#jodie mcnee

[bishicat]

a quiet moment between lovers in the Lighthouse

[arleniansdoodles]

Atreus and Angrboda from my post-Ragnarok AU, with an ambience inspired by the medieval Icelandic hymn, “Heyr himna smiður.” Admittedly, they look a bit older than they are in the AU loll so let’s just chalk it up to their Giant genes!

These two are definitely endgame in my story, but they’re also kinda going at a slow pace with their romance, since neither of them are experienced in this field. Not even Mimir’s lessons on how to “woo” have gotten Atreus far, because those customs don��t work with Angrboda (like giving her a flower)! So Atreus had to start all over again with learning how the Giants court each other XDD

For this pose study, I referenced pictures from Shakespeare’s play, Cymbeline, performed in 2007 starring Tom Hiddleston and Jodie McNee.

(Edit: I added in Atreus’ neck tattoo! I can’t believe I forgot to include it T_T)

[insanityclause]

Tom Hiddleston with Jodie McNee in Cymbeline, Barbican theatre, London, 2007

[grande-caps]

Britannia - Season 2 + Opening Credits GALLERY LINK : [x] Quality : HD Screencaptures Amount : 9787 files Resolution : 1280x720px

-Please like/reblog if taking! -Please credit grande_caps/kissthemgoodbye!

[rosncrntz]

royal shakespeare company → plays [3/?]

venice preserved (2019)

dear revenge, whene’er thou call’st i’m ready.

[periodplaybyprovider]

Jodie McNee in Britannia

[brimstone-cowboy]

The version of Hamlet as played by Maxine Peake and therefore includes upwards of 80% percent more lesbianism is the best that’s ever happened to me

[willstafford]

Faust-Forward

FAUSTUS (THAT DAMNED WOMAN)

Birmingham Repertory Theatre, Wednesday 26th February, 2020

  There is more to gender-swapping in Chris Bush’s take on the Faust tale.  Her protagonist, Johanna Faustus, tries to use the diabolic powers granted her by her pact with Lucifer, to do good in the world.  At first, she is driven by her desire to know whether her executed mother had been, in fact, the witch…

[peterviney1]

Venice Preserved review Review of the Royal Shakespeare Company production of "Venice Preserved" by Thomas Otway. (FOLLOW LINK) This is a rarity - a Restoration Tragedy, rated by Michael Billington as one of the 101 Greatest Plays. I assess it somewhat differently …

[detournementsmineurs]

"La Reine du Crime Présente : Les Meurtres de Minuit” de Joe Stephenson - inspiré du personnage d'Agatha Christie (1890-1976) - avec Helen Baxendale, Blake Harrison, Jodie McNee, Jacqueline Boatswain, Vanessa Grasse, Morgan Watkins, Daniel Caltagirone, Elizabeth Tan, Thomas Chaanhing, Gina Bramhill, Alistair Petrie et Scott Chambers, mai 2021.

[arbeaone]

Denise Gough, Arthur Darville, More Set for BBC Short Play Showcase Unprecedented

BY DAN MEYER APR 21, 2020

The digital short plays will air as part of the BBC Arts’ Culture in Quarantine initiative.

Dozens of U.K. stage, film, and television stars have been tapped for the upcoming short digital play series Unprecedented: Real Time Theatre From a State of Isolation, including two-time Olivier Award winner Denise Gough and Broadway alum Arthur Darvill. Other notable stage performers joining Gough (Angels in America) and Darvill (Once) are Olivier winner Monica Dolan (All About Eve), Jodie McNee (Faustus: That Damned Woman), Rory Keenan (Long Day's Journey Into Night), and Gemma Arterton (Saint Joan).

The shorts will air as part BBC Arts’ Culture in Quarantine initiative with playwrights Jennifer Haley, James Graham, Jasmine Lee-Jones, Duncan Macmillan, and more previously reported creators. They'll craft over a dozen new works, which will each be presented using digital conferencing technology and combining live and pre-recorded material. The series plans to go live in May after initially setting its sights on April.

Also attached to perform are Sadia Ahmed, Kae Alexander, Esh Alladi, Patricia Allison, Julian Barratt, Paul Chahidi, Ines De Clercq, Risteárd Cooper, Natalie Dew, Erin Doherty, Michael Elwyn, Frances Grey, Kathryn Hunter, Saoirse-Monica Jackson, Geraldine James, Lennie Jame, Sue Johnston, Lisa Kerr, Rory Kinnear, Laurie Kynaston, Alex Lawther, Archie Madekwe, Anna Madeley, Marcello Magni, Lucianne McEvoy, Cecilia Noble, James Norton, Enyi Okoronkwo, Abraham Popoola, Boadicea Ricketts, Golda Rosheuvel, Sid Sagar, Rochenda Sandall, Gyuri Sarossy, Kiruna Stamell, Rebekah Staton, Alison Steadman, Rhashan Stone, Meera Syal, Stuart Thompson, Amy Trigg, Dickon Tyrell, Olivia Williams, Gabby Wong, Fenella Woolgar, and Sargon Yelda.

Curated by Headlong, Century Films, and BBC Arts, Unprecedented explores our rapidly evolving world, responding to how perceptions of community, education, work, relationships, family, culture, climate, and capitalism are evolving on an unprecedented scale.

[tomhiddleslove]

From boyband Shakespeare to Betrayal: Tom Hiddleston on stage – in pictures.

As he returns to the London stage in Harold Pinter’s Betrayal, look back at Tom Hiddleston’s theatre career, including his early roles with Cheek by Jowl, Coriolanus and his hot-ticket Hamlet.

Tom Hiddleston as Alsemero in Declan Donnellan’s 2006 staging of The Changeling at the Barbican, London.

Photograph: Tristram Kenton/The Guardian

In a review of the Cheek By Jowl production, Michael Billington described it as a dark Jacobean masterpiece, in which ‘madness, as much as passion, spins the plot’.

Photograph: Tristram Kenton/The Guardian

Hiddleston appeared in another Cheek By Jowl production, Cymbeline, at the Barbican in 2007.

Photograph: Alastair Muir/Rex/Shutterstock

As designer Nick Ormerod recalled, Hiddleston as Posthumus delivered ‘a brilliantly cringeworthy’ boyband number. Here he is with Jodie McNee as Imogen.

Photograph: Tristram Kenton/The Guardian

For a 2013 performance in a ‘fast, witty, intelligent’ Coriolanus at the Donmar Warehouse, ‘Hiddleston gives us a man ultimately destroyed by his own headlong nature’, wrote Billington.

Photograph: Johan Persson

Hiddleston took on Shakespeare again, reuniting with his Ivanov director Kenneth Branagh, in an intimate 2017 production of Hamlet to raise funds for the Royal Academy of Dramatic Art.

Photograph: Johan Persson

‘The occasion,’ wrote Billington in a four-star review, ‘was remarkable for the traditionalism of Branagh’s production, the romanticism of Hiddleston’s Hamlet and the rapt concentration of the audience’.

Photograph: Johan Persson

He added: ‘If I had to pick out Hiddleston’s key quality, it would be his ability to combine a sweet sadness with an incandescent fury. He suggests a fierce intellect gnawed by intense melancholy and yet subject to bouts of intemperate rage’.

Photograph: Johan Persson

Hiddleston in rehearsals for Betrayal, considered one of Harold Pinter’s finest plays and the final instalment in Jamie Lloyd’s Pinter at the Pinter season.

Photograph: Marc Brenner

Hiddleston will play Robert in a story of two couples entangled in a seven-year affair – it was inspired by Pinter’s relationship with Joan Bakewell.

Photograph: Charlie Gray

[maryxglz]

As he returns to the London stage in Harold Pinter’s Betrayal, look back at Tom Hiddleston’s theatre career, including his early roles with Cheek by Jowl, Coriolanus and his hot-ticket Hamlet.

Tom Hiddleston as Alsemero in Declan Donnellan’s 2006 staging of The Changeling at the Barbican, London.

Photograph: Tristram Kenton/The Guardian

In a review of the Cheek By Jowl production, Michael Billington described it as a dark Jacobean masterpiece, in which ‘madness, as much as passion, spins the plot’

Photograph: Tristram Kenton/The Guardian

Hiddleston appeared in another Cheek By Jowl production, Cymbeline, at the Barbican in 2007

Photograph: Alastair Muir/Rex/Shutterstock

As designer Nick Ormerod recalled, Hiddleston as Posthumus delivered ‘a brilliantly cringeworthy’ boyband number. Here he is with Jodie McNee as Imogen

Photograph: Tristram Kenton/The Guardian

For a 2013 performance in a ‘fast, witty, intelligent’ Coriolanus at the Donmar Warehouse, ‘Hiddleston gives us a man ultimately destroyed by his own headlong nature’,wrote Billington

Photograph: Johan Persson

Hiddleston took on Shakespeare again, reuniting with his Ivanov director Kenneth Branagh, in an intimate 2017 production of Hamlet to raise funds for the Royal Academy of Dramatic Art

Photograph: Johan Persson

‘The occasion,’ wrote Billington in a four-star review, ‘was remarkable for the traditionalism of Branagh’s production, the romanticism of Hiddleston’s Hamlet and the rapt concentration of the audience’

Photograph: Johan Persson

He added: ‘If I had to pick out Hiddleston’s key quality, it would be his ability to combine a sweet sadness with an incandescent fury. He suggests a fierce intellect gnawed by intense melancholy and yet subject to bouts of intemperate rage’

Photograph: Johan Persson

Hiddleston in rehearsals for Betrayal, considered one of Harold Pinter’s finest plays and the final instalment in Jamie Lloyd’s Pinter at the Pinter season

Photograph: Marc Brenner

Hiddleston will play Robert in a story of two couples entangled in a seven-year affair – it was inspired by Pinter’s relationship with Joan Bakewell

Photograph: Charlie Gray

[insanityclause]

From boyband Shakespeare to Betrayal: Tom Hiddleston on stage – in pictures

(From The Guardian, February 21, 2019)

As he returns to the London stage in Harold Pinter’s Betrayal, look back at Tom Hiddleston’s theatre career, including his early roles with Cheek by Jowl, Coriolanus and his hot-ticket Hamlet

Tom Hiddleston as Alsemero in Declan Donnellan’s 2006 staging of The Changeling at the Barbican, London.

Photograph: Tristram Kenton/The Guardian

In a review of the Cheek By Jowl production, Michael Billington described it as a dark Jacobean masterpiece, in which ‘madness, as much as passion, spins the plot’

Photograph: Tristram Kenton/The Guardian

Hiddleston appeared in another Cheek By Jowl production, Cymbeline, at the Barbican in 2007

Photograph: Alastair Muir/Rex/Shutterstock

As designer Nick Ormerod recalled, Hiddleston as Posthumus delivered ‘a brilliantly cringeworthy’ boyband number. Here he is with Jodie McNee as Imogen

Photograph: Tristram Kenton/The Guardian

For a 2013 performance in a ‘fast, witty, intelligent’ Coriolanus at the Donmar Warehouse, ‘Hiddleston gives us a man ultimately destroyed by his own headlong nature’, wrote Billington

Photograph: Johan Persson

Hiddleston took on Shakespeare again, reuniting with his Ivanov director Kenneth Branagh, in an intimate 2017 production of Hamlet to raise funds for the Royal Academy of Dramatic Art

Photograph: Johan Persson

‘The occasion,’ wrote Billington in a four-star review, ‘was remarkable for the traditionalism of Branagh’s production, the romanticism of Hiddleston’s Hamlet and the rapt concentration of the audience’

Photograph: Johan Persson

He added: ‘If I had to pick out Hiddleston’s key quality, it would be his ability to combine a sweet sadness with an incandescent fury. He suggests a fierce intellect gnawed by intense melancholy and yet subject to bouts of intemperate rage’

Photograph: Johan Persson

Hiddleston in rehearsals for Betrayal, considered one of Harold Pinter’s finest plays and the final instalment in Jamie Lloyd’s Pinter at the Pinter season

Photograph: Marc Brenner

Hiddleston will play Robert in a story of two couples entangled in a seven-year affair – it was inspired by Pinter’s relationship with Joan Bakewell

Photograph: Charlie Gray

[grande-caps]

Sceencaps || Britannia - Season 1 + Opening Credits GALLERY LINK : [x] Quality : HD Screencaptures Amount : 8727 files Resolution : 1280x720px

-Please like/reblog if taking! -Please credit grande_caps/kissthemgoodbye!