#joshua cox

[manglechanbluh]

Je pouvais pas finir l'année sans au moins un dessin RPZ ! Au final j'ai fais une bonus 3pac parce que j'ai jamais posté de dessin d'elle dans ce skin que j'aime trop

L'échange sur lequel le 1er dessin est basé :

[princessesaphi]

J'ai lancé ce challenge en avril... Et je l'ai fini en avril aussi, j'ai juste oublié de le poster... ^^"

[massivefanmilkshake]

Voici ma troisième fic pour le challenge des deux ans avec la fameuse scène du « Si tu meurs je mourrais avant toi »

j’ai oublié de la poster ici avant donc cadeau avec du retard

[ljones41]

Top Five Favorite Episodes of "BABYLON 5" (Season Three: "Point of No Return")

Below is a list of my top five (5) favorite episodes from Season Three (1995-1996) of "BABYLON 5". Created by J. Michael Straczynski, the series starred Bruce Boxleitner, Claudia Christian, Jerry Doyle and Mira Furlan:

TOP FIVE FAVORITE EPISODES OF "BABYLON 5" (SEASON THREE: "POINT OF NO RETURN")

1. (3.10) "Severed Dreams" - In this outstanding episode, President Clark of Earth Alliance tries to seize control of Babylon 5 by force, forcing station commander Captain John J. Sheridan and the command crew to take arms against their own government and initiating the Earth Civil War. The episode won the Hugo Award for Best Dramatic Presentation in 1997.

2. (3.15) "Interludes and Examinations" - Captain Sheridan struggles to gather a force against the Shadows, when the Shadow War begins in earnest. Ambassador Londo Mollari looks forward to a reunion with a past lover, and Dr. Franklin falls further into his stims addiction.

3. (3.09) "Point of No Return" - When President Clark declares martial law throughout Earth Alliance, the command crew tries to stop Nightwatch from taking control of the station. Meanwhile, Ambassador Londo Mollari receives a prophecy from Emperor Turhan's widow when she visits the station.

4. (3.16-3.17) "War Without End" - This is a two-part episode in which the station's former commander, Jeffrey Sinclair, returns to participate in a mission vital to the future survival of Babylon 5 - traveling back in time to steal Babylon 4 and send it to the past.

5. (3.05) "Voices of Authority" - Commander Susan Ivanova and Ranger Marcus Cole search for more of the First Ones with the help of Draal, while Sheridan comes under the scrutiny of the Nightwatch and Babylon 5's new "political officer".

[dejavuedits]

BOYS EDITION: RANDOM LAYOUTS

゛✿ ℒıke or reblog if you save this layouts.

゛✿ 𝒞redıts on twitter ⦂ @celestialside if you use.

゛✿ 𝒮ponsored by valynora 🌷.

[obsessed-with-everything]

Audio of the Next to Normal evening performance at the Donmar Warehouse September 16th. This is Joshua Gannon's debut as Henry. Posted with the master's permission.

And to any of you who still haven't heard Jack Wolfe sing as Gabe, you are missing out, please take this as a sign.

[justinspoliticalcorner]

Jessica Valenti at Abortion, Every Day:

History is about to repeat itself. In the 1970s, women entered the workforce in record numbers—by the end of the 90s, their labor participation rate had gone from 40% to over 60%. But women’s progress never goes unpunished in America, so we were treated to a massive cultural backlash in return: Articles declaring that working women of a certain age were more likely to be killed by a terrorist than find a husband, myths that feminism made women miserable, and a full-blown moral panic over daycare. (They weren’t just called dangerous, but perhaps even fronts for Satanic child abuse dens. I wish I was kidding.) At the heart of it all, though, was the ‘mommy wars’—a cultural wedge driven in between women who worked in the public sphere and those who stayed home. The idea was to diminish the very real policy issues women faced—like the lack of parental leave and affordable child care—and frame them instead as personal issues. Catfighting, even.

Now, on the precipice of another Donald Trump presidency and halfway through the country’s third year without Roe, new ‘mommy wars’ are about to drop. But they won’t be about whether mothers work outside the home, breastfeed or formula feed, or whether or not moms vaccinate their kids. Instead, we’re about to see women pitted against each other over abortion—specifically, those who end nonviable or medically fraught pregnancies, and those who choose to carry to term.

I’m dreading the passive aggressive Instagram comments and TikTok battles, but can see them clearly already: Conservative women sharing stories of refusing abortions in spite of fatal or devastating fetal diagnoses, all of them steeped in the language of mommy martyrdom. We’ll see social media captions insisting motherhood is about sacrifice, and columns explaining that risking their mental and physical health—or even their lives—is simply what good mothers do. The not-so-veiled implication, of course, is that those who decide to end their doomed pregnancies are selfish—unwilling to put in the requisite suffering that ‘good’ mothers take on happily.

Like the ‘mommy wars’ before it, this deliberately-stoked discord serves a purpose: distracting from conservatives’ dangerous and unpopular abortion bans. What better way to deflect than by once again turning a serious public policy and health issue into a competition over who’s a good mother? Valorizing women who carry doomed pregnancies also lets Republicans reframe their cruel laws as a good thing. They’re not forcing women into suffering—they’re giving them the chance to be the ultimate mothers! Women who keep doomed pregnancies get something in return, too: permission to judge those who don’t make the same choice.

Republicans know their laws mean more women—whether by choice, force, or circumstance—will carry nonviable pregnancies and give birth to seriously- or fatally-ill newborns. These women will need somewhere to put their understandable anger and disappointment; better for Republicans that it’s at the feet of other women. That illusion of moral superiority gives their pain much-needed meaning: They’re the good mothers who did the right thing—not like those ‘bad’ women who refuse to righteously suffer. We caught a glimpse of what this ‘mommy war’ judgement looks like when Kate Cox’s story went viral. Twenty weeks into her pregnancy, the Texas mother found out that her fetus had a fatal abnormality and that her pregnancy was endangering her fertility, health and life. Still, the state denied her care. While the primary response from Americans was outrage on Cox’s behalf, many conservatives had a different reaction: They accused Cox—a woman desperate to protect her life and spare her fetus unnecessary pain—of trying to “kill” her “disabled child.”

[...]

After all, anti-abortion lawmakers and activists have been at their weakest when women like Cox—or Kaitlyn Joshua and Amanda Zurawski—have shared their stories and driven public outrage. These are women who draw attention to the horrific real-life consequences of abortion bans, while also upending conservatives’ long-standing lie that women seek abortions out of ‘convenience.’ (Remembering, of course, that what they mean by ‘convenience’ are women who have the nerve to want to go to college, pay their bills, take care of existing children or leave a bad relationship.)

Republicans can’t publicly call out women like Cox, Joshua or Zurwaski without seeming cruel. But with a new mommy war in their back pocket, anti-abortion women can do their dirty work for them—dismissing powerful post-Roe horror stories as nothing more than the gripes of bad mothers. Unfortunately, there’s never been a better time for conservatives to make all of this happen. In fact, they’ve already laid the cultural groundwork. If you have any sort of social media account, chances are you’ve seen a video explaining the supposed dangers of hormonal birth control, or come across the account of some wildly popular ‘tradwife’ who makes cereal and bubblegum from scratch. None of that is by accident. I warned in a 2022 column about the rise of social media romanticizing 1950s housewives—or, more accurately, the sanitized depictions of them.

[...] In fact, just in November, Hannah Neeleman—one of the country’s most popular ‘tradwives,’ with tens of millions of followers—graced the cover of Evie, an anti-contraception propaganda machine masquerading as a magazine. This comes at the same time that anti-abortion organizations are adopting feminist-sounding rhetoric to soften their misogyny, and as what it means to be a ‘natural’ mother gets more and more alarming. The rise of vaccine skeptics, raw milk enthusiasts, ‘natural’ birth control proponents, and other right-wing pipeline issues have fully prepped the country to accept the idea that a good mother is one who accepts a pregnancy regardless of how dangerous, painful or viable it is. American culture has always needed women to believe that motherhood is about sacrifice and overwhelm. Now, with abortion bans, that bit of propaganda has gotten even more dangerous—deadly, even. After all, conservatives know that their laws won’t just force women to suffer, but to die. That’s why it’s so vital that we’re pushing back—refusing to valorize one woman’s choices over another’s, supporting laws that allow families to make decisions that are best for them, and pointing out this kind of conservative trickery whenever we see it. After all, you can’t have a ‘mommy war’ if there are no mommies left to fight it.

Jessica Valenti wrote a solid piece in Abortion, Every Day about the mommy wars over abortion ginned up by anti-abortion activists between those who end nonviable or medically fraught pregnancies and those who choose to carry to term.

[nerds-yearbook]

The 5 episode Echo mini series dropped on Disney+ on January 9, 2024. The series, along with Matt Murdock's (Charlie Cox) appearance in the MCU Spider-Man: No Way Home, bridged the gap between the Netflix Daredevil universe and the revival series Daredevil: Born Again. Vincent D'Onofrio continued his role from the Netflix era as the Kingpin. The comic book character Echo (Maya Lopez) , played by Alaqua Cox, was introduced into the MCU in the Hawkeye mini series. ("Chafa" "Lowak" "Tuklo" "Taloa" "Maya" Echo, TV Event)

[duranduratulsa]

Now showing on DuranDuranTulsa's Horror Show...Scream 2 (1997) on classic DVD 📀! #movie #movies #horror #scream #Scream2 #wescraven #RIPWesCraven #ghostface #NeveCampbell #courteneycox #DavidArquette #jamiekennedy #LievSchreiber #JerryOConnell #sarahmichellegellar #TimothyOlyphant #jadapinkettsmith #KevinWilliamson #lauriemetcalf #lukewilson #ToriSpelling #heathergraham #omarepps #EliseNeal #portiaderossi #davidwarner #ripdavidwarner #matthewlillard #joshuajackson #RebeccaGayheart #DuaneMartin #lewisarquette #RogerJackson #dvd #90s #durandurantulsa #durandurantulsashorrorshow

[chelseajackarmy]

[siremasterlawrence]

[princessesaphi]

J'ai oublié de partager cette fic que j'ai écrit pour @kohol-la-montre pour le secret santa du discord. C'est dommage parce que je l'aime vraiment bien !

[why-i-love-comics]

Batman & Robin #4 (2023)

written by Joshua Williamson art by Mikel Janin, Simone Di Meo, Jeremy Cox, & Romulo Fajardo, Jr.

[nkp1981]

Charlie Cox Trying Canadian Crisps At "Fan Expo Canada", 2023

Photos: Joshua Freeman

[jgroffdaily]

2025 Grammy nominations for Best Musical Theater Album

Best Musical Theater Album

For albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50% or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.

Hell’s Kitchen — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis & Meleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys & Tom Kitt, producers (Alicia Keys, composer & lyricist) (Original Broadway Cast)

Merrily We Roll Along — Jonathan Groff, Lindsay Mendez & Daniel Radcliffe, principal vocalists; David Caddick, Joel Fram, Maria Friedman & David Lai, producers (Stephen Sondheim, composer & lyricist) (New Broadway Cast)

The Notebook — John Clancy, Carmel Dean, Kurt Deutsch, Derik Lee, Kevin McCollum & Ingrid Michaelson, producers; Ingrid Michaelson, composer & lyricist (Original Broadway Cast)

The Outsiders — Joshua Boone, Brent Comer, Brody Grant & Sky Lakota-Lynch, principal vocalists; Zach Chance, Jonathan Clay, Matt Hinkley, Justin Levine & Lawrence Manchester, producers; Zach Chance, Jonathan Clay & Justin Levine, composers/lyricists (Original Broadway Cast)

Suffs — Andrea Grody, Dean Sharenow & Shaina Taub, producers; Shaina Taub, composer & lyricist (Original Broadway Cast)

The Wiz — Wayne Brady, Deborah Cox, Nichelle Lewis & Avery Wilson, principal vocalists; Joseph Joubert, Allen René Louis & Lawrence Manchester, producers (Charlie Smalls, composer & lyricist) (2024 Broadway Cast Recording)

[soulmuppet]

An ice giant on the outer fringes of the system, Anchorage IV has a planet-wide biome similar to the northern reaches of Earth’s Canada or Alaska, interspersed with vast frozen seas and snow-blasted mountains. Beneath its glacial flows, pockets of a natural gas known as Promine - a potent fuel - provide for the planet’s economy. As gouts of the pressurised gas burst from the land, they freeze almost instantly in the sub-zero atmosphere, forming jagged monolithic columns rich with liquid fuel. These are prime for a lucrative, if not incredibly dangerous extraction and fuel has long overtaken the planet’s tradition of trawler fishing as the main industry.

~~~~

ORBITAL BLUES is a lo-fi space western roleplaying game from SoulMuppet Publishing, written by Sam Sleney & Zachary Cox and illustrated by Joshua Clark. A love-letter to off-beat sci-fi, vintage music, and cooperative old-school styled roleplay, Orbital Blues allows you to play out rules-light tabletop adventures in the style of space westerns such as Cowboy Bebop, Firefly and Guardians of the Galaxy.