#jigmastas | Explore Tumblr posts and blogs

airadam · 6 months ago

Text

Episode 181 : Still Rollin'.

"Come on and give me my props..."

- Diamond

Fifteen years! We started this ride in June 2009 and here we still are all these years later. Thank you so much for your support, and I hope you'll stay with me for as long as I'm able to keep putting these shows together. The point of this podcast has never been to prioritise new releases, or to only ever look to the past, but a blend of the two. With that in mind, this month's mix certainly has some old personal favourites, a sprinkling of new music, and some obscurities and rarities! Listen, enjoy, and please do spread the word as widely as you can - as I always say, I have a lot of things, but no advertising budget 😆

I was racking my brain trying to come up with cover art that would reference the theme of fifteen...then realised that the infamous "4, 5, 6" combination sums up to that very number!

Mastodon : @[email protected]

Twitch : @airadam13

Events : events.airadam.com

Playlist/Notes

The Thryday : Fantastic

The album this was ultimately released on is only available for silly money on the second-hand market, but at least I had this from an old mixtape ("WJLR Radio, Volume 1") to share with you! The Dutch master Nicolay is on production for this North Carolina group who were part of the Justus League family and appreciated by those in the know. This same beat, with the same name, is also on Nicolay's "City Lights" and the "City Lights 1.5" version, but with the rhymes that elevate it so...much harder to get!

[J Dilla] Jaylib : The Red (Instrumental)

You already know! One of the best-loved instrumentals from Dilla's post-Slum career - certainly if the reaction when I drop it in a set is anything to go by - and one that will move your speakers for sure. The original is from the famed "Champion Sound" collaboration between Dilla and Madlib, where each rhymes over the other's production, and now the full set of instrumentals is available, making the deluxe release a 100% must-own.

Jigmastas ft. Mos Def, Mr. Complex, Pharoahe Monch, Shabaam Sahdeeq, and Talib Kweli : Lyrical Fluctuation Remix

This is a true all-star MC roster from the late 90s-early 00s independent scene, with DJ Spinna of Jigmastas on remix duties, bringing a different vibe to Joc Max's original, based on crazy short chops of a classic soul sample and having them cheerfully bounce along. I only got this 2000 release in the last few weeks, but have already played it on Twitch, digitised it, and am now sharing its eternally-fresh energy here!

Ghostface ft. Wigz : Outta The Way

"...in the gym throwing the dumbbells all out of order" - disgraceful conduct... Another usage of the same sample from the "Lyrical Fluctuation" remix, this Anthony Acid beat is more straightforward, with Ghostface and Wigz busting through with the energy of two guys rushing a bank! This was one of the standouts on the 2005 Ghostface and Trife "Put It On The Line" LP, though not released as a single despite the potential.

Mobb Deep : Feel My Gat Blow

The soundtrack to the Saul Williams-starring "Slam" was very much a mixed bag in the vein of many 90s-00s soundtracks, but certainly had a few standouts and otherwise-unreleased cuts from some greats, of which this is one. Havoc's beat sounds like a mix between a medieval court and 90s NYC, and the lyrical content is trademark Mobb.

Redman : Winicumuhround

As much as I love Redman's "Dare Iz A Darkside" album (which, notably, he doesn't - reminds him of a bad time), I had all but forgotten about this track until I pulled the vinyl out for a front-to-back listen recently. Erick Sermon and Redman combine on production to have this one thump along with a killer bassline-lead track, and Red is in fine form on the mic. With the voice of the late Hurricane G appearing as part of the densely-packed hook, this is a Def Squad heater for sure.

Pete Rock : Death Becomes You

Definitely one of my favourite Pete Rock beats of all time, but we had to wait a long time to get an instrumental! The original track was on the soundtrack for the 1993 classic "Menace II Society", but it wasn't until the 2019 release of Pete Rock's "Return Of The SP1200" album that we got this version. Absolutely flawless in the sense that there's not a single thing, as a listener or a DJ, that I would have wanted him to change.

Roots Manuva ft. Big P, Blackitude, Fallacy, Rodney P, Skeme : Witness The Swords

I'd be willing to bet that while most listeners, especially in the UK, will be very familiar with the classic Roots Manuva single "Witness (1 Hope)", most won't know this! It's a blend of the lyrics from "Swords In The Dirt" from Roots' second LP "Run Come Save Me" and the "Witness" beat, from the same album. As far as I know, the only place to find this one is the 2002 "Extra Yard (The Bouncement Revolution)" compilation on Big Dada Records, which is worth picking up for some quality UK cuts.

Big Boi ft. Cutty : Shutterbugg

As a photographer, I really should dig this one out more! Big Boi co-produces with Scott Storch on this single from his solo debut "Sir Lucious Left Foot : The Son Of Chico Dusty", which was actually a much bigger hit in the UK than in the US, where it somehow didn't even break the top 50 in the R&B charts. It's a hectic-sounding track which unexpectedly takes a sudden quiet break in the second verse - and it's at that point that we move along...

Stro Elliot : Soul II Stro

...and so we move with a quick transition into another track that not just references but heavily samples the classic "Back To Life" by the UKs own Soul II Soul, a Stro Elliot workout that's just undeniable in its groove. The samples of Caron Wheeler's vocals haunt at times before coming firmly into the foreground, while the drums and bass thump along with an accompanying keyboard line. That Stro Elliot sampled that 1989 classic on his self-titled LP twenty-seven years later is a testament to the power of the original.

Kokane ft. Lil Half Dead : Ghetto Music

When I saw the garage-filmed (high-quality though!) video for this, I kept waiting for the rapping to start - but nope, this is just a funk product from start to finish which, as the track says, will make you want to move! Despite "Da White Album" only being released in 2022, it was apparently recorded back in the early 00s while Kokane was working on Dr. Dre's "2001" LP but shelved for over twenty years. It manages to sound vintage P-funk, 90s G-Funk, and modern all at the same time. Kokane is a real "if you know, you know" artist who has been putting in work for many years, has collaborated with almost everyone you can name, and keeps on bringing the heat!

[Erick Sermon] Tha Truth : Red Lights (U Gotz 2 Chill '96) (instrumental)

If you know me, you know I love Zapp and Roger Troutman, which means that EPMD's classic "You Gots To Chill" single is a firm favourite. On this R&B single from Tha Truth, who only released one album back in 1997, they came out of the gate strong with Erick Sermon on production, reprising his sampling of "More Bounce To The Ounce" and even throwing in the "chill" sample from his original beat. Shout out to DJ Melo D of Beat Junkies, who was the only person I've heard playing this and the one who told me (on Twitch) what it was!

Diamond D, Sadat X, and Lord Finesse : You Can't Front

A great album cut, loved by those in the know, taken from the early 90s classic "Stunts, Blunts, and Hip-Hop". Buckwild and Diamond's production is both clean and still vintage SP-era magic, with Diamond also grabbing the mic to spit a verse between two other greats. Sadat X was the perfect choice to go first, with his unique tone drawing you in immediately, and Lord Finesse brings it home strong.

Common : Dreamin'

For those that have missed the early chatter, here's a sample of the upcoming Common and Pete Rock LP, which promises to channel the specific forms of energy that each artist brought to their 90s work. If this beautifully-produced tale of a dream of a walk with Black greats both living and transitioned is anything to go by, we're in for a treat!

The Kid Daytona : Fly Lullaby

A deep cut from the 9th Wonder production discography, working with a loop that Pete Rock teased us with between tracks on "The Main Ingredient". The Kid Daytona is definitely a grown man now, but this was an early release from the Bronx native on his "The Interlude" mixtape from 2010 - where every track sampled some kind of intro or interlude from another Hip-Hop track. This is exactly the kind of overlooked track I like to throw in for anyone who might have missed it!

Dogg Pound ft. Snoop Dogg, RBX, and The Lady Of Rage : Who Da Hardest?

A grand reunion - would have left it to the last song as it is on the new Dogg Pound "W.A.W.G" album, but it fit so well here sonically that I changed my mind! For a coming together of West Coast legends, the biggest surprise is them bringing DJ Premier in on production, and maybe the most welcome is the featuring of The Lady of Rage, who has been a universally-loved MC since her star turn on "Afro Puffs". It's pretty long, but there's no instrumental outro and I didn't want you to miss out any of the MCs, so you get the whole thing here!

Terrace Martin & James Fauntleroy : Butterfly Effect

"Gotta stop taking life advice from songs" - I'd say that was good advice, but then that's also what you might call a circular problem! We go fully chill at the end of this section, with the undeniable and unmistakable voice and vocal production of James Fauntleroy alongside modern jazz legend Terrace Martin with a track from their joint "Nova" EP.

Marco Polo : Yung Feathers

The man from Toronto with a trademark bit of modern boom-bap on this final instrumental, a track from his "MP on the MP : The Beat Tape Vol.1" release, a great pickup for anyone who appreciates good Hip-Hop production.

M-Beat ft. Nazlyn : Sweet Love

A big switch-up to end the episode, with a vintage UK track - a jungle remake of Anita Baker's 1986 classic "Sweet Love" with Nazlyn on vocals. Even as someone who didn't like jungle when it first emerged, I couldn't deny this one, an absolute classic reworking. I understand it actually sold well - hitting a high of no.18 in the charts back in 1994 - which goes to show that just sometimes, the public at large catches on to some real quality.

Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!

Check out this episode!

0 notes

airadam · 11 months ago

Text

Episode 176 : It's Goin' Down...

"I AM"

- Chuck D

Hope you've had a good start to 2024! While it's been a bit bumpy over here, the selection on the first episode of the year is strong from start to finish. If you know every single one of these tracks already...we should probably have a chat as you clearly have an ear for the good stuff!

Mastodon : @[email protected]

Twitch : @airadam13

Playlist/Notes

Organized Noize ft. Big Boi, Big Rube, Sleepy Brown, and Cee-Lo : We The Ones

A very fortunate find during a recent digging expedition, I didn't even know that the "Organized Noize EP" existed until I had it in my hands. Looking around on Discogs, it seems that it was a limited release in 2017 of 500 copies, on fiery orange vinyl and with a fantastic cover. Apparently twenty years in the making - probably because the production team behind OutKast, Goodie Mob, and more were kind of busy - it's a quality seven-song collection that you can now also get digitally! I heard a few seconds of this track at the listening post and it was the one that convinced me to buy the record, a musically-stirring and always-relevant and timely call to stand up and fight against oppression.

Orbital : Adnan's

This industrial-sounding track from the 1996 "In Sides" album was an extended version of a song they contributed to the 1995 "War Child" charity LP, and was named after a young boy who was killed by a missile during the war in the former Yugoslavia. Paul Hartnoll of Orbital broke this, and the rest of the album, down in a way only one of the creators could - so I'll link you to his own words.

Sepalot ft. Blu : Surrender

I've heard the instrumental of this many a time and had actually forgotten that there even was a vocal version! The beat went down well on the most recent #BeatsOnly show on my Twitch channel, so I thought I'd bring it out on this episode. The angular production from German producer Sepalot lurches, twitches, and squelches, with Blu fittingly being a bit more aggro lyrically than you might have expected from some of his better-known work. I have this on the B-side of a 12" headed up by "She Likes Me" with Frank Nitty, but you can also find it on the 2014 "Red Handed" LP.

Jigmastas ft. Shabaam Saadique : Too Ill

Does what it says on the tin! DJ Spinna on production on this track with the dramatic backing, courtesy of a well-known old TV show sample, while the processing on the vocals makes it sound like weak MCs are being admonished over the phone! By the way, the spelling of Shabaam's name is different than what I've seen on previous releases, but as it's written this way on this album ("Resurgence") I'm taking that as being correct unless/until I find out otherwise.

Public Enemy : Louder Than A Bomb

A classic from what is often said to be the greatest Hip-Hop album of all time, "It Takes A Nation Of Millions To Hold Us Back" (lot of text to write on a cassette label btw). Those who follow me know I'll sometimes refer to the more grimy records as "not calling for the building of a new nation or anything" but this track literally does! Chuck D will always be the first name that comes to mind when pro-Black, politically-driven Hip-Hop is mentioned, and this is just one of his outstanding vocal performances. Bomb Squad on production of course, with a hard-hitting track that would dominate most other MCs, even now. Sonically, you might notice that the sound is busy but not "thick" - if it was made nowadays, I suspect it'd be mixed with a lot more bass, not to mention built with more high-fidelity samplers. Would that have been "better"? Hard to say, but this is revolutionary in all senses regardless.

Bumpy Knuckles & DJ Premier : B.A.P. (Bumpy and Premier)

For those of more gentle dispositions, you may as well skip to the next track! Otherwise, this is quintessential boom-bap rawness, courtesy of DJ Premier - one of the finest exponents of the style - and fellow Gang Starr Foundation MC Bumpy Knuckles. Wicked track from the "KoleXXXion" LP, where Bumpy starts each verse with the same four bars, before raining fire on snakes, suckers, and studio gangstas over the rugged beat. No sir, Bumpy did not fall off, not even a little.

Stro Elliot : Miles Funk

I may have been late getting on the Stro Elliot train, only hearing his stuff in the last three years or so, but now I'm firmly on board and settled with a book and some snacks. The drums are cracking and merciless on this track from his 2016 eponymous LP, and they lead the way for the bassline and funky guitar to do what they do. Definitely check the album - it's really excellent work.

Dubbul O & Jointhedots : Life:Mics

A great new Manchester release to open the year! You should already know that Dubbul O is one of my favourite MCs from any coast or territory, while the excellent Jointhedots have been holding it down in fine style since most of the members were part of the best-known lineup of The Mouse Outfit. The most special feature on this track is the guitar of the much-missed Phil Ratcliffe, who sadly passed away in 2022, and whose family will continue to benefit from any posthumous releases. Coming together over the peak of the COVID restrictions, this track started when bassist/bandleader/producer Defty sent beats around Manchester for musicians to add their own touches to. As well as Phil Ratcliffe, the flautist Dr Claire Press got busy on here - you may remember her memorable work alongside Dubbul O again on "Never Get Enough" all the way back in 2012! Flavourful and polished music as always from this collective, and worthy of your support.

New Sector Movements ft. Allysha Joy : These Times

Neither of these artists were on my radar previously, so it was a big bonus when First Word Records included this cut on the "Two Syllables Volume Twenty" compilation! As it turns out, New Sector Movements is actually an alias of IG Culture, a UK stalwart respected for his work as part of Dodge City Productions, and of course he shows the deft touch of a veteran on the music here. The vocals are carried by the powerful voice of Australian songstress Allysha Joy, who started singing as a youngster in the church and you can hear the influence very much still with her! This track in full is actually about six minutes long, so if you like what you're hearing, you know what to do...

Common : The Movement

I'll have you know that I did actually mix this in bang-on, but J Dilla decided to go all the way weird with the timing and drum placement at the start, to the point I almost re-ripped the tune from the "2K6 : The Tracks" CD to be sure! This one had somehow escaped me on first listen, but it's got that electronic sound that was increasingly a feature of Dilla's late work, with that edginess contrasting with Common's smooth and familiar voice.

Actual Proof ft. TP : Show You The Way

North Carolina in the house, with Actual Proof (Enigma and Sundown) linking with guest TP (who I don't know much about) for a 9th Wonder-produced track that sounds very different than the intro might lead you to expect. Lyrically, in places it almost comes off as a rougher, less civilised take on "Mind Sex" by dead prez, blended with some of that LL Cool J - in attitude, if not in flow! Track down the 2012 "Black Boy Radio" LP for this one.

Mecca:83, Buscrates, and J Vibes : Amber Hue

Such warm vibes emanate from this 2019 composition, with Macclesfield, Pittsburgh, and Aarhus (Denmark) in collaboration. I don't know who did what, but the final result is a thing of beauty!

Tall Black Guy, Craig Mack : Flavor In Ya Ear Remix

The original beat by Easy Mo Bee is one of the greatest in Hip-Hop history in my opinion, so it takes a brave man to put his production in its place - and right here, Tall Black Guy is that man! Tough drums and a relatively simple bassline provide the structure for some spaced-out touches and soul vocal sampling to undergird TBG's take on one of the all-time great posse cuts.

1773 & Strange Soul Music : Dialed In

Manchester's Strange Soul Music is a fearsome producer, the man no-one wanted to face in last year's WORKINONIT beat battle! He's been putting in that work for years and this is from one of his latest releases, "The Strange Soul Project" a seven-track collaboration with Chicago MCs Jay Nagoma and Wisdm Uno. Themed around a method of internet access that might be unfamiliar to the younger listeners, this is a brief, but strong, opener to the project.

Clear Soul Forces : Nine 5ive

It's a shame that the 2020 "ForcesWithYou" LP is ostensibly the last from this Detroit crew - their stuff has always been energetically high-quality. Ilajide on the beat of course, while on the mic, CSF reference everything/one from Busta Rhymes to Mortal Kombat via George Washington Carver in a track that lasts well under three minutes. May the force be with them, indeed.

Heather B : Steady Rockin'

Straight-ahead Hip-Hop, with the commanding voice and bars of Heather B over the boom-bap production of DJ Premier. Vocalist Twyla adds a little sugar to the hook, but the rest of this track from 2002's "Eternal Affairs" is pretty much as stripped-down as you can get.

Khrysis : The Devil Wears Designer (Instrumental)

North Carolina representing again here, with a groove borrowing clearly from a classic soul record on this instrumental from "The Hour Of Khrysis".

DJ 2-Tone Jones ft. Prince Po, Asheru, Joe.D and yU : Not Down

I've always thought that one of the most important inflection points in the culture was when our ability to self-police was countered by the epithet "playa hater", which nowadays is more likely to take the form of "but he getting the bag tho". This call to arms from the "Contraband From India" LP features real MCs with real commitment letting us know that the leeches, the culture vultures, exploitative corporate interests of various shapes, and everyone else taking away from the culture rather than adding on need to be ejected. The production is not minimal as such, but well-spaced, with the sparse drum pattern and Indian string samples avoiding a situation where the instrumental ends up fighting the MCs for the spotlight, which is critical when what they're saying is of actual importance.

Check out this episode!

1 note · View note