#jose gonzalez review

[album-a-day-project]

7/12/22

José González

Local Valley

====

Swedish solo songwriter. The album is all acoustic with light vocals. The only issue is that the songs all sound extremely similar. The songwriting isn't enough to put this over the top for me. It's forgettable and would be in the background of a JC Penny. Ouch.

4/10

[aleasesrestaurant]

okay, I figured it out finally, ugh

[mariacallous]

Liz González’s neighborhood in East San Jose can be loud. Some of her neighbors apparently want the whole block to hear their cars, others like to light fireworks for every occasion, and occasionally there are gunshots.

In February 2023, San Jose began piloting AI-powered gunshot detection technology from the company Flock Safety in several sections of the city, including Gonzalez’s neighborhood. During the first four months of the pilot, Flock’s gunshot detection system alerted police to 123 shooting incidents. But new data released by San Jose’s Digital Privacy Office shows that only 50 percent of those alerts were actually confirmed to be gunfire, while 34 percent of them were confirmed false positives, meaning the Flock Safety system incorrectly identified other sounds—such as fireworks, construction, or cars backfiring—as shooting incidents. After Flock recalibrated its sensors in July 2023, 81 percent of alerts were confirmed gunshots, 7 percent were false alarms, and 12 percent could not be determined one way or the other.

For two decades, cities around the country have used automated gunshot detection systems to quickly dispatch police to the scenes of suspected shootings. But reliable data about the accuracy of the systems and how frequently they raise false alarms has been difficult, if not impossible, for the public to find. San Jose, which has taken a leading role in defining responsible government use of AI systems, appears to be the only city that requires its police department to disclose accuracy data for its gunshot detection system. The report it released on May 31 marks the first time it has published that information.

The false-positive rate is of particular concern to communities of color, some of whom fear that gunshot detection systems are unnecessarily sending police into neighborhoods expecting gunfire. Nonwhite Americans are more often subjected to surveillance by the systems and are disproportionately killed in interactions with police. “For us, any interaction with police is a potentially dangerous one,” says Gonzalez, an organizer with Silicon Valley De-Bug, a community advocacy group based in San Jose.

San Jose did not attempt to quantify how many shooting incidents in the covered area the Flock System failed to detect, also known as the false-negative rate. However, the report says that “it is clear the system is not detecting all gunshots the department would expect.”

Flock Safety says its Raven gunshot detection system is 90 percent accurate. SoundThinking, which sells the ShotSpotter system, is the most popular gunshot detection technology on the market. It claims a 97 percent accuracy rate. But the data from San Jose and a handful of other communities that used the technologies suggest the systems—which use computer algorithms, and in SoundThinking’s case, human reviewers, to determine whether the sounds captured by their sensors are gunshots—may be less reliable than advertised.

Last year, journalists with CU-CitizensAccess obtained data from Champaign, Illinois, showing that only 8 percent of the 64 alerts generated by the city’s Raven system over a six-month period could be confirmed as gunfire. In 2021, the Chicago Office of Inspector General reported that over a 17-month period only 9 percent of the 41,830 alerts with dispositions that were generated by the city’s ShotSpotter system could be connected to evidence of a gun-related crime. SoundThinking has criticized the Chicago OIG report, saying it relied on “incomplete and irreconcilable data.”

This week, New York City’s comptroller published a similar audit of the city’s ShotSpotter system showing that only 13 percent of the alerts the system generated over an eight-month period could be confirmed as gunfire. The auditors noted that while the NYPD has the information necessary to publish data about ShotSpotter’s accuracy, it does not do so. They described the department’s accountability measures as “inadequate” and “not sufficient to demonstrate the effectiveness of the tool.”

Champaign and Chicago have since canceled their contracts with Flock Safety and SoundThinking, respectively.

“Raven is over 90 percent accurate at detecting gunshots with around the same accuracy percentage at detecting fireworks,” Josh Thomas, Flock Safety senior vice president of policy and communications, tells WIRED in a statement. “And critically, Raven alerts officers to gun violence incidents they never would have been aware of. In the San Jose report, for example, of the 111 true positive gunshot alerts, SJPD states that only 6 percent were called in to 911.”

Eric Piza, a professor of criminology at Northeastern University, has conducted some of the most thorough studies available on gunshot detection systems. In a recent study of shooting incidents in Chicago and Kansas City, Missouri, his team’s analysis showed that police responded faster to shooting incidents, stopped their vehicles closer to the scene of shootings, and collected more ballistic evidence when responding to automated gunshot alerts compared to 911 calls. However, there was no reduction in gun-related crimes, and police were no more likely to solve gun crimes in areas with gunshot sensors than in areas without them. That study only examined confirmed shootings; it did not include false-positive incidents where the systems incorrectly identified gunfire.

In another study in Kansas City, Piza found that shots-fired reports in areas with gunshot sensors were 15 percent more likely to be classified as unfounded compared to shots-fired reports in areas without the systems, where police would have relied on calls to 911 and other reporting methods.

“If you look at the different goals of the system, research shows that [gunshot detection technology] typically tends to result in quicker police response times,” Piza says. “But research consistently has shown that gun violence victimization doesn’t reduce after gunshot detection technology has been introduced.”

The New York City comptroller recommended the NYPD not renew its current $22 million contract with SoundThinking without first conducting a more thorough performance evaluation. In its response to the audit, the NYPD wrote that “non-renewal of ShotSpotter services may endanger the public.”

In its report, San Jose’s Digital Privacy Office recommended that the police department continue looking for ways to improve accuracy if it intends to keep using the Raven system.

Pointing to the report’s finding that only 6 percent of the confirmed gunshots detected by the system were reported to police via 911 calls or other means, police spokesperson Sergeant Jorge Garibay tells WIRED the SJPD will continue to use the technology. “The system is still proving useful in providing supplementary evidence for various violent gun crimes,” he says. “The hope is to solve more crime and increase apprehension efforts desirably leading to a reduction in gun violence.”

The department’s media relations division could not immediately locate information about how much SJPD pays Flock Safety for the Raven system or how long its contract is for.

Darcie Green, a community health advocate and member of San Jose’s former Reimagining Public Safety Community Advisory Group, says that disclosing data about the accuracy of the system is a good step, but the city also needs to examine whether the technology is actually making the city safer or whether the money and human resources devoted to responding to real and false gunshot alerts could be better invested elsewhere.

“Obviously we want to reduce gun violence, that’s everybody’s goal,” she says. “For these dollars that we’re spending on enforcement and punishment, we should be spending three-, four-, fivefold on programming and improvement. There are so many people for whom calling the police is not a solution.”

Gonzalez, the East San Jose community organizer, says the lack of 911 calls about shootings is a reflection of how little she and others in the community trust police responses to their neighborhood.

“There was a time when a helicopter was searching for somebody in our neighborhood, and I could swear that they were in my backyard, but I didn’t want to call the police because potentially they could shoot me or my family mistaking me for that person,” she says. “I would rather have the person in my backyard than the police looking for them.”

[mystlnewsonline]

DOL Finds Rex Lumber LLC Ignored Machine Safety Requirements

Federal Investigation into 20-year-old workers' death in Alabama finds sawmill operator, Rex Lumber LLC, ignored machine safety requirements. Rex Lumber LLC-Troy cited in Florida investigations in 2021, and 2020 TROY, AL (STL.News) For the third time since 2020, the operator of sawmills in Alabama, Connecticut, Florida, Massachusetts, Mississippi, and Virginia failed to follow federal workplace safety standards across its organization, resulting in a worker fatality at its Alabama facility and a U.S. Department of Labor investigation. An investigation by the department's Occupational Safety and Health Administration determined that a 20-year-old sawmill worker, part of a six-member crew trying to clear a jammed roller at Rex Lumber LLC in Troy in December 2022, was crushed when stored energy caused the infeed unit to close on him. OSHA issued a willful citation for allowing workers to perform maintenance on equipment without controlling hazardous energy sources.  The company also failed to review its energy control procedures regularly to ensure compliance and did not train employees on how to isolate stored energy in hydraulic accumulators. The incident follows tragedies in 2021 and 2020 related to improper machine operations at two Rex Lumber sawmills in Florida.  At the Graceville location in March 2021, an employee trying to fix a machine's faulty hydraulic valve suffered crushing injuries when they were caught in the machine's wheels and pulleys.  In December 2020, a worker suffered an amputation injury — and died in a hospital days later — after their hand came in contact with the nip point of a conveyor's roller at the Bristol, Florida, location. "Rex Lumber's failure to comply with well-known safety requirements led to the death of a worker and put others at serious risk of harm," explained OSHA Area Office Director Jose Gonzalez in Mobile, Alabama.  "Safety standards exist to protect workers from the hazards of moving machinery, and when followed, they can save lives." After its investigation in Troy, OSHA assessed the company with $184,385 in proposed penalties.  Since 2013, the agency has cited the sawmill operator and its subsidiaries for 19 serious and other-than-serious violations. Operating since 1926, Rex Lumber LLC has sawmills in Troy, Alabama; South Windsor, Connecticut; Bristol and Graceville, Florida; Acton, Massachusetts; Brookhaven, Mississippi; and Doswell, Virginia.  The company employs about 360 workers who harvest lumber from yellow pine. The company has 15 business days from receipt of the citations and penalties to comply, request an informal conference with OSHA, or contest the findings before the independent Occupational Safety and Health Review Commission. Read the full article

[boonesfarmsangria]

swinging far and wide--

jose gonzalez - veneer

white lies - ritual

our lady peace - spiritual machines

brand new - the devil and god are raging inside me

patrick wolf - lupercalia

stars - set yourself on fire

matthew goode - vancouver

twin shadow - forget

thank you so much for all of these! reviewed on a post w all other suggestions🐣

[lexusofkendall]

FIVE STARS! Best service department of south florida - Jose Luis Gonzalez

Google Reviews

[partisan-by-default]

Panama put its diplomatic relations with Venezuela "on hold" and will withdraw its diplomatic personnel from the country until a full review of Sunday's presidential election results is conducted, President Jose Raul Mulino said on Monday.

Earlier in the day, Panama joined eight other Latin American countries calling for an emergency meeting of the Organization of American States (OAS) permanent council, citing concerns about Venezuela's election, in which President Nicolas Maduro and opposition rival Edmundo Gonzalez both claimed victory.

"We are putting diplomatic relations on hold until a complete review of the voting records and of the voting computer system is carried out," Mulino said during a press conference.

[popculturebuffet]

The Legend of the Three Caballeros: World Tree Caballeros and No Man is an Easter Island  aka Whelp, Xandra Sucks Now.

Salduos Amigos! We’re back.. and today we have two Cabs episodes.. because the top 20 of 2020 list last week took a day longer than expected, so that meant I had a day of my schedule go thbbt and thus had to compress a bit, like the darkwing reviews i’ve done but not NEARLY as much. And if this works out I intend to do more cabs 2 or evne 3 in ones in the future to help speed along the finale. Still giving Kev his 55 bucks worth mind you, just speeding it up a bit in case anything comes back, and because I have a lot of double and triple reviews coming in Feburary due to a very tight schedule, so might as well train for it now.So with that in mind, WELCOME BACK TO THE RIDE OF THE THREE CABLLEROS, and the legend of the three cablleros. I can fit in what little exposition there is on the way, so on with the show after the cut!

World-Tree Caballeros:  We pick up where we left off last time: Sheldgoose and co are returning to earth, and it’s been a few weeks, in story time, with Sheldgoose exausted and hungry and Feldrake.. not exactly getting that minons need food to live and wanting to jump right into destroying the Caballeros since their right next door.  And while ignoring his minon’s basic needs is just.. dumb, I do appricate that Felldrake is the kind of villian who dosen’t stupidly not attack the heroes if he knows where they are and does try blasting them, with Sheldgoose in his cloak of course to avoid any deniablility. I mean Sheldgoose is impossibly wealthy and in disguise here. No court is going to convict him. But there is a reasonable explination why they can’t do that: since Clinton wasn’t stupid he put up magical protections over the Cabana and while Feldrake COULD break them.. he can’t do it with as little power as he currently has in the staff and has an idea where to get it. But Leopold’s bushed from taking them all the way back from space, to Feldrake’s disapointment so Sheldgoose.. simply offers up his private plane, then uses his mass wealth to get them all the way to their destination the World Tree... yes the NORSE World Tree... in italy. 

Yeah you can probably tell there were some rewrites here. This ep, given it features Yddrasil, was SUPPOSED to be about the Norse gods.. but Marvel didn’t want “brand confusion” with  THE MIGHTY THOR!

Which originally I scoffed at a bit. Mostly because why would you, Disney, one of the biggest brands in the world NOT want a potetinal crossover with your other properties? I mean .. is this why we haven’t had mickey and friends in avengers costumes yet? If so... BOOOO. Why would you buy Marvel without this ever happening? You put fucking light sabers in kickin it, one of your lesser live action shows though olivia holt is neat and Rudy was alright, but... you won’t put MIGHTY THOR, in a donald duck series? Especially since you already used marvel in one of your shows?

The cat is out of the bag.. just let crossovers happen dude. Your not giving us any decent marvel animated series, and only What If is on the docket for now the future. WHy not? I wasn’t the fondest of the idea at first but then I realized “Wait this could be awesome and rediculous”. And again you’ve already hit a low bar for using this stuff.. just use it.  That being said, while we’ll get to it in a moment.. I do get WHY they didn’t let them use the norse gods... possibly.. but it does seem like they really dot’ like crossing the streams character wise and that bothers me it bothers me a lot. 

So yeah the world tree is in the snow capped mountains of italy.. which they might have so touche, and the montage of Sheldgoose getting there is great as is Feldrake’s reaction of “Eh i’ts no leopold”. Aw he loves his monkeybatdonkeyrat. So they open the entrance and prepare to go up the massive flight of stairs... only for Sheldgoose to point out the elevator. Which they take instead. I will say Feldrake’s characteriztation.. slipped a bit in these two. It’ snot bad, he’s by now supposed to be someone who WAS so powerful, they don’t get the concept of finesse and it works better next episode.. but hear a good chunk of the episode is just Feldrake shoutng at Sheldgoose and complaning a lot and even at one point tripping over himself with his own stupidity. We’ll get to that. Point is it’s a bit of a step down from last episode but as a result Sheldgoose gets to shine a bit more with Wayne Knight getting more lines to really go full newman and become a smug yet clever jackass. SO it’s a trade off I guess and it does ballance out next time. 

So back at the Cabs Cabana, our heroes are having pop corn fights, which Xandra joins in on... this was the intro but I put it here...

Point is next time we see them our heroes are all cataloging everything with the girls help, including a positivity totem, this generation’s talky toster. Xandra gets enraptured with a phone but gets defensive when being called out of date and mocked by the girls. This is SUPPPOSED to set up a character arc for her and I was excited for Xandra to get an episode but we’ll get to that disappointment soon enough. The point is our team gets the call to adventure. And Xandra’s excited because the roman gods, old friends of hers are at the world tree. The Roman Gods are what the planets are named after and are mushed together with the greek gods for reasons I didn’t have time to look into. This review is late as is. Point is they don’t get used as much likely because of the planet thing and the greek gods having a wider range of gods at that with better names. I mean Hades just.. sounds more godly than Pluto. Posiden sounds just as badass as Neptune if not more and Jupiter just dosen’t have hte same wring Zeus was.  But for today the only Roman Gods present are Jupiter, Venus and Mars, stand ins for Odin, Frigg and THE MIGHTY THOR respectively in this case but still drawn uniquely. She’s excited to show the boys them and ports them. THIS TIME, the port isn’t you know, stupidly placed and the desert thing seems to have been a one off fluke, and easily could’ve been where a city WAS, but again that could’ve been mentioned. Here it’s just at the foot of the stairs which while inconvient, as Xandra didn’t know about the elvator and Panchito gets on it without thinking to tell the other two who are forced to climb, makes sense: it’s risky to have a direct port to a giant tree that grows planets. Which is also awesome. In the wrong hands the raw power of a tiny planet could be devistating, or someone could make their own galaxy with them as god emeprror if given enough time. Which if you know about the world tree and somehow manage to steal enough planets to make a galaxy of your own without getting caught, you clearly will surivive the eons needed for it.. or could just time speed it up. Point is this place is out of the way for a reason this time, elevator or no.  So then we meet the ROMAN GODS... and they’ve not only clearly aged, but have given up fighting for gardening, with Mars being a decript old man who can’t remember xandra’s name, which given she heavily implies they were a thing is not great, and goes on and on about Tubers. Yeahhhh... I can’t exactly blame marvel for NOT wanting one of their biggest characters depiected as a doddering old man obssed with potatoes. LIke the brand confusion thing is still stupid, I want MIckey, Donald and Goofy as Cap, Iron Man and Hulk yesterday you cowards..., but thinking this would be confusing for kids or would hurt the character a bit? yeah fair enough, a bit paranoid but understandable given Marvel is the backbone of the company these days and at this point, had been massively sucessful with avengers and everything. So I do get it even if I don’t get shifting the setting from the world tree, and suspect there they had to rework the episode during production. 

So we not only meet our gods.. and the reason this isn’t the best episode. It’s not the worst, we’ll get there in a moment, but it’s not very good. And the reason... is Xandra. Her reaction to the gods being out of shape and old and retired, tending to the tree and not really fighting or doing hero stuff anymore is to get upset and wonder how her friends and as we learn later inspiration fell this low. That’d be fine and somewhat intresting. Problem is.. the Gods explain they quit after the titan wars which gave Mars some VERY obvious PTSD tha’ts VERY uncomfortably played for laughs. Look in comedy you can joke about just about anything, that’s the nature of it. But there are some things you REALLY need to tread carefully with. Now Family Guy, and this is late seasons “race jokes and shock humor” family guy mind you, somehow got this with Quagmire having ptsd in one episode where the show was set in diffrent time periods... due to hearing fortunate son over and over in vietnam.

This is actually funny, parodies something else, paticually overblown namsplotation in media and overuse of a great song that really dosen’t need to be used ALL the time in everything. This.. is just “HA he’s rattled because he was in a presumibly bloody war wand given ther’es only four gods left, we see one next episode, they probably all died.. and if they are still alive reincarnated.”. It’s just.. uncomfortable and if this bit was taken out, the episode wouldn’t be great, but it wouldn’t be as odious and Xandra HORRIBLY unsympathetic. It’s not helped by the fact that even without the ptsd.. the gods just watn’t to semi retire. They haven’t given up their duty, their still tending to the world tree.. they just dont’ want to fight or quest anymore because they were in a possibly centuries long bloody war that dwinlded their numbers and clearly left mental scars. Xandra comes off like an insenstive ass for putting her old version of them over the new and while the moral’s SUPPOSED TO BE that she shouldn’t cling to the past and had it simply beeen about her realizing she has to let them be who they are now, it would’ve worked.. instead it’s just “You guys suck because you won’t traumatize yourself more. “. The worst they do is hide under a table instead of fight and again, it’s very clear at least one of them if not all have PTSD. The only thing that keeps this from being truly awful is I genuinely don’t think the writers thought out the implicatoins of Mars line, which while still not a great train of thought to have modern writers not get that, it’s better than nothing. It just sinks the entire episode as i’ts emotional core.. comes off as a snotty teenager forcing some old people into combat and getting rewarded for it.  The other side of the plot is not half bad though. The boys catch Feldrake and Sheldgoose trying to steal the planet, with Feldrake enlarging a bunch of termites we’ve been seeing so far in the episode to attack the cabs. But what really shines is the Cabs. They work well as a team, have camradere, face Sheldgoose with no fear and while they do run from the termites, which look HORRIFYING by the way, and then come up with the hairbrained but still not half bad scheme of covering donald and wood and using him as bait. This ends up working since Xandra rallies/guilttrips the gods into ignoring their ptsd and fighting anyway. I mean “Heroically helping them realize they stil have fight and fighting like the heroes she looked up to”... and then we get the climax which is just awesome.  Sheldgoose and Feldrake get the planet afterall raining metors down so while the Roman gods take those out, Xandra calls on the guys to distfract Sheldgoose and Feldrake so she can snipe the planet out of his hands. How do they do this? Juipiter fast ball specials them up to the asteroid he’s on! If your wondering what a Fast Ball special is.. you���ve certianly seen it but here’s a practical demonstration. 

So yeah that. OUr heroes take it in stride though and awesomely use how much Sheldgoose is irritate dby them to distract him by basically playing whack a mole, so he slowly destroys the ground bellow him, and Xandra snipes him, sapping him of his new god-tier power up and causing his platform to crumble, with the boys escaping falling to earth like the two of them thanks to jose hooking the tree with his cain. As I said this episode shows how far the boys have come: from greedy idiots who were scared.. to true heroes ready to step up, running away when tactically advantageous and easily taking on the main villians and coming up with a plan to beat them on the fly. That.. is what I wanted going into the show and if nothing else this episode gives me that. Also the girls talked to xandra earlier and I missed it. Eh. We do get a nice moment though of the boys telling Xandra she does fit in.. with them. And really as far as i’m concerned she’s one of the cabs, so I like this moment a lot.. I just wish it didn’t ring so hollow with everything else going on.  Overall this ep is okay.. it has it’s moments but the Xandra side of thing just.. drains a lot of the life out of it. What COULD’VE been a solid character building episode makes her come off as a selfish, impatient insenstive asshole who’s trying to crowbar the past in instead of accepting her friends as who they’ve become in the centuries she’s been gone, though Sheldgoose and the boys do keep this from being awful. SPEAKING OF AWFUL. 

No Man is an Easter Island: 

This.. was a rough one. Not going to sugarcoat it. This episode was not very good despite some good segments and despite not mocking a serious mental issue, it’s somehow more obnoxious. The PTSD thing was clearly a mistake.. this.. this was intentional. Let’s tear this one apart shall we? So we open with Sheldgoose and Feldrake where they were last time, Easter Island. It turns out in this unvierse hte moai are actually giant stone men and their heads are the only things visable because the rest of hteir body is undreground, stomping out surfer dude lava lizards who want to come to the surface and burn it. Feldrake.. decides this is a great idea and agrees to help, as does sheldgoose. 

Seriously Feldrake wants to CONQUER the world. In fact he did it once already. We’re not talking about someone like say Negaduck, who I talked about earlier this week: while he MIGHT conquer, he gets just as much joy out of mindless violence and would gladly blow up the world him and all just for the hell of it. Feldrake is your classic evil overloard and wants to RULE the world not destroy it and wouldn’t be happy without something to lord over and terrorize. And Sheldgoose wants the same and is presumibly sticking around to backstab his ancestor at the first opportunity to steal his power for his own. How does setting the world on fire, literally, benefit either of them? Sure they COULD take over int he aftermath, but that’s after the lizards have likely destroyed most of the world, not even taking into account the vast amount of water and infastructure and the size of their home means they’ll run out of troops to use as a living bridge, cool as that is, eventually. Humans would have to invent ways to transport them and given as far as I know we have a through understnading of lava and magma, we’d instead be working on weapons. The lizards woul dmake a good army under the right leadership to sidestep this.. but as a world ending threat while they’d still cause untold damage in lives and suffering, I just don’t see them being enough to conquer the world. It just makes no sense.  The one thing that salvages it and this episode is what happens next, which i’m skipping ahead to because it’s my blog and I do this how I want: Feldrake TRIES just shooting the moai with his magic.. but the one he tries it on just has it harmlessly bounce off.. which given their dealing with magical fire creatures makes sense. So Sheldgoose instead steps in to Feldrake’s reluctance.. and shows his own talents. As a university head and professional asshole, he can manipulate with the best and talks the moai’s into taking a vacatoin, using the staff to hyponotize them so they don’t think about the downsides. It’s.. really fucking awesome honestly, and shows off that Sheldgoose is like the boys: a comical moron yes.. but VERY dangerous in the right cirucmastances. While he did use his great great great grampa’s magic for this a bit with the hypnosis, it’s his manpulations that MAADE the hypnosis work: by giving the moai something they WANT, a vacatoin and a break from a thankfless job, it means they aren’t acitvely trying to break his control no matter what happens and he and Feldrake can focus on freeing the lizards. And on top of that.. Wayne Knight gets one HELL of a musical number, sing talking to the beat as he manipulates and hypnotizes the moai and encourages their partying. While the main plan is dumb the plan to get there is just glorious to watch and Sheldgoose’s finest hour thus far and again we get to hear wayne knight SING. Kinda. And I will not trade that for anything. 

So what are the Cabs up during this? hanging out, playing cards and doing friend stuff like Panchito doing a dive and them catching him. Jose claims nothing could split us up.. and cue Daisy. 

It.. it’d been so nice without her. And you may recall last time she showed up while I didn’t like her or her actions or how it was written.. she was at least KINDA tolerable. Still a total bitch but you know she MIGHT have had a point and we might learn more about her history with donald. 

Yeah this episode cements that this Daisy is awful and Donald is better off without her. She shows up because the girls talked Donald up, beause their angels.. and also because they apparently live with him now? Like.. don’t Daisy, who dosen’t think Donald’s responsible or their parents, whoever the hell they are, have.. issues with them suddenly living with three 30 something men and an xty hear old Goddess. I mean.. that sould raise a few thousand flags, but frankly at this point if your wondering why a child is living iwth a disney character instead of your parents their probably dead or on the moon. That’s not the problem here.  No the problem her is again, somehow twice in a row, Xandra. After great introductions to both the boys to daisy, Jose flirts and Panchito shakes her hand a bit too hard, same as it ever was, Donald TRIES to bring up being a cabllero.. and Xandra prevents him then explains outside after the girls smooth things over why: telling daisy would bring her into his world and all the dangers with it.....

I HATE this trope. I hate it so fucking much. See i’m a superhero guy. I’ve made no attempt to hide this. So you can imagine the number of times i’ve seen a hero hide their ID and use this fucking excuse “They’ll get hurt if they know” or “it’s too much of a risk” or “blah blah blah bullshit reason for not telling my partner the truth”.  Now i’m not saying the secret idtentity or having some sort of secret world saving thing are bad tropes. They are valid stories for a reason. Sometimes you CAN’T: Peter Parker didn’t tell Aunt May because she had a weak heart, Thor dind’t tell jane foster because his dad was a dick who’d go after her any time he tried and when he finally did.. still did shit to break them up. Because Odin is an asshole. Ms. Marvel didn’t tell her parents because she thought they’d stop her and when her dad found out, if sadly breifly, you can guess what happen. Miles Morales didn’t because he was terrified he’d be homeless as his dad HATED mutants, which he thought he was and wasn’t fond of viglantes, and to make matters worse his mother later DIED, she got better as of secret wars, in a spider-man fight, if not thanks to him obviously, so when Miles DID tell him Jefferson abandoned him for months. He’s gotten FAR better since then and really grown as a person, but my point stands: I’ts okay to hide your id at first to protect yourself as a hero: it’s okay to want to make sure a partner dosen’t out you to the press or something and is stable and loving enough before you tell htem. And it’s okay to not tell them something if htey probably wont’ belivie it or might not be prepared just yet. Now if they have some reason to hate the other you you should probably either tell them and see what happens or explain things, like Peter should’ve tried explaning what happened with Gwen’s dad to her, or break it off for their own good, which will devistate them, but is better than lying to them.  And that’s the problem: As Wonder WOman said in a shockingly obnoxious movie, “Nothing good comes from lies”.. and while groosly oversimplified.. is not wrong here. Nothing good comes from lying to your partner day in and day out. I’ts why more modern works have deconscruted it: Miles, again, had a girlfriend named Barbra, but the recent run broke them up.. however they did so cleverly by having Miles refuse to tell her his id despite her having figured it out and her leaving him for hiding stuff from her. That’s what would REALLY happen. A long term partner isn’t going to tolerate you LYING to them and ducking out constnatly to save the world. Eventually you either have to let them go or try and tell them. I’ve been in barely any relationships but I was ALWAYS honest because again, nothing good comes from lying to your partner. Nothing good comes from deciving them and basically gaslighting them for “their own good”. If their with you and your an adventuer, super hero or what have you.. their in danger. So either don’t date them and find someone your speed like another hero or some mythical being, or TELL THEM and let THEM decide if it’s too much. This kind of bullshit is manipulative, cruel and selfish and I thought we’d settled it. 

And while Donald was intending to tell Daisy to impress her, a bad reason i’ll admit... he was trying to be honest. But the EPISODE tries to portray it as a good thing and as him being noble. It isn’t. He’s listneing to a bad person, who has to EARN my good will back after this, whose only in it for herself. No really she only has the two go out because she’s tired of donald pining for daisy. 

I mean i’ts been a month, and the girls are around but she hasn’t come up once during the last few episodes. So this comes out of nowhere and makes Xandra into a selfish jackass who is willing to send her friend off to lie to his partner with NO cover story for his actions to make him look good just to shut him up. This is someone who need I remind you can travel the world in an instant and knows a lot of magical beings who’d understand donald’s line of work. Instead of setting him up with one of them and abandoning daisy she sets up a doomed relationship. Oh and she and the boys whine about being bored without donald. Fuck off.. not you josea nd panchito, while extra dumb this episode the boys just genuinely miss their best friend and it’s endearing. Xandra though.. she can fuck off. As mentioned Daisy is not much better, and spends the date grilling donald about what he does , as AGAIN, XANDRA GAVE HIM NO COVER STORY OR JOB OR ANYTHING. Now granted she’s hundreds of years old, so she probably wouldn’t have a good one anyway... but she’s the one who INSISTs ON IT BEING A SECRET. And as the girls have shown, again knowing that secret does not hurt. Their mission control, Daisy could be too. Worst she could want is to JOIN them and given the boys started with no experince and are now certified ass kickers... why can’t she be one too? It feels less like Xandra looking out for Daisy and more that Xandra just dosen’t wnat her in her club.. which fair but still.  The point is Daisy still treats donald as shifty and worthless, despite no evidence to this as whiel he has his faults doing nothing is not worth them and even says when he tries to spin it as “helping those in need”  “How can you help other people if you can’t help yourself?”

I mean it’d be something to ponder and a great thesis statment.. in another story. Or even in this one.. if it’d been set up that Donald had been irresponsible. Someone willing to abandon others, prone to anger and a bit of a goofus, all true. But it really says how little you think of him Daisy that you can’t even picture him helping people and assume it’s some excuse. That you clearly hate your ex so much, clearly think of him as so much less than you that youc an’t FATHOM he’s doing good stuff and only think he’s gottne better when he pampers you with fizzy water, though it nicely has scrogoe on the bottle so good little nod there, and lobster. Seriously she dosen’t turn around till the girls, dressing up as a waiter , offer that. I..can’t fathom why we’re supposed to root for this relationship between a flawed but hardworking person.. and his ex partner who STILL never apologized for the brithday thing despite his FUCKING HOUSE BURNING DOWN, i.e. e the THING HE WAS TRYING TO EXPLAIN, and then spends dinner doubting he’s doing anything with his life, distruting both him and his nieces. 

And.. it gets worse. Yes.. yes it somehow gets worse. No foolin. So the bell is sound and Xandra FORCIBLY ABDUCTS DONALD FROM THE DATE SHE TOLD HIM TO GO ON. And both come out really bad, if worse on Xandra’s end by a mile. Donald is refusing to go help save the world or whatever for a date with someone that DOES NOT appricate him and only accepts bribes. Tha’ts a dick move even if he dosen’t realize he’s in an abusive relationship to put getting laid over the world’s saftey.  That being said.. Xandra STILL comes off worse. Despite having the moral high ground.. Xandra dosen’t KNOW what the threat is, or if they really need him, drags him out, dosne’t let him explain to daisy, and then barely lets him go back when it seems it’s just a party. Then drags him back AGAIN when their backs are against the wall without feeding daisy an explination or really caring she broke things up just halfheartdly saying she’ll forgive him and Donald saying “You don’t know daisy”. None of them come off well. Again the boys only aren’t loathsomebecause their oblivoius and just want their best friend back. If the other episode hadn’t already damaged Xandra enough i’m DEEPLY worried she won’t be able to walk this one back. Daisy certainly fucking won’t. 

So yeah our heros deal with the moai and the lava lizards, as the boys fail to get the moai to go back to their job and the lizards unleash their wonderfuly weird queen who rides a bridge of them to the mainland.. fucking love that. When things get dire Xandra does aformentioned forcing donald to come back without actually helping him with daisy or just TELLING HER AND OH MY GOD LET’S JUST MOVE ON. Fuck this episode is aggravating me. 

We do get a nice bit where donald’s angry dance inspires the moai to imitate it.. and thus stomps out the laval lizards and gives our heroes an opening, and Donald DOES prove his worth by having the moai do the belly flop from earlier to stop the queen, causing the rest of the lizards to flee and our heroes to win. Yay.. I guess. Donald goes back to find Daisy gone. 

He dosen’t see it that way and the girls say while he’s still a mess, what he did was noble. that sucks, and they leave him a massive bill instead of paying for it with their tips because their the ones who brought in the fancy food to ply their aunt. Fuck. this. episode.  Final Thoughts for This one: I belivie I said FUCK THIS EPISODE. It had it’s moments, the musical number, the moai beach party, my boys.. but the sheer obnoxiousness, cliche plot that has been throughly shredded for good reason and isn’t in use anymore about secret lives, and Daisy, Xandra and to a very lesser Extent Donald all being deeply unlikable. This episode is just REALLY fucking bad. HOpefully the series gets back on it’s feet next time. Until the next rainbow.. I really need a frigging gatorade. I.. I don’t drink booze. This is one of those times I wish I did. Goodnight everybody. 

[thejoyofviolentmovement]

New Audio: IRAH Returns with an Atmospheric Yet Tribal Single

New Audio: IRAH Returns with an Atmospheric Yet Tribal Single @tmbrhncrs

With the release of 2016’s mini-album Into Dimensions, the Copenhagen, Denmark-based  duo IRAH, comprised of Stone Grøn (vocals) and Adi Zukanović (keys) quickly…

[ghostcultmagazine]

LIVESTREAM REVIEW: En Minor Live at the Orpheum

LIVESTREAM REVIEW: En Minor Live at the Orpheum

En Minor is a project that had been rattling around in Philip H. Anselmo“s head since he was a child; they are an unexpectedly emotional and deeply serious sound that freefalls out of the genres most of the band members are associated with, including Anselmo himself, and into uncharted territory. Unconventional and, in many ways, experimental, their 2020 release, When the Cold Truth Has Worn Its…

[beardedmrbean]

The Cook County state's attorney's office on Tuesday said judges have vacated seven murder convictions connected to a retired Chicago police detective accused of framing others who were sent to prison. CBS Chicago reports it is believed to be the largest mass-exoneration for murder in U.S. history.

An eighth cases remains, pending further court proceedings.

State's Attorney Kim Foxx told reporters that her office no longer will oppose post-conviction litigation in the eight cases following a 2019 review of cases related to allegations of police misconduct involving Reynaldo Guevara.

"We no longer believe in the validity of these convictions or the credibility of the evidence of these convictions," Foxx said.

The seven cases dismissed Tuesday involved slayings committed between 1989 and 1994.

Five defendants already have completed prison sentences and are no longer in custody. Two others are expected to be released, while one remains in custody pending further court proceedings.

Two dozen cases already have been vacated and action on three additional cases is expected in the coming weeks.

Guevara's victims are now experiencing freedom – some for the first time in decades. CBS Chicago talked with one of them – Alfredo "Freddie" Gonzalez, who served his sentence at Stateville Correctional Center in Crest Hill.

Gonzalez said, "I'm free!" as he tearfully embraced his daughter, Maria.

Gonzalez spent 32 of his 64 years behind bars – three decades of a life sentence for a murder he didn't commit.

"I had a broken heart, because I wasn't attentive," Gonzalez said.

Also exonerated Tuesday was Nelson Gonzalez, who spent 21 years in prison for a murder he didn't commit. He did not mince words about who he thinks is to blame.

"This was a conspiracy created by Mr. Guevara and other agents, and I'm asking Kim Foxx to press charges," Gonzalez said.

Guevara - a former member of a police department dogged by decades of scandal, cover-ups and brutality - has never been charged with a crime. Foxx said her office is reviewing possible charges against Guevara, who retired in 2005 and is receiving a city police pension and a Chicago Park District pension.

He helped inmates win freedom by repeatedly invoking his constitutional right against self-incrimination or insisting that he couldn't remember facts, thus forcing prosecutors to dismiss charges in several cases.

In one case, after he was granted immunity by prosecutors, he answered repeatedly that he didn't remember confessions that he elicited from two men ultimately convicted of murder. The judge characterized his comments as "bald-faced lies" and threw out the confessions.

"Could we try these cases again today without the work of Detective Guevara?" Foxx said Tuesday. "Based on our review, we are not able to retry these cases."

She added that additional investigations could be conducted "to see if, in fact, someone else committed these crimes."

Last September, Chicago's City Council agreed to pay $20.5 million to two of at least a dozen men whose murder convictions were dismissed after allegedly being framed by Guevara.

The lawsuits were filed on behalf of Armando Serrano and Jose Montanez who spent 23 years in prison before they were released in 2016. A key witness in their case admitted that he had lied about hearing them confess because Guevara had threatened to beat him if he didn't.

In 2009, a jury awarded $21 million to a man who spent 11 years in prison before he was retried and acquitted because witnesses testified that Guevara intimidated them into falsely identifying the man as the killer. The city later agreed to pay $16.4 million.

Another jury awarded $17 million in 2018 to a man who made similar allegations.

Foxx said Tuesday that she would not discount the impact each case had on the defendants and their families.

"While we focused on the allegations of misconduct, we did not want to lose sight that lives were lost and the impact that our decision could have on the families of victims who believed that justice had been served by these convictions," she added. "We looked at these cases with a careful lens to ensure that we got it right."

[wehavethestarstoguideus]

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My Top Post in 2021

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[thetaxcollector2020veronlin-blog]

Cuevana The Tax Collector 2020 Pelicula Completa Latino HD

HAGA CLICK AQUI : https://bit.ly/33Lw9UB

HAGA CLICK AQUI : https://bit.ly/33Lw9UB

HAGA CLICK AQUI : https://bit.ly/33Lw9UB

HAGA CLICK AQUI : https://bit.ly/33Lw9UB

Production companies: Fast Horse Pictures, Kodiak Pictures, Cedar Park Entertainment Distributor: RLJE Films (select theaters, VOD, digital) Cast: Bobby Soto, Cinthya Carmona, George Lopez, Shia LaBeouf, Elpidia Carrillo, Lana Parrilla, David Castañeda, Conejo, Cheyenne Rae Hernandez, Cle Sloan, Noemi Gonzalez, Juan Carlos Cantu, Chelsea Rendon, Rene Moran Director-screenwriter: David Ayer Producers: Chris Long, David Ayer, Tyler Thompson, Matt Antoun Executive producers: Douglas Duncan, Buddy Patrick, Steve Matzkin, Misook Doolittle, Sarah Schroeder-Matzkin, Mickey Gooch, Jr., Doug McKay, Cindy Bond, Todd Williams Director of photography: Salvatore Totino Production designer: Andrew Menzies Costume designer: Kelli Jones Music: Michael Yezerski Editor: Geoffrey O'Brien Casting: Mary Vernieu, Lindsay Graham-Ahanonu

SINOPSIS No se sabe nada acerca del argumento de esta cinta de acción y crímen que, aparentemente, seguirá la línea de dos de los trabajos anteriores de David Ayer: Training Day y Sin Tregua (End of Watch).

La cinta está dirigida, pues, por David Ayer (Escuadrón Suicida, Bright) y protagonizada por Shia LaBeouf (Honey Boy, The Peanut Butter Falcon), Bobby Soto (For the People, S.W.A.T. Los hombres de Harrelson), Chelsea Randon (Nueve vidas, Urgencias), Cinthya Carmona (The Fix, Greenhouse Academy) y Lana Parrilla (Érase una vez, Chase).

'The Tax Collector': Film Review Violent Los Angeles street culture on both sides of the law has been an abiding fascination in David Ayer's output, notably in his bruising screenplay for Training Day and his nervy, documentary-style cop drama, End of Watch. The buddy dynamic and gritty milieu of that 2012 film invigorate the best elements of The Tax Collector, the writer-director's return to a smaller-scale project after taking a critical hammering with the big-budget, high-concept outings of Suicide Squad and Netflix's Bright. "So why another L.A. crime movie?" asks Ayer in his Director's Statement. Why, indeed.

Despite a lot of admirable aims, such as creating layered roles for the Latino acting community and spending production dollars in areas that could benefit from the economic boost, this grim bloodbath feels too routine to be of much interest.

The well-acted film is shot by Salvatore Totino with impressive dexterity, capturing the urban sprawl of L.A. with a sharp eye and deft ability to build textured atmosphere, and Geoffrey O'Brien's editing shows an equally propulsive hand. But almost everything about this mean-streets action thriller feels familiar and a touch self-important, starting with its heralding of the sacred code blasted over a portrait of protagonist David (Bobby Soto) with his beautiful wife and angelic kids: "Love. Honor. Loyalty. Family."

The vaunted authenticity legitimized by Ayer's upbringing in South L.A. in the 1970s and '80s in this case doesn't mean he has a fresh perspective. The conflict of a loyal lieutenant in a criminal organization who compartmentalizes his life into hard-core career thug on one side, devoted paterfamilias on the other — "God allows me to walk from the darkness and come back into the light," says David — by now seems a standard gangster trope. As soon as that's established, we know exactly where he's going to feel the pain.

While Soto (Narcos: Mexico) makes a reasonably charismatic lead, the more magnetic character is his sidekick, a twitchy killing machine known as Creeper (Shia LaBeouf, reuniting with Ayer after Fury). Encased in figure-hugging skinny suits, Mafia-grade sunglasses and just the right amount of bling, LaBeouf goes full Method with his flavorful dialogue and wired physicality, whether Creeper is extolling the virtues of his smelly protein diet, musing on the value of morning meditation and the meaninglessness of God in his universe or simply itching to stop talking and spill some blood. The actor builds a fully formed character that suggests an intriguing backstory, giving off sparks in his every scene.

Regrettably, that's not so much the case with the more generically drawn David and his wife Alexis (Cinthya Carmona), who is perceived as being safely outside the family's criminal operations but has enough of a stake in the business to know what's what. She certainly has no qualms about calling on David to put the fear of death into the "Mexican Kardashians" holding up work on their daughter's quinceañera dress, and she oversees the weekly tally of protection money collected by David and Creeper from 43 different L.A. street gangs.

Alexis is also the point person who communicates directly with Wizard, the overlord of the crime organization whose current situation (along with the unbilled famous name playing the role) is revealed in the film's closing scene.

'Tax Collector' Trailer Reteams Shia LaBeouf and David Ayer David's connection to Wizard becomes apparent only gradually, once an old rival of the crime boss returns from Mexico intent on reshaping the street-gang landscape according to his own rules. That hostile interloper, Conejo (borrowing the rapper name of Jose Martin, who plays the role with maximum menace), takes pleasure in reminding David how he's still a glorified errand boy instead of a fully-fledged made man.

Conejo first extends a hand offering David an executive role in his burgeoning empire. When that offer is declined, Conejo sends a brutal message via David's drug dealer Uncle Louis (comedian George Lopez, bringing understated snarl to a dramatic role). "I'm the future and you're the past," Conejo warns David, later adding, "Everything you love is gonna die."

While David prays to Jesus to keep his family and their palatial Spanish-style home safe, Conejo's religious rituals make Santeria look like Sunday school. The movie veers into grotesquerie as he prays at an unholy altar for protection in the oncoming turf war, bathing in the blood of a human sacrifice in a room that looks like Keith Haring threw a Dia de los Muertos party.

This might have been lurid fun from a director who didn't take it all so seriously, even if it's in questionable taste at a time when the White House administration has done everything in its power to demonize Latin American immigrants. There's little leeway for dark humor in Ayer's world, though I did get a kick out of Conejo's lady friend Gata (Cheyenne Rae Hernandez). Licking her lips lasciviously, the aptly named feline fiend can lob explosives and rain bullets from a semi-automatic all while skipping about on vertiginous heels. And you don't even want to know about her skills with a hammer. But Gata is a figure out of a Robert Rodriguez grindhouse world stuck in a fundamentally realist realm.

The inevitable faceoff between Conejo's goons and Wizard's is plenty bloody, intercut with Conejo's Satanic prayers. But the sequence feels almost perfunctory, yielding few surprises for a director with the sinewy action command Ayer has shown in the past. Pretty much everything that follows becomes both predictable and a little too easy as David musters all his force to protect what's most precious to him, calling on help from the leader of a Bloods gang (Cle Sloan) in his showdown with Conejo.

Earlier scenes have sketched in David's strategic ability to accrue loyalty as well as the humanity he shows when one gang rep's payment shortfall is explained by the medical expenses of his chronically ill daughter. But Ayer seems to be laboring under the misapprehension that the family-oriented gangster is something new in movies, along with the conflicted cycle of intergenerational violence. When blood-drenched David starts spouting hackneyed dialogue like "For my family, I live. For my family, I die. For my family, I kill," it's hard to stifle a groan. And the incorporation of the Zen aspects of Jiu Jitsu into his climactic fight is too flimsy to add anything.

Ayer drives the action along efficiently enough to the churning dread of Michael Yezerski's score. But there's too little depth to make you care about the characters and too little imagination at work to make The Tax Collector pay.

Production companies: Fast Horse Pictures, Kodiak Pictures, Cedar Park Entertainment Distributor: RLJE Films (select theaters, VOD, digital) Cast: Bobby Soto, Cinthya Carmona, George Lopez, Shia LaBeouf, Elpidia Carrillo, Lana Parrilla, David Castañeda, Conejo, Cheyenne Rae Hernandez, Cle Sloan, Noemi Gonzalez, Juan Carlos Cantu, Chelsea Rendon, Rene Moran Director-screenwriter: David Ayer Producers: Chris Long, David Ayer, Tyler Thompson, Matt Antoun Executive producers: Douglas Duncan, Buddy Patrick, Steve Matzkin, Misook Doolittle, Sarah Schroeder-Matzkin, Mickey Gooch, Jr., Doug McKay, Cindy Bond, Todd Williams Director of photography: Salvatore Totino Production designer: Andrew Menzies Costume designer: Kelli Jones Music: Michael Yezerski Editor: Geoffrey O'Brien Casting: Mary Vernieu, Lindsay Graham-Ahanonu

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[consultingzoologist]

Tagged by @faery-dust for my 2019 year in review!

🌀 5 top movies

- Shazam!

- Unicorn Store

- Some Like it Hot

- Moana

- Clue

🌀 5 top tv shows

- Good Omens

- Our Planet

- Seven Worlds, One Planet

- His Dark Materials

- Stranger Things 

(technically the only one I’ve watched in its entirety is Good Omens but shh)

🌀 5 top books

- In The Eye of the Shoal: Helen Scales (she’s a marine biologist who studies fish and has the best name ever!)

- The Girl who Could Move Shit With her Mind: Jackson Ford

- Leviathan, or The Whale: Philip Hoare

- And The Ocean Was Our Sky: Patrick Ness

- Record of a Spaceborn Few: Becky Chambers

🌀 5 top songs

- Technicolour Beat: Oh Wonder

- Alligator: Of Monsters and Men

- Everybody Wants to Rule the World: Tears for Fears

- Edge of Seventeen: Stevie Nicks

- Stay Alive: Jose Gonzalez

🌀 5 top positive things/moments

- I graduated with a zoology degree!

- I came out to my extended family and it went well

- I got to spend some more time at sea and saw bluefin tuna

- I felt very close to my friends

- People told me that my work (creative and otherwise) matters and makes a difference 

This was harder than expected actually! I’ll tag @doodleborg @piratearrowxab @a-fucking-velociraptor @shadows-and-illusions @sunshinechildskywalker @inthegardensofourminds @willowbilly @crowleyraejepsen @startofamoment @physicsandfandoms

[hellojahanzaibfan]

EL GALLO from Medoway on Vimeo.

“El Gallo” takes us on a visceral journey through the life of Juan 'El Gallo' Estrada, the former Flyweight champion of the world and one of Mexico's most famous boxers. While training for the biggest fight of his life, El Gallo takes us back to his childhood filled with loss and tragedy, overcoming tremendous odds to make it to the top of the international boxing world.

Rome Independent FF "Best Short Documentary" DOC NYC - Official Selection HBO's NYLFF - Official Selection

Director's Notes Interview directorsnotes.com/2019/09/24/michael-medoway-el-gallo/

Indie Shorts Mag Review indieshortsmag.com/reviews/2019/03/el-gallo-the-story-of-a-heros-making/

Credits:

U.S. Production Prod Co: Downtown Reel EP: Jeff Murray Producer: Lizette De Los Santos

Mexico Production Prod Co: Gusana Films EP: Fernando Uriegas Line Producer: Guillermo Padilla

Crew Director: Michael Medoway DP: Alejandro A. Wilkins Gaffer: Miguel Angel Alcantar Key Grip: Mauricio Alan Loya Art Director: Andres Paz Gonzalez Prop Master: Marco Rabago Location Sound: Francisco E. Herrera Location Manager: Gabriela Islas Transportation: Edgar Hernandez Accountant: Susan Smith

Cast Himself: Juan Francisco Estrada (El Gallo) Young El Gallo: Said Acuna Lopez Don Juan (Trainer): Alejandro Fidel Sarmiento Dad (Tree Scene): Miguel Pereyda Ojeda Kid (Tree Scene): Wallace Pereyda Perez Head Trainer: Jose Alfredo Caballero Rivera Assistant Trainer: Alfredo Leon Lopez Assistant Trainer: German Leon Lopez

Post Production Editorial: Trulove Post Post Producer: Mariana Mucci Editor: Ignacio "Nano" Recondo Sound Design/Sound Mixing: Gonzalo Ugarteche Music Composer/Supervisor: Juan Manuel Leguizamon, Rodrigo Crespo

Color: OLIO Creative Producer: Natalie Westerfield Colorist: Marshall Plante

Title Design/Animation: Dean Chapman

Lead Re-Recording Mixer: Eric Marks

Original Song "El Gallo" Written By Rodrigo Mercado

Performed by Jose Talamantes

Recorded and mixed by Juan Manuel Leguizamon Rodrigo Crespo

Special Thanks Sonora Tourism Board Hermosillo Film Commission Gusana Films Trulove Post Caballero Boxing Jeff Murray Juan Hernandez Kelly Samuels HBO Sports Cary Medoway Wendy Wilkins Brenda Bonilla Hector Acuna Lopez DAZN

Fight Footage Provided Courtesy Of HBO Sports DAZN

Cameras Provided By CAMTEC

Shot on location in Hermosillo, Sonora (Mexico) and Inglewood, California

[mvvdclub]

Jose Gonzalez @ Bluesfest 2018, Byron Bay, AU

-Gig Review-

Sounds Like: Beautiful indie beauty wafting over a few thousand-strong crowd of middle-aged people holding a generic can of mass-produced lager and a deck chair draped over their shoulder. Feels Like: A solid performance hindered by the musician’s choice to play the festival without his usual band AND sit down for his entire set. Looks Like:

Smells Like: Weed, obviously. Tastes Like: A hearty minestrone soup loaded with your favourite vegetables–it’s tasty, but it’s not your number one dish (if minestrone is actually your favourite meal, I feel so so sorry for you).

SHITorHIT? I have a soft spot for Jose and Junip - HIT.