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Josh Whitehouse (Daisy Jones & The Six)

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Claire Danes (Fleishman Is In Trouble)

McKenna Grace (A Friend Of The Family)

Camila Morrone (Daisy Jones & The Six)

Niecy Nash-Betts (Monster: The Jeffrey Dahmer Story)

Lily Rabe (Love & Death)

Suki Waterhouse (Daisy Jones & The Six)

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Paris Barclay, “God Of Forgiveness, God Of Vengeance” (Monster: The Jeffrey Dahmer Story)

Susanna Fogel, “Pilot” (A Small Light)

Donald Glover, “Stung” (Swarm)

Lee Sung Jin, “Figure Of Light” (Beef)

James Ponsoldt, “Track 1: Come And Get It” (Daisy Jones & The Six)

Michaël R. Roskam, “Pilot” (Black Bird)

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Ian Brennan, Ryan Murphy, “Bad Meat” (Monster: The Jeffrey Dahmer Story”

Lee Sung Jin, “The Birds Don’t Sing, They Screech In Pain” (Beef)

David E. Kelley (Love & Death)

Scott Neustadter, “Track 5: Fire” (Daisy Jones & The Six)

Dennis Lehane, “The Place I Lie” (Black Bird)

Tony Phelan, Joan Rater, “Pilot” (A Small Light)

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From the Palm Springs Art Museum: Palm Springs Art Museum is appreciative to present the groundbreaking exhibition Women of Abstruse Expressionism, aperture Saturday, February 18 in the Annenberg Wing. The accumulating of added than 50 above paintings celebrates the often-unknown changeable artists of the cogent Abstruse Expressionist movement of the twentieth century. This is the aboriginal exhibition to present works by these artists all in one abode and will be on appearance through May 28.

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The historically important exhibition, curated by Gwen Chanzit of Denver Art Museum, brings calm the different contributions of 12 artists who played basic roles in what has been accustomed as the aboriginal fully-American avant-garde art movement. Working on both the east and west coasts during the 1940s and ’50s, the artists accommodate Mary Abbott, Jay DeFeo, Perle Fine, Helen Frankenthaler, Sonia Gechtoff, Judith Godwin, Grace Hartigan, Elaine de Kooning, Lee Krasner, Joan Mitchell, Deborah Remington, and Ethel Schwabacher.

Notable works in the exhibition include:

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“The changeable antecedents of the Abstruse Expressionist movement were absolutely marginalized during a aeon back women artists were about automatically advised second-rate. During their lifetime, few of them accustomed acceptance anywhere abutting to that of their macho peers,” said Elizabeth Armstrong, Palm Springs Art Museum Executive Director. “The exhibition of the artists in Women of Abstruse Expressionism is continued overdue, and provides the adventitious to acquaintance the ability and bloom of their assignment aboriginal hand.”

Additional association programming to accompaniment the exhibition includes the following:

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On Monday, February 13, the accessible is arrive to appear The Emergence of an American Art Scene: Avant-garde Art to 1945 featuring Cécile Whiting, PhD, Chancellor’s Professor in the Department of Art History and the Graduate Affairs in Visual Studies, University of California, Irvine. Allotment of Mondays@The Museum series, this address is captivated at Annenberg Theater from 10 a.m. to noon. The amount is $15 for associates and $20 nonmembers.

Also allotment of Mondays@The Museum address series, on March 20, Suzanne Hudson, PhD, Associate Professor of Art History and Fine Arts, USC will altercate Post-War Art – Abstruse Expressionism. Captivated at Annenberg Theater from 10 a.m. to noon, the amount of the address is $15 for associates and $20 nonmembers.

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On Thursday, April 6, three panelists will altercate the artworks and lives of several of the featured artists. Gwen Chanzit, Babysitter of Avant-garde Art at Denver Art Museum, speaks on the artisan Perle Fine; Ellen G. Landau, Andrew W. Mellon Professor Emerita of the Humanities, Case Western Reserve University, explores the lives of artisan couples Lee Krasner and Jackson Pollock, and Elaine and Bill de Kooning; and Susan Landauer, absolute art historian and curator, delves into the apple of abstruse expressionist women in San Francisco. The altercation is chastened by Donald Osborne, Vice Co-chair of Programs, Contemporary Art Council of Palm Springs Art Museum. The console is captivated at Annenberg Theater, from 4 to 6 p.m., and is chargeless of allegation to the public. Presented by Contemporary Art Council, this affairs is sponsored by Deborah Remington Charitable Trust for the Visual Arts, Frank Garofolo, Donald Osborne, and Pamela Smallwood.

Women of Abstruse Expressionism is organized by the Denver Art Museum. It is abundantly adjourned by Merle Chambers; Henry Luce Foundation; National Endowment for the Arts; the Ponzio Family; Harmes C. Fishback Foundation Trust; Dedalus Foundation; Joan Mitchell Foundation; Helen Frankenthaler Foundation; the donors to the Annual Fund Leadership Campaign; and the citizens who abutment the Scientific and Cultural Facilities District (SCFD). This exhibition is accurate by an apology from the Federal Council on the Arts and the Humanities.

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Five Thoughts You Have As Abstract Expressionist Movement History Approaches | abstract expressionist movement history

From the Palm Springs Art Museum: Palm Springs Art Museum is appreciative to present the groundbreaking exhibition Women of Abstruse Expressionism, aperture Saturday, February 18 in the Annenberg Wing. The accumulating of added than 50 above paintings celebrates the often-unknown changeable artists of the cogent Abstruse Expressionist movement of the twentieth century. This is the aboriginal exhibition to present works by these artists all in one abode and will be on appearance through May 28.

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The historically important exhibition, curated by Gwen Chanzit of Denver Art Museum, brings calm the different contributions of 12 artists who played basic roles in what has been accustomed as the aboriginal fully-American avant-garde art movement. Working on both the east and west coasts during the 1940s and ’50s, the artists accommodate Mary Abbott, Jay DeFeo, Perle Fine, Helen Frankenthaler, Sonia Gechtoff, Judith Godwin, Grace Hartigan, Elaine de Kooning, Lee Krasner, Joan Mitchell, Deborah Remington, and Ethel Schwabacher.

Notable works in the exhibition include:

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“The changeable antecedents of the Abstruse Expressionist movement were absolutely marginalized during a aeon back women artists were about automatically advised second-rate. During their lifetime, few of them accustomed acceptance anywhere abutting to that of their macho peers,” said Elizabeth Armstrong, Palm Springs Art Museum Executive Director. “The exhibition of the artists in Women of Abstruse Expressionism is continued overdue, and provides the adventitious to acquaintance the ability and bloom of their assignment aboriginal hand.”

Additional association programming to accompaniment the exhibition includes the following:

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On Monday, February 13, the accessible is arrive to appear The Emergence of an American Art Scene: Avant-garde Art to 1945 featuring Cécile Whiting, PhD, Chancellor’s Professor in the Department of Art History and the Graduate Affairs in Visual Studies, University of California, Irvine. Allotment of Mondays@The Museum series, this address is captivated at Annenberg Theater from 10 a.m. to noon. The amount is $15 for associates and $20 nonmembers.

Also allotment of Mondays@The Museum address series, on March 20, Suzanne Hudson, PhD, Associate Professor of Art History and Fine Arts, USC will altercate Post-War Art – Abstruse Expressionism. Captivated at Annenberg Theater from 10 a.m. to noon, the amount of the address is $15 for associates and $20 nonmembers.

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On Thursday, April 6, three panelists will altercate the artworks and lives of several of the featured artists. Gwen Chanzit, Babysitter of Avant-garde Art at Denver Art Museum, speaks on the artisan Perle Fine; Ellen G. Landau, Andrew W. Mellon Professor Emerita of the Humanities, Case Western Reserve University, explores the lives of artisan couples Lee Krasner and Jackson Pollock, and Elaine and Bill de Kooning; and Susan Landauer, absolute art historian and curator, delves into the apple of abstruse expressionist women in San Francisco. The altercation is chastened by Donald Osborne, Vice Co-chair of Programs, Contemporary Art Council of Palm Springs Art Museum. The console is captivated at Annenberg Theater, from 4 to 6 p.m., and is chargeless of allegation to the public. Presented by Contemporary Art Council, this affairs is sponsored by Deborah Remington Charitable Trust for the Visual Arts, Frank Garofolo, Donald Osborne, and Pamela Smallwood.

Women of Abstruse Expressionism is organized by the Denver Art Museum. It is abundantly adjourned by Merle Chambers; Henry Luce Foundation; National Endowment for the Arts; the Ponzio Family; Harmes C. Fishback Foundation Trust; Dedalus Foundation; Joan Mitchell Foundation; Helen Frankenthaler Foundation; the donors to the Annual Fund Leadership Campaign; and the citizens who abutment the Scientific and Cultural Facilities District (SCFD). This exhibition is accurate by an apology from the Federal Council on the Arts and the Humanities.

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