#japanese drama 2018 review

[aftereverystory]

ASAKO I & II 寝ても覚めても review

Directed by Ryusuke Hamaguchi and written with Sachiko Tanaka

Genre: Romance drama

Year released: 2018

Duration: 119 minutes

I saw this on an Instagram reel—I'm planning to see every bookmarked movie I saved so I came back to my collections and I chose this. Before looking for the movie, the last comment I remember under the reel was "Don't even bother finding it, it's crap." Somehow I was enraged and I ran off to a different site. Because the cinematography looked really promising, and maybe I'm biased to Japanese movies. I haven't seen much. I think this is my second to "Blue". I watch more animated movies than actual people. But there's no way this could be bad. So I played it. And I knew I was right. I always loved how raw movie characters are in the Japanese cinema. I believe they represent all of us in humanity very well. We make bad decisions, we like to pretend we don't feel what we feel, we sleep like children and wake up like children, we feel angry in behalf of the people we love, we suffer for them, we forgive them, we are terrible people but we always try for the people we want to love. I think this movie is personal to me. Especially the main character. I've been in love with someone for a long time now. We won't ever be together though. That's a lie because I still hope. I don't have anyone I'm entertaining, but I always wonder, if I had a partner five years from now, who would I choose if my first love called my name? It scares me to answer so fast. Deep down, I know. And deep down, I know it won't go away. I might forget about it. When I remember, it's like I'm a thirteen year old who's enthusiastic about the multiverse and time-detoriation all over again. I hope I can love again.

[waitmyturtles]

Couple of dorama notes to help me keep track of things, woop!

1) THE NEW EMPLOYEE NEW EPISODE, EEP!: I’m not going to peep the tag until after I watch it tonight. Now that I binged the manhwa, I think I know the direction of this episode, but I’m still looking forward to the NYS flashbacks and seeing how Jong Chan handles it.

2) The Makanai: Cooking For the Maiko House: A couple of IRL friends recommended this to me because they know I love shows about food -- I started it yesterday and I’m in full binge mode. It’s directed by the legendary Koreeda Hiroyuki, who directed After Life in the late 1990s and who now has the film Broker out (which is making its way around the awards circuit).

I hadn’t heard of this manga (Kiyo in Kyoto) before, but I understand it to be quite popular -- I even think NHK aired an anime of it. I want to take some time, if I can find it, to research the background and popularity of the manga, because I think the drama is a bit darker than it’s set up to be on the surface. Quickly: two 16-year-old girls leave Aomori Prefecture to apprentice as maiko, or junior geishas, in Kyoto. One of the teens is a natural at her training; the other teen (Kiyo) is expelled from the school and becomes the cook for the okiya (lodging house) (wild wild wild).

I admittedly know next to nothing about maiko/geisha culture, but it struck me as surprising that young teenagers can still leave school to apprentice and live in an okiya. (EDITING TO ADD: Phew, okay, this part is fictional, according to this interview.) I think there are a few stories being told underneath the surface (but I’m only on episode three) -- rivalries between friends and students, unrequited loves, and this undercurrent about young girls doing labor for the lodging house and for clients, including teenage maiko accompanying clients to bars.

I’m kind of in a whirlwind headspace to understand it all. BUT: THE CINEMATOGRAPHY IS SPECTACULAR, and there are some great names acting in it, including Lily Frankie (I love this guy’s name so much), Morisaki Win (a darling from Three Star Bar in Nishi Ogikubo), and Makita Aju, who is simply killing it as an antagonist against maiko culture (and who also played an amazing foil as Micchan in Okaeri Mone). Also, Hashimoto Ai and Matsuoka Mayu going head to head -- their competition is totally sizzling.

I’ll have a bigger review of this, but it looks like this dorama is extremely popular in Japan, so I’m glad I’m catching up with it in real time. 

3) Besides my real-time BLs (The New Employee, Ameiro Paradox), I’m going to start on Bad Buddy later this week as part of my essential BL series, once I’m done with The Makanai. 

4) But ALSO: I found a three-part NHK miniseries called Ototo no Otto (My Brother’s Husband), from 2018 -- and I’m seriously excited for it, because I am a huge stan for NHK’s boundary-pushing work on discrimination. The show is about a Canadian man who comes to Japan after his same-sex Japanese partner passes away. The “widower” meets his late partner’s twin brother and the twin brother’s kids, all to learn more about his late partner’s life in Japan.

The show looks like it focuses on current issues regarding LGBTQ+ discrimination, including the homophobia that the late partner’s brother himself has -- which may have led to estrangement between the twins.

There’s only a few posts about this show on Tumblr, but the posts say the show was seriously good. I’m so glad I found it, and I think I’ll need to watch it before diving into Bad Buddy.

And after Bad Buddy: Dark Blue Kiss, to prepare for the eventual GMMTV adaptation of Cherry Magic, which damn it -- I still can’t shake. 

5) FINALLY: Um, we may be getting new The Novelist/The Pornographer material?! (cc @gillianthecat). According to Twitter, there will be an announcement about something related to the franchise on 1/24. Let’s see -- the very last short film hasn’t been translated or released internationally, so maybe that’s the update? Give us SOMETHING, FUJI TV. 

YAY, updates! I honestly love writing these posts when life gets crazy, because it helps me set my priorities!

[tilbageidanmark]

Movies I watched this Week # 150 (Year 3/Week 46):

We All Loved Each Other So Much, only my second by Ettore Scola (after 'A special day'), a sprawling saga of post-World War II Italian life and politics, dedicated to and with a cameo of Vittorio de Sica. Strangely episodic and focused on friendship and the cinema. At one point he's recreating the shooting of the Fontana di Trevi scene of La Dolce Vita, with both Fellini and Mastroianni re-playing themselves - very uncanny!

🍿

The four times is a wordless, award-winning slow-poem from 2010. Philosophically, it follows the Pythagorean notion about the four transmigrations of the soul, as exemplified in the lives of a human, an animal, a plant and a mineral. Visually, it follows a dying goatherd in a small southern Italian village, who mixes the dust from the local church floor with water to drink as medicine. Just as he dies, a baby goat is being born, then the story turns to a fir tree under which that lost goat had died, and finally into a pile of charcoal. The smoke from the burning coal turns into dust, which is what the old shepherd drank. It’s the cycle of life and death. It's a fragile and contemplative viewing, quiet and spiritual.

The trailer. 9/10.

🍿  

“Raise ravens, and they'll gouge your eyes out”…

Raise Ravens (Cría Cuervos) by renown Spanish director Carlos Saura. A mystical psychological drama about painful childhood memories. With the same little actress who starred in ‘The spirit of the beehive’. She watches her dying mother suffering in pain, fantasises about poisoning her father, relives her sad upbringing in a villa with an empty swimming pool in the back. That kind of story.

🍿

"Pi-Kan Pai!"

Another frequent re-watch: Best (?) modern romantic comedy, When Harry met Sally. Sweet Sally (Photo Above) and Woody Allen-lite Harry, the original obnoxious mansplainer, and "human affront to all women". How they fall in love in 12 short years. His deeply cynical misogyny is an unpleasant hindrance, but eventually even he changes, becomes softer, even nice.

With a shout-out to Mallomas, the American version of the Danish flødeboller (קרמבו). Still 10/10.

🍿

L’enfer (Torment), my 7th film by Claude Chabrol, a low-rent version of 'The Shining', about a husband who descends into madness. A paranoiac hotel owner starts suspecting that his wife is cheating on him, and his obsessive jealousy turns this whole story into an ugly, unpleasant trip. 3/10.

🍿

Wikipedia has a list of all movies with 100% score on Rotten Tomatoes and # 6 with the highest number of unanimous reviews (129) is Minding the gap, a 2018 Oscar nominee. The debut documentary from one Bing Liu is the tremendous chronicles of himself and his two blue-collar friends. Three young skaters from Rockford, IL, from their teens until much older and sadder, they look back at their disappointed, broken lives. Rockford, IL, a dying rust belt city with 100% empty streets. 9/10.

🍿

All inclusive, a lovely Danish comedy, made by an all-women team, about a 60-year-old mother and her two adult daughters on a Southern vacation to Malta. The one freewheeling daughter wants her mother to have some fun, so she pays a local bartender to flirt with her. My 3rd film with Danica Curcic. 6/10.

🍿

“Call me” X 2:

🍿 Call me Chihiro is a wistful feel-good slow-cinema fairy tale, about a 29-year-old free spirit in a small seaside Japanese town. She's a former sex worker but now she services as a cashier at a Bento shop. Kind and friendly to anyone she meets, she spreads good will to anyone who crosses her path. Always smiling, but nurturing a sad heart, it's a leisurely-told story that eventually meanders over 2 hours with heartfelt snippets of the various characters she touches, but with no resolutions. 7/10.

It made me realize how purely escapist are the all movies I watch. I am satisfied walking with her at sunset on the docks of this pretty, far away town.

🍿 Re-watch: Luca Guadagnino's sensuous Call Me by Your Name. Beautifully-shot, romantic love story of an upper-class Italian summer. Great acting by two hetero(?) players, and the irritating Jewish father.

You know what things... The incredible one-shot at the plaza.

🍿

Pull my daisy, an experimental "Beat Generation" movie, made by photographer Robert Frank in 1959. Written and narrated by Jack Kerouac, and featuring Allen Ginsburg, Gregory Corso and Delphine Seyrig (!), it's a jazzy, free-form poem with an improvisational Joycean flair. A bohemian group crash a party. Nice!

🍿

Apocalypse Clown, an absurdist apocalyptic Irish slapstick comedy about a troupe of washed out clowns, trying to find meaning after a freak solar flare wipes out electricity in the world. Silly and off-beat. 7/10.

The trailer.

🍿

3 by Mabel Normand, silent screen director and actress:

🍿 Mabel Norman was a major female director and star who collaborated with Mack Sennet, and directed Charlie Chaplin's first films.

Mabel's Strange Predicament was Chaplin's first film where he used the tramp persona and costume. It was 1914, and he was slightly less polished: It was obvious he was a drunk, a lecher, a big tipper, his make up had his mouth in a permanent frown. Her predicament was being locked out of her room wearing pajamas!

🍿 Caught in a Cabaret, another 1914 Chaplin 2-reeler. Here he's a waiter who fakes being the Prime Minister of Greenland. There's also a real giantess, maybe a 6'5 foot extra dancing in the background.

🍿 Mabel's Blunder is a gender-bender comedy, with a secretary being hit by both her boss and his father. This short was added to the National Film Registry.

🍿

Etgar Keret is an absurdist, postmodern Israeli poet. More that 100 of his existentialist plays were adapted to short international movies. I discovered him after reading a painful NYT essay ‘I Feel a Human Deterioration’ about the massacre in Gaza.

Wristcutters: A Love Story, based on a story of his, was a bizarre black-comedy experiment about the after-life station where people who had committed suicide find themselves. It opens with a tremendous surprising suicide, but all of its young actors are especially un-charismatic, the directing by some Croatian dude is distinctively mediocre, and even Tom Waits cannot save it. 4/10

🍿

David Cross's 2021 stand-up I'm from the future opens with a stark and powerful story, a woman’s journey to, and experience in, the gas chamber in Auschwitz. It's an angry, scathing criticism of right wing ideology, delivered remorselessly and without pity. 6/10.

🍿

Edgar Wright directed a fake trailer for a fictitious 1970’s exploitation horror film called Don’t. It was included in Tarantino & Rodriguez’s ‘Grindhouse’.

🍿

Oh, how I hated Scorsese’s cult comedy After Hours! The appalling, affected yuppy character, the typecasted Soho artists, the unfunny twists and turns of the journey to ‘get back home’. 1/10.

🍿  

(My complete movie list is here)

[thesuitcasedetective]

Unnatural (アンナチュラル) is a Japanese drama from 2018 composed of 10 episodes. When the cause of death remains ‘unknown’ or when the victim remains unidentified and unclaimed, the forensics team at UDI finds the answers. Certainly was a fun watch for the family of an evening and the crimes themselves were relatively well written. By and large the causes of death and motives were unusual and it offered something new. I think I still like Galileo or Mr. Brain better in terms of ‘scientific-themed’ mysteries . . . but this was still a cool drama to watch.

Have you seen Unnatural? What did you think?!

#FilmReview#film#movies#JapaneseFilm#JapaneseDrama#Jdrama#JapanDrama#AsianDrama#Mystery#DetectiveShow#CrimeShow#MysteryFilm

[radiowrites]

I posted 2,064 times in 2022

14 posts created (1%)

2,050 posts reblogged (99%)

Blogs I reblogged the most:

@goneahead

@talesofsorrowandofruin

@distance-does-not-matter

@smittenbypoetry

@writerscreed

I tagged 2,057 of my posts in 2022

#writing - 1,290 posts

#lmao - 473 posts

#art - 211 posts

#fanfiction - 206 posts

#ghost hunt - 122 posts

#eye candy - 104 posts

#kpop - 85 posts

#fanart - 83 posts

#fma - 40 posts

#music - 35 posts

Longest Tag: 114 characters

#yeah i’ve learned if i want english language fanfic for a korean drama i’m probably going to have to write it haha

My Top Posts in 2022:

#5

Ten Random Lines

Rules: Pick any ten of your fics, scroll to the midpoint, pick a line (or three) and share it. Then tag ten people.

I was tagged by @radio-chatter! Thanks so much. This one looks fun!

Tagging: @writercorianarose @thedemoninthecorner @dreams-of-kalopsia @shesailsships @eyeliner-vampire @alonelyturtle @goneahead @csakuras and anyone else with fanfics they want to play this game with!

Ah, nothing like finding an error in a years old fic when doing a tag game...

Anyway, on to the lines. I jumped all around with the ages of the fics, and tried to do so with the fandoms, but if you are familiar with my works, you know that Ghost Hunt will dominate the list.

House of Memories / Fandom: Memorist (k-drama)

We’re not that close, she had told him, even if it had been slightly in jest. She had no right to watch over his restless slumber.

2. Day One / Fandom: Ghost Hunt (manga)

Only Mai could recognize the slight hitch of emotion in his voice.

3. Fix Me / Fandom: Ghost Hunt (manga)

“What do I need to do? Give over some blood, recite some spells?”

4. Unchained Melody / Fandom: Tale of the Nine Tailed (k-drama)

The moment broke when the music on her phone changed to something harsh and jarring.

5. The Last of the Real Ones / Fandom: Ghost Hunt (manga)

Luella told Eugene she believed him, of course. Mainly because she knew Oliver wouldn’t mess up his room for a prank. But no, she had not felt it.

6. Rebel Just For Kicks / Fandom: Final Fantasy XV (game)

Noctis pulled the truck to the side and went around the car. Ignis could see the fear-stricken faces of the passengers within.

7. A Noble Vow / Fandom: Pandora Hearts (manga)

She didn’t want to fall into another stupor and risk saying something stupid again.

8. Lost in the Echo / Fandom: Ghost Hunt (manga)

He dropped her off about a block from her home, and they never saw each other again.

See the full post

8 notes - Posted December 11, 2022

#4

2021 Fic in Review

Tagged by @radio-chatter! Thank you! ^^

Hi, I’m RaisedonRadio & FortressofmyPast on AO3 and FF.net. This is a tradition going on for years! Check out my prior year end posts: 2020, 2019, 2018, 2017, 2016, 2015.

Total Number Of Completed Works: 2

Total Word Count: 4729

Fandoms I’ve Written In: Ghost Hunt (Japanese anime/manga), Memorist (Korean drama).

Looking Back, Did You Write More Fic Than You Thought You Would This Year, Less, Or About What You’d Expected?

Less. This past week I had hoped to finish another WIP, but instead I took the time to digitize a bunch of writing that had been trapped in notebooks. It was actually a lot of fun, there were so many stories I had forgotten about. But, do you know what this means? I ADDED SO MANY WIPs. -_-;; XD

What’s Your Own Favorite Story Of The Year?

I like them both for vastly different reasons.

Did You Take Any Writing Risks This Year?

I wrote for a fandom that only had two other fics in it - one in a language I don’t speak and one a crossover. It was fun because I had to know I was going into it with no anticipation of reader interaction. Truly had to write it because I wanted to.

Do You Have Any Fanfic Or Profic Goals For The New Year?

I’d definitely like to write more. Finish a few of these WIPs hanging around.

Most Popular Story Of The Year?

It’s not right to pit these two fics against each other, they are for very different fandoms, and I literally published the one on December 27th, so…

But I do like to compare the stats for AO3 and FF.net: Call You Mine had 6 reviews/29 favs on FF.net, and 6 comments/34 kudos/9 bookmarks on AO3. That’s a big deal, in the past years Ghost Hunt fics would get much more interaction on FF.net, now AO3 is breaking even.

Story Of Mine Most Under-Appreciated By The Universe, In My Opinion:

I appreciate every comment, kudo, and fav. I know I say this every year, but it’s true. I write for relatively small fandoms and whenever a reader takes the time to say hi, my heart glows.

Most Fun Story To Write:

Call You Mine. I went into it with the desire to make something incredibly fluffy as a birthday gift and I think I succeeded.

See the full post

10 notes - Posted December 31, 2021

#3

First Lines Tag

Thanks for the tag, @talesofsorrowandofruin!

Rules: List the first lines of your last 20 stories (if you have less than 20, just list them all). See if there are any patterns. Choose your favorite opening line, then tag some of your fellow authors!

I did a similar game to this a long time ago! It’ll be interesting to see if my opening style has changed any.

These are all fanfictions that can be found on my AO3. They were written from 2021 to 2017 are listed starting with the newest.

Some observations I found:

16 of the 20 are under 15 words long.

1 out of the 20 is in first person (but 3 of them could be, if just from the opening line.)

17 of the 20 introduce a character by name.

3 of the 20 open with dialogue.

My favorite? Probably from Rebel Just for Kicks.

Tagging!

@writercorianarose @thedemoninthecorner @dreams-of-kalopsia @radio-chatter @csakuras @scribblesandsorcery and anyone else that has first lines they want to share! Tag me!

1.

At first, Seon Mi didn’t give the last words of Jin Jae Gyu any weight.

- House of Memories, Memorist

2.

It was the weekend.

- Call You Mine, Ghost Hunt

3.

Masako Hara paused at the street corner.

- Waste It On Me, Ghost Hunt

See the full post

12 notes - Posted January 21, 2022

#2

I think I made like one post about Nanowrimo this month, but just wanted to say whoa! I hit 50k words! I had no idea what to expect going in when I had decided to start barely two weeks before November.

I definitely challenged my perfectionism when it comes to writing first drafts and just getting the words down, and that was my goal.

I’m ready to leave these characters alone for a bit and go dust off a few fanfictions starting in December, ha!

13 notes - Posted November 28, 2022

My #1 post of 2022

Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers. Let’s spread the self-love 💖

Oh interesting, I've never done this before!

Since 31 of my 45 fics are from the manga/anime Ghost Hunt, that's going to dominate the list, but I'll stick in one different fandom just to prove I do write occasionally for others!

Hello everyone, I am RaisedonRadio & FortressofmyPast on AO3 and FF.net. Here is five of my favorite works by yours truly.

Lin's List

A list of 25 things for Lin to refrain from - and keep Oliver from doing - during their stay in Japan. As suggested by Madoka Mori.

A humorous little oneshot under 1000 words. An oldie that has aged well.

The Last of the Real Ones

Being determined to expose them all as frauds might mean losing a piece of himself along the way.

I will admit, I am a oneshot writer. So here is one of like, two chaptered works in my portfolio (not including oneshot collections).

A piece that focuses on a young Oliver when his paranormal skills start to take over his life.

Same Old Lang Syne

Should old acquaintances be forgotten, and never brought to mind?

A post-series look at if the gang drifted apart. Yes, it's based after the Dan Fogelberg song.

Lost in the Echo

Can you call it a reunion if you’ve never met before?

A look into one of Ghost Hunt's biggest mysteries - the death of Eugene Davis.

And the honorary mention fandom, for a kdrama titled Tale of the Nine Tailed:

Unchained Melody

He’s teaching her to drive, why can’t he teach her to dance, too?

I don't normally fall for non canon couples, but I fell hard for Rang and Yu Ri.

Thanks for reading!

14 notes - Posted May 22, 2022

Get your Tumblr 2022 Year in Review →

[theflixdiary]

Air Strike (2018) directed by Xiao Feng

age rating: 18+ genre: action, war drama duration: 2h country: China language: English (dubbed) screenplay: Ping Chen

major cast: Bruce Willis, Adrien Brody, Liu Ye

plot summary: this war drama focuses on a small Chinese town that becomes a focal point in the Japanese bombing raids of World War II, with the townsfolk scrambling to protect themselves and their heritage, aided by an American air force officer (Bruce Willis).

if you enjoyed this post, don't forget to show some loves by leaving comments / likes / reblog / help me to spread the words. follow me for more reviews!! ❤︎❤︎

read my thought below (may contain spoiler):

I went into this movie expecting some high-stakes, adrenaline-pumping action—after all, it’s set in wartime, and with names like Bruce Willis and Adrien Brody on the poster, how bad could it be? but wow, was I in for a letdown. first things first: the dubbing. oh my days, they dubbed the entire movie into English, and let me tell you, it sounded like they hired my neighbour to do the voiceovers in one take, no warm-up. every line felt jarring, flat, and so fake I couldn’t tell if I was watching a war drama or some bizarre comedy sketch. and yet, the Japanese bits? not dubbed without subtitles! just left there, hanging like an afterthought. the plot itself is all over the place. the story wants to be a tense, patriotic rallying cry, but it gets lost in its own mess of CGI explosions, poorly cut scenes, and a story that doesn’t know if it’s trying to be action-packed or emotional. it’s like they threw every idea they had into the pot without tasting if it worked. I get that it’s a war movie, so it’s meant to be gritty and heavy, but half the time, it’s hard to even follow what’s going on.

and the CGI? way too graphic, and not in a realistic way—more like a glitchy video game I’d quit after five minutes. it��s unsettling, but not because of the violence; more because it’s just bad. Bruce Willis, the action icon himself, looks like he’s fallen asleep mid-line half the time. this is Die Hard legend Bruce Willis, and here he’s just.. there. I’d swear he showed up, read his lines, and then left for an early lunch. and Adrien Brody? his face is all over the promotional material, yet he’s barely in the film. he pops up for a couple of forgettable lines and then vanishes. if you’re hoping to see some serious acting chops from either of them, you’re in for a disappointment. I didn’t even finish the whole thing. stopped right at the church part because at that point, I was done. the movie just kept adding more nonsense without any payoff. I wanted to see something meaningful or at least entertaining, but instead, I got a jumbled mess. watching this movie in this dubbed form? it’s a no from me. maybe, just maybe, the original Mandarin version is better, but I wouldn’t put money on it (not to mention this movie is banned in China). it’s just not worth the headache.

poster & stills credit: IMDb edited using canva

[fununtitled]

Hoshin Engi - Funny Manga with Political Drama and terrible Anime - FunUntitled Review

Aloha Doshi! Minty briefly goes over the series Hoshin Engi (a weird fusion of Japanese manga and Chinese novel). Manga is funny and ridiculous but also has political drama and DEATH. Also the 2018 anime adaptation is one of the worst

You can use our Linktree to choose which site you'd like to listen to our newest Podcast episode such as Spotify and YouTube!

[rifki16]

At 25:00, in Akasaka

Picture credit : https://www.animenewsnetwork.com/news/2024-03-08/at-25-00-in-akasaka-boys-love-manga-gets-live-action-series/.208429

At 25:00, in Akasaka manga review

In anticipation of the Live-Action series next month, I want to review the manga of the show.

Synopsis: Yuki Shirasaki, a B/C tier actor, finally landed a drama role with the superstar Asami Hayama. Both will play gay lovers in an upcoming drama. However, Shirasaki found himself unable to act properly for he is a virgin. And he ended up asking his superstar costar to “help” him play the role.

Years published : 2019 – ongoing

Volumes that I reviewed : 3 volumes, albeit that there are 4 volumes

SPOILERS DUH.

The plot aspect

Question of consent

In the first chapter, we are already exposed to a question of how to affirm consent. Shirasaki ended up having Asami at his place after the usual after-work hang. One thing led to another, Asami ended up in the same bed with Shirasaki and he is drunk, I think to the extent of blackout drunk. Asami wanted to have sex with his costar, even though he was drunk. As this is a Japanese BL manga, as predicted, lust took over and Asami ended up having sex with his coworker, non-penetrative sex. The next day, Asami regretted having sex with Shirasaki because he was drunk.

This manga doesn’t really stray away from the several Japanese steamy bl mangas – that I have read or watched – which have floated the question of how to give consent. This particular manga, imo, is more mindful, comparatively, to the question of consent. Most of the times, usually, the inebriated penetrator of the sex will just simply say “but you like it didn’t you?” I guess it’s a fresh take on it. Asami gave some form of remorse. There was also a scene after Asami and Shirasaki became sex partners in which, Shirasaki was drunk and horny, Asami refused to have sex with him at first, but then, of course, lust took over and Asami agreed to have sex with Shirasaki.

The manga was also the first work where I encountered, I don’t know how else to put it, a top being robbed of his consent by a bottom. It was after the two of them have become sex partners. Asami has finally fucked Shirasaki with his penis. The series that they’re working together with is about to end. Asami was fingering Shirasaki as usual. However, Shirasaki wanted more even though he has cum twice. Asami kept brushing off the request by Shirasaki to fuck him using his penis. Then, Shirasaki just ride his dick.

A lot of people that I had conversations with said to me that tops can’t process consent. That it is in our nature to always be in the mood and do it. What a load of dung. No, we don’t. It’s just very hurtful to see Asami being denied the opportunity to have a say. And many people will say, well, Asami didn’t try to stop it. I don’t know how to respond to that, I think there must be other way, mid coitus, to affirm that Asami was enjoying it, without the idea of “well, you didn’t resist”. I guess the way that Asami eventually took control of the sex was an indication that he was enjoying it as well.

I’m not saying that Shirasaki is the only horndog in this manga, there were also many times when Asami had sex with Shirasaki even though he already said no. Mostly because they were still in the studio haha.

How to be a good actor

So, this show actually delved into what constitutes a good acting. However, as a non actor myself, I really don’t know how to produce one, and to be quite frank, the manga doesn’t make me understand what a good acting is, even more than what I already had known – good acting is convincing. However, this manga explained more what actors do than Help I’m Being Harassed by the Sexiest Man of the Year (2018).

This manga also used the trope of “well, I’m just doing this to get into my character” like the one in I Became the Main Role of a BL Drama (2023). I have not read the manga of said show, but imo, At 25:00, in Akasaka transitioned more smoothly for the supposed “costars” from “doing it just to get into the character” into being a real lovey-dovey couple. The end of the first volume I think was well done in making the transition.

This manga has the common Japanese BL manga trope of long-lost love. Asami actually had met and a crush on Shirasaki during their undergrad time. After a show that Asami starred in and Shirasaki’s club organized, Asami had wanted to act because the show that he just had done was fun for him. When others had urged him to just go modelling, Shirasaki was the only one to encourage him to seek acting jobs. I think this little snippet of history was just cute.

I think it’s a bit weird that Asami started out as the aspiring model, yet, it’s Shirasaki, the one who has been in many plays, who needed to learn about acting. Huh? I don’t know why tho haha

Wires mixed up

I think dramas in general always use miscommunication as a trope. This drama is no exception. I think the way they did not overdo it. Most miscommunications are done in a 3-chapter period. The first time they used it in making Asami confessed his love to Shirasaki, mid coitus, I understand. The other times were when Shirasaki was in the slumps and couldn’t act well for a play that he got casted in after the drama, both the series and film, became a hit, he one-sidedly decided not to see Asami because he wanted to see whether he can be an independent man who doesn’t need no man, but in the end, he still saw him lol. During this slump period as well, he met with Asami’s queer friend whom Shirasaki thought was also his ex. But then, it got cleared up. No notes on the use of this trope.

Japanese media industry

I really don’t know how the industry works there in terms of queer actors. I don’t know any out and proud actors and/or celebrities. I don’t know whether queer people are systemically, behind closed doors – not through laws, persecuted from working in the media industry. The reason why I brought this up is because Asami was semi-out. People know and see him in the gay districts. Of course, some people still are in denial that he is straight. But my point is, even though he got spotted in gay bars or districts, he still got casted. Yet, Shirasaki still didn’t want people to know that he moved in with Asami. He just made rumours that he moved in to the *same* building of Asaki. My perception of celebrity idolization in Japan is that, Japanese people always respect the stars’ private lives. So, why do they care if one of their stars is gay? I don’t know, I haven’t read more on queer persecution in the Japanese media industry.

Surprisingly, there’re no tabloid vultures here. I don’t know why. In Help I’m Being Harassed by the Sexiest Man Alive (2018), the vulture actually outed the couple. This manga doesn’t really see outing as a credible threat to their career. I don’t know why.

One gay, one still figuring things out

What is it with Japanese BL works, many of them have this trope of a couple, one being proudly gay, the other being still figuring things out. Although I love you, and you? Perfect Propose, Tokyo in April is…, Jack-o-frost (technically), arguably Love is Better the Second Way Around all have this trope. Why is that so? I mean, as a gay man myself, I’m not that offended by this trope. I have read some queer arguments that lesbian representation has always been this one very predatory lesbian against a non-lesbian woman. I don’t think that the non-gay person feels like they’re being groomed or anything. It’s just that in most Japanese BL shows, even after their crush said no, the one who has the crush still tries to make moves and try to make them like the crush-haver back. I don’t know man, as someone who watches heavily western media, it’s just not right to keep coming on your crush even after they have said no. And I agree with that. Being friends is not a bad thing.

Queer representation?

So, this manga actually has a crossdresser as a part of a character in the drama that Asami and Shirasaki star in. But there was no discussion as to how the actor plays in it, he just says that he likes getting more popular. The last volume actually featured the androgynous dominant personality having friend of Asami, the one who owns the gay bar where he also frequents in. However, we don’t really get more of his character, other than he uses he/him pronouns and he is a verse? Not that good of character use, I hope that the character actually has more roles in the next chapters.

My Expectations

No, not that much. This manga is quite explicit. And its explicitness is central to the plot. I doubt, in my heart of hearts, doubt severely that they can execute this like the manga portrays them. Tokyo in April is… is such a great show, but they really miss the mark so much compared to the manga, and I still love it immensely. Cornered Mouse Dreams of Cheese was quite explicit, but not as explicit as the manga, yet I still love it. I am hopeful for the series next month. Can’t wait!

[waitmyturtles]

Ichigeki review! And you almost will certainly ask, what, my dear, is an Ichigeki? Yes, I will explain:

I’m still on my little Machida Keita/Akaso Eiji rabbithole kick, simply because I cannot shake Cherry Magic from my existence, and I’ve been pretty vocal about how disappointed I’ve been in some of Machida’s more normie/cishet roles, simply because I don’t think the scripts leverage his range. (This does not quite apply to Akaso, as I think....shhhh... that Akaso is the stronger actor, and he’s had a lot better roles thrown at him more recently, including Maiagare, Ishiko to Haneo, and Hiru.) Three Star Bar in Nishi Ogikubo was actually better than Machida’s other, more recent cishet roles, as Super Rich and Teppachi really fell flat. 

However, I ABSOLUTELY loved his work in 2018′s Life as a Girl, which was prior to Cherry Magic, and I think that show was a nice preemptor to showcasing the chops that he threw down, along with Akaso, in CM. 

So my review of Life as a Girl touched upon how I learned about the show -- through Tumblr, obviously, as a “based on your likes” recommendation post that called Machida’s character in the show a “himbo,” and of course, that’s going to pique my interest. Really quickly, because I’ve already written about this, but Machida’s character in Life as a Girl was as a bumbling classmate to the main character, played by Shison Jun, who is in the process of transitioning to female.

Machida nailed himbo very well. Slightly physical comedy, demonstrating a range of emotions that went into and out of the bumbling, supposedly masculine role that he inhabited. He wove in and out of this structure of being the masculine man next to his classmate that was formerly a man -- he nailed that balance as a means of offering tremendous compassion and companionship to his close friend. I loved it.

So anyway, why am I bringing this all up? It’s because he was GREAT in Ichigeki. 

Ichigeki (one strike/one kill) is a manga about a peasant-turned-samurai in the last year of the Edo period, 1867, who joins a group of villagers assigned to disrupt another group of samurais who are involved in warring factions with the Shogunate. NHK dramatized this manga earlier this month as an hour-and-a-half Japanese New Year’s special.

I usually just don’t do period dramas -- in part because I feel really guilty that I’m not deeply familiar with Japan or Korea’s history (although my VERY, VERY FIRST K-drama EVER was Dae Jo-young, which an ex-boyfriend got me into, l.o.l.). And as well, the previews for this New Year’s special didn’t quite give an indication into how the material would be treated -- was it going to be heavy-handed serious, an ode to past history with a sad ending, kind of dull and boring and condescendingly educational?

No -- it was SO GOOD! I’m not sure if the manga was written this way, but this special had a LOT of comedy in it. I truly did not know what to expect -- the show is led by an EXCELLENT Sometani Shota as a stout villager, dealing with his moral and ethical inhibitions regarding fighting for wealthy lords who don’t give a shit about his life or of those of his team. And Machida plays a character named Ichi (not related to the title of the show), an overconfident villager who finally finds a path out of his impoverished life by way of hopefully becoming a samurai -- all at a time where the samurai are literally about to become extinct.

The show is structured as being told by a Japanese storyteller, and again, I really don’t know that much about the tradition behind this kind of storytelling, and I wish I did -- but if there are poop jokes, badass women fighters, lots of sake, and many shirtless dudes, well, then, I’m all in, fam. It was a VERY digestible and fun watch, and I highly recommend finding and watching it. Machida was in classic himbo mode, lots of comedy and brashness, and he nailed his role hilariously. The entire cast was great. (Including this guy, Kudo Asuka, who was also in Teppachi with Machida -- and he’s a motherfucking FARMER! A farmer-actor! We need more farmer-actors.)

If you’re still in a holiday mood, go watch Ichigeki, it was really good and a nice interruption to the usual-usual. I hope Machida’s next dorama, which will be Fixer on WOWOW in the spring, allows him to expand out of himbo and give him the kind of dramatic step that Akaso has now had in a few shows himself. We shall see -- fingers crossed. Love the Cherry Magic dudes so much.

[yurimother]

Yuri School Drama 'Failed Princesses' Volume 5 Released in English

The fifth volume in Ajiichi's school Yuri drama series Failed Princesses (Dekisokonai no Himegimi Tachi) was released in English by Seven Seas Entertainment on April 5. The sixth and final volume in the series will be published in October.

Failed Princesses follows wallflower student Kurokawa Kanade and the super popular Fujishiro Nanaki. Initially disgusted by Kanade, Nanaki does a complete turnaround after finding out her boyfriend is cheating on her. The former enemies turn into unlikely friends and more as their relationship develops and deepens.

The publisher describes the 5th volume:

With the school trip over, the girls have returned to their normal school lives...or have they? When Kurokawa runs into a boy she knows from her childhood, things turn interesting fast. Just what does her childhood friend mean when he says he wants to "meet up"

Failed Princesses was serialized on Manga Life STORIA Dash from 2018 until its conclusion in 2021. Takeshobo publishes six volumes of the manga in Japanese. It is translated into English by Angela Liu.

Failed Princesses has received favorable reviews from critics. YuriMother reviewed the manga's first volume and awarded it a score of 7/10, comparing it to classic Yuri series like Girl Friends.

Ajiichi is a Japanese mangaka known for her Yuri works. She has contributed to Yuri anthologies Rogue and Yuri Drill. Another of her series, I Love Yuri and I Got Bodyswapped With a Fujoshi! (Ore ga Fujoshi de Aitsu ga Yuriota de) is published in English by J-Novel Club.

You can check out the fifth volume of Failed Princesses today digitally and in paperback here: https://amzn.to/3x8VXIU

Reading official releases helps support creators and publishers. YuriMother makes a small affiliate commission from sales to help fund future coverage.

[potteresque-ire]

🏳️‍🌈 Rec post!! A queer film + a queer TV series from Hong Kong ~

1) Twilight’s Kiss (叔·叔) (Dir. Ray Yeung 楊曜愷; 2019)

Twilight’s Kiss offers a very realistic depiction of two elderly, in-the-closet gays in Hong Kong, who have dedicated their lives building a conventional family before unexpectedly falling in love with each other. It is a quiet film, and the romance is told in the same subtle manner as love is expressed (and not expressed) in their generation. The actors were phenomenal at playing regular Hong Kong men of their age (Pak mentioned he “came to Hong Kong”, ie, he was a refugee from Mao’s China, as the vast majority of his demographics was), which added to the resonance of the story ~ they could’ve been anyone, and anyone could’ve been them. 

The director of the film, Ray Yeung, is an openly gay man.

(Long review: Hollywood Reporter) Streaming link to film (with English subtitles; pls ignore and close the pop-up window)

2) Ossan’s Love (大叔的愛) (2021)

The unlikely (and hilarious) love triangle between Muk (Left), Tin (Center) and KK (Right) in Ossan’s Love.

For those who found the name familiar, it’s because the series is a (faithful) remake of the popular 2018 Japanese series of the same name. The Hong Kong version is longer (15 episodes; ~ 40 min each) compared to the Japanese original, and its mood is cheerier, sweeter, and also ... more BL, with the lead characters Tin (Haruta in the original) and Muk (Maki in the original) played by two idols, Edan Lui 呂��安 and Anson Lo 盧瀚霆, from the very popular local boy band MIRROR.

(Being idols didn’t prevent them from kissing. Not in Hong Kong, 2021.) (Yes, they kissed, and hugged and fought and bantered...)

Ossan’s Love is culturally significant in that it became the first gay drama to be aired primetime in Hong Kong, and by extension, in China. Beloved by the locals, it was also very much discussed—hk-queers expressed their (surprised) joy that finally, they got to see a respectful, dignified presentation of who they are and how they love. More importantly, they got to see HKers, older generations included, glued to the TV for their kind of love story, rooting for the lead male characters to get together. 

This signifies a broader acceptance of LGBT+ in the city than previously assumed; this is very important and comforting to the community in June, 2021, when the future of LGBT+ rights in the city is very uncertain. After the 2019 protests, pro-democracy leaders have been arrested and jailed in large numbers; newspaper that advocated for freedom has been shut down. Meanwhile, during the airing of Ossan’s Love , the (in)famous pro-Beijing politician, Junius Ho, claimed the series to have violated the city’s much feared, much abused National Security Law—the law that officially aims to catch “traitors”, but has been used as a “catch-all” excuse to arrest political dissidents and suppress the freedoms of the city. Ho was of sufficient prominence that his words could draw the attention of officials who have been sent from across the mainland-HK border to do Beijing’s bidding.

Also, Ossan’s Love was produced not by the powerful, once popular TVB (local TV station), which, with Chinese investors becoming its major shareholders��like many other HK press and media companies, has become very pro-Beijing and conservative. The series was produced by ViuTV, a much smaller station preferred by young, pro-democracy Hong Kongers ... which means the future of the series, of its stars (MIRROR’s members are once-contestants of a ViuTV talent show), of even the station itself is also uncertain.

Hence, I’m recommending Ossan’s Love now ... even if the official version doesn’t have the best English subtitles. The full series is on Youtube (links below); the soundtrack is in Cantonese and (Traditional) Chinese subtitles are available, but English is only available via Youtube’s built-in Auto-Translate function. 

For those who would like to catch a short scene of two cute HK boys in love, the last 5 minutes of Ep 11 would be a nice place to watch. You can see how comfortable these two bandmates were with each other—Edan (Tin) had played two supporting roles before this series, while Anson (Muk) had never acted before. Edan and Anson have claimed that being close friends in RL meant their intimate scenes were easy to film (BTW, Anson is gay, Edan isn’t).

Edan Lui (Left) & Anson Lo (Right), Harper's Bazaar HK, May 2021. Edan was a uni student before joining hk-ent. Anson was a dance instructor.

(You can also see why, when I watched the Gg + Dd Happy Camp episode very, very early on in my turtlehood, I assumed Gg and Dd would have ample opportunities to work together again, to play and be happy in front of the camera ... just like how I remembered on-screen couples from my days in HK—the couples, the CPs of the time, would collaborate repeatedly after having demonstrated chemistry and become commercial success—in film and TV projects, in variety shows, in awards ceremonies as presenting guests etc etc. This multi-project collaboration was, and still is, viewed as a Very Good Thing, and not only for commercial reasons. The inter-personal fate (緣份) to play on-screen couples repeatedly, per the tradition of HK-ent, is something of a blessing, talked about as a small-scale version of having the destiny, the luck to be together across multiple lives, multiple incarnations. Actors treasure this kind of collaboration and the HK audience celebrates it, regardless of the marital status of the actors in RL. Entertainment news dedicate articles about it.) (There’s actually an example of that in Ossan’s Love: Kenny Wong 黃德斌, the actor who played the titular Ossan, KK, and Rachel Kan 簡慕華, who played his wife Francesca, had already played husband and wife three times before. Rachel had retired from acting in 2017 and moved to Canada; she told reporters that she returned to shoot Ossan’s Love primarily so that she could play Kenny’s wife again).

* Below is a small warning for Ossan’s Love ~ *

The humour of Ossan’s Love is often wild and zany, especially where it adapts from the Japanese original. Some of it, i-fandomers may find uncomfortable. Notably, the titular Ossan (Japanese, meaning “Older Man”) was Tin and Muk’s boss; and he and Darren, another superior of Tin and Muk, were also part of the romantic story line.

One can argue, therefore, that Ossan’s Love contains a *very* “Me Too” situation; however, this is also why I find Ossan’s Love interesting beyond being a Chinese-speaking gay drama—it is clear that the production team of this series meant no disrespect, and from the series’ reception, it’s also clear that hk-queers and other more progressive members among the audience didn’t see disrespect in the product. This series therefore offers a glimpse to the answers of some questions I’ve had: how does Hong Kong of 2021 translate respect for queers (as well as for older men and women) into day-to-day words and actions? How do these culturally-specific habits in speech and behaviour compare to the norms in, for example, the United States (that I’m familiar with)?

“Political incorrectness” was also found in some of Tin’s internal monologue. However, I thought, perhaps, that was why the series has proven to be disarming to the general audience both in HK and Japan, places with a tradition of homophobia stemming often not from malice, but from ignorance, from sex being considered taboo for so much of the places’ history. Tin, as someone who haven’t seemed to have spared a thought about homosexuality before the story had taken place, spoke the minds of the audiences who aren’t familiar with homosexuality. Muk, meanwhile, presented the perspective of someone who already understood what being gay was and wasn’t about. Tin, therefore, led the audience towards Muk and his views step by step, all the while without being judgemental—how could he be? He was one of them too during his journey. He was the student, and he was also the protagonist who everyone—and I mean everyone—loved (in a rather funny manner :D). 🌈

(Long review: BLwatcher)

Links to Ossan’s Love, official version uploaded by ViuTV: EP 1 EP 2 EP 3 EP 4 EP 5 EP 6 EP 7 EP 8 EP 9 EP 10 EP 11 EP 12 EP 13 EP 14 EP 15

ETA 2021/09/16: Streaming with English subtitles is available here.

[shihalyfie]

Hi :) If it's not too much trouble, could you please share your take on why they'd continue the Adventure brand after tri. was such a flop? (and a tangent: what does "dark history" even mean?). We got Kizuna, the reboot, and a 02 movie. Logically, it doesn't really make sense they'd keep investing in it.

This is a thorny topic, and I'd like to reiterate that although I've ended up making more posts related to this series and the discourse surrounding it recently (probably because it's even more on the mind now that another movie is on the horizon and a lot of people are apprehensive for various reasons), I do not want this blog to be making a brand out of being critical of this series. I’m writing this here and in public because I figured that there is a certain degree I need to clarify what I mean about audience reception/climate and how it might impact current or future works, and I’m admittedly also more than a little upset that I occasionally see Western fanbase criticisms of the series getting dismissed by people claiming that the only people mad about it are dramamongering or ignorant Westerners (which could not be further from the truth). However, this is mainly to address this and to answer your question, and is not intended to try and change anyone's existing opinion or impression of the series as much as it's me trying to explain (from my own personal reading of the situation) what practically went down with critical reception in real life; no more, no less.

The short summary of the matter is:

The series was a moderate financial success (albeit with some caveats; see the long version for details) and definitely outstripped a lot of prior attempts to revive the franchise;

However, the overall Japanese fanbase-side critical backlash from tri. was extremely and viciously negative to the point where even acknowledging the series too much could easily result in controversy;

Kizuna’s production and the PR surrounding it very obviously have this in mind with a lot of apparent “damage control” elements.

The long version is below.

Note that while I try to be diligent about citing my sources so people understand that I’m not just making things up wholesale, I’m deliberately refraining from linking certain things here this time, both because some of the things mentioned have some pretty crude things written there -- it’s not something I feel comfortable directing people to regardless of what language it’s in -- and because I don’t want to recklessly link things on social media and cause anyone to go after or harass the people involved. For the links that have been provided, please still be warned that some of them don’t really link to particularly pleasant things.

I am not writing the following information to suggest that anyone should agree or disagree with the sentiments being described. I know people tend to take "a lot of people like/hate this" as a signal of implication "it is correct to like/hate this" when it's not (and I especially dislike the idea of implying that Japanese fanbase opinions are the only correct ones). There's a reason I focus on "critical reception being this way" (because it influences marketing decisions and future direction) rather than how much this should impact one's personal feelings; this is coming from myself as someone who is shamelessly proud of liking many things that had bad critical reception, were financial failures, or are disliked by many. As I point out near the end, the situation also does seem to be changing for the better in more recent years as well.

Also, to be clear, I'm a single person who's observing everything best I can from my end, I have no affiliations with staff nor do I claim to, and as much as I'm capable of reading Japanese and thus reading a lot of people's impressions, I'm ultimately still another “outsider” looking in. These are my impressions from my observation of fan communal spaces, following artists and reading comments on social media and art posting websites, and results from social media searches. In the end, I know as much as anyone else about what happened, so this is just my two cents based on all of my personal observations.

A fanbase is a fanbase regardless of what part of the world you're from. There are people who love it and are shameless about saying so. There are people who have mixed feelings or at least aren't on extreme ends of the spectrum (as always, the loudest ones are always the most visible, but it's not always easy to claim they're the predominant percentage of the fanbase). That happens everywhere, and I still find that on every end I've seen. However, if I'm talking about my impressions and everything I’ve encountered, I will say that the overall Japanese reaction to tri. comes off as significantly more violently negative on average than the Western one, which is unusual because often it's the other way around. (I personally feel less so because the opinions are that fundamentally different and more so because we're honestly kind of loud and in-your-face people; otherwise, humans are mostly the same everywhere, and more often than not people feel roughly the same about everything if they’re given the same information to work with.)

This is not something I can say lightly, and thus would not say if I didn’t really get this impression, but...we're talking "casually looking up movie reviews for Kizuna have an overwhelming amount of people casually citing any acknowledgment of tri. elements as a negative element", or the fact that even communal wikis for "general" fandoms like Pixiv and Aniwota don't tend to hold back in being vicious about it (as of this writing, Pixiv's wiki refuses to consider it in the same timeline as Adventure, accusing it of being "a series that claims to be a sequel set three years after 02 but is in fact something different"). Again, there are people who openly enjoy it and actively advocate for it (and Pixiv even warns people to not lord over others about it condescendingly because of the fact that such people do exist), and this is also more of a reflection of “the hardcore fanbase on the Internet” and not necessarily the mainstream (after all, there are quite a few other Digimon works where the critical reception varies very heavily between the two). Nevertheless, the take-home is that the reputation is overall negative among the Internet fanbase to the point that this is the kind of sentiment you run into without trying all that hard.

I think, generally speaking, if we're just talking about why a lot of people resent the series, the reasons aren't that different from those on the Western side. However, that issue of "dark history" (黒歴史): there's a certain degree of demand from the more violently negative side of the fanbase that's, in a sense, asking official to treat it as a disgrace and never acknowledge it ever again, hence why Kizuna doing so much as borrowing things from it rather than rejecting it outright is still sometimes treated like it’s committing a sin. So it's somewhat close in spirit to a retcon movement, which is unusual because no other Digimon series gets this (not even 02; that was definitely a thing on the Western end, but while I'm sure there are people who hate it that much on their end too, I've never really seen it gain enough momentum for anyone to take it seriously). If anyone ever tells you that Japanese fanbases are nice to everything, either they don't know Japanese, are being willfully ignorant, or are lying to you, because there is such thing as drama in those areas, and in my experience, I've seen things get really nasty when things are sufficiently pushed over the edge, and if a fanbase wants to have drama, it will have drama. This happens to be one of those times.

(If you think this is extreme, please know that I also think so too, so I hope you really understand that me describing this sentiment does not mean I am personally endorsing it. Also, let me reiterate that the loudest section of the fanbase is not necessarily the predominant one; after all, as someone who’s been watching reactions to 02 over the years, I myself can attest that its hatedom has historically made it sound more despised than it actually is in practice.)

My impression is that the primary core sentiment behind why the series so much as existing and being validated is considered such an offense (rather than, say, just saying "wow, that writing was bad" and moving on) is heavily tied to the release circumstances the series came out in during 2015-2018, and the idea that "this series disrespected Adventure, and also disrespected the fanbase.” (I mean, really, regardless of what part of the world you’re from, sequels and adaptations tend to be held to a higher bar of expectation than standalone works, because they’re expected to do them justice.) A list of complaints I’ve come across a lot while reading through the above:

The Japanese fanbase is pretty good at recordkeeping when it comes to Adventure universe lore, partially because they got a lot of extra materials that weren’t localized, but also partially because adherence to it seems to generally be more Serious Business to them than it is elsewhere. For instance, “according to Adventure episode 45, ‘the one who wishes for stability’ (Homeostasis) only started choosing children in 1995, and therefore there can be no Chosen Children before 1995” is taken with such gravity that this, not anything to do with evolutions or timeline issues, is the main reason Hurricane Touchdown’s canonicity was disputed in that arena (because Wallace implies that he met his partners before 1995). It’s a huge reason the question of Kizuna also potentially not complying to lore came to the forefront, because tri. so flagrantly contradicts it so much that this issue became very high on the evaluation checklist. In practice, Kizuna actually goes against Adventure/02 very little, so the reason tri. in particular comes under fire for this is that it does it so blatantly there were theories as early as Part 1 that this series must take place in a parallel universe or something, and as soon as it became clear it didn’t, the resulting sentiment was “wow, you seriously thought nobody would notice?” (thus “disrespecting the audience”).

A lot of the characterization incongruity is extremely obvious when you’re following only the Japanese version, partially because it didn’t have certain localization-induced characterization changes (you are significantly less likely to notice a disparity with Mimi if you’re working off the American English dub where they actually did make her likely to step on others’ toes and be condescending, whereas in Japanese the disparity is jarring and hard to miss) and partially due to some things lost in translation (Mimi improperly using rough language on elders is much easier to spot as incongruity if you’re familiar with the language). Because it’s so difficult to miss, and honestly feels like a lot of strange writing decisions you’d make only if you really had no concept of what on earth happened in the original series, it only contributes to the idea that they were handling Adventure carelessly and disrespectfully without paying attention to what the series was even about (that, or worse, they didn’t care).

02 is generally well-liked there! It’s controversial no matter where you go, but as I said earlier, there was no way a retcon movement would have ever been taken seriously, and the predominant sentiment is that, even if you’re not a huge fan of it, its place in canon (even the epilogue) should be respected. So not only flagrantly going against 02-introduced lore but also doing that to a certain quartet is seen as malicious, and you don’t have as much of the converse discourse celebrating murdering the 02 quartet (yeah, that’s a thing that happened here) or accusing people with complaints of “just being salty because they like 02″ as nearly as much of a factor; I did see it happen, or at least dismissals akin to “well it’s Adventure targeted anyway,” but they were much less frequent. The issue with the 02 quartet is usually the first major one brought up, and there’s a lot of complaints even among those who don’t care for 02 as much that the way they went about it was inhumane and hypocritical, especially when killing Imperialdramon is fine but killing Meicoomon is a sin. Also, again, “you seriously think nobody will see a problem with how this doesn’t make sense?”

I think even those who are fans of the series generally agree with this, but part of the reason the actual real-life time this series went on is an important factor is that the PR campaign for this series was godawful. Nine months of clicking on an egg on a website pretending like audience participation meant something when in actuality it was blatantly obvious it was just a smokescreen to reveal info whenever they were ready? This resulted in a chain effect where even more innocuous/defensible things were viewed in a suspicious or negative light (for instance, "the scam of selling the fake Kaiser's goggles knowing Ken fans would buy it only to reveal that it's not him anyway"), and a bunch of progressively out-of-touch-with-the-fanbase statements and poor choices led to more sentiment “yeah, you’re just insulting the fanbase at this point,” and a general erosion of trust in official overall.

On top of that, the choice of release format to have it spread out as six movies over three years seems to have exacerbated the backlash to get much worse than it would have been otherwise, especially since one of the major grievances with the series is that how it basically strung people along, building up more and more unanswered questions before it became apparent it was never going to answer them anyway. So when you’re getting that frustrated feeling over three whole years, it feels like three years of prolonged torture, and it becomes much harder to forgive for the fallout than if you’d just marathoned the entire thing at once.

For those who are really into the Digimon (i.e. species) lore and null canon, while I’m not particularly well-versed in that side of the fanbase, it seems tri. fell afoul of them too for having inaccurately portrayed (at one point, mislabeled) special attacks and poorly done battle choreography, along with the treatment of Digimon in general (infantilized Digimon characterization, general lack of Digimon characters in general, very flippant treatment of the Digital World in Parts 3-5). If you say you’re going to “reboot” the Digital World and not address the entire can of worms that comes with basically damaging an entire civilization of Digimon, as you can imagine, a lot of people who actually really care about that are going to be pissed, and the emerging sentiment is “you’re billing this as a Digimon work, but you don’t even care about the monsters that make up this franchise.”

The director does not have a very positive reputation among those who know his work (beyond just Digimon), and in general there was a lot of suspicion around the fact they decided to get a guy whose career has primarily been built on harem and fanservice anime to direct a sequel to a children’s series. Add to that a ton of increasingly unnerving statements about how he intended to make the series “mature” in comparison to its predecessor (basically, an implication that Adventure and 02 were happy happy joy series where nothing bad ever happened) and descriptions of Adventure that implied a very, very poor grasp of anything that happened in it: inaccurate descriptions of their characters, poor awareness of 02′s place in the narrative, outright saying in Febri that he saw the Digimon as like perpetual kindergartners even after evolving, and generally such a flippant attitude that it drove home the idea that the director of an Adventure sequel had no respect for Adventure, made this series just to maliciously dunk on it for supposedly being immature, and has such a poor grasp of what it even was that it’s possible he may not have seen it in the first place (or if he did, clearly skimmed it to the extent he understood it poorly to pretty disturbing levels). As of this writing, Aniwota Wiki directly cites him as a major reason for the backlash.

In general, consensus seems to be that the most positively received aspect of the series (story-wise) was Part 3 (mostly its ending, but some are more amenable to the Takeru and Patamon drama), and the worst vitriol goes towards Parts 2 (for the blatantly contradictory portrayal of Mimi and Jou and the hypocritical killing of Imperialdramon) and 4 (basically the “point of no return” where even more optimistic people started getting really turned off). This is also what I suspect is behind the numbers on the infamous DigiPoll (although the percentage difference is admittedly low enough to fall within margin of error). However, there was suspicion about the series even from Part 1, with one prominent fanartist openly stating that it felt more like meeting a ton of new people than it did reuniting with anyone they knew.

So with all of that on the table: how did this affect official? The thing is that when I say “violently negative”, I mean that also entailed spamming official with said violently negative social media comments. While this is speculation, I am fairly certain that official must have realized how bad this was getting as early as between Parts 4 and 5, because that’s where a lot of really suspicious things started happening behind the scenes; while I imagine the anime series itself was now too far in to really do anything about it, one of the most visible producers suddenly vanished from the producer lineup and was replaced by Kinoshita Yousuke, who ended up being the only member of tri. staff shared with Kizuna (and, in general, the fact that not a single member of staff otherwise was retained kind of says a lot). Once the series ended in 2018 and the franchise slowly moved into Kizuna-related things, you might notice that tri.-branded merch production almost entirely screeched to a halt and official has been very touchy about acknowledging it too deeply; it’s not that they don’t, but it’s kind of an awfully low amount for what you’d think would be warranted for a series that’s supposed to be a full entry in the big-name Adventure brand.

The reason is, simply, that if they do acknowledge it too much, people will get pissed at them. That’s presumably why the tri. stage play (made during that interim period between Parts 4 and 5 and even branded with the title itself) and Kizuna are really hesitant to be too aggressive about tri. references; it’s not necessarily that official wants to blot it out of history like the most extreme opinions would like them to, but even being too enthusiastic about affirming it will also get them backlash, especially if the things they affirm are contradictory to Adventure or 02. And considering even the small references they did put in still got them criticism for “affirming” tri. too much, you can easily see that the backlash would have been much harder if they’d attempted more than that; staying as close as possible to Adventure and 02 and trying to deal with tri. elements only when they’re comparatively inoffensive was pretty much the “safe” thing to do in this scenario (especially since fully denying tri. would most certainly upset the people who did like the series, and if you have to ask me, I personally think this would have been a pretty crude thing to have done right after the series had just finished). Even interviews taken after the fact often involve quickly disclaiming involvement with the series, or, if they have to bring up something about it, discussing the less controversial aspects like the art (while the character designs were still controversial, it’s at least at the point where some fanartists will still be willing to make use of them even if they dislike the series, albeit often with prominent disclaimers) or the more well-received parts of Part 3; Kizuna was very conspicuously marketed as a standalone movie, even if it shared the point of “the Adventure kids, but older” that tri. had.

(Incidentally, the tri. stage play has generally been met with a good reputation and was received well even among people who were upset with the anime, so it was well-understood that they had no relation. In fact, said stage play is probably even better received than Kizuna, although that’s not too surprising given the controversial territory Kizuna goes into, making the stage play feel very play-it-safe in comparison.)

So, if we’re going to talk about Kizuna in particular: tri. was, to some degree, a moderate financial success, in the sense that it made quite a bit of money and did a lot to raise awareness of the Digimon brand still continuing...however, if you actually look at the sales figures for tri., they go down every movie; part of it was probably because of the progressively higher “hurdle” to get into a series midway, but consider that Gundam Unicorn (a movie series which tri.’s format was often compared to) had its sales go up per movie thanks to word of mouth and hype. So while tri. does seem to have gotten enough money to help sustain the franchise at first, the trade-off was an extremely livid fanbase that had shattered faith in the brand and in official, and so while continuing the Adventure brand might still be profitable, there was no way they were going to get away with continuing to do this lest everything eventually crash and burn.

Hence, if you look at the way Kizuna was produced and advertised, you can see a lot of it is blatantly geared at addressing a lot of the woes aimed at tri.: instead of the staff that had virtually no affiliation with Toei, the main members of staff announced were either from the original series (Seki and Yamatoya) or openly childhood fans, the 02 quartet was made into a huge advertising point as a dramatic DigiFes reveal (and character profies that tie into the 02 epilogue careers prominently part of the advertising from day one), and they even seemed to acknowledge the burnout on the original Adventure group by advertising it so heavily as “the last adventure of Taichi and his friends”, so you can see that there’s a huge sentiment of “damage control” with it. How successful that was...is debatable, since opinions have been all over the board; quite a few people were naturally so livid at what happened with tri. that Kizuna was just opening more of the wound, but there were also people who liked it much better and were willing to acknowledge it (with varying levels of enthusiasm, some simply saying “it was thankfully okay,” and some outright loving it), and there was a general sentiment even among those who disliked both that they at least understood what Kizuna was going for and that it didn’t feel as inherently disrespectful. (Of course, there are people who loved tri. and hated Kizuna, and there are people who loved both, too.)

Moreover, Kizuna actually has a slightly different target audience from tri.; there’s a pretty big difference between an OVA and a theatrical movie, and, quite simply, Kizuna was made under the assumption that a lot of people watching it may not have even seen tri. in the first place. An average of 11% of the country watched Adventure and 02, but the number of people who watched tri. is much smaller, in part due to the fact that its “theater” screenings were only very limited screenings compared to Kizuna being shown in theaters in Japan and worldwide, and in part due to the fact that watching six parts over three years is a pretty huge commitment for someone who may barely remember Digimon as anything beyond a show they watched as a kid, and may be liable to just fall off partway through because they simply just forgot. (Which also probably wasn’t helped by the infamously negative reputation, something that definitely wouldn’t encourage someone already on the fence.) And that’s yet another reason Kizuna couldn’t make too many concrete tri. references; being a theatrical movie, it needs to have as wide appeal as possible, and couldn’t risk locking out an audience that had a very high likelihood of not having seen it, much less to the end -- it may have somewhat been informed by tri.’s moderate financial success and precedent, but it ultimately was made for the original Adventure and 02 audience more than anything else.

I would say that, generally, while Kizuna is “controversial” for sure, reception towards the movie seems to be more positive than negative, it won over a large chunk of people who were burned out by tri., and it clearly seems to have been received well enough that it’s still being cashed in on a year after its release. The sheer existence of the upcoming 02-based movie is also probably a sign of Kizuna’s financial and critical success; Kinoshita confirmed at DigiFes 2020 that nothing was in production at the time, and stated shortly after the movie’s announcement that work on it had just started. So the decision to make it seems to have been made after eyeing Kizuna’s reception, and, moreover, the movie was initially advertised from the get-go with Kizuna’s director and writer (Taguchi and Yamatoya), meaning those two have curried enough goodwill from the fanbase that this can be used to promote the movie. (If not, you would think that having and advertising Seki would be the bigger priority.) While this is my own sentiment, I am personally doubtful official would have even considered 02 something remotely profitable enough on its own to cash in on if it weren’t for this entire sequence of events of 02′s snubbing in tri. revealing how much of a fanbase it had (especially with the sheer degree of “suspicious overcompensation” Kizuna had with its copious use of the 02 quartet and it tagging a remix of the first 02 ED on the Hanareteitemo single, followed by the drama CD and character songs), followed by Kizuna having success in advertising with them so heavily. Given all of the events between 2015 and now, it’s a bit ironic to see that 02 has now become basically the last resort to be able to continue anything in the original Adventure universe without getting too many people upset at them about it.

The bright side coming out of all of this is that, while it’s still a bit early to tell, now that we’re three years out from tri. finishing up and with Kizuna in the game, it seems there’s a possibility for things improving around tri.’s reception as well. Since a lot of the worst heated points of backlash against it have a very “you had to have been there” element (related to the PR, release schedule, and staff comments), those coming in “late” don’t have as much reason to be as pissed at it; I’ve seen at least one case of a fanartist getting back into the franchise because of Kizuna hype, watching tri. to catch up, casually criticizing it on Twitter, and moving on with their life, presumably because marathoning the whole thing being generally aware of what’ll happen in it and knowing Kizuna is coming after anyway gives you a lot less reason to be angry to the point of holding an outright grudge. Basically, even if you don’t like it, it’s much easier to actually go “yeah, didn’t like that,” not worry too much about it, and move on. Likewise, I personally get the impression that official has been starting to get a little more confident about digging up elements related to it. Unfortunately, a fairly recent tweet promoting the series getting put on streaming services still got quite a few angry comments implying that they should be deleting the scourge from the Internet instead, so there’s still a long way to go, but hopefully the following years will see things improve further...

In regards to the reboot, I -- and I think a lot of people will agree with me -- have a bit of a hard time reading what exact audience it’s trying to appeal to; we have a few hints from official that they want parents to watch it with their children, and that it may have been a necessary ploy in order to secure their original timeslot. So basically, the Adventure branding gets parents who grew up with the original series to be interested in it and to show it to their kids, and convinces Fuji TV that it might be profitable. But as most people have figured by now, the series has a completely different philosophy and writing style -- I mean, the interview itself functionally admits it’s here to be more action-oriented and to have its own identity -- and the target audience is more the kids than anything else. As for the Internet fanbase of veterans, most people have been critical of its character writing and pacing, but other than a few stragglers who are still really pissed, it hasn’t attracted all that much vitriol, probably because in the end it’s an alternate universe, it doesn’t have any obligation to adhere to anything from the original even if it uses the branding, and it’s clearly still doing its job of being a kids’ show for kids who never saw the original series nor 02, so an attempt to call it “disrespectful” to the original doesn’t have much to stand on. A good number of people who are bored of it decided it wasn’t interesting to them and dropped it without incident, while other people are generally just enjoying it for being fun, and the huge amount of Digimon franchise fanservice with underrepresented Digimon and high fidelity to null canon lore is really pleasing the side of the fanbase that’s into that (I mean, Digimon World Golemon is really deep in), so at the very least, there’s not a lot to be super-upset about.

[dramaintherain]

SHIN HYE SUN 🌟 || Korean Actors 200

After making her mind to become an actor in elementary school, Shin Hye Sun attended an acting academy in her middle school days, went to an art high school, and then majored in film art at university. It was such a clever and steadfast movement. Since she chose the right path over a shortcut, she debuted rather belatedly at age 25, through the TV series “School 2013″ (2013). However, hard work is never wasted. The actor is expanding her filmography faster than any other actors of her age.

In 2014, through “High School King of Savvy” (2014), Shin met Director Yoo Jewon, drama writers Yang Hee Seung and Cho Seong Hee. Associating with them, the actor could fill out her filmography with popular romantic comedies such as “Oh My Ghost” (2015), “She was Pretty” (2015), and “Still 17″ (2018). The weekend family drama “Five Enough” (2016) helped Shin to be recognized by a wide range of audiences. The actor was repeatedly sought after by staff members she worked with, probably because she is a reliable actor in many ways and has impressive acting chops as well.

Through the TV series “Stranger” (2017), Shin Hye Sun grew up as an actor one step further, performing with her senior actors representing Korea, such as Cho Seung Woo and Bae Doo Na, then made a turning point with the weekend drama “My Golden Life” (2017). Recording the mega-hit of the 45.1% of the viewer ratings, Shin won rave reviews for her delicate tear acting and emotional expression.

After her success on TV, Shin turned her eyes to the films, proving her possibility of the main actor who could lead the whole story by playing a lawyer who cut off her family to escape from the poverty in the film “Innocence” (2019). The actor successfully expressed the multi-dimensional emotions with which her character healed and grew in the process of clearing her mother of a false charge.

Above all, Shin’s best charm is her precise delivery of the lines, and that’s why she’s called a ‘diction fairy.’ In “Collectors” (2020), she acted not only in Korean but Chinese and Japanese with perfect pronunciations, drawing admiration from the audiences. We can see how solid Shin Hye Sun’s fundamental acting skills are, as an essential ability required of an actor. She has been devoted to acting based on sincerity and passion since childhood and is now at the centre of Korean movies. Therefore, we cheer for Shin Hye Sun’s future and look forward to her next work.

[radiowrites]

2021 Fic in Review

Tagged by @radio-chatter! Thank you! ^^

Hi, I’m RaisedonRadio & FortressofmyPast on AO3 and FF.net. This is a tradition going on for years! Check out my prior year end posts: 2020, 2019, 2018, 2017, 2016, 2015.

Total Number Of Completed Works: 2

Total Word Count: 4729

Fandoms I’ve Written In: Ghost Hunt (Japanese anime/manga), Memorist (Korean drama).

Looking Back, Did You Write More Fic Than You Thought You Would This Year, Less, Or About What You’d Expected?

Less. This past week I had hoped to finish another WIP, but instead I took the time to digitize a bunch of writing that had been trapped in notebooks. It was actually a lot of fun, there were so many stories I had forgotten about. But, do you know what this means? I ADDED SO MANY WIPs. -_-;; XD

What’s Your Own Favorite Story Of The Year?

I like them both for vastly different reasons.

Did You Take Any Writing Risks This Year?

I wrote for a fandom that only had two other fics in it - one in a language I don’t speak and one a crossover. It was fun because I had to know I was going into it with no anticipation of reader interaction. Truly had to write it because I wanted to.

Do You Have Any Fanfic Or Profic Goals For The New Year?

I’d definitely like to write more. Finish a few of these WIPs hanging around.

Most Popular Story Of The Year?

It’s not right to pit these two fics against each other, they are for very different fandoms, and I literally published the one on December 27th, so…

But I do like to compare the stats for AO3 and FF.net: Call You Mine had 6 reviews/29 favs on FF.net, and 6 comments/34 kudos/9 bookmarks on AO3. That’s a big deal, in the past years Ghost Hunt fics would get much more interaction on FF.net, now AO3 is breaking even.

Story Of Mine Most Under-Appreciated By The Universe, In My Opinion:

I appreciate every comment, kudo, and fav. I know I say this every year, but it’s true. I write for relatively small fandoms and whenever a reader takes the time to say hi, my heart glows.

Most Fun Story To Write:

Call You Mine. I went into it with the desire to make something incredibly fluffy as a birthday gift and I think I succeeded.

Most Unintentionally Telling Story:

hmm, there are always pieces of me in my stories, but nothing huge this year.

Biggest Disappointment:

I still wish I had written something for the Ghost Hunt Weekend this year.

Biggest Surprise:

House of Memories was almost 3700 words! That’s a long fic for me!

My Favorite Part Of Fandom This Year:

My favorite part of fandom is when I watch or read or listen to some new piece of media and immediately search out the fanworks created for it. Fanfiction. Fanart. Gif sets. And sometimes there isn’t much there, but if I take the time to leave a footprint in the fandom, I hope someone one day find my little piece and enjoys it, too.

No pressure tags: @dreams-of-kalopsia @shesailsships @writercorianarose @csakuras @tsushikoi @eyeliner-vampire

(uhh, I always mix up the original writing blogs with the fanfiction ones especially if they are fandoms I'm not familiar with. If you write fanfic, consider yourself tagged!)

[aixcc79]

The Gifted

Ok, I’m supposed to be resting right now.. Watch every series or movies i want to watch. But after finishing this one I want to right away write a review about it and rest again. Haha.

Scifi, suspense, comedy, drama, and even cute little romance.

Casts did great specially the main leads. Damn those kids could really go a long way in thai entertainment world.

Acting were good, well not all, but i…

[gloster]

FAVORITE FANFICS OF 2019

HAPPY NEW YEAR’S EVE & HAPPY 2020 TO YOU ALL.

So this was a fun post I did last year, inspired by the dozens of Favorite Books of 2018 by the booktubers I followed and I thought to myself: why not do a little something something for the fanfics that stood out to me, stuck me with throughout the year. 

Last year I read insanely amazing reads, and if you’re interested to see what were my favorite fanfics of 2018, here’s the link: past favs

For this year, I read sooooooo many incredible fanfics that it was hard to narrow it down to just 10. And the funny thing is, a good portion were from the same author, so it was insanely hard picking the top one. 

I implore all of you reading and following me to try the tag-and please tag me. Always on the hunt for fanfic recs. I also am curious to hear the favorites from the following people: @kila09, @sebbies, @bookstakeyoutootherworlds, @scarlet47, @fleetofshippyships, @eyelashesandentropy, @tired-luxis, @dreamydrarry, @mothermalfoy, @profoundfelicity & @goldentruth813

Without any further ado, here are my top 10 favorite fanfics for 2019:

1). Soup-pocalypse and The Great Curry Cataclysm by SqaudOfCats/ @norelationtoatticus (drarry)

Summary: Eleven years after the war, Draco Malfoy leads a quiet, boring, and perfectly respectable life, thanks very much. Or, at least he does, until a sudden and very unexpected veela awakening causes him to throw soup all over Harry Potter in the middle of the Ministry cafeteria.

If the summary alone doesn’t get you to immediately click on the link and read, I don’t know what to say. But I can say this. SqaudofCats has become my new drarry favorite author period. I read all of her drarry stories, loved them all, and am hoping she does more. 

This story, in one word, was a GEM. A FUCKING GEM. It was so so so good.There were so many good elements: Veela Draco, Dad Harry raising Teddy, Draco learning how to cook, a strang but HILARIOUS courtship involving food that I didn’t realize how much I needed until this story. It was also a perfect blend of fluff with so many cute moments and angst, which thankfully didn’t involve the couple but had to do with Harry’s mental health and PTSD post-war. 

I read this story back in May and I still think about it. Have to stop myself from reading because I have so many fanfic tabs. But it is so good. It’s so addicting. Highly recommend. 

Honorable mentions from this writer:

*Gift for Draco

*Nearly Lost Things, Carefully Tended

2). Cinderfella by @goldentruth813 (sheith)

Summary: Takashi Shirogane is exactly the kind of man Keith likes; built like a brick house with a smile sweet enough to rot teeth and a heart of gold. Of course he’s also YouTube famous and worlds out of Keith’s league. The closest he can get to his pseudo-celebrity crush is when he watches Shiro’s videos from the safety of his bed. Or so he thinks.

This incredible bean of a human being, this incredible writer is the reason I was pulled into the sheith ship long before I finally got into the show-and then had me drag @kila09 into the incredible maddness that is Shiro and Keith and the crew....and the disappointing season 8 that I am still pissed about. But yes @goldentruth813 is the reason why I got pulled into this ship, and this fanfic is the story that sealed my love for sheith and made them my 3rd favorite ship of all time. 

This story is a fun, hilarious modern twist of Cinderella that obviously involves two guys, one is who a popular Youtuber and the other who is a hardcore super fan who meet in the most surprising circumstances and come back together in the most hilarious of ways. With our classic glass slipper being a beloved leather jacket. 

It’s so stinking cute. It’s so hilarious. And it’s so weird since, while I do appreciate the fairytale, Cinderella isn’t one of my favorites but I’m a sucker for a good retelling of it. And this was so good.

Honorable mention by this writer: 

*Safe Haven 

3). Burn the Witch by @lettersbyelise (drarry)

Summary:  When Harry Potter is sent in to investigate Draco Malfoy’s successful potions company, posing as Draco’s bodyguard, he doesn’t know the case will launch a series of events that will change his life — and Draco’s. A story about choices, scars, Chopin piano pieces, and finding all kinds of love in the most unexpected places.

Let’s be honest here. At this point, are we really surprise to see this story here , featured in a favorites/rec list? Are we honestly surprise? At this point, I feel every drarry-shipping reader has read it. Devoured it. And praised it. 

This story pretty much took over the drarry community the way Red, White & Royal Blue took over the book world. There wasn’t a day when I didn’t see Burn the Witch featured in a drarry fanfic recs post, saw posts praising it. Fanart of it, edits for it, and several mood-boards. It was THAT STORY. And I am proud to say it was worth THE HYPE. 

Because it’s so well-known, I’m not going into too much detail but I can say it involves Daddy Draco and Scorpius who is precious, Harry in an undercover mission, and has one of the BEST post-war, slow-burn to the point of excruciating drarry relationship I’ve read all year. READ IT. 

Honorable mention by this writer:

*Draco Malfoy’s Stupendous Seduction Seminar

*Love Me (Four Times)

4). Evitative by Vichan (drarry)

Summary: In the summer before his fifth year at Hogwarts, Harry is drawn to a room in Grimmauld Place. Like the Gryffindor he is, he enters the room without fear. The room is a library, and Harry is surprised to find that he’s eager to learn.Then he gets the bad news: he’s been accidentally expelled from Hogwarts, and he needs to be sorted again. Everyone is confident that he’ll go straight back to Gryffindor, but with what he's been learning, Harry’s not so sure.

Out of all the stories I have in my list, this is the only one that is currently a WIP. I know some are hesitant with WIPs but this one is so worth it. Another hidden jewel found by chance. This story has to be one of the best slytherin-Harry ever and that shows the Slytherin House and the Slytherins in a positive light while still remaining true to their cunning ways. 

5). Up We Go by Oh_Hey_Tae (BTS: Taehyung x Jimin x Yoongi)

Summary: “If you’re a witch that works with plants, then why are all of yours dead? That can’t be good for business.”

The room dims again, and Jimin lifts a hand to flip off the ceiling. Taehyung knows he’s sad and that’s why the shop darkens and he shouldn’t find it funny—but he can’t help it. Because this is ridiculous. The good kind of ridiculous. The amazing kind.

(Or: Taehyung has a green thumb, Jimin runs a magical store, and Yoongi can kind of see dead people.)

Oh my goodness, where on earth do I even begin with this one? I am loss for words. It’s been months since I read it and I am still lost for words on how incredible it is. This story reads like a fairytale. Who am I kidding? This is a fairytale. A beautiful fairytale that is of loss, grief, friendship, family, love, and magic. And a beautiful fairytale that features a poly relationship

I was broken at the last word of the last chapter. Broken. Broken and put back together again.This story was so heartbreaking and heartwarming and I couldn’t think of anything else the whole damn week after I finished it. It was that good. 

Honorable mention by this writer:

* Tell Me Again

6). Silence by the Night by @parkkate (drarry)

Summary: After a spell goes horribly wrong, Harry has to deal with the loss of his eyesight. It’s such terrible timing, too, because how is he supposed to find out what Malfoy has been up to in the Room of Requirement? It’s not like he can ask the git, not only because it’s Malfoy, but also because the Slytherin has suddenly lost his voice. While they’re both trapped in the hospital wing, however, Harry discovers there’s so much he didn’t know about Malfoy, and it’s highly intriguing, but also a bit alarming. Where did all these confusing feelings come from all of a sudden? And what is Harry going to do about them?

See no evil. Hear no evil. Speak no evil. That is the best way to sum up this story. The themes of it certainly tie with the story. This story....there is a certain chapter and @parkkate knows what I mean if she remembers my reviews that shattered me. That made me sit down with a gasp because the angst just cut through me in a way that no other drarry fanfic had do to me. @parkkate I hope you know what I mean. 

Funny thing is about this fanfic is that it took my lazy butt forever to read it, like months after it was done. And mind you, I’ve seen so much praise and incredible fanart for this fanfic as well. So yeah, I was cursing myself for not getting to it sooner. And it was so so so so damn good that I literally said to @parkkate THIS IS CANON. This is canon. This happened 6th year after the bathroom scene and no one can tell otherwise. 

7). You only Live Once by @dreaming-fireflies (viktuuri/victuuri)

Summary: It's when the man is soaring in mid-air under the full moon that Victor gets a good look at him: he's Japanese, with black hair slicked back in a styled look, and a lithe body covered in tight, tight, leather under a navy blue coat.

And when the man lands on the ground again, Victor sees the final piece that captures his heart absolutely and thoroughly – a pair of brilliant, golden eyes.

Victuuri supernatural AU in which Victor is a Western demon hunter and Yuuri is a Japanese half-youkai exterminator.A cross-cultural romantic comedy/drama, with Japanese mythology, shounen action, and slice of life elements.

Literally the summary itself said everything you needed to know, everything that should AND MUST intrigue you enough into reading, that I don’t know if I really have anything to add. But I’ll try to add some of my own input. 

Like the summary said, this is a Supernatural-au YOI story, infused with Japanese mythology. Two different shows that shouldn’t work together but somehow did, creating such a fantastic read. I loved it. From beginning to end. I even knew first chapter it was going to be an ultimate favorite of mine. This fanfic just reminded me of my great love for Vikor and Yuuri-and my need for a fucking season two. As well as reminded of the glorious prime days of Supernatural, which in my opinion were seasons 4 & 5. There was action, there was angst, there was mutual and insane pining from both sides, and so many incredible moments to put into words. Seriously, what more could you want?

@dreaming-fireflies, you seriously did the damn thing with this story. 

Honorable mentions by this writer: 

*Entwining Fates 

*Zanka

8). your sharp and glorious thorn by @arahir (sheith) 

Summary: To end the war they inherited, Keith marries the King he lead an army against.

“You know, we met once,” the king continues, voice closer, and Keith almost turns. They met many times on the field—but then the king clarifies with a single word. “Before.”

Before he was a king. Maybe before he was a general. Keith has traced his rise like the growth of a seed he planted in clay and never expected to see again for how poorly he sowed it. None of this would have been possible without Keith—not the war, not a line soldier's battlefield promotion, not the end of it all, tied up so neatly by all Keith’s best mistakes. Not the killing, either. The king is right about that much, at least.

This is an arranged-marriage AU story, a trope I don’t love too much unless it’s really well done, and had very strong Game of Thrones vibes. And please note when I said Game of Thrones, I mean Game of Thrones back in its incredible prime, not the shitty season 8 we all agree was a nightmare never to be thought of again. But yes, this story was so good. Arranged marriage, enemies-to-lovers, slowburn. Please read. 

9). Your Constellation Prize by rosegardenlake aka @whoalookingcooljoker (sheith)

Summary: Akira is Hollywood's biggest celebrity. He sings, he acts, he models, he does it all and he does it perfectly. That's what Shiro thinks at least, but what would he know? He's just a tired office worker whose dreams fell through years ago. ...But when he sees Akira, oh god, when he sees him - Shiro's world fills with light again.

When Shiro lands an interview to be an assistant at Akira's company, he has a hard time believing it's reality. Though Akira's rarely around, meeting everyone is like a dream. Especially meeting Keith, Akira's shy sweet dorky cousin (OR IS HE?!)

I didn’t realize how much I would liked-love in fact-or needed a celebrity-AU until I read this story.  And that’s about all I will say since I feel anything else will probably make things spoilery. But I will this say: these two can be such idiots, but they’re our lovable idiots and they’re so sweet, so soft. Also that this story definitely well-portrayed the dark side of fame.

10). That Old Black Magic by @bixgirl1 (drarry)

Summary: Centuries ago, marriage contracts were the norm — ready-made alliances between families, expected and complied with, without complaint. But norms have a way of changing, and when a long-dormant contract flares to life, Harry has to navigate an unexpected splintering of the path he'd thought would be easy after the war... with Draco Malfoy.

Least but certainly not least: an incredible, incredible drarry story done by the impeccable @bixgirl1. 

I know I said that I’m not the biggest fan of the arranged marriage trope since I’ve been let down by so stories that started out promising but disappointed in the end. However, there are a few authors who I can always count on to make this trope into a great story. Such as @beatitudinembty, and also @bixgirl1. 

This being is pretty much....I wanna say Sarah J Maas, one of my fav authors, in the drarry community. Everyone knows her. Everyone loves her. Everything she writes always turns into gold, and this latest story by hers was no except. Arranged marriage brings Harry and Draco together in the most infuriating, excruciating, incredibly-done slowburn. 

Honorable mentions that I seriously wanted to add to the list but this post is already lengthy. All amazing, all greats reads by various writers y’all should check out:

*Moon-Eyed by @l0vegl0wsinthedark (Veela Draco, werewolf Harry, done by another star in the drarry community 

*Expectant by @l0vegl0wsinthedark (drarry mpreg with Veela-Draco & werewolf-Harry)

*Where There is Tea by @bafflinghaze (drarry + bookstore+ tea=goodness)

*The Rules of Matchbreaking @nerdherderette ( drarry: match-maker Draco, oblivious Harry, what more could you want?)

* Come For Me by Frayach (drarry; STEAMY STEAMY smut and disabled rep)

*I Want Your Touch (And I Want Your Love) by @awjiminie (yoonmin with bad boy Jimin, good boy yoongi. What more could you want?)

*Seasons of Love by mucha (BTS; Jimin x Tae x Yoongi; incredibly well-done poly relationship)

Lovely people, that concludes my favorites of 2019. So many fantastic fanfics that I could spend hours gushing over them. To the writers who created these incredible stories. I applaud you. I thank you for creating and sharing these wonderful stories. Anyone interested in doing the tag, please do. 

HAPPY NEW YEAR, GUYS.