I consume for my own psychological comfort, and it was quite liberatory to be in control of the writing and know what was going to happen, and definitely allowed my writing to grow in depth, gain a new skill, and explore more heavy and intimate themes.

Bad writing habits?

I get impatient and want to be done with something even when I know the editing isn't quite finished and then spend the next hour frantically making edits after it's uploaded.

Favorite thing you wrote?

I feel like this changes every time I reflect on it, probably because I like them for different reasons.

For now, I'm going to say Part 10, the main "concluding" part of the NB series. I was absolutely exhausted after I wrote it.

I'll also say chapter 10 in The Elturian Prodigy, because in it Rolan begins to figure out the events of Descent into Avernus, and I was proud to be able to come up with how he might do it that didn't seem super obvious but that an intelligent character could reason through.

Biggest win?

Finding support and kindness that uplifted me to such an extent that it has changed the trajectory of my life. I'm part of the many folks who have found their joy and creativity again thanks to fandom writing and the overwhelming and unexpected kindness of people in the online community spaces. I even had some people in real life remember I was trying to write again and ask how it was going and I had to not be a big emotional mess about it. Thank you online writing friends <3

Your favorite words of the year, aka the words you check each chapter for, making sure you didn't repeat them 788 times?

Everyone is always breathing in various ways. Lots of deep breaths, huffing, snorting, air catching in throats. Or chuckling in various dry, wry, ways. Or brows doing various things; raising, creasing, cocking.

This is a ridiculous sentence, but I had to take a moment in the middle of the NB series and check I wasn't overdoing twat, bastard, and feck and turning it into a caricature. (There's a part where Rugan says "Every other word out of your mouth is 'feck this' or 'bastard that'" which was absolutely me calling myself out lol).

Goals for the new year?

I think I responded to this elsewhere, but in this moment I am thinking...

Just don't stop reading and writing, keep practicing and growing.

Always remember the kind words of internet friends that have made you have faith in yourself.

Keeping working on the ongoing WIPs.

I think, if I'm being honest, I would really love to finally get something original self-published or close to it by the end of 2025. As the saying goes, the best time to plant a tree was 20 years ago, but the second best time is now.

What are you excited for in the new year?

Well I'm in the middle of a couple of interviews, so getting hired would be good because life has thrown a lot around recently that won't be letting up any time soon. Fingers crossed.

I got some books for Christmas and my anniversary before that I'm looking forward to reading. Just finished the First Law trilogy.

Getting through some more of my fic WIPs and moving towards completion of those projects.

Some more cheeky tags because this is a great tag game if you are interested @vera-king-hrfl @beesht @ashprince-of-bel-air @alpydk @dutifullylazybread

[oddsconvert]

Genuinely believe it's the biggest killer of creativity, independence and initiative because what the hell do you mean you can't even write an email without it anymore??? Reading articles? Drafting messages? Essays and homework? What do you mean you need it to write out your story ideas and sentences or give you prompts? And don't even get me started on AI art 🥱

You have a brain. Mans greatest computer - please, I beg of you, please do not use a shitty algorithm that hopelessly mines, steals and scrapes together whatever it can muster to only produce the most mediocre and impersonal response.

I promise you, without a shadow of a doubt, anything that YOU create instead will be infinitely better...because it's unique - it's all yours. Be proud of your creations, because you did that. No-one else and certainly not some computer system that just scanned through copious amounts of data and mushed it together.

Whump community Reblog if you hate AI

it ruins the whole point of art

[hopefulsapphic]

stg i literally research more for a single line of fic than i do for an entire academic essay

[maelancoli]

i feel like 'who talks like that' mentality has harmed unique dialogue in books ngl?? like we need to let our characters have their own way of talking, let them be a little melodramatic. the written word often requires flowery speech and sharing sentiments in a way real people don't because we cannot convey the micro expressions, the atmosphere, the little visual cues—all that modern media allows. you have to be willing to be a little cringe if you want your characters to stand out and feel earnest and real

[mirrortouchedsea]

dark. that was all he had ever known. cold, dark, damp. the boy shivers in the small room, painfully alone, only a book and his magic to keep him company. he tries not to use his magic very often, though. it seemed that the people above knew when he used it and they always always always refused to give him food until he “woke up” next, if they bothered to keep track of that. maybe this time he’ll learn their lesson. the boy whispers his spell, cur memini, and creates a small light in his fingers. this is the only spell he can cast safely, too small to be noticeable by the people above. he holds his hand over the fading book on the floor. the boy can’t read the letters on the page, but this book has pictures. he flips through it again, careful of the pages that were falling apart, admiring the figure in armor who always comes to rescue the figure in the tower, cut off from the world, just like him. the boy frequently dreams of a figure in armor coming to save him, despite the years he has spent alone. dark and cold and damp. 

the room the boy lives in, the only room he has memories of, is empty besides himself and the book. sometimes the people above would give him water and stale bread to eat, and then there was a cup and a dirty plate, but otherwise it was just the boy and the book. the boy knows why the people above have locked him away, they told him that he was a freak of nature, unnatural, dangerous. but the boy could only make lights in his palm, and that wasn’t very dangerous at all. he thinks to himself that the people above are the dangerous ones, locking away a child for something like this, but he can’t say that out loud. he doesn’t want to die again. 

the boy’s stomach grumbles and he curls in on himself, the light in his palm fades out. he longs to see the sun again, to play with the other children he can hear through the ceiling, to be normal. the people above must have decided to punish him again, though, as he doesn’t remember the last time he had anything to drink, to eat. his stomach would eat through his skin and he would still wake up the next day. why can’t he just die once and for all and be rid of the pain? why is the world keeping him here? why was he even born?

the boy closes his eyes, and falls asleep. maybe this time it won’t hurt so much. 

--- 

how long has he been here? the boy doesn’t keep track of time. he knows he’s died at least a dozen times, but how long does it take for a dozen lifetimes to pass? 

--- 

a clattering on the floor wakes the boy up. the people above decided he can eat today. stale bread and water again, but better than nothing to the boy. he crawls closer to it, listening to the door. it closes and the voices disappear. where was the sound of the lock? did they forget? 

the boy scarfs down his food and water before tiptoeing up the stairs. he doesn’t hear any voices, but he needs to be careful. he doesn’t remember what the above looks like, but he needs to leave. he needs to be free. 

slowly, quietly, he opens the door. it’s dark on the other side of it, but still much, much brighter than his room ever was. he closes his eyes but keeps the door open. breathe in, and out. opens his eyes again, blinking the brightness away. pushes the door further open. steps on the hard ground outside the door. he’s so close. closes the door quietly. turns around and holds his breath. where was outside? pick a direction and go. his legs hurt. turn the corner, listen for voices. voices are dangerous, get away from the voices. whisper his spell, create a small light. keep moving keep moving keep moving. window ahead. break it? open it? is he strong enough? lift the window up. too weak. voices coming. hurry hurry hurry must get out now. whisper spell again, hand on window. break the glass and jump through it. cuts on feet cuts on legs deal with that later. voices getting louder voices shouting. run run RUN. 

the boy runs away from the building, away from his room. freedom is so close. first get to the trees, then… he hasn’t thought that far, but he will find a way. gunshots from the house. he runs faster, must get to the trees, must hide, must be free. cur memini, he whispers again, crossing into the forest. his spell can make lights and now break windows, but he needs it to protect him at this moment. run run run until the voices are quiet again. his legs are giving out, but he needs to run. he can’t die now or they’ll find him. keep running. bare feet on sticks and stones and sharp things, everything hurts but he can’t stop. he keeps running until the sun comes up. his heart beats out of his chest. 

--- 

when he wakes up he doesn’t know how much time has passed. his heart beats fast and he sits up. did they find him? he looks around. trees, rocks, a gurgling stream. he’s free. he’s free. he sighs and lays back down. how far did he run? he needs to go further. away from other people, away from anyone who might lock him up again. he sits up again and forces himself to stand and walk towards the sound of the stream. he can start there. water is important, and he might be able to get food from the little stream too. 

his first drink of the stream water is icy cold, quenching his lifelong thirst in just a few swallows. he washes his face with it, removing years of sweat and grime. he wants to sit by the stream forever if only he could, but the people will find him eventually if he doesn’t keep moving. but he allows himself a few minutes to bathe in the water, savoring the feeling of water on his skin. his stomach still growls, wanting something more filling than the freezing water of the stream, but that would have to wait. he needs to get his bearings. 

the light of the outside world is almost blinding, he realizes. the sun and the snow made it almost impossible to see anything. he should get up above the trees. can he even do that? cur memini, he says, trying to get his voice to be louder than a whisper. his feet float a few inches above the ground. he closes his eyes and says his spell again with more conviction. Cur Memini. he feels himself shooting into the air before he opens his eyes. he can see the forest stretch out for miles around him. trees covered in snow in every direction. if the old house is behind him, he should fly straight ahead, towards the forests on the mountains. tentatively, he leans forward and focuses his magic on keeping himself afloat. 

it doesn’t take much to exhaust what little magic he has, but he’s put more distance between himself and the old house and the people above now. he should be safe to rest, truly rest. but first he should find something to eat. is there anything to eat out here? something in his head tells him to look a little closer to the ground. to his left. there’s a bush full of berries. he’s never had anything but stale bread, and doesn’t know what to expect as he crushes one with his teeth. 

the sensation overtakes him for a brief moment. the berry is sweet, yet tart, and delicious. it’s the best thing he’s ever eaten and he thanks the little voice in his head for the information as he picks several more berries from the bush. the juice runs down his chin and makes him sticky, but it feels good. he feels truly alive for the first time. 

once he’s finished picking the bush clean of its fruits, he needs to find a place to rest, to stay warm. he’s shivering in the intense cold of the north, but it’s nothing he isn’t used to. the room was never very warm after all. he listens to the little voices calling out to him, guiding him towards a small cave, instructing him on how to make a small fire to warm himself up. a small rabbit brushes against his leg and he swears one of the voices is coming from it. and with the fire going, he thanks the rabbit before it hops away back into the snow. he would be roasting that same rabbit over the fire a few months later. 

the boy can’t stay in the cave forever though. as days turn to weeks turn to months, he worries that the people above are getting closer to him. they’ll put him back in that cold, dark, damp room again. he needs to keep moving. he has been practicing his magic, casting stronger spells, and he needs to be ready to fly. it's been long enough. cur memini he says holding his hand out. a rough stick with twigs tied to the end flies into his hand. it’s a poor excuse for what he understands is a broom, but it will work. he climbs onto it and focuses. cur memini cur memini cur memini. he lifts off the ground and watches as the branches of the trees get shorter and eventually he passes above the treetops. 

he takes a moment to gather his bearings. he no longer remembers the direction the house was in, but going up is his best bet of staying away from the people above. he laughs, realizing that he is the one above them now. after a moment, he flies into the mountains. the small voices change into bigger, unfamiliar ones as he gets further into the mountain range. they tell him to hide, to stay away. he doesn’t listen. they cannot be more dangerous than the humans he is running from. 

the boy lands, still exhausted from using so much magic, but he was able to travel further this time. that has to count for something, surely. he gathers some sticks and looks for another cave to make his home in. the caves remind him too much of the room he left, so he chooses to stay close to the entrance, close to the light that reminds him he is free. the fire keeps the animals away, but the voices are curious about the new presence in their woods. they make him curious too. he should stay in the cave tonight though and regain his energy. maybe he can get some small game to fill his stomach before settling in for the night. he listens for a rabbit’s voice, or maybe a squirrel, anything that would be small enough to kill with his hands. 

at last, a small fox’s voice is heard nearby. he wonders if fox will taste different from the other game he’s eaten thus far. he lifts a hand-sized rock and slinks out of the cave towards the voice. it takes a few minutes to find the source, but the fox is curled under a tree, shivering, hungry, just like him. the boy hesitates before bludgeoning it and slinging the corpse over his shoulders. there are more foxes. he is much more important. 

the fox is only the first animal he hunts in those mountainous woods. he spends several years in that forest and eventually humans settle up there as well. the boy, or rather, the man now, has made a name for himself amongst the human populations of the north. he is no longer afraid of humans capturing him and locking him up. they are still terrified of him, but now he is in control of that terror. the hunters that left his territory alive whispered tales of the great wizard owen who inhabited the mountains and terrorized anyone who had the bad luck of running into him. 

all of this is perfectly fine with owen. eventually his reputation will grow beyond himself, encapsulating atrocities that were impossible for even someone as strong as oz to commit, but that would be a problem for future owen. for now, he is still young and living in his cave on the outskirts of a small village and scaring hunters who stray too far from their boundaries. the wolves don’t like these visitors either and gladly listen to owen’s lamentations. it keeps his hands clean of the bloodshed if he isn’t casting the spell himself. the wolves don’t care for owen either, but they respect him. and that is enough for owen. 

the first of the unwanted visitors was a young man, someone who wanted to provide for his family. he pleaded with owen and the wolves to let him go and he wouldn’t cause any problems. those pleas fell on deaf ears though as owen looked the man in the eyes. won’t your family be disappointed, he asked almost innocently, you don’t have anything to show for your efforts. the man stammered a response, they’d rather i come back alive with nothing than die trying to find food. is that so, owen reached out for the man’s chin, the distance between their faces was almost nothing. y-yes, sir, please just let me go and i won’t bother you anymore. owen grinned. oh i’m sure you won’t be causing us any trouble again. the wolves stalked out of the woods, drooling at the prospect of tearing a piece of that man for themselves. owen snapped his fingers, and they came running forward, only to stop mere inches from the now trembling man. there was a suspicious yellow stain in the snow beneath him. p-p-please sir, anything you ask, it’s yours! then make sure you tell the rest of your little village that this forest belongs to the great wizard owen. the man ran off, leaving behind a hunting rifle and a ratty sack. the rifle would be of use, but the sack became tinder for his fires. 

despite the warning from that first man, hunters continued to enter into owen’s territory. and one after the other, they ran off screaming with their tails between their legs. this should have annoyed owen, that people would ignore all of the warnings and stories that had started popping up about him, but it doesn’t. their fear feeds into his magic power, only making him stronger, and that is all fine with owen. he is no longer a weak child locked in the damp, dark basement, and he never will be again. 

[superconductivebean]

Just my thoughts—as a fandom hermit of sorts.

Creating for nobody but yourself is actually discouraging when it's done repulsively. You'll feel its hard slap later down the line—unless your inner reader began to enjoy you as an author. They will gradually subside your inner critic and might teach them few lessons in how to appreciate maybe not the work itself—who of us doesn't have an one we dislike in some way?—but the craftwork went behind its creation.

How to do that?

Surprisingly easy.

Watch your creative decisions. Introspect. See yourself in your work.

You are inseparable in some way or another, your reflection is present within it, and by that I imply how you felt writing it and why did you think something would or wouldn't work. The only one who usually know is you, so, if you feel something is wrong, it probably is. The best is the enemy of the good, yes, but I'm not talking about perfectionism. I'm talking about the need to listen to that tingle and being able to assess it before editing.

Perfectionism is, in a sense, artistic pessimism. It tells you everything is wrong but it can't be an objective truth. Then some scenes must be wrong, and alright, good, the field is narrowed down. Which ones? Where? Why? At that point, put the work away for a day or two, then re-open, re-see, realise, that yes, that could be improved, except it isn't a scene. It's a sloppy word choice. It changed the sentence, that avalanched into a little rearrangement, and voila, everything works.

You fight the pessimistic outlook with a little bit of rest.

The more you learn how to treat your work, the more you might grow excited to try new things and not because you want to show them to the world but first to yourself.

That little part of you is who actually matter. Learn to love these little emotion abstractions. Care for the little guy, nurse them, feed them different ideas, styles, work them up to your master and see yourself forming in directions you'd never thought you would be able to simply because them—you—wanted to try something new. It would not matter if those were successful or not; when the entire process is a journey, the output's performance begins to matter very little.

Besides, the little guy would want company—and that's when other people come in. The reader doesn't like negative responses or no responses at all, true. Know who does? Your inner critic.

They're all too eager to overthink things and they're the perpetrator of your pessimism. So make them analyse why something clicks for many people and why something goes under their radar, make them a little analytics-building machine (which is also a skill), and just keep its outputs close in case you're curious how different fandoms or communities work. It's mostly a useless information. But you will be certain about things, and certainty brings comfort.

It will help to find readers in case you'd need more, too. Or if you'd like to meet someone new. But is it a guaranteed method? No, it isn't. Sometimes you'll write the most influential fandom monsterfic and all these people will pass by. Othertimes you'd write the smallest fic in the fandom but all its people will get around it because they liked your take on things or became curious with your ideas—and they can actually stuck around. You may never know. Fandom isn't business, it is rather a wild fair with barely predictable events in its main mystery.

Besides.

You can't make yourself a miracle to everyone; but be the miracle to yourself, and people will notice it and will try to comprehend you. Be Original, they say. They lie. They want the same jacket but red. Or the same jacket but sewn from kelps. Be Familiar But Be Outland-ish. Do your thing, that everybody else does, in your own fascinating way. Be the artist after all, be that bitch and leave people with the art-shaped holes in their thoughts.

I used to play an instrument once. I was bad at it, well, I was taught poorly and was only ever learning how to play from the sheets. It never go outwith or far and the instrument is long-sold, but I'm still able to recall the emotions I had while playing it. Heartbeat was the metronome, the hands were going in perfect synch, the entire body was able to feel the timings, and at some point, it wasn't simply the flow and going along with it. It was being the flow. The architect behind its creation—well, yes, the music wasn't mine, but being able to recreate it and make it sound as it supposed to sound was utterly captivating, enamouring, absolutely wondrous experience.

Years later I became enamoured with the writing—the process of it. If I manage to build the flow correctly and sail down my own rivers with little to no bump, unless planned, I'm overjoyed and amazed.

But will it go far? How well will it perform? Sometimes I do care if I know people might be interested, but beyond that, it's just doing its thing and bringing me joy because it's a puzzle, because it's a never-ending fascination—and because it's even more than that when done in the completely different tongue. And people take to it. Because it looks fun, perhaps, or it's something they had rarely seen before done in the language, or maybe it's just the way I tend to pick words and arrange them. I always get different answers. But what I know for certain: that something I found within me works both for me and people liking my things.

That what matters.

It all might sound a tad bit mental but it's so important to be in harmony with yourself as an author, as a reader, and as your own critic—who else knows you as much as you? Don't forget the people you have—the crowds will come and go, but the friends will stay.

Maybe this is a hot take, but as creative people, our #1 priority in our work should be ourselves.

It is not, AND SHOULD NEVER BE, what would get us the most engagement. Dispel "content creation," popularity, and monetization from your brain. Write, paint, draw what you want to! HOLY SHIT!!!!!!

The people who resonate with it will eventually show up. But the people who don't? Who cares???? The art you personally create is meant to help you heal, to help you express, to bring you joy and pain!!!!

You need to learn how to work on something because you deeply care for it and can revel in that self-satisfaction. Of course recognition feels fucking great! We all want it. We are humans, but you need to stop creating with the idea of other people consuming your work!!!

Give into the art movement. Create a renaissance for yourself. Fuck other people. Be that bitch! People are not going to be in your lives forever, and when you're left to your own devices, you should be able to look at what you've created and fucking love it.

[uhbasicallyjustmilex]

me waiting for my writer’s block to fuck off and leave me alone so i can finish this chapter:

[quatregats]

Every time I have to use the canon-consistent name for places in the Iberian peninsula which are not the official name I lose ten years off my life

[soutsuji]

There's an English class on Golden Age detective fiction being offered next semester but the prerequisite for it is the intro to literary study class required for all English majors (which I haven't taken because I'm in a hard STEM major and don't have much time for electives, which means that I have to be really picky with my electives and only go for stuff I like AND doesn't have an awful workload) and also even if I did have that prereq, I wouldn't be able to take the class because it's at the same time as one of my major reqs. And also I'll be in two labs next semester and one of them is pure hell so like I literally don't have the time to take more than 13 credit hours (as tempting as it is to keep up my streak of taking 17-18 every semester even though it's been like really pretty bad for my social life and hobbies). Sigh. (Pressing my hand wistfully against the glass) maybe someday they'll offer the class again

[amindamazed]

[image description: screen captures of a poem. Image text copied and pasted from https://onbeing.org/poetry/38/ where you can also listen to the poet read the work.

FYI there are a few lines at the end with variant line formatting by the poet that I attempted to recreate using extra spaces. That might sound odd via screen reader.]

38

Here, the sentence will be respected.

I will compose each sentence with care, by minding what the rules of writing dictate.

For example, all sentences will begin with capital letters.

Likewise, the history of the sentence will be honored by ending each one with appropriate punctuation such as a period or question mark, thus bringing the idea to (momentary) completion.

You may like to know, I do not consider this a “creative piece.”

I do not regard this as a poem of great imagination or a work of fiction.

Also, historical events will not be dramatized for an “interesting” read.

Therefore, I feel most responsible to the orderly sentence; conveyor of thought.

That said, I will begin.

You may or may not have heard about the Dakota 38.

If this is the first time you’ve heard of it, you might wonder, “What is the Dakota 38?”

The Dakota 38 refers to thirty-eight Dakota men who were executed by hanging, under orders from President Abraham Lincoln.

To date, this is the largest “legal” mass execution in US history.

The hanging took place on December 26, 1862—the day after Christmas.

This was the same week that President Lincoln signed the Emancipation Proclamation.

In the preceding sentence, I italicize “same week” for emphasis.

There was a movie titled Lincoln about the presidency of Abraham Lincoln.

The signing of the Emancipation Proclamation was included in the film Lincoln; the hanging of the Dakota 38 was not.

In any case, you might be asking, “Why were thirty-eight Dakota men hung?”

As a side note, the past tense of hang is hung, but when referring to the capital punishment of hanging, the correct past tense is hanged.

So it’s possible that you’re asking, “Why were thirty-eight Dakota men hanged?”

They were hanged for the Sioux Uprising.

I want to tell you about the Sioux Uprising, but I don’t know where to begin.

I may jump around and details will not unfold in chronological order.

Keep in mind, I am not a historian.

So I will recount facts as best as I can, given limited resources and understanding.

Before Minnesota was a state, the Minnesota region, generally speaking, was the traditional homeland for Dakota, Anishinaabeg, and Ho-Chunk people.

During the 1800s, when the US expanded territory, they “purchased” land from the Dakota people as well as the other tribes.

But another way to understand that sort of “purchase” is: Dakota leaders ceded land to the US government in exchange for money or goods, but most importantly, the safety of their people.

Some say that Dakota leaders did not understand the terms they were entering, or they never would have agreed.

Even others call the entire negotiation “trickery.”

But to make whatever-it-was official and binding, the US government drew up an initial treaty.

This treaty was later replaced by another (more convenient) treaty, and then another.

I’ve had difficulty unraveling the terms of these treaties, given the legal speak and congressional language.

As treaties were abrogated (broken) and new treaties were drafted, one after another, the new treaties often referenced old defunct treaties, and it is a muddy, switchback trail to follow.

Although I often feel lost on this trail, I know I am not alone.

However, as best as I can put the facts together, in 1851, Dakota territory was contained to a twelve-mile by one-hundred-fifty-mile long strip along the Minnesota River.

But just seven years later, in 1858, the northern portion was ceded (taken) and the southern portion was (conveniently) allotted, which reduced Dakota land to a stark ten-mile tract.

These amended and broken treaties are often referred to as the Minnesota Treaties.

The word Minnesota comes from mni, which means water; and sota, which means turbid.

Synonyms for turbid include muddy, unclear, cloudy, confused, and smoky.

Everything is in the language we use.

For example, a treaty is, essentially, a contract between two sovereign nations.

The US treaties with the Dakota Nation were legal contracts that promised money.

It could be said, this money was payment for the land the Dakota ceded; for living within assigned boundaries (a reservation); and for relinquishing rights to their vast hunting territory which, in turn, made Dakota people dependent on other means to survive: money.

The previous sentence is circular, akin to so many aspects of history.

As you may have guessed by now, the money promised in the turbid treaties did not make it into the hands of Dakota people.

In addition, local government traders would not offer credit to “Indians” to purchase food or goods.

Without money, store credit, or rights to hunt beyond their ten-mile tract of land, Dakota people began to starve.

The Dakota people were starving.

The Dakota people starved.

In the preceding sentence, the word “starved” does not need italics for emphasis.

One should read “The Dakota people starved” as a straightforward and plainly stated fact.

As a result—and without other options but to continue to starve—Dakota people retaliated.

Dakota warriors organized, struck out, and killed settlers and traders.

This revolt is called the Sioux Uprising.

Eventually, the US Cavalry came to Mnisota to confront the Uprising.

More than one thousand Dakota people were sent to prison.

As already mentioned, thirty-eight Dakota men were subsequently hanged.

After the hanging, those one thousand Dakota prisoners were released.

However, as further consequence, what remained of Dakota territory in Mnisota was dissolved (stolen).

The Dakota people had no land to return to. This means they were exiled.

Homeless, the Dakota people of Mnisota were relocated (forced) onto reservations in South Dakota and Nebraska.

Now, every year, a group called the Dakota 38 + 2 Riders conduct a memorial horse ride from Lower Brule, South Dakota, to Mankato, Mnisota.

The Memorial Riders travel 325 miles on horseback for eighteen days, sometimes through sub-zero blizzards.

They conclude their journey on December 26, the day of the hanging.

Memorials help focus our memory on particular people or events.

Often, memorials come in the forms of plaques, statues, or gravestones.

The memorial for the Dakota 38 is not an object inscribed with words, but an act.

Yet, I started this piece because I was interested in writing about grasses.

So, there is one other event to include, although it’s not in chronological order and we must backtrack a little.

When the Dakota people were starving, as you may remember, government traders would not extend store credit to “Indians.”

One trader named Andrew Myrick is famous for his refusal to provide credit to Dakota people by saying, “If they are hungry, let them eat grass.”

There are variations of Myrick’s words, but they are all something to that effect.

When settlers and traders were killed during the Sioux Uprising, one of the first to be executed by the Dakota was Andrew Myrick.

When Myrick’s body was found,

his mouth was stuffed with grass.

I am inclined to call this act by the Dakota warriors a poem.

There’s irony in their poem.

There was no text.

“Real” poems do not “really” require words.

I have italicized the previous sentence to indicate inner dialogue, a revealing moment.

But, on second thought, the words “Let them eat grass” click the gears of the poem into place.

So, we could also say, language and word choice are crucial to the poem’s work.

Things are circling back again.

Sometimes, when in a circle, if I wish to exit, I must leap.

And let the body swing.

From the platform.

Out

to the grasses.

[end image description]

Layli Long Soldier, 38, in WHEREAS, Graywolf Press, Minneapolis, MN, 2017, p. 49-53

[chuluoyi]

Chu did u ever receive hate. I'm curious sorry

ahahah of course i have nonnie 💁🏻‍♀️ i think every writer in jjk fandom must’ve already gotten at least one hate for just writing… i made an announcement post about being respectful once after receiving the ask and they never popped up again🤷🏻‍♀️

[pythoria]

hello everyone! a quick break from your scheduled art posting to talk about this incredible fic i think ever bloodweave enjoyer should read.

i know it'a already very popular, but imo it's a must-read. i could not praise this fic enough for what it is, the amazing ideas it brings to the table, the incredible execution of the timeloop trope. it's by far the fic i look forward to seeing in my inbox the most (not that other fics aren't absolutely gorgeous), because every chapter is just. a delight to read. it's got angst, fluff, and an amazing romance, but the plot is what really makes it stand out. it's tight, packed with great characterisation and has perfect pacing. please give it a shot if that sounds at all interesting to you. oh yeah, and did i mention that it's got art for every single chapter? yeah, read it. bask in its genius.

[astrangergivingthestrangewelcome]