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thealmightyemprex · 2 years ago

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Disney Review Request Princess and the Frog

Requested by @themousefromfantasyland who wanted me to discuss Princess and the FRog ,the PRincess film that isnt really talked about and why it is a bit under the radar ....And yeah I wanna talk about that too .See I remember the HYPE for this film :It was Disney going back to their roots ,a princess fairy tale musical in beautiful 2D animation by Ron Clements and John Musker AKA the best directors Disney has ever had ,this was it ,this was going to bring back Disney for a modern age.....And it did fine ,not the game changer Disney was hoping for and as a result instead of bring back Disney 2D after a long hiatus,it was more of a swan song befor one last gasp in the form of Winnie the Pooh .I also saw the film in the theaters right when Disney had kind of become an obsession and for a few years it was the fave movie of my lil sibling.....Till Frozen came out .Also spoilers ahead

The plot of this 2009 film concerns a waitress named Tiana (Anika Noni Rose) who dreams of opening her own restraunt ,and meets Naveen(Bruno Campos) a selfish Prince who has been turned into a frog in a scheme by the evil Dr Facilier (Kieth David ) ,and going by the Frog Prince fairy tale ,Naveen convinces Tiana to kiss him in exchange for enough money to pay for her restraunt .....Only for her to turn into a frog as well ,and the two set off on an adventure to find a way to make them human

This is a film I wish I loved ,cause there is a lot to love .The animation is beautiful ,and everytime I watch it I get a little sad cause 2D has been completly taken over by CG ,at least in America .I like the side characters .Louis the Trumpet playing gator while not having a lot to do is brilliantly animated by Eric Goldberg and played masterfully by Michael Leon Wooley (THough I will confess ,since I found out he played Audrey II in the Broadway version of Little Shop of Horrors ,I keep expecting him to go "Feeeeeddd Meeeee" ).I ADORE Mama Odie ,a 197 year old blind voodoo priestess .She is kind of a deceptively goofy yet wise character which is an archetype I love and Jennifer Lewis gives it her all ,I had no idea the actress was only in her 50's she convinced me she was much older . I think my favorite character might be Tianas friend Charlotte ,a rich girl obsessed with marrying a prince ,she is just so energetic and funny and I love that she genuinely cares about Tiana .Ray the firefly is a character I thought I wouldnt like when the film was being advertised and I confess I dont like his design .....But he is actually the heart of the film ,Jim Cummings givers a great performance ,I love his sub plot about being in love with a star ,Evangeline ,and I remember how shocking it was that Ray DIES .At the end of the film Dr Facilier KILLS him ,and I remeber the audience gasped in the theater .Now I have seen people who either think Rays death is emotionally powerful or straight up silly ,for me....Im a big ball of emotion ,so when that second star eppears next to the wishing star meaning Ray is finally with Evangeline ......I tear up

I really love Naveen as a character ,a disinherited playboy who loves jazz and his arc and romance with Tiana is good.I also just adore the setting ,I think 1920's New Orleans is the perfect place for a 20th century fairy tale (Wish they used it better but I will get into that ).I also love the use of jazz music and speaking about the music lets talk about the songs by Randy Newman .Now I am not a big Newman fan but I think the songs are really good though some are just OK and I am gonna talk about them from my least favorite to my most favorite

8.Never Knew I needed-the obligatory end credits pop song that is good ,but I dont love it ,I kind of forgot this one existed

7.When We're Human-Sung by Tiana,Naveen and Louis Its cute but kind of meh for me

6.Gonna Take You There-Sung by Ray and his Firefly family ,its just OK

5.Down in New Orleans(All versions)-I actually really like this song ,its a good opener and closer

4.Almost There:Tianas song that is really damn good, Anika Noni Rose does a fantastic job ,I think it is also my third favorite song animation wise ....I just like three other songs better

3.Ma Belle Evangeline -One of the most underrated love songs in Disney ,I think the sequence is beautiful(One of my favorite scenes in the film honestly ) and Jim Cumming really shows off his singing skills

2.Dig A Little Deeper :Mama Odies song and its just got a good message while also be8ing a ton of fun and Jennifer Lewis just sells it .I got a weakness for Gospel style numbers

1.Friends on the Other Side-OK I have opinions that are unpopular about Doctor Facilier but I will give him this ,he has one of the BEST Villain songs in Disney .Kieth David really shows off his amazing singing skills here,the animation is perfect ,I like how it builds up to being completely insane ,its fun ,its creepy ,its just a great villain song.....With a perfect reprise ,but I'll talk about that later

I'll talk about Tiana later ,so lets go into what I think is the flaws/things I am kind of meh about/thing that almost work but dont but-...*Sigh* lets just get into it

In the meh category ....The use of celeb voices here are weird.Like usually you get a big star to play the main character or the sidekick or the villain.....But aside from getting the great character actor Kieth David to play the villain,which I get but the other three BIG STARs play supporting characters.Now I kind of get Terrance Howard and Oparah Winfrey for the parents but...I'm just gonna say it ,why is JOHN GOODMAN IN THIS FILM ??I love John Goodman ,dont get me wrong ,and yeah he is a plot point, (FAcilier wants to kill him and gain his wealth ) but he doesnt do much so I am always distracted when I hear Goodmans voice

Annnnnnddd lets get to the part that I think might get me some flack....Lets talk about my issues,AND what I like about Dr Facilier .I KNOW this guy is super beloved he is the part of the movie people REALLY like....And I'm sorry I got problems with him .I'll start with what I like :His design is great ,evoking classic DIsney villains like Captain Hook ,his villain song like I said is marvelous ,I like his evil plan to take over New Orleans and feed all the inhabitants souls to his Friends on the Other Side ,he's got menace to him,I love the fact his shadow is alive .he is played by one of my favorite actors Kieth David who delivers a phenominal vocal performance and I like that beneath his cool facade he is actually a desperate and terrified dude when it comes to his otherworldly buddies ......But while he is made of cool parts ,they emphisize his greed ,his motive is he wants money and power ......Thats boring and it doesnt really vibe with "Im going to let spirits devour New Orleans " .The other is he is more plot villain and not a good foil to the heroes . He has no connection with Tiana really ,they only have one scene together and she apparently knows who he is but thats never explained .I say to make him a better villain

1.Emphisize his back story that he was someone who used magic to fufill his desires the easy way ,and his desperation to pay off his debt is his motive

2.Have him pursue the heroes ,and tempt the heroes.

I wll say he is a fun character ,I just wish he was great .....Oh his death scene is AMAZING and TERRIFYING though, dragged to the spirit world by his own shadow as his own villain song is sung by monstrus spirits ,that was such a jaw dropping scene in the theater ,possibly my favorite Disney villain death

As for things in the I dont like section.....The film begins strong,and ends strong too.....But that middle section in the bayou is just kind of dull.Up to Ma Belle Evangiline that whole part of the film just drags ,including these three minor bad guys that dont add anything ,theres some terrible jokes ,and two of the songs dont do it for me .Humor in general is hit and miss .Oh I almost forgot ,Lawrence is one of the most forgettable villain sidekicks in Disney,I kind of forget he is in the movie

Well Question time

1 - What do you think about Tiana as a character?

I like Tiana ,I think she is a good protagonist ,Anika Noni Rose soes a good performance ,I find her likeable and I like her romance with Naveen.

2 - Do you think this movie would be better if Tiana didn't turn into a frog, or if the frogs journeyed through New Orleans more inteastad of the bayou?

Yeah I wouldve preferred mor human Tiana,and while I like swampy settings ,I wanted more in New Orleans .

3 - Is this movie good, bad, or just watchable?

Its... on the good end of Watchable .I dont return to it a bunch it has flaws ...But its got its good stuff in it .I dunno I always go in wanting it to be better then it is

Overall it almost works but it feels undercooked ,but I still reccomend it .If best is A+ this is about a B

@ariel-seagull-wings @princesssarisa @filmcityworld1 @the-blue-fairie @angelixgutz @amalthea9@goodanswerfoxmonster

#disney

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aquamarine-dream-queen · 2 years ago

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Happy Mardi Gras from jazz loving gator, Louis! It's time to let the good times roll!

#Mardi Gras #disney princess #the princess and the frog #disney #jazz music #music #jazz #parade

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cardest · 4 years ago

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New Orleans playlist

Hungry for some po boys? Feeling the Mardi Gras vibes for this weekend? This is the ultimate NOLA playlist, right here. Play the songs here: https://www.youtube.com/playlist?list=PL-iHPcxymC182dTlE-Gii6ZOO5ZrN1Z1T

Louisiana and New Orleans, all in the one awesome playlist. If there are songs I left out, let me know and I can add those. Or come meet me at Le Bon Temps Roulé and we’ll listen to this NOLA playlist together with drinks.

LOUISIANA & NEW ORLEANS

001 Bob James - Take Me To The Mardi Gras 002 Earl King - Ain’t no city like New Orleans 003 John Lee Hooker - goin’ to Louisiana 004 Crowbar - Wrath Of Time By Judgment 005 True Detective - Theme (The Handsome Family - Far From Any Road) 006 EyeHateGod - New Orleans Is The New Vietnam 007 The The Meters - Chicken Strut 008 Paul McCartney - Live And Let Die (from Live And Let Die) 009 The Rolling Stones - Brown Sugar 010 Lucinda Williams - Crescent City 011 King Hobo - New Or-Sa-Leans 012 Concrete Blonde - Bloodletting 013 Down - Underneath Everything 014 True Blood Theme Song (Jace Everett - Bad Things) 015 Corrosion of Conformity - Broken Man 016 The New Orleans Jazz Vipers - I Hope Your Comin' Back To New Orleans 017 Willy DeVille - Jump City 018 Left Side - Gold In New Orleans 017 Necrophagia - Reborn through Black Mass 018 Johnny Horton - The Battle Of New Orleans 019 Dr John - Litanie des Saints 020 Foo Fighters - In the Clear 021 Redbone - The Witch Queen Of New Orleans 022 Jucifer - Lautrichienne 023 Danzig - It's a long way back from hell 024 Harry Connick, Jr. - Oh, My Nola 025 The Gaturs - Gator Bait 026 Jon Bon Jovi - Queen Of New Orleans 027 Cyril Neville - Gossip 028 Carlos Santana - Black Magic Woman 029 Gentleman June Gardner - It's Gonna Rain 030 Eddy G. Giles - Soul Feeling (Part 1) 031 Tool - Swamp Song 032 Beasts of Bourbon - Psycho 033 Seratones - Gotta Get To Know Ya 034 Chuck Berry - You Never Can Tell 035 Grateful Dead - Mississippi Half-Step Uptown Toodleoo 036 Pale Misery - Hope is a Mistake 037 Exhorder - Homicide 038 King James & the Special Men - Special Man Boogie 039 Chuck Carbo - Can I Be Your Squeeze 040 Amebix - Axeman 041 Tomahawk - Captain Midnight 042 Waylon Jennings - Jambalaya 043 Heavy Lids - Deviate 044 Red Hot Chili Peppers - Apache Rose Peacock 045 Necrophagia - Rue Morgue Disciple 046 Johnny Cash - Big River 047 Albert King - Laundromat Blues 048 Meklit Feat Preservation Hall Horns - You Are My Luck 049 Le Winston Band - En haut de la montagne 050 Dr. john - I Thought I Heard New Orleans Say 051 Down - New Orleans is a dying whore 052 Samhain - To Walk The Night 053 Creedence Clearwater Revival - Green River 054 Southern Culture on the Skids - Voodoo Cadillac 055 Bonnie, Sheila - You Keep Me Hanging On 056 Warren Lee - Funky Bell 057 Elf - Annie New Orleans 058 Cannonball Adderley - New Orleans Strut 059 Doug Kershaw - Louisiana Man - New Orleans Version 060 Willy deVille - Voodoo Charm 061 The Animals - The House of the Rising Sun 062 Porgy Jones - The Dapp 063 Lost Bayou Ramblers - Sabine Turnaround 064 IDRIS MUHAMMAD - New Orleans 065 John Lee Hooker - Boogie Chillen No. 2 066 Hank 3 - Hillbilly Joker 067 Nine Inch Nails - Heresy 068 Talking Heads - Swamp 069 Irma Thomas - I'd Rather Go Blind 070 Mississippi Fred McDowell - I'm Going Down the River 071 Dee Dee Bridgewater - Big Chief 072 Dr. John - Creole Moon 073 Agents of Oblivion - Slave Riot 074 Steve Vai - Voodoo Acid 075 Saviours - Slave To The Hex 076 Kris Kristofferson - Casey's Last Ride 077 JJ Cale - Louisiana Women 078 Cher - Dark Lady of New Orleans 079 LE ROUX - Take A Ride On A Riverboat 080 The Melvins - A History Of Bad Men 081 Floodgate - Through My Days Into My Nights 082 Opprobium - voices from the grave 083 Quintron & Miss Pussycat - Swamp Buggy Badass 084 Child Bite - ancestral ooze 085 Sammi Smith - The City Of New Orleans 086 The Explosions - Garden Of Four Trees 087 Bobby Boyd - straight ahead 088 Bobby Charles - Street People 089 Wall of Voodoo - Far Side of Crazy 090 Rhiannon Giddens - Freedom Highway (feat. Bhi Bhiman) 091 Elton John - Honky Cat 092 Serge Gainsbourg - Bonnie and Clyde 093 Fats Domino - I'm Walking To New Orleans 094 Cruel Sea - Orleans Stomp 095 Down - On March The Saints 096 Danzig - Ju Ju Bone 097 The Neville Brothers ~ Voodoo 098 Megadeth - The Conjuring 099 Miles Davis - Miles runs the voodoo down 100 Elvis Presley - King Creole 101 Led Zeppelin - Royal Orleans 102 The Lime Spiders - Slave Girl 103 BIG BILL BROONZY -'Mississippi River Blues' 104 Kreeps - Bad Voodoo 105 Dirty Dozen Brass Band - Caravan 106 Kirk Windstein - Dream In Motion 107 Eletric Prunes - Kyrie Eleison - Mardi Gras 108 Merle Haggard - The Legend Of Bonnie And Clyde 109 Corrosion of Conformity - River of Stone 110 THE ADVENTURES OF HUCK FINN (MAIN TITLE) 111 Zigaboo Modeliste - Guns 112 ReBirth Brass Band - Let's Go Get 'Em 113 Inell Young - What Do You See In Her? 114 Jimi Hendrix - If 6 as 9 (Studio Version) Easy Rider Soundtrack 115 Deep Purple - Speed King 116 Exhorder - The Law 117 Crowbar - The Cemetery Angels 118 A Streetcar Named Desire OST - Main Title 119 WOORMS - Take His Fucking Leg 120 steely dan - pearl of the quarter 121 Tabby Thomas - Hoodoo Party 122 Black Label Society - Parade of the Dead 123 Dwight James & The Royals - Need Your Loving 124 Abraham Lincoln Vampire Hunter (2012) The Rampant Hunter (Soundtrack OST) 125 PanterA - The Great Southern Trendkill 126 Ween - WHO DAT? 127 Earl King - Street Parade 128 Ernie K-Doe - Here Come The Girls 129 Dejan's Olympia Brass Band ~ Mardi Gras In New Orleans 130 Body Count - KKK Bitch 131 Goatwhore - Apocalyptic Havoc 132 C.C. Adcock - Y'all d Think She Be Good To Me (from True Blood S01E01) 133 The Meters - Fire On The Bayou 134 Dr. John - I Walk On Guilded Splinters 135 Balfa Brothers - J'ai Passe Devant ta Porte 136 Ween - Voodoo Lady 137 King Diamond - 'LOA' House 138 Creedence Clearwater Revival - Born On The Bayou 139 Dax Riggs - See You All In Hell Or New Orleans 140 Professor Longhair - Go to the Mardi Gras 141 Dixie Witch - Shoot The Moon 142 Ramones - The KKK Took My Baby Away 143 Fats Waller - There's Going To Be The Devil To Pay 144 Mississippi Fred McDowell - When the Train Comes Along with Sidney Carter & Rose Hemphill 145 Treme Song (Main Title Version) 146 Tony Joe White - Even Trolls Love Rock and Roll 147 Nine Inch Nails - Sin 148 Exodus - Cajun Hell 149 NEIL DIAMOND - New Orleans 150 James Brown - Call Me Super Bad 151 Jimi Hendrix - Voodoo Child ( Slight Return ) 152 Allen Toussaint - Chokin Kind 153 Dash Rip Rock - Meet Me at the River 154 Hawg Jaw- 4 Lo 155 Hot 8 Brass Band - Keepin It Funky 156 Hank Williams III - Rebel Within 157 Dejan's Original Olympia Brass Band - Shake It And Break It 158 Jelly Roll Morton - Finger Buster 159 The Royal Pendletons - (Im a) Sore Loser 160 Little Bob & The Lollipops - Nobody But You 161 Gregg Allman - Floating Bridge (True Detective Soundtrack) 162 Michael Doucel with Beausoleil - Valse de Grand Meche 163 Dolly Parton - My Blue Ridge Mountain Boy 164 Othar Turner & the Afrossippi Allstars – Shimmy She Wobble 165 Jucifer - Fleur De Lis 166 Soilent Green - Leaves Of Three 167 Ides Of Gemini - Queen of New Orleans 168 Betty Harris - Trouble with My Lover 169 Lead Belly - Pick A Bale Of Cotton 170 Candyman Opening Theme 171 Goatwhore - When Steel and Bone Meet 172 Acid Bath - Bleed Me An Ocean 173 Pere Ubu - Louisiana Train Wreck 174 Walter -Wolfman- Washington - You Can Stay But the Noise Must Go 175 Alice in Chains - Hate To Feel 176 Body Count - Voodoo 177 Live and Let Die - Jazz Funeral 178 Smoky Babe - Cotton Field Blues 179 Professor Longhair - Big Chief Part 2 180 Lewis Boogie - Walk the Line 181 James Black - Theres a Storm in the Gulf 182 The Balfa Brothers - Parlez Nous A Boire 183 The Jambalaya Cajun Band - Bayou Teche Two Step 184 The Deacons - Fagged Out 185 Thou - The Changeling Prince 186 Black Sabbath - Voodoo 187 King Diamond - Louisiana Darkness 188 Doyle - Cemeterysexxx 189 KINGDOM OF SORROW - Grieve a Lifetime 190 Hank Williams III - Louisiana Stripes 191 FORMING THE VOID - On We Sail 192 BUCK BILOXI AND THE FUCKS - fuck you 193 Down in New Orleans - The Princess and the Frog Soundtrack 194 Trombone Shorty & James Andrews - oh Poo Pah Doo 195 Whitesnake - Ain't No Love In The Heart Of The City 196 The Dirty Dozen Brass band - Voodoo 197 Joe Simon - The Chokin' Kind 198 Down - Ghosts along the Mississippi 199 AEROSMITH - Voodoo Medicine Man 200 Nine Inch Nails - The Perfect Drug 201 The Byrds - [Sanctuary III] Ballad Of Easy Rider 202 The Iguauas - Boom Boom Boom 203 PJ Harvey - Down By The Water 204 Louis Armstrong - Do You Know What It Means To Miss New Orleans 205 Dr John - Right Place Wrong Time 206 ESTHER ROSE - handyman 207 Lightnin Slim - It's Mighty Crazy 208 Slim Harpo - Blues Hangover 209 Irma Thomas - Ruler Of My Heart 210 WEATHER WARLOCK - Fukk the Plan-0 211 Superjoint Ritual - The Alcoholik (Use Once And Destroy) 212 Stressball - dust 213 Trampoline Team - Kill You On The Streetcar 214 Xander Harris - Where’s your Villain? 215 Dukes of Dixieland - When The Saints Go Marching In 216 Kid Congo & The Pink Monkey Birds - Su Su 217 Danzig - I'm the one 218 EyeHatteGod - Pigs 219 Hank Williams Jr - Amos Moses 220 The Cramps - Alligator Stomp 221 Crowbar - The Serpent Only Lies 222 Shrüm - drip 223 Thou - The Only Law 224 DR. JOHN - Babylon 225 Garth Brooks - Callin' Baton Rouge 226 Wild Magnolias - All On A Mardi Gras Day 227 NCIS New Orleans TV Show theme 228 Skull Duggery - Big Easy 229 Harry Connick Jr. - City beaneath the sea 230 Elvis Presley - Dixieland Rock 231 Tom Waits - I Wish I Was In New Orleans (In The Ninth Ward) 232 Neil Young - Everybody's Rockin 233 Philip H. Anselmo & The Illegals - Delinquent 234 CORROSION OF CONFORMITY - Wolf Named Crow 235 Widespread Panic - Fishwater 236 Lillian Boutté - Why Don't You Go Down to New Orleans 237 Bryan Ferry - Limbo 238 Scream - Mardi Gras 239 EyeHateGod - Shoplift 240 Better Than Ezra - good 241 Duke Ellington - Perdido (1960 Version) 242 Bob Dylan - Rambling, Gambling Willie 243 Big Bad Voodoo Daddy - sAve my soul 244 Le Roux - So Fired Up 245 Concrete Blonde - The Vampire song 246 Boozoo Chavis - Zydeco Mardi Gras 247 Idris Muhammad - Piece of mind 248 Les Hooper - Back in Blue Orleans 249 Doug Kershaw - Cajun stripper 250 DOWN - Witchtripper 251 Soilent Green - So hatred 252 Professional Longhair - Big chief 253 Willie Nelson - City Of New Orleans 254 Tom Waits - Whistlin' Past The Graveyard 255 Brian Fallon - sleepwalkers 256 Patsy - Count It On Down 257 Into the Moat - The Siege Of Orleans 258 Bruce Cockburn - Down To The Delta 259 Jello Biafra · the Raunch and Soul All-Stars - Fannie Mae 260 Exhorder - Asunder 261 Cane Hill - Too Far Gone 262 The Slackers - peculiar 263 Crowbar - A Breed Apart 264 COC - Wiseblood 265 Necrophagia - Embalmed Yet I Breathe 266 EYEHATEGOD - Fake What's Yours 333 Alan Vega - Bye Bye Bayou 666 DOWN - Stone the crow

I don’t beads by the way! Hit play here: https://www.youtube.com/playlist?list=PL-iHPcxymC182dTlE-Gii6ZOO5ZrN1Z1T

#new orleans #New Orleans playlist #NOLA #NOLA playlist #Louisiana #corrosion of conformity #Alan Vega #necrophagia #New Orleans songs #mardi gras #Mardi Gras songs #crowbar #eyehategod

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spacesuitsforemergency · 4 years ago

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Lucy and Louis? If only because HE'S LITERALLY THE GATOR FROM PRINCESS AND THE FROG-

She has gained yet another dad-

She’d totally visit the Bloody Bijou and watch the gator gangs performances cause obviously jazz is her thing. Also the image of these two chatting and they see Alley chase Eugene out and they just clink their glasses and watch the show cause neither of them wanna get up and deal with that mess

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the-city-kitty · 3 years ago

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I love the princess and the frog but the only thing that I really wish happened was he Louis did get to turn human like he wanted, like I get the point is that he didn’t need to be human to play jazz but it makes me sad to think that Tiana and Naveen will lose the ability to speak to him because they got to be humans and he’s still a gator

#the princess and the frog #disney #katnip talks

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muses-of-the-memory · 2 years ago

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"You betcha. Walt Disney started his dream October 16, 1923. The animators and writers should be proud. If only these walls could talk... Speaking of..." I spoke as I take a peek into the studios and see Mickey Mouse moving in a frame of Mickey's Birthday.

"Psst! Tink! Tink... You there?" Mickey whispered to the tinker fairy who comes out. "Is this it? They all gone?" He asked to the fairy who nods. "C'mon Minnie! This is it! And look, our friend" He said bringing his girlfriend out of the frame. "Let's get the gang." Minnie spoke as she began to shout with her signature. "Yoo-hoo!"

"That's the signal." Tiana spoke coming out of her frame from The Princess and the Frog. "C'mon y'all. It's picture time." She said to fellow Disney characters. "That's tonight?" Pinocchio the wooden boy asked. "It's now." Tiana spoke. "A 100-year group photo, and the sun's going down, so let's hop to it." Judy Hopps, a police officer from Zootopia said coming out with her fox partner, Nick Wilde. "Oh, a bunny pun. Kinda like that." Nick spoke as Louis the horn playing gator comes out, surprising Nick.

@the-world-hopper

Celebrating 100 Years of Disney

@the-world-hopper

PJ Mills was taking Lucas with him to see the Walt Disney Studios to celebrate 100 years of Walt Disney magic that his films have given. He lands the Sky Bison outside as he lands on the ground.

"Here we are, Lucas... The Walt Disney Studios." I said to Lucas showing him the Walt Disney Studios.

"Can you believe it's been 100 years that Walt Disney had made his dream here?"

#world: walt disney studio #famous disney mouse (mickey mouse)#tinker fairy (tinker bell)#the mun (p.j.)#the world hopper (lucas)#oc rp #the-world-hopper #mickey's girlfriend (minnie mouse)#new orleans princess (tiana)#wooden boy (pinocchio)#jazz gator (louis)#bunny cop (judy hopps)#con-artist fox (nick wilde)#once upon a studio

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helluvascribe · 5 years ago

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Alastor: Unofficial Character Profile and Timeline

Character profile

Name: Alastor (meaning Greek spirit of vengeance/tormentor)

Birth: January 24th 1896, New Orleans, Louisiana (VA Edward Bosco’s birthday is January 24, 1986)

Human name: Alastor Roscoe Duvalier Cajun (Roscoe means deer forest and is also an old term for a handgun. Duvalier is last name of Voodoo genocidal dictator of Haiti.)

Race: Part White (French-American from his father) part Creole (Native American and African-American from his mother).

Hair color: Brown (red and black in Hell) usually short, sometimes in a small ponytail or brown ends reaching slightly past his ears

Eye color: Brown (red in Hell)

Skin color: Light brown (pale gray in Hell) thin pointed chin, lanky agile body

Clothing: brown/white nice shirts with bow ties, dress coats, hunting boots, wine colored pants, the occasional top hat with voodoo pins sticking from the top.

Items: Hunting rifle given to him by his father, sharp knives, a staff with a microphone on it decorated with small golden antlers curved near the top. (The staff became a red vintage microphone with an eye and magic powers in Hell that became part of him as per the deal he took)

Date of death: 1933

Cause of death: Bitten by dog with rabies, experienced hallucinations, inflamed brain, strange excitement and paranoia. When he sees water, it’s nothing but alligators, leeches and the darkness of an ocean. He ran from police and into the woods at night. The police sent several police dogs after him, appearing to Alastor as werewolves. He encounters Hustle, a deer hunter, yelling in agony, almost caught by police. Hustle alerts the police to his location, saying “Target criminal’s over here!” Alastor grabs the gun from the hunter and shoots himself between the eyes. His body is mauled by the police dogs and the hunter sinks down to his knees in shock and fear.

Demonic life: deer demon, overlord, radio host. His deer-like shadow has a mind of its own and reveals his true feelings.

Likes: cooking, singing, dancing, electro swing, Rosie, Mimzy, Charlie (as a friend), his mother, hunting and skinning deer, being out in nature, people failing, dark coffee, the Picture Show, the Stock Market Crash of 1929, theater, liquor, dad jokes, Jambalaya, epicurean food, making voodoo dolls of the Hazbin characters

Dislikes: being touched, strawberries, post 30’s technology, dogs, anything sweet, frowning, Vox, his father, Angel’s sexual remarks, tea, spray can foods, ketchup

Abilities: supernatural powers, voodoo, radio broadcasting, shadow manipulation, warping space, singing, charm

Kalfu is Alastor’s main voodoo deity, as both are destroyers and dark sorcerers.

Mother:

Loretta Marie Duvalier (last name became Cajun): (named after Loretta Petit, real life American radio personality born in New Orleans. Duvalier is last name of Voodoo genocidal dictator of Haiti.)

Speaks French. As a human, she had dark skin, thick black short hair and often wore bonnets, dresses, and on occasion, charms around her neck. She went to Heaven for her selfless actions in comforting Alastor when he was bullied and abused. She was the only source of light in his life before he snapped.

Her voodoo deity is Erzulie, the goddess of beauty, love, femininity and motherhood.

Alastor secretly cuddles with a voodoo doll of his mother every night.

Father:

Louis Francois Cajun: White man and Christian French immigrant, descendant of two French Canadians. He fell in love with Loretta, but bi-racial marriage was frowned upon, so they held it in secret. He is a skilled hunter and taught Alastor to hunt deer and game at a young age. When Alastor was younger, he told him to “beware the gators” in the nearby swamp. As Alastor grew older, he became more abusive to him, even molested him after sleeping with another woman on a Friday the 13th. He died brutally by Alastor in the 1920s/30s.

Louis became an oppressive black deer overlord but was defeated by Alastor a second time.

In Alastor’s vision, Louis is represented by Ogun, god associated with dogs, warriors, hunters, conflict. He’s symbolized by an iron knife and has fondness for pretty women and rum.

Samuel Cajun – Grandfather

Antoinette – Grandmother – Voodoo Priestess and Hoodoo oral practitioner

Racheil: Alastor’s friend and love interest (though he doesn’t want sex or serious romance.) She has short blonde hair and looks similar to Charlie in dapper clothes. She, like Charlie, is nice to him and loves to dance and sing. She tries to help him become a better person but after he snapped, she broke up with him and left him to solve his own problems. She almost got stabbed b him but managed to escape with her wife Agatha (whom she had married in private).

In Alastor’s dream, she appears as Oshun, a goddess connected to beauty, sexuality, wealth, pleasure, and rivers.

Alastor later makes a voodoo doll of Racheil’s similar counterpart, Charlie along with dolls representing the other characters.

Mimzy: Alastor’s friend and temporary love interest (Alastor liked to flirt with her but didn’t want to get intimate nor be tied down). Mimzy likes singing, jazz, desserts and doughnuts. She doesn’t like rock. Confident in her singing, she is the owner of a jazz club, both on Earth and in Hell. She is a short, chubby woman who wears pink/purple flapper dresses, a headband with pink feathers and short blonde hair. Her eyes were blue and her skin white as a human, in Hell her eyes were black with hot pink pupils.

Mimzy and Alastor sing several duets together on stage in both realms and even share a kiss much to the disgust of a jealous (human) Husk. As time went on however, Mimzy started falling head over heels for him, while Alastor wanted to stay friends. (She heard about his radio shows but didn’t suspect he was the killer until later). One night, a love crazed Mimzy (who had also had several drinks) tried to undress him and even reached for his private parts. He shoved her off and threatened to kill her if she assaulted him again. Then she realized in shock that he was the serial killer when he defended himself with a bloodstained knife. She tried to call for help, but he choked her with an insane look in his eyes.

Alastor keeps a voodoo doll of Mimzy in his lair with the straw arms missing.

Rosie: Alastor’s friend, fellow overlord, and associate. Rosie wears dark pink dresses, and a large pink hat with skulls, pink feathers, and black flowers on it in Hell. She has black eyes and sharp teeth. She is the owner of her emporium, after Franklin got eaten by demons.

As a human, Rosie looked similar to Mary Poppins: black hair, white skin, elegant dresses and an umbrella in her hands. She owned an emporium on Earth. Alastor used to sing with her and help her out like a gentleman. However, this was before he became insane. Rosie went to Hell after forcing her employees to work long hours with hardly any breaks (It was during a time where people worked their lives away). Like in Hell, she was self-centered and didn’t hesitate to overpower others to fulfill her ends. Hence, she became an overlord due to the impact of her evil actions.

According to Vivziepop, their relationship is similar to Jack and Mary’s relationship from Mary Poppins: both Jack and Alastor help out their lady friends and are polite to them. Like Mary, Rosie is stern, sophisticated, elegant, and a perfectionist. She’s “practically perfect in every way” at least in her opinion. Both Rosie and Alastor love singing, dancing, performing, and killing people. The three of them met up with Mimzy and all sang together.

Alastor keeps a voodoo doll of Rosie in his lair.

However, Rosie, like nearly everyone in Hell, has an agenda of her own: using Alastor to further her status. In fact, she often views those around her as mere friends and servants who purpose is to make her life easy and orderly. She, along with Vox, Valentino, Katie, and Sir Pentious are listed as antagonists.

Niffty: A small cyclops demon with a hot pink skirt and short pink hair with a yellow undertone. She is the maid for the Hazbin Hotel: she cleans the rooms, cooks meals and likes to sew, read and write. She is obsessed with men and was summoned by Alastor. She died in the 1950s as a Japanese-American woman at age 22. She is hyperactive and fast…and also a hopeless romantic who indulges in her own fantasies. Niffty isn’t afraid to use manipulation to get her way. Alastor summoned her from the fireplace but before that, he had charmed her into making a deal with him shortly after she arrived in Hell.

Alastor keeps a voodoo doll of Niffty in his lair.

Husk: A black and white cat demon with red wings with card suits on them. He has long red eyebrows, wears a black hat and wears a large red bow tie. Husk loves drinking, gambling, cards and magic shows. As a human, Husk interacted with Alastor as a broad man with short black hair. He went off to serve in the Vietnam War, gambling and drinking his problems away. He died in the 1970s.

In Hell, Alastor summons the grumpy bad-mouthed Husk to help man the front desk of the hotel for “charity work” and transports him there. Alastor got Husk to make a deal with him by promising him booze, cigars, and drinks spiked with catnip. Husk can speak many languages and is good with children.

Alastor keeps a voodoo doll of Husk in his lair.

Alastor’s ancestor from his father’s side: Marie LaLaurie, (1787-1849) real life New Orleans serial killer, cruel to Creole slaves

Dr. Facilier: distant relative

Alastor’s cousin from his mother’s side: Clementine Barnabet: (1894-1923) real life Louisiana voodoo priestess and serial killer, killed families with an axe.

Real life Axeman of New Orleans serial killer 1918-1919

Killed women and primarily used an axe. Spared those who played jazz in their homes

Albert Fish: serial killer, child rapist and cannibal 1924-1932 crimes, died in 1936

Alastor "Hazbin" Roscoe Cajun/Duvalier born January 24th, 1896 (Edward Bosco's b day Jan 24th 1986) to Francois and Loretta Cajun, born at 3:00AM; Loretta gave birth in the woods on the way to the hospital (born 3 weeks early). Light brown skin, brown eyes, round glasses, short brown hair with reddish tint, pointed chin, thin agile body

1897: Age 1 Things start off normal in New Orleans, infant Alastor plays in his crib and loves the music on the radio.

1898: Age 2 Alastor meets his uncle and aunt and discovers the marvelous outside world

1899: Age 3 Alastor watches musicals on the picture show and falls in love with them. His mother makes him Jambalaya, his favorite food of comfort

1900: Age 4 Reading and preschool, Sunday church goings which Alastor finds boring

1901: Age 5 Kindergarten: Alastor is teased for his freckles and whenever his hair glows a reddish tint in the sunlight

1902: Age 6 First grade: Alastor learns reading, writing, math, and art. He hates gym and loves music and art.

1903: Age 7 Second grade: Alastor's parents get into a fight for the first time in a while; Alastor is sent to his room whenever it happens. After he comes back upset, both his parents say that frowning is weakness. Loretta says "Remember to smile, Alastor, it shows dominance and confidence. You're never fully dressed without one." He takes that lesson to heart for the rest of his life.

Vision 1: Alastor dreams he is a young red deer who performs onstage and receives a standing ovation, representing childhood innocence.

1904: Age 8 Third grade: Alastor discovers his love of theater. He finds joy in attending and watching Mardi Gras parades and the costumes. He says 'Throw me something, mista!" during the parade but the other kids got to get the prizes thrown from the parade instead.

1905: Age 9 Fourth grade: A group of boys start to bully him and even punch him badly. Alastor smiles through it all. He tells his father and mother. While his mother comforts him, his father scolds him for not fighting back.

1906: Age 10 Fifth grade: Alastor gets his brutal revenge by daring the boys to enter into a nearby swamp. One of the bullies gets eaten by a crocodile while Alastor just watches. Alastor gets nicknamed by his father and bullies as "Alastor Hazbin."

1907: Age 11 Sixth grade: Alastor goes hunting with his father and his father shows him how to hunt and skin deer and other game. He becomes skilled over time and loves the meat. He also learns how to cook from his mother...Jambalaya being his favorite to make.

1908: Age 12 Seventh grade: Alastor gets slapped by his father for not participating in sports. Other kids make fun of him for being of mixed race. Loretta begins teaching him about Voodoo and Hoodoo. Alastor connects with Kalfu the deity and learns of his heritage as part French and part Creole. His grandmother was a powerful priestess and was believed to orally pass on stories and display feats of magic. His Grandmother was born in Haiti, moved to France and then to the U.S. His Uncle, Father, and Grandfather were Canadian/French Christians. His aunt was conflict avoidant, unlike his uncle and father. Loretta tells him (though he soon doesn't listen) that Voodoo is not to be used for evil, sacrifices, nor cannibalism and to only resort to cannibalism for survival.

1909: Age 13 Eighth grade: Alastor's father yells at him for not showing interest in girls. One fateful night, his father sleeps with another woman and Alastor notices. A helpless Loretta watches as Francois whips, humiliates and molests him in his room, warning him not to tell or "he'd kill (them) both." Loretta comforts him with hugs and Jambalaya. As he eats, Alastor imagines eating off his father's fingers.

Alastor is diagnosed with anxiety, narcissism and psychopathic tendencies. He is bullied in middle school and is not interested in sex and girls like the other boys. He finds it gross and pointless.

Loretta's Jambalaya nearly kills her when a drunk Loretta (too much Scottish Comfort) puts gunpowder and wasabi into it. Alastor's father makes him memorize Bible passages.

1910: Age 14 Ninth grade: Many girls both in school and outside fall in love, but Alastor isn't interested. A Satanic Ritual book appears after it was dropped by accident by imps. He looks through it with great interest and makes a deal with dark Loas: gain near unlimited power in the afterlife in exchange for his soul and the soul of a loved one.

1911: Age 15 Tenth grade: High school was a nightmare. The bullying was worse and Alastor became more and more withdrawn. During this time, Alastor becomes interested in being a radio host and also reads books on weapons and cannibalism.

Vision 2: Alastor dreams he is a red buck, who runs from hunters representing the elite white people. He evades a crocodile, resembling his father and his mother appears as the Voodoo goddess of beauty and motherhood.

1912: Age 16 Eleventh grade: Alastor applies to be an apprentice for a local radio station several times, but doesn't get in. His father and uncle berate him everyday and his mother is busy at secretary work, and Voodoo rituals every month.

1913: Age 17 Grade 12 Alastor graduates and applies again. He starts at the bottom, but rapidly moves his way up. He starts by telling dad jokes, then wants to talk about murder and crimes "far more interesting than the weather and social events."

1914: Age 18 After experiencing harsh critiques from mainstream stations, Alastor is fired. However, he soon decides to pursue his goals on his own. His makes radios from scratch and starts his own shows, with a few private listeners at first.

World War One begins! Alastor uses this opportunity to broadcast on a private station news of deaths in the war in graphic detail. More people start listening and his soon starts making money. Alastor makes his first kill when a man assaulted him and beat him up for him being "Black and outspoken." He was able to get away and he wondered what it'd be like to do it again on the ignorant folks.

1915: Age 19 Alastor promotes war efforts through announcements and songs, including his ending song "You're Never Fully Dressed." However, he still describes brutal murders for the sinister folks.

1916: Age 20 Alastor meets Husk and Mimzy at a jazz bar and club for the first time. He dances and sings with Mimzy, loving her confidence and sexy looks. (Though he doesn't like to be touched by anyone other than his mother, due to fatherly past trauma).

1917: Age 21 Alastor meets Racheil (alternate form of Charlie) and they become fast friends. He learns of the Axeman, a fellow serial killer and learns to be careful.

1918: Age 22 Spanish Flu Pandemic occurs! Sadly, Alastor's mother becomes gravely ill and passes away. Alastor smiles even as he cries. Alastor's father doesn't seem to care. Alastor gets raped again and his father abandons him. Alastor's mother goes to Heaven and Alastor, not knowing what else to do, eats her remains.

1919: Age 23 Alastor becomes depressed (and even suicidal for a while). He doesn't eat much. Alastor eventually snaps and begins his life as a serial killer. After his mother’s death, Alastor lost his remaining traits of humanity…succumbing to his demonic nature. At that point, he didn’t care who he ate and/or killed…it was the last think he could do to keep himself sane along with drinking liquor, coffee, sewing voodoo dolls, and broadcasting the murders by himself.

1920: Age 24 Roaring Twenties and Jazz Age. Alastor becomes known (though no one suspected it was him) by several names "Bayou Butcher," "Deer Devil" "Louisiana Lunatic" among others. Alastor revels in his fame and becomes richer and more materialistic. He buys himself suits, and a cane with deer antlers on it. One of his disturbing hobbies was using his gentleman charm to lure women into his home where he would lie them in the basement and kill them while broadcasting their screams.

Alastor plays in a jazz band and enjoys watching musicians play while smoking and drinking liquor. He often cries in private and makes straw dolls. He drinks dark coffee every morning.

1921: Age 25 Mimzy falls in love with Alastor and touches him inappropriately. He threatens her with a knife and she discovers he's the serial killer. She rushes to call for help but Alastor takes her into an alleyway and stabs and chokes her to death. Feeling slight remorse, he takes her home for his meal.

1922: Age 26 Racheil breaks up with him after being concerned about his sanity. Worried he might be caught, Alastor lays low for a while before starting up again. After Alastor's father comes back, he decides to get his revenge. He ties him to a tree and tortures him during the night. The predator becomes the prey. Alastor tracks him down to a local bar. (Although he usually doesn’t stalk or chase his victims as it breaks his moral code, but his dad is an exception. Also following others/sneaking toward them are often required to kill others.) His father had been secretly afraid that Alastor would be stronger and would want to kill him, thus proving his son more dominant than himself. He had weapons ready, but Alastor had set up several traps in advance. Though Alastor was physically weaker than his father, he was very clever. He had packed a backpack of all his weapons, rope and essential tools. His father says “You and your heathen mother deserve to die” only for Alastor to respond, “Nobody talks about my mama that way.” Seeing his father knocked out, Alastor raises his knife to kill him but stops. That would merely be too easy. He supports him by the shoulders, pretending to be concerned for him as onlookers watched in shock, “It’s okay sir, you just fainted from the heat. Let’s go for a walk in the woods.” He takes him deep in the forest and chuckles darkly.

Alastor knocks him out and ties him to a tree in a forest, waiting until he wakes up. He starts (smiling the whole time) by slicing off his father’s dick among his father’s cussing (“when you screwed me once”), inserting a hot knife inside his father’s privates (“when you screwed me again”) then slicing off his ears (“this is for all the times when you wouldn’t listen to me”), shoving his own severed penis down his throat (“When you shoved your macho beliefs down my throat”) he whips him, then slowly cuts deep down his chest with a chainsaw, organs revealed (“this is for mama”) and finally shots him in the heart (“and this is for me, you heartless bastard.”) He eats his father’s flesh over jambalaya and it’s the best meal he’s ever had.

1923: Age 27 He kills his victims in various ways: some hanging from trees with their organs spilled out, some buttered and eaten, others buried alive, some people shot and stabbed when he doesn’t feel like dragging it out. He’ll often poison other’s food/drinks and watch their reactions with a grin on his face. He enjoys tricking others into corners/tight spots so he doesn’t have to run after them. He’s found of pranks, especially deadly ones done on others. He saves brutal killings for racist men and women and those who think ill of him and his show. He becomes known as the “Deer Devil Dealer of New Orleans.” He only started killing people and animals at random after his mother died and he lost his mind.

1924: Age 28 Vision 3: : He has nightmares about a demonic skeletal deer covered with maggots and sores with chunks of meat over bone and one eye hanging loose running after him. He finds himself in a dark snowy forest, a fierce biting wind. After it seemed like he had been defeated by the monster, Alastor looks into a puddle and sees another, far worse monster, a demonic wendigo reflection staring back at him…Alastor sees a horned face and malnourished skeletal body, ripped red pinstriped dress coat, four clawed hands, red and black hair and red eyes, sharp teeth, large black antlers…the wendigo form resembling his current demonic form in Hell. After killing the alligator representing his father, the wendigo Alastor look-alike shadow appears and says “This is who you really are,” before Alastor wakes up.

1925: Age 29

1926: Age 30

1927: Age 31

1928: Age 32

1929: Age 33 Alastor enjoys the Stock Market Crash and uses the opportunity to enjoy watching orphans suffer. It helps remind him that he's far better off than many, besides the fact that kids were annoying to him. Alastor makes an "Axeman letter:"

"Hell, 1929 Stock Market Crash Esteemed Mortal of New Orleans: The Deer Devil/Bayous Butcher/Louisiana Lunatic/Hazbin of Hell

They have never caught me and they never will. They have never seen me, for I am invisible, even as the sound waves that surround your earth. I am not a human being, but a demon and overlord from the hottest hell. I am what you Orleanians call the Deer Devil. Down here, I’m the inevitable Radio Demon.

When I see fit, I shall appear and claim other victims as I see fit. I alone know whom they shall be. No clues will be left behind, save for what you might hear on the next broadcast. Tell the police and the racist, elite scum of the world to beware. Let them try not to discover who I am, for it’d be better for them not to have been born than to incur the wrath of the Deer Devil. You’ll have a deer in the headlights look and won’t have any idea what hit you until after it’s too late. Undoubtedly, you Orleanians think of me as a monster and murderer. But if I wanted to hurt anyone else here, I would have done so already. If I wished, I could pay a visit to your city every night. I could kill every one of your best and worst citizens, for I am in a close relationship with the Shadows of the Other Side. At 6:06 pm next Friday night, I am going to pass over New Orleans and then visit those in Hell. I am going to make a little proposition to you people. Here it is: I am very fond of jazz music, electro swing, and jambalaya. I swear by all the Loas and deities that I will spare those who can provide me with some great entertainment when I visit. Word of warning, I can read you people like a book, and see into your very souls. Anyone foolish enough to challenge me will have their corpses consumed and their screams muffled by the lovely sound of jazz bands jamming the night away. I have been, am, and will be, the worst spirit that ever existed in fact, fantasy, or realm of Hazbins. Smile and stay tuned! ~Deer Devil (Alastor)"

1930: Age 34 Great Depression occurs!

The event hits Alastor and many others hard...he runs low on food so he eats others and hunts more and more to survive. Now Alastor kills at random instead of focusing on the racist mean people.

1931: Age 35

1932: Age 36

1933: Age 37 Alastor's Death

The police eventually track Alastor down with the help of Racheil and Chasseur, a fellow deer hunter whose daughter had been killed by Alastor. Not too long before the police discover where he is, Alastor gets bitten by a rabies infested dog. For the next several hours, Alastor experiences hallucinations, paranoia, brain inflammation and a fear of water. In water, all he sees is leeches and alligators. In his hallucinations, he is being watched by a wendigo. The police chase Alastor though the dark woods, police dogs hot on the trail. A local deer hunter, Hustle, joins in on the chase. Alastor navigates the woods, trying to find a place to hide. The hunter accidentally shoots him in the back as he ran, thinking Alastor was a deer.

Alastor experiences extreme agony when the deer hunter spots him, pointing a rifle at him. The hunter announces his location to the police. Seeing no other way out other than pain and imprisonment, Alastor takes the gun from the hunter and shoots himself between his eyes. The police dogs maul his dead body and the hunter sinks to his knees in shock and terror. Strangely enough, Alastor dies with a creepy smile on his face, the mark of Kalfu appearing behind his cold neck, unnoticed by anyone.

1933: After death: Alastor's old body falls away as the deal with the Loas takes fruit. The shadows give him his immense powers in the shadow world and he transforms into his demon form in Hell. He gets his microphone staff, which enables him to broadcast his murders and victories. He is known as the Radio Demon. He conquers several areas of Hell, eventually getting the attention of the overlords who know to stay wary of him.

Alastor befriends Mimzy and overlord Rosie and they sing, dance, talk and murder other demons for fun. Alastor treats them both with respect and knows not to piss off Rosie as she's stern, violent, and "practically perfect in every way."

Every year when the Exterminators appear, Alastor broadcasts the chaos during the 24 hour period, and will go out and kill the angels too.

1950s: Alastor makes a deal with Niffty who becomes obsessed with him and men. She becomes his servant/slave/associate and cooks and cleans for him.

1970s: Alastor makes a deal with Husk and Husk becomes his servant/slave/associate after Alastor promised him a better life with money and booze and the promise of " finding love."

2019: Alastor sees Charlie on TV and decides to help her with the hotel (for his own enjoyment, of course.) He dances and befriends Charlie, forming plans to use her to dig deeper into the royal family and eventually take the throne and rule Hell. He hopes that with a shadow army and more possessed members, he can invade Hell, Heaven and even Earth to spread his chaos. He defeats Sir Pentious and changes the name to Hazbin Hotel, his formerly mocking nickname he embraced.

Future: Alastor helps Charlie and the others protect the hotel from Sir Pentious, Vox, Valentino, Velvet and other villains.

Other non canon versions of Alastor:

Stalaros (commonly known as 2p Alastor). Alastor with opposite colors and personality: he wears white and blue and cries a lot. He is one of the clients at the Haven Hotel run by Caoline Egnam, Heaven's princess. Stalaros is gay and horny like Angel Dust.

Lavender/Purple Alastor: Peaceful and confident, an OC made by fans.

Radiodust Alastor: An Alastor that loves Angel Dust. Popular with fans.

Charlastor Alastor: An Alastor that loves Charlie romantically. Popular with fans.

Redeemed Alastor: Appears as a man with a deer head and human-like traits in Heaven. In this universe, he reunites with his mother.

FHE (“For His Entertainment”) Alastor: Alastor in his truly evil form: he takes over all of Hell and possesses the demons. His shadow can turn into a monster wendigo. This Alastor has a hole between his eyes from a bullet wound, and antlers stained with blood.

#hazbinhotel #hazbin hotel theory #alastor #human alastor #alastor lair

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brookstonalmanac · 2 years ago

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Birthdays 9.3

Beer Birthdays

George I. Amsdell (1827)

Joseph Haefner (1848)

Five Favorite Birthdays

Frank Christian; jazz trumpeter (1887)

Alan Ladd; actor (1913)

Memphis Slim; blues pianist, singer (1915)

Louis Sullivan; architect (1856)

Mort Walker; cartoonist (1923)

Famous Birthdays

Nicolo Amati; violin maker (1596)

Carl David Anderson; physicist (1905)

Noah Baumbach; film director (1969)

Glen Bell; Taco Bell founder (1923)

Sally Benson; screenwriter (1897)

William Norman Birkett; writer (1883)

Eileen Brennan; actor (1932)

Frank Macfarlane Burnet; biologist (1899)

Kitty Carlisle; comedian, actor (1910)

Adam Curry; V.J. (1964)

Loren Eiseley; writer (1907)

John Fegelsang; comedian (1969)

Wally Gator; cartoon character (1962)

Marguerite Higgins; journalist (1920)

Mark Hopkins; railroaderer (1814)

Sarah Orne Jewett; writer (1849)

Steve Jones; punk guitarist (1955)

Freddie King; blues guitarist, singer (1934)

Amber Lynn; porn star (1963)

Irene Papas; actor (1926)

Valerie Perrine; actor (1943)

Ferdinand Porsche; auto maker (1875)

Charlie Sheen; actor, wingnut (1965)

Hank Thompson; country singer (1925)

Shaun White; snowboarder, skateboarder (1986)

Cherry Wilder; New Zealand writer (1930)

#Birthdays

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therealsehinton · 4 years ago

Note

I paused in the middle of proof reading to suggest you some twinning ask box names:

Louis would give anything to play jazz with the big boys

First rule of the bayou: never take directions from a gator

If I can mince, you can dance

I’ve got friends on the other side

Je t'adore, Je t'aime Evangeline

DONE AND DONE

#se hinton #chaotically-cas

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thewaywardcasgirl · 5 years ago

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Day_2 gator

When I read the prompts list first my mind went straight to Louis the alligator (from Princess and the frog) 😁 so ta-da! *jazz hands*

@peanutbutterandgrapejelly @agentbeyonceofthelord

If you'd like to be added to or removed from the tag list let me know 😊❤

#dylan paints #louis the alligator #musical gator #disney fanart #princess and the frog #disney #watercolor #painting #my art #doodlewash prompt #doodlewash2020 #august 2020 #animal drawing #nature art #cartoon drawings

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projazznet · 6 years ago

Photo

Bill Jennings Quartet ‎– Bill Jennings Quartet (Full Album)

Recording as both a leader and a sideman, Bill Jennings has been called “the architect of soul jazz” and has influenced on jazz, soul, R&B, and blues guitar. B.B. King often mentioned Jennings as one of biggest influences. Jennings has recorded with many artists including Jack McDuff, Willis “Gator” Jackson, King Curtis, Louis Armstrong, Bill Doggett, Louis Jordan and Ella Fitzgerald and unique in his ability to play in many styles, including swing, bop, jump blues, R&B, and pop. Jennings played on “Fever” by Little Willie John, which made the Billboard R&B chart in the US and peaked at number 24 on the Billboard Hot 100.

Bill Jennings – guitar Jack McDuff – organ, piano Wendell Marshall – bass Alvin Johnson – drums

#jazz #jazzmusic #guitar #BillJennings #jazzguitar #jazzguitarist

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blackkudos · 7 years ago

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B.B. King

Riley B. King (September 16, 1925 – May 14, 2015), known by his stage name B.B. King, was an American blues singer, songwriter and guitarist.

Rolling Stone ranked King number 6 on its 2011 list of the 100 greatest guitarists of all time (previously ranked number 3 in the 2003 edition of the same list). He was ranked No. 17 in Gibson's "Top 50 Guitarists of All Time". According to Edward M. Komara, King "introduced a sophisticated style of soloing based on fluid string bending and shimmering vibrato that would influence virtually every electric blues guitarist that followed." King was inducted into the Rock and Roll Hall of Fame in 1987. He is considered one of the most influential blues musicians of all time, earning the nickname "The King of the Blues", and one of the "Three Kings of the Blues Guitar" (along with Albert King and Freddie King). King was also known for performing tirelessly throughout his musical career, appearing at more than 200 concerts per year on average into his 70s. In 1956, he reportedly appeared at 342 shows.

In 1990, King was awarded the National Medal of Arts by President George H.W. Bush. In 2006, he received the Presidential Medal of Freedom from President George W. Bush. He is widely regarded as one of the most influential blues guitarists of all time, inspiring countless other electric blues and blues rock guitarists.

Biography

Early life

Riley B. King was born on September 16, 1925, on a cotton plantation near the town of Itta Bena, Mississippi, the son of sharecroppers Albert and Nora Ella King. He considered the nearby city of Indianola, Mississippi to be his home. When Riley was 4 years old, his mother left his father for another man, so the boy was raised by his maternal grandmother, Elnora Farr, in Kilmichael, Mississippi.

While young, King sang in the gospel choir at Elkhorn Baptist Church in Kilmichael. It seems that at the age of 12 he purchased his first guitar for $15.00, although another source indicates he was given his first guitar by Bukka White, his mother's first cousin (King's grandmother and White's mother were sisters). In 1943, King left Kilmichael to work as a tractor driver and play guitar with the Famous St. John's Quartet of Inverness, Mississippi, performing at area churches and on WGRM in Greenwood, Mississippi.

In 1946, King followed Bukka White to Memphis, Tennessee. White took him in for the next ten months. However, King returned to Mississippi shortly afterward, where he decided to prepare himself better for the next visit, and returned to West Memphis, Arkansas, two years later in 1948. He performed on Sonny Boy Williamson's radio program on KWEM in West Memphis, where he began to develop an audience. King's appearances led to steady engagements at the Sixteenth Avenue Grill in West Memphis and later to a ten-minute spot on the Memphis radio station WDIA. The radio spot became so popular that it was expanded and became the Sepia Swing Club.

Initially he worked at WDIA as a singer and disc jockey, gaining the nickname "Beale Street Blues Boy", which was later shortened to "Blues Boy" and finally to B.B. It was there that he first met T-Bone Walker. King said, "Once I'd heard him for the first time, I knew I'd have to have [an electric guitar] myself. 'Had' to have one, short of stealing!"

Career1949–2005

In 1949, King began recording songs under contract with Los Angeles-based RPM Records. Many of King's early recordings were produced by Sam Phillips, who later founded Sun Records. Before his RPM contract, King had debuted on Bullet Records by issuing the single "Miss Martha King" (1949), which did not chart well. "My very first recordings [in 1949] were for a company out of Nashville called Bullet, the Bullet Record Transcription company," King recalled. "I had horns that very first session. I had Phineas Newborn on piano; his father played drums, and his brother, Calvin, played guitar with me. I had Tuff Green on bass, Ben Branch on tenor sax, his brother, Thomas Branch, on trumpet, and a lady trombone player. The Newborn family were the house band at the famous Plantation Inn in West Memphis."

King assembled his own band; the B.B. King Review, under the leadership of Millard Lee. The band initially consisted of Calvin Owens and Kenneth Sands (trumpet), Lawrence Burdin (alto saxophone), George Coleman (tenor saxophone), Floyd Newman (baritone saxophone), Millard Lee (piano), George Joyner (bass) and Earl Forest and Ted Curry (drums). Onzie Horne was a trained musician elicited as an arranger to assist King with his compositions. By his own admission, King could not play chords well and always relied on improvisation.

King's recording contract was followed by tours across the United States, with performances in major theaters in cities such as Washington, D.C., Chicago, Los Angeles, Detroit, and St. Louis, as well as numerous gigs in small clubs and juke joints of the southern United States. During one show in Twist, Arkansas, a brawl broke out between two men and caused a fire. He evacuated along with the rest of the crowd but went back to retrieve his guitar. He said he later found out that the two men, who died in the blaze, were fighting over a woman named Lucille. He named the guitar Lucille as a reminder not to fight over women or run into any more burning buildings.

Following his first Billboard Rhythm and Blues charts number one, "3 O'Clock Blues" (February 1952), B.B. King became one of the most important names in R&B music in the 1950s, amassing an impressive list of hits including "You Know I Love You", "Woke Up This Morning", "Please Love Me", "When My Heart Beats like a Hammer", "Whole Lotta Love", "You Upset Me Baby", "Every Day I Have the Blues", "Sneakin' Around", "Ten Long Years", "Bad Luck", "Sweet Little Angel", "On My Word of Honor", and "Please Accept My Love". This led to a significant increase in his weekly earnings, from about $85 to $2,500, with appearances at major venues such as the Howard Theater in Washington and the Apollo in New York, as well as touring the entire "Chitlin' circuit". 1956 became a record-breaking year, with 342 concerts booked and three recording sessions. That same year he founded his own record label, Blues Boys Kingdom, with headquarters at Beale Street in Memphis. There, among other projects, he produced artists such as Millard Lee and Levi Seabury. In 1962, King signed to ABC-Paramount Records, which was later absorbed into MCA Records, and which itself was later absorbed into Geffen Records. In November 1964, King recorded the Live at the Regal album at the Regal Theater in Chicago, Illinois.

King gained further visibility among rock audiences as an opening act on The Rolling Stones' 1969 American Tour. He won a 1970 Grammy Award for the song "The Thrill Is Gone"; his version became a hit on both the pop and R&B charts. It also gained the number 183 spot in Rolling Stone magazine's 500 Greatest Songs of All Time.

King was inducted into the Blues Hall of Fame in 1980, the Rock and Roll Hall of Fame in 1987, and the Official Rhythm & Blues Music Hall of Fame in 2014. In 2004, he was awarded the international Polar Music Prize, given to artists "in recognition of exceptional achievements in the creation and advancement of music."

From the 1980s to his death in 2015, he maintained a highly visible and active career, appearing on numerous television shows and performing 300 nights a year. In 1988, King reached a new generation of fans with the single "When Love Comes to Town", a collaborative effort between King and the Irish band U2 on their Rattle and Hum album. In December 1997, he performed in the Vatican's fifth annual Christmas concert and presented his trademark guitar "Lucille" to Pope John Paul II. In 1998, he appeared inThe Blues Brothers 2000, playing the part of the lead singer of the Louisiana Gator Boys, along with Eric Clapton, Dr. John, Koko Taylor and Bo Diddley. In 2000, he and Clapton teamed up again to record Riding With the King, which won a Grammy Award for Best Traditional Blues Album.

2006–2015: farewell tour and later activities

In 2006, King went on a "farewell" world tour, although he remained active afterward during the last years of his life. The tour was partly supported by Northern Irish guitarist Gary Moore, with whom King had previously toured and recorded, including the song "Since I Met You Baby". It started in the United Kingdom, and continued with performances in the Montreux Jazz Festival and in Zürich at the Blues at Sunset. During his show in Montreux at the Stravinski Hall he jammed with Joe Sample, Randy Crawford, David Sanborn, Gladys Knight, Lella James, Andre Beeka, Earl Thomas, Stanley Clarke, John McLaughlin, Barbara Hendricks and George Duke.

In June 2006, King was present at a memorial of his first radio broadcast at the Three Deuces Building in Greenwood, Mississippi, where an official marker of the Mississippi Blues Trail was erected. The same month, a groundbreaking was held for a new museum, dedicated to King. in Indianola, Mississippi. The B.B. King Museum and Delta Interpretive Center opened on September 13, 2008.

In late October 2006, King recorded a concert album and video entitled B.B. King: Live at his B.B. King Blues Clubs in Nashville and Memphis. The four-night production featured his regular B.B. King Blues Band and captured his show as he performed it nightly around the world. Released in 2008, it was his first live performance recording in over a decade.

In 2007, King played at Eric Clapton's second Crossroads Guitar Festival and contributed the songs "Goin' Home", to Goin' Home: A Tribute to Fats Domino (with Ivan Neville's DumpstaPhunk) and "One Shoe Blues" to Sandra Boynton's children's album Blue Moo, accompanied by a pair of sock puppets in a music video for the song.

In the summer of 2008, King played at the Bonnaroo Music and Arts Festival in Manchester, Tennessee, where he was given a key to the city. Also in 2008, he was inducted into the Hollywood Bowl Hall of Fame.

King performed at the Mawazine festival in Rabat, Morocco, on May 27, 2010. In June 2010, King performed at the Crossroads Guitar Festival with Robert Cray, Jimmie Vaughan, and Eric Clapton. He also contributed to Cyndi Lauper's album Memphis Blues, which was released on June 22, 2010.

In 2011, King played at the Glastonbury Music Festival, and in the Royal Albert Hall in London, where he recorded a concert video.

On February 21, 2012, King was among the performers of "In Performance at the White House: Red, White and Blues", during which President Barack Obama sang part of "Sweet Home Chicago". King recorded for the debut album of rapper and producer Big K.R.I.T., who also hails from Mississippi. On July 5, 2012, King performed a concert at the Byblos International Festival in Lebanon.

On May 26, 2013, King appeared at the New Orleans Jazz Festival.

On October 3, 2014, not feeling well enough, King had to stop his live performance at the House of Blues in Chicago, Illinois. A doctor diagnosed King with dehydration and suffering from exhaustion. Hence, the eight remaining shows of his ongoing tour had to be cancelled. King didn't schedule any additional shows for the remainder of the year.

Illness and death

After the cancellation of the remaining eight shows of his 2014 tour because of health problems, King announced on October 8, 2014 he was back at home to recuperate. On May 1, 2015, after two hospitalizations caused by complications from high blood pressure and diabetes, King announced on his website that he was in hospice care at his home in Las Vegas, Nevada. He died there on May 14 at 9:40 PM PDT.

Equipment

"When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille."

B.B. King used simple equipment. He played guitars made by various manufacturers early in his career: he played a Fender Telecaster on most of his recordings with RPM Records (USA). However, he was best known for playing variants of the Gibson ES-355. In 1980 Gibson Guitar Corporation launched the B.B. King Lucille model. In 2005 Gibson made a special run of 80 Gibson Lucilles, referred to as the "80th Birthday Lucille", the first prototype of which was given as a birthday gift to King, and which he used ever since.

King used a Lab Series L5 2x12" combo amplifier and had been using this amplifier for a long time. It was made by Norlin Industries for Gibson in the 1970s and 1980s. Other popular L5 users are Allan Holdsworth and Ty Tabor of King's X. The L5 has an onboard compressor, parametric equalization, and four inputs. King also used a Fender Twin Reverb.

He used his signature model strings "Gibson SEG-BBS B.B. King Signature Electric Guitar Strings" with gauges: 10-13-17p-32w-45w-54w and D'Andrea 351 MD SHL CX (Medium .71mm, Tortoise Shell, Celluloid) Picks.

B.B. King's Blues Club

In 1991, B.B. King's Blues Club opened on Beale Street in Memphis, and in 1994, a second club was launched at Universal City Walk in Los Angeles. A third club in New York City's Times Square opened in June 2000. Two further clubs opened at Foxwoods Casino in Connecticut in January 2002 and another in Nashville in 2003. Another club opened in Orlando in 2007. A club in West Palm Beach opened in the fall of 2009 and an additional one, based in the Mirage Hotel, Las Vegas, opened in the winter of 2009.

Philanthropy

In 2002, King signed on as an official supporter of Little Kids Rock, a nonprofit organization that provides free musical instruments and instruction to children in underprivileged public schools throughout the United States. He sat on LKR's Honorary Board of Directors.

Television and other appearances

King made guest appearances in numerous popular television shows, including The Cosby Show, The Young and the Restless,General Hospital, The Fresh Prince of Bel-Air, Sesame Street, Married... with Children, Sanford and Son, and Touched by an Angel. He also had a cameo in the movies Spies Like Us and Heart and Souls. He voiced a character in the last episode of Cow and Chicken.

In 2000, the children's show Between The Lions featured a singing character named "B.B. the King Of Beasts", modeled on the real King.

A feature documentary about King narrated by Morgan Freeman and directed by Jon Brewer was released on October 15, 2012.

King appeared twice on the PBS television series Austin City Limits in 1983 and 1996.

Commercials

King, who was diabetic, appeared in several television commercials for OneTouch Ultra in the 2000s and early 2010s. He appeared in a 2014 commercial for the Toyota Camry with his guitar Lucille.

Personal life

King was married twice, to Martha Lee Denton, 1946 to 1952, and to Sue Carol Hall, 1958 to 1966. The failure of both marriages has been attributed to the heavy demands made on the marriage by King's 250 performances a year. It is reported that he has fathered 15 children and, as of 2004, had 50 grandchildren. He lived with Type II diabetes for over 20 years and was a high-profile spokesperson in the fight against the disease, appearing in advertisements for diabetes-management products along with American Idol season 9 contestant Crystal Bowersox.

King was an FAA certificated private pilot and learned to fly in 1963 at what was then Chicago Hammond Airport in Lansing, Illinois. He frequently flew to gigs but, under the advice of his insurance company and manager in 1995, King was asked to fly only with another certified pilot. As a result, he stopped flying around the age of 70.

King's favorite singer was Frank Sinatra. In his autobiography he spoke about how he was a "Sinatra nut" and how he went to bed every night listening to Sinatra's classic album In the Wee Small Hours. Sinatra had gotten King into the main clubs in Las Vegas during the 1960s, He credited Sinatra for opening doors to black entertainers who were not given the chance to play in "white-dominated" venues.

http://wikipedia.thetimetube.com/?q=B.B.+King&lang=en

#B.B. King

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pcurrytravels · 7 years ago

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Thoughts: New Orleans (Part VI)

Upon disembarking from the boat, we saw that the Audubon Aquarium was still open for another thirty minutes. Given that it was only around the corner from Spanish Plaza, we quickly walked over and, despite being repeatedly told we’d only have twenty minutes, just went on ahead and took a look around…………only to leave fifteen minutes later. Having been to the Shedd Aquarium in Chicago and the Aquarium of The Bay in San Francisco, maybe I just wasn’t judging it fairly. Or maybe I was, because those two blow this one out of the water (pun not intended……but it’s still pretty funny that I used this phrase to describe an aquarium of all things).

One thing the Audubon Aquarium has going for it is being themed around aquatic life in The Americas. There were sections dedicated to nautical life in and around the Caribbean, the Amazon, the Arctic, the Great Lakes and of course, the Mississippi. That’s also where things stop being interesting pretty much. It’s very small, which is odd because the building looks so large from the outside, and the only exhibits that really caught my eye were the piranhas, the catfish (mostly because I’ve never seen live catfish before) and the albino gator. I’d honestly suggest skipping this one entirely, unless you’ve never been to an aquarium before.

Anyway, my phone was dying, and I was musty anyway, so we went back to the hotel room to recuperate. I took a shower, charged my phone and relaxed for about an hour before heading back to the French Quarter. There were about two hours before the Haunted History tour began, so I grabbed some more beignets from Café Beignet as a snack before we hung out on Bourbon again for a little bit.

Even though the history, culture and food were all a higher priority for me than nightlife, I do regret not really taking part in New Orleans nightlife. On Bourbon alone, there’s just so much variety in the nightlife. There’s many different options available, from jam-packed party bars no larger than a booth (see: Lafitte’s Blacksmith Shop), to bawdy strip clubs (see: Rick’s Cabaret and Hustler Hollywood), to classy, historical cocktail lounges (see: Old Absinthe House), to tacky, touristy daiquiri shops (see: Tropical Isle and Cat’s Meow) to small live music clubs (see: Bourbon Heat and Funky Pirate), there really is something for everyone there (compare this to The Strip in Vegas where you’ll be treated to an endless amount of mega-clubs, poolside day-clubs and “ultra” lounges that all require one of your limbs to get in, all charge a kidney for drinks, all have disturbingly similar décor and all play the same music). And that’s just Bourbon. I saw a number of venues that caught my interest in not only the rest of the Quarter, but Marigny, CBD, the Warehouse District and the Garden District as well.

I was honestly having a blast just walking down the street and looking in the window of the various bars and lounges; it was only 6 P.M., and they were all already in full swing. I heard so many styles of music. Jazz (be it Brass, Dixie, BeBop or Smooth), R&B, Funk, Bounce, EDM, Blues, Zydeco, Hip Hop, 70s and 80s throwbacks, Top 40, Rock, Ska, Caribbean, Latino…..you name it, they got it. Of course that’s to say nothing of the BEAUTIFUL happy hours and drink specials all over the place. I learned my lesson about having a few drinks before walking around in the heat the hard way on the Cemetery tour, so I refrained from taking part this time, but boy oh boy was I tempted. Let the good times roll/Laissez les bon temps rouler indeed!

Okay, let me take a look at my smartphone watch again. Oh, it’s 7:30 already!? Well then, let’s head on down to Reverend Zombie’s Voodoo Shop for the Haunted History Tour!

There’s a number of ghost tours in New Orleans, all of which varying in quality (based on what I’ve been told anyway), but I could already tell we had picked one of the better ones. Both the shop and the sidewalk in front were overflowing with people. There was a long line, which would be broken up into groups of twenty or so for each tour guide. The sun was setting on the Quarter, and with Sarabelle as our guide, we were off.

Our first stop was in Pere Antoine Alley. It was here where our guide gave us the rundown on investigating ghosts and the supernatural, complete with plenty of witty banter. Yes, Sarabelle was VERY funny, and the humor was a nice touch indeed, even though it didn’t really help make the stories any less horrific.

Moving on, Pere Antoine Alley is along the side of the St. Louis Cathedral; so-named as a dedication to Antonio de Sedella, a beloved Capuchin friar who served as parish priest from 1805 until his death in 1829. Now, local lore states that said alley is haunted by a friar, but whether it’s Pere Antoine or someone else is up for debate. Said alley was also the location of a funeral procession for the six, executed leaders (whose corpses were left to rot in front of the St. Louis Cathedral for WEEKS, mind you) of the brief rebellion which took place against the Spanish Inquisition, wherein another friar known as Pere Dagobert loudly sang the Kyrie. It’s been said that during the early-morning hours, or whenever it’s raining, you can hear the sound of the Kyrie, sometimes accompanied by the sight of a Capuchin monk in this very alley.

From there, we walked down Chartres to Hotel Provincial. Old-timey, quaint, elegant and VERY haunted. What’s the story behind this one, you ask? Apparently, a portion of it served as a military hospital during the Civil War………yeah. I’m pretty sure we all know that war-related injuries tend to be the sort that require surgery and sometimes even amputation. I also don’t think I need to explain the horrors of surgery and amputation in the 1800’s. Basically, anyone who knows the backstory of this place and chooses to stay there on purpose is crazy.

This site in particular is very susceptible to a paranormal phenomenon known as time-warping (I personally think the FQ as a whole has a predisposition towards that actually, but more on that later). Our guide alerted us to a number of reported instances where guests took the elevator, only for the doors to open to the sight of an 1860’s era hospital. People have also reported seeing confederate soldiers writhing in pain on the floor, mysterious blood stains on towels and bedding and even women in mid-1800’s clothing standing on the balconies, likely apparitions of the soldier’s widows.

I feel that I had an experience of my own just walking past; see that photo above? Yeah, I was standing perfectly still for it, and it still came out blurry AF. I took about ten photos of this place and ALL of them came out like that. Maybe my phone’s camera was just acting up. But then again, the lens of a camera is much more infallible than the eyes of a human. Also, while I am very much a believer, mind you, I think I need to give the skeptical part of my brain a bit of thanks. After all, our next stop of the tour was Louisiana’s very own gate to hell the infamous mansion on the corner of Royal and Gov. Nicholls. Widely referred to by locals as merely “The Haunted House,” this was once the home of a demon in the shape of a woman known as Delphine LaLaurie.

Another character you all may know from American Horror Story: Coven; like Marie Laveau, many liberties were taken with her story (the scenes filmed in or around her “house” actually made use of the Hermann-Grima House……..not that I blame them one bit for not using the real thing). That being said, in regards to her story and what really happened, it’s actually pretty difficult to tell where the legitimate facts stop and the sensationalized scandal begins as it is.

As you can see, I did provide a link to a video that gives a basic rundown of what happened, but truthfully speaking that’s one of about twenty different versions of the story I’ve heard over the years. Long story short, she was a local celebrity who threw lavish parties in a big gray house on Royal Street during the 1830’s. Suddenly, a fire broke out in 1834 and it’s revealed that she’s a madwoman engaging in extreme mistreatment of her slaves. The whole town is outraged (yes, you read that right, Delphine was regarded as a special kind of evil even by the standards of antebellum-era Louisiana) and she skips town in the dead of night as a result. Shortly after she left, neighbors began to report hearing screams and cries from the empty house at night; claims which still persist to this day.

The news reports from the era which regard said event are in one of two categories: a highly scandalized and exploitative version of events as seen in the New Orleans Bee, or a brief rundown that gives very little detail as seen in the Times-Picayune. In each version of the story I’ve seen and/or heard, the only details that remain consistent are a young slave girl jumping to her death after LaLaurie chased her around with a whip for brushing her hair too hard, the house fire, said fire being started by a slave who was chained to the stove, a horrific sight in some room on an upper floor, and the LaLauries fleeing shortly afterward. Beyond that, the details widely vary.

In our tour guide’s version of the tale, we were told that the slaves were never seen at the parties, which contradicts what I read previously about how each party seemed to have a different set of slaves; each individual slave rarely ever being seen more than once. And that’s only one of many discrepancies. Honestly, this is a story that was highly sensationalized from the get-go, and it’s only gotten even more exaggerated and over the top over the years, so you can’t get mad about it when the actual truth of what happened has simply been lost to time.

After the events of 1834, Madame LaLaurie was never seen or heard from again. General consensus is that she fled to Paris, but it’s been speculated she may have been hiding out in either Mobile, Alabama or some town across Pontchartrain like Slidell or Covington under an assumed identity. There’s even evidence which suggests she may have discretely returned to New Orleans at some point, if the nameplate and possible burial vault in St. Louis No. 1 says anything. After all, she really did love her house.

Over the years, the house has been used for many different purposes. At first, it went through a revolving door of owners, none of which staying for more than a few months. There was one man who mysteriously turned up dead in the house actually. In the 1870’s, it served as a segregated school for black girls (…….I would say something witty here if I wasn’t rendered speechless), only to shut down a year later thanks to numerous girls complaining about getting scratched and bruised by “that woman.” After that it’s been the location of a number of establishments, most notably a music conservatory, a furniture store and a saloon; all of which quickly failed (gee, I wonder why). In the 1890’s, most of the mansion was converted into apartments; first as low-income tenement units, largely occupied by Italian immigrants and briefly a homeless shelter before becoming luxury apartments in the 1950’s, although the first floor would still be occupied by a revolving door of businesses until the late 20th-century when it was reconverted to a mansion. The revolving door of owners persisted; Nicolas Cage bought the home and started living there in 2007……shortly before his career tanked and he went bankrupt, leading to foreclosure in 2009. Just a coincidence? Could be……but it’s not like this house has had a good track record with any of its tenants over the last 180 years.

These days, it’s owned by an oil tycoon from Texas who hires interior decorators and caretakers to furnish and maintain the house but otherwise does nothing with it. Basically, the ��Haunted House” just stands there looking pretty (in the eeriest way possible) and that’s it. Then again, what with past business tenants and residents reporting apparitions of naked men in chains and frightened children pleading for help, a dubious black liquid oozing out of the walls and even the vengeful spirit of Madame LaLaurie herself roaming around, would you want to stay there? Let alone enter?

I tried to take a few pictures but night had fallen, and they all came out way too dark to see anything. As did most of the pictures I had taken after this point ( although I did catch some strange, green and/or blue colored mist within said darkness in a few of them......makes you wonder). In terms of lighting, aside from Bourbon Street and the vicinity of Jackson Square and the French Market, the French Quarter is VERY dark at night. It really did feel like I had stepped back into the 1800’s, and was also why I abstained from going there at night for most of my trip. Not trying to get drunk down there alone, lest I either get mugged or unsuspectingly walk into a time warp of my own.

Whilst spooked by the darkened Quarter, we came upon an unassuming Creole townhouse at 823 Orleans, one of many homes in the area fronted by a gallery held up with poles that are adorned with decorative, protruding trimming of sorts, named “Romeo spikes” in the local lingo. However, they’re anything but romantic; there’s a very gruesome story behind how they got that name, and this property is where it took place.

The story goes that one night, the man who owned this house wanted to take his family to dinner, but his daughter claimed to not be feeling well, so she stayed home while he and his wife went about their way. Upon arriving at the restaurant, he realized he forgot his wallet and quickly went home to retrieve it, only to find his daughter in bed with her boyfriend. Startled, the boyfriend quickly ran out and jumped over the balcony……..only to get stabbed in the hip by one of the spikes. Not able to support his weight, the spike ripped through the entire side of his abdomen, pulling out his intestines in the process, before he fell to this death. It’s alleged that sometimes a shadowy figure can be seen dangling off this gallery from afar, only to vanish if one takes a closer look.

After that, we took a little break. I talked with Sarabelle for a little bit, particularly asking about the Gardette-LaPrete House, only to learn that the tale of a sultan and his harem moving in, only for them to get massacred a few weeks later, is totally fictional (sad face). There’s no news reports of such a thing happening nor is there any record of a sultan ever living at the property. Even then, I still have to ask how such a story came about in the first place. I doubt such a tale would just sprout out of thin air, but moving on, during the break I walked over a block to Bourbon only to see a rowdy second-line in front of Laffite’s Blacksmith Shop.

While tapping my toes to the second line, I peered inside Laffite’s Blacksmith Shop for a moment. Built in the 1770’s, and one of the few structures in the Quarter that survived the 1788 fire, it was originally a blacksmith shop (obviously) that also doubled as a base of operations of the pirate Jean Laffite for a time. Currently a bar, evoking an old-timey feel, it’s lit only by candles, and is also very haunted. Granted, it’s utterly packed with people so not a good location for investigating, but it has long been claimed that the spirit of Jean Laffite himself can be seen blending in with the crowd, only to disappear when spotted; in addition to being the hiding place of a demon who wanders around with disembodied red eyes.

After our little break, we then headed over to the Voodoo Spiritual Temple on 826 Rampart. In a bit of more recent history, we learned about the couple who resided in the upstairs apartment ten years ago, Zack and Addie. They first garnered attention during Hurricane Katrina, being two of a handful of people in the French Quarter who didn’t evacuate. They’d assist in cleanup efforts, would provide food and other necessities to those in need and helped prevent the various businesses in the area from being looted.

As soon as things went back to normal in New Orleans, things immediately went downhill for the couple. They’d regularly binge on drugs and alcohol, going on to argue and fight as a result. This all persisted for a year until one night where Zack committed suicide by jumping off the roof of the Omni Royal hotel. In his pocket, a note was found that pleaded with the authorities to go back to his apartment and check on his girlfriend (***WARNING*** very graphic details ahead).

And that they did, they entered the apartment, only to find that no one was there………until they checked the kitchen. Inside the oven, they found arms and legs. The pot on the stove contained a human head. Inside the fridge was a large bag containing a torso. Zack had killed, dismembered and attempted to cook Addie. Although cannibalism was widely speculated, a suicide note found in the apartment suggests that Zack was trying to think of a way to dispose of her body and turned to cooking it as a last resort.

The apartment has remained unoccupied ever since, although it is available to rent, and the resident priestess of the Voodoo temple downstairs does offer tours. Apparently, no one’s even bothered to change the stove and the refrigerator ever since that grisly incident took place (…….*shudder*). It’s theorized that a sort of demonic entity has long lurked the premises, and said being is what ultimately drove Zack mad. Even I couldn’t shake the feeling of something with evil intentions staring at me from the darkened windows of the upper floor apartment.

Next, we were taken to a gallery that has paintings of a blue dog on display. Although the artist claims that they were painted as a tribute to his dead dog, it’s widely believed to be a depiction of a creature from Cajun and/or rural Louisianan folklore known as the Rougarou. Like a cross between a werewolf and a wendigo, it is a beast that wanders the swamps and the bayous, and if bitten, you will become one yourself. Granted, there’s no real haunting (or even much fact) behind this one, it’s likely just a story Cajun elders told children so they’d behave, but it was still neat to learn about either way.

Our tour concluded in the alley on the other side of St. Louis Cathedral, known as Pirates Alley. One of many alleged hangouts of Jean Laffite, it’s said that his ghost wanders this location as well. With the lighting on the Jesus statue in the cathedral’s courtyard casting an ominous shadow on the backside of the building, it was here where Sarabelle bid us adieu. From there, well, we were hungry, so we made our way over to Café Maspero.

Café Maspero was delicious, if not necessarily mind-blowing. I had appetizer-size bowls of both gumbo and jambalaya, and it did feel good to finally try these two dishes I have long been fond of in their place of birth. My mom ordered a muffaletta. I had a bite and I honestly just thought it was too much going on, but she liked it. Once we were finished and I washed it all down with my Voodoo Doll daiquiri, we then made our way back to the hotel to rest up for our last day in New Orleans. And I honestly didn’t want to leave.

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