#jason rubin

[lkanggie]

My name is Abed.

I’m a survivor from Gaza, holding on to hope in a world that has fallen apart around me. 💔

The life I once knew — my home, my family, my sense of safety — has been shattered by war. Today, I live among the ruins, trying to find a path forward through the rubble and heartbreak. 🏚

Every moment is a battle against fear and uncertainty. What was once ordinary — a safe place to sleep, a future to dream of — now feels like a distant memory. 🕊️

I share my story not to seek pity, but to keep hope alive — to believe that even in the darkest places, kindness can still find a way. 🤍

If my story touches your heart, please consider sharing it or offering support. Every voice, every act of care, brings me one step closer to safety. ✨

Thank you for taking the time to listen. 🙏

Post Link

share plz

[rubinaitoart]

Okay so I’m not usually one to do callouts but I haven’t seen anything on this yet;

I am very certain that this account (https://www.tumblr.com/mystictastemakerpost) is a bot, but I could be wrong. Regardless, there’s stolen art on the account, and the posts are replicated perfectly from the originals. It looks like they block the original artists. I’ll link some of the original posts down below for reference.

Please hit the report button on the account! (And reblog this post if you want so more people can see it)

The original posts I was able to find as I was writing up this post (yes I’ll admit I only realized this was stolen artwork because I’ve been stalking the JayVik tags for a couple months), coming from different creators:

The rest are a little harder to find, so if you do find the originals please reblog this post with the links, all these artists deserve the appropriate credit.

[ruleof3bobby]

DISCONNECT (2012) Grade: B

This one still holds weight, even years later. In fact, it might’ve been a little ahead of its time when it dropped back in 2012. The themes hit harder now, and the storytelling feels more relevant in hindsight.

The subplot involving the high school kids is easily the most gut-wrenching part of the film.

The ending, though? Not quite a home run. It’s not bad, just a little too restrained — like it was building toward something bigger and didn’t fully commit. That might be part of why this film doesn’t get talked about as much today. It leaves an impression, but not quite a lasting one.

Still, it’s worth watching.

[unproduciblesmackdown]

whoa spaketh of....

[justinspoliticalcorner]

Gideon Taaffe and Noah Dowe at MMFA:

The Trump administration deported two women along with their U.S. citizen children to Honduras last week, including a 4-year-old who was “receiving treatment for metastatic cancer.” While the Trump administration claims the mothers took the children with them willingly, lawyers for the families noted that the mothers were not given meaningful access to lawyers or family members to make alternate arrangements.  Right-wing media have defended the administration’s actions by claiming migrants are using children as “anchor babies,” blaming the parents for their children being removed from the country, and calling it “a nonstory.” 

The Trump administration deported two women alongside their U.S. citizen children, reportedly without giving them access to their lawyers

Three U.S. citizen children were deported to Honduras along with their mothers, including a 4-year-old “with Stage 4 cancer who was sent without medication.” As the BBC reported, “Three young children who are US citizens — including one with cancer — were deported to Honduras alongside their mothers last week, according to advocacy groups and the families' lawyers.” [BBC, 4/28/25]

The Trump administration has claimed that the kids weren’t technically deported, but were allowed to leave as the mothers wanted to take them. Trump “border czar” Tom Homan added, “This is parenting 101. You can decide to take that child with you, or you can decide to leave a child here with a relative or another spouse.” [CBS News, 4/27/25]

The lawyers for the families have said they were given no real opportunity to make alternate arrangements for the children. According to NBC News, “One mother who was about to be deported was allowed less than two minutes on the phone with her husband to figure out what would become of her 2-year-old U.S. citizen child. Another mother wasn’t allowed to speak with attorneys or family members before she was deported, accompanied by her U.S.-born children, even though Immigration and Customs Enforcement knew one of them had Stage 4 cancer.” [NBC News, 4/28/25]

A federal judge in Louisiana stated his “strong suspicion that the Government just deported a U.S. citizen with no meaningful process,” even as the father was trying to keep her in the country. According to Politico, lawyers had filed an emergency petition trying to get the child released from ICE custody. [Politico, 4/25/25]

The ACLU of Louisiana issued a statement condemning the “deeply troubling circumstances” of the case, which they say “raise serious due process concerns” and “stand in direct violation of ICE’s own written and informal directives.” The statement is co-signed by seven human rights and immigration figures. Ware Immigration’s Erin Hebert said that “deporting U.S. citizen children is illegal, unconstitutional, and immoral,” and Teresa Reyes-Flores of the Southeast Dignity not Detention Coalition argued, “ICE’s actions show a blatant violation of due process and basic human rights.” [ACLU, 4/25/25] 

Right-wing media being heartless ghouls as usual on the Trump Regime’s deportations of children with US citizenship.

[blackramhall]

ONLY MURDERS IN THE BUILDING S04E07 - SPOILER ALERT

Valley of the Dolls Only Murders in the Building | S04E07 created by Steve Martin and John Hoffman

Foul deeds will rise, Though all the earth o'erwhelm them, to men's eyes. WS, Ha Avatar pic by Mitchell Turek

[inevitablemoment]

My brain is trying to tiptoe back into the Falsettos brainrot, so I'm going to share a section of my first yet-to-be-posted fic about my OC, Violet (Marvin and Trina's teenage daughter):

Violet always loved hearing stories about when she was a baby, especially from Daddy. Her favorite was when she was from when she was about eight month old; she was being held between her parents for a family picture. At the photographer's suggestion, they had leaned in to kiss each other when Violet used all of the strength in her chubby little arms to push them apart just as the camera flashed.

[geekcavepodcast]

DC Comics Announces "Joker: The World"

The Joker is on a world tour in a new anthology from DC Comics. Joker: The World will see the Clown Prince of Crime visiting 13 countries. Creatives for the 184 page hardcover include Geoff Johns, Satoshi Miyagawa, David Rubin, German Peralta, Alvaro Fong Varela, Jason Fabok, and more.

Joker: The World goes on sale on September 17, 2024 (available for preorder at comic shops on April 19).

(Image via DC Comics - Cover of Joker: The World)

[dustedmagazine]

Rick Rubin (with Neil Strauss) — The Creative Act: A Way of Being (Canongate)

Mega-producer and record label magnate Rick Rubin brings us his first book (co-written with Neil Strauss), The Creative Act: A Way of Being. At 404 pages, the book is a surprisingly breezy read, giving some insight into how Rubin approaches the art of being creative. Which for him boils down to a way of being. Those looking for juicy anecdotes about recording sessions with Johnny Cash, LL Cool J, Slayer, The Red Hot Chili Peppers or any of the other innumerable artists Rubin has worked with will be disappointed. But for those curious about the modus operandi behind one of the most influential record producers of the last 50 years, and how this might relate to one's own life, The Creative Act: A Way of Being could prove useful.

Admittedly, I was at first skeptical when the book caught my eye in a bookstore window. I was like, That Rick Rubin, the producer?  Well, why shouldn't an immensely successful record producer know something about creativity? It was more the framing of this knowledge as a way of being that caused a brief spate of disbelief on my part. Growing up in Los Angeles (The Land of Fruits and Nuts, as my hard-scrabble relatives in South Boston referred to California in general) I was used to seeing books from dime-store gurus. Edgar Cayce, Ram Dass and Timothy Leary paperbacks lined my mother's bookshelves. I had girlfriends who went to Golden Dawn temples, friends who dragged me along to channeling sessions for some deity from Venus. It was hard for me to take any of this very seriously.

Maybe it was the extreme disconnect between Rubin's commercial background and his espoused role as a seer that pushed me over the edge and caused me to buy the book. The opening quote from American artist Robert Henri sets the tone for what follows: The object isn't to make art, it's to be in that wonderful state which makes art inevitable. The book therefore provides less a toolbox for working on one's life than a series of vignettes where Rubin extrapolates on various contingencies related to achieving a state of mind and spirit where creativity is possible. Some of these topics include, Listening, Self-Doubt, Non-Competition, Freedom, Inspiration and Awareness. Basically anything which Rubin feels has pertained to his creative process is included in this book.

Ironically, what came more to mind while reading this was not Rick Rubin's background but the German artist Joseph Beuys' famous dictum, Everyone is an artist (Jeder Mensch ist ein Künstler). Unlike Rubin, Beuys did not frame his belief as much in the context of a spiritual journey, but like Rubin he did see himself as a kind of shaman or teacher who could lead society onward to a new — and more positive — direction by unleashing the creative possibilities each person innately possessed but perhaps did not know they had. For Beuys, this would later morph into a concept of social sculpture, where the creative state in each person would further society as a productive, forward-thinking organism.

This would also be the gist of Rubin's book. He's not trying to tell us how to make a better record, write a more catchy song, more successfully promote an artist's career (although all these things are mentioned tangentially throughout the book) but to help people realize their own unique creative strengths in the hopes of steering society in a less self-destructive direction. Though the main text and sprinkling of aphorisms scattered liberally throughout the book often verged for me on a kind of treacly sweetness, in the end I came away feeling that Rubin had really made a sincere attempt to show people the way to something they might not have realized they'd had all along.

The most inspiring take-away from the book would be this sense that even in a person's everyday life there is this great wellspring of energy to approach the most mundane tasks from a creative standpoint. That being creative doesn't necessarily mean creating something, making some beautiful object. It's about a state of mind where creativity equates with a way of existence, of approaching life with an awareness that will put one in a place where they can reconnect to a life energy which, at the very least, will lead one to experiencing a more personally fulfilling existence.

All this being said, the book also includes many concrete examples of how to circumvent creative dilemmas and meltdowns, whether this be in the recording studio or just trying to make it through a workday. Though Rubin seldom mentions people he's collaborated with by name in the book, he gives numerous examples of how he works in the studio — not necessarily microphone placement or which effects he used, but more how he guided various recording artists on an inspirational or spiritual level to realize their full creative potential. And in this context the book moves beyond its often sentimental, esoteric trappings to provide some real-world advice for people, whatever their vocation in life, to find a new way of being.

Jason Kahn

[rodgermalcolmmitchell]

Murdoch's Wall Street Journal spouts more lies about the Federal debt, on behalf of the rich, to the detriment of the rest

The Wall Street Journal is owned by Rupert Murdoch, who supports 32 times convicted felon Donald Trump. Murdoch also owns extreme right-wing Fox News, which paid an $800 million fine for lying. Need I say more? Here are excerpts from an article that appeared in the WSJ. Comments are noted. Federal Debt Is Soaring. Here’s Why Trump and Harris Aren’t Talking About It. Story by Richard Rubin,…

[thenerdsofcolor]

A Los Angeles Theatre Review: 'God Will Do The Rest'

This may be very inside theatre knowledge but there hasn’t really been an Asian American family play that fully utilizes multiple family members throughout different generations quite like Nicholas Pilapil‘s God Will Do The Rest, now having its world premiere directed by Fran De Leon in a co-joint Artists at Play and Latino Theater Company production. While the play goes through arguably…

[graphicpolicy]

The Clown Prince of Crime heads around the World in Joker: The World including the first African Joker

The Clown Prince of Crime heads around the World in Joker: The World including the first African Joker #comics #comicbooks #graphicnovel

[blindmanspuff]

Alec Bradley Magic Toast 5th Anniversary - Blind Cigar Review

Alec Bradley Magic Toast 5th Anniversary - Blind #Cigar Review @alecbradley #cigars #blindmanspuff #SmokeBlind

Cigar Info Last September Forged Cigar Co. released the latest addition to its portfolio, the Alec Bradley Magic Toast Fifth Anniversary, a special release commemorating five years of the Magic Toast line. First introduced in 2018 and making an early appearance in 2016 (because of impending FDA regulartion), this line has consistently caught the attention of cigar smokers, especially with its…

[bestanimal]

Round 3 - Mammalia - Peramelemorphia

(Sources - 1, 2, 3, 4)

The marsupial order Peramelemorphia contains the living families Peramelidae (“bandicoots”) and Thylacomyidae (“Greater Bilby”).

Peramelemorphs all tend to have a characteristic shape: a round, arch-backed body with a long, delicately tapering snout, upright ears, relatively long, thin legs, and a thin tail. They range from the size of a rat to the size of a rabbit. They are omnivorous, feeding mainly on soil-dwelling invertebrates, as well as seeds, fruit, and fungi. They possess a well-developed sense of smell and eyes that are adapted for nocturnal habits. They are are generally solitary, with females taking care of their young.

Female peramelemorphs have a pouch that opens to the rear, to protect their young while they dig for insects and their larvae. The gestation period of peramelemorphs is the shortest among mammals, at just 12-14 days. As in other marsupials, peramelemorph joeys are born as tiny, relatively undeveloped neonates and must crawl their way from the vagina to the pouch to latch on to a teat, where they will complete the rest of their development. Peramelemorph growth is fast, with bandicoots setting off on their own and becoming sexually mature at just three months of age. Female bilbies reach sexual maturity at five months of age, and male bilbies become sexually mature at eight months. This allows a given female to produce more than one litter per breeding season and gives peramelemorphs an unusually high reproductive rate compared to other marsupials.

Peramelemorphs originated in the Late Oligocene. Both the oldest modern bandicoot (Peramelid) and the oldest bilby (Thylacomyid) are known from Middle Miocene fossil deposits (around 15 million years old).

Propaganda under the cut:

The name bandicoot is based on the animal’s ratlike appearance. The name comes from an English corruption of an Indian word "pandi-kokku" meaning "pig-rat".

The smallest peramelemorph is the Mouse Bandicoot (Microperoryctes murina), which is 15–17.5 cm (5.9-6.9 in) long.

The Golden Bandicoot (Isoodon auratus) is especially adapted for life in hot, semi-arid environments. It has a low body temperature that is constantly changing, making it heterothermic. This allows the internal body temperature to fluctuate in response to extreme environmental temperatures without inhibiting and denaturing necessary proteins. Additionally, its low metabolic rate correlates to less heat being produced by the body, and a low thermal conductance does not allow the animal to capture and store heat well. A highly efficient panting mechanism allows for a low rate of evaporative water loss when cooling the body, conserving precious water.

The Northern Brown Bandicoot (Isoodon macrourus) is one of relatively few native Australian ground-dwelling mammals that is able to survive in urbanized landscapes, due to their generalized diet and habitat requirements.

The Eastern Barred Bandicoot (Perameles gunnii) (image 1) is the basis for the popular videogame character Crash Bandicoot, and was selected from a number of Tasmanian mammals by creators Andy Gavin and Jason Rubin for its appeal and relative obscurity.

Described in 2014, a fossil species of Miocene bandicoot found at the Riversleigh World Heritage Area was given the genus name Crash. It was given the species names bandicoot. Because paleontologists are just Like That.

Wiped out due to predation from introduced foxes and domestic cats, as well as land-clearing for farming, the Victorian subspecies of the Eastern Barred Bandicoot (Perameles gunnii) was declared Extinct in the Wild. Thanks to 30 years of conservation efforts, breeding the bandicoots in human care and establishing fox and cat-safe sanctuaries, the mainlaind population was changed from Extinct in the Wild to Endangered in September 2021, a first for Australian conservation!

The Giant Bandicoot (Peroryctes broadbenti) (image 3) is more than twice the weight of other bandicoots and adult males of the species can attain weights well in excess of 4 kg (8.8 lb).

Unlike bandicoots, Greater Bilbies (Macrotis lagotis) (image 2 and gif) are excellent burrowers and build extensive tunnel systems with their strong forelimbs and well-developed claws. Burrows spiral down, making it hard for predators to get in. A bilby typically makes several burrows within its home range, up to about a dozen; and moves between them, using them for shelter both from predators and the heat of the day, as they are desert-dwelling animals.

Greater Bilbies are generally solitary, however, there are some cases in which they travel in pairs. Pairs usually consist of two females as the sole caregivers of their offspring.

Greater Bilbies do not need to drink water, as they retain all the moisture they need from their food.

Because rabbits are invasive in Australia, introduced by European settlers, bilbies have been popularised as an Australian alternative to the Easter Bunny. Haigh's Chocolates in Adelaide made 950,000 chocolate “Easter Bilbies” between 1993 and 2020, with proceeds donated to the Foundation for Rabbit-Free Australia, which does environmental work to protect the indigenous biodiversity of Australia.

Today, only the Greater Bilby survives and is vulnerable, but the Lesser Bilby (Macrotis leucura) is a recently extinct relative, having possibly survived into the 1960s. Its extinction was much “quieter” than that of the Thylacine, and was likely due to introductions of invasive predators like the domestic cat and red fox. Other “quiet extinctions” include that of the Desert Bandicoot (Perameles eremiana) which appears to have disappeared between about 1943 and 1960, and the Nullarbor Barred Bandicoot (Perameles papillon) which was last collected in 1928.

Today, many peramelemorph species are still threatened and endangered due to habitat fragmentation and introduced predators, as well as from competition with introduced rabbits. Areas designated to conserve vulnerable populations of bilbies and bandicoots have predator exclusion fences built around them, and must be heavily monitored for break-ins. In Currawinya National Park in Queensland, high-salinity flood waters damaged a predator exclusion fence, allowing feral cats to enter the sanctuary, wiping out all the bilbies in the park.

[unproduciblesmackdown]

Things To Ruin CD lyrics / booklet

[holdoncallfailed]

behind the scenes of warhol's lupe, december 1965, shot by nat finkelstein.

L-R: danny williams, andy warhol, lou reed, sterling morrison (behind); jason holliday, edie sedgwick, barbara rubin, gerard malanga, martha morrison, donald lyons (front)