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We've said it before but I'll say it again, thank you to whoever captions the @wearewatcher videos for being the funniest person
#watcher#watcher entertainment#behind the scenes of ghost files‚ puppet history & the people that made them#puppet history#ph s5#ryan bergara#shane madej#garrett watts#joyce louis–john#the professor#the substitute#patch posts#with alt text#i tried to find the name but it's not in the description#i also looked around online but couldn't find it
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A list of all the books mentioned in Peter Doherty's journals (and in some interviews/lyrics, too)
Because I just made this list in answer to someone's question on a facebook group, I thought I may as well post it here.
-The Picture of Dorian Gray/The Ballad Of Reading Gaol/Salome/The Happy Prince/The Duchess of Padua, all by Oscar Wilde -The Thief's Journal/Our Lady Of The Flowers/Miracle Of The Rose, all by Jean Genet -A Diamond Guitar by Truman Capote -Mixed Essays by Matthew Arnold -Venus In Furs by Leopold Sacher-Masoch -The Ministry Of Fear by Graham Greene -Brighton Rock by Graham Green -A Season in Hell by Arthur Rimbaud -The Street Of Crocodiles (aka Cinnamon Shops) by Bruno Schulz -Opium: The Diary Of His Cure by Jean Cocteau -The Lost Weekend by Charles Jackson -Howl by Allen Ginsberg -Women In Love by DH Lawrence -The Tempest by William Shakespeare -Trilby by George du Maurier -The Vision Of Jean Genet by Richard Coe -"Literature And The Crisis" by Isaiah Berlin -Le Cid by Pierre Corneille -The Paris Peasant by Louis Aragon -Junky by William S Burroughs -Absolute Beginners by Colin MacInnes -Futz by Rochelle Owens -They Shoot Horses Don't They? by Horace McCoy -"An Inquiry On Love" by La revolution surrealiste magazine -Idea by Michael Drayton -"The Nymph's Reply to The Shepherd" by Sir Walter Raleigh -Hamlet by William Shakespeare -The Silver Shilling/The Old Church Bell/The Snail And The Rose Tree all by Hans Christian Andersen -120 Days Of Sodom by Marquis de Sade -Letters To A Young Poet by Rainer Maria Rilke -Poetics Of Space by Gaston Bachelard -In Favor Of The Sensitive Man and Other Essays by Anais Nin -La Batarde by Violette LeDuc -Lolita by Vladimir Nabokov -Intimate Journals by Charles Baudelaire -Juno And The Paycock by Sean O'Casey -England Is Mine by Michael Bracewell -"The Prelude" by William Wordsworth -Noise: The Political Economy of Music by Jacques Atalli -"Elm" by Sylvia Plath -"I am pleased with my sight..." by Rumi -She Stoops To Conquer by Oliver Goldsmith -Amphitryon by John Dryden -Oscar Wilde by Richard Ellman -The Song Of The South by James Rennell Rodd -In Her Praise by Robert Graves -"For That He Looked Not Upon Her" by George Gascoigne -"Order And Disorder" by Lucy Hutchinson -Man Crazy by Joyce Carol Oates -A Pictorial History Of Sex In The Movies by Jeremy Pascall and Clyde Jeavons -Anarchy State & Utopia by Robert Nozick -"Limbo" by Samuel Taylor Coleridge -Men In Love: Masculinity and Sexuality in the Eighteenth Century by George Haggerty
[arbitrary line break because tumble hates lists apparently]
-Crime And Punishment by Fyodor Dostoevsky -Innocent When You Dream: the Tom Waits Reader -"Identity Card" by Mahmoud Darwish -Ulysses by James Joyce -The Four Quartets poems by TS Eliot -Julius Caesar by William Shakespeare -A'Rebours/Against The Grain by Joris-Karl Huysmans -Prisoner Of Love by Jean Genet -Down And Out In Paris And London by George Orwell -The Man With The Golden Arm by Nelson Algren -Revolutionary Road by Richard Yates -"Epitaph To A Dog" by Lord Byron -Cocaine Nights by JG Ballard -"Not By Bread Alone" by James Terry White -Anecdotes Of The Late Samuel Johnson by Hester Thrale -"The Owl And The Pussycat" by Edward Lear -"Chevaux de bois" by Paul Verlaine -A Strong Song Tows Us: The Life of Basil Bunting by Richard Burton -Don Quixote by Miguel de Cervantes -The Divine Comedy by Dante Alighieri -The Jungle Book by Rudyard Kipling -The Man Who Would Be King by Rudyard Kipling -Ask The Dust by John Frante -On The Trans-Siberian Railways by Blaise Cendrars -The 39 Steps by John Buchan -The Overcoat by Nikolai Gogol -The Government Inspector by Nikolai Gogol -The Iliad by Homer -Heart Of Darkness by Joseph Conrad -The Volunteer by Shane O'Doherty -Twenty Love Poems and A Song Of Despair by Pablo Neruda -"May Banners" by Arthur Rimbaud -Literary Outlaw: The life and times of William S Burroughs by Ted Morgan -The Penguin Dorothy Parker -Smoke by William Faulkner -Hero And Leander by Christopher Marlowe -My Lady Nicotine by JM Barrie -All I Ever Wrote by Ronnie Barker -The Libertine by Stephen Jeffreys -On Murder Considered As One Of The Fine Arts by Thomas de Quincey -The Void Ratio by Shane Levene and Karolina Urbaniak -The Remains Of The Day by Kazuo Ishiguro -Dead Fingers Talk by William S Burroughs -The England's Dreaming Tapes by Jon Savage -London Underworld by Henry Mayhew
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Vords words from Count Monty Cristo: “ Velcome my LOVELIEzz! Zhis is zhe Vampire-bat-vampire-Count Monty Cristo zpeaking.
I’ve heard there is zomekind of ‘challenge’ going about. It iz involving things to draw, thoughtz to conjure, ideaz to zew. A ‘prompt’, az it vhere. Vhell, OBVIOUZLY I’m zhe best when it comes to ideaz, but because I’m zo very generouz, I’m also giving you a read-at-your-own-pace list of ztoriez -von right after zhe other for each day of October to enjoy for zhis blez’zed October-zeazon.
Read vone each day and illuztrate vhat you zhee az you read; or, draw zomething that inzpired you from reading zhe ztoriez!
Phantasmagoria by Lewis Carol
Dracula’s Guest by Bram Stoker
The Signal Man by Charles Dickens
Bluebeard by Charles Perrault
Godfather Death by The Brothers Grimm
Feathertop by Nathanial Hawthorne
King of the Cats from old Scotland
The Romance of Certain Old Clothes by Henry James
The Shadow by Hans Christian Anderson
The Landlady by Roald Dahl
There Shall be no Darkness by James Blish
The New Mother by Lucy Clifford
-DEZIGNATED POEM TIME!!!- The Raven, The Cremation of Sam McGee, The Ballad of Tam Lin, Hist Whist, The Rhyme of the Ancient Mariner
The Monkey’s Paw by W.W. Jacobs
There will Come Soft Rains by Ray Bradbury
The Legend of Sleepy Hollow by Washington Irving
Uncle Otto’s Truck by Stephen King
Oh, Whistle and I’ll come to you My Lad by James Joyce
The Lottery by Shirley Jackson
Tailypo from Apalachian Folklore
Fritt-Flacc by Jules Verne
An Occurrence at Owl Creek Bridge by Ambroise Bierce
The Canterville Ghost by Oscar Wilde
Lot. 249 by Arthur Conan Doyle
The Red Room by H. G. Wells
The Cats of Ulthar by H.P. Lovecraft
The Body Snatcher by Robert Louis Stevenson
The Vampyre by John William Pilodori
The Shout by Robert Graves
The Masque of the Red Death or really anything you want by Edgar Allan Poe
Your OWN story
There are zo MANY possibilities to be had! ‘ave at it!” - Monty Cristo
#promptober#inktober#inktober challenge#oddities#odditiesinoctober#oddities in october#literature#horror literature#oddity art#count monty cristo#mouse the witching cat#horror short story#edgar allan poe#ambroise bierce#oscar wilde#stephen king#h.p. lovecraft#h.g. wells#brothers grimm
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☾ book recommendations: *✲⋆.
my all time favorites:
the brothers karamazov by fyodor dostoevsky
notes from underground by fyodor dostoevsky
the picture of dorian gray by oscar wilde
frankenstein by mary shelly
the plague by albert camus
we have always lived in the castle by shirley jackson
others that i'd recommend:
break the body, haunt the bones by micah dean hicks
tomie by junji ito
uzumaki by junji ito
berserk by kento miura
the haunting of hill house by shirley jackson
i have no mouth, and i must scream by harlan ellison
the tell-tale heart by edgar allen poe
the cask of amontillado by edgar allen poe
rebecca by daphne du maurier
wuthering heights by emily brontë
dune by frank herbert
a shadow over innsmouth by h. p. lovecraft
the color out of space by h. p. lovecraft
the dunwich horror by h. p. lovecraft
crime and punishment by fyodor dostoevsky
demons by fyodor dostoevsky
the idiot by fyodor dostoevsky
jane eyre by charlotte brontë
animal farm by george orwell
do androids dream of electric sheep? by philip k. dick
a long fatal love chase by louisa may alcott
the stranger by albert camus
the metamorphosis by franz kafka
the trial by franz kafka
dragonwyck by anya seton
discipline and punish by michel foucalt
the castle of otranto by horace walpole
faust by johann wolfgang von goethe
the fall by albert camus
the myth of sisyphus by albert camus
the strange case of dr jekyll and mr hyde by robert louis stevenson
blood meridian by cormac mccarthy (do look into the content warnings though, there's heavy violence/depictions of 1840s-1850s racism)
the death of ivan ilyich by leo tolstoy
the dead by james joyce
the overcoat by nikolai gogol
dead souls by nikolai gogol
hiroshima by john hersey
useful fictions: evolution, anxiety, and the origins of literature by michael austin
no exit by jean paule satre
candide by voltaire
white nights by fyodor dostoevsky
notes from a dead house by fyodor dostoevsky
the shock doctrine by naomi klein
the 100 year war on palestine by rashid khalidi
blackshirts & reds by michael parenti
killing hope by william blum
the karamazov case: dostoevsky’s argument for his vision by terrence w. tilley
stiff: the curious life of human cadavers by mary roach
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Hii i needed some classic book recommendations even tho im currently reading crime and punishment by fyodor dostoevsky cant seem to finish it reader's block ig if thats a thing? So im just tryna find books which would get me back at reading. Greek/classic Literature/ dark academia/ classic thriller and mystery into these stuff right now so yeah!
Sorry for sending such a big ask lol.
Hey Anonie. No problem lol. Now, I haven't read all those I'm about to list, but I know people (and have read people) that have and like them greatly so: (in no particular order)
Northanger Abbey by Jane Austen
Mansfield Park by Jane Austen
Jane Eyre by Charlotte Bronte
Wuthering Heights by Emily Bronte
The Tenant of Wildfell Hall by Anne Bronte
Dracula by Bram Stoker
Great Expectations by Charles Dickens
Frankenstein by Mary Shelley
The Secret History by Donna Tartt
Hamlet by William Shakespeare
Macbeth by William Shakespeare
Othello by William Shakespeare
Aurora Leigh by Elizabeth Barrett Browning
The Duchess of Malfi by John Webster
The Bakkhai by Euripides (Anne Carson translation)
Medea by Euripides (I unfortunately don't have a translation to recommend)
The Oresteia by Any of the 3 Greek tragedians Honestly (see above)
The Iliad by Homer (Fagles translation)
The Odyssey by Homer (Fagles translation)
The Aeneid by Virgil (Fagles translation)
Omeros by Derek Walcott
Wise Children by Angela Carter
The Remorseful Day by Colin Dexter
Bleak House by Charles Dickens
Absalom, Absalom! by William Faulkner
The Great Gatsby by F. Scott. Fitzgerald
The Maltese Falcon by Dashiell Hammett
Vanity Fair by William Makepeace Thackeray
The Woodlander by Thomas Hardy
Adam Bede by George Eliot
To the Lighthouse by Virginia Woolf
Middlemarch by George Eliot
Mill on the Floss by George Eliot
Romola by George Eliot
Tess of D'Uberville by Thomas Hardy
The Scarlet Letter by Nathaniel Hawthorne
The Sun Also Rises by Ernest Hemingway
A Farewell to Arms by Ernest Hemingway
The Theban Trilogy by Sophocles
The Turn of the Shrew by Henry James
Daisy Miller by Henry James
Lolita by Vladimir Nabokov
Going After Cacciato by Tim O'Brien
The Fall of the House of Usher by Edgar Allan Poe
The Mystery of the Rue Morgue by Edgar Allan Poe
The Tell-Tale Heart by Edgar Allan Poe
The Cask of Amontillado by Edgar Allan Poe
King Lear by William Shakespeare
The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
The Hearts and Lives of Men by Fay Weldon
Mrs. Dalloway by Virginia Woolf
Ulysses by James Joyce
Beloved by Toni Morrison
@maryoliverdotcom @memory-the-unconscious do yall have any suggestions??
#dark academia#dark acamedia#dark acadamia aesthetic#dark academia vibes#dark academia literature#dark academia lifestyle#dark academia books#dark academia aesthetics#dark academia aesthetic#classics#classic literature#classic lit#classic books#classical literature#litblr
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Spiral Leitner Reading List
The full list of submissions for the Spiral Leitner bracket. Bold titles are ones which were accepted to appear in the bracket. Synopses and propaganda can be found below the cut. Be warned, however, that these may contain spoilers!
Abbott, Edwin Abbott: Flatland: A Romance of Many Dimensions Amato, Mary: The Word Eater
Barker, Clive: Abarat Basye, Dale E.: Fibble Borges, Jorge Luis: Tlön, Uqbar, Orbis Tertius
Calvino, Italo: If on a winter’s night a traveler Carroll, Emily: A Guest in the House Carroll, Lewis: Alice's Adventures in Wonderland/ Through the Looking Glass and what Alice found there Chambers, Robert W.: The King in Yellow Coltrane, John: Giant Steps Cortázar, Julio: Rayuela (Hopscotch) Cutter, Nick: The Deep
Dahl, Roald: Charlie and the Chocolate Factory Danielewski, Mark Z.: House of Leaves de Cervantes, Miguel: Don Quixote DeLaney, Samuel R.: Babel-17
Eliot, T.S.: The Waste Land Ewing, Frederick R.: I, Libertine
Gaiman, Neil: Neverwhere Gilman, Charlotte Perkins: The Yellow Wallpaper
Hall, Steven: The Raw Shark Texts Hamilton, Patrick: Angel Street/Gas Light Hawke, Marcus: Grey Noise Hodgson, William Hope: The House on the Borderlands Hunter, Erin: Warriors
Ito, Junji: Uzumaki
Joyce, James: Finnegans Wake Juster, Norton: The Phantom Tollbooth
Kte'pi, Bill: The Cheshire
Lovecraft, H.P.: The Color Out of Space Lyons, Steve: The Stealers of Dreams
Mathers, Edward Powys: Cain’s Jawbone Mearns, William Hughes: Antigonish Miles, Lawrence et. al.: The Book of the War Morrison, Grant: Doom Patrol Moore, Christopher: Sacré Bleu: A Comedy d’Art Muir, Tamsyn: Harrow the Ninth
National Governors Association and Council of Chief State School Officers: Common Core Math Textbook Nikolson, Adam: Life between the tides
O’Brien, Flann: The Third Policeman Ogawa, Yoko: The Memory Police Orwell, George: Nineteen Eighty-Four
Pelevin, Victor: The Helmet of Horror Pratchett, Terry: Moving Pictures Pynchon, Thomas: The Crying of Lot 49
Ryukishi07: higurashi no naku koro ni (When The Evening Cicadas Cry)
Sachar, Louis: Wayside School Is Falling Down Schwartz, Alvin: "Maybe You Will Remember" (short story from Scary Stories 3: More Tales To Chill Your Bones) Serafini, Luigi: Codex Seraphinianus Shakespeare, William: A Midsummer Night's Dream Shakespeare, William: King Lear Shakespeare, William: The Winter's Tale Silberescher: SCP-1425: Star Signals Stine, R.L.: Don't Go to Sleep!
Unknown, Voynich Manuscript
Wells, H.G.: The Door in the Wall West, A.J.: The Spirit Engineer Whorf, Benjamin Lee: Relation of Habitual Thought and Behavior to Language Wyspiański, Stanisław: The Wedding
Abbott, Edwin Abbott: Flatland: A Romance of Many Dimensions
Both a satire on Victorian hierarchies and a mathematical examination of lower and higher dimensions, Flatland's narrator has strange dreams of a one-dimensional Lineland where he can only be seen as a series of points on a line. Following this, he meets A. Sphere, whom he in turn can only see as a circle, and is exposed to the three-dimensional space of Spaceland. When he returns home to try and explain what he has seen, he is thrown into an insane asylum.
Amato, Mary: The Word Eater
The titular Word Eater is a worm born with eyes and the magical ability to eat words instead of dirt, named Fip. Whenever Fip eats a word, the object or subject that word was referring to vanishes, at one point accidentally erasing a recently discovered star. When used on a subject, erasure removes any ontological effects, as when used on a torturous dog training method the dogs it was used on all suddenly become docile instead of vicious. The conflict of the story comes in the fact that words are the only thing Fip can eat, so keeping anything else from being erased becomes a matter of starving him. There's also some disgruntled students who almost use him to erase their school, with the protagonist worrying that the effect could abstractly extend to the staff and students, necessitating their thwarting.
Barker, Clive: Abarat
Candy lives in Chickentown USA: the most boring place in the world, her heart bursting for some clue as to what her future may hold. She is soon to find out: swept out of our world by a giant wave, she finds herself in another place entirely...
The Abarat: a vast archipelago where every island is a different hour of the day, from the sunlit wonders of Three in the Afternoon, where dragons roam, to the dark terrors of the island of Midnight, ruled by Christopher Carrion. (...)
Abarat is an extremely Spiral coded place working so differently from the real world and being extremely nonsensical that I think this book deserves to be the Spiral Leitner.
Basye, Dale E.: Fibble
"When Marlo Fauster claims she has switched souls with her brother, she gets sent straight to Fibble, the circle of Heck reserved for liars. But it’s true—Milton and Marlo have switched places, and Marlo finds herself trapped in Milton’s gross, gangly body. She also finds herself trapped in Fibble, a three-ring media circus run by none other than P. T. Barnum, an insane ringmaster with grandiose plans and giant, flaming pants. Meanwhile Milton, as Marlo, is working at the devil’s new television network, T.H.E.E.N.D. But there’s something strange about these new shows. Why do they all air at the same time? And are they really broadcasting to the Surface? Soon Milton and Marlo realize that they need each other to sort through the lies and possibly prevent the end of the world—if Bea “Elsa” Bubb doesn’t catch them first."
The Fauster twins are caught up in yet another apocalyptic scheme as hellish figures plot to stoke a ratings war into a holy war, using elaborate lies and propaganda to provoke the end of humanity itself.
Borges, Jorge Luis: Tlön, Uqbar, Orbis Tertius
A short story concerning the author and his friend stumbling upon a mention of the Uqbar region in an encyclopedia, a place which is found in no other literature. One of the myths of Uqbar concerns Tlön, a fantastical place where people do not believe in the reality of the material world, and only the most outre scholars would dare suggest that objects have permanence. Objects there "grow vague or sketchy and lose detail" when they begin to be forgotten, culminating in their disappearance when they are completely forgotten. One year later, Tlönian objects begin to appear in the real world. Then a complete encyclopedia of the world turns up, transforming the human understanding of science and philosophy. As the author writes his postscript, the world is transforming entirely into Tlön.
Calvino, Italo: If on a winter’s night a traveler
The postmodernist narrative, in the form of a frame story, is about the reader trying to read a book called If on a winter's night a traveler. Each chapter is divided into two sections. The first section of each chapter is in second person, and describes the process the reader goes through to attempt to read the next chapter of the book they are reading. The second half is the first part of a new book that the reader ("you") finds. The second half is always about something different from the previous ones.
Carroll, Emily: A Guest in the House
"After many lonely years, Abby’s just gotten married. She met her new husband—a recently widowed dentist—when he arrived in town with his young daughter, seeking a new start. Although it’s strange living in the shadow of her predecessor, Abby does her best to be a good wife and mother. But the more she learns about her new husband’s first wife, the more things don’t add up. And Abby starts to wonder . . . was Sheila’s death really by natural causes? As Abby sinks deeper into confusion, Sheila’s memory seems to become a force all its own, ensnaring Abby in a mystery that leaves her obsessed, fascinated, and desperately in love for the first time in her life"
While most riffs on the Bluebeard story are probably slaughter, buried, or eye aligned, much of the horror in this story is the uncertainty and loss of a clear sense of reality. Also the art of Sheila feels very spiral.
Carroll, Lewis: Alice's Adventures in Wonderland/ Through the Looking Glass and what Alice found there
Both books have a similar structure and are spiral for the same reasons: little Victorian child Alice founds herself in a strange world with rules vastly different from hers (for example, there’s no real geography and the scenery changes suddenly from one place to another very much like in a dream). The characters she crosses constantly defy her understanding of the world and applies logics she struggles to understand. Even though she ends up going with the flow most of the time she never ceases to question whether she’s experiencing real life or a dream; sanity is brought up a few times, and there’s also the popular quote "We're all mad here. I'm mad. You're mad", delivered by the grinning cat that appears and disappears like a slippery distortion. Lastly I may add that the TMA episode whose title references the book (Mag 177, Wonderland) is a spiral episode.
Chambers, Robert W.: The King in Yellow
A collection of short stories, most of which revolve around a fictional two-act play of the same title: The King in Yellow. Although the play is never described in any great detail, anyone who reads it is driven to madness.
Coltrane, John: Giant Steps
At first a reader simply sees the rapid changes, seemingly random and discordant. Further investigation will begin to reveal patterns, the chords begin to outline other chords, that in turn outline further chords, only to loop back to the beginning. A master or his craft, the creator can seemingly effortlessly navigate this fractal of potential sound. You, can only hope to keep up as the endless, rapidly twisting patterns give you no time to comprehend the page in front of you.
This is specifically against tournament rules, but I still wanted to at least give it a submission.
Cortázar, Julio: Rayuela (Hopscotch)
The story of two young writers whose lives are playing themselves out in Buenos Aires and Paris to the sounds of jazz and brilliant talk, Hopscotch, written in 1963, was the first hypertext novel. Anticipating the age of the web with a non-structure that allows readers to take the chapters in any order they wish, Hopscotch invites them to be the architects of the novel themselves.
Cutter, Nick: The Deep
A strange plague called the ‘Gets is decimating humanity on a global scale. It causes people to forget— Small things at first and eventually their bodies forget how to function involuntarily. There is no cure.
But far below the surface of the Pacific Ocean, a universal healer hailed as “ambrosia” has been discovered. In order to study this phenomenon, a special research lab has been built eight miles under the sea’s surface. But when the station goes incommunicado, a brave few descend through the lightless fathoms in hopes of unraveling the mysteries lurking at those crushing depths."
At first glance you might think this book is much more aligned to The Buried than The Spiral and while it does have a lot of claustrophobic elements, the true horror the protagonist (Luke) faces, comes from slowly losing your perception of reality. The relatively small laboratory soon becomes a labyrinth, as he moves from room to room he also moves through memories that become more and more vivid as time goes by. He has hallucinations, falls asleep and dreams of being awake while sleepwalks, he is chased by monsters that are very real and some that are just his own demons.
(spoilers) At the end we find out he and all the other people in the laboratory were lured by two ancient creatures trapped both at the bottom of the sea and another dimension and needed Luke's body to be free. The Figmen are tricksters, they enjoy doing "experiments" seeing how much a body can twist and what it takes to break a mind. The people inside the laboratory were little more that mice they wanted to see run around for their amusement before being freed
Dahl, Roald: Charlie and the Chocolate Factory
I want off Mr. Wonka's wild ride. Why the fuck is this man dragging children through his acid trip pun-tastical Saw movie. OSHA get his ass
Danielewski, Mark Z.: House of Leaves
The novel is written as a work of epistolary fiction and metafiction focusing on a fictional documentary film titled the Navidson Record, presented as a story within a story discussed in a handwritten monograph recovered by the primary narrator, Johnny Truant. The narrative makes heavy use of multiperspectivity as Truant's footnotes chronicle his efforts to transcribe the manuscript, which itself reveals the Navidson Record's supposed narrative through transcriptions and analysis depicting a story of a family who discovers a larger-on-the-inside labyrinth in their house.
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Come on, its the book that gaslights you. Some pages are literally typed in spirals. Its about a beautiful new house that breaks the laws of physics and also eats some people- Helen Richardson would be PROUD. Its a story in a story IN A STORY. The introduction of the book is about how the man annotating the manuscript of the documentary and his friend used to pick up girls by telling fantastical and false stories about their lives. Everyone in the books universe thinks the documentary was faked. What can i say that hasn't been said before? The “M” in Mark Z. Danielowki stands for “Mr. Michael Distortion”
***
I mean, look at the book. Look at it. I feel like I'm going mad every time I see its pages.
de Cervantes, Miguel: Don Quixote
After reading too many courtly romances, Quixote's perception of reality is warped, and he seeks to become a knight and restore the courtly chivalric graces. Also he thinks windmills are evil giants.
DeLaney, Samuel R.: Babel-17
Rydra Wong is a top linguist, acclaimed poet, and former military cryptologist. When the Alliance military come across a new code used by the enemy, which is beyond their ability to crack, they come to her for help. She informs them that it is not a mere code, but an actual language, and agrees to accept the challenge.
Quickly assembling a crew, Wong heads to the Alliance War Yards to study the raw data on this new language, which the military calls Babel-17. However, shortly after she arrives, an enemy attack forces her to flee in disarray, and she falls in with a privateer, who is, fortunately, on the Alliance side.
Or mostly so. On board the privateer's ship, she begins to learn more about Babel-17, and the surprising benefits and dangers it offers to someone who learns to speak it. The language literally twists the thought pattern of its speakers, making it easier to conceptualize certain ideas, but more difficult to translate your thoughts into anything others can understand.
Eliot, T.S.: The Waste Land
Here's a link to the text if anyone is curious
The Waste Land is a poem that describes a...place? state of mind? an arc of history?...in a series of fragments. It weaves together fractured dialogue, mythology, language, and popular culture of its day into a bizarre but beautiful landscape that defies easy explanation.
Ewing, Frederick R.: I, Libertine
New York Times Best Selling novel by acclaimed author, Frederick R. Ewing, “I, Libertine” tells the story of a social climber who styles himself as Lance Courtney.
I highly recommend those voting seek out the book to read for themselves, as it is truly one of the great works of modern American literature.
Gaiman, Neil: Neverwhere
"Under the streets of London there's a world most people could never even dream of. A city of monsters and saints, murderers and angels, knights in armour and pale girls in black velvet. "Neverwhere" is the London of the people who have fallen between the cracks. Strange destinies lie in wait in London below - a world that seems eerily familiar. But a world that is utterly bizarre, peopled by unearthly characters such as the Angel called Islington, the girl named Door, and the Earl who holds Court on a tube train. (...)"
Extremely weird world that unsuspecting civilian can be stuck in, and there is a door motive. This is a Spiral Leitner if I ever saw one.
Gilman, Charlotte Perkins: The Yellow Wallpaper
Link
From Wikipedia: "The story is written as a collection of journal entries narrated in the first person. The journal was written by a woman whose physician husband has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the husband forbids the journal writer from working or writing, and encourages her to eat well and get plenty of air so that she can recuperate from what he calls a "temporary nervous depression – a slight hysterical tendency", a common diagnosis in women at the time. As the reader continues through the journal entries, they experience the writer's gradual descent into madness with nothing better to do than observe the peeling yellow wallpaper in her room.”
***
Epistolary novel about a woman who's being made to live in a single room to treat her post-partum depression. Over the course of the story, she becomes increasingly obsessed with the patterns of the room's wallpaper, spending hours gazing at it and trying to make sense of it. By the end of the story, she believes that there's a woman trapped in the wallpaper, or perhaps that she is the women trapped in the wallpaper. Throughout the story, she's also gaslit by her husband.
***
It's a short story and I highly recommend that you read it. Spoilers (of course) are ahead, so if you want an unspoiled experience, skip past.
This story follows the narrator, as she is locked up by her husband who cares for her and ultimately makes all decisions for her. He makes her doubt her state of mind as she suffers from a nervious disorder. As she stays in the ex-nursery attic, she writes of the horrendous yellow wallpaper. She becomes obsessive of it, watching it night and day amd watching as the colours change with the lighting of the room. She begins seeing a woman locked behind the twisting patterns, and in the end she becomes it - or it becomes her, and she has a hysteric breakdown.
Hall, Steven: The Raw Shark Texts
Eric Sanderson wakes up with no memory of who he is or any past experiences. He is told by a psychologist that he has a dissociative condition known as fugue but a trail of written clues purporting to be from his pre-amnesiac self describe a more fantastic and sinister explanation for his lack of memories. According to these, he has activated a conceptual shark called a Ludovician which "feeds on human memories and the intrinsic sense of self" and is relentlessly pursuing him and will eventually erase his personality completely.
Also at one point there's about 30 pages of an ASCII shark moving towards the reader. Could easily be interpreted as the Ludovician actually approaching the reader in a Leitner-ized version.
[SPOILERS] When the Ludovician attacks Eric, he decides to go in search of a doctor named Trey Fidorous, identified by the letters from his previous self, in the hope he may be able to help to explain what happened to him and how to defeat the shark. Eric travels through Britain in search of clues and is contacted by a mysterious figure called Mr. Nobody, who is part of a megalomaniac network intelligence called Mycroft Ward. Mr. Nobody attempts to subdue and control Eric but Eric manages to escape with the help of an associate of Fidorous named Scout. Scout takes Eric to meet Fidorous, travelling through un-space (an underground network of empty warehouses and unused cellars). They begin a romantic relationship during the journey but Eric feels betrayed when he discovers that Scout has brought him to Fidorous to use him as bait for the shark in the hope of destroying Ward.
With their help Fidorous builds a conceptual shark-hunting boat and they sail out on a conceptual ocean. After a battle with the shark they throw a laptop hooked up to the Mycroft Ward database into its mouth, destroying both Ward and the shark. Eric and Scout remain in the conceptual universe while Eric's dead body is discovered back in the real world.
Hamilton, Patrick: Angel Street/Gas Light
Under the guise of kindness, Jack Manningham is slowly torturing his fragile wife Bella into insanity in his efforts to cover his search for treasure from his diabolical past. He makes her think she is forgetting things and rattles her nerves with the flickering gaslight, which he controls from another room. One day, when Jack is out, Bella has an unexpected caller: kindly Inspector Rough from Scotland Yard. Rough is convinced that Jack is a homicidal maniac wanted for a murder committed fifteen years earlier in this very house. Gradually the Inspector restores Bella's confidence in herself and as the evidence against Jack unfolds.
The play that inspired the movie 1994 "Gaslight" which brought the term "gaslighting" into the public eye.
***
The literal origins of the term "gaslighting," the play follows the recently-married protagonist as her husband tries to convince her that she's going mad.
Hawke, Marcus: Grey Noise
Evan is just trying to get his store, REWIND VIDEO, up and running. Fate, unfortunately, often has other plans. Then he finds something that would be the perfect touch, an old vacuum tube TV. One that keeps turning to static. And it too has other plans. It follows you. Drives you. It’s already inside you. Lose yourself in...GREY NOISE.
Hodgson, William Hope: The House on the Borderlands
Fishing buddies Tonnison and Berreggnog didn't bargain for what they found while on holiday near the remote Irish village of Kraighten. While walking along the riverbank, they're astonished to see that the river abruptly ends. It reappears as a surge from a chasm some 100 feet below the edge of an abyss, where also stand the remains of an oddly shaped house, half-swallowed by the pit.
Exploring the ruins, the friends discover the moldering journal of an unidentified man--the Recluse--who had lived in the house with his sister and faithful dog years ago. Its pages reveal the man's apparent descent into madness--how else to account for his chronicles of otherworldly visions, trips to other dimensions, and attacks by swine-like humanoid creatures that seem to have followed him home? After one particular vision in which he witnesses the end of the earth and time itself, the Recluse awakens in his study to find nothing has changed--except that his dog Pepper is dead, dissolved into a pile of dust. And then the "swine things" return...
Hunter, Erin: Warriors
Can you keep track of who the fuck is related to who and who died when and what these cats look like and what they're named? No you fucking can't, there's four writers all sharing a pen name and metric shit ton of books in the main series alone, let alone the spinoffs. Continuity is dead and these cats murdered it.
Ito, Junji: Uzumaki
Uzumaki follows a high-school teenager, Kirie Goshima (五島桐絵); her boyfriend, Shuichi Saito (斎藤秀一); and the citizens of the small, quiet Japanese town of Kurouzu-cho (黒渦町, Black Vortex Town), which is enveloped by supernatural events involving spirals.
As the story progresses, Kirie and Shuichi witness how the spiral curse affects the people around them, causing the citizens to become either obsessed or paranoid about spirals. Shuichi becomes reclusive after both of his parents die from the horrific psychological and physical powers of the spirals, but also gains the ability to detect when the spiral curse is taking place, although he is often dismissed until the next paranormal effects of the curse become obvious. Eventually, Kirie is affected by the curse as well, when her hair begins to curl into an unnatural spiral pattern, drains her life energy to hypnotize the citizens, and chokes her whenever she attempts to cut it off. Shuichi is able to cut her hair and save her. The curse continues to plague the town until a series of typhoons conjured by the curse destroys most of its structures. The only remaining buildings are ancient abandoned terraced houses, which the citizens are forced first to move into, and then begin expanding as they grow more and more crowded.
As a series of increasingly powerful earthquakes and additional destruction from delinquents able to utilize strong winds strike the town, Kirie and Shuichi devise a plan to escape Kurouzu-cho, but when they attempt to escape, their efforts are unsuccessful. After returning to the town, they discover that several years have passed since they left, as time speeds up away from the spiral. The other citizens have expanded the terraced houses until they connected into a single structure forming a labyrinthine spiral pattern, but have become mutated as a consequence of overcrowding, their limbs twisting and warping into spirals. Kirie and Shuichi decide to search for Kirie's parents, which brings them to the center after many days of walking through the labyrinth.
At the center, Shuichi is hurled down a pit leading deep beneath the earth by a mutated citizen, with Kirie herself descending via a colossal spiral staircase to find him. She falls but is saved by countless bodies making up the ground of a vast, ancient city consisting entirely of spiral patterns in various arrangements. As Kirie looks for Shuichi, she finds her parents twisted and petrified, resembling stone statues, along with many other citizens of Kurouzu-cho who have met the same fate. Then, she hears Shuichi call for her and goes to him. Both are overwhelmed by the ancient spirals surrounding them and Shuichi points out how it seems as though the spiral ruins have a will of their own. Noticing that the petrified citizens of Kurouzu-cho are all facing the spiral city, Shuichi theorizes that this is the source of the curse; the city expands on its own periodically and has cursed the land above out of jealousy from having no one to view it.
Shuichi urges Kirie to leave without him as he can no longer walk, and that the curse should be over soon, but she replies that she does not have the strength and wishes to stay with him. The two embrace with their bodies twisting and intertwining together, signifying their acceptance into the never-ending curse. At the same time, a stone tower in the shape of a drill bit rises out of the city, and breaches the surface, forming the centerpiece of the abandoned town. As Shuichi and Kirie lie together, Kirie notes that the curse ended at the same time it began, for just as time speeds up away from the center, it freezes at the center. The spiral's curse is eternal, and all the events will repeat when a new Kurouzu-cho is built where the previous one lay.
***
I was debating if I should just do the first volume but three in one horrors sounded great to me. So Uzumaki is largely about spirals, to put the most obvious reasoning first. That's that Uzumaki translates to, after all. Spirals begin enveloping this small town, causing supernatural events. But the madness side of things comes as quickly as the spirals are there. You see it first in completely opposite ways with Shuichi's father and mother, with one becoming obsessed with spirals to the point of madness and eventually becoming one himself and the other being so terrified of spirals that it turns into its own psychological torment as she tries to remove spirals from her life and eventually realizes that those spirals are part of her naturally, causing her to try to take apart those aspects of her as well. Over chapters, characters become warped and characters succumb to the madness of spirals. Some fear the spirals, while others embrace them. Escaping the spirals is proven futile, and through that, it is also proven how out of sync the town is from reality as a whole, with time being sped up. Also, it has a labyrinth at this point, built by those suffering from the curse, so I think the Spiral would love that. In the end, the spirals are proven inescapable, and the two main characters warp together into a spiral of their own. The curse seems to end here, but really, it's a never ending cycle, and a curse which will never go away. The curse and the madness it brings won't fade.
***
Kurouzu-cho, a small fogbound town on the coast of Japan, is cursed. According to Shuichi Saito, the withdrawn boyfriend of teenager Kirie Goshima, their town is haunted not by a person or being but a pattern: UZUMAKI, the spiral—the hypnotic secret shape of the world.
***
Plot is about a town cursed by spirals which make you go insane
Joyce, James: Finnegans Wake
Considered to be one of the great literary mindscrews. The plot is covered in about a tenth of the chapters in the book. The rest tell a series of unconnected vignettes, describe minor characters in excessive detail, give allegories for the main plot, and teach you geometry. One chapter was described by Joyce as "A chattering dialogue across a river by two washerwomen who, as night falls, become a tree and stone." Some chapters feature random doodles in the margins. The first sentence is the ending part of the last sentence, making the book circular. Finally, it's written in a combination of five dozen or so different languages, random puns that you need a doctorate in ancient mythology and the aforementioned languages to understand, and general stream of consciousness. In short, it makes no sense. Which is awesome. Joyce stated that it was supposed to be a dream-like "night book" in comparison to his "day-book", Ulysses, which described a day in the life of some ordinary Dubliners but whose style and construction was almost as weird.
***
Finnegan's Wake is one of the most experimental novels of the twentieth century. Rather than write using conventions of novels--or of the English language--Joyce structured his book on language itself. The result is surreal, dense, and famously difficult. To get a sense of just how strange and dreamlike the whole thing is, even its Wikipedia page compares it to Lewis Carroll's "Jabberwocky" before pointing out the the book begins with the second half of a sentence, which it gives the first half of at its end. Tl;dr Finnegan's Wake is so unsettlingly experimental that Joyce had to break the English language down to its components to get his vision down on the page.
Juster, Norton: The Phantom Tollbooth
Milo receives a package one day, from an unknown source. The package takes him on a journey where he meets the judge jury and executioner, the princesses rhyme and reason, and more
Kte'pi, Bill: The Cheshire
If you don't want to read this whole summary, here's a song based on the story
Alice Little came out of a showing of Disney's Alice in Wonderland sixteen years ago with nothing but a blue gingham dress, a faded daguerrotype of cats, and jumbled memories of being Alice Liddell. Specifically the fictional character: "she'd never thought of herself as the 'real' Alice, the one Charles Dodgson wrote Alice's Adventures in Wonderland for - she had no memories of that Alice's life, only of the life chronicled by Lewis Carroll - madness and tea parties and talking animals. Worse, her memories conflicted, as she remembered Alice's Adventures Underground, Wonderland's first draft, as vividly as she did the two published novels." After years of attempting to return to Wonderland failed--she'd "tried every drug she could, hallucinogenic and otherwise [...] meditation, trances, pain rituals, sweat lodges, prayers and madness and hypnosis and psychotherapy"--Alice tells herself that her memories are merely symptomatic of a dissociative disorder and tries to go clean. But she puts an ad in the paper asking "Why is a raven like a writing desk?" (which includes a coded message saying "SAVE ME"), searching for answers despite herself, and eventually gets an answer. She meets a grinning man "in a purple-striped turtleneck, with odd-shaped nails and a tattoo of a mushroom on one of his knuckles" at a bar and they talk about her struggles, with him eventually getting her to ask what she really wants to know--if he can take her back. The man replies, "'There's no back to take you. You never left [...] Maybe we recognise each other because you're Alice and I'm the Cheshire Cat. Maybe we're descendents of the originals. Maybe we're brother and sister, separated after our parents' deaths and so traumatised we sought refuge in the books Father read to us as children. Maybe we're simply mad.'" After giving her LSD, the man tells her that a raven isn't like a writing desk at all, "And he faded away, leaving nothing but a grinnnnnnnnnn."
Lovecraft, H.P.: The Color Out of Space
An indescribable color leaches the life out of a patch of farmland and everyone on it.
Lyons, Steve: The Stealers of Dreams
Synopsis: "In the far future, the Doctor, Rose and Captain Jack find a world on which fiction has been outlawed. A world where it's a crime to tell stories, a crime to lie, a crime to hope, and a crime to dream.
But now somebody is challenging the status quo. A pirate TV station urges people to fight back. And the Doctor wants to help -- until he sees how easily dreams can turn into nightmares.
With one of his companions stalked by shadows and the other committed to an asylum, the Doctor is forced to admit that fiction can be dangerous after all. Though perhaps it is not as deadly as the truth... "
Why it's Spiral: A society where lies and fictions are forbidden is, evidently, a society that will fall for anything. The repression of any untruth -- by threat of violence and by invasive brain surgery to paralyze the region that dreams -- means that people are more desperate than ever to believe in anything. Fiction has consequences on this planet. And what could be a more obvious lie than the time-traveling man in his blue box...?
Mathers, Edward Powys: Cain’s Jawbone
I'm just going to quote an article from The Independent: "Cain’s Jawbone, originally published in 1934, is a murder mystery puzzle composed of 100 pages – all assembled in the wrong order. The only way to solve all six murders in the prose narrative is to reorder the pages and correctly identify the crimes, their victims, and who perpetrated them."
Here's the link to the article
Mearns, William Hughes: Antigonish
It's all pretty much all in the TMA episode (Upon the stairs). The little man who "wasn't there" in the stairs.
Miles, Lawrence et. al.: The Book of the War
Synopsis: "The Great Houses: Immovable. Implacable. Unchanging. Old enough to pass themselves off as immortal, arrogant enough to claim ultimate authority over the Spiral Politic.
The Enemy: Not so much an army as a hostile new kind of history. So ambitious it can re-write worlds, so complex that even calling it by its name seems to underestimate it.
Faction Paradox: Renegades, ritualists, saboteurs and subterfugers, the criminal-cult to end all criminal-cults, happy to be caught in the crossfire and ready to take whatever's needed from the wreckage… assuming the other powers leave behind a universe that's habitable.
The War: A fifty-year-old dispute over the two most valuable territories in existence: "cause" and "effect."
Marking the first five decades of the conflict, THE BOOK OF THE WAR is an A to Z of a self-contained continuum and a complete guide to the Spiral Politic, from the beginning of recordable time to the fall of humanity. Part story, part history and part puzzle-box, this is a chronicle of protocol and paranoia in a War where the historians win as many battles as the soldiers and the greatest victory of all is to hold on to your own past."
Propaganda: A text which purports to be a constantly shifting and updating guide to The War, a conflict so overarching and complete that every other conflict is but a pale shadow thereof; the Time War. Of course, since it would shift retroactively with the changing timelines, there is no way to prove or disprove this claim. Notable entries include cities built from days stolen from shifting calendars, the secrets of removing yourself from history while still leaving yourself free to interfere, Grandfather Paradox, the location of the exact centre of history, how to weaponize banality, and Parablox.
Oh, and there's something else in there. Something that seems to be talking to you...
Morrison, Grant: Doom Patrol
The series in general could easily fit in the Spiral, but I'll focus on a certain arc. A great new evil emerges! The Brotherhood of Dada! Its members: a woman that has super strength when she's asleep, a man that is made of fog and swallows his victims(and then has to put up with their voices inside his brain forever), a woman that has every super power you haven't thought of and is deathly afraid of dirt and an illiterate man that can turn into a hurricane. And their intrepid leader! Mr Nobody! He used to be a boring, average man. With the help of a very criminal doctor he tried to turn into a new man...but he went so insane he's always slightly left of reality and 2D. He doesn't mind though, he rather enjoys the meaninglessness of it all, which is a bit Vast of him. He also calls cops fascists.
The bad guys steal a painting that swallows everything and anything and they put Paris inside it. One of the funniest panels ever is various super heroes sitting around a painting wandering what they're supposed to do. Thankfully, Doom Patrol knows how to deal with the weird stuff. They go into the painting, get separated in different artstyles and beaten up.
But the Fifth Horseman of the Apocalypse is coming, so they cooperate and put him in the dadaist section, making him lose all meaning and turning into a wooden horse.
A big part of the arc is also narrated by the illiterate hurricane guy, which makes it harder to understand since he writes phonetically.
The whole thing is absurdity, the first bad guys are absurd and the second bad guy gets beaten by the absurd. After a few more arcs Mr Nobody runs for president(with some members of the Doom Patrol endorsing him) and gets killed by the CIA in a similar manner to Jesus. For his campaign he drove a bus that made everyone behind it feel like they've taken lsd.
Moore, Christopher: Sacré Bleu: A Comedy d’Art
The story surrounds the mysterious suicide of Vincent van Gogh, who famously shot himself in a French wheat field only to walk a mile to a doctor’s house. The mystery, which is slowly but cleverly revealed through the course of the book, is blue: specifically the exclusive ultramarine pigment that accents pictures created by the likes of Michelangelo and van Gogh. To find the origin of the hue, Moore brings on Lucien Lessard, a baker, aspiring artist and lover of Juliette, the brunette beauty who breaks his heart. After van Gogh’s death, Lucien joins up with the diminutive force of nature Henri Toulouse-Lautrec to track down the inspiration behind the Sacré Bleu. In the shadows, lurking for centuries, is a perverse paint dealer dubbed The Colorman, who tempts the world’s great artists with his unique hues and a mysterious female companion who brings revelation—and often syphilis (it is Moore, after all). Into the palette, Moore throws a dizzying array of characters, all expertly portrayed, from the oft-drunk “little gentleman” to a host of artists including Édouard Manet, Paul Gauguin, Georges Seurat, Claude Monet, Camille Pissarro and Pierre-Auguste Renoir.
Muir, Tamsyn: Harrow the Ninth
Harrow the Ninth is, above all, really fucking confusing. Roughly every third chapter is actively gaslighting the reader about what happened in the last book. The main character is fucking struggling to maintain any sort of grip on reality all throughout the story, and more often than not, she fails miserably. This is due to several factors, including, but not limited to - sleep deprivation, latent schizophrenia, ruthless emotional manipulation from everyone around her, being full of a frankly alarming number of ghosts from several entirely unrelated sources, childhood parental and religious trauma, and a self-inflicted amateur lobotomy.
***
Takes place post(sometimes pre) DIY lobotomy; leaving our protag, who already struggles identifying between reality and hallucination, a paranoid, constantly questioning wreck. It's written in second person and does not follow events chronologically, leaving the reader questioning everything almost as much as the protag.
National Governors Association and Council of Chief State School Officers: Common Core Math Textbook
Drives me up the damn wall insane. This is mostly a joke suggestion but also I think there’s something to be said about fractals’ place in mathematics, and the widespread range of common core math’s influence. To be honest, submitting this is a gut feeling of dread to me.
Nikolson, Adam: Life between the tides
Look this probably shouldn’t even make it into the bracket and this is mostly a very dull book about shoreline ecosystems but there’s this one chapter where the dude gets positively poetic about I think?? winkles?? (a kind of snail) and it absolutely reads like a statement like we are talking fractal winkles-all-the-way-down insanity. I need to tell someone about it bc it was like suddenly reading another book. A better and also worse book. I’m pretty sure he quoted philosophers in it. I wish I had taken notes. He would get along with Ivo Lensik’s dad.
O’Brien, Flann: The Third Policeman
Synopsis from Goodreads: "The Third Policeman is Flann O'Brien's brilliantly dark comic novel about the nature of time, death, and existence. Told by a narrator who has committed a botched robbery and brutal murder, the novel follows him and his adventures in a two-dimensional police station where, through the theories of the scientist/philosopher de Selby, he is introduced to "Atomic Theory" and its relation to bicycles, the existence of eternity (which turns out to be just down the road), and de Selby's view that the earth is not round but "sausage-shaped." With the help of his newly found soul named "Joe," he grapples with the riddles and contradictions that three eccentric policeman present to him."
Ogawa, Yoko: The Memory Police
The story is set in an alternate Japan where people's memories of certain things and concepts (e.g. birds, hats, winter, books, seasons, even their sense of self) are slowly taken away from their collective minds for 'their safety' by the titular Memory Police, a government force of sorts. This forced forgetting goes to the point where they can't physically perceive that concept; birds are weird creatures because no one remembers what a bird is like, and it's always winter because no one remembers what spring is. The story even ends with the unnamed protagonist (along with several others) eventually fading away from existence (read: forgetting) as memories of certain body parts and finally the concept of the human body is taken away by the Memory Police. It's like if the vase from MAG 38 formed and entire task force to do its job.
This one has narrative potential too; imagine a statement where someone slowly lose memories of certain things after reading this Leitner, gradually becoming an unreliable narrator as reality slips away from their conscious.
Orwell, George: Nineteen Eighty-Four
Pelevin, Victor: The Helmet of Horror
Eight people find themselves in eight different rooms with a labyrinth behind them and a computer in front of them. They try to communicate via the computer that allows them to chat with one another, but has nicknames set for them(IsoldA, UGLI 666, Ariane...) and blocks their personal information. They(and us) can't know if they are lying. When two of them try to see each other by visiting a spot in the labyrinths that should be the same they each then recount a completely different experience and accuse each other of lying. Another character claims they all must be figments of his imagination, he must be very drunk. And they're all afraid of the minotaur. It is a book where no one, even the reader knows what's real, everyone is afraid of what might appear if they turn a corner and no one knows what's going on.
Pratchett, Terry: Moving Pictures
"‘HOLY WOOD IS A DIFFERENT SORT OF PLACE . . . HERE, THE MOST IMPORTANT THING IS TO BE IMPORTANT.’
A new phenomenon is taking over the Discworld: moving pictures. Created by the alchemists of Ankh-Morpork, the growing ‘clicks’ industry moves to the sandy land of Holy Wood, attracted by the light of the sun and some strange calling no one can quite put their finger on…
Also drawn to Holy Wood are aspiring young stars Victor Tugelbend, a wizarding student dropout, and Theda ‘Ginger’ Withel, a small-town girl with big dreams. But behind the glitz and glamour of the clicks, a sinister presence lurks. Because belief is powerful in the Discworld, and sometimes downright dangerous…
The magic of movies might just unravel reality itself."
Pynchon, Thomas: The Crying of Lot 49
Oedipa Maas spends the whole book trying to figure out if the conspiracy she’s trying to unravel about the US postal service and a conter-postal service via plays, signs/images, and history is real or if she’s being gaslit by her ex, who just died and made her executor of his will.
Ryukishi07: higurashi no naku koro ni (When The Evening Cicadas Cry)
The series explores paranoia and deceit among friends. It uses its POVs incredibly well, limiting your view of the situation so much that it is genuinely incredibly hard to figure out what happened or why (until you read the answer arcs ofc). Several key plot points involve characters getting so consumed by their own madness that they cannot see reality for what it is and wildly assume false things. This madness repeats and repeats and repeats, consuming the friends group over and over and over, leading them to do horrific things to each other. Many a character become so consumed by suspicion and fear that the world distorts and details change in their mind to match what they think is happening. I am desperately trying to describe the series without spoilers rn
Sachar, Louis: Wayside School Is Falling Down
Obviously all of Wayside School is a little Spirally -- the weird architecture, the cow invasions, occasional hypnosis, and more -- but this one tells a story of the nineteenth floor. Wayside School has no nineteenth floor. There is one teacher on the nineteenth floor, and only one class, who learn about how to alphabetize every number. Sometimes, new students arrive...
Schwartz, Alvin: "Maybe You Will Remember" (short story from Scary Stories 3: More Tales To Chill Your Bones)
A girl, Rosemary, and her mother are on vacation in Paris. Rosemary's mother is ill, so Rosemary is sent to get medicine, but ultimately has her time wasted by the driver on the way back, and when she returns to the hotel, nobody recognizes her, telling her she has the wrong place. Her mother is gone, too, and when Rosemary asks to see the room they stayed in as proof they were there, the clerk shows her a completely unfamiliar setup, making Rosemary wonder what happened to her.
In the appendix of the book, the scenario is explained. Rosemary's mother was sick with the plague, and the doctor, recognizing it, knew she would be dead very quickly. Rosemary was put on a wild goose chase for the medicine and given a driver who would delay her, with the doctor and hotel staff working to dispose of her mother's body and re-decorate the hotel room while Rosemary was away. With Rosemary unable to verify that she was in the hotel, and unknowing that her mother died of plague, the hotel avoided any negative publicity that would have occurred if anyone were to find out a guest had the plague. The hotel's PR was saved, but Rosemary was left doubting her sanity.
Serafini, Luigi: Codex Seraphinianus
The Codex is an encyclopedia in manuscript with copious hand-drawn, colored-pencil illustrations of bizarre and fantastical flora, fauna, anatomies, fashions, and foods. The illustrations are often surreal parodies of things in the real world, such as a bleeding fruit, a plant that grows into roughly the shape of a chair and is subsequently made into one, and a copulating couple who metamorphose into an alligator. Others depict odd, apparently senseless machines, often with delicate appearances and bound by tiny filaments. Some illustrations are recognizable as maps or human faces, while others (especially in the "physics" chapter) are mostly or totally abstract. Nearly all of the illustrations are brightly coloured and highly detailed
***
It's an encyclopedia for a universe that doesn't exist, treated as if it does exist in another universe while being written in a nonsense, impossible to understand language. The things it depict doesn't make sense either, ranging from swimming trees and eye-shaped fishes to absolutely bizarre creatures and technology, like a rainbow-making cloud shaped like Da Vinci's aerial screw. The entire thing comes off as surreal nonsense because it's meant to symbolise the feeling of trying to understand something that you can't understand, but finds cool because of the visuals. It's a book that you aren't meant to read understand, but simply look at, because trying to understand it just... doesn't work.
***
The Codex is an encyclopedia in manuscript with copious hand-drawn, colored-pencil illustrations of bizarre and fantastical flora, fauna, anatomies, fashions, and foods. It has been compared to the still undeciphered Voynich manuscript, the story "Tlön, Uqbar, Orbis Tertius" by Jorge Luis Borges, and the artwork of M. C. Escher and Hieronymus Bosch. The illustrations are often surreal parodies of things in the real world, such as a bleeding fruit, a plant that grows into roughly the shape of a chair and is subsequently made into one, and a copulating couple who metamorphose into an alligator. Others depict odd, apparently senseless machines, often with delicate appearances and bound by tiny filaments. Some illustrations are recognizable as maps or human faces, while others (especially in the "physics" chapter) are mostly or totally abstract. Nearly all of the illustrations are brightly coloured and highly detailed.
The false writing system appears modeled on Western writing systems, with left-to-right writing in rows and an alphabet with uppercase and lowercase letters, some of which double as numerals. Some letters appear only at the beginning or end of words, similar to Semitic writing systems. The curvilinear letters are rope- or thread-like, with loops and even knots, and are somewhat reminiscent of Sinhala script. In a talk at the Oxford University Society of Bibliophiles [...] Serafini stated that there is no meaning behind the Codex's script, which is asemic; that his experience in writing it was similar to automatic writing; and that what he wanted his alphabet to convey was the sensation children feel with books they cannot yet understand, although they see that the writing makes sense for adults. Take a look for yourself:
Shakespeare, William: A Midsummer Night's Dream
The way the fey play with the perceptions and emotions of the wandering youths in the woods is peak Spiral, as their loves and disdains change with the machinations of Oberon and Puck.
Shakespeare, William: King Lear
The play has everything: real descents into madness, fake descents into madness, betrayal by trusted loved ones, loyalty from betrayed loved ones, and would-be wise men who turn out to be fools.
Shakespeare, William: The Winter's Tale
Imagine that you are absolutely, completely, 100 percent certain that your wife is cheating on you with your best friend. Now imagine you're the king, and your best friend is the king of a far-off kingdom. Now imagine that the consequences of your actions spiral outward: your wife and son die, one of your trusted advisors has disappeared with daughter on your orders to kill her.
This first half of this deeply underappreciated play explores the consequences of one man's fear of betrayal. Coincidentally, it is one Shakespeare's more surreal works. It's the origin of the infamous "Exit pursued by a bear," a stage direction that concludes a scene set on the coast of a kingdom that in real life was landlocked. And--spoiler alert--the play concludes with a statute coming back to life.
Anyway, it's a surprisingly Spiral-like play with a dream-like atmosphere, fairy-tale logic, and a Distortion-esque look at the fear of betrayal.
Silberescher: SCP-1425: Star Signals
Stine, R.L.: Don't Go to Sleep!
"Matt hates his tiny bedroom. It's so small it's practically a closet! Still, Matt's mom refuses to let him sleep in the guest room. After all, they might have guests. Some day. Or year. Then Matt does it. Late one night. When everyone's in bed. He sneaks into the guest room and falls asleep. Poor Matt. He should have listened to his mom. Because when Matt wakes up, his whole life has changed. For the worse. And every time he falls asleep, he wakes up in a new nightmare... "
Inception, for kids! Whenever Matt falls asleep, he changes reality -- and a group of special agents want to stop him by putting him to sleep, permanently.
Unknown, Voynich Manuscript
Many call the fifteenth-century codex, commonly known as the “Voynich Manuscript,” the world’s most mysterious book. Written in an unknown script by an unknown author, the manuscript has no clearer purpose now than when it was rediscovered in 1912 by rare books dealer Wilfrid Voynich. It's a strange code describing alchemical formulae and unknown life forms, and no one understands it. It's a mystery waiting for you to lose yourself in its pages.
Wells, H.G.: The Door in the Wall
This short story is about Lionel Wallace, who at the age of 5 encountered and entered a weird door. Behind it he found a beautiful and peaceful garden and felt such happiness and bliss, that when he was transported back on the street and escorted back to his home, he was very upset. He would see the door again many times later in life, but every time he will refuse to enter it due to his responsibilities (for example, to not be late to class, to catch a train, to be on time for an appointment). He grew up and became a successful politician, but the perfect world behind the door haunted him, and his success felt dull and boring. The book ends with people finding his lifeless body at the bottom of a pit, and that he had in poor light walked through a small doorway that led onto it. The narrator then speculates that maybe Lionel saw the perfect garden behind the doorway and was finally able to find happiness.
West, A.J.: The Spirit Engineer
Based on a real story about a guy who was convinced that one particular medium was the real deal. He completely upended his career for it, and wrote a paper on the science of the ghostly plane.
He did several shows, and got relatively famous. Eventually, Sir Arthur Conan Doyle [someone who wanted to believe] and Harry Houdini [An avid non-believer] invite him over to convince them that séances were real. In the process, Houdini completely disproves him, and outs the medium he thought was real as a fraud.
It turns out his wife and coworker had convinced the 'medium' and their family to run a prank on him. In his fury, he kills everyone involved, and then drinks Poison to try - one final time - to proove his theory.
Tldr: A real story who unknowingly changed his life and ruined his reputation because of the lies of the ones he trusted. When he realises, he looses his sanity and kills everyone around him, including himself.
Whorf, Benjamin Lee: Relation of Habitual Thought and Behavior to Language
The famous text about language as a symbol that can never truly reflect reality can kinda fuck with your perceptions about how our language serves to construct our own realities. We're programmed to experience the world in different ways according to the way we interpret language.
Wyspiański, Stanisław: The Wedding
Relevant parts from Wikipedia
"The play's action takes place at the wedding of a member of the Kraków intelligentsia (the Bridegroom) and his peasant Bride. Their crossclass union follows a then fashionable trend of chłopomaństwo ("peasant-mania") among some Polish intelligentsia, who were often scions of the historic Polish szlachta (nobility). (...) Among the live guests are ghosts of personae from Polish history and culture, representing the guilty consciences of the living. The two groups engage in dialogues. The wedding guests are hypnotized by a rosebush straw-wrap (Chochoł) from the garden which comes to life and joins the party. (Offending a chochoł, according to folk beliefs, could provoke the thing to play tricks).The "Poet" is visited successively by the "Black Knight" (a symbol of the nation's past military glory); the "Journalist"; the court jester Stańczyk, a conservative political sage; and the "Ghost of Wernyhora" (a paradigm of leadership for Poland). (...)Thus the wedding guests, symbolizing the nation, waste their chance at national freedom. They keep on dancing a "chocholi taniec" (a "straw-wrap's dance") "the way it's played for them" (a Polish folk saying), failing in their mission." This play is as if patriotically motivated Spiral avatars crashed somebody's wedding, and I think it deserves consideration as Spiral Leitner.
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How many have you read?
The BBC estimates that most people will only read 6 books out of the 100 listed below. Bold the titles you’ve read.
1 Pride and Prejudice - Jane Austen 2 Lord of the Rings - J. R. R. Tolkein 3 Jane Eyre – Charlotte Bronte 4 Harry Potter series 5 To Kill a Mockingbird - Harper Lee 6 The Bible 7 Wuthering Heights – Emily Bronte 8 Nineteen Eighty Four – George Orwell 9 His Dark Materials – Philip Pullman 10 Great Expectations – Charles Dickens 11 Little Women – Louisa M Alcott 12 Tess of the D’Urbervilles – Thomas Hardy 13 Catch 22 – Joseph Heller 14 Complete Works of Shakespeare 15 Rebecca – Daphne Du Maurier 16 The Hobbit – JRR Tolkien 17 Birdsong – Sebastian Faulks 18 Catcher in the Rye - J. D. Salinger 19 The Time Traveller’s Wife - Audrey Niffeneger 20 Middlemarch – George Eliot 21 Gone With The Wind – Margaret Mitchell 22 The Great Gatsby – F Scott Fitzgerald 23 Bleak House – Charles Dickens 24 War and Peace – Leo Tolstoy 25 The Hitch Hiker’s Guide to the Galaxy – Douglas Adams 26 Brideshead Revisited – Evelyn Waugh 27 Crime and Punishment – Fyodor Dostoyevsky 28 Grapes of Wrath – John Steinbeck 29 Alice in Wonderland – Lewis Carroll 30 The Wind in the Willows – Kenneth Grahame 31 Anna Karenina – Leo Tolstoy 32 David Copperfield – Charles Dickens 33 Chronicles of Narnia – CS Lewis 34 Emma – Jane Austen 35 Persuasion – Jane Austen 36 The Lion, The Witch and The Wardrobe – CS Lewis 37 The Kite Runner - Khaled Hosseini 38 Captain Corelli’s Mandolin - Louis De Bernieres 39 Memoirs of a Geisha – Arthur Golden 40 Winnie the Pooh – AA Milne 41 Animal Farm – George Orwell 42 The Da Vinci Code – Dan Brown 43 One Hundred Years of Solitude – Gabriel Garcia Marquez 44 A Prayer for Owen Meaney – John Irving 45 The Woman in White – Wilkie Collins 46 Anne of Green Gables – LM Montgomery 47 Far From The Madding Crowd – Thomas Hardy 48 The Handmaid’s Tale – Margaret Atwood 49 Lord of the Flies – William Golding 50 Atonement – Ian McEwan
51 Life of Pi – Yann Martel 52 Dune – Frank Herbert 53 Cold Comfort Farm – Stella Gibbons 54 Sense and Sensibility – Jane Austen 55 A Suitable Boy – Vikram Seth 56 The Shadow of the Wind – Carlos Ruiz Zafon 57 A Tale Of Two Cities – Charles Dickens 58 Brave New World – Aldous Huxley 59 The Curious Incident of the Dog in the Night-time – Mark Haddon 60 Love In The Time Of Cholera – Gabriel Garcia Marquez 61 Of Mice and Men – John Steinbeck 62 Lolita – Vladimir Nabokov 63 The Secret History – Donna Tartt 64 The Lovely Bones - Alice Sebold 65 Count of Monte Cristo – Alexandre Dumas 66 On The Road – Jack Kerouac 67 Jude the Obscure – Thomas Hardy 68 Bridget Jones’s Diary – Helen Fielding 69 Midnight’s Children – Salman Rushdie 70 Moby Dick – Herman Melville 71 Oliver Twist – Charles Dickens 72 Dracula – Bram Stoker 73 The Secret Garden – Frances Hodgson Burnett 74 Notes From A Small Island – Bill Bryson 75 Ulysses – James Joyce 76 The Bell Jar – Sylvia Plath 77 Swallows and Amazons - Arthur Ransome 78 Germinal – Emile Zola 79 Vanity Fair – William Makepeace Thackeray 80 Possession – AS Byatt 81 A Christmas Carol – Charles Dickens 82 Cloud Atlas – David Mitchel 83 The Color Purple – Alice Walker 84 The Remains of the Day – Kazuo Ishiguro 85 Madame Bovary – Gustave Flaubert 86 A Fine Balance – Rohinton Mistry 87 Charlotte’s Web – EB White 88 The Five People You Meet In Heaven – Mitch Albom 89 Adventures of Sherlock Holmes – Sir Arthur Conan Doyle 90 The Faraway Tree Collection – Enid Blyton 91 Heart of Darkness – Joseph Conrad 92 The Little Prince – Antoine De Saint-Exupery 93 The Wasp Factory – Iain Banks 94 Watership Down – Richard Adams 95 A Confederacy of Dunces – John Kennedy Toole 96 A Town Like Alice – Nevil Shute 97 The Three Musketeers – Alexandre Dumas 98 Hamlet – William Shakespeare 99 Charlie and the Chocolate Factory – Roald Dahl 100 Les Miserables – Victor Hugo
As found in the original post I saw by @macrolit
My total: 43/100
#tear-chan talks#reading and stuff#damn this is both more and less than I expected haha#this tells me I should probably read more Dickens#also some of these I read in Spanish so...
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How many have you read out of the hundred?
Me: 64/100
Reblog & share your results
1. "Pride and Prejudice" by Jane Austen
2. "Crime and Punishment" by Fyodor Dostoevsky
3. "To Kill a Mockingbird" by Harper Lee
4. "1984" by George Orwell
5. "Great Expectations" by Charles Dickens
6. "One Hundred Years of Solitude" by Gabriel García Márquez
7. "Jane Eyre" by Charlotte Brontë
8. "The Catcher in the Rye" by J.D. Salinger
9. "War and Peace" by Leo Tolstoy
10. "The Great Gatsby" by F. Scott Fitzgerald
11. "Moby-Dick" by Herman Melville
12. "The Odyssey" by Homer
13. "Wuthering Heights" by Emily Brontë
14. "Anna Karenina" by Leo Tolstoy
15. "The Brothers Karamazov" by Fyodor Dostoevsky
16. "The Iliad" by Homer
17. "Frankenstein" by Mary Shelley
18. "Les Misérables" by Victor Hugo
19. "Don Quixote" by Miguel de Cervantes
20. "Middlemarch" by George Eliot
21. "The Picture of Dorian Gray" by Oscar Wilde
22. "The Scarlet Letter" by Nathaniel Hawthorne
23. "Dracula" by Bram Stoker
24. "Sense and Sensibility" by Jane Austen
25. "The Hunchback of Notre-Dame" by Victor Hugo
26. "The War of the Worlds" by H.G. Wells
27. "The Grapes of Wrath" by John Steinbeck
28. "The Canterbury Tales" by Geoffrey Chaucer
29. "The Portrait of a Lady" by Henry James
30. "The Jungle Book" by Rudyard Kipling
31. "Siddhartha" by Hermann Hesse
32. "The Divine Comedy" by Dante Alighieri
33. "A Tale of Two Cities" by Charles Dickens
34. "The Trial" by Franz Kafka
35. "Mansfield Park" by Jane Austen
36. "The Three Musketeers" by Alexandre Dumas
37. "Fahrenheit 451" by Ray Bradbury
38. "Gulliver's Travels" by Jonathan Swift
39. "The Sound and the Fury" by William Faulkner
40. "Emma" by Jane Austen
41. "Robinson Crusoe" by Daniel Defoe
42. "Tess of the d'Urbervilles" by Thomas Hardy
43. "The Republic" by Plato
44. "Heart of Darkness" by Joseph Conrad
45. "The Hound of the Baskervilles" by Arthur Conan Doyle
46. "The Strange Case of Dr Jekyll and Mr Hyde" by Robert Louis Stevenson
47. "The Prince" by Niccolò Machiavelli
48. "The Metamorphosis" by Franz Kafka
49. "The Old Man and the Sea" by Ernest Hemingway
50. "Bleak House" by Charles Dickens
51. "Gone with the Wind" by Margaret Mitchell
52. "The Plague" by Albert Camus
53. "The Joy Luck Club" by Amy Tan
54. "The Master and Margarita" by Mikhail Bulgakov
55. "The Red and the Black" by Stendhal
56. "The Sun Also Rises" by Ernest Hemingway
57. "The Fountainhead" by Ayn Rand
58. "The Bell Jar" by Sylvia Plath
59. "The Idiot" by Fyodor Dostoevsky
60. "The Book Thief" by Markus Zusak
61. "The Return of Sherlock Holmes" by Arthur Conan Doyle
62. "The Woman in White" by Wilkie Collins
63. "Things Fall Apart" by Chinua Achebe
64. "Treasure Island" by Robert Louis Stevenson
65. "Ulysses" by James Joyce
66. "Uncle Tom's Cabin" by Harriet Beecher Stowe
67. "Vanity Fair" by William Makepeace Thackeray
68. "Waiting for Godot" by Samuel Beckett
69. "Walden Two" by B.F. Skinner
70. "Watership Down" by Richard Adams
71. "White Fang" by Jack London
72. "Wide Sargasso Sea" by Jean Rhys
73. "Winnie-the-Pooh" by A.A. Milne
74. "Wise Blood" by Flannery O'Connor
75. "Woman in the Nineteenth Century" by Margaret Fuller
76. "Women in Love" by D.H. Lawrence
77. "Zen and the Art of Motorcycle Maintenance" by Robert M. Pirsig
78. "The Aeneid" by Virgil
79. "The Age of Innocence" by Edith Wharton
80. "The Alchemist" by Paulo Coelho
81. "The Art of War" by Sun Tzu
82. "The Autobiography of Benjamin Franklin" by Benjamin Franklin
83. "The Awakening" by Kate Chopin
84. "The Big Sleep" by Raymond Chandler
85. "The Bluest Eye" by Toni Morrison
86. "The Caine Mutiny" by Herman Wouk
87. "The Cherry Orchard" by Anton Chekhov
88. "The Chosen" by Chaim Potok
89. "The Christmas Carol" by Charles Dickens
90. "The City of Ember" by Jeanne DuPrau
91. "The Clue in the Crumbling Wall" by Carolyn Keene
92. "The Code of the Woosters" by P.G. Wodehouse
93. "The Color Purple" by Alice Walker
94. "The Count of Monte Cristo" by Alexandre Dumas
95. "The Crucible" by Arthur Miller
96. "The Crying of Lot 49" by Thomas Pynchon
97. "The Da Vinci Code" by Dan Brown
98. "The Death of Ivan Ilyich" by Leo Tolstoy
99. "The Decline and Fall of the Roman Empire" by Edward Gibbon
100. "The Divine Secrets of the Ya-Ya Sisterhood" by Rebecca Wells
#book#booklr#books#classical literature#classic academia#penguin clothbound classics#classical books#english literature#listing#that's bloody#william shakespeare#shakespeare#anne frank#the odyssey#the divine comedy#french#literature
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classic list of Disney originals in chronological order starting in the 40s/50s ending 2023
Snow White & Little Briar Rose & The Frog Prince & Rapunzel by Brothers Grimm
The Adventures of Pinocchio by Carlo Collodi
The Sorcerer’s Apprentice by Johann Wolfgang von Goethe Dumbo the Flying Elephant by Helen Aberson & Harold Pearl Bambi, a Life in the Woods by Felix Salten Casey at the Bat by Ernest Thayer
Peter & the Wolf by Sergei Prokofiev Little Bear Bongo by Sinclair Lewis
Jack and the Beanstalk by Benjamin Tabart Johnny Appleseed, Little Toot by Hardie Gramatky Trees by Joyce Kilmer & Pecos Bill
The Wind in the Willows by Kenneth Grahame The Legend of Sleepy Hollow by Washington Irving
Cinderella & Sleeping Beauty by Charles Perrault
Alice’s Adventures in Wonderland & Through the Looking-Glass by Lewis Carroll
Peter Pan by J.M. Barrie Joe Grant’s Pet English Springer Spaniel Lady, Happy Dan, The Cynical Dog, Lady & the Tramp: The Story of Two Dogs by Ward Greene
The Sleeping Beauty by Pyotr Ilyich Tchaikovsky The 101 Dalmatians by Dodie Smith
The Sword in the Stone by T.H. White
The Jungle Book by Rudyard Kipling
The Secret Origin of the Aristocats by Tom McGowan & Tom Rowe The Legend of Robinhood **
Winnie the Pooh book series by A.A. Milne
The Rescuers book series by Margery Sharp The Fox and the Hound by Daniel P. Mannix
The Chronicles of Prydain by Lloyd Alexander
Basil of Baker Street series by Eve Titus
Oliver Twist by Charles Dickens
The Little Mermaid & The Steadfast Tin Soldier & The Snow Queen by Hans Christian Andersen
Beauty and the Beast by Jeanne-Marie Leprince de Beaumont
Aladdin and the Magic Lamp from 1001 Nights Hamlet by William Shakespeare
The Lives of Pocahontas and John Smith **
Notre Dame de Paris by Victor Hugo
The Greek myth of Heracles **
Ballad of Mulan by Guo Maoqian
Tarzan of the Apes by Edgar Rice Burroughs Noah’s Ark inter Alia Kingdom of the Sun by Roger Allers & Matthew Jacobs
Inca mythology **
The Legend of Atlantis ** Treasure Island by Robert Louis Stevenson Inuit cultures ** Sweating Bullets by Mike Gabriel
Henny Penny **
A Day with Wilbur Robinson by William Joyce •
American Dog by Chris Sanders
The Frog Princess by E.D. Baker
Scandinavian & Sámi cultures **
Big Hero 6 by Man of Action
Buddy cop films ** Polynesian cultures & Hawaiian mythof Māui** Southeast Asian cultures & mythology ** Colombian culture **
Saludos Amigos
The Three Caballeros Make Mine Music Melody Time
The Adventures of Ichabod & Mr. Toad
The Black Cauldron
The Great Mouse Detective
Fantasia & Fantasia 2000
Atlantis : The Lost Empire
Treasure Planet
Brother Bear
Home on the Range Meet the Robinsons
Bolt
Zootopia
Moana
Raya and the Last Dragon
Encanto
Strange World Nov. 23 2022
Wish Nov. 22, 2023
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One Hundred Books
Decided to make this list in order to include in one post all the books that I found to be worth reading and would recommend to others. They're not in a specific order:
The Book Thief by Markus Zusak
Mrs. Dalloway by Virginia Woolf
Murder on the Orient Express by Agatha Christie
Dubliners by James Joyce
A Jounal of the Plague Year by Daniel Defoe
One Hundred Years of Solitude by Gabriel Garcia Marquez
Girl with a Pearl Earring by Tracy Chevalier
Art of War by Sun Tzu
The Trial by Kafka
Metamorphosis by Kafka
The Diary of a Young Girl by Anne Frank
Little Women by Louisa May Alcott
Jane Eyre by Charlotte Brontë
Frankenstein by Mary Shelley
The Picture of Dorian Gray by Oscar Wilde
Dracula by Bram Stocker
The Phantom of the Opera by Gaston Leroux
1984 by George Orwell
Animal Farm by George Orwell
And Then There Were None by Agatha Christie
To Kill a Mockingbird by Harper Lee
Lord of the Flies by William Golding
Madame Bovary by Gustave Flaubert
Dune by Frank Herbert
Kafka on the Shore by Haruki Murakami
Crime and Punishment by Dostoievski
Notes from the Underground by Dostoievski
Lolita by Vladimir Nabokov
The Count of Monte Cristo by Alexandre Dumas
The Pianist by Władisław Szpilman
Don Quixote by Miquel de Cervantes
East of Eden by John Steinbeck
The Divine Comedy by Dante Alighieri
Doctor Faustus by Thomas Mann
The Idiot by Dostoievski
Of Mice and Men by John Steinbeck
The Insulted and Humiliated by Dostoievski
Foundation by Isaac Asimov
A Gentleman in Moscow by Amor Towles
Faust by Johann Wolfgang von Goethe
The Master and Margarita by Mikhail Bulgakov
Moby-Dick by Herman Meville
The Brothers Karamazov by Dostoievski
The Call of Cthulhu by Lovecraft
The Prince by Niccolo Machiavelli
Memoirs of Hadrian by Marguerite Yourcenar
The Shining by Stephen King
The Decameron by Giovanni Boccaccio
The Name of the Rose by Umberto Eco
The Enlightened Cave by Max Blecher
Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
The God Factory by Karel Čapek
The Tongue Set Free by Elias Canetti
Brave New World by Aldous Huxley
I Have No Mouth And I Must Scream by Harlan Ellison
No Longer Human by Osamu Dazai
A Clockwork Orange by Anthony Burgess
Selected Poems by Jorge Louis Borges
The Prague Cemetery by Umberto Eco
Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk
The Setting Sun by Osamu Dazai
The Stranger by Albert Camus
Carrie by Stephen King
Fight Club by Chuck Palahniuk
The Alchemist by Paulo Coelho
Notre Dame of Paris by Victor Hugo
Catch 22 by Joseph Heller
American Psycho by Bret Easton Ellis
Gone Girl by Gillian Flynn
...gotta pin this post and edit it later, when I'll have more time to do that.
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Just noting this for myself...
Both Joyce, who voices the Tyrannosaurs Puppet, and Garrett, who voices the Pterosaur Puppet, were both guest competitors in the episodes that contained the "cutscenes" of the Genie (Grisly Journey of the Donner Party (S2) and The Great Molasses Flood (S3), respectively)
Also interesting is the fact that the Genie answers in both were answer B
#puppet history#ph s5#garrett watts#tyrannosaurus puppet#pterosaur puppet#ph: the grisly journey of the donner party#ph: the great molasses flood#patch posts#suspicious is all#may not mean anything#but I'd rather note it now and go from there#joyce louis–john#the genie
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My bookshelf
Hey, @beanifred <3 So, here's a big peak at my bookshelf (way too many books as I said)
Beginning with my treasures:
The "Real" Bob Steele and a man called "Brad" by Bob Nareau
The Photostory of "Battling Bob" Bob Steele by Mario DeMarco
2. The Columbo Collection
Just One More thing by Peter Falk
The Grassy Knoll by William Harrington (my enemy)
Murder by the Book by Steven Bochco
And now there's chaos:
3.
Psycho 1 & 2 and Night-World by Robert Bolch (Norwegian edition)
Stand on Zanzibar by John Brunner
Do Androids Dream of Electric Sheep by Philip K. Dick
The Body Snatcher by Jack Finney
The Priory of the Orange Tree by Samantha Shannon
Trash by Dorothy Allison (lesbian but at what cost)
We Have Always Lived in the Castle by Shirley Jackson
The Buddah of Suburbia by Hanif Kureishi
Anansi Boys by Neil Gaiman (I also have American Gods but I cannot find it)
Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
Rosemary's Baby by Ira Levin
The Stepford Wives by Ira Levin
The Complete Short Stories: Hercule Poirot by Agatha Christie
Then There Were None by Agatha Christie
What Ever Happened to Baby Jane by Henry Farrell
The Hunter by Richard Stark
Slaughterhouse-Five by Kurt Vonnegut
Animal Farm by George Orwell
The System by John Burke (novelization)
Alien Nation by Alan Dean Foster (novelization)
Edge of the City by Fredrick Pohl (novelization)
Invisible Man by Ralph Ellison
Babysitter by Joyce Carol Oates
A Confederacy of Dunces by John Kennedy Toole
Catch-22 by Joseph Heller
The Collector by John Fowels
Rebecca by Daphne Du Maurier (Norwegian edition)
2001: A Space Odyssey by Arthur C. Clarke (novelization)
Ninteen Eighty-Four by George Orwell
East of Eden by John Steinbeck
Jaws by Peter Benchley
Wanderer by Sterling Hayden (the actor)
The Wicker Man by Robin Hardy & Anthony Shaffer (Novelization (?))
Dark Matter by Blake Crouch
4.
Terror by Dan Simmons
Papillon 1 & 2 by Henri Charrière (Norwegian editions)
The Heart is a Lonely Hunter by Carson McCullers (book of all time)
The Member of the Wedding by Carson McCullers
The Haunting of Hill House by Shirley Jackson
One Flew Over the Cuckoo's Nest by Ken Kesey
Of Mice and Men by John Steinbeck
Midnight Cowboy by John L. Herlihy
Shooting Midnight Cowboy by Glenn Frankel
Cape Fear by John D. McDonald (watch the movies)
The Bretheren by John Grisham (Norwegian edition)
Dracula by Bram Stoker
The Marlow Murder Club by Robert Thorgood
Glitz by Elmore Leonard (Norwegian edition)
The Big Sleep and Other Novels by Raymond Chandler (the other novels are Farwell My Lovely and The Long Goodbye)
Crime and Punishment by Fyodor Dostoevsky
The Client by John Grisham (Norwegian edition)
Thursday Murder Club by Richard Osman
The Man Who Died Twice by Richard Osman
The Exorcist by William Peter Blatty
Legion (Exorcist 2) by William Peter Blatty
La Peste by Albert Camu (Norwegian edition)
Welcome to Night Vale by Joseph Fink & Jeffery Cranor (not read)
The Wonder Boy of Whistle Stop by Fannie Flagg
The Day of the Dolphin by Robert Merle
Local Hero by David Benedictus (novelization)
The Glass Cage by Colin Wilson
American Psycho by Brett E. Ellis
Fools Die by Mario Puzo (Norwegian edition)
The Godfather by Mario Puzo
The Sicilian by Mario Puzo (Norwegian edition)
5.
Fire & Blood by George R.R. Martin (Norwegian edition) + Four different Game of Thrones books in Norwegian
The Fellowship of the Ring by J.R.R. Tolkien
The Hobbit by J.R.R. Tolkien
Dragon Keeper by Robin Hobb
The Princess Bride by William Goldman
Wuthering Heights by Emily Brontë
Enders Game by Orson Scott Card
The Betsy by Harold Robbins (Norwegian edition)
Aliens by Alan Dean Foster (novelization)
Master and Commander by Patrick O'Brian
The Auctioneer by Joan Samson
Timeline by Michael Crichton
Frankenstein by Mary Shelley
Charlotte's Web by E.B. White
Red Dragon by Thomas Harris
The Silence of the Lambs by Thomas Harris
Dune, The Children of Dune and God Emperor of Dune by Frank Herbert
Hitchiker's Guide to the Galxy by Douglas Adams
Norse Mythology by Neil Gaiman
House of Leaves by Mark Z. Danielewski
6.
Trumpet by Jackie Kay
Swordspoint by Ellen Kushner
Blue Lily, Lily Blue by Maggie Stiefvater
The Raven Boys by Maggie Stiefvater
Trigger Warning by Neil Gaiman (short story collection that made me dislike short stories)
Mr. Monk in Trouble by Lee Goldberg (my enemy)
Mr. Monk and the Dirty Cop by Lee Goldberg (I hate him)
A Room of One's Own by Virginia Wolf
Oranges are not the Only Fruit by Jeanette Winterson
The Perks of being a Wallflower by Stephen Chbosky
Maurice by E. M. Forster
The Case of the Gilded Lily by Erle Stanley Gardner (Norwegian edition)
The Case of the Glamorous Ghost by Erle Stanley Gardner (Norwegian edition)
Something Happened by Joseph Heller
Marathon Man by William Goldman
Skulduggery Pleasant by Derek Landy
Skulduggery Pleasant: Playing with Fire by Derek Landy
The Hunting Party by Lucy Foley (Norwegian edition)
The Guest List by Lucy Foley
The Paris Apartment by Lucy Foley
A Raisin in the Sun by Lorraine Hansberry
The Line of Beauty by Alan Hollinghurt
The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid (Norwegian edition)
The Taking of Pelham One Two Three by John Godey (bad)
Fried Green Tomatoes at the Whistle Stop Cafe by Fannie Flagg
The All-Girl Filling Station's Last Reunion by Fannie Flagg
Killing Time by Della Van Hise (Star Trek Spinoff Spirk book)
Star Trek: Department of Temportal Investigations: Forgotten History by Christopher L. Bennet
Star Trek Deep Space Nine: The Missing by Una McCormack
Star Trek Enterprise: Rise of the Federation: Uncertain Logic by Christopher L. Bennett
7. Stephen King Collection
Outsider
If it Bleeds
On Writing
Blaze
Carrie
The Stand
Hearts in Atlantis (Norwegian edition)
The Tommyknockers
Cujo
Thinner (Norwegian edition)
The Shining
Night Shift
The Girl Who Loved Tom Gordon (Norwegian edition)
Dreamcatcher
Doctor Sleep
Rose Madder
Pet Sematary
Christine
Salem's Lot
Dolores Claiborne (Norwegian edition)
The Bachman Books
The Institute
Insomnia
Misery
Finders Keepers
End of Watch
Firestarter
The Body
Needful Things (Norwegian edition)
Bag of Bones
8. Not pictured
A collection of Sherlock Holmes books
Many Hardy Boys books
Chilly Scenes of Winter by Ann Beattie
Some comic books
I believe this is approximately everything lol.
My dream is to have a small cozy rooms dedicated to the books I own. It won't happen any time soon.
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100 Books to Read Before I Die: Quest Order
The Lord Of The Rings by J. R. R. Tolkien
In Search of Lost Time by Marcel Proust
The Great Gatsby by F. Scott Fitzgerald
A Wrinkle in Time by Madeleine L’Engle
Jane Eyre by Charlotte Brontë
Pride and Prejudice by Jane Austen
Frankenstein by Mary Shelley
The Good Soldier by Ford Madox Ford
Under The Net by Iris Murdoch
American Pastoral by Philip Roth
The Unbearable Lightness of Being by Milan Kundera
Animal Farm by George Orwell
Housekeeping by Marilynne Robinson
Anna Karenina by Leo Tolstoy
Atonement by Ian McEwan
Crime And Punishment by Fyodor Dostoyevsky
The Grapes Of Wrath by John Steinbeck
Midnight’s Children by Salman Rushdie
Lucky Jim by Kingsley Amis
Slaughterhouse-Five by Kurt Vonnegut
The Sun Also Rises by Ernest Hemingway
Invisible Man by Ralph Ellison
A Passage to India by EM Forster
Of Human Bondage by W. Somerset Maugham
The Prime of Miss Jean Brodie by Muriel Spark
The Amazing Adventures of Kavalier and Clay by Michael Chabon
If on a Winter’s Night a Traveller by Italo Calvino
The Hitchhiker’s Guide to the Galaxy by Douglas Adams
1984 by George Orwell
White Noise by Don DeLillo
The Count of Monte Cristo by Alexandre Dumas
The Sound and the Fury by William Faulkner
The Stranger by Albert Camus
Lolita by Vladimir Nabokov
Oscar And Lucinda by Peter Carey
The Wind-Up Bird Chronicle by Haruki Murakami
Gulliver’s Travels by Jonathan Swift
Brave New World by Aldous Huxley
As I Lay Dying by William Faulkner
To Kill A Mockingbird by Harper Lee
Lord of the Flies by William Golding
The Portrait of a Lady by Henry James
The Call of the Wild by Jack London
Pale Fire by Vladimir Nabokov
Beloved by Toni Morrison
Tinker Tailor Soldier Spy by John Le Carré
Austerlitz by W. G. Sebald
The Scarlet Letter by Nathaniel Hawthorne
Brideshead Revisited by Evelyn Waugh
Tropic of Cancer by Henry Miller
The Age of Innocence by Edith Wharton
Mrs. Dalloway by Virginia Woolf
The Heart Is a Lonely Hunter by Carson McCullers
The Phantom Tollbooth by Norton Juster
Ulysses by James Joyce
Scoop by Evelyn Waugh
Haroun and the Sea of Stories by Salman Rushdie
Things Fall Apart by Chinua Achebe
Middlemarch by George Eliot
Are You There, God? It’s me, Margaret by Judy Blume
Clarissa by Samuel Richardson
Moby-Dick by Herman Melville
The Handmaid’s Tale by Margaret Atwood
Herzog by Saul Bellow
The Brief Wondrous Life of Oscar Wao by Junot Diaz
Wuthering Heights by Emily Brontë
Don Quixote by Miguel De Cervantes
A Bend in the River by V. S. Naipaul
A Dance to The Music of Time by Anthony Powell
The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson
Go Tell It On The Mountain by James Baldwin
Wide Sargasso Sea by Jean Rhys
Catch-22 by Joseph Heller
The Rainbow by D. H. Lawrence
Song of Solomon by Toni Morrison
I, Claudius by Robert Graves
Nostromo by Joseph Conrad
The Tin Drum by Gunter Grass
Madame Bovary by Gustave Flaubert
The Catcher in the Rye by JD Salinger
Charlotte’s Web by E. B. White
Tom Jones by Henry Fielding
His Dark Materials by Philip Pullman
Alice’s Adventures In Wonderland by Lewis Carroll
Little Women by Louisa M Alcott
Great Expectations by Charles Dickens
Portnoy’s Complaint by Philip Roth
Watchmen by Alan Moore
One Hundred Years of Solitude by Gabriel García Márquez
Robinson Crusoe by Daniel Defoe
Tristram Shandy by Laurence Sterne
On the Road by Jack Kerouac
The Big Sleep by Raymond Chandler
The Wind in the Willows by Kenneth Grahame
To the Lighthouse by Virginia Woolf
The Corrections by Jonathan Franzen
The Trial by Franz Kafka
Their Eyes Were Watching God by Zora Neale Hurston
Money by Martin Amis
David Copperfield by Charles Dickens
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What are your most and least favorite pieces of literature?
Favourite Novel: Notre-Dame de Paris (Victor Hugo), As We Are Now (May Sarton)
Favourite Novella: The Strange Case of Dr. Jekyll and Mr. Hyde (Robert Louis Stevenson), The Dead (James Joyce)
Favourite Short Story: The Swimmer (John Cheever), A Clean, Well-Lighted Place (Ernest Hemingway)
Favourite Poem: Mending Wall (Robert Frost), Rime of the Ancient Mariner (Samuel Taylor Coleridge), Darkness (Byron), Goblin Market (Christina Rossetti), A Valediction: Forbidding Mourning (John Donne)
Favourite Play: Fortitude (Kurt Vonnegut)
Least Favourite Work in All of Literature: Miss Julie (August Strindberg)
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How many have you read?
The BBC estimates that most people will only read 6 books out of the 100 listed below. Reblog this and bold the titles you’ve read.
1 Pride and Prejudice - Jane Austen 2 Lord of the Rings - J. R. R. Tolkein 3 Jane Eyre – Charlotte Bronte 4 Harry Potter series 5 To Kill a Mockingbird - Harper Lee 6 The Bible 7 Wuthering Heights – Emily Bronte 8 Nineteen Eighty Four – George Orwell 9 His Dark Materials – Philip Pullman 10 Great Expectations – Charles Dickens 11 Little Women – Louisa May Alcott 12 Tess of the D’Urbervilles – Thomas Hardy 13 Catch 22 – Joseph Heller 14 Complete Works of Shakespeare 15 Rebecca – Daphne Du Maurier 16 The Hobbit – JRR Tolkien 17 Birdsong – Sebastian Faulks 18 Catcher in the Rye 19 The Time Traveller’s Wife - Audrey Niffeneger 20 Middlemarch – George Eliot 21 Gone With The Wind – Margaret Mitchell 22 The Great Gatsby – F Scott Fitzgerald 23 Bleak House – Charles Dickens 24 War and Peace – Leo Tolstoy 25 The Hitch Hiker’s Guide to the Galaxy – Douglas Adams 26 Brideshead Revisited – Evelyn Waugh 27 Crime and Punishment – Fyodor Dostoyevsky 28 Grapes of Wrath – John Steinbeck 29 Alice in Wonderland – Lewis Carroll 30 The Wind in the Willows – Kenneth Grahame 31 Anna Karenina – Leo Tolstoy 32 David Copperfield – Charles Dickens 33 Chronicles of Narnia – CS Lewis 34 Emma – Jane Austen 35 Persuasion – Jane Austen 36 The Lion, The Witch and The Wardrobe – CS Lewis 37 The Kite Runner - Khaled Hosseini 38 Captain Corelli’s Mandolin - Louis De Bernieres 39 Memoirs of a Geisha – Arthur Golden 40 Winnie the Pooh – AA Milne 41 Animal Farm – George Orwell 42 The Da Vinci Code – Dan Brown 43 One Hundred Years of Solitude – Gabriel Garcia Marquez 44 A Prayer for Owen Meaney – John Irving 45 The Woman in White – Wilkie Collins 46 Anne of Green Gables – LM Montgomery 47 Far From The Madding Crowd – Thomas Hardy 48 The Handmaid’s Tale – Margaret Atwood 49 Lord of the Flies – William Golding 50 Atonement – Ian McEwan 51 Life of Pi – Yann Martel 52 Dune – Frank Herbert 53 Cold Comfort Farm – Stella Gibbons 54 Sense and Sensibility – Jane Austen 55 A Suitable Boy – Vikram Seth 56 The Shadow of the Wind – Carlos Ruiz Zafon 57 A Tale Of Two Cities – Charles Dickens 58 Brave New World – Aldous Huxley 59 The Curious Incident of the Dog in the Night-time – Mark Haddon 60 Love In The Time Of Cholera – Gabriel Garcia Marquez 61 Of Mice and Men – John Steinbeck 62 Lolita – Vladimir Nabokov 63 The Secret History – Donna Tartt 64 The Lovely Bones - Alice Sebold 65 Count of Monte Cristo – Alexandre Dumas 66 On The Road – Jack Kerouac 67 Jude the Obscure – Thomas Hardy 68 Bridget Jones’s Diary – Helen Fielding 69 Midnight’s Children – Salman Rushdie 70 Moby Dick – Herman Melville 71 Oliver Twist – Charles Dickens 72 Dracula – Bram Stoker 73 The Secret Garden – Frances Hodgson Burnett 74 Notes From A Small Island – Bill Bryson 75 Ulysses – James Joyce 76 The Bell Jar – Sylvia Plath 77 Swallows and Amazons - Arthur Ransome 78 Germinal – Emile Zola 79 Vanity Fair – William Makepeace Thackeray 80 Possession – AS Byatt 81 A Christmas Carol – Charles Dickens 82 Cloud Atlas – David Mitchel 83 The Color Purple – Alice Walker 84 The Remains of the Day – Kazuo Ishiguro 85 Madame Bovary – Gustave Flaubert 86 A Fine Balance – Rohinton Mistry 87 Charlotte’s Web – EB White 88 The Five People You Meet In Heaven – Mitch Albom 89 Adventures of Sherlock Holmes – Sir Arthur Conan Doyle 90 The Faraway Tree Collection – Enid Blyton 91 Heart of Darkness – Joseph Conrad 92 The Little Prince – Antoine De Saint-Exupery 93 The Wasp Factory – Iain Banks 94 Watership Down – Richard Adams 95 A Confederacy of Dunces – John Kennedy Toole 96 A Town Like Alice – Nevil Shute 97 The Three Musketeers – Alexandre Dumas 98 Hamlet – William Shakespeare 99 Charlie and the Chocolate Factory – Roald Dahl 100 Les Miserables – Victor Hugo
34 in completion, 47 if you count the ones I started and didn't finish
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#this kind of feels like a nyt bestseller list a little bit#A Tree Grows in Brooklyn isn't even on here#also the complete works of shakespeare is on here and then hamlet why#also the chronicles of narnia and then the lion the witch and the wardrobe#i don't understand#books#reading
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Yes, please post the passage of them just watching TV together! I'd love it so much and would be so grateful. Thank you! I live for all your posts!
💕 Here, from "The tale of the Body Thief":
When I came upon him, all the windows and doors were open to the few simple rooms. He was at his desk, reading by the light of a single candle flame.
For a long moment, I spied upon him. I loved to do this. Often I followed him when he went hunting, simply to watch him feed. The modern world doesn't mean anything to Louis. He walks the streets like a phantom, soundlessly, drawn slowly to those who welcome death, or seem to welcome it. (I'm not sure people really ever welcome death.) And when he feeds, it is painless and delicate and swift. He must take life when he feeds. He does not know how to spare the victim. He was never strong enough for the "little drink" which carries me through so many nights; or did before I became the ravenous god.
His clothes are old-fashioned always. As so many of us do, he finds garments which resemble the styles of his time in mortal life. Big loose shirts with gathered sleeves and long cuffs please him, and tight-fitting pants. When he wears a coat, which is seldom, it is fitted like the ones I choose-a rider's jacket, very long and full at the hem.
I bring him these garments sometimes as presents, so that he doesn't wear his few acquisitions right to rags. I had been tempted to straighten up his house, hang the pictures, fill the place with finery, sweep him up into heady luxury the way I had in the past.
I think he wanted me-to do this, but he wouldn't admit it. He existed without electricity, or modern heat, wandering in chaos, pretending to be wholly content.
Some of the windows of this house were without glass, and only now and then did he bolt the old-fashioned louvered shutters. He did not seem to care if the rain came in on his possessions because they weren't really possessions. Just junk heaped here and there.
But again, I think he wanted me to do something about it. It's amazing how often he came to visit me in my overheated and brilliantly illuminated rooms downtown. There he watched my giant television screen for hours. Sometimes he brought his own films for it on disk or tape. The Company of Wolves, that was one which he watched over and over. Beauty and the Beast, a French film by Jean Cocteau, also pleased him mightily. Then there was The Dead, a film made by John Huston from a story by James Joyce. And please understand this film has nothing to do with our kind whatsoever; it is about a fairly ordinary group of mortals in Ireland in the early part of this century who gather for a convivial supper on Little Christmas night. There were many other films which delighted him. But these visits could never be commanded by me, and they never lasted very long. He often deplored the "rank materialism" in which I "wallowed" and turned his back on my velvet cushions and thickly carpeted floor, and lavish marble bath. He drifted off again, to his forlorn and vine-covered shack.
and:
I slipped into the room, a great glancing shadow, and was already seated in my favorite red velvet bergere- I'd long ago brought it there for myself-opposite him when he looked up.
I highlighted a few passages, because there is a lot in these little paragraphs^^.
Louis comes by, whenever he wants, and only when he wants. He watches movies with Lestat, over and over again (and the stories of these movies are interesting, too^^). Louis has his own movies that he brings to watch with Lestat. Lestat buys him clothes. Lestat has an armchair there where he likes to sit. :)) He watches him feed, and also comes by when he wants. :)
And then, of course, right after these passages... is this:
His beauty has always maddened me. I think I idealize him in my mind when I'm not with him; but then when I see him again I'm overcome.
I know this book isn't for everyone... but there are some very, very beautiful passages in this book (this is far from all) for them :)) And I really want to see them on screeeeeeeen :)))))
#Anonymous#asks#amc iwtv#iwtv#amc interview with the vampire#interview with the vampire amc#iwtv amc#iwtv 2022#interview with the vampire#lestat de lioncourt#louis de pointe du lac#loustat#the tale of the body thief#ask nalyra
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