#josephcornell
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enchantedbook · 13 days ago
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'Girl alone in winter storm lost with lantern' by Joseph Cornell, (1903 - 1972).
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aic-americas · 3 years ago
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Soap Bubble Set, Joseph Cornell, 1940, Art Institute of Chicago: Arts of the Americas
Simeon B. Williams Fund Size: 34.3 × 48.3 × 7.6 cm (13 1/2 × 19 × 3 in.) Medium: Wood, glass, paper, metal, and shell
https://www.artic.edu/artworks/79390/
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moma-prints · 3 years ago
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Untitled (Landscape with Figure) from Prints for Phoenix House, Joseph Cornell, 1972, MoMA: Drawings and Prints
Gift of Brooke and Carolyn Alexander Size: plate: 13 x 10 1/8" (33 x 25.7cm); sheet: 19 5/16 x 14 7/8" (49.1 x 37.8cm) Medium: Photogravure from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint
http://www.moma.org/collection/works/68711
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aic-american · 3 years ago
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Soap Bubble Set, Joseph Cornell, 1940, Art Institute of Chicago: American Art
Joseph Cornell’s box constructions present highly personal reflections on art, nature, history, and memory through the unexpected juxtaposition of found objects and printed material. Here he included glasses, pipes, and round disks to recollect the youthful activity of blowing soap bubbles. Their placement in front of a diagram of the Copernican planetary system, however, suggests a more universal significance. Cornell produced other Soap Bubble Set boxes, and he later recalled about them that “Shadow boxes become poetic theatres or settings wherein are metamorphosed the elements of a childhood pastime. The fragile shimmering globules become the shimmering but more enduring planets—a connotation of moon and tides.” Simeon B. Williams Fund Size: 34.3 × 48.3 × 7.6 cm (13 1/2 × 19 × 3 in.) Medium: Wood, glass, paper, metal, and shell
https://www.artic.edu/artworks/79390/
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actualsukie · 3 years ago
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Work in progress ... repurposed wooden door 🫀🧚🏻‍♀️🚪
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bm-contemporary-art · 4 years ago
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Hotel du Nord, Joseph Cornell, mid-20th century, Brooklyn Museum: Contemporary Art
Medium: Lithograph
https://www.brooklynmuseum.org/opencollection/objects/114838
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adamstarruvola · 4 years ago
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Your powers are too ordinary #geekart #nerdart #digitalcollage #popart #legionofsuperheroes #superman #dccomics #josephcornell https://www.instagram.com/p/CJptMwPDg34/?igshid=186tkaw5n9mra
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kolajmag · 5 years ago
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COLLAGE ON VIEW
Elemental Singularities
Richard Poulin at Brian Marki Fine Art Gallery in Palm Springs, California, USA through 25 February 2020. Since the 1970s, Poulin has been inspired by the work of modernists and avant-garde artists such as Kurt Schwitters, Hannah Höch, and Joseph Cornell. Richard has said that “these ‘visual essays’ express my life’s passions and pains, joys and losses, and the fundamental aspects of spirit, soul, and being.” MORE
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Kolaj Magazine, a full colour, print magazine, exists to show how the world of collage is rich, layered, and thick with complexity. By remixing history and culture, collage artists forge new thinking. To understand collage is to reshape one’s thinking of art history and redefine the canon of visual culture that informs the present.
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vortexstreet · 5 years ago
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Joseph Cornell, Untitled (Lily Losch), c.1935-38, Diorama
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taxonomiste · 5 years ago
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Lenore Tawney, Artist book with rodent skull
c. 1985
paper, bone, and ink
4 x 5 3/4 x 3 1/2 in.
I love this so much... have until March to see this at the Kohler Center!! 
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saicoroworks · 6 years ago
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Joseph Cornell
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Joseph Cornell collage&montage ジョゼフ・コーネル コラージュ&モンタージュ 展 公式図録 |四六判・上製函入り 352頁| |装幀:サイトヲヒデユキ| |撮影:村松桂| |キュレーション:岡本想太郎| |監修:DIC川村記念美術館| |発行:フィルムアート社| |著:ジョゼフ・コーネル、ジョナス・メカス、アン・モラ、フェアフィールド・ポーター、金井美恵子、岡本想太郎| 手に収まる箱入り。小さくて厚い本。布上製。 コーネルが切り抜いたまま使わずに保管してあった材料を 印刷し箱にコラージュし、作品の続きを作りました。 3種類。 ジョゼフ・コーネル コラージュ&モンタージュ 展 2019.3/23 sat-6.16 sun open9:30-17:00 holliday Mon. http://kawamura-museum.dic.co.jp -
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momonagayama · 6 years ago
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Old time is always going away from me
and being forgotten
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I wanna keep it but I know I can’t
So
I decided to keep my memories on it
And I putting away it on my closet of my heart .
私はただ、
全てが移り変わることを知っている。
それが生きることだと。
しかし同時に
私は全てを留めておきたい気持ちに駆られることがある。
だから私は箱の中に想い出を残すことに決めた。
そしてそれは私の心の奥に閉まっておくのだ。
いつでも戻ってこられますようにという
願いも込めて。
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aic-americas · 3 years ago
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Untitled (Sand Box), Joseph Cornell, 1944, Art Institute of Chicago: Arts of the Americas
Gift of Frank B. Hubachek Size: 26 × 18.1 cm (10 1/4 × 7 1/8 in.); glass top within frame is 23.2 × 15.2 × 4.8 cm (9 1/8 × 6 × 1 7/8 in.) Medium: Glass-paned, painted wood box with black sand, metal ring, and ball bearings
https://www.artic.edu/artworks/75377/
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moma-prints · 3 years ago
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Untitled (Teapot/Grand Hotel Couronne & Poste), Joseph Cornell, c. 1965, MoMA: Drawings and Prints
Elizabeth T. Hoard Bequest Size: frame: 18 x 15 x 1 7/8" (45.7 x 38.1 x 4.8 cm) Medium: Cut-and-pasted printed paper and gelatin silver print, pencil, gouache, crayon, and ink on printed paper on board, in artist's frame
http://www.moma.org/collection/works/187694
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aic-american · 4 years ago
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Soap Bubble Set, Joseph Cornell, 1940, Art Institute of Chicago: American Art
Joseph Cornell’s box constructions present highly personal reflections on art, nature, history, and memory through the unexpected juxtaposition of found objects and printed material. Here he included glasses, pipes, and round disks to recollect the youthful activity of blowing soap bubbles. Their placement in front of a diagram of the Copernican planetary system, however, suggests a more universal significance. Cornell produced other Soap Bubble Set boxes, and he later recalled about them that “Shadow boxes become poetic theatres or settings wherein are metamorphosed the elements of a childhood pastime. The fragile shimmering globules become the shimmering but more enduring planets—a connotation of moon and tides.” Simeon B. Williams Fund Size: 34.3 × 48.3 × 7.6 cm (13 1/2 × 19 × 3 in.) Medium: Wood, glass, paper, metal, and shell
https://www.artic.edu/artworks/79390/
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noovella · 6 years ago
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Joseph Cornell's Theater of the Mind: Selected Diaries, Letters, and Files
“Joseph Cornell is a legendary yet living presence in American art.”
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