#joanna robinson

[isagrimorie]

Joanna Robinson of House of R podcast, formerly of Vanity Fair did an interview with the Agatha All Along Writer’s Room. Check on the new extras for Disney’s For Your Consideration page!

[comicbookclub]

MCU: The Reign Of Marvel Studios | Joanna Robinson & Dave Gonzales Interview

Joanna Robinson and Dave Gonzales discuss MCU: The Reign Of Marvel Studios, now in paperback, on a special episode of our podcast.

MCU: The Reign Of Marvel Studios is now out in paperback in stores everywhere, a non-fiction book breaking down the entire history of the Marvel Cinematic Universe… So far. Two of the authors, Joanna Robinson and Dave Gonzales, join the podcast to break down how they tackled a massive task like this, working both with and without the approval of Marvel, taking on tricky subjects throughout Marvel…

[comicbookclublive]

MCU: The Reign Of Marvel Studios | Joanna Robinson & Dave Gonzales Interview

Joanna Robinson and Dave Gonzales discuss MCU: The Reign Of Marvel Studios, now in paperback, on a special episode of our podcast.

MCU: The Reign Of Marvel Studios is now out in paperback in stores everywhere, a non-fiction book breaking down the entire history of the Marvel Cinematic Universe… So far. Two of the authors, Joanna Robinson and Dave Gonzales, join the podcast to break down how they tackled a massive task like this, working both with and without the approval of Marvel, taking on tricky subjects throughout Marvel…

[gresit]

STILL BREATHING (1997) dir. James Ford Robinson

[lookwhatilost]

film critics are also completely complicit in this too! when you write these think pieces or articles in the nyt or vulture or vanity fair and are getting hundreds of dollars from disney or warner brothers to write out of your ass, you're the generals leading this culture war.

like. i'm sorry but look at this shit. "Star Wars: The Last Jedi Offers the Harsh Condemnation of Mansplaining We Need in 2017"

That Holdo is kind yet dismissive of Poe only enrages him further. She urges him, for the safety of all concerned, to “stick to your post and follow my orders.” He doesn’t; as a result, many rebels die. Speaking about her character’s stylish-yet-firm leadership, Dern told Vanity Fair: “[Rian is] saying something that’s been a true challenge in feminism. Are we going to lead and be who we are as women in our femininity? Or are we going to dress up in a boy’s clothes to do the boy’s job? I think we’re waking up to what we want feminism to look like.”

One might argue that if Holdo had filled in Poe on her plan—to evade the First Order fleet long enough to get within range of an old base on Crait—Poe would have listened and fallen in line. But to borrow a phrase from Poe himself, this mission was a “need-to-know.” And as soon as a frustrated Holdo and Leia let Poe in on the plan, he blabs about it over the comms to Finn loud enough that Benicio del Toro’s D.J. can hear—and, later, sell them out. If Poe had just listened to Leia and Holdo from the start, the rebel fleet wouldn’t have been quite so decimated by the end of the film. Poe does clearly learn his lesson by the final frames of The Last Jedi—and only then do his admiration for Holdo, his respect for Leia, and his realization of just how much he doesn’t know position him to finally become the leader these powerful women hoped he’d be.

It’s clever for Johnson to have put this story on the very likable Poe. (Both Leia and Holdo are careful to reassure audiences that they, too, like the guy.) We expect dismissive sexism from the First Order (how many times do they refer to Rey as “The Girl?”), but to see it from a friendly face is even more instructive. Any female boss in 2017 or American still nursing the hangover of the 2016 presidential election can tell you that even nice guys often have trouble taking orders from women.

This message—women being largely right, and men being mostly wrong—extends to most but not all aspects of The Last Jedi. Rose Tico was certainly right to insist that Finn stay and fight, and right again to save him when attempts to needlessly sacrifice himself. Rey and Leia were right that Luke should join the resistance. But Luke still has some things to teach his young student. When they fight on the rainy cliffs of Ahch-To over her desperate hope that she can save Ben Solo, Luke is correct in telling Rey that “this is not going to go the way you think.” And in the end, no matter how Poe and Finn may have stumbled—or Holdo, Leia, Rose, and Rey may have triumphed—it’s still Luke Skywalker who gets the film’s big damn hero moment.

why is she making this stupid ass dig about luke skywalker getting a big hero moment? it's one of the few meaningful and interesting things that happens in this movie! "big damn hero moment" is literally a tv tropes phrase that comes from a line from firefly. is she aware that she's making a joss whedon reference lol?

[mostlyghostie]

I redrew my favourite books! This time I added my favourite albums too.

Books:

Paul Auster - 4321

Phillip Pullman - Northern Lights

AS Byatt - The Children’s Book

Charles Dickens - David Copperfield

William Goldman - The Princess Bride

George Saunders - Lincoln in the Bardo

RC Sherriff - The Fortnight in September

Kazuo Ishiguro - An Artist of the Floating World

Jon McGregor - Reservoir 13

David Mitchell - The Thousand Autumns of Jacob de Zoet

Elizabeth Strout - Olive Kitteridge

Alice Munro - Hateship, Loveship, Courtship, Friendship, Marriage

Marilynne Robinson - Home

John Williams - Stoner

Albums:

Love - Forever Changes

Lou Reed - Transformer

Violent Femmes - Violent Femmes

Neutral Milk Hotel - In the Aeroplane Over the Sea

Sam Cooke - Live at the Harlem Square Club

Martha - Blisters in the Pit of My Heart

Big Thief - Masterpiece

The Stone Roses - The Stone Roses

Joanna Newsom - Divers

Richard Dawson - 2020

George Harrison - All Things Must Pass

The Beatles - Abbey Road

(I’ve added a new listing to my shop where you can request a big custom print like this of your own favourite stuff to display on your wall!)

Shop / Instagram

[thatscarletflycatcher]

Inspired by @kajaono's post the other day about Victoria Hamilton, JLM and Austen adaptations, have a list of the actors that have been in at least 2 Austen adaptations:

Hat trickers:

Victoria Hamilton played Henrietta Musgrove in Persuasion (1995), Julia Bertram in Mansfield Park (1999), and Mrs. Foster in Pride and Prejudice (1995)

Johnny Lee Miller played one of Fanny's brothers in Mansfield Park (1983), Edmund Bertram in Mansfield Park (1999), and Mr. Knightley in Emma (2009).

Doubles:

Joanna David played Elinor Dashwood in Sense and Sensibility 1972; she also played Mrs. Gardiner in Pride and Prejudice (1995)

Samantha Bond played Maria Bertram in Mansfield Park (1983); she later on played Mrs. Weston in Emma (ITV, 1996)

Bernard Hepton played Sir Thomas Bertram in Mansfield Park (1983); he later on played Mr. Woodhouse in Emma (ITV, 1996)

Sylvestra Latouzel played Fanny Price in Mansfield Park (1983); she later on played Mrs. Allen in Northanger Abbey (2007)

Nicholas Farrell played Edmund Bertram in Mansfield Park (1983); he later on played Mr. Musgrove in Persuasion (2007)

Irene Richard played Charlotte Lucas in Pride and Prejudice (1980); she then played Elinor Dashwood in Sense and Sensibility (1981)

Robert Hardy played General Tilney in Northanger Abbey (1987); he later on played Sir John Middleton in Sense and Sensibility (1995)

Sophie Thompson played Mary Musgrove in Persuasion (1995), and then the following year she played Miss Bates in Emma (Miramax, 1996)

Kate Beckinsale played Emma Woodhouse in Emma (1996); later on she played Lady Susan in Love and Friendship (2016)

Blake Ritson played Edmund Bertram in Mansfield Park (2007) and later on Mr. Elton in Emma (2009)

Jemma Redgrave played Lady Bertram in Mansfield Park (2007); she later on played Mrs. DeCourcy in Love and Friendship (2016)

Lucy Robinson played Mrs. Hurst in Pride and Prejudice (1995); the following year she played Mrs. Elton in Emma (ITV, 1996)

Carey Mulligan played Kitty Bennet in Pride & Prejudice (2005) and then Isabella Thorpe in Northanger Abbey (2007)

Lucy Briers played Mary Bennet in Pride and Prejudice (1995); she also played a minor role as Mrs. Reynolds in Emma (2020)

If we include Austen-adjacent pieces:

Hat tricks:

Hugh Bonneville played Mr. Rushworth in Mansfield Park (1999) and later on played Rev. Brook Bridges in Miss Austen Regrets (2007) and then Mr. Bennet in Lost in Austen (2008)

Doubles:

Olivia Williams played Jane Fairfax in Emma (ITV, 1996); she later on played Jane Austen in Miss Austen Regrets (2007)

Also, Greta Scacchi played Mrs. Weston in Emma (Miramax, 1996) and went on to play Cassandra Austen in Miss Austen Regrets (2007)

Guy Henry played John Knightley in Emma (ITV, 1996), and later on played Mr. Collins in Lost in Austen (2008)

Christina Cole played Caroline Bingley in Lost in Austen (2008) and then Mrs. Elton in Emma (2009)

Anna Maxwell Martin played Cassandra Austen in Becoming Jane (2009), and then went on to play Elizabeth Bennet in Death Comes to Pemberley (2014)

JJ Feild played Mr. Tilney in Northanger Abbey (2007) and later on played Mr. Nobley in Austenland (2014)

If we include radiodramas/radioplays:

Hat tricks:

Blake Ritson gets it as he played Colonel Brandon in the 2010 S&S radio drama

Doubles:

Amanda Root played Anne Elliot in Persuasion (1995); she also played Fanny Price in the 1997 radio drama for Mansfield Park

Felicity Jones also played Fanny in the 2003 radio drama for Mansfield Park, and later on played Catherine Morland in Northanger Abbey (2007)

Robert Glenister played Captain Harville in Persuasion (1995); he also played Edmund Bertram in the 1997 radio drama for Mansfield Park

Amanda Hale played Mary Musgrove in Persuasion (2007) and later on Elinor Dashwood in the 2010 radio drama for Sense and Sensibility.

David Bamber played Mr. Collins in Pride and Prejudice (1995); he later on played Mr. Elton in the 2000 radio drama for Emma

Robert Bathurst played Mr. Knightley in the same adaptation of Emma; later on he played Mr. Weston in Emma (2009)

Also in that adaptation, Tom Hollander played Frank Churchill; he later on played Mr. Collins in Pride & Prejudice (2005)

Juliet Stevenson played Anne Elliot in the 1986 radio drama for Persuasion; later on she played Mrs. Elton in Emma (Miramax, 1996)

And I'm very likely still forgetting someone.

[beaft]

formative influences/things that live in my heart (inspired by @feytouched's syllabus)

movies

alice (1988) by jan svankmejer

the double (2013) by richard ayoade

nosferatu (1979) by werner herzog

withnail and i (1987) by bruce robinson

books

the haunting of hill house by shirley jackson

the lord of the rings by j. r. r. tolkien

deathless by catherynne valente

autobiography of red by anne carson

coraline by neil gaiman

grief is the thing with feathers by max porter

the little prince by antoine de saint-exupéry

a series of unfortunate events by lemony snicket

artworks

eine kleine nachtmusik by dorothea tanning

tell me the way by kay nielsen

the garden of earthly delights by hieronymous bosch

st george and the dragon by paolo uccello

poems

the love song of j. alfred prufrock by t. s. eliot

sunlight on the garden by louis macneice

i had a dream about you by richard siken

i'm not a religious person but by chen chen

songs

that unwanted animal by the amazing devil

go long by joanna newsom

spaceboy by smashing pumpkins

lord anthony by belle and sebastian

quick! by the magnetic fields

miscellaneous

sleeping beauty concept art by eyvind earle

jeremy miranda's winter paintings

the site-specific installations of rune guneriussen

colleen moore's fairy dollhouse

bird and blend's "campfires and vampires" tea

snowflakes are dancing by isao tomita (the whole album)

viktor wynd's wunderkabinet

in the realms of the unreal by henry darger

jean-paul gaultier 2007 collection

[help-i-need-a-cool-username]

Been reading some genderbent spn fics and i disagreed with some of the alternate names some authors gave the characters so i thought id give it a shot myself

There are specific reasons for each name i chose but this is already gonna be long enough so ill skip it for now but if you want to know feel free to ask

Angels

All their names are the same. No difference

Jack Kline -> Jackie Kline

Winchesters

John Winchester -> Joan Winchester

Mary Winchester -> Maury Winchester

Dean Winchester -> Deanna "Dean" Winchester

Samuel "Sam" Winchester -> Samantha "Sam" Winchester

Adam Miligan -> Addison "Addie" Miligan

Hunters

Robert "Bobby" Singer -> Roberta "Bobbie" Singer

Ellen Harvelle -> Allen Harvelle

Joanna Beth "Jo" Harvelle -> Joseph Seth "Joe" Harvelle

Garth Fitzgerald IV -> no change

Jody Mills -> no change

Claire Novak -> Clarence Novak

Eileen Leahy -> sill deciding (current contender: Eli. Maybe Elliott. Tbh i dont like either) edit: after much research ive narrowed it down to Ailean, Eleon, and Eilon/Elon

Allies

Charlene "Charlie" Bradbury -> Charles "Charlie" Bradbury

Kevin Tran -> idk man. Ive met a girl named Devin before so maybe that? Supposably the fem spelling is Kevyn so maybe that?

Benjamin "Benny" Lafitte -> Benjamina "Bennie" Lafitte

Rowena MacLeod -> Rowen MacLeod

Demons

Fergus MacLeod/Crowley -> Fergia MacLeod/Crowley

Meg -> idk man

Ruby -> Ruben

Other

Chuck Shurley/God -> apparently there are in fact women who are called Chuck so im debating on keeping it

Amara -> Amar

Kelly Kline -> no change

Kate Miligan -> Kaden Miligan

Lisa Braeden -> Louis Braeden

Benjamin "Ben" Braeden -> Benna Braeden

Cassie Robinson -> still deciding (contenders: Cassian or Casey)

Jessica "Jess" Moore -> Jesse Moore

James "Jimmy" Novak -> Jamie Novak

Amelia Novak -> idk. Theres no male form but sound wise Emil/Emile is pretty close. Same with Amal. Not really feeling any of those

[isagrimorie]

Explanation of Agatha's Siphon/Absorption powers

Joanna Robinson: We’ve so enjoyed trying to parse, to your point, when Agatha is telling the truth and when she’s lying and when we get to see her put on her performance and when the mask slips and only we the camera get to see what’s going on in her face and all of that that’s been really, really fun to parse. A question we have at the end of this finale is, we really believe her when she said to Billy that she couldn’t control what happened with Alice and then we see her have some measure of control over it when it comes to Billy. Can you track the truth in any of that? To, again, use a Mallory word: the ‘progress’ inside of her when it comes to controlling that power. Jac Schaeffer: Yeah, I do think there is there is progress to her power and I sort of see it on sort of an instinctual level. You know, it’s not something that we’d like put on page or even pitch to Marvel. It’s sort of my impression of it. I think that she– there’s something kind of animalistic about her power to me. It’s very tied to appetite. I see her as a woman who can’t get full, and I think when she takes Alice, she’s so hungry at that time. And it’s such a surprise! You know, normally, she cons witches. They blast her, she takes it (power). But she (Agatha) gets blasted out of nowhere and it feels so good and she’s powerful! This is the source of her power so I do believe her, and in our discussions, that was the thing, is when she says to Billy: ‘I couldn’t control it.’ She means it. I also see that as a moment of vulnerability and it’s tragic to me that Billy doesn’t believe her. You know, that’s one of those… sort of Disconnect but I think she is able to turn it off with Billy. Just to get in the weeds about MCU power: He (Billy) has chaos magic, so she gets fuller with him. She gets so much from him and it’s a bottomless well. So, you know, I think, at that moment, she can stop and I think she does stop because it’s him but I think she’s gotten enough where she can be in her full look, and her full glory and feel like herself.

Agatha's Powers During the Kiss

Jac Schaeffer: I also would extend that to the moment of the kiss of death, which I– there are many things I love about it was an idea very early that I was obsessed with, and I’m so glad that we were able to get it on screen with these performers. But to me, I also really loved that in every other instance, she has to be blasted in order to take power and this is the first time that she’s taking power and it’s from a kiss, and to me, that’s very fertile. Because I think a kiss with Rio at this point in their relationship is tender and sexy, and sort of ravenous but also toxic and violent and a death blow. It’s all those things all at once, but it is different, we’ve never seen Agatha take power in that way and I would point that I wouldn’t really call it ‘progress’ as much as I would call it kind of an evolution.

——

Agatha’s kind of like a vampire but for magical powers and life forces instead of blood. And, Jac seems to imply that Agatha has some sort of hunger for magic.

It really is a kind of addiction metaphor.

[quasi-normalcy]

A while ago while I was in tumblr jail, you posted that you had a masters in science fiction literature (unless you didn't, I have been known to be mistaken), and I am wondering, what do you consider 'important' works of science fiction? Like the science fiction literary canon? I am so curious. Feel free to ignore, I will not harass you.

Yes! I do. I can tell you the ones that I was assigned (I'm afraid that the list skews extremely male and (especially) white).

Mary Shelley, Frankenstein (1818)

Olaf Stapledon, Last and First Men (1930) and Star Maker (1937) [You can probably add Odd John (1935) to this list]

Jules Verne, Journey to the Centre of the Earth (1864) and 20,000 Leagues Under the Sea (1870) [You can probably add From the Earth to the Moon (1865)]

H.G. Wells, The Time Machine (1895) and War of the Worlds (1897) [Though you can probably go ahead and add The Island of Doctor Moreau (1896), The Invisible Man (1897) and The First Men in the Moon (1901)]

Charlotte Perkins Gilman, Herland (1915)

Catherine Burdekin (writing as Murray Constantine), Swastika Night (1937)

Karel Čapek, R.U.R. (1920)

Isaac Asimov, I, Robot (1950) [You can probably add the first three Foundation novels here as well]

Yevgeny Zamyatin, We (1921)

George Orwell, Nineteen Eighty-Four (1949)

Arthur C. Clarke, 2001: A Space Odyssey (1967) and Rendezvous with Rama (1973) [Add: Childhood's End (1953) and The Fountains of Paradise (1979)

John Wyndham, Day of the Triffids (1951) [add: The Chrysalids (1955) and The Midwich Cuckoos (1957)]

H.P. Lovecraft, "The Call of Cthulhu" (1926) [add The Shadow over Innsmouth (1931)]

Richard Matheson, I Am Legend (1954)

Alfred Bester, The Stars My Destination (1956)

Robert Heinlein, Starship Troopers (1959) [Probably Stranger in a Strange Land (1961) and The Moon is a Harsh Mistress (1966) too, depending on, you know, how much of Heinlein's bullshit you can take]

J.G. Ballard, The Drowned World (1962) [Also, The Burning World (1964) and The Crystal World (1966)]

Phillip K. Dick, The Man in the High Castle (1962) [Also Do Androids Dream of Electric Sheep? (1968) and several of his short stories]

Frank Herbert, Dune (1965)

Michael Moorcock, Behold the Man (1969)

Kurt Vonnegut, Slaughterhouse-5 (1969)

Ursula Le Guin, The Dispossessed (1974) [Also The Lathe of Heaven (1971) and The Left Hand of Darkness (1969)]

Brian Aldiss, Supertoys series

William Gibson, Neuromancer (1984)

Kim Stanley Robinson, Red Mars (1992) [Also Green Mars and Blue Mars]

They also included Iain M. Banks's The Algebraist (2004), but I personally think you'd be better off reading some of his Culture novels

Other ones that I might add (not necessarily my favourite, just what I would consider the most influential):

Joe Haldeman, The Forever War (1974)

Matsamune Shiro, Ghost in the Shell (1989-91)

Katsuhiro Otomo, Akira (1982-1990)

Octavia Butler, Lilith's Brood (1987-89) and Parable of the Sower (1993)

Poul Anderson, Operation Chaos (1971)

Hector Garman Oesterheld & Francisco Solano Lopez, The Eternaut (1957-59)

Liu Cixin, The Three-Body Problem (2008)

Robert Shea and Robert Anton Wilson, The Illuminatus! Trilogy (1975)

William Hope Hodgson, The House on the Borderland (1908)

Neal Stephenson, Snow Crash (1992)

Joanna Russ, The Female Man (1975)

Orson Scott Card, Ender's Game (1985) [Please take this one from a library]

Edgar Rice Burroughs, A Princess of Mars (1912)

Margaret Atwood, The Handmaid's Tale (1985) and Oryx and Crake (2003)

Aldous Huxley, Brave New World (1932)

Osamu Tezuka, Astro Boy (1952-68)

Ray Bradbury, Fahrenheit 451 (1953)

Madeleine L'Engle, A Wrinkle in Time (1962)

Walter M. Miller, A Canticle for Leibowitz (1959)

Douglas Adams, Hitchhiker's Guide to the Galaxy (1979)

[agentem]

"Paula Fairfield, friend of the pod, who does the dragon noises [on House of the Dragon]. She was saying that when Syrax and Seasmoke first meet each other on the beach there [...] that they were disagreeing over the pronunciation of "foyer". [...] Southern accent vs French accent.

And she said when they are flying over Harrenhal, that Caraxes goes, "IT'S A MUD ROOM!"

-- Joanna Robinson (x)

This is very important information. I am going to assume the dragons are just always debating pronunciation and etymology and such now. Big word nerds. Too bad Sunfyre wasn't there. I hear he speaks English.

[panelshowsource]

Who would you like to see on BFQOTY that has never made an appearance before?

okay i always take these kinds of asks too seriously but pls bare with me!!

when it comes to panel shows there is a spectrum of preparation: on the far left is a show like mock the week, where literally everything apart from a very smol amount of relevant banter is pre-prepared by the panel (they're given the news stories & scenes we'd like to see ahead of time, the standup categories are chosen around their pre-written bits, and so on); and on the other end of that spectrum is a show like big fat quiz, where the only thing you really prepare is potentially a team name. so — to answer this question i'm thinking about people who are very willing and very good at joining in, people who will comfortably banter with jimmy, people who don't always wait their turn to speak (which works better on a show like, say, 8 out of 10 cats). obviously jimmy throws to each team whilst the teams' answers are being revealed, but for the show to really succeed you need a lot more chat and goofing around and camaraderie than that — so who are some of these confident, friendly, funny people?

well let's get this out of the way we need victoria on bfq right? it helps a lot she's irl pals with jimmy so their dynamic is very comfy and she would probably have so much to say about the news or even admonishing the amount of tiktok-related questions LMAO it's great to imagine her with david but also what about team victoria and lee mack?? THE PEOPLE NEED TO SEE IT

nicola coughlan, graham norton, alan cumming, catherine tate (omg catherine and lee...please GOD...), huge davies, get me a doctor let's go jodie whittaker baybay or our man ncuti, would love to see some drag queens like miss lawrence chaney and the viv of course but there are sooo many amazing uk drag stars, kathy burke, ed gamble, morgana robinson, maggie aderin-pocock

get me my man. joe wilkinson. put him with roisin and one white onion

fuck it go big or go home: jennifer saunders and joanna lumley, fry and laurie(!!!!!!!!!!!!!!!!!!), tennant and sheen (or tennant and tennant frankly georgia ily), the mighty boosh???

wildcard answer jordan north and william hanson? is that just me? i know jordan has done celeb juice a few times and he was great but i also know in my soul william would be fucking good on a panel show, and their friendship is too sweet

cheating but i'd love to see guz khan back on but with a different partner? i fockin love sarah but strategically speaking for lulz imo that year i think it should have ben judi & guz and sarah & jonathan. i understand wanting to change it up and give us new kinds of teams but i don't think those were the people to do it with. also bring back charlie brooker i have charlie brooker withdrawals........ (charlie on wilty in a couple weeks!!! ahhh!!!)

i'd love to see so many people!!! okay i am done with the longest response ever (do you guys ever read these like 'girl just answer the question')! what about you?? who do you want?

[rel312]

What I loved about WWDITS S5 Episode 5 (SPOILERS!!!):

“De Laurentis”

“In that house just over there. With my friends. ‘It’s fun”

“Which I do for my mental health as well as my physical health”

“Not since the great flood in 1892, Joanna. That was a big boy”

Nandor’s having so many gray lines and I’m not even 2 minutes in yet

*Steals mic* “because 1892 was a year that was not in my, uh, human lifespan, but 1992 definitely was” he’s killing me

Nandor whining and running away

“Oh shitty shit I fucked it”

“Shot shit shot shit shit shit shit”

The way Nandor’s voice broke on Guillermo

The way all the vampires are going crazy and jumping to conclusions because Nandor is an idiot

Nandor needing Guillermo’s cause he knows he’s the only one that can fix this

Guillermo’s aunt asking the camera guys if they’re hungry

Guillermo immediately watching when he sees Nandor

His side eye

Nandor trying to hypnotize everyone but getting cut off

Nadja having dyed her hair out of stress

Nadja having go bags for emergencies since she’s had to be kicked out before

“It’s alright, my darling, I’ll protect you. Be calm” Laszlo is so sweet

“He is not back yet is he?” Nandor you are not subtle

The Guide going on TV

Sean screaming being overheard by the news people

“If they don’t go it’ll just be you and I, into the night”

Nandor getting in the bag

Nandor having tried the second bag

The fact that Guillermo constantly has the same conversation with his mom because he doesn’t want to say goodbye

The fact that Nadja dyed the doll’s hair too

Laszlo and Nadja’s teary goodbye

The Guide dying her hair with Nadja

Nandor trying to bring everyone together

Colin Robinson accidentally trapping himself

Nandor throwing the knife to cut him down

“We can survive quite easily without you” he’s so upset Guillermo wasn’t there but that was so uncalled for

Nandor not understanding why Guillermo wanted to leave after that

The vamps in free background of the newscast trying to kidnap Joanna d then immediately losing the car in the sinkhole

Colin Robinson setting the van on fire

The vamps flying on camera

Them all turning into bags and leaving Colin Robinson

The vamps breaking into the news station

Nadja and Nandor continuing the news

The Guide and Joanna in the corner

The blood spatter

Laszlo’s emphasis on “blood”

Guillermo with the booby traps

[ewanmitchellclub]

Ewan Mitchell is the guest on the latest episode of "The Ringer-Verse" (@RingerVerse) podcast hosted by Mallory Rubin and Joanna Robinson.

In this podcast they discuss the events that occurred in Episode 4 of Season 2. Ewan talks about Aemond and the events that occurred in these first chapters of the season. Specifically, Ewan talks during minutes 03:22:15 and 03:41:17. Via @timeforewan twitter

[ao3feed-jonmartin]

An Opening Eye

read it on AO3 at https://ift.tt/sNhoL4X by EmrysTheMerlin Joanna 'Jo' Sims has recently been promoted to Head Archivist of the Magnus Institute, after the mysterious disappearance of her predecessor Gertrude Robinson . Recruiting her team of Assistants was step one. Step two seems to be staying alive. Words: 2341, Chapters: 2/?, Language: English Fandoms: The Magnus Archives (Podcast) Rating: Teen And Up Audiences Warnings: Graphic Depictions Of Violence Categories: F/F, F/M, Gen Characters: Elias Bouchard | Jonah Magnus, Jonathan "Jon" Sims | The Archivist, Martin Blackwood, Sasha James, Tim Stoker (The Magnus Archives), Fear Entities (The Magnus Archives) Relationships: Sasha James/Tim Stoker, Martin Blackwood/Jonathan "Jon" Sims | The Archivist, Martin Blackwood & Sasha James & Jonathan "Jon" Sims | The Archivist & Tim Stoker Additional Tags: Alternate Universe - Always a Different Sex, Female Jonathan Sims, female martin blackwood, Genderbending, Oneshot Series read it on AO3 at https://ift.tt/sNhoL4X