#jimorourke

[takechas]

💁 実店舗、開店致しております！ ￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣￣ 12.22 ⁡ 青空。所々雪は溶けて路面が顔をのぞく。 ⁡ 苛烈な寒さにカラダが丸くなる 木曜日はサーズデイ。 ⁡ 本日より通常通り営業をスタートしとります。 ⁡ 変わらず13時からオープン・ザ・ドア。 変わらず19時までの営業です。 ⁡ ⁡ ━━━━━━ ⁡ （´-`）.｡oO ( 今朝の #開店BGM は、好評発売中のこちらからスタートしとります。若き才気あふれる音楽家による最新サード・アルバム。) ⁡ ⁡ …………………………………………………………… 札幌市のセレクトレコードショップ(新品/中古) ◉ 7500yen以上のオーダーで全国送料無料 ◉オーダーは上記プロフィール欄URL/DMから ◉web未掲載商品含めSNS掲載商品は通販🆗 ◉プロフィール欄の下にサイトのリンク ◉twitterにもオススメYouTubeを貼り付け ◉レコード／CD／BOOKなど高価買取中！ …………………………………………………………… ⁡ ━━━━━━━━ ⁡ #岡田拓郎 #細野晴臣 #JohnColtrane #JimORourke #SamGendel #Experimental #レコード買取 #店頭買取 #レコードのある生活 #アナログレコード #レコード (レコード / CD 出張買取・宅配買取 Takechas Records / タケチャス・レコーズ＠札幌) https://www.instagram.com/p/CmdPoPOvDf2/?igshid=NGJjMDIxMWI=

[more-records]

#麓健一 #3 #music #singersongwriter #🇯🇵 #石橋英子 #jimorourke #ジムオルーク #音楽 #シンガーソングライター #cd #cdジャケット #artwork #アートワーク #morerecords #モアレコ入荷情報 #大宮 (more records) https://www.instagram.com/p/CmbDqUlSXqK/?igshid=NGJjMDIxMWI=

[frankbrodauf]

[Venice] [Fennesz] [2004] [CD] The austrian Christoph Fennesz is relatively unknown, yet he has already worked with such greats as David Sylvian, King Midas Sound, Ulver, Ryuichi Sakamoto or Jim O'Rourke. . The album "Venice", released in 2004, is still considered one of his best works, not only in the ears of many critics but also in mine. . Stylistically it is (as with almost all works of "Fennesz") not really to be defined. On "Venice" ambient elements stand on equal footing with "IDM", "Electronica" as well as experimental music. Wonderful vocals by David Sylvian paired with "glitch" elements, for example, result in one of the most fascinating tracks on the album. However, it would be unfair to compare one track with another because they are too different. But they all have one thing in common, they never let go and impress the listener again and again deeply! . . . . .

[pam3s]

I’ve listened to this 4 times in a row

[exile-osaka-zine]

Jim O’Rourke/ Skin Graft Exile Osaka #3. 1995 by Matt Kaufman

[mycatisanalien]

#Repost @sfelectronicmusicfestival • • • • • • The 20th Annual San Francisco Electronic Music Festival announces dates + artists dedicated to pioneers in electronic music. With 4 nights of performances featuring a diverse cadre of internationally renowned and emerging composers, this year's lineup includes artists from across the field of electronic music ranging from psychedelic to cybernetic, noise, and shamanic practices. The festival will begin at Envelop SF, an immersive audio venue with thirty-two discrete speakers presenting pre-recorded fixed media works by Amy X Neuburg, Jim O’Rourke and Italian duo My Cat Is An Alien. The festival continues with live performances Friday through Sunday at Brava Theater Center where SFEMF will present electronic composer pioneer Maggi Payne, outsider artist and space music diva Susan Dietrich Schneider (AKA The Space Lady), cybernetic multimedia musicians MSHR, electronic noise composer John Weise, contemporary ritual creator and community healer Dohee Lee, cinematic soundscape synthesis composer Marc Kate, electronic pioneer and “king of sampling” Carl Stone, bassoonist and improvisor working with electronics Dana Jessen, and Swedish multi-voiced performance artist Svenska Elektriska Operaensemblen. BRAVA THEATER CENTER 2781 24th St, San Francisco ENVELOP SF 900 Marin St, San Francisco #jimorourke #maggipayne #carlstone @thespacelady #johnweise @thespaceladyrelaunched @liquidtransmitter @etakcrammarckate @dana.jessen @doheemago @mycatisanalien.official #mshr @envelopsound @bravatheater https://www.instagram.com/p/B0X__lAoNGT/?igshid=p9vhp2kf8ley

[idealrecordings]

Jim O’Rourke & CM von Hausswolff ”IN DEMONS IN!” LP out now !!! #idealrecordings #jimorourke #cmvonhausswolff 'In Demons In!’ offers a transfixing peek behind the curtain of pure black hole drone dynamics by visionary collaborators Jim O’Rourke & CM Von Hausswolff, meeting on common ground after 26 years of international correspondence. It amounts to a vitally definitive entry in both artists’ catalogues, marking right up there with the most engrossing wonders of O’Rourke’s Steamroom volumes, while manifesting some of the most fascinating results from Von Hausswolff’s ongoing investigations into drone music’s paranormal properties. In other words: it’s Grade A+ zoner music, essential listening for followers of Roland Kayn, Jaap Vink, Deathprod. Initiated in Tokyo 2016 and completed over the proceeding two years in Japan and Sweden, the uncompromisingly adventurous results are galactic in scope and visceral in presence, conjuring scales of abyssal bass and diffused, atomised, abstract dark matter that make the listener feel like a speck of stardust floating in infinity. Using sound as a magickal tool for psychic transport and to finely model notions of the metaphysical that typically elude human comprehension, these two extended pieces feel to collapse billions of years into a glacial moment. Location recordings made in Kathmandu lend a barely-there iridescence, like microbial filaments flickering in the endless darkness, to their plunging, subharmonic basses and vaporised mid-upper registers, where spectral forces comb thru the piece to very gradually alter the weightless keen of our perception. It’s a masterclass in Cybernetic drone, a universe of sound created in a closed system gradually shifting within its own parameters, mutating into infinity. https://www.instagram.com/p/Bxz_qtEC_qh/?igshid=gk9uervzk0fl

[acr666]

Sonic Youth/Jim O’Rourke #sonicyouth #jimorourke #onerecordaday #music #vinyl #vinylcollection #records https://www.instagram.com/p/BzLtdvyhxQK/?igshid=1lylg5cbqwlii

[crazy-rhythms]

The Godlike Genius of Mayo Thompson

Par Elsa Kuhn

https://www.mixcloud.com/section_26/i-like-2-stay-home-37-the-godlike-genius-of-mayo-thompson/

Si le nom de Mayo Thompson ou encore Red Krayola vous sont inconnus, vous avez sûrement un disque produit par ses soins dans votre discothèque. Voici une sélection non exhaustive de titres de Red Crayola (devenu très vite Krayola pour cause de procès avec des célèbres pastels), des morceaux issus de sa période britannique, Geoff Travis l’avait invité à produire les premières sorties de son label Rough Trade (The Fall, Cabaret Voltaire, Kleenex, The Raincoats…), ses albums avec le collectif d’artistes Art & Language et ses multiples collaborations… De retour aux États-Unis, il entame une longue collaboration avec le label Drag Citydepuis les années 90 et travaille avec (entre autres) David Grubbs, John McEntire ou encore Jim O’Rourke. Cinquante ans après la sortie de son premier album, Mayo Thompson est toujours très actif, son dernier disque date de 2016 et il se produit régulièrement sur scène.

TRACKLIST

Red Krayola – Hurricane Fighter Plane (1967) Red Krayola – Sherlock Holmes (1968) Red Krayola – Dairymaid’s Lament (1968) Mayo Thompson – Oyster Thins (1970) Red Krayola – Don’t Talk To Sociologists (1976) The Monochrome Set – He’s Frank (1978) Kleenex – Ü (1979) Cabaret Voltaire – Nag Nag Nag (1979) The Raincoats – Fairytale in The Supermarket (1979) The Fall – Container Drivers (1980) Virgin Prunes – Twenty Tens (1980) Red Krayola with Art & Language – An Old Man’s Dream. (1981) Blue Orchids – The Flood (1981) Red Krayola – Gynaecology In Ancient Greece (1983) Red Krayola – California Girl (1983) Shop Assistants – I Don’t Want To Be Friends With You (1986) The Chills – Night of Chill Blue (1987) Felt – Riding The Equator (1987) Phil Wilson – Even Now  (1987) Primal Scream – Gentle Tuesday (1987) Red Krayola – Voodoo Child (1994) Red Krayola – The Letter (1995) Red Krayola – I’m so Blasé (1996) Red Krayola with Moebius & Conny Plank- Taras Bulba (1998) Red Krayola – Mother (1999) Red Krayola with Art & Language – Jumbing Through The Mirror (2007)

[abbio]

. . www.spreaker.com/user/6261371/90-burt-bacharach . . Burt Bacharach . . 01_Dusty Springfield - The Look of Love 02_Dionne Warwick - Walk On By 03_Deadbolt - Raindrops Keep Fallin On My Head 04_Jim O'Rourke - I say a little prayer 05_Burt Bacharach - What The World Needs Now . . #dustyspringfield #dusty #springfield #dionnewarwick #deadbolt #jimorourke #burtbacharach #oscars #oscar #225 #podcast #radio #music #instaplaylist #instamusic #playlist

[takechas]

⁡ ╋━━━━━━━━━━ 🔻チャス・オススメ🔻 　 👍 https://x.gd/0hBn9 　　━━━━━━━━━╋ ⁡ ⁡ ・岡田拓郎 , Takuro Okada - Betsu No Jikan [ LP ] [ 新譜 ] ⁡ ⁡ 👉 若き才気あふれる音楽家、当代随一のポップ・エクスペリメンタリスト 「 岡田拓郎 」 による、 「 細野晴臣 」 、 「 ジム・オルーク 」 をはじめ豪華音楽家が参加した ２０２２ 年 ８ 月リリースの最新サード・アルバムが完全限定でアナログ化！ ⁡ ⁡ …………………………………………………………… 🔻札幌市のセレクトレコード／CDショップ ◉ 7500yen以上のオーダーで全国送料無料 ◉オーダーは上記プロフィール欄URLなどから ◉web未掲載商品含めSNS掲載商品は通販🆗 ◉プロフィール欄の下にサイトのリンク ◉twitterにもオススメYouTubeを貼り付け ◉掲載レコードにCD/BOOKなど高価買��中！ …………………………………………………………… ⁡ #岡田拓郎 #細野晴臣 #JohnColtrane #JimORourke #SamGendel #JapaneseIndies #Experimental #再入荷 #新入荷 #レコードのある生活 #アナログレコード #レコード #StuffRecommendeditems (レコード / CD 出張買取・宅配買取 Takechas Records / タケチャス・レコーズ＠札幌) https://www.instagram.com/p/ClnoU5PPdhH/?igshid=NGJjMDIxMWI=

[more-records]

#岡田拓郎 #takurookada #betsunojikan #細野晴臣 #haruomihosono #carlosniño #nelscline #wilco #jimorourke #samgendel #石若駿 #森は生きている #music #alternative #ambient #jazz #avantgarde #experimental #音楽 #ジャズ #アンビエント #cd #cdジャケット #artwork #アートワーク #morerecords #モアレコ入荷情報 #大宮 (more records) https://www.instagram.com/p/Ch4C1_uvVrO/?igshid=NGJjMDIxMWI=

[frankbrodauf]

[Venice] [Fennesz] [2004] [CD] The austrian Christoph Fennesz is relatively unknown, yet he has already worked with such greats as David Sylvian, King Midas Sound, Ulver, Ryuichi Sakamoto or Jim O'Rourke. . The album "Venice", released in 2004, is still considered one of his best works, not only in the ears of many critics but also in mine. . Stylistically it is (as with almost all works of "Fennesz") not really to be defined. On "Venice" ambient elements stand on equal footing with "IDM", "Electronica" as well as experimental music. Wonderful vocals by David Sylvian paired with "glitch" elements, for example, result in one of the most fascinating tracks on the album. However, it would be unfair to compare one track with another because they are too different. But they all have one thing in common, they never let go and impress the listener again and again deeply! . . . . . #Fennesz #ChristianFennesz #BurkhardStangl #DenisBlackham #JonWozencroft #ChristophAmann #RyuichiSakamoto #DavidSylvian #JimORourke #ElectronicMusic #Electronica #AvantgardeMusic #ExperimentalMusic #DroneMusic #AmbientMusic #Ambient #GlitchMusic #NoiseMusic #ShoegazingMusic #IntelligenceDanceMusic #IDM #TapeLoops #touchrecords #Nowlisteningto #Nowplaying #Nowrunning https://www.instagram.com/p/CWbOvUKoOn0/?utm_medium=tumblr

[nycpunkscene]

“There are few greater sights in rock than watching Lee Ranaldo and Moore hammering the hell out of their guitars to Kim Gordon’s raspy voice.” - New Music Express, February 26, 2001

SONIC YOUTH

1981-2011

“Formed in New York during the early-1980s no wave movement, Sonic Youth has spent well over two decades as the reigning lords of avant-garde art-punk. They create a unique squall of noise with their alternative forms of tuning and intentional dissonance, sometimes created via the use of drum sticks or screwdrivers applied to guitars. (Sonic Youth often used as many as 20 back-up guitars, each with its own tuning.) 

Sonic Youth formed in 1981 as an offshoot of the work that guitarists Thurston Moore and Lee Ranaldo had been doing with composer Glenn Branca in the late-1970s and early-’80s; bassist Kim Gordon (who married Moore in 1984) and drummer Richard Edson completed the original lineup. The first, self-titled EP (released on Branca’s label Neutral) was as noisy and dissonant as anything on Manhattan’s no wave scene, but few of its pieces actually had anything like traditional song structures. After Edson left to pursue acting (Stranger Than Paradise, Ferris Bueller’s Day Off, Platoon), Bob Bert took over on drums for the next few albums; he would later play for Pussy Galore. With the 1983 album Confusion is Sex, Sonic Youth began to find a middle ground between the seemingly competing drives toward noise experimentation and their love of pop and punk. The band’s creation of an entirely new form of pulsating post-punk or post-no wave would become incredibly influential on indie bands throughout the 1980s and ‘90s. Bad Moon Rising (1985) took a step closer to conventional rock and provided a look back at Sonic Youth’s past. (The song “Death Valley 69” featured no wave luminary Lydia Lunch singing with Gordon; the two would later form a side project named after the author Harry Crews.)

With EVOL, Sonic Youth added drummer Steve Shelley (formerly of the Crucifucks) and signed to SST, home to the cream of the mid-1980s indie music crop. At SST, Sonic Youth produced some of its most compelling music, including the epic “Expressway to Yr Skull,” which on the 12-inch single has a listed time of infinity, thanks to a well-placed flaw in the record that keeps the final drone playing in a continuous skip. At around the same time, Sonic Youth showed their love for pop culture by forming (with friend Mike Watt) the goofy side-project Ciccone Youth, as an off-kilter homage to Madonna (Ciccone being her original last name); they later released The Whitey Album in 1988. After the Master-Dik EP and the phenomenal 1987 album Sister, Sonic Youth jumped to Enigma for their breakthrough: the double-LP Daydream Nation. That record established them as one of the most important bands in the independent music scene and led to them being signed to major label DGC (later home of Sonic Youth fans Nirvana). 

Their 1990 DGC debut Goo was a very hook-driven work that still had its epic washes of classic Sonic Youth guitar noise and fragmented poetry. However, better production and some catchier songs led to the band gaining more popularity through MTV, particularly via the album’s single “Kool Thing” and its video (featuring Chuck D. of Public Enemy). Sonic Youth appeared in the film 1991: The Year That Punk Broke--which documented the increasing popularity of bands such as Nirvana (shown in the film as a little-known band opening for Sonic Youth on a European tour). In 1992, they released the popular album Dirty, which, though given plenty of gloss by Nirvana producer Butch Vig, featured an uncharacteristically raw cover of the Untouchables’ “Nic Fit” and some ripping guitar work by Ian MacKaye on “Youth Against Fascism,” a commentary on the Supreme Court justice Clarence Thomas confirmation hearings. 

During the mid-1990s, Sonic Youth started working on more obtuse and experimental records that lost them a considerable share of their growing fanbase even as it allowed them to both expand musically and return to their orchestrated-noise roots. As the decade wore on, Sonic Youth became less concerned with success and more interested in the experimentations of their youth, leading to a host of collaborations and an adventurous series of compositions that they released via their own label, SYR. The band flowered creatively when frequent collaborator Jim O’Rourke joined as a third guitarist in 2002, contributing to the albums Sonic Nurse and Murray Street (the latter named for the downtown Manhattan location of their recording studio, almost destroyed in the 9/11 attacks); he left in 2005. With their boundless innovation and penchant for championing obscure bands, Sonic Youth serve today as the revered elders of an increasingly fragmented scene, their contributions to modern atonal music almost too numerous to catalog.”

- Brian Cogan, The Encyclopedia of Punk, (2006)

Essential Albums

Sonic Youth - Bad Moon Rising (1985)

[redscroll]

More new stuff in the racks! #timblake #benaliahmed #orgone #raphaeltoine #jimorourke #roedelius #takashikokubo #erkinkoray #maxroach #greenchild #sleeperandsnake (at Redscroll Records) https://www.instagram.com/p/CJHONijsvS_/?igshid=f2x0j8ua0fbt