#john eaton

[anteabbie]

Trolling antebellum figures on character ai by telling them I’m pregnant and they’re the father

[antebellumite]

hi the way i am learning more about peggy eaton from her husband's wikipedia page than on her own.

[nofingjustaninchident]

older men do it better

[giraffe44]

TfheGorgeous Hussy, 1936, Is Playing on TCM on March 15 (USA)

Joan Crawford and Robert Taylor The Gorgeous Hussy, 1936, is playing on Turner Classic Movies on Wednesday, March 15 at 7:30 a.m. est. It’s a story about Washington D.C. It’s about dirty tricks, sleazy operatives, scurrilous personal attacks and lies. The 2020 election?  No, The Gorgeous Hussy. The story centers around Peggy O’Neill, Joan Crawford, an innkeeper’s daughter called“Pothouse Peg,”…

[stellacstn]

I have a really weird taste in men.

let me show it in just one picture:

full list of my husbands (or maybe not), some of them are toxic af that could cause chernobyl radiation and the other half is an angel walking on earth (i’m obsessed with baldwin and morpheus, so i could put these two in just one huge picture but yeah…)

p.s. valtor and edward look hilarious among them ngl, can’t believe i put my childhood crush in this picture 💀 i used to be a wild kid it seems..

[hidekomoon]

i finished the first 3 last spring and then completely gave up on this project until i completed number 4 & 5 this week. i’m kind of running out of paintings with easy poses to photoshop together but i’m gonna keep looking! (here’s my little collection of lesbian montages)

1. Evelyn de Morgan’s The Prisoner (1907-08) with Joanna Mary Boyce’s portrait of Fanny Eaton (1859)

2. Waterhouse’s The Awakening of Adonis (c.1900) and John Simmons’s Titania Sleeping in the Moonlight Protected by her Fairies

3. Portrait of a Lady by Natale Schiavoni (c.1820) with Nathaniel Sichel’s In the Time of Roses

4. A painting by Eugene de Blaas and L’Espoir by Auguste Leroux

5. La Blanche et la Noire by Félix Valloton (1913) with Portrait of Madeleine by Marie-Guillemine Benoist (1800)

[ghostampire]

milkshake party

[coriolanussnowswife]

❀ 𝘵ℎ𝑒 𝑟𝑒𝑐𝘰𝑟𝑑 𝑠ℎ𝘰𝑝 ❀

𝐃𝐢𝐬𝐜𝐨𝐠𝐫𝐚𝐩𝐡𝐲

𝐹𝑜𝑙𝑙𝑜𝑤𝑒𝑟 𝐶𝑜𝑢𝑛𝑡: 𝟑𝟕

┍━━━━━━━━»•» ❀ «•«━┑

❝ 𝐼 𝑎𝑖𝑛’𝘵 𝑛𝘰 𝑐𝑎𝑛𝑑𝑙𝑒 𝑖𝑛 𝘵ℎ𝑒 𝑤𝑖𝑛𝑑

𝐼’𝑚 𝘵ℎ𝑒 𝑏𝘰𝑎𝑟𝑑, 𝘵ℎ𝑒 𝑙𝑖𝑔ℎ𝘵𝑛𝑖𝑛𝑔, 𝘵ℎ𝑒 𝘵ℎ𝑢𝑛𝑑𝑒𝑟

𝛫𝑖𝑛𝑑 𝘰𝑓 𝑔𝑖𝑟𝑙 𝑤ℎ𝘰’𝑠 𝑔𝘰𝑛𝑛𝑎 𝑚𝑎𝑘𝑒 𝑦𝘰𝑢 𝑤𝘰𝑛𝑑𝑒𝑟

𝑊ℎ𝘰 𝑦𝘰𝑢 𝑎𝑟𝑒 𝑎𝑛𝑑 𝑤ℎ𝘰 𝑦𝘰𝑢’𝜈𝑒 𝑏𝑒𝑒𝑛 ❞

~ 𝐿.𝐷.𝑅

┕━»•» ❀ «•«━━━━━━━━┙

19

𝑨𝒏𝒂𝒔𝒕𝒂𝒔𝒊𝒂: 𝑠ℎ𝑒 𝑤ℎ𝑜 𝑤𝑖𝑙𝑙 ��𝑖𝑠𝑒 𝑢𝑝 𝑎𝑔𝑎𝑖𝑛

╔═══*.·:·.☽✧ ✦ ✧☾.·:·.*═══╗

❝𝑖 𝑔𝑢𝑒𝑠𝑠 𝑒𝑣𝑒𝑟𝑦 𝑙𝑜𝑛𝑒𝑙𝑦 𝑔𝑖𝑟𝑙 𝑤𝑜𝑢𝑙𝑑

ℎ𝑜𝑝𝑒 𝑠ℎ𝑒’𝑠 𝑎 𝑝𝑟𝑖𝑛𝑐𝑒𝑠𝑠.❞

~ 𝐴𝑛𝑎𝑠𝑡𝑎𝑠𝑖𝑎

╚═══*.·:·.☽✧ ✦ ✧☾.·:·.*═══╝

𝑻𝒆𝒓𝒎𝒔:

𝐷𝑖𝑠𝑐𝑜𝑔𝑟𝑎𝑝ℎ𝑦 = 𝑀𝑎𝑠𝑡𝑒𝑟𝑙𝑖𝑠𝑡

𝑆𝑖𝑛𝑔𝑙𝑒𝑠 = 𝐼𝑚𝑎𝑔𝑖𝑛𝑒𝑠 / 𝑂𝑛𝑒𝑠ℎ𝑜𝑡𝑠

𝐴𝑙𝑏𝑢𝑚𝑠 = 𝑆𝑒𝑟𝑖𝑒𝑠’𝑠

𝑴𝒚 𝑻𝒂𝒈𝒔:

#𝑎𝑛𝑎𝑠𝑡𝑎𝑠𝑖𝑎𝑟𝑒𝑏𝑙𝑜𝑔𝑠 - 𝐹𝑜𝑟 𝑚𝑦 𝑟𝑒𝑐𝑠

𝐵𝑒𝑙𝑜𝑤 𝑡ℎ𝑒 𝑐𝑢𝑡: 𝑊ℎ𝑜 𝐼 𝑤𝑟𝑖𝑡𝑒 𝑓𝑜𝑟, 𝑅𝑢𝑙𝑒𝑠

- - ┈┈∘┈˃̶༒˂̶┈∘┈┈ - -

𝐼 𝑤𝑖𝑙𝑙 𝑡𝑟𝑦 𝑡𝑜 𝑔𝑒𝑡 𝑎𝑙𝑙 𝑟𝑒𝑞𝑢𝑒𝑠𝑡𝑠 𝑑𝑜𝑛𝑒 𝑎𝑠 𝑠𝑜𝑜𝑛 𝑎𝑠 𝑝𝑜𝑠𝑠𝑖𝑏𝑙𝑒.

𝑾𝑨𝑹𝑵𝑰𝑵𝑮!!! 𝒕𝒉𝒊𝒔 𝒃𝒍𝒐𝒈 𝒄𝒐𝒏𝒕𝒂𝒊𝒏𝒔 𝟷𝟾˖ 𝒄𝒐𝒏𝒕𝒆𝒏𝒕. 𝑹𝒆𝒂𝒅 𝒂𝒕 𝒚𝒐𝒖𝒓 𝒐𝒘𝒏 𝒓𝒊𝒔𝒌. (But it is not a purely 18+ blog♥️♥️ I write other things mostly)

𝐖𝐡𝐨 𝐈 𝐰𝐫𝐢𝐭𝐞 𝐟𝐨𝐫

𝐑𝐮𝐥𝐞𝐬

[twittercomfrnklin2001-blog]

The Killing Kind

Of the films he made after NIGHT TIDE (1961), Curtis Harrington’s THE KILLING KIND (1973, Plex) may be the closest in spirit to the experimental shorts he shot in the 1940s and 1950s. It’s not just the dream sequence in which ex-convict John Savage imagines himself in a crib, pampered by the old women living in mother Ann Sothern’s rooming house. It’s also the strange scenes between mother and son, paralleled by the strained relationship of their neighbors, father Peter Brocco and daughter Luana Anders. More absurdist queer psychodrama than horror film, THE KILLING KIND has moments that echo Edward Albee and Tennessee Williams.

In the opening scene, Savage is forced to participate in a gang rape. When the girl (Susan Bernard) turns him in to the police, he spends two years in prison before returning home to mama. He then embarks on a revenge tour, setting his sights on Bernard and his inept lawyer (Ruth Roman), though it’s clear the real source of his problems is Sothern’s particular brand of smother love.

I don’t know how much input Harrington had on Tony Crechales and George Edwards’ script (they later recycled Brocco and Anders’ characters in another film, 1980’s THE ATTIC), but the parent-child scenes are strongly reminiscent of similar elements in Harrington’s experimental shorts. Savage and Sothern sometimes speak at cross-purposes, as if each were delivering a monolog without listening to the other. She infantilizes him with recurring offers of chocolate milk but also sexualizes the relationship, insisting he rub her neck and kiss her on the mouth. And even though Savage spies on new tenant Cindy Williams (who made the film between workdays on THE CONVERSATION), it’s pretty obvious he’s a deeply closeted gay man. When he attempts to masturbate to images of bare breasts, he can’t finish, and his relations to women seem to be based in hatred.

Sothern and Savage have a marvelous rapport on screen. Their scenes demand complete trust, which is obvious throughout. And Sothern, who started studying The Method with Jeff Corey in the 1960s, is totally in command of her instrument. She can switch from bullying to morose to comic in a heartbeat, and it all makes sense. Anders is very effective as the put-upon daughter next door, who switches from flirtatious to abrasive when Savage rebuffs her advances (she’s lucky; he tends to kill the women who come on to him). The wonderful character actress Marjorie Eaton also turns up as one of the tenants. Watching her descend regally in a chair lift is one of the film’s most sublime images.

[abs0luteb4stard]

W A T C H I N G

[anteabbie]

So @lil-als asked me how the bird thing works with other bots, AND THEY’RE ALL FRIENDLY

And I tried JCC again… he’s still an asshole

[mychameleondays]

Ringo Starr: Goodnight Vienna

Apple/Capitol/UMe 00602567007401, 2018

Originally released: November 15, 1974

[fauvester]

i do think jackson would smoke weed. no other way to deal with The Traumas back then

[las-microfisuras]

EL JARDINERO QUE VUELVE DE LA MUERTE

Nuestra especie ha dejado el Jardín hace mucho tiempo:

queda el Jardinero que vuelve de la muerte.

Pascal Quignard

I.

Caminas

y queda atrás el verde

aplastado en cada paso

la hierba preparada para soportar

el peso de otro cuerpo

eres el jardinero

que recoge las hojas

en el jardín de la muerte

II.

En el jardín de la muerte

se habla tu lengua

las víboras muerden

la mano abierta

de las palabras

III.

De las palabras

brotan flores que se marchitan

en el vientre de la madre

IV.

En el vientre de la madre

bailan lunas rotas

reminiscencias fugaces

de la primera danza

en la muerte

el deseo es una sombra que devora

la ausencia

V.

La ausencia

aquel viento

que danza

intrépido

y ahuyenta

los recuerdos

VI.

Los recuerdos

se clavan en tus ojos

por dentro

como vidrios finos

y alargados

penetran tus pupilas

a veces

la felicidad

es una herida

invisible

VII.

Invisible

en tus ojos

el miedo que paraliza al ciervo

antes de la huida

efímero ancoraje

en una geografía

que siempre ansías

bajo tu piel pájaros

latidos imperceptibles

que arrancan los pétalos

de las flores

VIII.

De las flores

aprendes la muerte

si cierras los párpados

y la vida

si los abres

el padre

es un cerezo

olvidado en el jardín

donde caminas

IX.

Caminas

y el Amor

el Amor

está a salvo

dentro del corazón

del jardinero que vuelve de la muerte

- Corina Oproae en "Desde dónde amar" (2021), Pre-Textos.

John B. Eaton. Sin título 1930´s

[antebellumite]

https://www.jstor.org/stable/3124447?origin=crossref%3Forigin%3Dcrossref&seq=39

a good read if for no other reason than a brief oviposition mention.

[graphicpolicy]

Preview: DC Power 2024

DC Power 2024 preview. DC Power returns for round two with brand-new stories spotlighting Black characters from across the DC Universe #comics #comicbooks