#juliet: tales

[aq2003]

grabbed all of the ebook versions of the folger shakespeare library's annotated versions of shakespeare's plays (+sonnets and poems) and put them all in one place in case anyone is interested

[legallybrunettedotcom]

never look back, walk tall, act fine I some dancing on film I youtube link

[nemesyaaa]

AND I SAID " ROMEO TAKE ME SOMEWHERE WE CAN BE ALONE."

AND MY DADDY SAID " STAY AWAY FROM JULIET. "

“ I TALKED TO YOUR DAD, GO PICK OUT A WHITE DRESS. IT'S A LOVE STORY, BABY, JUST SAY "YES. ”

🌹 it was a tragedy but you were already hooked. if you die for me, i would die for you, as he always murmurs in your ears.

romeo!jj who knelt down for you the first time he saw you in that rose garden, on one of his knee, dressed in his shining silver armor. he was a fallen prince that reached for his sinned princess.

romeo!jj who complimented your sublime, long dress, a gift from your father, but who wanted to see you without it.

romeo!jj who helped you lace up your corset, but had to refrain from touching you in front of your servants every time your breasts bounced above the cleavage.

romeo!jj who helped you undo your dress, sliding the threads through his hands, while kissing your skin every time he undid a lace.

romeo!jj who liked to irritate your father because he was young and arrogant. romeo!jj who showed up at balls where he is not invited, drinks from the cup of wine of your dad before throwing it on the ground, and sneaking among the guests to find you. you. the woman he seeks and wants. romeo!jj who kicked out all the dance partners you had, just because he was the only one who can make you dance.

romeo!jj who fighting your father with his precious sword in front of everyone, while making you dance. he was meticulous, his blade never touched you.

romeo!jj who may loose the fight but will end up finding you on your balcony later while you wait for him in the light of the moon.

romeo!jj who kissed you passionately, with the love you deserved. romeo!jj who was all dirty after a long battle, messy sweaty hair that smell victory, bruises on his pretty young face, and blood but who refused to be far away from you.

you were his juliet to whom he wrote love letters with ink stains but you loved to smell his scent in every word.

romeo!jj who was not a music lover but such a fan of hearing you play the harp late at night.

you had tried to teach him but his hands were always somewhere other than on the tiny fragile ropes.

romeo!jj who forced you to leave your prison while your parents slept to take you to have fun. you threw yourself off the balcony and he caught you in his arms. but often complained about the size of your dress. sometimes, jj fantasized about seeing his princess in silver armor.

you had tried to push him away dozens of times, but it never worked because he was stronger than you at this game. romeo!jj wanted you, and even if he had to have the world against him , it didn't matter, because he would let this world burn for his only love.

romeo!jj who fought duels with all his rivals, and who took pleasure in capturing you whenever he could. he had a big white horse and took you for rides. sometimes he dreamed of being an evil prince and kidnapping you, and locking you in a giant tower. but you were too beautiful in his eyes to be hidden from the world.

you were his juliet, the one to whom he revealed his scars, to whom he let see his weaknesses, his true nature, weak and sensitive.

you were his juliet and he agreed to cry in front of you because of his father.

you were his juliet, a sin. but he was in love. no matter how much hell tormented him, he would descend there for your beautiful eyes.

he was your romeo, and he taught you how to use the sword, one hand on your waist, and another on his weapon. romeo!jj who had engraved the initials of your name on his blade.

he made you a soldier capable of fighting, but you remained his princess who would never be able to kill anyone. but you didn't have to worry, that was his favorite part. fighting for you.

he was dressed to kill every person that pissed you, and make him jealous, and you were dressed to be his favorite pure and soft angel. and in the future, his perfect wife.

romeo!jj who knew how much your families hated each other but couldn't stay away from you for more than five minutes. romeo!jj who planned to run away with you.

romeo!jj who knelt in front of you one day, “will you marry me ?” with the most precious ring in his hand. romeo!jj who had found nothing better than to make you cry on your birthday with his surprise. romeo!jj who wanted nothing more than for you to be his.

even if your father humiliated him yesterday because a capulet would never marry a montague. that the blood of your family was superior to others. that he would never have you.

there had been another fight between the two. he never gave up, even when your father placed a blade against his throat, forcing jj to go on his knees. you begged your father to not kill him. while you cried your heart out, jj's blood stained your dress, he whispered in your ear.

“ already in tears for me? i didn't fuck you well yet. don't be a crybaby, princess. your romeo will not die tonight. ”

you wanted to hit him. but you smiled at him when he got up.

but you knew that his own father had also beaten him for this betrayal and shame that was your love for each other.

“ my father is going to kill you.” you said with a soft voice, your fingers stucked in his blonde curls, while he was on his knees, his hands on your waist covered by your big princess dress. and his eyes all over you.

“you are the only one capable of killing me. and you've already done it a million times.”

“ don't die, jj. i forbid you. you think you can conquer everything like achilles, but you will die because of your ego. you are young and i still need you."

" you trust me ? "

"my father is a monster. he won't be afraid to kill you."

" are you afraid of dying with me?"

“nothing scares me more than dying without you., jj. ”

but you had let yourself be blinded by love and happiness, you could never have known, neither you nor jj, that it was the last time you kissed his cold and bruised lips.

and the saddest part was that you died without knowing where your romeo was. you had both been consumed.

you had forgotten god, and you had been punished with jj for that.

credits to @daddldee for the dividers <33 moodboards was made by me. and i'm proud fr 😭 yes, it's inspired by love story/white horse by taylor swift, dont ask me why 😔 i dont think it's really angst but yes, both jj and reader die at the end💀

[capricorn-0mnikorn]

In defense of Shakespeare's Daughters

When students find out that:

Shakespeare has no living descendants (and that's why we don't have to ask "Which Shakespeare?" like we do with the Bach family),

That he did have a son, once, but that boy died when he was only ten years old, and

That son was named "Hamnet" (not a typo, BTW)

Those students who go on to become Shakespearean scholars can get a bit obsessed when it comes to themes of fathers, sons, and grief (particularly in that one play about a Prince of Denmark).

So I'd like to take this time to point out that Shakespeare was also the father to two daughters: his firstborn, Susanna, and Judith, Hamnet's twin sister.

And to help me make the point that the Father/Daughter relationship was important to him, and not just a consolation prize, here's a few of the plays that hinge on it (an incomplete list):

The Tempest: a father and daughter as the only humans on a tropical island.

Romeo and Juliet: The tragedy unfolds with exponential speed when Juliet's father decides that she must marry Tybolt immediately.

Much ado About Nothing: The comedy almost becomes a tragedy when Leonato rejects his daughter during the wedding ceremony.

The Winter's Tale: In the first half of the play, the jealous king rejects his infant daughter, wrongly thinking she is a bastard. In the second half of the play, we see the daughter as a teenager, and her relationship with her adoptive father, a shepherd; the play is resolved when she returns home, with her adoptive father, to her birth father.

Hamlet: Let's face it -- the whole play gets mired in schemes, secrets, and second guesses until Ophelia's response to her father's death unleashes a flood of action.

Merry Wives of Windsor: the "B Plot" is all about how the young adult daughter of Mr. and Mrs. Page successfully schemes to marry the young man she actually loves, instead of either of the arranged marriages her parents are hoping for.

[pemberlaey]

(some of) my literary roman empires

benedick’s “you” —> “thou” switch in 4.1

the extended portrait metaphor in pride and prejudice

may welland

the repression of female emotions in victorian fiction

henry’s “a country dance as an emblem of marriage” speech in northanger abbey + the way that 19th century dance scenes prefigure marriage in general

the moment in jane eyre when mr. rochester asks jane if she finds him handsome and she says “no, sir”

victorian floriography

ophelia’s final scene

ww1 solider poetry (sassoon, owens, rosenberg, brooke etc.)

the ambiguity surrounding bertha mason

juliet’s “O romeo, romeo, wherefore art thou romeo?” breaks from iambic pentameter because the name romeo has too many syllables so the problem is literally his name

éponine thénardier (just everything about her but especially the “i am the devil” scene)

[bajaja-blast]

Just gonna drop this here… 🤭

Ah yes, my comfort ship: Blonde Superman x Supreme Commander of the Argo II <333

[lilcetis]

The tragedy of Jim Lake is something so close to my heart. This poor boy is shoved down a path he didn't ask for, a path he can't escape, and he goes down it willingly! He smiles and tells everyone that its his duty, his purpose, an honor to fight for people who scorn him every time he makes a mistake. He never celebrates when he defeats a foe, just washes his hands, takes a deep breath, and gets ready for the next fight. Over the course of the series you see him lose more and more of himself, of Jim, and is eventually left as The Trollhunter. He's just a legacy by the end of it, the bright eyed boy we started the show with nothing but a fond memory.

His own name isn't even his, he's a Junior.

[romancemedia]

Anime Royalty/Commoner Couples

[withasideofshakespeare]

Woah no way?? People (completely unprompted /s) want to hear my trans Shakespeare headcanons?? You bet I can do that.

I’ve done this once before:

But I have even more thoughts now!!

In no particular order:

Puck (A Midsummer Night’s Dream): Every single pronoun possible. He/she/they/it + all of the neopronouns and xenopronouns that exist currently or will ever exist. Fairy gender is always weird but Puck’s is extra weird.

Oberon (A Midsummer Night’s Dream): Fairy gender. Probably he/they/it?

Titania (A Midsummer Night’s Dream): More fairy gender. She/they/it?

Titania’s fairy attendants (Midsummer): Get a hat and fill it with various pronouns and draw them out at random for the fairies.

Benedick (Much Ado About Nothing): Could go either way, but I really like the idea of transfemme Benedick. Or he/him lesbian Benedick.

Beatrice (Much Ado About Nothing): The she/they to end all she/theys

Viola/Cesario (Twelfth Night): Could be trans in literally any direction. I made a post about this too at some point. My suggestion is all of the directions: they/she/he

Sebastian (Twelfth Night): He/him, transmasc. I also made a post about this at some point.

Feste (Twelfth Night): I saw a great she/her Feste last summer.

Orsino (Twelfth Night): Specifically the himbo variety of he/they

Margaret of Anjou (Henry VI trilogy and Richard III): If I ever play Margaret, I will use she/they pronouns.

Catesby (Richard III): Just played Catesby with she/her pronouns and it worked!

Richard II (Richard II): Tell me Richard isn’t the most they/he or he/they guy alive (or… dead).

Hal (1 Henry IV-Henry V): Saw Hal played with she/they pronouns last summer and it was great. Could also see he/they Hal. Very nonbinary vibe overall. I personally believe that going by Hal rather than Henry for two whole plays is their way of pulling the “going by the first letter of what my name used to be instead of picking a name from scratch” nonbinary trick. He probably pretends to be cis after his dad dies and he becomes king—one more element of Hal’s lifelong identity crisis.

Hotspur/Harry Percy Jr. (Richard II & 1 Henry IV): He/they in denial.

Kate Percy (1 & 2 Henry IV): She/they, not in denial. (Also Katespur should be bi4bi)

Ned Poins (1 & 2 Henry IV): Transmasc Ned Poins?? Maybe he doesn’t actually have a sister and Nell is just his deadname. Ned Poins’ failed scheme to flirt with Hal.

Romeo (Romeo & Juliet): he/they (t4t R&J!!!)

Juliet (Romeo & Juliet): she/they (t4t R&J!!!)

Mercutio (Romeo & Juliet): they/he(/it?). Vibes alone. Look at them. Just look.

Nurse (Romeo & Juliet): she/her, transfemme!

Cassius (Julius Caesar): Would love to see a they/them Cassius

Hamlet (Hamlet): he/they. I’ve made multiple posts about this theory and I still love it.

Ophelia (Hamlet): she/they. As she should.

Laertes (Hamlet): she/him and NOT just because Laertes used she/her pronouns the first time I saw this play.

Rosencrantz (Hamlet): he/they/she. Vibes. Sometimes goes by Ros/Rose. Probably genderfluid.

Malcolm (Macbeth): they/he or they/them. Also vibes.

Lady Macbeth (Macbeth): stolen straight from my last post because this is still my HC: she/they; would insult you for “having pronouns in your bio” and then turn around and punch you in the face for using their pronouns incorrectly.

Angus (Macbeth): she/her, transfemme. (t4t Ross/Angus. I will die on this hill… Dunsinane Hill.)

Ross (Macbeth): he/him, transmasc

Caithness (Macbeth): she/they lesbian

Mark Antony (Julius Caesar and Antony & Cleopatra): I would not bat an eye at he/they Mark Antony

Edmund (King Lear): they/he, nonbinary, sexiest man (/gn) alive.

Edgar (King Lear): he/him. Transmasc Edgar is slowly becoming canon To Me.

Cordelia (King Lear): she/her, transfemme.

Goneril (King Lear): she/they. I would let them kill me.

Coriolanus (Coriolanus): transmasc OR transfemme Coriolanus is!!!! The butterfly/metamorphosis motif! Name changes during canon! Discomfort with scars/body! Lack of autonomy granted by society! This is THE transgender play. (Other than Twelfth Night)

Imogen (Cymbeline): Tell me she doesn’t want to be a she/they so bad.

Florizel (The Winter’s Tale): he/they(/she?). Literally just a vibe. I have a pet rock named Florizel.

Perdita (The Winter’s Tale): she/they. I also have a pet rock named Perdita.

Ariel (The Tempest): Similar to Puck, probably they/she/he? Even my conservative English prof consistently rotates between she/her and he/him for Ariel (possibly not intentionally? I’m not convinced he knows what her canon pronouns are.)

Ferdinand (The Tempest): she/they. PLEASE give me transfemme Ferdinand. PLEASE let Miranda realize she’s a lesbian during canon.

Miranda (The Tempest): she/they. Ariel taught them about the existence of she/they pronouns and she immediately started using them.

So in other words… every Shakespeare character should be trans, actually.

[macbooth]

full of childish whimsy in a hostile fashion tonight so here’s every shakespeare clown i can think of and whether or not i think i’d beat them in a fight

(i do not mean fools i mean clowns. they do not need to be the secret genius of the play. if they are stupid in every way shape or form i am including them here)

Puck (A Midsummer Night’s Dream) No chance. Bro’s got that magic and ALSO has a big strong scary fairy king as his bear, like, do not separate them. If I even tried throwing hands at this cunt I’d get torn to shreds and used as glitter dude, I’d be over. 0/10

Nick Bottom (A Midsummer Night’s Dream) I could but I’d feel bad. I also think he’d put up a really solid fight. Like this is out of donkey form, bro was a physical worker. Like I reckon I could win a fight with some of the tradies I’ve seen but I don’t think it’d be easy. Also he’s just really dumb so I would feel a little bad. Donkey form though, I’m running away. Scary as shit. I am afraid of horses though. 6.5/10

Touchstone (As You Like It) Absolutely I could beat the shit out of this man. I hate him so much. Full of hostility towards this fucker. His clothes aren’t even subtle I could find this bitch in the forest no time and hunt him down and rip him to shreds, fuckin court jester doesn’t even have the roughness of the country on his side. 9/10 (-1 point cause he definitely fights dirty but I just hate him so much I’d win)

Jaques (As You Like It) First off he’s absolutely a clown. Second off I’ve played him before so my word is gospel. Third off bro has no fucking chance against me. He’s a podcast bro who thinks I don’t know that Tame Impala is one dude. I’d ask him why we can’t print more money and he would explode instantly and it would be the funniest thing he did with his life. 10/10

Audrey & Corin (As You Like It) I’m lumping these two together cause in the show I did they were one character (and I also played them). I wouldn’t even want to fight these two. And even if I wanted to Audrey would absolutely be able to beat the shit out of me and I would thank her. Our setting was in semi-modern country Australia, that girl would have a shotgun. 2/10

Autolycus (Winter’s Tale) Just like Jaques to me. He might be a little bit harder because he’d change costume and I’d get confused because I have no object permanence but other than that what has he got. Bitterness? Resentment? Bitch so did I when I was 15 grow up experience love. 8/10

Falstaff (Henry IV parts 1 & 2, Merry Wives of Windsor) I don’t actually know about this one but he is very punchable. I feel like he’d let me punch him and I think one punch would be enough for me. I think that would satisfy my urge to punch him. He may be a knight but let’s be honest he’s shit at it so I stand by this. 4/10 (just cause I don’t really give a shit)

The Dromios (Comedy of Errors) I absolutely could beat them in a fight but I would feel So Bad. You see how they’re literally already treated in the play, I wanna give them a break. That being said they’re both kinda dicks but they’re going through it already so I’d wanna give them a breather. I would win though, even if they both were attacking at once. 7/10

Launcelot Gobbo (Merchant of Venice) He’s such a prick but I would be laughing too hard at his name to fight him. Bro’s name is Gobbo. Bro’s name is basically Gobby. Imagine being named Blowjob. I would lose my mind. I would laugh so so hard I would collapse. My heart would fail. Biggest L name out there bro. Launcelot Gobbo oh my god. 3/10

Launce (Two Gentlemen of Verona)  Nah man he has an attack dog. I don’t care what breed of dog Crab is in a production I fully believe he would kill for Launce, that’s just their dynamic. I understand them better than anyone else (I have a dog). Also he’s already working for Proteus, is that not punishment enough? 4/10

Speed (Two Gentlemen of Verona) I mean I definitely could fight him. I don’t imagine he’s got much fighting experience. But once again, he has to deal with Valentine which does feel like it would be cruel to inflict more onto him. Like Valentine’s not as bad as Proteus but fuck is he stupid. Also if I accidentally flubbed a punch Speed could absolutely tear me a new asshole with his words and I would sob and cry and literally never recover. 4/10

The Porter (Macbeth) Fuck no. Bro definitely has a knife on him at all times. I can’t explain why I think this I just do. He works night shift, he definitely doesn’t get paid enough for his dog shit job, he would absolutely try to stab me just to spice up his evening without me starting a fight. 1/10

Trinculo (Tempest) Yes. Sorry, you’re Russell Brand? L. I could kick your ass. And he’s like drunk for half the show, and almost fucked a fish. I doubt his judgement is good enough to say the alphabet backwards let alone dodge a punch. He couldn’t even get Caliban to kick my ass (who definitely could by the way) cause Caliban fucking hates him. Bro, failwife to Stephano should pay more. But it doesn’t. 8.5/10

Dogberry (Much Ado About Nothing) Without Verges? Yes. With Verges? No way. Those two are a power couple in the dumbest possible way. He would absolutely try to get me arrested though but I simply would not go to prison. What’s he gonna do? Send me to prison? I’m already not going. 7/10

Mercutio (Romeo and Juliet) No chance. Unless Romeo fucked up so bad like he did in the actual play, I would have no chance against this dude. I wouldn’t even want to even if I could. I’m a Benvolio stan first and foremost and a person second you think I’d wanna fight his bestie? Only exception is if it was an actual fight club and not just a pure fight out of hatred. I feel like Mercutio could give Brad Pitt Fight Club Realness, outfits included.  I would still lose though. 2.5/10

Don Adriano De Armado (Love’s Labour’s Lost) I reckon I could wreck this dude’s shit. You know that gif where the fuckin dude is doing all these cool sword moves and then he just gets shot? You know the one. I forgot where it’s from but you know the one. That would be this fight. Armado would bust out his flair, his razzle dazzle, his pizzaz, and I would just deck him I think. That’s the power you need in this world, I think. Power of fist to face. Peace and love. <3 8/10

Costard (Love’s Labour’s Lost) I do not think Costard would realise he was being fought even as he was actively getting hit in the face. I know how to say honorificabilitudinitatibus, he doesn’t even have that against me. Bro couldn’t even confuse me with that, I learnt that, like an adult. Anyway yeah I’d kick his ass. 9/10

Holofernes & Sir Nathaniel (Love’s Labour’s Lost) This is the same man to me. I would destroy them both. Fuckin nerds. Flowery ass language nerds. I support gay rights and gay wrongs but the only reason I couldn’t fight those two gay muppets who heckle is cause they’re too far away (in a theatre booth), these two gay muppets who heckle are right in front of me. I’d kick their tweed cladded asses. 10/10

Jaquenetta (Love’s Labour’s Lost) She is just like Audrey to me. I could never bring myself to hurt her. Also she’s pregnant and I feel like it’s fucked up to hit a pregnant woman just for fun. Also she could absolutely wreck my shit. Please wreck my shit Jaquenetta. 0.5/10

Moth (Love’s Labour’s Lost) This little fucker should be an INSTANT knock out but I just know this fucker bites. He’s a shit talking 8 year old? Oh he plays wolves on the playground, I just know it. He plays wolves and he’s definitely been suspended for it, I just know it in my heart. Sure, I could kick him, but he would grab hold of my foot and try to rip it off. We would shake hands and agree to part ways, having met our match. He, who plays wolves, and me, who played fairies, leave the fight with our heads high and respect in our hearts. I am kidding of course but I do think we would tie. 5/10

Lear’s Fool (King Lear) There’s already so much fighting going on, I don’t even think they’d notice if I just started kicking this dude. Not only could I fight him and win, I think I’d get away with it too. I’d win not only physically but socially too. What’s he gonna do? Tell his boss? Bro he’s preoccupied with his whole kingdom crumbling, grow up. 9/10

Lavatch (All’s Well That Ends Well) This is more meta but my hatred of this play would fuel me here. I would fight literally anyone in this play if given the chance, not a joke. I would get in the ring with literally anyone from this play, but honestly, out of them all I weirdly respect Lavatch the most, maybe because he at least knows that he’s a cunt, unlike literally everyone else who Just Suck. I do think he’s probably scrappy though, so I wouldn’t leave unscathed. I also think if he got the upper hand he would be so so awful about it, so I’d really have to fight. 6/10

Sir Toby Belch & Sir Andrew Aguecheek (Twelfth Night)  Andrew is canonically bad at fighting, and honestly I do not believe Toby would be any better. Love both of these guys but if I had to fight them both at once I think I would be able to just move out of the way and they’d bonk each other on the head like a cartoon. They’re just silly guys. 9/10

Maria (Twelfth Night) Every woman clown could beat my ass. Audrey, Jaquenetta, Maria, they are all so special to me and would all also fucking destroy me. Maria especially cause I just know she is full of hate. You don’t hatch a plan like the Malvolio plan unless there’s something deeply worrying about you. She’s a Scorpio to me. <3 I do love her, she’d demolish me. 0/10

Feste (Twelfth Night) Would actually kill me. -5/10

I know I’ve definitely missed some but uhhh don’t expect me to remember every clown even if I’m neurodivergent about these plays please. <3

[violetsinyoureyesandguns]

𝓘 𝓴𝓷𝓸𝔀 𝔂𝓸𝓾

𝓘 𝔀𝓪𝓵𝓴𝓮𝓭 𝔀𝓲𝓽𝓱 𝔂𝓸𝓾 𝓲𝓷 𝓞𝓷𝓬𝓮 𝓤𝓹𝓸𝓷 𝓐 𝓓𝓻𝓮𝓪𝓂

𝓘 𝓴𝓷𝓸𝔀 𝔂𝓸𝓾

𝓣𝓱𝓪𝓽 𝓵𝓸𝓸𝓴 𝓲𝓷 𝔂𝓸𝓾𝓻 𝓮𝔂𝓮𝓼 𝓲𝓼 𝓼𝓸 𝓯𝓪𝓶𝓲𝓵𝓲𝓪𝓻 𝓪 𝓰𝓵𝓮𝓪𝓶

⋆.˚🌹༘˚｡⋆୨♡୧⋆ ˚｡°❀.ೃ࿔*:･

[his-quietus-make]

The Woman's Part

Sooo hey. I finally did something with my Shakespeare MA...

The Woman's Part is a collection of original prose and erasure poetry inspired by Shakespeare's women — their unlived lives, unspoken desires, and unwritten stories — using speeches and characters from thirteen plays.

It's been described as:

"A small piece of genius [showing] not only a profound understanding of Shakespeare, but of humankind in general." — Cathy Ulrich, author of Ghosts of You

and

"[The Woman's Part] has reimagined Ophelia and Juliet and more into striking freedom through speaking up, sailing away, and eating hearts." — Gwen Kirby, author of Shit Cassandra Saw

and

"To read it is to join the rebellion. An affecting and finely-crafted masterpiece which invites us to unlearn our deepest Bard-based archetypes. Stunning, incisive and fearless writing from one of the most exciting new voices on the literary scene." — Dr Chris Laoutaris, The Shakespeare Institute

~

I put my heart, my rage, and all my obsession with Shakespeare into this, and I would love for you to read it.

Available from most places you get books — a list of easy links at Stanchion Books

[electronicartisanfury]

Juliet Reagh

[bilightningwhumper]

Making some progress on the October writing events I plan on being a completion-est for: AI-less Whumptober (all main prompts), Angstober, and Flufftober (all prompts, including the alts). But I'm curious about something and I'll put context under the poll

Basically, the last time I did a writing event (Mangst 2024), I just wrote whatever came to me, not really caring about length. No matter what I do, there will be spoilers for all the works listed in my pinned post. Basically TNEI was my main focus before, so now the three events prompts this round will cover the TNEI fics that got neglected, all the SoaS fics, and Temptations of Fate (the Romeo+Juliet Angels/Demons sapphic fic).

I'm still kind of going to do what I want, but it'd be nice to know what people would most likely read of my stuff that would also get them to read more. Personally, I like longer pieces, so that's what I tend to write. Some like the shorter ones more, so this is more to figure out the ratio than anything else.

Examples of mostly the first case (though a few of the second) from my own works on Tumblr (also on Ao3): Mangst 2024 TNEI Masterlist and Seven Minutes in... Heaven? (a SoaS oneshot)

*Ao3 fics under privacy to people with accounts only due to AI-scrapers*

[calmingthoughtsinyourhead]

*Shakespeare and the gang talking about trying to gain a wider audience

Shakespeare: okay, hear me out-

Crew: I swear to god, Shakespeare, if you suggest faking our own death one more time