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#jean blasco
downthetubes · 7 months
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2000AD and Valiant art features in massive Heritage Auctions International Comic Art event
A massive Heritage Auctions International Comic Art event takes place this weekend, 9th - 10th March 2024, offering iconic works from Tintin, Metabarons, Rom, plus art by Brian Bolland, Carlos Ezquerra, Moebius, Jack Kirby and more
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already-14 · 2 years
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Will Black Mind, On a marché sur le crâne, photos de Jean Blasco et Sonia Logorred
"Toute force ici-bas a le mot pour multiple ; Moulé sur le cerveau, vif ou lent, grave ou bref, Le creux du crâne humain lui donne son relief" (V.H. Les Contemplations)
Tempête sous un crâne
Le livre s’ouvre sur une préface qui rappelle combien le crâne est un genre, un objet surinvesti par l’art, du moyen âge à aujourd’hui, en passant par les vanités, « le crâne de squelette fumant une cigarette » de Van Gogh, la série « Skull » de Warhol ou les œuvres de Damien Hirst. On pense aussi à Robert Mapplethorpe, non cité, mais comment passer en revue, en quelques pages, des siècles de poésie, peinture, romans, photographies, quand il faut ajouter à ce pan artistique celui de la médecine et du droit ? Dans le livre, des références aux travaux de Fragonard (Honoré), à ceux de Gall, du côté des techniques de conservation mais aussi de la phrénologie. Les photographies de Jean Blasco et Sonia Ligorred ont d’ailleurs été prises au musée Testut Latarjet de Lyon, musée d’anatomie, créé en 1854, qui rassemble une impressionnante collection de crânes, scrutés, mesurés, étudiés, témoignant aussi d’une histoire de la science et de la médecine.
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Will Black Mind, On a marché sur le crâne, photos de Jean Blasco et Sonia Logorred, éditions Les Occultés, 64 p.
diacritik.com
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duncanpubliclibrary · 4 years
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A Call for Books - January 1921
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On January 6, 1921, The Duncan Public Library ran an advertisement asking for book donations ahead of the Grand Opening in February. You can still access all of the 54 titles that we requested either in the library or on Project Gutenburg! Below the cut (because these are VERY long lists) you will find two lists of books with links to descriptions!
You can also read an article about it in our monthly newsletter *here*
Books from the Library, Libby, or Hoopla:
Penrod by Booth Tarkington
Pilgrim’s Progress by John Bunyan
Aesop’s Tales
Tom Sawyer by Mark Twain
Rebecca of Sunnybrook Farm by Kate Douglas Smith Wiggin
Two Years Before the Mast by Richard Henry Dana
The Prince and the Pauper by Mark Twain
Captains Courageous by Rudyard Kipling
The Amazing Interlude by Mary Roberts Rinehard
Huckleberry Finn by Mark Twain
Adventures of Sherlock Holmes by Arthur Conan Doyle
Robinson Crusoe by Daniel Defoe
Swiss Family Robinson by Johann David Wyss
Hans Brinker by by Mary Mapes Dodge
Cranford by Elizabeth Gaskell
Call of the Wild by Jack London
The Spy by James Fenimore Cooper
Little Women by Louisa May Alcott
Little Men by Louisa May Alcott
Black Beauty by Anna Sewell
The Deerslayer by James Fenimore Cooper
The Blue Fairy Book by Andrew Lang
Treasure Island by Robtert Louis Stevenson
Arabian Nights
Ben Hur by Lew Wallace
The Virginian by Owen Wister
Freckles  by Gene Stratton-Porter
The Scarlet Letter by Nathaniel Hawthorne
Books from ProjectGutenburg.Org
 The Bird’s Christmas Carol by Kate Douglas Smith Wiggin
The Crisis by Winston Churchill
Daddy-Long-Legs by Jean Webster
The Four Horsemen of the Apocalypse / Los Cuatro Jinetes de Apocalpsis by Vicente Blasco Ibanez
The Lady of the Decoration by Frances Little
Lamb’s Tales from Shakespeare by Charles and Mary Lamb
Little Lame Prince by Dinah Maria Mulock
Little Minister by J. M. Barrie
The Little Shepherd of Kingdom Come by John Fox Jr
Lovey Mary by Alice Caldwell Hegan Rice
Man Without a Country by Edward Everett Hale
Mother by Maksim Gorky
Mother Carey’s Chickens by Kate Douglas Smith Wiggin
Mrs. Wiggs of the Cabbage Patch by Alice Caldwell Hegan Rice
Potash and Perlmutter by Montague Glass
Ramona by Helen Hunt Jackson
Red Fairy Book by Andrew Lang
Rollo at Work by Jacob Abbot
Rollo at Play by Jacob Abbot
Standish of Standish by Jane G. Austin
Tanglewood Tales by Nathaniel Hawthorne
To Have and To Hold by Mary Johnston
Trail of the Lonesome Pine by John Fox Jr
Two Little Confederates by Thomas Nelson Page
Uncle Remus, His Songs and Sayings by Joel Chandler Harris
Water Babies by Charles Kingsley
Widow O’Callaghan’s Boys by Gulielma Zollinger
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citizenscreen · 6 years
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It’s 1919, 100 years ago this year. The U.S. President is Woodrow Wilson. The world population is about 4.4 billion. The cost of a first-class stamp rises mid-year from 2¢ to 3¢. Two pounds of roast beef costs about 38¢ and the most popular work of fiction is The Four Horseman of the Apocalypse by Vicente Blasco Ibáñez and the Pulitzer Prize for fiction goes to Booth Tarkington’s The Magnificent Ambersons. Former President, Theodore Roosevelt dies in his sleep at the age of 60 in January and the Influenza Pandemic rages on, killing more people in one year than during the four years of the black plague.
1919 is the year during which Major League Baseball suffers the worst scandal in the game’s history when nine players from the Chicago White Sox throw the World Series against the Cincinnati Reds. In a positive baseball light, 1919 is the year when Babe Ruth is sold by the Boston Red Sox to the New York Yankees for $125,000, the largest sum ever paid for a player at that time. The deal was announced on January 6, 1920.
The year sees the end of World War I with the signing of the Treaty of Versailles. The US Congress approves the 19th Amendment to the United States Constitution, which guaranteed voting for women, and sent it to the individual states for ratification. January of that year also brings the ratification of the 18th Amendment to take effect the following year.
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Dial telephones were introduced by the American Telephone and Telegraph Company in 1919. Numerous important Broadway shows opened that year. You can take a look at the list at Broadway World. And then there were movies by what was by that time a robust industry. Here’s to them and the players who made them possible.
  Celebrating a 100th Anniversary
The Movies
Top Grossing Films of 1919:
1. George Loane Tucker‘s The Miracle Man 2. Marshall Neilan‘s Daddy-Long-Legs 3. Ernst Lubitsch‘s Madame DuBarry 4. James Cruze‘s The Roaring Road 5. Victor Fleming‘s When the Clouds Roll By 6. James Cruze’s Hawthorne of the U.S.A. 7. D.W. Griffith‘s Broken Blossoms 8. Cecil B. DeMille‘s Male and Female
A gallery of some of the notable films released in 1919: 
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  The People
Listen to the top songs of 1919 here. Among the notables who had hits in 1919 are Al Jolson, Eddie Cantor, Bert Williams, and the Louisiana Five.
Popular Movie Stars:
Dorothy Gish
Pauline Frederick
Gloria Swanson
Douglas Fairbanks
Mary Pickford
Charlie Chaplin
Harold Lloyd
Roscoe Arbuckle
Rudolph Valentino
Lillian Gish
Harry Houdini
Lon Chaney
Tom Mix
  You may recognize some of the famous faces born in 1919…
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  The Debuts
Several would-be legends made their debut in 1919. Among them…
Boris Karloff in George B. Seitz‘s The Lightning Raider
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  Fritz Lang directed his first film, Halbblut
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  Vilma Bánky in Carl Boese‘s Im letzten Augenblick
  Shemp Howard in Spring Fever (short)
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  Norma Shearer uncredited in Larry Semon’s The Star Boarder (short)
  Oscar Micheaux became the first African-American to produce and direct a feature film when The Homesteader, starring pioneering Evelyn Preer, was released in 1919
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  Claire Windsor in Albert Parker‘s Eyes of Youth (uncredited)
  Anna May Wong uncredited in Albert Capellani‘s The Red Lantern
  Erich von Stroheim made his directorial debut with his own script for the film Blind Husbands released in 1919, a film in which he also starred as Lieutenant Eric Von Steuben.
  Movie Happenings
A few of the significant movie-related events of 1919…
Charlie Chaplin, D. W. Griffith, Douglas Fairbanks Sr., and Mary Pickford established United Artists.
Charlie Chaplin begins work on The Kid, his first feature film. His co-star will be four-year-old Jackie Coogan.
The Barney Google cartoon strip, by Billy DeBeck, premiered. Originally Take Barney Google, F’rinstance, Barney was later joined by Snuffy smith.
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Harold Lloyd suffered a serious accident while taking some publicity photos for his new series of two-reelers. He lit what he thought was a prop fuse bomb and posed with it when it went off. The accident resulted in his losing a thumb and index finger. Lloyd returned to the screen, however, as one of film history’s most daring actors.
United Artists’ first feature film, the comedy His Majesty, the American, premiered. Directed by Joseph Henabery the film starred one of the studio’s founders, Douglas Fairbanks.
Walt Disney teamed with Ub Iwerks to form Iwerks-Disney Commercial Artists (later known as Ub Iwerks), to create cartoon animations.
Max and Dave Fleischer‘s Out of the Inkwell series premiered, introducing KoKo the Clown, one of the first animated characters.
Felix the Cat first made his debut in Feline Follies
Rudolph Valentino married Jean Acker. The union lasted approximate six hours.
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Valentino and Acker
Richard Rodgers and Lorenz Hart begin their professional songwriting partnership.
The “Ziegfeld Follies of 1919,” the most lavish edition to date, includes the Irving Berlin song “A Pretty Girl Is Like a Melody.”
George Gershwin writes “Swanee” with Irving Caesar and Buddy DeSylva and Al Jolson’s 1920 recording of the song sells two million copies.
Actors’ Equity is formed after striking actors, stagehands, and musicians bring Broadway to a halt for a month (August to September).
George Gershwin debuts his first full Broadway musicall, La, La, Lucille
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Radio Corporation of America (RCA) is founded.
Harold Hamgravy, longtime boyfriend of Popeye’s Olive Oil, made his debut in Thimble Theatre Comics.
I hope you enjoyed this trip down memory lane and the centenary of 1919. I’ll be back in short order with other significant anniversaries for 2019.
1919 Centenary or 100 Years Ago in the Movies It's 1919, 100 years ago this year. The U.S. President is Woodrow Wilson. The world population is about 4.4 billion.
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thomaswisdom · 3 years
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SOPICO - SLIDE from DISSIDENCE on Vimeo.
Réalisé par Scotty Simper
Produit par DISSIDENCE
Producteurs: Antoine Fritsch / Charles Portier Chef Opérateur : César De Charme
Directeur de Production : Driss Lumbroso Coordinateur de Production : Joseph Ragons 1er Assistant Réalisateur : Hugo Lebaillif 2nd Assistant Réalisateur : PIM Caloni 3ème Assistante Réalisateur : Augustine Girard 4ème Assistant Réalisateur : Maxime Detournière Casting : Éléonore Aguillon 1ère Assistant Caméra (A) : Jules Berthe 1ère Assistante Caméra (B) : Zoé Mention 2nd Assistant Caméra (A) : Lucas Bidard 2nd Assistante Caméra (B) : Katia Hamnane Steadycameur : Valentin Clarke Chef Opérateur Drone : Marc Didier Opérateur Drone : Antoine Brut Opérateur Drone : Josselin Cornil Chef Électricien : Nathan Jean-François Électricien : Kylian Bouvet Chef Machiniste : Vincent Blasco Machiniste : François Perrault-Alix Machiniste : Olivier Thual Machiniste : Anatole Deniaud Machiniste : Sébastien Obrecht Chef Décorateur : Moïse El Karout Assistant Décoratrice : Jaya Brouhmann Ripper #1 : Thomas Scala Ripper #2 : Hatem Diab Stagiaire Décorateur : Gabriel Desbons Stunt coordinator : Sébastien Fouassier Stunt assistant : Dominique Fouassier Stunt assistant : Tony Auge Stunt utility : Laurent Coin Stunt utility : Mickael Cottin Stunt utility : Jennifer Hauguel Stunt utility : Antoine Mezan De Malartic Superviseur Grand Final (Pyrotechnie) : Stéphane Bazoge Technicien Sfx #1 : Pierre-Emmanuel Gelis Technicien Sfx #2 : Olivier Fleurette Technicien Sfx #3 : Audrey Segain Technicien Sfx #4 : Romain Verstraete Grand Final Staff : Stéphanie Jarry Grand Final Staff : Frédéric Lepla Grand Final Staff : Clément Rivier Ingénieur Du Son : Charles Grégoire Maquilleuse : Victoria Sapet Styliste : Lola Maux Assistante Styliste : Martina Dotti
2ND PART SHOOTING
Chef Opérateur : Scotty Simper
Chef Décoratrice : Catalina Labra Assistante Décoratrice : Élise Frichet Ripper : Benjamin Rougé Thomas
2nde Assistante Caméra : Juliette Perpina Steadycameur : Sacha Naceri Chef Électricien : Silvio Belviso Électricienne : Juliette Maignan Machiniste : Gaspard Christin
1er assistant camera : Sebastien Dubor
CASTING Tianée ACHILLE・Jason AURE・Lucas BABA・Marcus BAKER・Esteban BEAU HERRERO・Ali Hakim BENSALAH・Kieran BENZERMA・John BICHAMBRE・Alan BIZE・Noémie BONACOSSA・Aston BONAPARTE・Amokrane BOUKAOUMA・Dan BOUMPOUTOU・Tristan CALONI・Anthony CARBONERA・Clément CARTIER・Rémi CAYUELA・Yugurthen CHERBI・Valentin CINTRAT・Ladji COULIBALY・Melvil COUSIN・Elie DAICI・Samy DELAME・Malo DE SAINTE MARIE・Thomas DEVALLOIS・Malcolm DIARRA・Mamadou Lamine DIARRA・Ablaye DIOP・Jean-Baptiste DUFAY・Jeanne DURANTON・William ERB・Emilio FARHAT・Sébastien FULA PITU・Nicolas GAGNERE・Salim GEBACHE・Julien GIBOREAU・Jennifer GOLD・Edmond GUEZ・Elliott GUIGOU・Tom HAMARD・Lionel HARKOU・Clément JARRIGE・Elsa JENEY・Antoine JEREMIE・Daniel JOUBERT・Mariah KANTE・Camara LABASSE・Sixte LABOUCHE・Axel LABOUX・Pierre LAUNOIS・Jonas LAURENT・Samuel LE FRIOUS・Matthieu LE GOFF・Bryan MASSOK・Yann MAUVOISIN・Romisio MENDY・Pierre MOISSONNIER・Joe Dan NGOMA・Alicia NGONERASASING・Fares OUAKKA・Titouan POENCES・Patrice POISSONNET・Laurie POZZO DI BORGIO・Dereck PRUDENT・Majdi RABIA・Lucas RAGOT・Lalaina RATSIMBAZAFY・Théo RIVIERE・Raphaël RIVOIR・Kevin ROBIN・Albert SALESSE・Matteo SCHNEIDER・Matteo SENECHAL・Cédric SOLITUDE・Igor SPASIC・Mélissa TEVERNIER・Allan THEMONIS・Jello VEREDEIL・Félix WAMBERGE
POST PRODUCTION
EDIT PAUME & Scotty Simper
POST PRODUCTION FX PAUME
GRADING Vincent Amor
SOUND-DESIGN Emilien 'MiM' Bernaux / Lafayette Street Studio - instagram.com/mim.audio
Making off Albert & Zach
Photographes plateau Erwann S.Peterssen Tristan Feres
SPECIAL THANKS
Mokhtar Aitdoud - Donia Boucenna - Julia Stoltzenberg (Financière des 4 rives) - Nicolas Basset (ACCESS MOTION) - Alex (FULLMOTION) -Phillippe Szabo (Flame) - Dirk (COLOR BY DEJONGHE) - David (FUNXRIDER) - SKYDRONE - GRAND FINAL - STUNT CENTRAL - Filipe Goncalves -Maxime Nucci - Marc Nucci - Bertrand Lamblot - Romain Constant - Simon Lartigue - Marguerite Beaussant
Sopico - Slide (Clip Officiel)
AUDIO : Auteur : Sopico Compositeur: Sopico - Yodelice Editeurs : Spookland Publishing / P-CO Productions
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artwalktv · 3 years
Video
vimeo
Réalisé par Scotty Simper Produit par DISSIDENCE Producteurs: Antoine Fritsch / Charles Portier Chef Opérateur : César De Charme Directeur de Production : Driss Lumbroso Coordinateur de Production : Joseph Ragons 1er Assistant Réalisateur : Hugo Lebaillif 2nd Assistant Réalisateur : PIM Caloni 3ème Assistante Réalisateur : Augustine Girard 4ème Assistant Réalisateur : Maxime Detournière Casting : Éléonore Aguillon 1ère Assistant Caméra (A) : Jules Berthe 1ère Assistante Caméra (B) : Zoé Mention 2nd Assistant Caméra (A) : Lucas Bidard 2nd Assistante Caméra (B) : Katia Hamnane Steadycameur : Valentin Clarke Chef Opérateur Drone : Marc Didier Opérateur Drone : Antoine Brut Opérateur Drone : Josselin Cornil Chef Électricien : Nathan Jean-François Électricien : Kylian Bouvet Chef Machiniste : Vincent Blasco Machiniste : François Perrault-Alix Machiniste : Olivier Thual Machiniste : Anatole Deniaud Machiniste : Sébastien Obrecht Chef Décorateur : Moïse El Karout Assistant Décoratrice : Jaya Brouhmann Ripper #1 : Thomas Scala Ripper #2 : Hatem Diab Stagiaire Décorateur : Gabriel Desbons Stunt coordinator : Sébastien Fouassier Stunt assistant : Dominique Fouassier Stunt assistant : Tony Auge Stunt utility : Laurent Coin Stunt utility : Mickael Cottin Stunt utility : Jennifer Hauguel Stunt utility : Antoine Mezan De Malartic Superviseur Grand Final (Pyrotechnie) : Stéphane Bazoge Technicien Sfx #1 : Pierre-Emmanuel Gelis Technicien Sfx #2 : Olivier Fleurette Technicien Sfx #3 : Audrey Segain Technicien Sfx #4 : Romain Verstraete Grand Final Staff : Stéphanie Jarry Grand Final Staff : Frédéric Lepla Grand Final Staff : Clément Rivier Ingénieur Du Son : Charles Grégoire Maquilleuse : Victoria Sapet Styliste : Lola Maux Assistante Styliste : Martina Dotti 2ND PART SHOOTING Chef Opérateur : Scotty Simper Chef Décoratrice : Catalina Labra Assistante Décoratrice : Élise Frichet Ripper : Benjamin Rougé Thomas 2nde Assistante Caméra : Juliette Perpina Steadycameur : Sacha Naceri Chef Électricien : Silvio Belviso Électricienne : Juliette Maignan Machiniste : Gaspard Christin 1er assistant camera : Sebastien Dubor CASTING Tianée ACHILLE・Jason AURE・Lucas BABA・Marcus BAKER・Esteban BEAU HERRERO・Ali Hakim BENSALAH・Kieran BENZERMA・John BICHAMBRE・Alan BIZE・Noémie BONACOSSA・Aston BONAPARTE・Amokrane BOUKAOUMA・Dan BOUMPOUTOU・Tristan CALONI・Anthony CARBONERA・Clément CARTIER・Rémi CAYUELA・Yugurthen CHERBI・Valentin CINTRAT・Ladji COULIBALY・Melvil COUSIN・Elie DAICI・Samy DELAME・Malo DE SAINTE MARIE・Thomas DEVALLOIS・Malcolm DIARRA・Mamadou Lamine DIARRA・Ablaye DIOP・Jean-Baptiste DUFAY・Jeanne DURANTON・William ERB・Emilio FARHAT・Sébastien FULA PITU・Nicolas GAGNERE・Salim GEBACHE・Julien GIBOREAU・Jennifer GOLD・Edmond GUEZ・Elliott GUIGOU・Tom HAMARD・Lionel HARKOU・Clément JARRIGE・Elsa JENEY・Antoine JEREMIE・Daniel JOUBERT・Mariah KANTE・Camara LABASSE・Sixte LABOUCHE・Axel LABOUX・Pierre LAUNOIS・Jonas LAURENT・Samuel LE FRIOUS・Matthieu LE GOFF・Bryan MASSOK・Yann MAUVOISIN・Romisio MENDY・Pierre MOISSONNIER・Joe Dan NGOMA・Alicia NGONERASASING・Fares OUAKKA・Titouan POENCES・Patrice POISSONNET・Laurie POZZO DI BORGIO・Dereck PRUDENT・Majdi RABIA・Lucas RAGOT・Lalaina RATSIMBAZAFY・Théo RIVIERE・Raphaël RIVOIR・Kevin ROBIN・Albert SALESSE・Matteo SCHNEIDER・Matteo SENECHAL・Cédric SOLITUDE・Igor SPASIC・Mélissa TEVERNIER・Allan THEMONIS・Jello VEREDEIL・Félix WAMBERGE POST PRODUCTION EDIT PAUME & Scotty Simper POST PRODUCTION FX PAUME GRADING Vincent Amor SOUND-DESIGN Emilien 'MiM' Bernaux / Lafayette Street Studio - https://bit.ly/3zbYj75 Making off Albert & Zach Photographes plateau Erwann S.Peterssen Tristan Feres SPECIAL THANKS Mokhtar Aitdoud - Donia Boucenna - Julia Stoltzenberg (Financière des 4 rives) - Nicolas Basset (ACCESS MOTION) - Alex (FULLMOTION) -Phillippe Szabo (Flame) - Dirk (COLOR BY DEJONGHE) - David (FUNXRIDER) - SKYDRONE - GRAND FINAL - STUNT CENTRAL - Filipe Goncalves -Maxime Nucci - Marc Nucci - Bertrand Lamblot - Romain Constant - Simon Lartigue - Marguerite Beaussant Sopico - Slide (Clip Officiel) AUDIO : Auteur : Sopico Compositeur: Sopico - Yodelice Editeurs : Spookland Publishing / P-CO Productions
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all-my-books · 7 years
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2017 Reading
262 books read. 60% of new reads Non-fiction, authors from 55 unique countries, 35% of authors read from countries other than USA, UK, Canada, and Australia. Asterisks denote re-reads, bolds are favorites. January: The Deeds of the Disturber – Elizabeth Peters The Wiregrass – Pam Webber Homegoing – Yaa Gyasi It Didn't Start With You – Mark Wolynn Facing the Lion – Joseph Lemasolai Lekuton Before We Visit the Goddess – Chitra Divakaruni Colored People – Henry Louis Gates Jr. My Khyber Marriage – Morag Murray Abdullah Miss Bianca in the Salt Mines – Margery Sharp Farewell to the East End – Jennifer Worth Fire and Air – Erik Vlaminck My Grandfather Would Have Shot Me – Jennifer Teege Catherine the Great – Robert K Massie My Mother's Sabbath Days – Chaim Grade Not the Israel My Parents Promised Me – Harvey Pekar, JT Waldman The Readers of Broken Wheel Recommend – Katarina Bivald Stammered Songbook – Erwin Mortier Savushun – Simin Daneshvar The Prophet – Kahlil Gibran Beyond the Walls – Nazim Hikmet The Dressmaker of Khair Khana – Gayle Tzemach Lemmon A Day No Pigs Would Die – Robert Newton Peck *
February: Bone Black – bell hooks Special Exits – Joyce Farmer Reading Like a Writer – Francine Prose Bright Dead Things – Ada Limon Middlemarch – George Eliot Confessions of an English Opium Eater – Thomas de Quincey Medusa's Gaze – Marina Belozerskaya Child of the Prophecy – Juliet Marillier * The File on H – Ismail Kadare The Motorcycle Diaries – Ernesto Che Guevara Passing – Nella Larsen Whose Body? - Dorothy L. Sayers The Spiral Staircase – Karen Armstrong Station Eleven – Emily St. John Mandel Reading Lolita in Tehran – Azar Nafisi Defiance – Nechama Tec
March: Yes, Chef – Marcus Samuelsson Discontent and its Civilizations – Mohsin Hamid The Gulag Archipelago Vol. 1 – Aleksandr Solzhenitsyn Patience and Sarah – Isabel Miller Dying Light in Corduba – Lindsey Davis * Five Days at Memorial – Sheri Fink A Man Called Ove – Fredrik Backman * The Shia Revival – Vali Nasr Girt – David Hunt Half Magic – Edward Eager * Dreams of Joy – Lisa See * Too Pretty to Live – Dennis Brooks West with the Night – Beryl Markham Little Fuzzy – H. Beam Piper *
April: Defying Hitler – Sebastian Haffner Monsters in Appalachia – Sheryl Monks Sorcerer to the Crown – Zen Cho The Man Without a Face – Masha Gessen Peace is Every Step – Thich Nhat Hanh Flory – Flory van Beek Why Soccer Matters – Pele The Zhivago Affair – Peter Finn, Petra Couvee The Stories of Breece D'J Pancake – Breece Pancake The Hundred-Year-Old Man Who Climbed Out the Window and Disappeared – Jonas Jonasson Chasing Utopia – Nikki Giovanni The Invisible Bridge – Julie Orringer * Young Adults – Daniel Pinkwater Jonathan Swift: The Reluctant Rebel – John Stubbs Black Gun, Silver Star – Art T. Burton The Arab of the Future 2 – Riad Sattouf Hole in the Heart – Henny Beaumont MASH – Richard Hooker Forgotten Ally – Rana Mitter Zorro – Isabel Allende Flying Couch – Amy Kurzweil
May: The Bite of the Mango – Mariatu Kamara Mystic and Rider – Sharon Shinn * Freedom is a Constant Struggle – Angela Davis Capture – David A. Kessler Poor Cow – Nell Dunn My Father's Dragon – Ruth Stiles Gannett * Elmer and the Dragon – Ruth Stiles Gannett * The Dragons of Blueland – Ruth Stiles Gannett * Hetty Feather – Jacqueline Wilson In the Shadow of the Banyan – Vaddey Ratner The Last Camel Died at Noon – Elizabeth Peters Cannibalism – Bill Schutt The Handmaid's Tale – Margaret Atwood A Fine Balance – Rohinton Mistry The Food of a Younger Land – Mark Kurlansky Behold the Dreamers – Imbolo Mbue Words on the Move – John McWhorter John Ransom's Diary: Andersonville – John Ransom Such a Lovely Little War – Marcelino Truong Child of All Nations – Irmgard Keun One Child – Mei Fong Country of Red Azaleas – Domnica Radulescu Between Two Worlds – Zainab Salbi Malinche – Julia Esquivel A Lucky Child – Thomas Buergenthal The Drackenberg Adventure – Lloyd Alexander Say You're One of Them – Uwem Akpan William Wells Brown – Ezra Greenspan
June: Partners In Crime – Agatha Christie The Chinese in America – Iris Chang The Great Escape – Kati Marton As Texas Goes... – Gail Collins Pavilion of Women – Pearl S. Buck Classic Chinese Stories – Lu Xun The Return of the Soldier – Rebecca West The Slave Across the Street – Theresa Flores Miss Bianca in the Orient – Margery Sharp Boy Erased – Garrard Conley How to Be a Dictator – Mikal Hem A Thousand Splendid Suns – Khaled Hosseini Tears of the Desert – Halima Bashir The Death and Life of Great American Cities – Jane Jacobs The First Salute – Barbara Tuchman Come as You Are – Emily Nagoski The Want-Ad Killer – Ann Rule The Gulag Archipelago Vol 2 – Aleksandr Solzhenitsyn
July: Dorothy and the Wizard in Oz – L. Frank Baum * The Blazing World – Margaret Cavendish Madonna in a Fur Coat – Sabahattin Ali Duende – tracy k. smith The ACB With Honora Lee – Kate de Goldi Mountains of the Pharaohs – Zahi Hawass Anna Karenina – Leo Tolstoy Chronicle of a Last Summer – Yasmine el Rashidi Killers of the Flower Moon – David Grann Mister Monday – Garth Nix * Leaving Yuba City – Chitra Banerjee Divakaruni The Silk Roads – Peter Frankopan The Hitchhiker's Guide to the Galaxy – Douglas Adams A Corner of White – Jaclyn Moriarty * Circling the Sun – Paula McLain Lies and the Lying Liars Who Tell Them – Al Franken Believe Me – Eddie Izzard The Cracks in the Kingdom – Jaclyn Moriarty * Fried Green Tomatoes at the Whistle Stop Cafe – Fannie Flagg * One Hundred and One Days – Asne Seierstad Grim Tuesday – Garth Nix * The Vanishing Velasquez – Laura Cumming Four Against the Arctic – David Roberts The Marriage Bureau – Penrose Halson The Jesuit and the Skull – Amir D Aczel Drowned Wednesday – Garth Nix * Roots, Radicals, and Rockers – Billy Bragg A Tangle of Gold – Jaclyn Moriarty * Lydia, Queen of Palestine – Uri Orlev *
August: Sir Thursday – Garth Nix * The Hoboken Chicken Emergency – Daniel Pinkwater * Lady Friday – Garth Nix * Freddy and the Perilous Adventure – Walter R. Brooks * Venice – Jan Morris China's Long March – Jean Fritz Trials of the Earth – Mary Mann Hamilton The Bully Pulpit – Doris Kearns Goodwin Final Exit – Derek Humphry The Book of Emma Reyes – Emma Reyes Freddy the Politician – Walter R. Brooks * Dragonflight – Anne McCaffrey * What the Witch Left – Ruth Chew All Passion Spent – Vita Sackville-West The Picture of Dorian Gray – Oscar Wilde The Curse of the Blue Figurine – John Bellairs * When They Severed Earth From Sky – Elizabeth Wayland Barber Superior Saturday – Garth Nix * The Boston Girl – Anita Diamant The Mummy, The Will, and the Crypt – John Bellairs * Are We Smart Enough to Know How Smart Animals Are? - Frans de Waal The Philadelphia Adventure – Lloyd Alexander * Lord Sunday – Garth Nix * The Spell of the Sorcerer's Skull – John Bellairs * Five Little Pigs – Agatha Christie * Love in Vain – JM Dupont, Mezzo A Little History of the World – EH Gombrich Last Things – Marissa Moss Imagine Wanting Only This – Kristen Radtke Dinosaur Empire – Abby Howard The Amazing Maurice and his Educated Rodents – Terry Pratchett *
September: First Bite by Bee Wilson The Xanadu Adventure by Lloyd Alexander Orientalism – Edward Said The Lost Crown of Genghis Khan – Carl Barks The Island on Bird Street – Uri Orlev * The Indifferent Stars Above – Daniel James Brown Beneath the Lion's Gaze – Maaza Mengiste The Importance of Being Earnest – Oscar Wilde * The Book of Five Rings – Miyamoto Musashi The Drunken Botanist – Amy Stewart The Turtle of Oman – Naomi Shahib Nye The Alleluia Files – Sharon Shinn * Gut Feelings – Gerd Gigerenzer The Secret of Hondorica – Carl Barks Don't Let's Go to the Dogs Tonight – Alexandra Fuller The Abominable Mr. Seabrook – Joe Ollmann Black Flags – Joby Warrick
October: Fear – Thich Nhat Hanh Fall Down 7 Times Get Up 8 – Naoki Higashida To the Bright Edge of the World – Eowyn Ivey Why? - Mario Livio Just One Damned Thing After Another – Jodi Taylor The Yellow Wallpaper – Charlotte Perkins Gilman Blindness – Jose Saramago The Book Thieves – Anders Rydell Reality is not What it Seems – Carlo Rovelli Cranford – Elizabeth Gaskell * The Witch Family – Eleanor Estes * Sister Mine – Nalo Hopkinson La Vagabonde – Colette Becoming Nicole – Amy Ellis Nutt
November: The Golden Notebook – Doris Lessing The Children's Book – A.S. Byatt The Fire Next Time – James Baldwin Under the Udala Trees – Chinelo Okparanta Who Killed These Girls? – Beverly Lowry Running for my Life – Lopez Lmong Radium Girls – Kate Moore News of the World – Paulette Jiles The Red Pony – John Steinbeck The Edible History of Humanity – Tom Standage A Woman in Arabia – Gertrude Bell and Georgina Howell Founding Gardeners – Andrea Wulf Anatomy of a Disapperance – Hisham Matar The Book of Night Women – Marlon James Ground Zero – Kevin J. Anderson * Acorna – Anne McCaffrey and Margaret Ball * A Girl Named Zippy – Haven Kimmel * The Age of the Vikings – Anders Winroth The Spanish Civil War: A Very Short Introduction – Helen Graham A General History of the Pyrates – Captain Charles Johnson (suspected Nathaniel Mist) Clouds of Witness – Dorothy L. Sayers * The Lonely City – Olivia Laing No Time for Tears – Judy Heath
December: The Unwomanly Face of War – Svetlana Alexievich Gay-Neck - Dhan Gopal Mukerji The Tea Girl of Hummingbird Lane – Lisa See Get Well Soon – Jennifer Wright The Testament of Mary – Colm Toibin The Roman Way – Edith Hamilton Understood Betsy – Dorothy Canfield Fisher * The Four Horsemen of the Apocalypse - Vicente Blasco Ibanez Mrs. Frisby and the Rats of NIMH – Robert C. O'Brien SPQR – Mary Beard Ballet Shoes – Noel Streatfeild * Hogfather – Terry Pratchett * The Sorrow of War – Bao Ninh Drowned Hopes – Donald E. Westlake * Selected Essays – Michel de Montaigne Vietnam – Stanley Karnow The Snake, The Crocodile, and the Dog – Elizabeth Peters Guests of the Sheik – Elizabetha Warnok Fernea Stone Butch Blues – Leslie Feinberg Wicked Plants – Amy Stewart Life in a Medieval City – Joseph and Frances Gies Under the Sea Wind – Rachel Carson The Red Virgin and the Vision of Utopia – Mary and Brian Talbot Brat Farrar – Josephine Tey * The Treasure of the Ten Avatars – Don Rosa Escape From Forbidden Valley – Don Rosa Nightwood – Djuna Barnes Here Comes the Sun – Nicole Dennis-Benn Over My Dead Body – Rex Stout *
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Décor-Export / Pascal Osten https://www.facebook.com/groups/1938237242977933/ Et merci aussi aux 320 contributeurs, on s'est tellement marrés, :-) / Thank you to the 320 contributors , we laugh so so much guys! DÉCOR EXPORT - Eric Tabuchi & Nelly Monnier >https://bit.ly/2XuCVcm
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Tra Casanova e Don Giovanni: 125 anni fa nasceva Rodolfo Valentino
di Marco Carratta
La vicenda umana di Rodolfo Valentino è indissolubilmente legata alla parabola storica del cinema.
Per una curiosa coincidenza infatti, nello stesso anno in cui a Parigi viene proiettato quello che è accreditato come il primo “film” della storia (un documentario di 45 secondi, girato dai fratelli Auguste e Philippe Lumière, che riprende l’arrivo di un treno nella stazione di La Ciotat), in provincia di Taranto nasceva colui che sarebbe diventato di lì a poco il primo divo del giovane mondo della celluloide: Rodolfo Valentino. A questa coincidenza ne segue un’altra meno piacevole, perché la fama di Rodolfo Valentino è anche dovuta al fatto che terminò la sua giovanissima esistenza a soli 31 anni, all’apice del successo, nello stesso anno, nello stesso mese e nella stessa città, New York, in cui avviene la proiezione del primo film sonoro, Don Giovanni e Lucrezia Borgia. Una vera e propria rivoluzione che segnò l’inizio dell’inesorabile declino del mondo in cui Valentino era stato protagonista, quello che cinema muto.
Nato il 6 maggio 1895 a Castellaneta, cittadina in provincia di Taranto, Rodolfo Alfonso Raffaello Pierre Filibert Guglielmi di Valentina d’Antonguolla, questo il suo vero nome, era il terzogenito di Giovanni Guglielmi, un veterinario ed ex capitano di cavalleria con una spiccata passione per l’araldica, e di Marie Berthe Gabrielle Barbin, di origini francesi e dama di compagnia di una nobildonna del luogo. In una delle tante biografie dedicate a Rodolfo Valentino, questi viene definito come “un visionario alla ricerca di altre realtà”; la sua naturale apertura a valori e tratti culturali estranei e lontani lo porta fin da giovanissimo, complice la madre, a vivere in diverse città italiane e straniere. Rimasto orfano di padre a soli 11 anni, per volontà della madre viene iscritto ad un collegio in Umbria, dal quale però verrà radiato a causa della sua poca passione per lo studio e dell’indole disubbidiente ed irrequieta. Proverà, senza successo, ad entrare all’accademia di Marina di Venezia, per poi frequentare, questa volta con profitto, l’Istituto Bernardo Marsano di Sant’Ilario di Genova, dove ottiene il diploma di tecnico agrario. Grazie alla licenza superiore si guadagna un viaggio premio a Parigi offertogli dalla madre, e nella capitale francese scopre un mondo incredibile, stimolante ed effervescente. Nei locali parigini alimenta la passione per la danza già coltivata nei locali notturni frequentati da adolescente a Perugia.
Il periodo parigino però finisce presto ma è talmente intenso da trasformare per sempre la sua esistenza.
È la capitale francese a far capire a Rodolfo che non sarebbe stata certamente Castellaneta il luogo dove poter esprimere la sua personalità eclettica. Diciottenne si imbarca per l’America sul mercantile Cleveland ma non era il “classico” emigrante diseredato. Scrive Enrico Deaglio: “era diverso dal dago (dispregiativo usato in America per identificare l’immigrato di origine latina) dalla pelle scura e dall’inglese smozzicato. Il ragazzo sapeva ballare. Sapeva indossare i vestiti, aveva imparato a Parigi. Era naturalmente elegante, parlava l’inglese, poteva sostenere una conversazione, scriveva poesie, amava comprare libri, leggerli e collezionarli”. Con queste credenziali arriva a New York il 23 dicembre del 1913. Certamente non è ancora il Rodolfo Valentino divo del cinema, e probabilmente neanche pensava di fare l’attore; d’altronde come avrebbe potuto proprio lui che da ragazzino veniva soprannominato “pipistrello” per il suo aspetto poco piacevole.
Nella città americana dissipa i suoi averi in frivolezze e si vede presto costretto a lavorare. Fa il cameriere e il giardiniere, e tutto quello che guadagnava lo investiva per continuare nella sua passione: la danza. Ogni giorno frequentava una sala da ballo e presto diviene un taxi dancer, un ballerino pagato da signore per far coppia con loro. La danza diventa sempre di più il suo mondo, e inizia a pensare in grande; sembra che scrivesse lettere utilizzando la carta intestata del lussuoso hotel newyorkese Waldorf Astoria per dimostrare alla famiglia di aver ottenuto un successo repentino, successo che effettivamente non avrebbe tardato ad arrivare.
Rodolfo lascia New York per trasferirsi prima a San Francisco e poi ad Hollywood, dove grazie ad una rete di conoscenze fa il suo esordio, ventitreenne, nel cinema come comparsa nel film L’avventuriero. In California si fa chiamare prima Rodolfo di Valentina, poi Rudolph Valentino, e dopo una dozzina di pellicole in cui interpreta piccoli ruoli, un ballo stravolse la sua vita. Fu un tango a farlo diventare la prima star di Hollywood, il tango che apre I quattro cavalieri dell’Apocalisse, il film del regista Rex Ingram uscito nelle sale il 6 marzo 1923 tratto dall’omonimo romanzo di Blasco Ibáñez.
Il film lo trasforma in una celebrità ambita. Partecipa alla pellicola La Commedia Umana dello stesso regista, e La Signora delle Camelie in cui interpreta il ruolo di Armand. Il 1921 termina con un altro enorme successo grazie alla sua interpretazione nel film Lo sceicco, uscito il 20 novembre. Con il film Sangue e Arena per la regia di Fred Niblo del 1922 conferma la sua ascesa e viene “proclamato icona del sex appeal”.
Nel marzo dello stesso anno sposa in Messico Nataša Rambova, al secolo Winifred Shaughnessy Hudnut, una ricca ereditiera americana e un’artista eclettica. Un personaggio celebre nell’ambiente cinematografico, danzatrice, scenografa, costumista, sceneggiatrice e collezionista d’arte. Rodolfo aveva lavorato con lei sul set de La signora delle Camelie di cui era scenografa e costumista, inaugurando un sodalizio artistico-lavorativo che avrebbe avuto grandi successi.
Charlie Chaplin nella sua biografia scrive che Rodolfo Valentino, nonostante tutto, aveva sempre un’aria triste, schiacciato dal successo e con una scarsa fortuna con le donne, soprattutto le sue due mogli.
Rodolfo si era già sposato nel 1919 con Jean Acker, e anche questa unione fu infelice. Sia Jean Acker che Nataša Rambova facevano parte del celebre “clan di lesbiche” capeggiato dalla famosa attrice Alla Nazimova di cui entrambe le mogli di Rodolfo erano amanti.
Relazioni che servivano a proteggere le attrici dai pettegolezzi sui loro legami omosessuali e che dimostrano anche quanto Rodolfo Valentino fosse estremamente aperto rispetto alle diverse identità sessuali. Nataša Rambova, inoltre non era solo la moglie di Rodolfo ma anche il suo “boss”, capace di imporre con autorità le scelte artistiche e professionali di suo marito, ed è anche merito suo e delle sue conoscenze se Rodolfo Valentino tra il ’21 e il ’22 recita in ben 9 pellicole.
Dopo l’uscita de Il giovane Rajah di Phil Rosen, Rodolfo Valentino si trova a gestire non solo un successo enorme ma anche la pressione di produttori smaniosi di scritturarlo per nuovi lavori da un lato, e dall’altro la moglie che pretendeva di gestire il suo lavoro con modi autoritari. Decide così di prendersi una pausa dalla settima arte e di dedicarsi alla poesia intraprendendo un lungo viaggio in Europa che lo riporta in estate anche nella sua Castellaneta: è il 1923.
Tornato a Hollywood dopo il viaggio in Europa, nel 1924 lavora al film Monsieur Beaucaire del regista Sidney Olcott, esperienza che segna anche la fine della collaborazione e, da lì a poco, del rapporto sentimentale con la moglie Nataša Rambova. Un anno dopo, nel novembre 1925, escono L’aquila e Il cobra, l’unico film in cui il divo interpreta il ruolo di un italiano. Nella sua carriera era stato un gaucho argentino, un torero spagnolo, un cospiratore russo, uno sceicco arabo, e ora un nobile italiano. Sempre nel ruolo del seduttore e sempre straniero. Rodolfo Valentino era diventato il divo con il quale il cinema cominciò a orientare i desideri di milioni di persone in tutto il mondo.
Il suo incontestabile successo porta anche a toni e i giudizi esasperati su di lui. In Italia i suoi film erano quasi sconosciuti. I quattro cavalieri dell’Apocalisse viene proiettato solo nel 1923, a due anni di distanza dall’uscita negli States; sorte simile per un altro film di successo, Lo sceicco, uscito in America nel 1921 e in Italia nel 1924. Altre pellicole apparvero postume, e ciò a causa del risentimento della borghesia italiana verso gli emigrati, amplificato dalla richiesta fatta da Rodolfo Valentino di ottenere la cittadinanza americana. Inoltre, nell’Italia fascista, Benito Mussolini aveva imposto il proprio stile, “ovvio che Rodolfo Valentino, l’italiano più famoso d’America, non fosse benvoluto dal Duce. Troppo ambiguo, uno che se ne era andato in America e non era tornato per combattere” e, cosa ancora più grave, “non aveva fatto mistero di essere rimasto disgustato dall’uccisione di Giacomo Matteotti. Perciò il Duce aveva ordinato che dell’attore non si parlasse sui giornali e che i suoi film non fossero ben accolti”. Anche in America la stampa più retrograda lo critica aspramente: non sopportava che ad incarnare il sogno erotico di milioni di donne fosse un uomo entrato nella storia del cinema a passo di danza con la sua fragilità mediterranea e la sua eleganza effeminata, il contrario del cowboy macho, coraggioso e rude tanto caro agli statunitensi. Rodolfo subiva anche un altro tipo di pregiudizio, quello anti-italiano: “interpretò solo un ruolo di italiano, in un film minore. Negli altri film era russo, francese spagnolo e soprattutto arabo … Intervistato sul suo ruolo di arabo, difese questa cultura, mettendola in relazione con le sue origini meridionali”, una presa di posizione scomoda nei primi anni Venti, proprio mentre il Congresso approvava forme legislative che riducevano drasticamente le quote legali di immigrazione straniera. Ma il vero e proprio “caso Valentino” scoppia nel luglio del 1926, a causa del noto articolo diffamatorio apparso sul quotidiano Chicago Tribune dal titolo Piumino rosa cipria, in cui un anonimo, prendendo spunto dall’installazione di un distributore di cipria in un bagno pubblico per soli uomini scrisse:
“Una macchina che vende cipria! In un bagno maschile! Homo Americanus! Ma perché, ci si chiede, qualcuno, senza far troppo rumore, non ha annegato Rudolph Guglielmo, alias Valentino, anni fa? Davvero le donne amano questo tipo di “uomo” che si mette la cipria in un locale pubblico e si aggiusta la pettinatura in un pubblico ascensore? Hollywood è la scuola nazionale di mascolinità … Valentino è un piumino di cipria … Se il signor Valentino è il prototipo dei nuovissimi maschi d’America, meglio che il matriarcato trionfi. Meglio un mondo di donne virili che di uomini effeminati.”
Si era superato il limite e Rodolfo Valentino non può far finta di nulla. Sfida apertamente l’autore dell’articolo ad un incontro di boxe, ad accettare fu il giornalista sportivo del The New York Evening Journal Frank O’Neill, visto che nessuno della redazione del Chicago Tribune aveva rivendicato la paternità dell’editoriale. Rodolfo Valentino vince l’incontro disputato sul tetto dell’Hotel Ambassador di New York di fronte a decine di giornalisti. In quelle settimane l’attore stava compiendo una tournée promozionale del film Il figlio dello sceicco diretto da George Fitzmaurice, una sorta di sequel del film Lo sceicco del 1921. È l’ultimo film di Rodolfo Valentino. Il 15 agosto collassa nella sua camera d’albergo di New York e il 23 agosto 1926 alle 12:10 muore di peritonite dopo sette giorni di degenza al Polyclinic Hospital della stessa città. Aveva compiuto 31 anni da pochi mesi ed era all’apice della carriera.
Quando viene annunciata la sua morte ci sono scene di isterismo collettivo a New York. Di fronte alla Campbell’s Funeral Home, sotto una pioggia battente, ci sono disordini, cariche della polizia a cavallo, svenimenti (l’attrice Pola Negri, la diva del cinema di origine polacca e sua ultima amante perse i sensi ben tre volte), vetrate in frantumi, un’auto ribaltata, feriti, arresti, bimbi dispersi. Arrivano anche alcuni membri della Lega fascista del Nord America con una corona di fiori con su la scritta “From Benito Mussolini”, un tentativo disperato di impadronirsi della figura del divo. Ad impedirglielo furono i membri dell’alleanza antifascista con in testa Vittorio Vidali e Carlo Tresca. E poco importa se alcune delle camicie nere erano delle comparse della Campbell’s e che l’ambasciata italiana dichiarerà la propria estraneità all’iniziativa e negherà che il duce avesse mai ordinato una corona di fiori.
Ai suoi funerali, due, uno a New York e dopo il trasferimento del feretro in California a Hollywood, partecipano migliaia di persone. Nei giorni successivi più di 60 donne dichiarano di aspettare un figlio da lui e si parla di una trentina di suicidi legati in qualche modo alla scomparsa di Rodolfo Valentino.
Ripercorrere la vita di Rodolfo Valentino non è un’impresa facile, in questo articolo ho riportato le notizie ricavate dalla biografia scritta da Emilia Costantini Rodolfo Valentino. Il romanzo di una vita, i saggi raccolti in Rodolfo Valentino. Un mito dimenticato a cura di Angelo Romeo, il romanzo storico di Enrico Deaglio La zia Irene e l’anarchico Tresca, il libro scritto dal manager dell’attore S. George Ullman Valentino As I Knew Him e la puntata della trasmissione Wikiradio in cui Gianluca Favetto racconta Rodolfo Valentino e da cui ho preso il titolo di questo articolo.
Interessanti sono anche altri prodotti culturali e artistici che negli anni sono stati dedicati alla commemorazione del mito di Rodolfo Valentino come il testo Adagio dancer di John Dos Passos, i due film Valentino, il primo di Lewis Allen e il secondo di Ken Russell, e lo sceneggiato radiofonico in quindici puntate di Emilia Costantini con Raul Bova.
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eglise22 · 5 years
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Propositions pour le mois d'août
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Voici quelques conseils pour ne pas laisser votre vie spirituelle de côté durant ce temps estival. Ainsi, vous pourrez continuer à dialoguer avec Dieu partout où vous irez. (Aleteia)
Nous enrichirons cet article au fur et à mesure des propositions. A plus, alors…
Pour les amateurs de musique :
les mercredis de l'orgue : les mercredis 7, 14 et 21 août, à la cathédrale, de 12 h 00 à 13 h 00
le 1er août Concert-prière par le Duo Mariam, à la chapelle Saint-Gonéry en Plougrescant à 21 h 00
le 4 août Concert d'orgue par David Le Bourlot, à l'église de La Roche-Derrien à 17 h 00
le 5 août Concert-prière par le Duo Mariam, à l'église Saint-Yves de Minihy à 21 h 00
le 6 août Airs religieux et profanes par Pauline Cousin à la flûte, à la chapelle de Buguélès à 18 h 45
le 6 août Musique baroque, flûte traversière en bois par Gouven Le Corre, à la chapelle Saint-Gonéry en Plougrescant à 21 h 00
le 8 août Œuvres sacrées par Crescendo Art, à la cathédrale à 21 h 00
le 8 août Flûte traversière par Christian Le Délézir, à la chapelle de Port-Blanc à 21 h 00
le 11 août Chants et musiques baroques par les Amis de Voce Humana, à la cathédrale à 21 h 00
le 12 août Musique médiévale espagnole par l'ensemble Igrid Blasco, à la chapelle Saint-Gonéry en Plougrescant à 21 h 00
le 13 août Flûte et guitare par le Duo Arrin, à la chapelle de Port-Blanc à 20 h 30
le 18 août Concert d'orgue par David Le Bourlot, à la cathédrale à 17 h 00
le 21 août Musiques espagnoles par l'Association Babil, à la chapelle de Buguélès à 21 h 00
le 27 août Suite pour violoncelle de Bach par Noé Natorp, à la chapelle Saint-Gonéry en Plougrescant à 21 h 00
le 8 septembre Flûte et guitare par le Duo Arrin, à la chapelle de Port-Blanc à 15 h 00
Pour les fans d'architecture, peinture, sculpture et art religieux :
Jeudi 8 août, Tour des chapelles de la Presqu'île. Rendez-vous à l'église de Lanmodez à 14 h 30 (covoiturage possible) : Lanmodez, chapelles de Bonne-Nouvelle, Boan, Saint-Jean. Inscriptions souhaitée au 02 56 39 39 93.
Visites de la cathédrale de Tréguier du lundi au samedi par des guides formés par la paroisse, jusqu'au 15 août. Les horaires sont de 10 h 30 à 12 h 30 (sauf mercredi matin) le matin et de 15 h à 18 h l'après-midi.
Visites de la chapelle Saint-Gonéry en Plougrescant de 10 h à 12 h et de 14 h 30 à 18 h, assurées par Marc Ponsonnet et son équipe. Contact : 02 96 92 03 36.
Visite de l'église Sainte-Catherine de La Roche-Derrien de 9 h à 19 h. Des casques-audio fournis par la mairie permettent une présentation autonome de l'histoire de la Roche (devant le vitrail de la bataille de Charles de Blois).
Visite de la chapelle Notre-Dame de Port-Blanc : en août la chapelle est ouverte de 10 h 30 à 12 h et de 15 h à 18 h. 41 personnes se mobilisent pour le gardiennage et le dialogue avec les visiteurs.
Les pardons de nos paroisses, un encouragement à la sainteté :
samedi 3 août : Pouldouran, saint Bergat, grand-messe à 21 h 00 animée par la Psallette, puis procession dans le bourg illuminé et décoré, tantad
dimanche 4 août : Kerbors, Notre-Dame des neiges à 10 h 30
vendredi 9 août : Plouguiel, saint Laurent à 18 h 00
samedi 10 août : Trédarzec, Notre-Dame de Traou-Meur à 18 h 00
dimanche 11 août : Lanmodez, saint Maudez à 10 h 30
dimanche 11 août : Pommerit-Jaudy, saint Pierre-ès-Liens à 11 h 00
mercredi 14 août : Pleudaniel, Notre-Dame de Goz-Iliz à 20 h 30
jeudi 15 août : Pleudaniel, Notre-Dame de Goz-Iliz à 10 h 30 et vêpres à 17 h 00
jeudi 15 août : Pleubian, Notre-Dame de Brestan à 10 h 30
jeudi 15 août : Port-Blanc, Notre-Dame à 10 h 30
jeudi 15 août : Prat, Notre-Dame de Trévoazan à 11 h 00
dimanche 18 août : Pleumeur-Gautier, saint Adrien à 10 h 30
dimanche 25 août : Lézardrieux, saint Maudez à Kermouster à 10 h 30
Conférence :
lundi 12 août : Le Père Jean-Jacques Pérennès, directeur de l'École biblique de Jérusalem, nous parlera : Un regard sur la présence chrétienne en monde musulman à travers l'évocation des 19 bienheureux de l'Église d'Algérie. Salle Saint-Yves à Tréguier, à 20 h 30
Retraite des enfants (de 7 à 12 ans) :
les 12, 13 et 14 août au presbytère de Tréguier auront lieu 3 jours avec Jésus et Marie : jeux, prières, chants. Inscriptions au presbytère 02 96 92 30 51
Une marche :
Mardi 20 août : Marche sur les pas de saint Yves, de Beauport vers Pontrieux. Rendez-vous à 9 h 00 au parking de Beauport (chaussures de marche et pique-nique). Contact : Daniel Giacobi 02 96 92 41 55 ou secgalcptug chez gmail.com
Des vacances avec Dieu :
Adoration
A la cathédrale, lundi, mardi, jeudi, après la messe de 18 h 30 à 19 h 00
A la cathédrale, mercredi, avant la messe, de 11 h 00 à 11 h 30
A la chapelle Ste-Marie-Madeleine, jeudi de 20 h 00 à 21 h 00
A l'Eglise de Kerbors, lundi de 18 h 00 à 19 h 00
A l'oratoire de la Communauté des Filles de la Divine Providence à Lézardrieux, le 1er vendredi du mois de 16 h 30 à 17 h 30
Confessions
A la cathédrale, le mercredi de 11 h 00 à 11 h 30 et le jeudi à 18 h 30
Chapelet
A la salle paroissiale de Penvénan, les mardis à 17 h 00
A l'église de Penvénan, le vendredi à 17 h 00
A la chapelle de Port-Banc, le jeudi à 18 h 00, sauf le 15 août
Encore une p'tite bouffe pour finir :
Mercredi 7 août : Repas partagé au presbytère de Tréguier. Pour tous, paroissiens et vacanciers, nous mettrons en commun nos meilleures recettes. À partir de 18 h 30.
Illustration : Le chapeau rouge, huile sur toile d'Antoine Vincent. Avec l'aimable autorisation de l'artiste. Galerie Antoine Vincent - 18 rue du Cheval Blanc 28000 Chartres tél : 02 37 36 77 03 - mobile : 06 14 39 31 98 - email : antoine-vincent chez neuf.fr et https://antoine-vincent.fr/
via Paroisse Saint-Tugdual de TREGUIER https://ift.tt/2NWMrUa
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kunstszene-blog · 6 years
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👨‍🎨 Pablo Picasso ▫▪▫▪▫▪▫▪▫▪▫▪▫▪▫ Malaga 1881 🇪🇦 Mougins 1973 🇨🇵 ▪▫▪▫▪▫▪▫▪▫▪▫▪▫▪ /Kapitel 1./Pablo Picasso wird in #Malaga am 25.10.1881 als Sohn des Malers und Zeichenlehrers José Ruiz Blasco geboren.1897 studiert #Picasso an der Akademie in Madrid. 1900 reist Picasso nach Paris, dort findet 1901 seine erste Einzelausstellung bei Ambroise Vollard statt. Picassos Frühwerk beginnt mit den melancholischen Bildern der "Blauen Periode". 1905-07 folgt die heitere "Rosa Periode", in der die Zirkusbilder entstehen. Mit dem Gemälde "Les Demoiselles d’Avignon" beginnt 1907 der #Kubismus den Pablo Picasso gemeinsam mit Georges Braque entwickelt und der sich in den "analytischen Kubismus" und den "synthetischen Kubismus" aufteilt. 1904 lernt Picasso Fernande Olivier kennen. Die Frauen in Picassos Leben spielen immer auch für sein künstlerisches Oeuvre eine Rolle, sie sind Geliebte, Modell, Muse. Ihre Gesichtszüge tauchen in zahlreichen Werken auf. Auf Fernande folgt die Tänzerin Olga Koklowa, die Picasso während der Entwurfsarbeiten für Sergej Diaghilews "Ballets Russes" kennenlernt. Zuvor gestaltet Picasso um 1917 auch Bühnenbilder und Kostüme für Jean Cocteaus Ballett "Parade". Nach 1918 entzieht sich Pablo Picassos Werk jeglichem Versuch der Festlegung auf eindeutige oder einengende Stilbegrifflichkeiten, es enthält sowohl gegenständlich-realistische, klassizistische, symbolistische, surrealistische wie abstrakte Elemente. Der #Künstler greift Vorhandenes auf, eignet es sich an und beschreitet dann immer wieder neue Wege der Bildgestaltung, er schöpft aus der eigenen Realität und den ihn umgebenden Motiven. 1927 lernt Picasso Marie-Thérèse Walter kennen, die wiederum Geliebte und Muse ist. Neben den Gemälden entsteht ein umfangreiches grafisches Werk, erste Radierfolgen. Ab 1928 arbeitet Picasso zudem plastisch, es entstehen Drahtobjekte und Assemblagen. /Kapitel 2. ⬅️Bild 2 (na mieste Málaga, Spain) https://www.instagram.com/p/BvEPGTvhkhf/?utm_source=ig_tumblr_share&igshid=eotpat9h46ms
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elmartillosinmetre · 5 years
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“En Marais también hay algo diabólico”
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[Johanna Rose (Tubinga, 1981). La foto es de Luis Castilla]
Después de un primer álbum dedicado a Carl Philipp Emanuel Bach, la violagambista alemana residente en Sevilla Johanna Rose vuelve a publicar en el sello Rubicon un CD que gira en torno a Marin Marais
Reconoce que la idea de la foto de portada, en la que aparece con unas alas negras, fue de Luis Castilla. "Pero ya que el disco estaba dedicado a Marais, del que en el famoso libro de Hubert Le Blanc se decía que tocaba como un ángel, no me pareció mala idea". Johanna Rose (Tubinga, 1981), una presencia constante desde hace más de diez años, en la vida musical de Sevilla, no se veía en cualquier caso como un ángel blanco. "Conmigo el blanco no va muy bien. Y era todo ya demasiado blanco para un ángel".
–¿Le sienta entonces bien a Marais la imagen de un ángel negro? –Creo que sí. Marais tiene cosas de ángel blanco, pero también tiene cosas de ángel negro. Hay en él también algo diabólico.
–¿Y eso se aprecia en su forma de afrontar y tocar esta música? –Sí. Creo que este repertorio es mucho más expresivo de como se escucha habitualmente. Como se ha extendido mucho esa idea de Marais como un ángel parece que hay que tocarlo así un poco blando, pero la música de Marais no es sólo angelical, tiene momentos muy virtuosos, que hay que tocar de la forma más virtuosa posible. Hay muchos contrastes, pasajes oscuros. No hay que pensar que todo tenga que sonar claro, bello, apolíneo.
–¿Entonces podríamos buscar el lado angelical de Forqueray? –Por supuesto. Forqueray también tiene piezas que son angelicales. Pensé en incluir algo de música suya. Pero había tantas piezas de Marais que no me cuadraba del todo. Lo dejaremos para otra ocasión.
–Para su primer disco como solista se fue a Carl Philipp Emanuel Bach, un repertorio no muy habitual y difícil para la viola; para el segundo ha escogido al clásico entre los clásicos del instrumento. –La música de Marais apetece siempre. Le gusta a cualquier gambista. Todo el mundo empieza por esto. Yo lo he tocado mucho con músicos muy diferentes y en distintos formatos. Es música que tengo muy interiorizada. Uno siempre piensa que esto está ya muy grabado, y para qué otra vez. Pero creo que los discos ya no se plantean necesariamente para descubrir cosas nuevas. Hemos llegado a un punto en que el repertorio bueno de viola está todo hecho. Igual con el primer disco sí fui un poco por ahí, porque la música de Carl Philipp se hace menos. Pero en el caso de Marais, obviamente, no. Creo que cada artista tiene que grabar lo que desee para presentarse a sí mismo. Y además muchas veces el público quiere Marais.
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–Además de una Passacaille de Robert de Vissé para la tiorba y una obra de Rameau para el clave solo, incluye también una obra para viola de Couperin, tan compleja para el instrumento. –Sí, es más difícil. Couperin sólo dejó dos suites, y la Passacaille igual es la pieza más importante. Couperin la escribió el año que se murió Marais, y seguramente estaba dedicada a él, por eso quise ponerla. Es otra forma de escribir. El lenguaje de Marais es muy idiomático para la viola, y el de Couperin también, pero para el teclado. Hay que trabajarlo de otra manera.
–¿Cómo hizo la selección de las obras de Marais? –Tengo estudiadas muchísimas. Las toqué, las volví a tocar, cambié el orden. Busqué la mejor forma para que la escucha del disco fuera amable.
–¿Hay un guion detrás del orden de las piezas? –Sí, claro, en el primer disco no era necesario algo así, porque eran sonatas, pero en este sí. He buscado que pueda escucharse como si fuera un concierto. La mayoría son piezas de carácter, pero empezamos con dos preludios. Y el orden depende también mucho de las tonalidades. Empezamos con piezas algo más lentas y en la menor, luego está mi menor que es también la tonalidad de la chacona de Couperin. Las piezas extraídas de la Suite d’un goût étranger están luego casi en el mismo orden de cómo aparecen en el IV Libro. Puse La Rêveuse, tan triste, y luego las campanas de Cloches, me gustaba la idea, que además cuadra perfectamente con la tonalidad. Luego había un cambio de fa menor a fa sostenido menor y metimos la obra de Rameau en medio, una pieza que se titula La Marais, y que es además tan alegre y fácil de escuchar. Venía muy bien. Y para terminar una chacona viene siempre bien. Además está en sol mayor que para la viola es una maravilla.
–¿Es este de tiorba y clave el acompañamiento ideal para esta música o de haber podido habría añadido algo? –Estaría bien tener otra viola. Claro que eso depende del presupuesto, del tiempo que tienes. Tienes que ensayar, es otra persona más y no siempre es posible, pero otra viola en el bajo estaría bien. No para todas las piezas, pero sí. Una viola añade un poco más a la línea de bajo. He grabado esto con mi viola de seis cuerdas. Algunas de las piezas deberían tener el do grave de las violas de siete cuerdas. A veces el bajo va hasta el la grave y eso estaría bien tenerlo.
–Y vuelve a grabar con Rubicon, ¿quedó contenta del resultado del primer CD? –Sí. Las condiciones son buenas. Es un sello con buena distribución. El director ha trabajado con Deutsche Grammophon, ha estado en discográficas grandes y hace bien su trabajo. Muchas veces el problema es que los discos no se distribuyen y nadie se entera de si has grabado o no.
–¿Salieron conciertos con el programa aquel disco? –Sí, de hecho acabamos de hacerlo en el Femuba de Albacete. Hemos cambiado un poco. En lugar de las tres sonatas de Bach hicimos dos (re mayor, sol menor) y le añadimos alguna pieza de Abel, una sonata de Lidel y algunas piezas de Wilhelm Friedemann Bach.
–Hace unas semanas presentó en León su nuevo grupo, fundado junto a la soprano Mariví Blasco, Sarao de Musas ¿cómo fue el debut? –Nos presentamos como quinteto y quedé muy contenta con el resultado. Me gusta mucho cómo hace Mariví los tonos españoles del XVII, dándoles un cierto carácter popular. Hemos usado acompañamientos diferentes buscando variedad. La viola, el arpa, la guitarra barroca y la percusión dan muchas opciones. Nuestra percusionista [Nasrine Rahmani] viene del flamenco, aunque también ha tocado con Enrike Solinís y nos la había recomendado otro percusionista. Vino con el cajón y otro instrumento, tampoco barroco, pero le da a la música un color diferente y tiene una manera muy fina de tocar. El público estaba encantado. Lo grabamos en vídeo, así que algo publicaremos, a ver si salen algunos conciertos.
–Lo próximo es en cualquier caso la presentación de este nuevo disco. –Exacto. Será en el Espacio Turina de Sevilla el próximo miércoles 19 de febrero. Estaremos los tres y haremos el programa del disco tal cual.
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[Johanna Rose escoltada por Josep María Martí y Javier Núñez. La foto es de Luis Castilla]
–¿Sigue trabajando con el clarinetista Diego Montes en programas de música contemporánea? –Sí, seguimos con este proyecto, estamos intentando buscar compositores que escriban música para la viola y poder trabajar directamente con ellos. Tuvimos la ocasión de trabajar con Hilda Paredes, que tiene mucha experiencia, experiencia además con los instrumentos de cuerdas. Fue difícil, pero excitante. Tienes que trabajar esta manera de tocar, porque te exige cosas diferentes, dificultades que no tienes en el repertorio antiguo, todo fuera de trastes, con golpes de arco que no se usan nunca...
–¿Le motiva algo así? –Mucho. Estuve estudiando un mes entero para hacer ese concierto. Pero además es muy interesante para el repertorio clásico, que después se ve desde un punto de vista diferente. Puedes usar estas técnicas. Diego se ha dedicado mucho a este repertorio, pero, claro, para el clarinete hay muchas cosas. Para mí es genial trabajar con él.
–¿Hay compositores concretos con los que le gustaría trabajar? –Tengo algunos en mente a los que me gustaría pedirles algo. En Alemania y aquí también. Pero yo no soy especialista en este repertorio, conozco demasiado poco. Es un mundo que necesitas años para entenderlo bien. Y la mejor forma de hacerlo es encontrar a alguien que quiera trabajar contigo. Alguien que esté dispuesto a dedicar su tiempo a explorar en profundidad todas las posibilidades del instrumento, del arco y de la persona que lo toca. Son muchos componentes.
–¿Está pensando ya en el siguiente disco? –Sí, algo hay.
–¿Forqueray? –No, para Forqueray necesitaría realmente una viola de siete cuerdas que me funcione bien a mí. No me gusta cambiar mucho los instrumentos. Me identifico mucho con el que tengo. Estoy muy cómoda. Las violas son todas muy diferentes, y para tocar repertorio difícil te tienes que acostumbrar. Y para Forqueray necesitaría una viola de siete cuerdas con la que yo pueda acoplarme y sentirme cómoda.
[Diario de Sevilla. 10-02-2020]
EL CD EN SPOTIFY
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bluesakurapinkrose · 7 years
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Head-to-Toe Pattern Mixing by love-n-laughter featuring blue home decor ❤ liked on Polyvore
Blue long sleeve shirt / Dolce&Gabbana loose high waisted shorts / Joe's Jeans greek sandals / Kate Spade shopper tote bag / Versace watch, $475 / Yvonne Léon turquoise stud earrings / Buccellati wide cuff bracelet / Blue home decor, $380 / Kartell blue home decor, $130 / Gandía Blasco patterned rug, $1,920 / Vertical wall art / Cobblestone 12 x 12 Paper
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katian5 · 4 years
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Community of Madrid Championship AMCFF 2016 (results)
Results of the Madrid Community Championship AMCFF 2016 pullover muscles worked, an event held on October 16 at the IES Antonio Machado, as well as the Fidel Montero Regional Open .
CHAMPIONSHIP OF THE COMMUNITY OF MADRID
Junior Fitness Bikini
1. Nerea Pons Guerrero (Free) (3)
2. Natalia Pérez Saldivar (Francisco del Yerro II) (5)
3. María Cinta Aparicio Pérez (Free) (2)
4. Tamara Jiménez Gómez (Totalactivity Team) (4)
5. Imelda Cuellar López (Free) (1)
Bikini Fitness Master
1. Lourdes Brito Laffont (US Fitness System) (7)
2. María Murillo Lorenzo (Be Strong Gym) (14)
3. María Inmaculada Moreno Peña (Barbarian Team Madrid Madrid) (13)
4. Marta Guijarro Rojas (Axs Team) (9)
5. Gheorghita Bran Visan (Totalactivity Team) (10)
6. Irene Ibañez Martin (Abraham Gym) (12)
. Patricia Benítez Forte (Edgar Morilla) (8)
. María del Mar Castillo del Pliego (DM Team) (11)
 Bikini Fitness up to 158cm
1. Jessica Garcia Benavente (Barbarian Team Madrid Madrid) (19)
2. Maria del Mar Amaya Campos (Maxfitnes) (17)
3. Amparo Jorge Alonso (Francisco del Yerro II) (16)
4. Laura Escobar Mascuñano (Totalactivity Team) (15)
5. Jeniffer Johana Peña Rueda (Axs Team) (18)
Bikini Fitness up to 163cm
1. Jessica Viviana Ramírez villa (Francisco del Yerro) (25)
2. Cristina Fraile Herrera (Francisco del Yerro) (23)
3. Elia Babin Contreras (FlexNutrition) (22)
4. Cintia Manzano Jimenez (Be Strong Gym) (20)
5. Jennifer Torres Castellanos (Totalactivity Team)
Bikini Fitness up to 169cm
1. Natalia Banaru Nikolaevna (Francisco del Yerro) (27)
2. Gema María Gómez Rodríguez (Totalactivity Team) (28)
3. Barbará Martín De Lucas (Totalactivity Team) (29)
Fitness bikini plus 169cm
1. Gemma Granados Aguirre (Thor Gym) (31)
2. Diana Alves Rodriguez (Cherokee Sports) (32)
3. Marina Lorenzo Martínez (FC Manuel Manchado) (30)
Absolute Champion Bikini Fitness
Jessica Garcia Benavente (Barbarian Team Madrid Madrid) (19)
Men´s Physique Junior
1. Joel Nogal Fernández (Totalactivity Team) (35)
2. Julio Antonio López Corbacho (Free) (38)
3. Francisco Javier Puerto Mérida (Totalactivity Team) (43)
4. Salvador Reynaldo Hernández Bonilla (GTF (Global Top Fitness)) (36)
5. Erik Diez Gorrochategui (CDE Nova Alcobendas) (46)
6. David Carretero Velasco (Francisco del Yerro) (44)
. Héctor Dionisópulos Sacristán (Totalactivity Team) (37)
. Christian Andrés Brito Reinoso (Totalactivity Team) (39)
. Adrián Álvarez Muñoz (Totalactivity Team) (40)
. Angel of the Blond Lazarus (Free) (41)
. Daniel Bachura Campos (Francisco del Yerro) (42)
. Víctor Domínguez Burguillo (Free) (45)
. Tomas Lanzetti Tortorella (Free) (47)
Men´s Physique Master
1. Sergio Violero Bolaños (Maxfitnes) (52)
2. José Luis Casas Velasco (Francisco del Yerro) (59)
3. Sergio Velasco González (Free) (60)
4. Israel Rodríguez Martínez (Totalactivity Team) (57)
5. José Luis Rivas Rodero (Francisco del Yerro) (53)
6. Félix Carrión Jimeno (Free) (62)
. Dimas Jesús Calle González González (Attitude) (48)
. Juan Antonio Martínez García (Attitude) (49)
. Jean Marc Hurni Hurni (Ironshop Madrid) (50)
. David Gascueña García (Totalactivity Team) (51)
. Veselinov Ganchev Hook (Free) (54)
. Sebastian Jajuga (Essential Gym PSN Team) (55)
. Rafael Jiménez Jiménez (Life Sport Center) (56)
. Miguel Ángel Sanz Sánchez (Totalactivity Team) (58)
. Javier Gómez Francisco (Opera Gym) (61)
Men´s Physique up to 170cm
1. Santiago Hernando Cercadillo (Totalactivity Team) (70)
2. Yonder Javier Machado Padrón (Free) (66)
3. Frank Castellón Coneo (Totalactivity Team) (63)
4. Pablo Patarro Hernández (Attitude) (73)
5. Francisco José del Río Barbao (Free) (67)
6. Javier Domínguez Fernández (Totalactivity Team) (64)
. Miguel Ángel Rodríguez Carrasco (Free) (68)
. Diego Marcelo Suárez Palaguachi (Totalactivity Team) (71)
. Rafael Fernández Moreno (Alkida) (72)
. Adrian Aguiar González (Totalactivity Team) (74)
Men´s Physique up to 178cm
1. Cristian Ledesma Ruiz (Life Sport Center) (78)
2. Iliyan Olegov Ivanov (Totalactivity Team) (76)
3. José Javier López Ortega (Francisco del Yerro) (83)
4. Happy Edodo Ogieva (Life Sport Center) (77)
5. Iván Bustos García (Totalactivity Team) (84)
6. Javier Torrijos Mediavilla (Free) (86)
. Manuel de la Morena Blasco (Free) (75)
. Angel Castellote Espinosa (Life Sport Center) (79)
. Ricardo Arenas Asenjo (Totalactivity Team) (80)
. Ernesto Garcia-Monteavaro Cobo (Francisco del Yerro) (81)
. Javier Ortiz Barquilla (Free) (82)
. Ruben Donoso Sanchez (Free) (85)
. Alberto Martin Barbero (Barbarian Team Madrid Madrid) (87)
. Saulo Jorgge Mora (Totalactivity Team) (88)
. David Ramírez Villa (Francisco del Yerro) (89)
. Miguel Catalin Pisica Pisica (Attitude) (90)
Men´s Physique more 178cm
1. Alberto González Gómez (Free) (102)
2. Pablo Gutiérrez Arroyo (Totalactivity Team) (97)
3. José Olmedo Moreno (Free) (101)
4. Carlos García-Soldado Martos (US Fitness System) (99)
5. Terrense Ricardo Paul Vansluytman (Free) (103)
6. Alberto Gil Burgos (Totalactivity Team) (96)
. Manuel Moratinos Saro (Free) (91)
. Carlos Andrade Mancebo (Totalactivity Team) (92)
. David Meis Martín (Life Sport Center) (93)
. José Alberto Gómez Bello (Free) (94)
. David Morales Llopis (Totalactivity Team) (95)
. Fermín Díaz Rodríguez (Francisco del Yerro II) (98)
. Daniel Sánchez Oliva (Francisco del Yerro II) (100)
Absolute Champion Men´s Physique
Cristian Ledesma Ruiz (Life Sport Center) (78)
Men´s Short
1. David Ezequiel Pitton (Barbarian Team Madrid) (115)
2. José María Mete Bueriberi (Francisco del Yerro II) (111)
3. Arturo Mengotti López-Ballesteros (CDE Nova Alcobendas) (108)
4. José Manuel Gil Fernández (Francisco del Yerro) (109)
5. Joaquin Alterachs Sebe (Francisco del Yerro II) (110)
6. Ibán Sánchez Redondo (Barbarian Team Madrid Madrid)
. Ángel Luis Moreno De Federico (107)
. Juan Carlos Castillo Algueda (Francisco del Yerro) (112)
. Christian Alberto Bautista Apunte (Francisco del Yerro II) (114)
Bodyfitness Master
1. Nuria Sanchez Martinez (Totalactivity Team) (116)
2. Laura Fernández de Frutos (Nufitness Center) (117)
3. Claudia María Arias Castro (Cherokee Sports) (118)
Bodyfitness up to 163cm
1. Verónica Gutiérrez Redondo (Maxfitnes) (123)
2. Mauri Karina Ramírez Pérez (Maxfitnes) (120)
3. Isabel Mendiola Torrón (Lata Team) (122)
4. Carol Modestita Arevillca Mendoza (Abraham Gym) (121)
5. Carmen María Rejón Ruiz (Francisco del Yerro) (119)
Bodyfitness over 163cm
1. María del Rocío Hernández Gómez (Cherokee Sports) (124)
2. Marina Navas Campaign (Free) (129)
3. Elena Cordero Carvajal (Axs Team) (127)
4. Silvia Tambo Arizcuren (CDE Nova Alcobendas) (125)
5. Esther Bueno Barranquero (Francisco del Yerro) (130)
6. Eva Garcia Martinez (US Fitness System) (126)
. Marión Belisario Serrano (Francisco del Yerro II) (128)
Absolute Bodyfitness Champion
Nuria Sanchez Martinez (Totalactivity Team) (116)
Women´s Physique
1. María Vegas Fernández (Free) (134)
2. Cristina Teigell Zapatero (FC Manuel Manchado) (133)
Classic Bodybuilding Junior
1. Abel García Vaillo (Be Strong Gym) (142)
2. Cristian Fernández Gómez (Alkida) (144)
3. Nahuel Ibañez Caruana (Free) (143)
Classic Bodybuilding Master
1. Eduardo Francisco Redruello Bollo (Lata Team) (141)
2. Miguel Angel Sánchez Escobar (Francisco del Yerro) (140)
3. Roberto Rujas Cimarra (Francisco del Yerro) (137)
4. Miguel Angel Gonzalo Gamero (Yunfit Sport) (136)
5. Jorge Ros Gonzalez (Cherokee Sports) (139)
6. Ignacio González Ruiz (CDE Nova Alcobendas) (135)
. Juan Pedro Cano Morlon (FC Manuel Manchado) (149)
Classic Bodybuilding up to 175cm
1. Héctor García González (Totalactivity Team) (146)
2. David García Sánchez (Francisco del Yerro II) (145)
3. Miguel Pichel Garcia (Yunfit Sport) (150)
4. Javier de Haro Chacón (Francisco del Yerro II) (147)
5. Oscar Alberto Martín Fernández (Free) (138)
6. Omali Daniel Reyes Bobilla (Francisco del Yerro II) (148)
. Carlos Arenas García (Alkida) (151)
. Alberto Esteban Perea (Free) (152)
Classic Bodybuilding up to 180cm
1. Alejandro Esteban Serrano (FlexNutrition) (156)
2. José Luis Lobo Bravo (Lata Team) (158)
3. Raúl Polished Lion Polished Lion (Alkida) (154)
4. Alejandro Martín Ortiz (Totalactivity Team) (155)
5. David Vigo Merino (Maxfitnes) (165)
6. José Ruiz De Nicolás (Lata Team) (157)
. Mario Morales Hurtado (Free) (153)
Classic Bodybuilding more 180cm
1. Víctor Muñoz Teixidó (Barbarian Team Madrid Madrid) (160)
2. Francisco Güeto Pulido (Barbarian Team Madrid Madrid) (161)
3. José Luis Fernández Jaime (Francisco del Yerro) (162)
4. Antonio Gómez Gómez (Free) (164)
5. Angel Fernandez-Mazarambroz Rodríguez-Izdo (CDE Strength and Health) (163)
6. Manuel Iñiguez Conde (Maxfitnes) (159)
Absolute Champion Classic Bodybuilding
Víctor Muñoz Teixidó (Barbarian Team Madrid Madrid) (160)
Junior Bodybuilding
1. Carlos García Oquendo (Cherokee Sports) (171)
2. David López Arribas (Essential Gym PSN Team) (168)
3. Daniel Domínguez Arcas (Free) (169)
4. Carlos Lozano Sánchez (Alkida) (170)
Bodybuilding up to 75kg
1. Julián Prieto Santana (Barbarian Team Madrid Madrid) (178)
2. David Gonzalez Caballero (Free) (173)
3. Ildefonso Barragan Romero (Lata Team) (174)
4. Alexander Christian Weigl Weigl (FlexNutrition) (172)
5. Jose Luis Legazpi Sanchez (Cherokee Sports) (172)
6. Jorge Navarro Bastante (US Fitness System) (179)
. David Sánchez Pintado (FC Manuel Manchado) (176)
. Álvaro Solanilla Araujo (Lata Team) (177)
Bodybuilding up to 85kg
1. Mario Alonso Carnicero (Francisco del Yerro) (186)
2. Antonio Pérez García (Barbarian Team Madrid Madrid) (181)
3. Freddy Villarroel Morin (Free) (182)
4. Carlos Laborda Flores (Free) (180)
5. José Luis Álvaro Guerra (Edgar Morilla) (187)
6. Francisco Navarro Hernández (Free) (185)
. Jesús Pérez Cuesta (Francisco del Yerro II) (183)
. Fran Bohabonay Meha (Alkida) (184)
Bodybuilding plus 85kg
1. Sorin Sandor (Francisco del Yerro) (192)
2. Álvaro Ordoñez González (Maxfitnes) (188)
3. José María Fernández Madrigal (Francisco del Yerro) (193)
4. Mauricio Ruiz Palomo (Attitude) (190)
5. Francisco Moreno García Abadillo (CDE Nova Alcobendas) (191)
6. José Manuel Huete Álvarez (Thor Gym) (189)
. Javier Sánchez De Teresa (Edgar Morilla) (194)
Absolute Bodybuilding Champion
Mario Alonso Carnicero (Francisco del Yerro) (186)
OPEL FIDEL MONTERO
Bikini Fitness
1. Jessica Garcia Benavente (Barbarian Team Madrid Madrid) (19)
2. Jennifer Gómez (Free) (35)
3. Jessica Viviana Ramírez villa (Francisco del Yerro) (25)
4. Nerea Pons Guerrero (Free) (3)
5. Merxe Sanmartín Mogort (Francisco del Yerro) (36)
6. Lourdes Brito Laffont (US Fitness System) (7)
. Natalia Banaru Nikolaevna (Francisco del Yerro) (27)
. Gemma Granados Aguirre (Thor Gym) (31)
. Virginia Sánchez-Oro (CDE Nova Alcobendas) (37)
Men´s Physique
1. Cristian Ledesma Ruiz (Life Sport Center) (78)
2. Aitor Rodríguez Fernández (Axs Team) (34)
3. Joel Nogal Fernández (Totalactivity Team) (35)
4. Alberto González Gómez (Free) (102)
5. Santiago Hernando Cercadillo (Totalactivity Team) (70)
6. Sergio Violero Bolaños (Maxfitnes) (52)
Men´s Short
1. David Ezequiel Pitton (Barbarian Team Madrid) (115)
2. José María Mete Bueriberi (Francisco del Yerro II) (111)
3. Arturo Mengotti López-Ballesteros (CDE Nova Alcobendas) (108)
4. José Manuel Gil Fernández (Francisco del Yerro) (109)
5. Joaquin Alterachs Sebe (Francisco del Yerro II) (110)
6. Ibán Sánchez Redondo (Barbarian Team Madrid Madrid)
. Ángel Luis Moreno De Federico (107)
. Juan Carlos Castillo Algueda (Francisco del Yerro) (112)
. Christian Alberto Bautista Apunte (Francisco del Yerro II) (114)
Bodyfitness
1. Nuria Sanchez Martinez (Totalactivity Team) (116)
2. Immaculate Pelegrin Hernandez (Francisco del Yerro) (38)
3. Purification López Garcinuño (Thor Gym) (39)
4. Verónica Gutiérrez Redondo (Maxfitnes) (123)
5. María del Rocío Hernández Gómez (Cherokee Sports) (124)
Women´s Physique
1. María Vegas Fernández (Free) (134)
2. Cristina Teigell Zapatero (FC Manuel Manchado) (133)
Classic Bodybuilding
1. Juan Fernando Castrejón Gómez (Francisco del Yerro II) (40)
2. Víctor Muñoz Teixidó (Barbarian Team Madrid Madrid) (160)
3. Borja Serna Sierra (Francisco del Yerro) (42)
4. Agustín De Marcos Muñoz (DM Team) (43)
5. Ivan Marcos Sánchez (Lata Team) (41)
6. Eduardo Francisco Redruello Bollo (Lata Team) (141)
. Abel García Vaillo (Be Strong Gym) (142)
. Héctor García González (Totalactivity Team) (146)
. Alejandro Esteban Serrano (FlexNutrition) (156)
Body-building
1. Mario Alonso Carnicero (Francisco del Yerro) (186)
2. Sorin Sandor (Francisco del Yerro) (192)
3. Luis García Martínez (Francisco del Yerro) (45)
4. Carlos García Oquendo (Cherokee Sports) (171)
5. Julián Prieto Santana (Barbarian Team Madrid Madrid) (178)
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neovitae · 6 years
Text
Coquelles Le magasin New Look fermé jusqu'en mars, au moins
Jean-Philippe Blasco, directeur des opérations, et Patrick Birault, directeur des ressources humaines, ont rencontré les treize salariés et leurs ... from Google Alert - "ressources humaines" -H/F http://bit.ly/2UdvDqo
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emzeciorrr · 5 years
Video
vimeo
Disneyland Paris Frozen celebration from Gunther Gheeraert on Vimeo.
Disneyland Paris presents “The Frozen Celebration” from 11th January to 3rd May 2020.
Senior Manager Production: Nathalie Raverat-Teilhac Head of Production: Carole Jublot Producer: Andy Standley Producer Assistant: Nicolas Tryant Artistic Director: Eric Verdi Sartori Director: Günther Gheeraert 1st AD: Sophie Pochon DP/Movi: Nils Ruinet Camera Assistant: Maxime Mogette Crane Leader: Jean Chesneau Camera Crane: Jb Jay Crane Team: Vincent Blasco / Grégoire Benzaquen / Anna Katia Vincent Technical Coordinator: Fabien Rogez Technical Assistants: Eric Charansol / Guillaume Laurent / Valentin Camphin Editing / Motion Design: Günther Gheeraert Colorist: Nils Ruinet Camera: Red Gemini Lenses: Sigma Art Series / Canon L Series
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