#jameela jamil icons

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NO!!!

NO! NO! nO—!

LAUNCH! THE INVASION! OPEN ALL RIFTS! STRIKE EVERY KEY FEDERATION TARGET!

opening up that many wormholes will tear apart the fabric of subspace!

OH, OUR WORLD IS ALREADY TEARING ITSELF APART. AND IF OUR ENEMIES WISH TO JOIN THE FEDERATION, THEY! CAN!

IN!!!

D E A T H ! ! !

[talyayet474]

Jameela Jamil

[90363462]

Jameela Jamil on Taylor Swift:

''Here comes the hate train because a woman made stuff that she forced nobody to buy or pay attention to.''

[showmeyouricons]

26/40 March 2024 Vogue Cover Stars: Jameela Jamil

[allgirlsareprincesses]

Love At First Sight (2023)

Okay, we’re going to talk about the new Netflix romance directed by Vanessa Caswill, Love At First Sight, because I’m seeing almost no chatter about it and that cannot stand. Full disclosure, I’ve never read the book on which this movie is based, The Statistical Probability of Love at First Sight, so I’m reacting only to the film (which I’ve now seen 4.5 times in 2 days).

The Surface Reading

It’s a perfect, tight, adorable little RomCom that’s heavy on the Rom and light on the Com, with a wrenching dash of angst and the most hair-twirling chemistry between two leads that has graced our screens in years. Truly, if all you want is 90 minutes of two actors being saccharine precious cinnamon rolls, look no further!

There are simple takeaways here, like that chance can only take you so far, but in the end you have to choose to love. Or that change and loss are part of life and you can’t run from them. Or that London is a massive labyrinth of eccentric people that probably looks 400% cooler onscreen than it is in reality (I wouldn’t know, I’ve never visited, so this and the 90s Parent Trap are the extent of my knowledge about the city, sorry).

Anyway, I adored how straightforward the story was - that the narrator (played brilliantly by Jameela Jamil) tells you directly in the first two minutes that it’s a story about love, fate, and statistics. She then repeatedly describes every development as it is happening, the characters’ histories and internal monologues, and all the context you need to follow the thin but fast-paced plot. The writing, performances, and production design are all solid, allowing the audience to get lost in the romance as it unfolds.

BUT if you’re slightly unhinged like I am and you’re always looking for more layers in your media, HAVE NO FEAR! There is in fact more going on in this little movie than you might expect.

Color Theory

For starters, the use of red and green in the film is fascinating. Yes, I realize the action of the story takes place a few days before Christmas, so you might assume it was just a seasonal aesthetic choice, but if you look closer, you can see very carefully selected shades of red and green repeating throughout the film. The red is a cool, deep rose color, sometimes pink, while the green is cool and dark, like oxidized bronze rather than emerald. Further, while they appear over and over, these hues are rarely used in a purely decorative or festive way. Instead, they play a role in the separation and coming together of the couple. On a color wheel, red and green are complements, perfect opposites that are never adjacent but always joined in the middle.

The title card during Hadley’s introduction is literally a green stripe over a red stripe, then the hallways of the airport are green, and of course Hadley’s ever-important backpack is a rosy red. As the couple grow closer on their flight, the light turns pink. Once in London, a green van takes Oliver one way while a red taxi takes Hadley the other. At her father’s wedding, Hadley is dressed in red (“the color of a bruise” she calls it), contrasting beautifully against her green jacket. Upon realizing Oliver’s true purpose, she chases after him on an iconic red double-decker bus. Meanwhile at the living memorial, Oliver’s father is dressed in red while his mother wears a faded green, as if to say she is already beginning to fade away. The event is decorated with green drapery and streamers, and there are even stacks of red and green chairs in the stairwell where Oliver begs his mother to receive treatment.

Hadley gifts her red and green bouquet to Tessa, and when she is driven away, a green-clad narrator returns the red backpack to Oliver. Wandering London alone, Hadley exchanges her painful red heels for a pair of green trainers (“sneakers!” she insists), and tries to call her dad first in a red phone booth and then on a phone from a stranger sitting in a cluster of red chairs. Finally, Oliver chooses to pursue Hadley to the wedding reception which is lit in pink, and where they finally share the long-awaited kiss.

There are many more examples, but in general we see that green indicates separation and loss, while red symbolizes joining, intimacy, and (what else?) love! It lends the film a gorgeous, subtle aesthetic without being garishly festive, and shows the lovers’ emotional journey from lonely childhood to vulnerable, loving adulthood.

Death and Rebirth

Speaking of which, there’s plenty of rebirth imagery too! When Hadley and Oliver meet, they are both still children, struggling with the impending loss of parental security through divorce and death. Thus, when they board the plane, it is as if they enter an underworld or womb, separated from their families and remade as new adults. They emerge on the other side into a hallway (read: birth canal), as each must still confront their own dying childhood before they can join as full and equal partners. Hadley journeys to a bright, red-strewn celebration of life, while Oliver must enter a dark green commemoration of death, his fear driving him deeper to hide in another hallway. Here his mother comes to find him, begging him to emerge into life, but Ollie still can’t confront her death alone.

Thankfully, Hadley travels to this underworld to find him, bursting into the memorial like a bright red flower. Even the bruise metaphor works, acknowledging the pain they are both experiencing at the changes in their lives. But Oliver still refuses to face his fears, trying to take a shortcut around death to life with Hadley. Still, she knows he’s not ready (likely because she’s not yet, either), and gently pushes back. And so, Oliver returns to the underworld, and Hadley walks off alone until she descends barefoot through a soggy riverside tunnel (birth canal again!). Finally, she calls her father and admits she is “lost.” When he arrives, Hadley at last gathers the courage to ask why he ended their old life, and to tell him how much it hurt her. But as Oliver predicted, she forgives her dad and even begins to accept his new bride.

Back at the memorial, Oliver is reminded by Hadley’s red backpack - his unaddressed emotional baggage - to be honest about his pain. In at last openly mourning his mother and his own childhood, Ollie takes a step into adulthood, just enough for his family to nudge him that extra bit to go after Hadley. And so, the family delivers him to his bride, who has meanwhile learned to dance again, even through her heartbreak. With one last confession, the two consummate their love with a kiss, bathed in pink light before an open door.

Happily Ever After

There’s so much more, with the hand-holding, numbers, Shakespeare, Dickens, the music, and beyond, but the point is that this cute, charming little romance is actually very deliberately constructed. It follows timeless patterns and motifs which we instinctively understand through visual and auditory language. And the narration plays a huge role in this as well, not unlike the prologues and epilogues of the Bard’s plays in that they state the story’s lessons plainly: that we cannot always be prepared for unwelcome surprises, but that we can make the choice to love every day.

Anyway, Vanessa Caswill deserves all the flowers and if you haven’t seen her gorgeous adaptation of Little Women (with all due respect to the marvelous Greta Gerwig and Gillian Armstrong), please do yourself a favor and watch that after you finish this!

[sinnamonscouture]

40 Vogue Icons Covers British Vogue March 2024 for Edward Enninful’s Last As Editor-In-Chief

On the cover: Adut Akech, Adwoa Aboah, Amber Valletta, Anok Yai, Anya Taylor-Joy, Ariana DeBose, Cara Delevingne, Christy Turlington, Cindy Crawford, Cynthia Erivo, Dua Lipa, Gemma Chan, Gigi Hadid, Gugu Mbatha-Raw, Iman, Irina Shayk, Jameela Jamil, Jane Fonda, Jodie Comer, Jourdan Dunn, Kaia Gerber, Karen Elson, Karlie Kloss, Kate Moss, Laverne Cox, Lila Moss, Linda Evangelista, Maya Jama, Miley Cyrus, Naomi Campbell, Oprah Winfrey, Paloma Elsesser, Precious Lee, Rina Sawayama, Salma Hayek, Selma Blair, Serena Williams, Simone Ashley, Victoria Beckham & Vittoria Ceretti

[lavendarhearts]

holy shit no bc like I was literally just supposed to be doing hw but I think I got distracted and suddenly I'm crying bc I dived into David Tennant lore like he's in Good Omens, Doctor Who, and Ducktales, right? WELL, in Doctor Who, they said there were different universes so I'm thinking maybe all the shows and movies that David Tennant are in are just different universes. Like, David and Catherine Tate are both in Doctor Who and Ducktales. HOWEVER, in Ducktales, they are each other's greatest enemies while in Doctor Who, they are best friends. In parallel universes, few things change and what if Ducktales was literally just a parallel duck universe??? LETS NOT FORGET THE DOCTOR WHO REFERENCES IN GOOD OMENS EITHER. Ik it's just stuff the cast put in but pls just feed into my delulu mind. AND LETS ALSO NOT FORGET THAT NINA'S ACTRESS, NINA SOSANYA IS ALSO IN DOCTOR WHO, AS WELL AS ANNA MAXWELL MARTIN IN S1. What if Community, b99, and Parks and rec are also connected to this? BC Danny Pudi, Jim Rash, and Bridget Brewster are all in Communty BUT THEYRE ALSO IN DUCKTALES W DAVID TENNANT. And in Community, it stars Jason Mantzoucas. Ik he only made like one appearance but hear me out. What if it was just Pimento under cover or in hiding? He was also in Parks and Rec. You know who was in Parks and Rec? JEAN RALPHIO. WHO IS JEAN RALPHIO? DEWEY DUCK. BUT GUESS WHAT?? THERES MORE. Jameela Jamil was also in Ducktales as Gandra Dee but you know who her most iconic role is? Tahani Al Jamil in The Good Place. The Good Place also has Marc Evan Jackson but he was also in FUCKING DUCKTALES. BUT JASON MANTZOUCAS IS ALSO IN DUCKTALES???? SO IS STEPHANIE BEATRIZ WHO IS ALSO IN B99. WHO ELSE IS IN BROOKLYN 99? MARC EVAN JACKSON AS KEVIN COZNER. Giancarlo Esposito is also in Ducktales apparently but he was also Gilbert from Community. BUT WAIT WHAT IF HARRY POTTER IS CONNECTED TOO? BC DAVID TENNANT IS BARTY CROUCH JR AND BARTY CROUCH SR IS ROGER LLOYD PACK AND HE IS IN DOCTOR WHO S2. FILCH WAS THE FIRST DOCTOR. ANDREW GARFIELD IS SPIDERMAN BUT HE IS IN DOCTOR WHO AS WELL????????? WHO ELSE IS ANDREW GARFIELD KNOWN FOR? REMUS GODDAMN LUPIN THE WEREWOLF. HARRY LLOYD ISIN DOCTOR WHO BUT HE IS THE FANCAST OF LUCIUS MALFOY ALSO, WASNT MOANING MYRTLE ALSO IN DOCTOR WHO? MADAME TRACY IN GOOD OMENS IS LITERALLY RITA SKEETER, MADAM HOOCH IS CASSANDRA THE SKIN HUMAN THIBG AND THE TENTH DOCTOR LITERALLY SAYING EXPELLIARMUS LORD SEND ME MENTAL HELP AND GIVE ME PEACE IVE CONNECTED THE DOTS OMG AND DONT EVEN GET ME STARTED ON THE FACT THAT CATHERINE TATE IS IN THE OFFICE FUCK ME I DRANK A FAT ASS CUP OF BLACK COFFEE W SUGAR

[lifeisbetterinmydreams]

Jameela Jamil absolutely killed it as the narrator she was so iconic

[doamarierose-honoka]

A New Logo For Pixar's Next Film Elio Has Been Released

D23 Brasil got to see some new footage from Pixar's next film, Elio, but they have released a new logo for the film. It will be released on June 13, 2025.

Pixar is coming off an excellent year with Inside Out 2, but they have another film right around the corner as well. Elio was supposed to be here before Inside Out 2 but was delayed. However, Disney and Pixar must think they have another winner on their hands because they gave the film a prime-time release date of June 2025, when it was supposed to come out in the spring of this year. Attendees at D23 Brasil saw some new footage today, but they didn't release anything online. However, we got a new logo for the movie, which is worse than the first one. It's purely black and white now, which is kind of lame, and the planet detail on the "I" has been replaced with a solar system detail. The Pixar version of every social media or website logo has been getting worse over the years because it has to be simplified to work as an icon on our phones.

New Logo © 2024 Disney/Pixar. All Rights Reserved

Old Logo © 2023 Disney/Pixar. All Rights Reserved.

COSMIC MISADVENTURE – Elio, a space fanatic with an active imagination, finds himself on a cosmic misadventure where he must form new bonds with eccentric alien lifeforms, navigate a crisis of intergalactic proportions and somehow discover who he is truly meant to be. Directed by Madeline Sharafian, Domee Shi and Adrian Molina, and produced by Mary Alice Drumm, the film features the voices of Zoë Saldaña as Aunt Olga, Brad Garrett as Lord Grigon, Jameela Jamil as Ambassador Questa, and Yonas Kibreab as the title character. "Elio" releases in theaters June 13, 2025. © 2024 Disney/Pixar. All Rights Reserved.

The above teaser trailer is from 2023, but this movie still looks really cute, and considering that Pixar said they are leaning into established IP over original stories, this and Hoppers might be the last original stories we see from the studio for a while. I hope Elio kicks all sorts of box office asses so Disney, Pixar, and everyone writing the checks see the value in original stories.

Elio: Summary, Cast List, Release Date

For centuries, people have called out to the universe looking for answers—in Disney and Pixar's all-new feature film Elio, the universe calls back! The cosmic misadventure introduces Elio, a space fanatic with an active imagination and a huge alien obsession. So, when he's beamed up to the Communiverse, an interplanetary organization with representatives from galaxies far and wide, Elio's all in for the epic undertaking. Mistakenly identified as Earth's leader, Elio must form new bonds with eccentric alien lifeforms, navigate a crisis of intergalactic proportions, and somehow discover who and where he is truly meant to be. Directed by Madeline Sharafian (Burrow Sparkshort), Domee Shi (Bao short, Turning Red) and Adrian Molina (co-screenwriter/co-director of Coco), and produced by Mary Alice Drumm (associate producer of Coco), the film features the voices of Zoe Saldaña as Aunt Olga, Brad Garrett as Lord Grigon, Jameela Jamil as Ambassador Questa, and Yonas Kibreab as the title character. Elio releases in theaters on June 13, 2025.

[inmediasresblog]

The Rebels of the 2023 Met Gala

The 2023 Met Gala paid homage to the late Karl Lagerfeld iconic designer and creative director for both Chanel and Fendi. The red-carpet hosted standout looks from designer Thom Brown, plenty of iconic vintage pieces and the men wearing more than just plain suits for once. This year’s gala theme saw arguably one of the most cohesive collections of looks with black and white colour schemes, pearls, and signature Chanel silhouettes. 

However, there were certain standouts from the crowd, and no, I’m not talking about Jared Leto and Doja Cat’s Choupette cosplays or whatever Lil Nas X was doing. I am instead referring to all those who subverted this year’s theme actively embodying the things Lagerfeld disapproved of or spoke out against whilst still remaining fashionable and met gala worthy. 

Karl Lagerfeld’s talent as a designer was undeniable and his impact on the fashion industry was astronomical, however, he has also become a controversial figure when it came to his misogynistic and fatphobic comments as well as his beliefs on refugees and immigrants. He famously expressed his belief that no one would want to see curvy women on the runway and once called model Heidi Klum ‘simply too heavy’ to be a runway model. He mocked the MeToo movement in 2018 and even revealed that he did not support gay marriage despite being gay himself. This prompted backlash, most notably from actor and activist Jameela Jamil who expressed disappointment at this year’s Met Gala theme and the celebrities who attended. Now I by no means think that the celebrities who attended this Met Gala and praised Karl should be villainised as they are simply there to showcase the outfits. However, fashion has always been inherently political, so it was somewhat satisfying to see certain celebrities making more subtle statements on the red (or rather aquafresh) carpet. 

Firstly, Lizzo in her classic Chanel gown and pearls. On the surface this dress seems rather basic, boring even, and is not what fans were expecting from the loud and often eccentric pop star. However, perhaps the subversion of this look comes from Lizzo herself, as a fat, body positive, black woman Lizzo wouldn’t exactly be Lagerfeld’s ideal Chanel model. It’s possible Lizzo didn’t feel her outfit needed to make a statement as she was already doing that simply by being at this year’s met. 

Maybe this is a stretch and Lizzo was simply at the Met Gala because she was invited and not to make a statement, however, I find it harder to believe that Viola Davis was unaware of the statement she was making when wearing her outlandish pink Valentino gown. Lagerfeld famously hated the colour pink saying, “Think pink, but don’t wear it”. 

Other stars like Ashley Graham, Quinta Brunson, Gwendoline Christie, and Sydney Sweeney wore a muted pink but Viola Davis’ dress stood out with its brightness and blooming feathers. Initially, when exploring the Met Gala looks, I hated this dress and couldn’t understand why Viola and her team had decided on it. However, understanding the rebellion it represents has painted it in a new light, and whilst I’ll be honest, I still don’t like the dress, I comment the thought behind it. 

Finally, I cannot talk about powerful pink looks at this year’s Met Gala without mentioning possibly one of my all-time favourite male looks from a Met Gala and that is Harvey Guillén’s Met Gala debut in Siriano. “The theme of the night was Karl… so in his honor, I came as my fat POC self in pink,” He told The Advocate.[1] Perhaps I may be a little biased as a long-time fan of Guillén, however, I feel this is how to send a message at the Met Gala and still look fabulous. Overall, I disagree with Jameela Jamil’s comment’s that the celebrities attending the Met ‘relinquished (their) right to be taken at all seriously about anything important.’. I think it is possible to acknowledge Lagerfeld’s fashion legacy whilst simultaneously condemning his truly terrible beliefs and actions and I feel we see this best from the few celebrities bold enough to subvert the theme and still participate in the absolute phenomenon that is the Met Gala. 

[1] https://www.advocate.com/people/harvey-guillen-met-gala-siriano#rebelltitem18

[amcsociety]

Title: Transformers: Rise of the Beasts (2022)

Cast:

- Anthony Ramos as Noah

- Dominique Fishback as Elena

- Peter Cullen (voice) as Optimus Prime

- Ron Perlman (voice) as Optimus Primal

- Tony Todd (voice) as Megatron

- Ron Perlman (voice) as Scourge

- Benicio del Toro (voice) as Mirage

- Jameela Jamil (voice) as Arcee

Synopsis:

"Transformers: Rise of the Beasts" is the seventh installment in the Transformers film series, directed by Steven Caple Jr. The movie introduces new characters and expands the Transformers universe by incorporating elements from the popular Beast Wars storyline. Set in the 1990s, the film explores a conflict between the Autobots and Decepticons that escalates to involve ancient forces and the emergence of new transforming creatures.

Summary:

"Transformers: Rise of the Beasts" takes the franchise in an exciting new direction, blending the familiar Transformers characters with the iconic Beast Wars mythology. The story follows Noah, portrayed by Anthony Ramos, a military veteran struggling to find his place in the world. When he encounters the Transformers, including Optimus Prime and a group of Maximals and Predacons, Noah becomes embroiled in a battle for the fate of Earth.

Set in New York City and its surrounding areas, the film introduces the concept of "Beasts" - robotic beings capable of transforming into animals. Optimus Prime, voiced by Peter Cullen, assumes the form of a Western Star truck, while Optimus Primal, voiced by Ron Perlman, takes the shape of a massive gorilla. The Decepticons, led by Megatron, voiced by Tony Todd, and Scourge, voiced by Ron Perlman, threaten to unleash chaos and destruction.

As the Autobots and Maximals form an alliance, they are joined by human allies, including Elena, played by Dominique Fishback, a talented artifact researcher. Together, they must uncover the secrets behind the ancient Transformers and prevent the Decepticons from harnessing their power for nefarious purposes.

"Transformers: Rise of the Beasts" delivers a thrilling blend of action, adventure, and nostalgia. The film pays homage to the Beast Wars series, incorporating fan-favorite characters such as Mirage, voiced by Benicio del Toro, and Arcee, voiced by Jameela Jamil. The battles between the transforming creatures are intense and visually impressive, showcasing the advancements in visual effects since the franchise's inception.

Anthony Ramos brings charisma and relatability to the role of Noah, a character thrust into an extraordinary conflict. Dominique Fishback impresses as Elena, displaying intelligence, courage, and a deep understanding of Transformers lore. The voice performances, including Peter Cullen's iconic portrayal of Optimus Prime, Tony Todd's menacing Megatron, and Ron Perlman's commanding voice work, add depth and authenticity to the characters.

While "Transformers: Rise of the Beasts" builds upon the established Transformers universe, it also serves as a standalone story that welcomes new audiences. The film explores themes of identity, loyalty, and the potential for redemption, offering a well-rounded narrative that balances character development with epic action sequences.

In conclusion, "Transformers: Rise of the Beasts" breathes new life into the franchise by integrating the beloved Beast Wars mythology. With its impressive visual effects, strong performances, and a captivating story, the film provides an entertaining and immersive experience for both longtime fans and newcomers. The battle between Autobots, Decepticons, and the emerging Beasts sets the stage for an exciting chapter in the Transformers saga.

[showmeyouricons]

26/40 March 2024 Vogue Cover Stars: Jameela Jamil

[7wheat]

The Top 10 Comedy Series Must-See

Comedy series have been a staple of television for decades, and with the advent of streaming services like Netflix and Hulu, there are more options than ever before. From classic sitcoms to new, cutting-edge shows, there's something for everyone. Here are the top 10 comedy series that are a must-see for any comedy fan. The Office (U.S.) Perhaps the most iconic comedy series of the 21st century, The Office is a mockumentary-style show that follows the day-to-day lives of employees at a paper company. The show's humor is often cringe-worthy and uncomfortable, but it's also incredibly smart and witty. With a talented ensemble cast that includes Steve Carell, John Krasinski, and Mindy Kaling, The Office is a must-watch for anyone who loves comedy. Parks and Recreation Created by the same team behind The Office, Parks, and Recreation is another mockumentary-style show that takes place in the fictional town of Pawnee, Indiana. The show follows the employees of the town's parks department, including the optimistic and endlessly likable Leslie Knope (played by Amy Poehler). Parks and Recreation is a heartwarming and hilarious show that celebrates the power of community and the importance of friendship.

Brooklyn Nine-Nine Brooklyn Nine-Nine is a police procedural comedy series that follows a team of detectives in the fictional 99th precinct of the NYPD. The show's humor is smart and fast-paced, with a talented ensemble cast that includes Andy Samberg, Terry Crews, and Andre Braugher. Brooklyn Nine-Nine is a must-watch for anyone who loves witty humor and clever writing. It's Always Sunny in Philadelphia It's Always Sunny in Philadelphia is a dark comedy series that follows a group of self-absorbed friends who own a bar in Philadelphia. The show's humor is often offensive and boundary-pushing, but it's also incredibly smart and satirical. With a talented cast that includes Charlie Day, Glenn Howerton, and Danny DeVito, It's Always Sunny in Philadelphia is a must-watch for anyone who loves edgy humor. Arrested Development Arrested Development is a critically acclaimed comedy series that follows the dysfunctional Bluth family as they navigate various financial and legal troubles. The show's humor is often absurdist and surreal, with a talented ensemble cast that includes Jason Bateman, Portia de Rossi, and Will Arnett. Arrested Development is a must-watch for anyone who loves smart, offbeat humor. The Good Place The Good Place is a high-concept comedy series that takes place in the afterlife. The show follows Eleanor Shellstrop (played by Kristen Bell), a woman who accidentally ends up in "The Good Place" after she dies. The show's humor is smart and philosophical, with a talented cast that includes Ted Danson, Jameela Jamil, and D'Arcy Carden. The Good Place is a must-watch for anyone who loves witty humor and clever storytelling.

Veep Veep is a political satire comedy series that follows the personal and professional life of Selina Meyer (played by Julia Louis-Dreyfus), a former Vice President who becomes President after the incumbent resigns. The show's humor is often biting and irreverent, with a talented ensemble cast that includes Tony Hale, Anna Chlumsky, and Reid Scott. Veep is a must-watch for anyone who loves political humor and clever writing. Atlanta Atlanta is a critically acclaimed comedy-drama series that follows Earnest "Earn" Marks (played by Donald Glover), a Princeton dropout who tries to manage the career of his cousin, an up-and-coming rapper named Paper Boi (played by Brian Tyree Henry). Set in the titular city of Atlanta, the show explores themes of race, class, and identity through its unique blend of humor and drama. With a talented cast that includes Lakeith Stanfield and Zazie Beetz, Atlanta is a must-watch for anyone who loves smart, thought-provoking television.

Schitt's Creek Schitt's Creek is a heartwarming and hilarious comedy series that follows the wealthy Rose family as they are forced to relocate to the titular small town after losing their fortune. The show's humor is often silly and absurd, but it's also incredibly touching and heartwarming. With a talented cast that includes Eugene Levy, Catherine O'Hara, and Dan Levy, Schitt's Creek is a must-watch for anyone who loves feel-good television.

Master of None Master of None is a critically acclaimed comedy-drama series that follows the life of Dev Shah (played by Aziz Ansari), a 30-something actor living in New York City. The show explores themes of love, friendship, and identity through its unique blend of humor and drama. With a talented cast that includes Noël Wells and Eric Wareheim, Master of None is a must-watch for anyone who loves smart, thought-provoking television. In conclusion, these 10-comedy series are a must-watch for anyone who loves television. From classic sitcoms like The Office and Parks and Recreation to cutting-edge shows like Atlanta and Master of None, there's something for everyone on this list. So, grab some popcorn, sit back, and get ready to laugh with these hilarious and heartwarming comedies. See more! Read the full article

[shitedits]

[peachy-ash]

𝐢𝐜𝐨𝐧𝐬 𝐬𝐡𝐞-𝐡𝐮𝐥𝐤: 𝐚𝐭𝐭𝐨𝐫𝐧𝐞𝐲 𝐚𝐭 𝐥𝐚𝐰 - titania icon