#jeffrey lynn

[onefootin1941]

Actor Jeffrey Lynn stops by actress Bette Davis's table at the Florentine Room in the Beverly-Wilshire Hotel to say hello. The original caption says Davis was entertaining out-of-town relatives.

Photographed by Jules Buck in 1939

[citizenscreen]

Jeffrey Lynn (February 16, 1909 ish – November 24, 1995)

[vintage-old-hollywood]

Jeffrey Lynn and Olivia De Havilland

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The Roaring Twenties (1939) Raoul Walsh

August 25th 2024

[gatutor]

Jeffrey Lynn-Martha Scott "Extraño suceso" (Strange bergain) 1949, de Will Price.

[eclecticpjf]

Now watching:

[lobbycards]

A Letter to Three Wives, US lobby card #6. 1949

[twittercomfrnklin2001-blog]

Strange Bargain

Will Price’s STRANGE BARGAIN (1949, RKO) is now best known as the inspiration for an episode of MURDER, SHE WROTE that cast stars Martha Scott, Jeffrey Lynn and Harry Morgan as older versions of their characters and used footage from the earlier film as flashbacks. That bit of cleverness also corrected the original’s chief flaw, an overly pat ending I won’t reveal here, though it may have you groaning. Yet the film is also worth a look for some fine performances, with Scott working wonders with her stock supportive spouse role and a few interesting details inserted either by Price or screenwriter Lillie Hayward, who worked on everything from THE UNDYING MONSTER (1942) to THE SHAGGY DOG (1959).

Lynn is a bookkeeper having trouble making ends meet when his boss (Richard Gaines) offers him a way to make a quick ten grand. All he has to do is help Gaines, who’s broke, make his suicide look like murder so his wife (Katherine Emery) can collect on his life insurance. Morgan is the police detective who thinks there’s something fishy going on and Scott Lynn’s wife, who has some suspicions of her own.

Even though the film reflects traditional family structures, with Scott running the home and Lynn giving the orders, she manages to turn a character that could easily be a mere figurehead into a real person. Her responses as she begins to suspect her husband’s been up to something never go over the top. There’s none of the nostril flaring or eye bulging to which a lesser actress would resort. She registers surprise and wonder simply before developing any emotional expression. She also gives the woman a level of wit (her defense against the patriarchy?), some in the script, but some also in her choices. When she and her husband are discussing his need for a raise, she suggests he tell the boss how hard it is to raise two children on his current salary. He responds that the company didn’t make them have children. “No, I guess not,” she says as she turns to take a sip of coffee, but just before she does, she flashes a wicked smile, as if thinking of how they produced those two children.

Price’s direction is rather flat and one scene in Morgan’s office is ineptly staged, so I’m tempted to credit any clever touches to Hayward. At one point, Lynn races past an oceanside nightclub where people are dancing outside with carefree abandon, a stark contrast to his tortured state. Later, when the police inform Gaines’ snooty secretary (Betty Underwood) she’ll be the first to be fingerprinted, the co-workers behind her smirk surreptitiously, just enough for the camera to notice their enjoyment of this tiny threat to her presumptions of dignity. Little touches like that make even the film’s unrealistic ending a lot more bearable.

[erstwhile-punk-guerito]

[chaos-dom-soul]

[dedalvs]

Fiat Lingua Top 10 for 2024

It's time for the annual Fiat Lingua rewind!

Background: I created Fiat Lingua over ten years ago with the idea that it could be something like the Rutgers Optimality Archive: A place where conlangers could post work that they wanted to showcase, or work that was in progress. We've had tons of contributions over the years, and some standout work I'm really proud of.

Using our fancy statistics program (you know, the free version) we're able to determine the top 10 visited posts for this year (though, note, the numbers for the current year's December post will always be down a little bit, since it didn't have a full month. If you'd like to take a look at it, Carl Buck created a new workable orthography for Klingon from the original!). Here they are!

NUMBER 10

We have a tie...

"A Naming Language" (November, 2016) by Jeffrey Henning: A fantastic (and short!) essay about how to create a conlang sketch (or naming language) specifically aimed at authors. The author, Jeffrey Henning, was the most important person in conlanging from the 90s through the mid-2000s before his seminal website, Langmaker.com, died.

"Down with Morphemes: The Pitfalls of Concatenative Morphology" (March, 2014) by David J. Peterson: Honestly, I'm touched. And baffled. Why this paper, published ten years ago which hasn't touched the top ten the past two years, is suddenly on it is absolutely beyond me.

NUMBER 9

"Afrihili: An African Interlanguage" (April, 2014) by William S. Annis: Afrihili is an a posteriori auxlang from the late 60s that uses Bantu languages as its source. If you haven't read about it, you must. This article took sixth place the past two years, but this year dropped to ninth!

NUMBER 8

"Tone for Conlangers: A Basic Introduction" (April, 2018) by Aidan Aannestad: This is the third time this article has been in the top 10, but it slipped one place to number 8. Conlangers continue to find this introduction to tone quite valuable.

NUMBER 7

"Names Aren’t Neutral: David J. Peterson on Creating a Fantasy Language" (March, 2019) by David J. Peterson: Down two spots from last year, this is my article on best practices when coming up with names in a fantasy setting—even when no conlang is present.

NUMBER 6

"Introduction, A Note on the Terminology and Linguistic Methodology of This Paper, and Section I" (February, 2012) by Madeline Palmer: So...this came out of nowhere. This was an early series that helped me avoid having to do a bunch of work for Fiat Lingua in the early years. I was grateful for the runway! I have no idea why, after more than ten years, the dragon language Srínawésin is now getting attention after getting next to none in the past, but…it's getting attention—in a big way. Anyone know why?

NUMBER 5

"Patterns of Allophony" (April, 2015) by William S. Annis: Definitely one of the most popular papers on Fiat Lingua, William illustrates graphically a number of very common sound changes. This article has been at #3 the past two years but tumbled two spots this year to #5.

NUMBER 4

"Hieroglyphs of Fneise" (April, 2024) by Jason Lynn: New to Fiat Lingua this year and new to the top ten, everyone loved this new article about the hieroglyphs of Fneise, created by Jason Lynn, friend of LangTime Studio!

NUMBER 3

"A Conlang-Venture: A Select-A-Feature Adventure" (January, 2024) by Jessie Peterson: This MAMMOTH .pdf is honestly one of the greatest conlang achievements ever. Clocking in at over 700 pages, Jessie created a hyperlinked choose-your-own-adventure demonstration of how to evolve a naturalistic conlang. This document is nothing short of amazing.

NUMBER 2

"Grambank & Language Documentation: Zhwadi and Its Features" (June, 2023) by Jessie Peterson: Even her massive conlang-venture .pdf couldn't top her incredible resource from last year. This is a short description of how to use Grambank in conlanging with a link to a fillable Google spreadsheet any conlanger can copy and use to introduce their conlang to others. Last year this made #4 on the list, and this year it jumped two spots!

And now for the top viewed article for 2024 on Fiat Lingua...

NUMBER 1

"A Conlanger's Thesaurus" (September, 2014) by William S. Annis: The king is back! Last year my article on how to create a surreal conlang took the top spot. This year? Not even in the top THIRTY! It's like it was wiped off the face of the internet! Whether it's top spot or not, though, William Annis's resource on how to create unique words with unique interrelationships and associations has proved useful to conlangers of all stripes. As a reference work, it is unparalleled in terms of usefulness modulo brevity.

* * * * *

And that's it for 2024! I'm looking forward to posting more conlang articles next year. If you are a conlanger, a conlang-researcher, or conlang fan who has something to say in .pdf format about a specific conlang or conlanging in general, please consider submitting something to Fiat Lingua! We take any and all articles related to conlanging in whatever form you have them. I'm also happy to help you think up ideas, or refine those ideas you have. There is no strong review like in a fancy journal: I just want to get what you have up. I'm especially in interested in hosting personal conlang stories—stories about how or why you started to create a language, or your experience creating your own language—personal stories that are often lost, but are so vital, as there is an absolute dearth of literature about conlangers! If you think you have even the seed of an idea, please get a hold of me! I want to share as many stories and ideas as I can.

[dreaming-of-barbi]

That's so fucked up that people are romantizing Franco, because even Red Barrels are showing him as a total creep and disgusting person. In Outlast Tag I have a feeling that some artists are making him completly different character, making him charming/safe/lovely. I even have seen some people who were drawing him with normal face (without big forehead) and you couldn't tell them that it's the right character design! I feel like Franco enjoyers are more agressive than fans of other Outlast character. Even with Coyle/Eddie simps they seem to understand that they are evil and they murder others, but with Franco I feel like they can take it when someone tell them that he's grown up, murder people in very brutal way and his voice lines are just disgusting... it really seems that people are getting agressive only because someone tell some shit about 🎀✨️Franco🎀✨️. I know his fans isn't the only one that have stick in their ass (cause I seen a lot of shit bout Coyle/Big Grunts/Easterman etc.) but yall need to understand that FRANCO IS A GROWN ASS MAN and you would run for your life if you'd meet someone in irl as 1% fucked up as he is. Saying that he's just a Baby and he made nothing wrong is just 🤮 and problem is in yall if you justificate him and things he made.

idk how to tell you this ,,,, but this game is fictional. The characters are fictional. You're free to feel however you want about them, just like I and anyone else is.

I partially agree with the part about changing his appearance to make him look more "normal" or whatever, but at the same time people are allowed to interpret their favs however they want to. They can draw / write for him however they want to. I don't like "fixing" his face, just because it (personally) feels like saying "he's too ugly", but again, that's just me. As an artist, I know that people are going to have different interpretations of a character I like. It's just part of other people existing in the world. Not everyone thinks like you do, and that's okay.

Do you know how many posts I saw (and STILL see) about Eddie Gluskin, doing essentially the same thing as what you said people do with Franco?? That man would cut you open to "make a baby in you" no hesitation and people still ""romanticize"" him (me fuckin included I LOVE YOU EDDIE). Its just part of liking fucked up characters, some people are going to want to make them more "normal".

Personally, I see the normalization as more like wanting to give him some normalcy in his life, because of his past / lore. I love the idea of letting Franco have a normal life, be a normal person. A life where he never had to deal with the stupid Mafia stuff, had a decent father and never ran into Murkoff, having a normal, happy life. But, I also seriously adore his original, fucked up character.

Honestly, who actually cares if people are "justifying" his actions??? None of them are real. He is not real. I have never understood the sentiment that you have to make sure people know you don't justify a fictional characters actions... they are not real. It's not a real person. None of the things he did happened.

Maybe it's just me, but I would not run from someone like him. That's not some edge lord "im so evil and dark" bs but because of my real life experiences. Been with and around people in my life / family who are quite like him and I didn't run.

I imagine some of us are using it as a sort of coping mechanism, because (at least for me) some of us dealt with people who treated us like he would. Though, that's getting into personal territory, and I won't try and speak for others.

All I can really say is either learn that not everybody's going to have the same ideas as you or block the tag. Sorry if that's too harsh a response, but life is too short to really give that much of a fuck about someone /something other people like.

And I've said this before but this is literally Outlast, all of the characters are this fucked up, it's not just him.

Like does no one remember Outlast 2??? Does no one remember the pile of dead burnt babies, or the hundreds of other fucked up things in that game?? I really feel like Franco does not compare.

So, can we please just be over with this now? I mean, drama is totally fun and I love it, but I can imagine others don't.

[citizenscreen]

Jeffrey Lynn and Priscilla Lane in Michael Curtiz’s FOUR DAUGHTERS (1938)

[mikyapixie]

20 years ago today The SpongeBob SquarePants Movie released in theaters!!!

I’M A GOOFY GOOBER!!!

🤘🏾💙🎸

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The Body Disappears (1941) D. Ross Lederman

September 29th 2024

[gatutor]

Geraldine Fitzgerald-Jeffrey Lynn "A child is born" 1939, de Lloyd Bacon.