#jovana markovic

[katasnews]

Mina Kitic for Jovana Markovic ss24

[shottinyc]

JMU ft Gunce

by @jshotti​ (just call me Shotti)

[uncommonthreads]

Jovana Markovic

[prijedor24]

Sprave iz teretane zamijenila lopatom i kantom (VIDEO)

Mlada Srbijanka Jovana Marković, pronašla je kreativan način da radi vježbe, a da ujedno uradi i potreban posao u bašti. Svoju fitness tehniku nazvala je “nečural teretana”. Sprave iz teretane zamijenila je lopatom i kantom, a tvrdu podlogu poljoprivrednim zemljištem.

Marković kaže kako je oduvijek bila kreativna i nije podlijegala društvenim okvirima.

“Svi mi kao djeca smo bili maštoviti, s…

[fauwriel]

Jovana Markovic

[aussie-wbb]

Meet Team BIH! (Bosnia and Herzegovina)

This is the first time they've qualified for the World Cup!

#4 - Melica Deura, PG

#5 - Milhana Dzombeta, PG

#7 - Nikolina Knezevic, G

#9 - Dragana Domuzin, G

#10 - Ajla Ikanovic, SF

#11 - Nikolina Delic, SG

#13 - Ajla Selimovic, C

#15 - Nikolina Elez, PF

#23 - Jovana Markovic, C

#24 - Matea Tavic, SG

#25 - Andjela Delic, SG

#35 - Jonquel Jones, C

(JJ arrived yesterday, she's on the floor right now)

[ms-mandy-m]

Irina Djuranovic in Jovana Markovic photographed by Marc Sovilj for Elle Serbia, May 2018.

[rhythmicgymnasticsnews]

Nominative registrations-Sofia 2018

ARM 

AGAGULIAN Iasmina 2001

SARGSYAN Silva 2002

ASTVATSATRYAN Ella 2001

AUS

GILL Ashari 2002

KIROI-BOGATYREVA Alexandra 2002

AUT

SLAVOVA Oksana 2001

MEDER Julia 1997

RUPRECHT Nicol 1992

AZE

HUDIS Veronika 2002

SOROKINA Darya 2002

AGHAMIROVA Zohra 2001

BEL

DELBEKE Sanna 2000

VAN PUYVELDE Vanina 1999

COUROUBLE Aya 2002

BIH

MUJACIC Ajsa 2002

KADRIC Azra 2000

AZMAN Sara 2002

TANOVIC Zerina 2001

BLR

EVCHIK Julia 2001

SALOS Anastasiia 2002

HALKINA Katsiaryna 1997

ISACHANKA Yuljya 2001

BRA

BORNAL Heloisa 2001

DOMINGOS Barbara 2000

GAUDIO Natalia 1992

BUL

KALEYN Boryana 2000

VLADINOVA Neviana 1994

TASEVA Katrin 1997

CAN

CRANE Sophie 2002

UCHIDA Katherine 1999

WHELAN Carmen 1998

CHI

RUBILAR Javiera 2000

URRUTIA Montserrat 2001

CHN

KANG Qi 2000

ZHAO Yating 2001

SHANG Rong 2000

LIU Jiahui 1996

CRO

BOZIC Laura 1999

RIBARIC Petra 1998

LOZIC Suncica 2002

CYP

EVRIPIDOU Diamanto 2000

SKITTIDI Viktoria 2002

ELLINA Eleni 2002

CZE

ZALESAKOVA Sabina 2002

CHAMZINA Alina 2002

DEN

KRISTENSEN Josefie 2002

SACHMANN Nicoline 1997

EGY

ZAYED Haya 2000

MARZOUK Habiba 2002

SELIM Mariam 2002

KHATTAB Nourhal 1997

ESP

ANO BACA Maria 2002

LLANA Sara 1997

BEREZINA Polina 1997

ROS ESTELLER Noa 2002

EST

KELER Melany 2002

BOGDANOVA Viktoria 1994

AESMA Carmen Marii 2002

FIN

RIF Inessa 1994

TIKKANEN Jouki 1995

GERGALO Rebecca 2000

FRA

MOUSTAFAEVA Kseniya 1995

GBR

FRIZELLE Gemma 1998

MARTIN Hannah 2002

HALFORD Laura 1996

GEO

PAZHAVA Salome 1997

GER

STAVICKAJA Julia 1997

PESCHEL Noemi 2001

GRE

DERVISI Maria 2002

KELAIDITI Eleni 2000

HUN

PIGNICZKI Fanni 2000

JUHASZ Anna 2002

VARAY Mira 2001

IND

GUNDLAPALLY Meghana 1998

DANDEKAR Aditee 1999

ISR

ASHRAM Linoy 1999

ZELIKMAN Nicol 2001

TELEGINA Yuliana 2002

ITA

BALDASSARRI Milena 2001

AGIURGIUCULESE Alexandra 2001

RUSSO Alessia 1996

JPN

OIWA Chisaki 2001

KITA Sumire 2001

MINAGAWA Kaho 1997

KAZ

ABDIRBEKOVA Dayana 2002

TLEKENOVA Adilya 2002

ADILKHANOVA Alina 2001

KGZ

USUBALIEVA Aiana 2002

BYKOVSKAIA Agata 2002

KOR

SEO Goeun 2001

KIM Chaewoon 2001

LIM Se-Eun 2000

KIM Joowon 2002

LAT

DJOMINA Jekaterina 2002

BAKLAGINA Alina 2002

MIZUNE Karolina 1999

LTU

MASIONYTE Neringa 2001

LAVRENOVAITE Neila 2002

IVANOVA Julija 2002

LAVRENOVAITE Ema 2002

MAS

DICT WENG Kwan 1995

 KOI Sie Yan 1999

AMZAN Izzah 2000

MDA

CRIJANOVSCHII Ella 2002

ZACREVSCHI Anastasia 2002

MEX

DIAZ Karla 1995

CASTILLO GALINDO Rut 1990

MALPICA Marina 2000

MNE

MARKOVIC Jovana 2002

NOR

STOYANOVA Anna 2002

OEVERAAS Margit 1998

TYNNING-BERGESTUEN Fredrikke 2000

NZL

EBERT Stella 2002

POL

MIELEC Wiktoria 2002

KULIG Natalia 2001

 KOZIOL Natalia 2000

POR

CANILHAS Maria 1997

FERREIRA Margarida 2002

 SALES Laura 2000

 LUIS SANTOS Beatriz 2000

PRK

PAK Jin A 2000

PUR

APONTE Ana 2002

CUSNIER Giuliana 2002

ROU

DAVID Alice Maria 2001

MAILAT Denisa 2002

VERDES Andreea 2000

RSA

BURGER Lilica 2002

GARDINER Shannon 1999

WAKEFIELD Erin 2001

MOHLAMME Palesa 2000

RUS

SOLDATOVA Aleksandra 1998

AVERINA Dina 1998

AVERINA Arina 1998

SLO

VEDENEEVA Ekaterina 1994

PODGORSEK Aleksandra 2001

TOMAZIN Anja 2000

SMR

CASTIGLIONI Lucia 1998

GARBARINO Monica 2001

SRB

GVOZDIC Nastasija 2001

BLAZIC Andrijana 2002

MITROVIC Jelisaveta 2002

SRI

ONDAATJE Anna-Marie 2000

SVK

KILIANOVA Xenia 1997

SEMANOVA Kristina 2002

DUCHNOVSKA Jana 1992

THA

LIMPANICH Benjaporn 1999

 PATANASAK Kanpitcha 2001

TUR

DEMIRORS Derya 2002

TUNCEL Kamelya 2002

UKR

DIACHENKO Olena 2001

MELESHCHUK Yeva 2001

 NIKOLCHENKO Vlada 2002

USA

FEELEY Camilla 1999

GRISKENAS Evita 2000

 ZENG Laura 1999

UZB

RAKHMATOVA Dildora 1997

USMANOVA Nurinisso 2001

TASHKENBAEVA Sabina 2000

[trojerucica-blr]

Ovo je dokaz da su usko suradjivali nadredjeni ex.ministar Zoran Djordjevic koji je pokusao da me obljubi zloupotrebom polozaja u stanu drzavine moje boravisne adrese ujedno prebivalista,a da mu je moj ex.muz Goran Markovic bio podredjeni bliski suradnik.SRAMOTA I BRUKA ALEXANDRE VUCICU I NEKA TI NA CAST SLUZI OBESCASCENA STRVINO. Telefonski broj za trudnice i porodilje za prijavu poslodavaca koji im uskraćuju prava

📷 Redakcija

2 godine ago

Ministar za rad, zapošljavanje, boračka i socijalna pitanja Zoran Đorđević naložio je formiranje posebne opcije za trudnice i porodilje, u okviru broja 0800 300 307 za prijavu nepravilnosti u oblasti rada, preko koje bi one lakše i brže Inspekciji rada mogle da prijave poslodavce koji su prekršili zakon i time im uskratili prava koja imaju.Pored toga, na sajtu Ministarstva u okviru kategorije „Registri“ biće objavljen poseban spisak svih onih poslodavaca kod kojih se dokaže da su prekršili zakon i radnicama u ovom slučaju porodiljama i trudnicama uskratili prava koja im pripadaju.Na sastanku sa direktorkom Centra za mame Jovanom Ružičić i pravnicom Centra za mame Nelom Todorović, koji je održan danas u Palati Srbija, a kome su pored ministra Đorđevića prisustvovali v.d. direktora Inspektorata za rad Stevan Đurović, posebni savetnik ministra Ana Đokić, načelnik za studijsko – analitičke poslove i nadzor Inspektorata za rad Maja Ilić, šef odseka za drugostepeni upravni postupak u oblasti radnih odnosa i bezbednosti i zdravlja na radu Inspektorata za rad Goran Marković i posebni savetnik direktora Inspektorata za rad Zlatko Lekić, dogovoren je detaljni plan kada je u pitanju rešavanje problema iz oblasti rada sa kojima se susreću trudnice i porodilje.„Prilikom sastanka u Vladi Republike Srbije sa udruženjima koja predstavljaju mame i trudnice predstavljen je problem sa kojim se susreću mame i porodilje na poslu. Kako bismo stali na put grubom kršenju njihovih prava odlučili smo da krenemo u intenzivne inspekcijske nadzore i da uvedemo lakši način za prijavu nepravilnosti. Država brine o mamama, želimo da im pomognemo i da ih zaštitimo. Poslodavci koji krše njihova prava moraju da budu predstavljeni javnosti kako bi svi znali ko su ti koji ženama daju otkaz kada saznaju da su trudne ili se vrate sa porodiljskog odsustva. Uz pomoć pojačanih inspekcijskih nadzora i medijske kampanje verujem da ćemo uspeti da stanemo na put onima koji krše zakon“, rekao je ministar i dodao da je dijalog između Ministarstva i nevladinog sektora veoma važan u rešavanju ovog problema.Direktorka Centra za mame Jovana Ružičić istakla je da je ovo veoma dobra inicijativa koja će značiti trudnicama i porodiljama u Srbiji.„Podržavamo svaku inicijativu koja će pomoći mamama da ostvare svoja prava,“ rekla je Jovana Ružičić i dodala da će dogovoreno rešenje poboljšati i znatno ubrzati način prijavljivanja kršenja prava kojima su trudnice i mame izložene.Izvor: Ministarstvo za rad, zapošljavanje boračka i socijalna pitanja

[katasnews]

Ana and Sanda, wearing jackets desgined by Jovana Markovic, in Belgrade this spring; find more photos and the interview at Office Magazine ❤

[ilijamilosavljevic]

Jovana Markovic 

Belgrade Fashion Week 

[uncommonthreads]

Jovana Markovic

[serbian-urban-morphology]

Conference presentation

5th ISUFitaly International Conference I URBAN SUBSTRATA AND CITY REGENERATION I Morphological Legacies as a Design Tool

Urban morphology education in Serbia: Origin, genesis and new tendencies 

Vladan Djokić, Milica Milojević, Aleksandra Djordjević, Mladen Pešić

University of Belgrade – Faculty of Architecture, Department of Urbanism

 Abstract 

...Having in mind recent contribution of researchers to emphasize the challenges of teaching urban morphology, this paper aims to enlighten the origin and genesis of the education of urban morphology at the Faculty of Architecture, University of Belgrade and to shed the light on new tendencies and means of teaching in present days. The paper will analyze syllabus of the courses, teaching methodology and present examples of student’s projects on three different levels and courses: ex cathedra on the bachelor level, practical implementation of theoretical notions in studio design on master level and research-based work on the PhD level. 

Course books Urban Morphology, 2004; City and city square, Urban Typology: City square in Serbia, 2009 

Illustrated Glossary (croquis drawings) 

1. Urban structure, student: Tijana Žišić; 2. Urban structure, student: Teodora Simonović; 3. Monocentric morphogenic processes, student: Una Korica; 4. Morphogenesis - Moderate transformation, student: Ninoslav Markovic; 5. Monocentric morphogenic processes, student: Jovana Stefanović; 6. Privileged position of the city, student: Daliborka Dabić 

Selected work from Master course, student: Tamara Koneska 

Selected work from PhD course, student: Aleksandra Đorđević 

Presentation by Milica Milojevic. Rome, February 2020

[moztby]

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[nofomoartworld]

Exploring Yugoslavia’s Mysterious Abandoned Brutalist Monuments

Throughout the former Yugoslavia, mysterious and beautiful monuments dot the landscape, initiated by Yugoslav revolutionary Josef Broz Tito and designed by modernist architects. Increasingly forgotten, these brutalist concrete sculptures, which were public monuments to the country's fallen soldiers of World War II, are revived in Serbian photographer Jovana Mladenovic's series Monumental Fear, which not only explores the former country's triumph over fascism, but echoes the painful split that led to several Balkan states. Mladenovic's series is also a tone poem meant to celebrate the creativity of the Serbian people, many of them artists facing uncertainty in the wake of the Brexit vote.

After studying photography at Belgrade's University of Arts, Mladenovic moved to London to pursue her interest in fashion photography at the London College of Fashion. But she soon realized she was more interested in conceptual art and photography. Though she was happy to be in London, exploring avant-garde impulses, Mladenovic started thinking about her home country—specifically, its brutalist Yugoslavian communist monuments unveiled in the decades following World War II.

Ballerina Milena Ogrizovic at Monument Stratiste. Designer: Mates

"I've only heard stories from people who are mostly nostalgic about Yugoslavia, and how it was nice back then, and how our country grew, and how after the breakup everything stopped growing, and how people started forgetting the monuments, especially the new generations," says Mladenovic. "I have lots of friends, some of whom are even a bit older than me, that don't know about the monuments. I wanted to photograph them while I was still in Serbia, but I didn't have money or sponsorship, and my professors weren't very interested in helping since it was a big project."

After becoming inspired by Yugoslavian history, Mladenovic shot the first chapter of Monumental Fear inside the vast, labyrinthine interior of Tate Modern's new Switch House, a building full of brutalist concrete geometric surfaces and structures. It was a way for Mladenovic to introduce little known facts about Yugoslavian history to Switch House visitors, tying the monuments to the dead of WWII.

Milena Ogrizovic beside Monument of the Fallen Fighters. Designer: Dajana Vasic.

"The idea is that it is the story of inside the monument, representing all of those dead soldiers," says Mladenovic. "A lot of people died in the war, but there are no records."

The Switch House work quickly inspired photographs that Mladenovic took of the actual monuments. After locating them on Google Earth and realizing it would be difficult to find and visit them all, Mladenovic pared the list down to 25 structures. Eventually, she narrowed this list to the nine sculptures that she would visit and photograph for Monumental Fear.

Shrine to the Yugoslav revolution.

Using a medium format camera, Mladenovic took photographs of the monuments with and without a ballerina. Those depicting the monuments alone became the visual framework for a studio shoot, for which Mladenovic had models pose in shapes approximating the sculptures. She then added accents with red embroidery (a traditional Serbian practice), which represents communism and the blood of soldiers.

The photographs with the young ballerina in red outfits coalesced into a chapter Mladenovic calls "The Star." In this series, the ballerina assumes various poses both around and on the monuments, again as a nod to Serbia and the former Yugoslavia's WWII and communist history.

Photo inspired by the Shrine to the Revolution.

"The ballerina from the National Theatre in Belgrade wanting to be part of the project was perfect, because I wanted to involve more people from our country to represent the country here in London," says Mladenovic. "I also involved five young designers from Serbia to create five different outfits… For me, it was very important to show people that there is a lot in Serbia that you can shoot, create, or represent outside."

"These monuments were not built so people would be scared of them or have unpleasant feelings," Mladenovic adds. "The point was that we are celebrating that our people were brave and we're dancing for their glory. Also, Tito's idea was to make theaters around the monuments, so that everyone could come there to celebrate holidays, and so it makes perfect sense for a ballerina to dance around them."

Milena Ogrizovic beside Monument Kosmaj Partisan Detachment. Designer: Jovana Markovic.

The final piece of the project, recently seen in the Balkan Contemporary Art's group exhibition Interruption, is a book featuring her photographs with accompanying text on Monumental Fear. The folder for the book is made of concrete, which Mladenovic calls her own monument inspired by the sculptures, but also concrete folders seen in the former Yugoslavia's factories. For Mladenovic, this installation was a way to encapsulate the story in a single artifact.

"I was so inspired, and I still have some ideas for working on this topic," says Mladenovic. "But for now this was my master project, and I'm happy that a lot of people are interested in it in London, even though there aren't many people in Serbia who know about it."

Embroidery that appears in Jovana Mladenovic's 'Monumental Fear' book.

The 'Monumental Fear' book in concrete folder.

Monumental Fear appeared as part of Interruption, a group exhibition organized by Balkan Contemporary Art that ran from April 6 to May 11. Click here to see more of Jovana Mladenovic's work.

Related:

Brutalist Architecture Informs a Series of Sound Sculptures

The Barbican's Brutalist Architecture Just Became A Video Game Level

5 Artists Take on Dan Rather's Monument to Climate Change Deniers

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