#jay stull

[spidernuggets]

Jason Todd x Fem!Reader

Warning: NSFW, Minors DNI, plot where the use of a safe word is used

"Hey. Don't ever be ashamed that you would want to stop"

Your whole day had been literal torture. All you wanted to do was strip away your uncomfortable clothes, replacing them with the soft cotton hoodie that belongs to your vigilante boyfriend.

You forgot your lunch at home together with your money, so all you ate today was a protein bar. Your boss yelled at you for thinking you misplaced important files when really, it was your coworker who lost them. You accidentally closed an important, unsaved tab from your computer. You still had 2 essays due for your college. You had a horrible headache.

Even when you went to your shared home and laid limp on your bed, you stull felt like shit. You changed into more comfortable clothing and patiently waited for Jason to come home from his late evening patrol.

When he came through the fire escape, he was huffing, clearly coming back from a very active vigil. He took off the heavy plated armour off of his upper body, leaving him in his tactical pants and compression shirt, accentuating the ripples of each muscle.

He was frustrated. Yeah, he successfully took down the criminal, but he noticed his performance was lacking unusually. He got a couple of blows, a punch here and there, and all that he was thinking now was that a good fuck will help him get rid of all that frustration and excess adrenaline.

When he came into your shared room, you were staring at your laptop, trying to finish one of your essays. You notice a large figured presence at you door way.

"You're early," you say, looking at him. Jason didn't say anything. He just walked over to you, saving the document on your laptop before slamming it shut and clumsily placing it on the desk beside the bed.

"Jay, what-" Jason shuts you up by connecting his lips to yours, wasting no time to slip his tongue into your mouth. You whimper at his forwardness, and Jason takes that as a sign to continue. He crawls over you, carefully lying you down as he hovers above you, never breaking the kiss.

Maybe this is what you need. Maybe this'll cheer you up. Maybe all you needed for a good day was Jason's cock deep inside of you.

So, you reach your hands up his neck, tugging a handful of his hair in the grip of your hands, bucking your hips upwards against his as Jason groans in response.

You tried to keep your focus on your throbbing cunt instead of your throbbing head, your headache slightly becoming worse.

Jason disconnects his lips from yours, his hands travelling down your torso, bunching your his hoodie above your waist as he kisses and nibbles on the skin of your stomach.

"Off," he demands, pushing your hoodie higher on your body, revealing your tits, where his hands reach up to fondle them, his thumbs circling around your hardening nipples.

You take off your hoodie, shivering at the cool breeze hitting against your skin. Jason returns to his original position, his nose almost touching yours.

"Fuck, you're so beautiful," he grunts, rolling his hips into yours, making you let out a pleaded moan.

"Jay- please," you begged, wanting more of him.

"My little impatient slut." He attaches his lips onto your neck, trying to tug off your sweatpants in which you hastily do it for him. "So fucking needy," he laughs. His rare degration kink only really shows when he's had a rough night.

He unbuckles his belt, kicking his pants off, revealing the large bulge of his cock that was still covered by his boxers.

"Suck," he demands, holding up two of his fingers into your mouth. You quickly obeyed, your eyes rolling to the back of your head as your tongue swirled around his fingers. "What a good, obedient girl."

He removes his fingers from your mouth, and his hand moves down to your needy pussy that begged for his touch.

Your back arched when you finally felt contact on your cunt, wanting to beg for more, but you kept getting distracted by the pains in your head. Still, you tried to push them aside.

Looking down to where Jason's hand was, you watch as he takes his fingers out, whining at the loss of his warmth, as he puts his digits in his mouth, sucking away your precum.

"Jason-" You cry. "Please- please.. I.."

"You what? Use your words, baby," he says.

"I need you p-please. I need you to fuck me," you barely cried out. You didn’t know if it was because of the ache from your pussy or from the migraine you refused to take care of.

"Polite as usual," Jason praises, giving you a kiss on the forhead before removing his boxers, his lengthy cock springing out.

Every time Jason fucks you, you always see heaven. But right now, because of your splitting headache, it was hard to focus on Jason actually splitting you.

Your moans of pleasure slowly turned into moans of pain, but unfortunately, Jason was so caught up in the moment that he didn’t even notice.

"Fuck, baby, so- so fucking tight. God- my good fucking slut," he groaned, slowly pumping his dick in and out of your hole, his pace gradually getting faster. But with every thrust, a sharo pain bolted through your head and you thought your skull was going to crack.

"Fuck, you like that, huh? My greedy little whore, taking my cock like a good girl. My good little fuck toy." His comments didn't make you want to crave more like it usually would. This time, you took them as insults. The build-up of today's stress didn't go well with the degrading pet names that Jason had given you. And tears began to prick your eyes.

His thrusts became rough, and the sex didn't feel good anymore. You wanted it to stop.

"W-wait, Jay, stop, please," you try to say, barely audible. Unfortunately, you say this often while Jason is balls deep into you, so he didn't get the message.

"Fuck, but your being such a good cock pocket, judt for me. Is that want you want, huh? To be my faithful little cum whore?" He grunts.

Shit, the word. What was the word. You haven't used it before, what was it?

When you and Jason sat down to talk about coming up with a safe word, he didn’t want to use the common traffic light system, knowing that you'd use the nickname 'Red' most nights he came home from patrol.

Red. It was something red. A flower? An animal? A gem? Fuck, what was it?!

Food. No... it was a fruit. Shit, which one. Strawberry, raspberry, watermelon, apple. No, no, no...

Cherry. Jason suggested cherry since you loved everything that was cherry.

"Cherry," you tried to call out, but you were exhausted. it barely came out as a whisper.

"Hm? What was that, sweetheart? Fucking speak up," he hisses, burying his face into your neck.

"Cherry," you were able to say louder, coming out as a whine as you gripped his shoulders, trying to push him away.

Jason's eyes widen as he immediately holds himself up, pulling out as you sigh in relief. His heart raced, and he began to panic.

Shit, what did he do? Did he go too far? Was he too rough? Fuck- Did he hurt you??

His full attention was on your teary face that was covered by both your hands as you sniffled. Jason's heart shattered.

He reached out, wanting to caress your cheeks. But did you even want him touching you?

"Sweetheart?" He weakly called out. He moved away from you, grabbing his boxers from the floor, quickly putting them on, and trying to find wear his discarded hoodie went. When he found it, he picked it up and shuffled to you, trying to offer his hoodie that you've claimed yours.

You shifted yourself to sit up, taking the hoodie, but still avoided eye contact with Jason. He wanted to throw up. And he wanted to shoot himself for wanting to throw uo. Because it was you that was hurt. Ans it was him that hurt you.

"I'm sorry," you quietly cry once you have the hoodie on. And Jason's brows knotted.

What? "Y/n, why.. why would you be sorry?" He asked, his face full of confusion.

"I didn't- I didn't mean to stop, I just," you hiccuped into another fit of light sobs, covering your face once more. "It was just a really shit day," your cracking voice muffled by the sleeves of the hoodie. "It's stupid."

"Darling. Look at me. Please..." He asked in the most gentle voice he possibly could. He slowly reached his hands out, telling you that he's about to touch your face. And you let him.

Both his hands hold your soft cheeks, caressing them with his thumbs. "It's not stupid. And never say sorry ever again for something like this," he tells you, staring right into your eyes.

You shake your head, attempting to look away. You thought it was embarrassing. Jason was out there, risking his life for the city, and right now, you felt like a cry baby. But Jason hold your head in place.

"Hey. Don't ever be ashamed that you would want to stop," he reassured you. He had told you this before. The first time you talked about having sex. The two of you talked about kinks, pleasures, boundaries, and such. And you were so grateful that you had someone like Jason who understands would show you so much respect for you, your comfort, and your body. "I'm glad you understand your own boundaries. I'm glad you wanted to stop, and you told me. I'm glad you used our word," Jason says, his calloused hands feeling soft and safe as they surround your face, leaning into his touch.

"Am I really just a slut to you?" You ask. You thought it was a dumb question. But he was saying it so much, and it just got to your head. Jason always shows that he loves you for you. You were more than just sex to him. Fuck, you were so much more to him.

"No. No, no, oh god, baby, no. You are everything to me. You're my life. You are every single breath I take. My heart is in your hands," he says, and your heart absolutely melts. You wouldn't need any more convincing. You knew he loved you.

"Have a headache," you say. Your throat sounds dry, and you look tired.

He places a soft kiss on your forhead, then another one to your lips as he takes your laptop again, opening it, clicking onto a website. He then places the laptop on your legs, playing 'Barbie a Fairy Secret' movie.

"I'll be back in a minute," he says, first finding a pair of sweats and then disappearing out the door.

When he comes back, he has a glass of water in one hand and a small pill in his other, with a cloth hanging over his forearm.

"Take this," he says, handing you the pill and the glass. Your thirst is queched, feeling the cool water run down your hoarse throat. "I'm gonna clean you up, okay?" He says, kneeling on the bed in front of you, tapping your knee twice.

"Mhm," you nod as he nods back, slowly pushing your legs apart, wiping away any of your precum from your hole.

When he finished, he planted a kiss to your knee, sending you a smile as you gave one back.

"Wanna talk about today?" He offers.

You shake your head. "Probably tomorrow," you say, focusing on the movie when a thought hits your brain. "It's not your fault, by the way," you notice the way Jason's body tenses up, and he looks down at you.

"You didn't hurt me. Not intentionally." You knew Jason had made it a bad habit of blaming himself whenever you got hurt, even if it was a minor injury, while he's with you. He always blamed that he wasn't able to protect you or prevent yourself from getting hurt and such. Ever since he started dating you, there's a voice in the back of his head, yelling at him for being selfish, and that you deserve better than him.

Recently, however, Jason has gotten better that he deserves to receive as much love as he is giving. He's accepting the small affections and acts of service that you present to him. He's accepting that he deserves to be loved.

He nods. "I know," he whispers, leaving a kiss to the crown of your head before watching the movie with you.

"Ken and Barbie look like siblings," he quips as you slap his chest, telling him to shut up as you both start laughing, happy to be in each other's arms.

[nathanielzalexandria]

Uhmmmm Great Gatsby, but make it overtly gay and Superbat. Call it: "The Wonderous Wayne"

Starring:

Bruce Wayne in the role of Jay Gatsby but he actually comes from old money and maybe stull has all of his many kids

Clark Kent in the role of Nick Carraway and in love with his mysterious Gotham neighbour just like his novel counterpart

Lois Lane/Diana Prince in the role of Jordan Baker because who else would it be

Selina Kyle/Talia al Ghoul as Daisy Buchanan because who else would Bruce obsess over

(The people assigned to Jordan and Daisy can be exchanged to make more sense with Clark's connection to them)

? In the role of Tom Buchanan. This one does not need to be a person and could be a goal or position. If "Daisy" is Lois, "?" is Lex Luthor and YOU CAN NOT SWAY ME

Myrtle and George Wilson might only exist if "?" Is a person and will have to fit the scenario. If Lex is "?" Then Myrtle is Lana Lang or Kara Danvers

Don't know where i am going with this but i'll rest this here for perusal and i just might pick this up later after more thought (like why would Lois marry Lex and why Bruce is obsessed with her)

[escapingpurgatorypodcast]

Hey guys!

Amy, in the last episode you asked about windmills and why they feel significant. Let me try and explain what I think about that, here.

So... windmills in the show seem to me like a death symbol.

(Mind you, I don't think this was intended, it just... happened.)

We see windmils when a certain death-adjecent scenes throughout the show.

Lilly dies on a windmil.

Benny gets resurrected at a windmil.

Cas gets buried at a windmil.

That these characters are gay/queer coded (Cas loving Dean, Lilly having a girlfriend, Benny being a vampirate where historically pirates were very very queer) - well, that's an interesting tendency.

Are windmils the queer death omens in the show? Who knows.

Hi Jay! (@thepixelagora)

This is an really interesting take and off the bat feels kinda right :D.

There are other's too like the one in Stull Cemetary again linked to death. The windmill thing happened WAAAAY too much to be a coincidence imo.

I hope this becomes one of the many questions we get to answer during the rewatch and recording of the podcast.

- Amy x

Here have a death omen XD

[tellusepisode]

She’s Out of My League (2010)

Comedy, Romance

An airport security guard gets involved with a girl who’s very obviously of a higher caliber than himself, and schemes to make the relationship last as his friends and family watch along in disbelief. Kirk (Baruchel) was languishing in a dead-end job as an airport security agent when he somehow managed to earn the affections of the successful and drop-dead gorgeous Molly (Eve).

Even Kirk isn’t exactly sure what Molly sees in him, though he’s willing to do whatever it takes to make the relationship work. With his friends, family, and ex-girlfriend all watching stunned from the sidelines, Kirk discovers that he’ll have to work overtime in order to convince Molly that he’s worth hanging on to.

Director: Jim Field Smith

Writers: Sean Anders, John Morris

Stars: Jay Baruchel, Alice Eve, T.J. Miller, Mike Vogel, Nate Torrence, Lindsay Sloane, Kyle Bornheimer

►Cast:

Jay Baruchel→KirkAlice Eve→MollyT.J. Miller→StainerMike Vogel→JackNate Torrence→DevonLindsay Sloane→MarnieKyle Bornheimer→DylanJessica St. Clair→DebbieKrysten Ritter→PattyDebra Jo Rupp→Mrs. KettnerAdam LeFevre→Mr. KettnerKim Shaw→KatieJasika Nicole→WendyGeoff Stults→CamHayes MacArthur→RonAndrew Daly→Mr. FullerSharon Maughan→Mrs. McCleishTrevor Eve→Mr. McCleishAdam Tomei→RandyRobin Shorr→Tina JordanPatrick Jordan→BowlerTom Stoviak→Museum DirectorRick Applegate→“Plane Doctor”Heather Leigh→Flight AttendantChuck Aber→PilotJason McCune→Restaurant PatronYan Xi→KarenEvan Alex Cole→Scotty Reese (as Alex Cole)Joe Eberle→Hockey BartenderPhil Spano→Hockey CoordinatorJeff Adams→Hockey PlayerMila Cermak→Hockey PlayerMike Gaffney→Hockey PlayerTodd Gally→Hockey PlayerJim Gricar→Hockey PlayerRob Hofmann→Hockey PlayerJason C. Lewis→Hockey Player (as Jason Lewis)Ed Nusser→Hockey PlayerJory Rand→Hockey PlayerTom Rieck→Hockey PlayerMatthew Richert→Hockey Player (as Matt Richert)Joe Sager→Hockey PlayerLucia M. Aguirre→Flight AttendantElyse Alberts→Airline PassengerTony Amen→Airport PassengerNicholas Balzer→Airline PilotJoiel Bauschatz→Airline Ticket Agent / PedestrianRobert R. Bell→Airshow PatronAaron Bernard→First Class PassengerMinda Briley→Airport PassengerDavid Collihan→Airline Co-pilotSidney Crosby→SelfShawn Dando→ExtraJack Davis→Airport PatronRenee Downing→Birthday Party GuestMandy Ekman→StewardessJonathan Eldell→TravelerJackie Evancho→ExtraLamar Darnell Fields→Airport TravelerJim Fitzgerald→Pilot / Airline PassengerVal Gasior→Flight AttendantJosiah Hoffman→Pilot SmithKevin M. Jacobs→Market Square PatronCrystalann Jones→Bar PatronJeffrey Jones→Airport AdmirerWilliam Kania→Pittsburgh Penguins Hockey FanJon Knapp→Ex BoyfriendMichael Kolence→Party GuestJim Kuhn→Airline PassengerAlexis Kupka→SelfEric Leach→ExtraAlan Lee→TSA ArtStephanie Macdougall→Airport PassengerLorelei Mahoney→PassengerLaurie Mann→Hockey Crowd ExtraBuster Maxxwell→Flower sellerSean P. McCarthy→Airport TravelerLeslie McGuier→Airline ExtraTiffany Sander McKenzie→Airline PassengerChristopher Mele→Airport patronIan Michael→Restaurant GoerJeremy Moon→Airshow WorkerSusan Moran→Airline PassengerChristopher Nardizzi→Hockey FanPhil Nardozzi→Airline PassengerJillian O’Neil→Woman with SweaterDawn Renee→Flight AttendantPaul J. Rosenburg→BowlerDavid Santiago→Club PatronGaynelle W. Sloman→Party Guest / Driver on BridgeRay Sobieralski→PilotBrian E. Stead→WaiterRobert Stull→First Class PassengerJillian Vitko→Party GuestBlase Ward→Airport PatronJames Werley→Airport Person

Sources: imdb

The post She's Out of My League (2010) first appeared on TellUsEpisode.net.

from WordPress https://www.tellusepisode.net/shes-out-of-my-league-2010.html

[theatredirectors]

268 Directors and the end of the blog

This post marks the end of the Ask a Director experiment. I’m so grateful to all who have contributed, supported and engaged with it over the past six and a half years. 

This blog was started at a time when I felt incredibly alone in the directing field. I had always been taught that a director operates solo, that it was a lonely career and above all, it was based on scarcity. This was a style of working and living that didn't fit for me. I wanted to talk to other directors about their practice and thoughts about the field, both national and international. This blog was started as a way to connect, to uplift other directors and to create a conversation about the changing field and practices. 

It's surpassed all of these goals and brought me more joy than I can name. 

I'm now at a moment where my practice and advocacy are taking different and exciting paths and it's time for me to put this site to bed. I remain committed to uplifting other directors, to talking about the practice, to flattening hierarchies, to opening doors for new ways of working, and leading rehearsal rooms, companies, and classrooms away from silos and vacuums. Featuring these 268 different directors was just the beginning. 

I encourage you all to hire them (and others), advocate for them (and others) and choose to work in a system that values connection and generosity. 

Abhishek Majumdar

Adam Fitzgerald

Alice Stanley

Aliza Shane

Amanda McRaven

Amy Corcoran

Amy Jephta

Anisa George

Ana Margineau

Andrew Scoville

Anna Stromberg

Anne Cecelia Haney

Ariel Francoeur

Arpita Mukherjee

Ashley Hollingshead

Ashley Marinaccio

Andrew Neisler

Beng Oh

Ben Randle

Ben Stockman

Benjamin Kamine

Beth Lopes

Bo Powell

Bogdan Georgescu

Bonnie Gabel

Brandon Ivie

Brandon Woolf

Brian Hashimoto

Cait Robinson

Caitlin Ryan O’Connell

Caitlin Sullivan

Catie Davis

Cara Phipps

Carol Ann Tan

Carsen Joenk

Chari Arespacochaga

Cheryl Faraone

Chloe Treat

Christin Eve Cato

Christine Zagrobelny

Christopher Diercksen

Colette Robert

Colleen Hughes

Cyndy Marion

Dado Gyure

Dan Rothenberg

Daniel Irizarry

Danielle Ozymandias

Danny Sharon

Dara Malina

David Charles

Dennis Yueh-Yeh Li

Derek Spencer 

Donald Brenner

Doug Oliphant

Eamon Boylan

Elena Araoz

Emily Lyons

Emma Miller

Eric Kildow

Eric Wallach

Eric Powell Holm

Estefania Fadul

Evelina Stampa

Evren Odcikin

Evi Stamatiou

Francesca Montanile Lyons

Gabriel Vega Weissman

Gian Marco Riccardo Lo Forte 

Graham Schmidt

Gregg Wiggans

Hannah Ryan

Hannah Wolf

Heather Bagnall

Horia Suru

Ilana Becker

Ilana Ransom Toeplitz

Illana Stein

Ioanna Katsarou

Ioli Andreadi

Irina Abraham Chigiryov

Iris Sowlat

Isaac Klein

J Paul Nicholas

Jack Tamburri

Jaclyn Biskup

Jacob Basri

Jake Beckhard

Jaki Bradley

Jamie Watkins

Javier Molina

Jay Stern

Jay Stull

Jenna Rossman

Jenna Worsham

Jennifer Chambers

Jenny Bennett

Jenny Reed

Jeremy Bloom

Jeremy Pickard

Jerrell Henderson

Jess Hutchinson

Jess Shoemaker

Jesse Jou

Jessi D Hill

Jessica Burr

Jessica Holt

Jillian Carucci

Joanne Zipay

Jo Cattell

John Michael Diresta

John Kurzynowski

Joe Hedel

Jonathan Munoz-Proulx

Jose Zayas

Josh Kelley

Josh Sobel

Joshua Kahan Brody

Joshua William Gelb

Julia Sears

Justin Schlabach

Kareem Fahmy

Karen Christina Jones

Kate Bergstrom

Kate Hopkins

Kate Jopson

Kate Moore Heaney

Katherine M. Carter

Katherine Wilkinson

Kathy Gail MacGowan

Katie Chidester

Kendall Cornell 

Kendra Augustin

Kholoud Sawaf

Kimberly Faith Hickmann

Kim Weild

KJ Sanchez

Knud Adams

Kristin Marting

Kristin McCarthy Parker

Kristin Skye Hoffman

Kristy Chambrelli

Kristy Dodson

KT Shorb

Kyle Metzger

Kylie M. Brown

Larissa Fasthorse

Larissa Lury

Laura Brandel

Laura Steinroeder

Lauren Hlubny

Lauren Keating

Lavina Jadhwani

Jenn Haltman

Leta Tremblay

Lila Rachel Becker

Lillian Meredith

Lily Riopelle

Lindsey Hope Pearlman

Lisa Rothe

Lisa Sanaye Dring

Liz Thaler

Lori Wolter Hudson

Lucie Tiberghien

Luke Comer

Luke Tudball

Lyndsay Burch

Lynn Lammers

Mallory Catlett

Manon Manavit

Margarett Perry

Maridee Slater

Marina Bergenstock

Marti Lyons

Martin Jago

Matt Cosper

Matt Ritchey

Max Hunter

Megan Sandberg-Zakian

Megan Weaver

Meghan Finn

Melissa Crespo

Melody Erfani

Michael Alvarez

Michael T. Williams

Michaela Escarcega

Michelle Tattenbaum

Mimi Barcomi

Miranda Haymon

Molly Beach Murphy

Molly Clifford

Molly Noble

Morgan Gould

Morgan Green

Murielle Borst-Tarrant

Nana Dakin

Natalie Novacek

Neal Kowalsky

Nell Bang-Jensen

Nick Benacerraf

Noa Egozi

Norah Elges

Normandy Sherwood

Olivia Lilley

Orly Noa Rabinyan

Oscar Mendoza

Pablo Paz

Padraic Lillis 

Patrick Walsh

Pete Danelski

Pirronne Yousefzadeh

Portia Krieger

Rachel Karp

Rachel Wohlander

Randolph Curtis Rand

Raz Golden

Rebecca Cunningham

Rebecca Martinez

Rebecca Wear

Renee Phillippi

Renee Yeong

Rich Brown

Rick St. Peter

Robert Schneider

Ryan Anthony Nicotra

Sammi Cannold

Sammy Zeisel

Sanaz Ghajar

Sara Holdren

Sara Lyons

Sara Rademacher

Sarah Elizabeth Wansley

Sarah Hughes

Sarah M. Chichester

Sarah Rose Leonard

Sash Bischoff

Scarlett Kim

Seonjae Kim

Seth Pyatt

Sharifa Elkady

Shaun Patrick Tubbs

Sherri Eden Barber

Simon Hanukai

Sophia Watt

Suchan Vodoor

Stephen Cedars

Steven Kopp

Steven Wilson

Talya Klein

Tana Siros

Tara Ahmadinejad

Tara Cioletti

Tara Elliott

Tatiana Pandiani

Taylor Reynolds

TerryandtheCuz

Tommy Schoffler

Tracy Bersley

Trevor Biship

Tyler Mercer

Wednesday Sue Derrico

Will Dagger

Will Davis

Will Detlefsen

Will Steinberger

Yojiro Ichikawa

Yoni Oppenheim

Zi Alikhan

Zoya Kachardurian

[jennaschererwrites]

Omega Kids: A Conversation with Noah Mease and Jay Stull | Culturebot

If you make the trek up the four flights of stairs at 380 Broadway to the Access Theater, you’ll come upon an unlikely sight: a small black box in the middle of a spacious white room, like something that fell from outer space. Inside, you’ll find a sunken square of plush white carpet surrounded by chairs on all sides, evoking not so much a stage as a blank canvas, or a Zen garden not yet raked into a design.

This is the performance space for New Light Theater Project’s Omega Kids, a play about two twentysomething boys (Fernando Gonzalez and Will Sarratt) passing a long, rainy night in each other’s company, written by Noah Mease and directed by Jay Stull. They’re both named Michael, they’re both a bit shy, and they have at least one thing in common: their fascination with the titular Omega Kids, a comic book about a group of teenagers grappling with X-Men-style superpowers.

In addition to his playwriting, Mease is an Obie Award–winning prop designer who’s worked on intricately designed plays like Annie Baker’s John and Dave Malloy’s Natasha, Pierre & the Great Comet of 1812. So it makes sense that he’s chosen to center his play on a prop: a copy of an issue of the comic book, which he wrote and illustrated himself, that is not only perused by the characters onstage but is also in the hands of each of the audience members.

Omega Kids is a story about the way we use stories to connect — or not connect — with the people around us. Employing a potent blend of naturalism and expressionism, the play creates a world that is both lushly romantic and endearingly mundane, where as much is communicated through charged silences and canceled gestures as through the languor of meandering conversation.

I sat down with Mease and Stull — who first met when they were both members of the Fresh Ground Pepper’s PlayGround PlayGroup in 2014 — one night after the show to talk about how Omega Kids‘ singular combination of the epic and the ordinary came to be.

Jenna Scherer: What was the germ of Omega Kids? Noah Mease: I wanted to write this play about how we talk in summaries all the time. It felt like all of my conversations with friends had become us summarizing external stories at each other — like, TV shows that we’d seen or articles we’d read. All of the content of the friendship was filtered through these stories. And you never see that onstage.

Jay Stull: I remember the first day I met Noah, we all pitched what we were writing. And he was like, “I’m want to write the most boring play in the world, and have a comic book. I want to make the play boring enough that people can feel free to read it.” And then when I saw it read, I was like, this isn’t boring at all! This is all subtextual tension, and so much of what I’ve experienced and what I assume a lot of people have experienced about romance.

The romance between the two characters in this play is very specifically a queer romance.

JS: I was always interested in this play because I felt like it articulated the walls and contours of the closet in ways that were exciting. It’s certainly not about not being able to articulate that you have a non-normative sexual desire, but it is about not being to articulate the thing that you think you are. So it’s kind of an inverse closet — it’s a fear of wanting to be basic or commodified.

NM: This play is a reaction to the queer narratives that were available when I was growing up. They were all like: Two gay men who don’t know that they’re gay realizing that they are through shame and misery. I wanted to write a play that felt more grounded in what you could actually live in your real life, using those tropes from queer narrative and also superhero narrative.

In the world of the play, the Omega Kids comic acts as a sort of bridge between the two Michaels.

JS: Art is so personal. The stories that move us, those are who we think we are. We model our lives around the heroes that we grew up wishing we were. And I think it’s such a beautiful portrait, what Noah has done, to say: This art matters to this guy. And it’s the smallest art. It’s not an opus. It’s not Wagner. But it’s so integral to how he understands his life and his development.

NM: There’s a moment where you both know enough about the same thing to enjoy each other’s conversation about it. And then geek culture knows how to take that too far. [Laughs] Like, if you don’t like the right X-Men best, then we can’t be friends. There’s a quality of bravery that Michael doesn’t learn about in superhero comic books that we need in our lives to make things happen. Our stories tell us to wait for the magical object that will fall into your lap or the giant quest that will define your life to be handed to you. That’s what we’re taught to want, and that’s why we’re miserable. [Laughs]

How have audience members been interacting with the comic during the show?

NM: A lot of my theater training has been about giving the audience a lot of free will. So for me, the comic is an option for the audience. A lot of people are choosing not to read it, which I think is totally fine, because I never want to take my eyes off the actors either. But even the choice not to read it feels exciting for the piece, because you’re holding this tactile object the whole time, and it’s a physical connection to what’s happening onstage.

In contrast to the superhero stuff that’s happening in the pages of the comic book, what goes on between Michael and Michael onstage is very small and personal.

JS: One of the exciting things that I see in theater is that people are asking increasingly: What is stageworthy? What is dramatic? Who represents me and my story? This play has a very specific audience, and I think it tends to be people who are very sensitive in their life, who probably are pretty anti-conflict. If you have an audience full of geeks watching this play, I think they’re riveted, because they’ve been there.

NM: The reason that I gravitate toward this kind of theater is that it feels more connected to a lived life. There’s something really radical in saying that those little moments are worth all of us sitting quietly for 85 minutes and watching them happen. It celebrates them in a way that feels special and worth coming to witness.

How does the way the play is designed and staged help to bring audiences into that experience?

JS: We had a lot of discussions with the designers of how to invite people in the minutes before the play starts. How do we change their metabolism? Their pulse needs to drop. So we created this Zen garden–like space, which is actually just a carpet. But small, simple things can seem otherworldly from a different perspective.

The lighting and sound creates this sense that the superhero world is kind of slipping into our own.

NM: The reason that this play is about superpowers, I think, is because it’s about these tiny little moments in your life, that when you live them, you feel super. When you’re falling for someone, suddenly you can remember everything they’ve ever said to you, and you can stay up all night, and all the things that you hope for start to work out. And I think that this play needs all of that language sucked down from comic book world in order to fill those moments in the audience’s imagination.

There’s a lot of silence in Omega Kids, but those silences feel really charged.

JS: Yeah. Especially if you want them to kiss. [Laughs]

NM: It’s really amazing to watch how much people love watching two people who might find a connection.

JS: This is one of the things I’m most interested in theater: How to represent a true moment in time onstage, and how dilating time, accentuating pauses, even unnaturally so, might bring us in. But it’s also a super fine line to walk. We have to be able to take the audience with us.

Omega Kids is at the Access Theater through Saturday, March 25. Tickets: http://omegakids.brownpapertickets.com/ New Light Theater Project: http://www.newlighttheaterproject.com/ Noah Mease: http://www.noahmease.com/ Jay Stull: http://www.jaystull.com/

[fuckyeahgreatplays]

Download file | Play in new window | Size: 53.86M

Liz, Jose, and Lindsay discuss five new productions beyond Broadway in New York City:

Say Something Bunny! by Alison S.M. Kobayashi at UNDO Project Space (00:36)

Ghost Light by Zach Morris from Third Rail Projects at LCT3 (08:53)

Sweetee by Gail Kriegel at Ford Foundation Studio Theatre at the Pershing Square Signature Center (27:21)

Cost of Living by Martyna Majok at Manhattan Theatre Club (36:37)

Streepshow! by Jay Stull at The Connelly Theater (44:28)

What we’re looking forward to: (55:04)

God Of Obsidian by Mac Rogers at The Brick

Fulfillment Center by Abe Koogler at MTC

Assassins, music and lyrics by Stephen Sondheim and book by John Weidman at City Center

Marvin’s Room by Scott McPherson at American Airlines Theatre

Betty Odessa by Kev Berry at The Tank

Works on Water presented by New Georges with 3LD Art & Technology Center and Urban Water Artists in collaboration with Guerilla Science at 3LD Art & Technology Center

(Not) Water by Sheila Callaghan at 3LD Art & Technology Center

Subscribe to Maxamoo’s Theater and Performance Podcast for free on iTunes, Google Play, or Stitcher.

Comments? Feedback? Find us on Facebook and Twitter.

We have merch! Buy it here, all proceeds go to improving the sound quality of our podcast.

[maxamoo]

Liz, Jose, and Lindsay discuss five new productions beyond Broadway in New York City:

Say Something Bunny! by Alison S.M. Kobayashi at UNDO Project Space (00:36)

Ghost Light by Zach Morris from Third Rail Projects at LCT3 (08:53)

Sweetee by Gail Kriegel at Ford Foundation Studio Theatre at the Pershing Square Signature Center (27:21)

Cost of Living by Martyna Majok at Manhattan Theatre Club (36:37)

Streepshow! by Jay Stull at The Connelly Theater (44:28)

What we're looking forward to: (55:04)

God Of Obsidian by Mac Rogers at The Brick

Fulfillment Center by Abe Koogler at MTC

Assassins, music and lyrics by Stephen Sondheim and book by John Weidman at City Center

Marvin's Room by Scott McPherson at American Airlines Theatre

Betty Odessa by Kev Berry at The Tank

Works on Water presented by New Georges with 3LD Art & Technology Center and Urban Water Artists in collaboration with Guerilla Science at 3LD Art & Technology Center

(Not) Water by Sheila Callaghan at 3LD Art & Technology Center

Subscribe to Maxamoo’s Theater and Performance Podcast for free on iTunes, Google Play, or Stitcher.

We have merch! Buy it here, all proceeds go to improving the sound quality of our podcast.

[newyorktheater]

Broadway from A to Z, 26 profiles that I completed over the (first) six months that Broadway has been shut. https://newyorktheater.me/category/broadway/alphabet-series/

To mark the six months of Broadway’s shutdown this past weekend, we could look back, as I did — The Best Theater in Six Months of No Theater — or we could compile suggestions for a changed theater of the future, as the New York Times did (see below.) But we couldn’t answer the question everybody has had from the start of this unprecedented moment: When will Broadway reopen?

This past week, Dr. Anthony Fauci weighed in, in an interview with the actress Jennifer Garner. The first article I read about his remarks quoted him as saying it won’t be safe to return to theaters until “almost a year” after an effective vaccine was widely distributed. But later in the day, the publication “updated” (i.e. corrected) the article: The government’s infectious disease expert had said not safe without a mask. That reassured some people for some reason.

Andrew Lloyd Webber reportedly wants the British government to “give us a date” when theaters will reopen, telling a committee of Parliament “We simply have to get our arts sector back open and running … We are at the point of no return, really,” But of course the coronavirus doesn’t care about human deadlines and timelines.

Still, we look to the future with hope. At Miscast20, the twentieth anniversary of MCC Theater’s popular annual gala, which for the first time was presented online, the last two singers Joshua Henry and Heather Headley, sang about the sun coming up,  “Tomorrow” (Henry from “Annie”) after an “Endless Night” (Headley from “The Lion King.”)

For some, the sun is already out, as Hannah Grannemann chronicles, from museum-goers in New York to theatergoers in Tokyo.

  Week in Reviews and Previews

  Incidental Moments of the Day, the final Apple Family on Zoom play. (Watch the video and read my review)

Eisa Davis in Lynn Nottage’s play for the virtual Theatre for One, “What Are The Things I Need to Remembe?”

Lynn Nottage on Theatre for One, and theater for many, and keeping busy during COVID

Update: Due to popular demand, extra late-night performance times have been added through September 24 and performances have extended through October! 

Paul Rudnick

Paul Rudnick On Coastal Elites, Trash-Tweeting Ivanka, and How Bette Midler and Theater Give Him Hope

  Week in Theater News

Ben Brantley will no longer be a theater critic for the New York Times, starting on October 15. “This pandemic pause in the great, energizing party that is the theater seemed to me like a good moment to slip out the door,” He’s been a critic there since 1993. we plan to take our time during this pause selecting Ben’s full-time successor.

The Pulitzer Board had changed its eligibility requirements for its Drama award. Eligible plays for Pulitzer Prizes will include those “that were scheduled to be produced in theatres in calendar 2020 but postponed or cancelled due to the pandemic, as well as plays produced and performed in places other than theater” (ie online or outdoors)

Theater artists and activists will gather September 21 for Lights Up on Voter Mobilization, a virtual town hall, will be presented by the Broadway Green Alliance September 21 at 8 p.m., to share  “actionable steps to mobilize and register voters, break down candidates’ positions on climate issues, and explore the intersection of environmental and racial justice issues.”

“Bulrusher” announces its swoon-worthy cast, the next livestream of Paula Vogel’s Bard at the Gate, starting September 17.

32nd Annual Festival of New Musicals from the National Alliance for Musical Theatre will occur online November 19 and 20th, with video excerpts of eight new musicals

20 Theater Figures on How to ‘Revolutionize’ Their World

Director Lavina Jadhwania loves watching plays with captions, hopes such access continues post-pandemic

Director Jay Stull suggests universal basic income/medical insurance from a pool created by artists who make it

Also: A new Federal Theater Project – director Lear deBesonnet Works that span traditional theater venues, digital media and the streets – artistic director Niegel Smith

Eliminate unpaid internships – dramaturg Lauren Halvorsen

institutionalize media production departments- #Psalmayene24

Five New York Times critics on what must change Open up the canon – Maya Phillips Embrace streaming – Jesse Green Make affordable tickets available for essential workers – Laura Collins-Hughes (how about for everybody?) Pool resources among for-profit and non-profit theaters (the way sports leagues do) – Elizabeth Vincentelli Relax theater etiquette – Alexis Soloski

June 14 Lloyd Suh King Henry V

Congratulations to Lloyd Suh for winning the Horton Foote Prize + $50,000 for his play at MaYi Theater, “The Chinese Lady,” based on the true story of the first female Chinese immigrant to the U.S.

Isabelle McCalla and Caitlin Kinnunen as high school girlfriends in The Prom

The filmed version of the Broadway musical The Prom will make its Netflix debut December 11

Ayad Akhtar novelist and Pulitzer-winning playwright (Disgraced, The Invisible Hand, Junk) will be the new president (starting Dec 2) of Pen America,, the literary and human rights organization. In interview: “I’m not convinced that literature is the best way to form political opinions. It’s the great form of nuanced intellectual discourse. We can have profound conversations about literature, but I’m not sure that political opinions — like who to vote for — are the purview of literature. But increasingly everything has become politicized, and I think an organization like PEN has to acknowledge that.”

Tonya Pinkins among an all-woman cast for Moliere in the Park’s School for Wives, which will be live streamed at 2pm and 7pm on October 24th

X is for Xavier Rubiano, a Broadway casting director who likes Miscast

Xavier Rubiano is the last in the Broadway Alphabet series — not as well known as most of the previous 25. But he represents the many behind-the-scenes folk who have always made Broadway possible.

Rest in Peace

Diana Rigg portrayed Eliza in a 1974 production of Pygmalion in the UK. Forty-four years later, she portrayed Mrs. Higgins in the current Broadway production of My Fair Lady

Medea

Lauren Ambrose as Eliza and Diana Rigg as Mrs. Higgins

 Diana Rigg, 82, memorable for her performances on Broadway (Medea, My Fair Lady), TV (The Avengers, Game of Thrones) and for her witty book of bad reviews through the ages, “No Turn Unstoned”

After Six Months, What? #Stageworthy News of the Week To mark the six months of Broadway’s shutdown this past weekend, we could look back, as I did -- …

[27fm]

Playlist 31.07.2018

Calexico - Ballad Of Cable Hogue (Hot Rail - 2001)

Grinderman - (I Don't Need You To) Set Me Free (Grinderman - 2007)

Brown Bird - Seven Hells (Fits Of Reason - 2013)

The Pines - Be There in Bells (Dark So Gold - 2012)

Marty Stuart and His Fabulous Superlatives - Mojave (Way out West - 2017)

Jay Munly - Chant Down Cap'n (Jimmy Carter Syndrome - 2006)

Urge Overkill - Girl, You'll Be a Woman Soon (Stull EP - 1995)

Speed Niggs - All The Same (667 - Right Between The Dicks - 1991)

Townes Van Zandt - Marie (Willie Nelson) (Texas Rain / The Texas Hill Country Recordings - 2001)

Mark Lanegan - Halcyon Daze (Houston Publishing Demos - 2015)

King Dude - Devil Eyes (Fear - 2014)

Rykarda Parasol - Oh My Blood (For Blood and Wine - 2009)

Whitehorse - Le cadeau (Éphémère Sans Repère - 2014)

[ianbagleyinfo]

Review: The Many Guises of Meryl in ‘Streepshow!’

Ian Bagley's New Blog Post

A delicious conceit for a comedy sketch is stretched way too far in Jay Stull’s new play.

from NYT > Arts http://ift.tt/2tiT8RA

via WordPress http://ift.tt/2rtymSL

[timothyabernard]

Review: The Many Guises of Meryl in ‘Streepshow!’

A delicious conceit for a comedy sketch is stretched way too far in Jay Stull’s new play. Article source here:New York Times Arts Section

[maxamoo]

Ben, PennyMaria, and Lindsay discuss what we’re looking forward to at the theater beyond Broadway this month. We revisit annual summer favorites like ANT Fest at Ars Nova and Second Stage Uptown plus world premieres, immersive theater, a couple of wacky originals, and new shows on urgent social topics.

Summerworks 2017 from Clubbed Thumb at The Wild Project

Ghost Light from Third Rail Projects at the Claire Tow Theater at Lincoln Center

Bella: An American Tall Tale by Kirsten Childs at Playwrights Horizons

ANT Fest at Ars Nova

Raw Bacon from Poland by Christina Masciotti at Abrons Art Center

Master by W. David Hancock in collaboration with visual artist Wardell Milan from The Foundry Theatre

Somebody’s Daughter by Chisa Hutchinson at Second Stage Uptown

Say Something Bunny! by Alison S. M. Kobayashi at UNDO Project Space

STREEPSHOW! by Jay Stull at The Connelly Theater

Cost of Living by Martyna Majok at MTC

Kill Move Paradise by James Ijames at The National Black Theater

Subscribe to Maxamoo’s Theater and Performance Podcast for free on iTunes, Google Play, or Stitcher.

We have merch! Buy it here, all proceeds go to improving the sound quality of our podcast.

[theatredirectors]

150 Directors

Abhishek Majumdar

Adam Fitzgerald

Amanda McRaven

Amy Corcoran

Amy Jephta

Anisa George

Ana Margineau

Andrew Scoville

Anne Cecelia Haney

Ashley Hollingshead

Ashley Marinaccio

Andrew Neisler

Beng Oh

Benjamin Kamine

Bogdan Georgescu

Brandon Ivie

Brian Hashimoto

Caitlin Ryan O’Connell

Cara Phipps

Chari Arespacochaga

Cheryl Faraone

Christin Eve Cato

Christine Zagrobelny

Colette Robert

Colleen Hughes

Dado Gyure

Danielle Ozymandias

Danny Sharon

Dara Malina

David Charles

Dennis Yueh-Yeh Li

Donald Brenner

Doug Oliphant

Elena Araoz

Eric Kildow

Eric Wallach

Eric Powell Holm

Estefania Fadul

Evren Odcikin

Evi Stamatiou

Graham Schmidt

Gregg Wiggans

Hannah Wolf

Heather Bagnall

Horia Suru

Ilana Becker

Illana Stein

Ioli Andreadi

Irina Abraham Chigiryov

Isaac Klein

J Paul Nicholas

Jack Tamburri

Jaki Bradley

Jamie Watkins

Javier Molina

Jay Stern

Jay Stull

Jenna Worsham

Jennifer Chambers

Jenny Bennett

Jeremy Bloom

Jeremy Pickard

Jerrell Henderson

Jess Hutchinson

Jesse Jou

Jessi D Hill

Jessica Burr

Jessica Holt

Joanne Zipay

John Michael Diresta

John Kurzynowski

Joe Hedel

Josh Kelley

Josh Sobel

Joshua William Gelb

Justin Schlabach

Kareem Fahmy

Karen Christina Jones

Kate Bergstrom

Kate Hopkins

Katie Chidester

Kendra Augustin

Kimberly Faith Hickmann

KJ Sanchez

Knud Adams

Kristin Marting

Kristin McCarthy Parker 

Kristin Skye Hoffman

Kristy Chambrelli

KT Shorb

Kyle Metzger

Larissa Fasthorse

Larissa Lury

Laura Brandel

Laura Steinroeder

Lavina Jadhwani

Leta Tremblay

Lillian Meredith

Lindsey Hope Pearlman

Lori Wolter Hudson

Luke Comer

Luke Tudball

Lynn Lammers

Margarett Perry

Maridee Slater

Marti Lyons

Matt Cosper

Megan Weaver

Melissa Crespo

Michelle Tattenbaum

Morgan Gould

Morgan Green

Natalie Novacek

Neal Kowalsky

Noa Egozi

Norah Elges

Olivia Lilley 

Oscar Mendoza

Pablo Paz

Patrick Walsh

Pirronne Yousefzadeh

Rachel Karp

Rachel Wohlander

Randolph Curtis Rand

Rebecca Cunningham

Renee Phillippi

Rich Brown

Rick St. Peter

Robert Schneider

Ryan Anthony Nicotra

Sammi Cannold

Sara Holdren

Sarah Hughes

Sarah M. Chichester

Sarah Rose Leonard

Sash Bischoff

Sherri Eden Barber

Simon Hanukai

Suchan Vodoor

Stephen Cedars

Steven Kopp

Steven Wilson

Tara Ahmadinejad

Tommy Schoffler

Will Dagger

Will Davis

Will Steinberger

Yojiro Ichikawa

Zi Alikhan

Zoya Kachardurian

[theatredirectors]

250 Directors

Abhishek Majumdar

Adam Fitzgerald

Alice Stanley

Amanda McRaven

Amy Corcoran

Amy Jephta

Anisa George

Ana Margineau

Andrew Scoville

Anna Stromberg

Anne Cecelia Haney

Ariel Francoeur

Arpita Mukherjee

Ashley Hollingshead

Ashley Marinaccio

Andrew Neisler

Beng Oh

Ben Randle

Ben Stockman

Benjamin Kamine

Beth Lopes

Bo Powell

Bogdan Georgescu

Bonnie Gabel

Brandon Ivie

Brandon Woolf

Brian Hashimoto

Cait Robinson

Caitlin Ryan O’Connell

Caitlin Sullivan

Catie Davis

Cara Phipps

Carol Ann Tan

Carsen Joenk

Chari Arespacochaga

Cheryl Faraone

Chloe Treat

Christin Eve Cato

Christine Zagrobelny

Christopher Diercksen

Colette Robert

Colleen Hughes

Dado Gyure

Daniel Irizarry

Danielle Ozymandias

Danny Sharon

Dara Malina

David Charles

Dennis Yueh-Yeh Li

Donald Brenner

Doug Oliphant

Eamon Boylan

Elena Araoz

Emily Lyons

Emma Miller

Eric Kildow

Eric Wallach

Eric Powell Holm

Estefania Fadul

Evelina Stampa

Evren Odcikin

Evi Stamatiou

Francesca Montanile Lyons

Gabriel Vega Weissman

Graham Schmidt

Gregg Wiggans

Hannah Ryan

Hannah Wolf

Heather Bagnall

Horia Suru

Ilana Becker

Ilana Ransom Toeplitz

Illana Stein

Ioanna Katsarou

Ioli Andreadi

Irina Abraham Chigiryov

Iris Sowlat

Isaac Klein

J Paul Nicholas

Jack Tamburri

Jaclyn Biskup

Jacob Basri

Jake Beckhard

Jaki Bradley

Jamie Watkins

Javier Molina

Jay Stern

Jay Stull

Jenna Rossman

Jenna Worsham

Jennifer Chambers

Jenny Bennett

Jenny Reed

Jeremy Bloom

Jeremy Pickard

Jerrell Henderson

Jess Hutchinson

Jess Shoemaker

Jesse Jou

Jessi D Hill

Jessica Burr

Jessica Holt

Jillian Carucci

Joanne Zipay

Jo Cattell

John Michael Diresta

John Kurzynowski

Joe Hedel

Jonathan Munoz-Proulx

Jose Zayas

Josh Kelley

Josh Sobel

Joshua Kahan Brody

Joshua William Gelb

Julia Sears

Justin Schlabach

Kareem Fahmy

Karen Christina Jones

Kate Bergstrom

Kate Hopkins

Kate Jopson

Kate Moore Heaney

Katherine M. Carter

Katherine Wilkinson

Kathy Gail MacGowan

Katie Chidester

Kendra Augustin

Kholoud Sawaf

Kimberly Faith Hickmann

Kim Weild

KJ Sanchez

Knud Adams

Kristin Marting

Kristin McCarthy Parker

Kristin Skye Hoffman

Kristy Chambrelli

Kristy Dodson

KT Shorb

Kyle Metzger

Larissa Fasthorse

Larissa Lury

Laura Brandel

Laura Steinroeder

Lauren Keating

Lavina Jadhwani

Jenn Haltman

Leta Tremblay

Lila Rachel Becker

Lillian Meredith

Lily Riopelle

Lindsey Hope Pearlman

Lisa Rothe

Lisa Sanaye Dring

Liz Thaler

Lori Wolter Hudson

Lucie Tiberghien

Luke Comer

Luke Tudball

Lyndsay Burch

Lynn Lammers

Mallory Catlett

Manon Manavit

Margarett Perry

Maridee Slater

Marina Bergenstock

Marti Lyons

Matt Cosper

Matt Ritchey

Megan Weaver

Melissa Crespo

Melody Erfani

Michael Alvarez

Michael T. Williams

Michelle Tattenbaum

Mimi Barcomi

Molly Beach Murphy

Molly Clifford

Molly Noble

Morgan Gould

Morgan Green

Murielle Borst-Tarrant

Nana Dakin

Natalie Novacek

Neal Kowalsky

Nell Bang-Jensen

Nick Benacerraf

Noa Egozi

Norah Elges

Normandy Sherwood

Olivia Lilley

Orly Noa Rabinyan

Oscar Mendoza

Pablo Paz

Patrick Walsh

Pete Danelski

Pirronne Yousefzadeh

Portia Krieger

Rachel Karp

Rachel Wohlander

Randolph Curtis Rand

Raz Golden

Rebecca Cunningham

Rebecca Martinez

Renee Phillippi

Rich Brown

Rick St. Peter

Robert Schneider

Ryan Anthony Nicotra

Sammi Cannold

Sammy Zeisel

Sanaz Ghajar

Sara Holdren

Sara Lyons

Sara Rademacher

Sarah Elizabeth Wansley

Sarah Hughes

Sarah M. Chichester

Sarah Rose Leonard

Sash Bischoff

Scarlett Kim

Seonjae Kim

Seth Pyatt

Sharifa Elkady

Shaun Patrick Tubbs

Sherri Eden Barber

Simon Hanukai

Sophia Watt

Suchan Vodoor

Stephen Cedars

Steven Kopp

Steven Wilson

Talya Klein

Tana Siros

Tara Ahmadinejad

Tara Cioletti

Tara Elliott

Tatiana Pandiani

Taylor Reynolds

TerryandtheCuz

Tommy Schoffler

Tracy Bersley

Trevor Biship

Tyler Mercer

Wednesday Sue Derrico

Will Dagger

Will Davis

Will Detlefsen

Will Steinberger

Yojiro Ichikawa

Zi Alikhan

Zoya Kachardurian

[ianbagleyinfo]

Review: The Many Guises of Meryl in ‘Streepshow!’

Ian Bagley's New Blog Post

A delicious conceit for a comedy sketch is stretched way too far in Jay Stull’s new play.

from NYT > Arts http://ift.tt/2tiT8RA

via WordPress http://ift.tt/2s7wtbm